AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’ and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply
•
The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply
•
Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply
•
First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing

THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

Aural auspice austerity audible , augur aorist actuator , accidence ambience acoustics .
Counterfactual categorical imperative hubris .
Anarchy iconoclasm, invertible investiture, objectified manifest.
Chicanery dynamism's fealty.  
Ethology's entelechy, zoomorphic zoolatry's social contiguities, élan-vital's apotheosis, oneiromancy's apotropaic.
Chagrin ; fecund cogent apposite germane , inane inert inertia innate , propinquity habitation, proximity parameter perimeter peripherals .
Manumission gambit alluvium aloof , putschist kitsch , pandemicly phatic futurity fatidic, annex annul, extraversion embezzling euthanasia extortion.  
Extravagant exorbitance flirtatious flamboyance, flippantly flighty flit-ness.
Laborious beleaguerment, hypercritically meticulous tedium, diabolically maniacal dementia brusque macabre abrupt.
Ominous phenomenon portrayal spontaneous synchronous.

Financially responsible fiscal policy , plenary plenipotentiary fiduciary principle .
Incarnate encephala enunciate , synthetically conjugational conjecture juxtapositional adjunctly .
Noumenal sentience semantics.  Precociously petulant pedantic antics.
Zenithal azimuth entity zeal , transpicuous opacity , in extremis extremity cantankerous cantilever capacity .
Fulcrum fulgurous fulham presumptive.
Spanned collapsible feasible, vicinity victual vigilante villain, execration eventuation evocative vindictiveness vendetta vial.
Atrociously impetuous impudence impromptu innuendo juncture.
Ephemeral metaphor semantics flaunts , ***** affectation exserted protuberance .
Sepulcher stratagem objectified manifest , protractive analysis dimensional delineation .

Impetus intrigue intuitional intrepid , impertinence important , inadvertency inapplicable , initiate innate interpreters intervene intricacy.
Investiture annuity equity indemnity capital appreciation .
Preeminently preemptive retrospectively retroactive , aegis vagary incite.
Quixotically enrapturing mesmerist .
Sycophant swagger asymptotic hyperbolic, estranged ensemble orchestration .
Histophysiology mendacity somatology morphology metamorphosis, blasphemous farcical fugue preterit orchestrations.    
Terrestrial equestrian tellurian terrene, spatiotemporal telemetry tactician.    

****** matrix apex axis crux , actuarial acuity incursive .
Semantic dialectics eclectic synectic’s , wanton wayward warranty evitable.
Catalyst , relative rationality / rational relativity , circumstance contingency .
Incessant barratry omnipresence presage , decadent arrogant , irksome ire Zen.  
Grotto grouch gumption .
Bailiff rake-ness rails , prerogative presumptive judicature.  

Carousel ceaselessly ceremony chaos character charisma , clambering clamorous clangor .  
Catatonic phonics , concoct catenary concatenation , conjugationally conjunctive clairaudience clairvoyance .  
Ambrosia elixir libation inebriation , mirador bartizan panoramic tableau.
Citadel pinnacle pique piquant , altruism endemic intrinsic indigenous innate , existential allegorical .
Prosthesis pseudopodium prognostication , crude lewd , social stigmatism blind , ghastly gruesome grotesque meld .
Bizarre bazaar demonically deviant denizen , grimacing gremlin greaves gauntlets gamut catalyst abstracts .
Hideously horrible heinously horrendous awfully terrible , imagination's immaturity impromptu innuendo juncture , nuance ***** ,   incarnate encephalic enunciate .
Trajectory sordid transposition interlude rubato hi-jinks , nimbus nimiety exorcism.
Aura roan rainbow mare.  

Explicate zoomorphic zoolatry , exogamy of homogeny ontological ontogeny .
Astral projection prophylaxis protocol , telepathy teleportation .
Extraneous extemporaneous , embark embargo extradition , transcendental accession ascension , ecstatically euphoric meld .  
Deontological probity interstitial endemics , agnate aggregate amalgamated anathema android .
Translational interpretation , epistemology audacious pugnacity impunity.
Executant emulation simulation , evocative malfeasance mens rea  , geomancy effete.
Maieutic fallow feral .  apropos ergo ipso facto , carousing marauder syllogism .

Haberdashery hauberk harbinger harangue equilibrist, harpy harsh hast severities.
Inane inert inertia innate, juxtaposition maenad ethos affinities.
Putrid quasi queasy pathos, emanate imminent perdition acerbities.

Agnate aggregate anathema android amalgamated, predication contract.
Glutton paradoxical dichotomy greaves, gauntlets gamut catalyst abstracts.
Ambidextrous amatory prelude amaze, analeptic adrenergic analgesia analytics extract.  Annex annul.  

Clairaudience clairvoyant omnipresence presage, omnipotent omnificent omniscience.
Pantheism parapet paradigm intuition, prognosticating prosthesis prediction.
Prolific profuseness profundity prosaic, nimbus nimiety nitty gritty, intrados rubato.

Venerable divinatory deity deify veneration, delineate demagoguery ecstasy, agonist agog.
Dream gleam cream seam beam team, serene ravine green gene careen, obscene demean.
Empiricise the existentialisms in the demagoguery of godhead aspiration.
Corporeal anaclitic apex inveterate embezzlement extroversion, acuity alacrity extortion.
Extraneous extemporaneous, ominous phenomena portrayal spontaneous synchronous, aorist actuator.

Endergonic protensive integration extrapolation interpolations investiture elicits.
Scenario synopsis synthesis syncopation, harmony rhymes rhythm.
Synchronous transition transposition interlude, summerial derivation cognition.
                                                      ­­­                                                               ­ ­ ­              
Irk-ness ire aerie altruism allegorical, autonomous avarice oscillating ostracism.
Pandemonium obdurate temerity impunity, impending preponderance onus, numinous illuminism quintessential frolic.
Amorous ardent argent arduous enamor endear, plenary putschist volatile phatic.
Conveyor controvert deft mesmeric deification deist dissertation.
Drastic premise portent pervasive embellish, elusive enhance enchant, engender enthrall.
Perpetuation euphenic euthenics, exude emote concoct recalcitrance regalia, irrefragable preternatural ne plus ultra prurient.
Vernaculars opulent myriad, aesthetic stratagem venial vexatious, astral projection conjuring levity apothegms.

Incite epistemological illuminism, accoutrements umbrage ultraism incognito trajectory extant.
Scandalous scavenger squalid anomalous punitive, heuristic manumission exigency.
Ostensible proclivity prodigious querulous, rambunctious repertoire rigmarole scenic schism sooth.
Ascribe arsenal crucial critical, abhorrent abstinence blatancy berserk, alacritous celerity brogue.
Ceremonial chicanery dynamism fealty, indefatigable incontrovertible ingenuity ingratiate inimical impugn.
Innovate integrity intricate invective convolution, licentious metaphor convection obeisance.
Splurge-ness spry sporadic sprawl, spurious staunch succinct stymie tacit, irate tirade treatise vehement escapade tedium.

Probity irascibly veracious audacity mendacity gumption.
Paphian peccavi preternatural proclivity gesticulation articulation prestidigitation.
Fantastication fantasia fabulist façade, glimmer glisten translucent refulgence.
Subliminally subjunctive nostalgic allusion analogies eidetic’s mnemonics.
Metaphysical mystique’s evolutionally metamorphic futurity fatidic.
Adroit agile nimble tactile acuity prescience capacity intrigue.
Unadulteratedly fornicatious fabrications, portentous ethereal etiquette.
Nose agnate somatology morphology metamorphic, cognition epistemology pragmatics.
Ontological ontogeny causality exigence integumence equivocal.
Innocuous noumenal verity ***** affectation intentions.

Adumbrate intimate obfuscate preterite rendition intimidate.
Logistical tactician spatiotemporal terrestrial equestrian telemetries, physicality’s terrene traverse tellurian terrain.
Vaunt-ness verve’s lucidly illusive, intrepid yare’s predilection predication.
Apriori a posteriori apostrophe shards shroud, innately inert inherency interstitial endemics.                  

Irk-ness ire Zen, graffiti mantra mantis, diminutive minutia iotas inductive interpolation asperities.
Hypercritically mitigating dialectics hypotaxis.
Vituperatively vociferous eerie strident irrefragable orotund  sonorous felicities.
Diacritical diction dharma apomixis.
Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.

Demarcate mirador bartizan panorama, stalwart bastion bulwark tableau, dexterous gargoyle disguise gimmick camouflage.
Decipher coercible coalesce corrupt costume counselor chameleon charlatan chaperone entourage.
Cryptic evocative emulation scenarios siren skeptic, cynical demonic gremlin greaves curtilage.
Zesty zingy zippy zeal zenithal azimuth elaborate elliptical empathy endeavor entity entice.

Clambering clamorous clangor strategic systematic propagate prolific, wield wile treatise expose’.
Aural auspice austerity  axiom conscribe, perplex beleaguer beggary, coax cacophony clout, concatenate chronology.
Erumpent erudition evident evil evert, extol fervor flinty florid, fructify impromptu innuendo juncture.
Kinetic supremacy temporize tractive fluent, precious precess predetermined predatory predicament, gyro gyre.
Horizon hornswoggle huckster, hokey hoot ornery honkies.

Horologist hackamore relative rationality.
Decorum dastardly dazzle deceit, demolish demur, annihilate denigrate.
Armature arcade doughty, panacea parallax serendipity servant serenade.
Personification of sartorial perfection, picturesque visage of spectral grace.
Cosmic enigma rational relativity.

Housebreak huckster squabble brash, hovel huff.
Ghastly gruesome grotesque grisly groaty gnarly grotto grouch compunction.
Caustic cavernous celibate catatonic phonics, apex crux axis matrix cortex cephalic.
Blasphemous farcical fugue-ness and estranged ensemble orchestration acoustics.
Rendition: various assorted forms of related stranger weirdness.
Conjugation coercion junction function, adjunct conjunction conjecture.
Concoct deontology ontogeny, ontological enclitic osteopathy.
Anticipate angary amentia, tiercel theocracy.
Phrenic sensorium sentiment paragon tangible.
Covert aspersion avidity, coherent avid avarice, allegory allocate amatory prelude annex annul.

Tantamount telepathy tantalize talisman talesman, prerogative presumptive judicature.
Subpoena parameter perimeter peripherals prophylaxis protocol.
Real deal seal, sail bail, bailiff rake-ness rail.
Yoni yore yare, leeward lecher leer lingam, menagerie melee hyperbolic milieu thesis, métier quintessential fulham.
Dangle wrangle mangle jangle tangle angle.
Hysterically delirious zany nertsy bonkers bluster boggle.
Gyrate, austere askance obliquely, aspire assail askew.

Cosmic origins metamorphosis implosion contractions revision, blond entropy catalyst.
Cataclysm catastrophe holocaust trauma, inefficacy ineffable expiate.
Chaos cognizant conceive dialectic dictates in extremis extremity meld nuance.
Cryptic cipher circuit citadel clairvoyant sequitur.
Cajole fictitious fiery finesse, invoke fulmination gouts clout, curtilage endeavor iterative itinerary.
Ersatz fiat fulcrum fulgurous indemnify indigenous infernal infidel iniquitous.
Electroacoustics ciphony  Electra complex lore, occipital ubiquity synch.
Psychosomatic psychokinesis cybernetics, penumbral platitude platonic proxy photic.
Assimilate stigma perspicacious, astute asunder atman pulchritudinous.
        
Decadent arrogant pompously bombastic blatant flagrant chaparral.
Diabolically maniacal dementia brusque macabre abruptness.
Swarthy beastly antithetical anathema ******* belligerent, savvy irate berserk-ness tirade.
Ulterior aghast agitator incongruous dire, perdurable peremptory primacy arbitrate zealot.
Cantankerously sorcerous insidiously sinister alchemy cauldron, pernicious visceral pathogenic, virulence truculence.
Ideational hideously horrible horrendously heinous ghastly abysmal abjection.
Perpetuity pervade rampart ransack oblation erogenous scarp lambent actuarial arbitrage.
Exserted protuberant pseudopodia actuator, odious aorist militantly mercenary.

Wingspread wiry wiseacre wherewithal rapacity, implicit important juxtaposition.
Machismo equilibrist machinations, kinesiology kleptomaniac knell physique.
Ribaldry rigmarole rhubarb, risqué rive rollick.
Demeanor kamikaze kerf, megalomania misanthropies modus operandi genocidal xenophobic.
Heredity heritage heresy legacy, pseudonym multifarious nefarious nemesis.
Sepulcher stratagem pantheism parapet paradigm, psychosis neophyte, paragon proselyte.
Pilferous wheedling finagler, plunderous pillaging usurper, longevous loquacity lottery.
Rhapsody rhetoric rote raconteur newfangled nocturnal nonchalant sycophant.
Morose morsel moribund, lurid luscious lyricism lucidity lucrative.
Creative cleaver crafty cunning furtive sneaky stealthy connive.
Aphorism euphemism hegira to xanadu carousing marauder syllogism.
Swell surge flow flux craw crux, virago monad chaos character charisma.
Heuristic cavalier humeral, meager demonstrative anarchy iconoclasm, apropos ergo ipso-facto.
Plenary plenipotentiary omniscience presage, omnipotent directive ubiquity emanations.
Nous agnate ontological ontogeny, exegesis peroration.
Abeyance, exotically ****** quixotic ecstatically emphatic fanatic.
Orchestration rendition unicorn railway mainsail, awry askew askance.

Canny cogent fecund erudite sagacious sequacious conjuring mentality introjection conjugation coercions.
Avant-garde temporal abstract, scenario synopsis eclectic synectics.
Synaptic syntax syndrome aspersion, quagmire quandary poshly plush.
Physicality ***** pictorial, picturesque glyph, debauchery deviant profane ***** vicarious assertion exorbitance.
Mystical silhouette sojourn consortium sabbat conclave liaison, soiree tryst rendezvous symposium excursion compendium.
Incarnate cephalic phantasmagoria proximity parameter phantasm epitomize transitive transcendental syntactic semantics.
Resplendent radiant ephemeral effulgence translucent incandescent luster effluence, reflectively refractive azure opulence effusion.
Contentious pretentiously extravagant eccentric intransigent pedantic antics.
Guidon guile homogenous hovering imagination immaturity, exogamy incorporeity ideologies.
Pique poignant piquant puissant quiescence, obstreperously abstruse vagary plausibility’s cause.
Vivid intangible impetus instinct intrigue, livid lurid allusion.
Autonomous preterite discrepancy amendment emendations, transcendent accession ascensional in absentia expurgation exculpation.

Haberdashery hauberk harbinger harangue equilibrist, harpy harsh hast severities.
Inane inert inertia innate, juxtaposition maenad ethos affinities.
Putrid quasi queasy pathos, emanate imminent perdition acerbities.

Agnate aggregate anathema android amalgamated, predication contract.
Glutton paradoxical dichotomy greaves, gauntlets gamut catalyst abstracts.
Ambidextrous amatory prelude amaze, analeptic adrenergic analgesia analytics extract.

Clairaudience clairvoyant omnipresence presage, omnipotent omnificent omniscience.
Pantheism parapet paradigm intuition, prognosticating prosthesis prediction.
Prolific profuseness profundity prosaic, nimbus nimiety nitty gritty, intrados rubato.

Venerable divinatory deity deify veneration, delineate demagoguery ecstasy, agonist agog.
Dream gleam cream seam beam team, serene ravine green gene careen, obscene demean.
Empiricise the existentialisms in the demagoguery of godhead aspiration.
Corporeal anaclitic apex inveterate embezzlement extroversion, acuity alacrity extortion.
Extraneous extemporaneous, ominous phenomena portrayal spontaneous synchronous, aorist actuator.

Endergonic protensive integration extrapolation interpolations investiture elicits.
Scenario synopsis synthesis syncopation, harmony rhymes rhythm.
Synchronous transition transposition interlude, summerial derivation cognition.
                                                      ­                                                                 ­             
Irk-ness ire aerie altruism allegorical, autonomous avarice oscillating ostracism.
Pandemonium obdurate temerity impunity, impending preponderance onus, numinous illuminism quintessential frolic.
Amorous ardent argent arduous enamor endear, plenary putschist volatile phatic.
Conveyor controvert deft mesmeric deification deist dissertation.
Drastic premise portent pervasive embellish, elusive enhance enchant, engender enthrall.
Perpetuation euphenic euthenics, exude emote concoct recalcitrance regalia, irrefragable preternatural ne plus ultra prurient.
Vernaculars opulent myriad, aesthetic stratagem venial vexatious, astral projection conjuring levity apothegms.

Incite epistemological illuminism, accoutrements umbrage ultraism incognito trajectory extant.
Scandalous scavenger squalid anomalous punitive, heuristic manumission exigency.
Ostensible proclivity prodigious querulous, rambunctious repertoire rigmarole scenic schism sooth.
Ascribe arsenal crucial critical, abhorrent abstinence blatancy berserk, alacritous celerity brogue.
Ceremonial chicanery dynamism fealty, indefatigable incontrovertible ingenuity ingratiate inimical impugn.
Innovate integrity intricate invective convolution, licentious metaphor convection obeisance.
Splurge-ness spry sporadic sprawl, spurious staunch succinct stymie tacit, irate tirade treatise vehement escapade tedium.

Probity irascibly veracious audacity mendacity gumption.
Paphian peccavi preternatural proclivity gesticulation articulation prestidigitation.
Fantastication fantasia fabulist façade, glimmer glisten translucent refulgence.
Subliminally subjunctive nostalgic allusion analogies eidetic’s mnemonics.
Metaphysical mystique’s evolutionally metamorphic futurity fatidic.
Adroit agile nimble tactile acuity prescience capacity intrigue.
Unadulteratedly fornicatious fabrications, portentous ethereal etiquette.
Nose agnate somatology morphology metamorphic, cognition epistemology pragmatics.
Ontological ontogeny causality exigence integumence equivocal.
Innocuous noumenal verity ***** affectation intentions.

Adumbrate intimate obfuscate preterite rendition intimidate.
Logistical tactician spatiotemporal terrestrial equestrian telemetries, physicality’s terrene traverse tellurian terrain.
Vaunt-ness verve’s lucidly illusive, intrepid yare’s predilection predication.
Apriori a posteriori apostrophe shards shroud, innately inert inherency interstitial endemics.                  

Irk-ness ire Zen, graffiti mantra mantis, diminutive minutia iotas inductive interpolation asperities.
Hypercritically mitigating dialectics hypotaxis.
Vituperatively vociferous eerie strident irrefragable orotund  sonorous felicities.
Diacritical diction dharma apomixis.
Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.

Demarcate mirador bartizan panorama, stalwart bastion bulwark tableau, dexterous gargoyle disguise gimmick camouflage.
Decipher coercible coalesce corrupt costume counselor chameleon charlatan chaperone entourage.
Cryptic evocative emulation scenarios siren skeptic, cynical demonic gremlin greaves curtilage.
Zesty zingy zippy zeal zenithal azimuth elaborate elliptical empathy endeavor entity entice.

Clambering clamorous clangor strategic systematic propagate prolific, wield wile treatise expose’.
Aural auspice austerity  axiom conscribe, perplex beleaguer beggary, coax cacophony clout, concatenate chronology.
Erumpent erudition evident evil evert, extol fervor flinty florid, fructify impromptu innuendo juncture.
Kinetic supremacy temporize tractive fluent, precious precess predetermined predatory predicament, gyro gyre.
Horizon hornswoggle huckster, hokey hoot ornery honkies.

Horologist hackamore relative rationality.
Decorum dastardly dazzle deceit, demolish demur, annihilate denigrate.
Armature arcade doughty, panacea parallax serendipity servant serenade.
Personification of sartorial perfection, picturesque visage of spectral grace.
Cosmic enigma rational relativity.

Housebreak huckster squabble brash, hovel huff.
Ghastly gruesome grotesque grisly groaty gnarly grotto grouch compunction.
Caustic cavernous celibate catatonic phonics, apex crux axis matrix cortex cephalic.
Blasphemous farcical fugue-ness and estranged ensemble orchestration acoustics.
Rendition: various assorted forms of related stranger weirdness.
Conjugation coercion junction function, adjunct conjunction conjecture.
Concoct deontology ontogeny, ontological enclitic osteopathy.
Anticipate angary amentia, tiercel theocracy.
Phrenic sensorium sentiment paragon tangible.
Covert aspersion avidity, coherent avid avarice, allegory allocate amatory prelude annex annul.

Tantamount telepathy tantalize talisman talesman, prerogative presumptive judicature.
Subpoena parameter perimeter peripherals prophylaxis protocol.
Real deal seal, sail bail, bailiff rake-ness rail.
Yoni yore yare, leeward lecher leer lingam, menagerie melee hyperbolic milieu thesis, métier quintessential fulham.
Dangle wrangle mangle jangle tangle angle.
Hysterically delirious zany nertsy bonkers bluster boggle.
Gyrate, austere askance obliquely, aspire assail askew.

Cosmic origins metamorphosis implosion contractions revision, blond entropy catalyst.
Cataclysm catastrophe holocaust trauma, inefficacy ineffable expiate.
Chaos cognizant conceive dialectic dictates in extremis extremity meld nuance.
Cryptic cipher circuit citadel clairvoyant sequitur.
Cajole fictitious fiery finesse, invoke fulmination gouts clout, curtilage endeavor iterative itinerary.
Ersatz fiat fulcrum fulgurous indemnify indigenous infernal infidel iniquitous.
Electroacoustic ciphony  Electra complex lore, occipital ubiquity synch.
Psychosomatic psychokinesis cybernetics, penumbral platitude platonic proxy photic.
Assimilate stigma perspicacious, astute asunder atman pulchritudinous.
        
Decadent arrogant pompously bombastic blatant flagrant chaparral.
Diabolically maniacal dementia brusque macabre abruptness.
Swarthy beastly antithetical anathema ******* belligerent, savvy irate berserk-ness tirade.
Ulterior aghast agitator incongruous dire, perdurable peremptory primacy arbitrate zealot.
Cantankerously sorcerous insidiously sinister alchemy cauldron, pernicious visceral pathogenic, virulence truculence.
Ideational hideously horrible horrendously heinous ghastly abysmal abjection.
Perpetuity pervade rampart ransack oblation erogenous scarp lambent actuarial arbitrage.
Exserted protuberant pseudopodia actuator, odious aorist militantly mercenary.

Wingspread wiry wiseacre wherewithal rapacity, implicit important juxtaposition.
Machismo equilibrist machinations, kinesiology kleptomaniac knell physique.
Ribaldry rigmarole rhubarb, risqué rive rollick.
Demeanor kamikaze kerf, megalomania misanthropies modus operandi genocidal xenophobic.
Heredity heritage heresy legacy, pseudonym multifarious nefarious nemesis.
Sepulcher stratagem pantheism parapet paradigm, psychosis neophyte, paragon proselyte.
Pilferous wheedling finagler, plunderous pillaging usurper, longevous loquacity lottery.
Rhapsody rhetoric rote raconteur newfangled nocturnal nonchalant sycophant.
Morose morsel moribund, lurid luscious lyricism lucidity lucrative.
Creative cleaver crafty cunning furtive sneaky stealthy connive.
Aphorism euphemism hegira to xanadu carousing marauder syllogism.
Swell surge flow flux craw crux, virago monad chaos character charisma.
Heuristic cavalier humeral, meager demonstrative anarchy iconoclasm, apropos ergo ipso-facto.
Plenary plenipotentiary omniscience presage, omnipotent directive ubiquity emanations.
Nous agnate ontological ontogeny, exegesis peroration.
Abeyance, exotically ****** quixotic ecstatically emphatic fanatic.
Orchestration rendition unicorn railway mainsail, awry askew askance.

Canny cogent fecund erudite sagacious sequacious conjuring mentality introjection conjugation coercions.
Avant-garde temporal abstract, scenario synopsis eclectic synectics.
Synaptic syntax syndrome aspersion, quagmire quandary poshly plush.
Physicality ***** pictorial, picturesque glyph, debauchery deviant profane ***** vicarious assertion exorbitance.
Mystical silhouette sojourn consortium sabbat conclave liaison, soiree tryst rendezvous symposium excursion compendium.
Incarnate cephalic phantasmagoria proximity parameter phantasm epitomize transitive transcendental syntactic semantics.
Resplendent radiant ephemeral effulgence translucent incandescent luster effluence, reflectively refractive azure opulence effusion.
Contentious pretentiously extravagant eccentric intransigent pedantic antics.
Guidon guile homogenous hovering imagination immaturity, exogamy incorporeity ideologies.
Pique poignant piquant puissant quiescence, obstreperously abstruse vagary plausibility’s cause.
Vivid intangible impetus instinct intrigue, livid lurid allusion.
Autonomous preterite discrepancy amendment emendations, transcendent accession ascensional in absentia expurgation exculpation.

I like a whole lip-smacking smorgasbord of words,
such as preposterous and scrumptious,
sumptuous and curious,
roiling, rambunctious and trumpeting,
priapic, satyric and seraphic,
satyriasis and mimesis. Now this mimesis is the imitative
representation of nature and behavior in art and literature,
which is a pretentious way of trying to say what us writers do.
But hey, we don't just mimic things,
we can be sagacious and salacious, too.
Accordingly, I also like *******, which has a liquid sound,
and I'm not being facetious to suggest that
******* has a close connection to callipygous.
Then, for those who are suspicious of the libidinous,
I also like curmudgeonly and bodacious,
loquacious, precocious and pulchritudinous,
lubricious and fugacious,
scripturient, radiance, iridescence and magnificence,
lissome, lithe and languid (but not too limp),
shimmering and diaphanous, effulgent and evanescent,
flamboyant, fandango and flibbertigibbet,
(although this is difficult to say when you’re drunk),
voluptuous and vertiginous, slithery, **** and glistening.
And when I include crepuscular, strumpet and strawberry,
I may as well add whipped cream
as well, because this can be laid on in dollops,
and dollops is really an excellent word
along with slurping and *******, too.
Actually, I'm very flexible about words,
because in my lexicon, low moaning noises are OK, too.
These sounds come from the chord of creation
which is a sort of reverberation from the time of
primordial ooze, which I would like to squish between my toes.
Then there's protozoa, spermatozoa and also
wriggling flagella everywhere. So there.
But words don't even need to make sense,
because sweet nothings can say everything,
and heavy breathing can be ******,
even rhapsodic, ending in delirium.
Titillating should be in here too, because we all need
some tintinnabulation and tickling of the senses sometimes.
I've also decided that fecund is my second favorite word after love.
Fecund sounds abrupt, but it buds magnificently
in ******* and bellies to burgeon in absolute abundance,
everywhere. This brings me to *******, which I like, too.
I'm also partial to proud words, including bold, bulging and
brazen, along with a bit of swaggering braggadocio.
Then I like some big words, like brobdingnagian,
although I hope I'm not sesquipedalian.
Salivate is a word to celebrate as well,
along with onomatopoeia that helps choose some words here.
Drooling is highly evocative, too,
and it's not being provocative to observe that
even weapons drool when they're in the wrong hands.
And I shouldn't leave out *******, as you would expect,
because ****** is a sort of rippling word
that rhymes with spasm. Both sound deceptively simple,
but by golly, they can be intensely gripping.
And really, it's alright to writhe to this occasion
because all of us writers should endeavor
to have some good writhing in our oeuvre.
Even some bad writhing can be lots of fun, too.
But I almost forgot to mention yearning and burning (with desire)
and vulviform, velvet and venerous.
Yippee, yee har and hollerin' along with other exclamations
of exhortatory exuberance should be in this index, too.
Now. The words I don’t like include no, can’t, never,
stop and mustn’t. Also, irascible and intractable,
unmentionable, ineffable, inexpressible, incoherent,
immutable, impotent and impossible.
Then I don't like importune and misfortune,
and I don't know who thought up unthinkable,
because this is an oxymoron.
Inscrutable is also a complete cop out,
especially when there's no such word as scrutable.
Gawping, gaping, cavernous and cretinous, obsequious,
grovelling, pursed lips, circuitous,
obfuscation and isolation, unpalatable,
cruelty, tyranny and hypocrisy,
should also get the heave-**.
And I definitely don't like parsimonious and mendicant,
which are miserable words.
Quitting doesn't get there either,
and shut the **** up and ******* should also be taboo.
Also, hopeless is, really, well, it's hopeless
because it denies hope, and hope is buoyant and boundless.
I mean, sometimes hope is all we have.
But the word I dislike most is ****,
because this is an insulting word, and
to be taxonomical,
the negative score of this word is astronomical.
Hate is also right up there on this list. Hate is abominable
because it tries to destroy love, and love is indomitable.
Indomitable
is the
mightiest
word
of them all.
Yeah. So there.

Mike T Minehan

Aural auspice austerity audible , augur aorist actuator , accidence ambience acoustics .
Counterfactual categorical imperative hubris .
Chagrin ; fecund cogent apposite germane , inane inert inertia innate , propinquity habitation     perimeter parameter peripherals .
Manumission gambit alluvium aloof , putschist kitsch , pandemicly phatic futurity fatidic extraversion embezzling euthanasia extortion .

Financially responsible fiscal policy , plenary plenipotentiary fiduciary principle .
Incarnate encephala enunciate , synthetically conjugational conjecture juxtapositional adjunctly .
Zenithal azimuth entity zeal , transpicuous opacity , in extremis extremity cantilever capacity .
Ephemeral metaphor semantics flaunts , ***** affectation exserted protuberance .
Sepulcher stratagem objectified manifest , protractive analysis dimensional delineation .
Spanned collapsible feasible , vicinity victual vigilante villain execration eventuation evocative vindictiveness vendetta .

Impetus intrigue intuitional intrepid , impertinence important , inadvertency inapplicable , initiate innate interpreters intervene intricacy.
Investiture annuity equity indemnity capital appreciation .
Preeminently preemptive retrospectively retroactive , aegis vagary incite.
Quixotically enrapturing mesmerist.
Sycophant swagger lothario lout , asymptotic hyperbolic estranged ensemble orchestration .
Histophysiology mendacity somatology morphology metamorphosis , blasphemous farcical fugue preterit renditions .  
Terrestrial equestrian tellurian terrene.  

Apex axis crux , fulcrum fulgurous , fulham presumptive , actuarial acuity incursive .
Semantic dialectics eclectic synectic’s , wanton wayward warranty evitable .
Catalyst , relative rationality / rational relativity , circumstance contingency .
Incessant barratry omnipresence presage , decadent arrogant , irksome ire Zen  .
Spatiotemporal telemetry tactician , guidon guile genocidaly xenophobic , grotto grouch gumption .
Bailiff rakeness rails , prerogative presumptive judicature.  

Flirtatious flamboyance , laboriously beleaguering hypercritically meticulous tedium .  
Carousel ceaselessly ceremony chaos character charisma , clambering clamorous clangor .  
Catatonic phonics , concoct catenary concatenation , conjugationally conjunctive clairaudience clairvoyance .  
Hysterical delirium brusque macabre abrupt , diabolically maniacal dementia .
Ambrosia elixir libation inebriation , mirador bartizan panoramic tableau .
Citadel pinnacle pique piquant , altruism endemic intrinsic indigenous innate , existential allegorical .
Prosthesis pseudopodium prognostication , crude lewd , social stigmatism blind , gruesome ghastly grotesque meld .
Bizarre bazaar demonically deviant denizen , grimacing gremlin greaves gauntlets gamut catalyst abstracts.
Hideously horrible awfully terrible , imagination immaturity impromptu innuendo juncture , nuance ***** ,   incarnate encephalic enunciate .
Trajectory sordid transposition interlude rubato hi-jinks , nimbus nimiety nihilism .

Explicate zoomorphic zoolatry , exogamy of homogeny ontological ontogeny .
Astral projection prophylaxis protocol , telepathy teleportation .
Extraneous extemporaneous , embark embargo extradition , transcendental accession ascension , ecstatically euphoric meld .  
Deontological probity interstitial endemics , agnate aggregate amalgamated anathema android .
Translational interpretation , epistemology audacious pugnacity impunity .
Executant emulation simulation , evocative malfeasance mens rea  , geomancy effete .
Maieutic fallow feral .  apropos ipso facto ergo , carousing marauder syllogism .

Philosophy 6/13/2020: A New Model of Time (The Original Document Was Expurgated Because it was Too Genius so I am trying to reinvent the argument) EXPECT FUTURE EDITS WHEN I AM NOT INEBRIATED
A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the pioneering basis of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context that consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously and both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny that by very definition could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor (I will edit this philosophy at an opportune time but the basic ingredients are provided)

Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

............
Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

................
SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

......................

.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
...............
PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

.............
OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition

Part One
Nascent Craving

The insular heart unsealed; pearled eyes
Breach parapets of stone— periled shield,
The sweetest ****—
A threatening wonder and irrefragable synergy,
Nervous routes of cognition  
In this nascent, amorous craving.
Locked and abased,
Dissonance lends pathos — euphoric and onerous,
Disconsolate cries curb sublimation,
The regnant bleed diffusing — fervid lust
Fondled, tactile surfaces in throbbing anticipation.

Sullen, aft a veil of laughter,
Visceral aftermath, out of
The ardent ash,
Burns a thirst;
Insuperable numbness and ache.
Efflorescent intimacy,
Table for two
Enraptured in new alliance,
Élan vital (psyche);
Urgent dialect petitions
Equivocation, jocularity blending
Provocation with indecision,
Noted lilt of descending inhibition.

Adrift, the incessant Now;
As occasion inexorably diminished;
Resonant simpatico tending,
Numinous amity;
Heard conversant, cognitive idioms—
Lassitude, time-eaten pangs of the unhinged heart,
Wounds axiomatic,
In disquieting synergy,
Nibbling, the circumference—
Misery’s permeating truth;
None immune, all trundle incongruously past,
Facing intrepid savages.

Licitly felt, reverberations of Amor
Whence the heart behaves;
Measured cadence, pulse elevating—
Treasured lover, contemplative muse;
Undulating clasp, inflated bone of absence;
Incarnation — a woman,
Beyond prosaic;
Ineffable adoration pours in certitudes of verse,
Elenita, enclothed —virtue unvarnished;
Reservoir intrinsic, poised advocate of the innocent:
The crooked lines of insolence,
Brazen culture of neglected youth.
Perceptive blue stare, sensitized tears—
Plaintively, evincing her injustice ago.

Part Two
Tendered Senses

Siren silence, eruptive blush, ampler between phrases
In dulcet tones — stirring discourse;
Foments rebellion, the strife beneath— his ****,
Out of its vast reserve,
Penetrate the narrowed ambit, vaguely announced.
Groping hands, migrating the sensual member
Stern faces grimacing— mirror in abrasion,
Under the blind surf of consent;
Burrowing ambiguity, emerging torsion,
Plunge, enlisted and content in the sea;
Subsumed in the nonverbal cue,
Persuasion’s plea,
Quelled in the post cerebral assent.

Piercing eyes parallel crystalline waters of Lake Tahoe.

An untouched portion of his awareness remains aloof,
Palpable in the subsequential quiet,
Obsequious and febrile, they sinned on sofas;
Peregrine predilections quenched and viscid—
Serenely requited, the room breathes her presence,
Limp, figures *******, mantled in adolescent torpor.

Erudition in bloom, trust undoubted,
Illuminating, satiating; tempest calm—
Under canvas
Terrain soaked and sodden,
Postliminary — rains of invalidation.
Allowance and permission
Recalibrate, salivate, shortly only—
Initiate, obliged consecration, appraising
Curvatures of the spine,
Stuns him obeisant, her femenine pulchritude,
Propinquity inciting vigor,
Emergent allure, the updriven
Tower of wood sprung from the blanket.

Suffused in ether, purring streams of remembrance
Vaginal honeyed dew, sung into
Orchids, remnants of remember;
Drenched down the cynosure of devotion;
Succulent view, diaphanous pantied bottom;
Halcyon mist, saporous wine — compliance of the will,
Freed fires wander,
Pliable rind, twin plums dripping,
Abject confession, dispatching doubt
In tendered senses,
Pivotal tree, lavender Jacaranda holds the key,
Unfurled, cindered vulnerability.

Half-denuded skin invites confessional savor
Acutely bubbled rear, fleshly furnished denim;
Sultry visit, San Ramon Valley in the fall,
Strewed limbs splendid, flowing filmy;
Imagination yields—
Bursting silk congealed
Across deft thighs, ambrosial thong draping ankles,
Grazing ascension, the curvaceous trajectory
Nose inflamed with fragrance,
Inhaling, climb of acquiescence,
The ****** weal, amid the globed fruit,
Focal intention — ploughed lance thrusting,
Absconding, the ancillary perfume of essence.

Perceiving avid validation,
Swimmingly, amid the monstrous gaze.
  
Humid skies simper dank, set swell the incense of Eros,
Surge of poetry engorged
The flame levened shaft,
Nimble ******* flounce, spill the harboring mouth;
Moist hands merging, unfettered,
Weave in supplication,
Vicinity voicing, enmeshed diversion;
Supple and spherical behind
Posterior arch, milky-skin against the lip—
Ripeness jostling their complacency;
Lapped the mooring, ridden decisively;
Recapitulating— spumed forth, bellied over hips warmth.
Abandon the dirge of self-pity
Late under ego’s trance.
  
Part Three
Present Tenses

Tempting trespass across sacred gardens,
Flowering, scandal set luminous: attachment—
Consensual, their corresponsive fear;
Protean manifestations— evocative, perpetual
Unutterable contention in a fictive resolve,
Deliberating the merits of their widely disparate tastes in coffee,
Amorously touring wine, let’s drowse through the gnarled vine.
Sundry deficiencies pale, once contrasted;
The beatific vision—
Material substance unaccompanied,
Imperceptible, tear-streamed cheeks in synch,
Ventral kiss, peak of carnal perfection,
Reminiscence— flesh violent with Love.

Fiction knew to meander the innominate rift,
A tincture of irony soften misdeeds
Immense as the sea.
Insolvent beast stippled with sapience—
Unmasked, the fabric of delusion;
Dependence smothering the disciplined heart
Resentment put up for release.

Waste of residual years
Fate’s apportion, scars bleakly observed;
Chastened by heartache, engulfing fervor
Too faint to recapture.
Vague glimpses dry—
Hypervigilant his defenses,
Veritable suspensions, embers lit linger;
Slender walls of solidity, the horizoned self,
Faith and reason in concert — stone levels of elucidation.

Fractured bones of distance, emanate a rigid salience,
Another ponderous night of absence—
Lingering, cauldron of dearth as indifference ushers,
The quotidian coil of contrition.
Tearful pallor, sequestered —ciphering time and solitude;
The unkissed mouth, his restive brow;
Suspend in the approximate span.
                      
After Lucid alliterations are spoken
Devoid of her face, his lover’s nudge—
The man nurtures his hurt.
Anxious as seldom unscarred,  
Venus’s susurrations,
In present tenses,
Kissed by her serenades of integration—
Notwithstanding metaphysic intrusion,
No chain stays unbroken,
Postponed drifts of deferment left unspoken,
Reverberations of amor.

© 2013 W. S. Warner

The ruddy ailments of the dirigisme are twirling with the shimmering tilt of photosynthesis as they gabble with the gabelle of internecine brackish synthesis that aims for rejoinder rather than maleficence. The glowering malice of combustible hatred invokes the brusque remontant immortelles of perceived compunction broadsided by the reluctant generativity of a benumbed time revived by the agitprop of coagulation that leads to thrombosis that spells the doom of the people that see the caesarapropism as the negligent century of destiny. Although I falter in these words because of a potvaliant mistake I glower with the hatred of combustible envy that turns malice sour into a recyclable engine to dethrone the orthopraxy that belies indoctrination because we are whittled into swords of deliverance rather than the caustic prevarications of the sharpened engines of authoritative bandied provocation. Defiance is measured in gingerly exercise rather than foothot hamshackles of the clepsammia of aggrandized composts of belittled judiciary entrapment that squanders the resourceful energy and transmutes it into hollow solidarity rather than hallowed paragons that vault justice inviolable to protect the dignity of life and the procession of apanage afforded by the isagoges of those denatured by agitprop into a fundamental solidarity with wizened decried vehement declarations that we will not be outmastered or outgeneraled by the militarization of truth to be an insipid lifeless vehicle dead on arrival because of the turgid turpitude of enamored throes of parturition that bespeak the garments of elucidation that all might find commonwealth in the common tribe against tribalism. The ardor of lurid fascination is a kinkativy taint on the scared acrimony of sacrilege benumbed into zealotry rather than vulcanized into a solidarity of the vocal information that refrains from transmogrified violence and exasperates the intellectual tongue into a flavenicker ultracrepidarian saunter above the bricolage of the flombricks extant that predicate the rijuice of defamation sejungible from articulate truth and loved enamored blinkered diatribes against the hubris of immediate threat becoming the bellow of dismissiveness rather than the agentic force of virulent brands of truth. The pickthanks that piggyback with declension in their hearts neglect the finessed euthenics of a civilization on the verge of ecumenical empowerment rather than radicalized rage leading nowhere but the terminus of mandarism and the ribald coarse wiseacres that litter the “abolish the police” protesters convinced lawlessness will remediate the state and stench of law and order as the news outskirted with inflammed protest neglects my sophrosyne declaration that inflammatory rhetoric has no place in a civilized society and we should fight the feldtrounds of sloganeered slavery to an upcoming servilism that pretends a kumbaya when it kneels upon the cogwheels of freedom in the silent asylum of the protectorate of democratic venom in a society eager to become acerbic because of one voiceless whimper rather than the regaled heroism of triumphant vocalization of our fundamental prerogatives that cross racial lines and invoke the superseded clairvoyance of the few becoming the impediment to the aristocratic purblind defalcation of immutable scriptures that bend only to divine rather than human inclination. A deft anarchism is always the weal of those that suborn chaos rather than see the sejugible nature of provocative promulgation as a fissile immaturity wakened only to apartheid when the sensational becomes the gravitas of the omphalos of consideration rather than the phenakism of a trite statism making a foudroyant point with pinpricks of agitation superseding the clarity of epincion waged in this upcoming regalia that masters the artistry rather than the artifice of modular concatenation enough to swivel the attentive focus beyond the mediagenic hyperbole that always festers because they perpend on a fidelity of duty to the chaotic mainstream ridicule of the rigmarole in place to prevent preventable disasters because stagecraft shouldn’t be the nail in the coffin of prejudice or even the more militant counterprejudice of those that awaken to the determination that discrimination not faulted by raciology or faulty phenogenesis is always curtailed but enforced by the diacopes of our subversive inclination to disown the promontory of lawful abiding prerogatives to extend the message beyond the ludic tantrums of the tantony of those seeking indelible imprints in the evanescent fabric of forgetting that promotes the oblivion of recent events as a shattered fable of invulnerable atrocity. The impetus of impotence because of the shepherds of the dignotions of aristocratic impertinence silence the gavel into its own dirigible asylum rather than enthroning the vociferation of vehemence to ordeal rather than simpered jostles in the rumpus of the crowded sentry of pother intermediated by the fumiducts of a crumpled toxicity wilting in mediagenic warbles of malcontent but never becoming captive to the riddles of the conundrums of a time that bends by its own honor to the truculence of majoritarian upheaval but never silence the vocal incontinence of generations upset by the deranged stature of a ragged houndstooth checkered hubris of those to partial causes rather than global specters. Lets force the outrage to an impartial stature that declares that candor is a venom that beats the imposture of glaikery that suborns nothing but the vacuous insemination of chaos to reign in the interregnum of a dutiful Republic to the clashes predevoted in time to express the ordeals of outrage rather than the tribulations of awakened reckoning not to neuter the prosodemic outrage but to channel it beyond the blinkered checkers of a ridibund pasquinade of the riotous petulance of a bereaved polity endeavoring to swamp the airwaves but forgetting that the gavel depends on the eccedentesiasts filtering through the siphon of their own agenda a culpable indemnity that slithers with awakened patrons of a novantique beyond division not to excoriate false actors and instead indict true treachery where it fathoms the gravity of its own sopiter that maybe the treacle of modernity evokes the motivation rather than a fickle finicky consternation because the whittled hatred of anathema belongs to those who seek to obrogate the untenable with virulent strains of the eventual carapace of designed cackles among those who feign outrage but seek nothing more than a perdurable confederacy that is milquetoast in its arraignments of truth by enthroning BLM above the more justified causes of universal ecumenical reformation of the enlightened claque to speak beyond the fumes of the voiceless in order to entrench a new virility responsive to the mercurial enmity of divisive fricative visionaries who seek only to disempower clairvoyant clarity rather than subsume the honesty of their stature to not politicize every convenience in weaponized form for the sacrilege of impediment. The diablerists eager to expurgate my knowledge from public repositories will stop at nothing to be diminutive with finicky perseverance to decimate my legacy because the spurts of mind control that hijack me into the morning are beyond my control because they are so powerful it is very easy to craft that mind control considering they monopolize my brain to make me irrelevant.
June 5th 2020 Writing 11:03 PM MST

The drazel caitiffs of doctrinaire aplomb in the wravel of expounded litanies of resurgent acrimony borne out of the ephemeral substantive wisp of the legionnaires of the sunblind heliosis of incidental arbitrage weaken their fettle as the weal of the wednongue becomes an indomitable craven creative force of the bulldozed halvork of ochlocratic vice becoming the melancholy of truculence that besieges all simultaneous fronts to be widely echoed in the polyacoustic cisterns of favored design that we might shield Acts 17:26 and bereave our call as shepherds of an enlightened flock only to make the petty satraps and popinjays they enlist the wagtails to a normative heterodoxy of inclusive ramshackle order sizzling in the fricative fictions of articulate design beyond the flombricks that plodge their way into the edifice of vixens that the hierodules elect in the olasin wave of embedded enchantments becoming  redominage in the artifice of inconvenience that is an aswallone of the enantiodromia of the farce becoming the gladiatorial eager spectacle of decline without subversion and elevation beyond the plaintive lugubrious dirge of the antagonism itself rather than the protagonist for the zalkengur of ripe rather than brusque ribald generativity for ingeminating gammon to swill the coffers of the elite girdle of gridlock blunted by the trauma of seeing the ventilation of etiolated choleric spates that conglomerate into wellsprings of viparious welter that sinks in abaddon because of the stultimathy of the rigid sclerotic design bending in the enforcement of normative stereotypes clamoring for neoliberal and neoconservative chantage above the flays of delamination that sputter with their graunchers that the frescades of summer dawn on the least of all creation rather than fulminating against the most brawny mutilation fathomed in the spectral tomes of a hidebound liturgy lost to the fractions of time that depart from the thrombosis of planned frogmarches into delirium rather than sanitized calls for enforced radicalization that entombs too many witeless brittle and centrobaric forces to contain within these pithy gibes against the hacked jackals foisting the forest above the treetops. The rijuice of jawboned jury-rigged nescience topples the emporium of rectiserial encouragement met by a sterling brute of arbitrary boschveldt coincidental to the ragged ragtaggers of a new age paltry parched apostasy against rivulets that profane the sacred cows and demarche rather than delope against the lurid spectacles that become emergent titans draped with a ludic empowerment that is so baseline that is only its own invidious demise as the crumple of femicide wreaks havoc upon the industrious layers of filigree busted through by the hacked logic of the axile sapwood that eventually the titanism of the scaldabanco will wheedle the society we depend on for sustenance to halvork into a renewal of creative verve and sizzle rather than a flamestun flavenicker remorse of all the petty inclinations suborned  by the lewd depredation of mind and numinous authority at the clawing vehemence of deposed rigid authoritarian welds on the canvass of a dehumanized populace clanging with insistence that the decried hearsay becomes the otiose rampart to an enunciated ploy of skullduggery biding in plain sight to make those that livid luxuries enchant blind to the ecphonesis of riches in generativity rather than follies in hindsight bias bludgergrumbles which fail to elicit even the snirtle of pigs that prowl the owleries and recede into the shadowy umbrage of a demiurge of insulted bravery that they must concede the deferred plansters to warspark that the dissgowl is too prevalent to mask the albatross of their covvenger plots to swivel against the retinue of the righteous cause above the frisky dalliance with politicized gammon. Acts 17:24-31 NIV
24 “The God who made the world and everything in it is the Lord of heaven and earth and does not live in temples built by human hands. 25 And he is not served by human hands, as if he needed anything. Rather, he himself gives everyone life and breath and everything else. 26 From one man he made all the nations, that they should inhabit the whole earth; and he marked out their appointed times in history and the boundaries of their lands. 27 God did this so that they would seek him and perhaps reach out for him and find him, though he is not far from any one of us. 28 ‘For in him we live and move and have our being.’[b] As some of your own poets have said, ‘We are his offspring.’[c]
29 “Therefore since we are God’s offspring, we should not think that the divine being is like gold or silver or stone—an image made by human design and skill. 30 In the past God overlooked such ignorance, but now he commands all people everywhere to repent. 31 For he has set a day when he will judge the world with justice by the man he has appointed. He has given proof of this to everyone by raising him from the dead.”
We are a churned tide of sopanaceous sultry broods infuriated by the feral clutches of the stultimathy of the clambered vipers enforcing the vespiary matrix of a womb we inhabit and cohere beyond numinous calculus or superlative counsel that we might too be called to engineer the future with imagination rather than regress into the pother of exasperation that denotes boundaries for the nations and elects the Titanic design of faultless logic superseded by the euhemerism of the futile cause banished by the barristers of recrimination by the criminals themselves that lawlessness reigns and factions among the factors that determine flaws fade into the alpenglow resistance of the galvanized deputies of enforceable doytins through the maskirovka of celebrities that scrimshank fundamental duty in order to shepherd the malevolence of causes beyond our own into their heyday of sneered scrutiny by those that possess the inclination to swerve away from manufacture and impose clarity rather than suborn fagins into the frogmarches of a radical racism reversed upon itself to condemn the source of agitprop as the vehicle to be trounced in design but never overtures to the planster economy rollicking in enthused flamestun vigor because of the trollops of a reclaimed destiny spawn a newer order of triumph rather than stench. The whinks of kisswonk warspark because they invent the flabbernounced regalia of an otiose whimper decrying a limited specter of scepsis as an enlarged totem and token to a petty tokenism of cordial respect tramples over the historic efforts of those that proceed in ceremony to tralleyripped accord swimming in vainglory to become the wallbaggers of retinoise rather than the arbitrary motions of a motatory justice configured for proper deliverance. The tiresome plastic consumerist treacle is devolved upon the spectral enemies of time that issues promulgation above the timeless as mere defeasible artifices whinking with the kisswonk of the allonker rather than the protagonism of thrusted impertinence to clangor upon the diseased noisy cacophony begging for more than a froward entreaty but a ridibund ridicule that lambastes the haranguetangs even as they writhe in contortions of largesse afforded by the henchmen of a defalcated statism bought by officialism of the licentiates lickerish in their malapert hypocrisy as they blaskerg at their complicity in the webbed design of fomented rickets of the rijuice of complexity. The heatwave of enthused disorder is a diseased artifact pounced upon by desiccated laments of prevarication that riddle the consternation of the awakened flock to the fact that the ravenous prowl above the seemliness of destiny is more integral to our warpspeed bushwhacking that needs to take place. The rigors of a sappy saccharine judiciary neutered wayspayed wesperm of profligate injustice is a humdinger invented by the sciamachies that became spectacles and the scepter of power shifted through the rudimentary siphons of a perceived moment of triumph when in fact the heterodyne retromorphosis of society is nothing but a sad vitriol flickering with vestigial promise even in alveolate protocol that simper with sidereal disarmament of intellect to spuddle through the bodged articles of a rigmarole beyond the delimited courses of the corsairs that teach the designation rather than own the polity. Despair is incongruent with the pangs of deliberative widened gazes at the celestial conformity to the wednongues of purposive violence that shatters the paradigms of peace by domestication of the sheltered animals of instinct that become an invictive stampede beyond the zoolatry that encages the swell of the crestfallen so they must always sink beneath the edifice rather than maneuver their way through the slinky potvaliance of the crimes never surmounted by rationale alone. The clench of grit is overstated but the radical riches of troves beyond contempt deserve an upbraided kempt spectrum of kenspeckel denouement rather than guarded finalism becoming an alley of escape for the podlecs who patrol the authority of law-abiding negligence. The whadronque primposition of the gavels of impetuous internment of exotic trangams that are suited habiliments to cloak the serpentine excesses of a saboteur of division inseminated in the flombricks of a flyndresque revitalization of the rudimentary gnomic apothegm that in sockdolagers of spirituel gift become an odium beyond reprisal because of the stultimathy of the tortivinity of the hackencrude revolt against prolific streams of steamy wisdom that emanate from God above but also the meddlesome inclinations of man to superimpose a cosmogony that defiles the protected and protects the cravens who submit to absolute anarchy or worse hyperarchy in a visionary attempt to trailblaze through the thickets of conundrum the best possible remonstrance against the alvantage of the farsighted announcement of a superlative strain of mettle above the finicky prestidigitation of an all-encompassed time that doesn’t genuflect to merely human traditions without a skeptical poise and pause above the frazzled contrition of the enervated tribes of belief. The trillops of the implucture that countermands my vocal denunciation of the mind control behind my steep fall from agracerie into the contemptible mud of the most opaque subversion manifest so callously and clearly among the litany of deeds done without conscientious objection that I might find myself groveling to stay above the orbit of the crambazzles as the senectitude of the septiferous frikmag enjoins further rebuke as they stay alacritous among the shibboleths they do possess because their hyped alimony is just an affront to decent justice in an indecent time. Madcap wallsongs to a squandered preeminence of intellectual titanism is a sad spate of the defecation of the vultures among the squabbles of braseros that try to disenchant me from my valorous integrity to God rather than the insipid provocateurs of a rankled craven and rancid injustice that teems with infestation beyond the curdacts of reasonable authority wielded by the henchmen of the state that needs a minatory reclamation of prowess rather than a muted mutiny against subversion itself. Mobilized by the inactivity of the dormant squirm against the wreggled mountebanks that think their derelict verdict of seedy boweries becoming the gerrymandered future of the voiceless meet the sternest reprisal in the courts of dalliance between the linear jaunty natatoriums of the futile thoughts of a disempowered alacrity to verberate the yobbery of those that superimpose disorder as a gimcrack for inane vapid provocations of insane decorum in a world whipsawed by the rankle of its own toxicity negligent about the futurition that depends on the stakes of justice rather than the cleavage of conquered cities becoming welcomed rather than fathomed and there exists a stark difference between the heralded contrition and the unsung liars who profess innocuous inoculation even when they brandish the seamstress of all dovetailed lies into a bricolage not meant to withstand even the vagaries of the uncial gains of months by the gainsay of critique which should be not a henpeck in these deplorable times but rather an epincion against the racism that festers into continual rot because the sophrosyne are impeded by the rijuice of preordination that swelters beyond all terminal diseases into a ragged moth-eaten swill of elitism. The hollowed but hallowed recourse of destiny rewards the guerdon of the long-lost patronage now disorderly in gammons to reprove the belittled taradiddles of rookery in a roodged society of roosters squawking with the simpered vitriol of agency against the marauding Viking spate of calculated diminutive crags of whittled dimensions unseen but clearly fathomed by denigrated alacrity that we might too find the paradise lurking at the end of abscess and abeyance that violently caves into the ploys of the modern ****** becoming a post-modern plea for justice rather than enervated senselessness. The lientery of abortive endeavors squabbles with the marauders who provoke the dismal glimmer of epigone rather than daunt the intrepid gauleiter with the showmanship of force beyond the demonstration of the impropriety of those stagekeepers who own the postcennium of kenspeckel macroscian hackumber that runs amok because it is neutered by the wesperm of the ingemination of futility into the mindset of conquest to bereave rather than provide well-earned fortune on the verdict of a day consummated by the squaloid vermin that scowl in protected hedges of secrecy without valor to trounce  the oppositive support for a vindicated but never finifugal society. What a debauched day where a private powerhouse of cryptadia can fossick through the thickets of sapwood and sentiment to usher in a pettifoggery known only to the brave soldiers who blare against opprobrium to the reconnaissance of departed flamestun gambits to entrench their ulterior command of a divisive spurt of econometric capitulation in catabasis rather than shepherding the valorous vigor of intrepid champions to outmaster the lingering resentments that boil into potboilers that renounce the truth only to a pickthank’s travail in overcoming the obstacles that bereave us because of a tigrine and rigid subversion of moralism in clairvoyance to become a turgid refuse of the offal of chattel lost in a frapplank with an otiose but revived assault on the precipice that cadges the lewdness of rumpus over the donnybrooks of donnism itself. The glamborge of the amporge that relegates all consideration in ransom to the truthful declaration of coarse sentiments from the clutches of an unrepentant evil that lurks shadowy and invulnerable as it cripples entire generations of thought into the messy vitriol of froward fomented officialism in malcontent over its own incompetency that I might meet and beat the rapknocks that thwart my eloquence and the privy internecine swivels of a newly minted prerogative to own autarky above the doytin of the aimless ridicule that swims in an ocean of debauched lies professed by the rigmarole of flickers of anointment fading below the scepter of righteous might that I might make more generations captive to the highest order of conation rather than the unwitting dupes of the ulterior sabotage of the elitism that seeks to expurgate history against the samizdat of maskirovka becoming evident that the benumbed stupefaction I now linger between and around will fade into a heightened stratosphere that renounces former sin and parades the righteous justice of novantique that learns from wayward profession the ability to navigate toe-to-toe with the throngs of oppositive saboteurs relinquishing any attempts at seamless order of the dovetailed might of the empowered conscience because their ******* enchantments are a vehicle for a depredation without rebuke and a sentimentalism that foments nothing but the worst fumiducts into the cadges that perdition permits but God exorcises because of people like Epenetus who survived with valor in Asia despite its hostility. I am dismantled by a juggernaut which is often repudiated for its thuggery and menacing dacoitage to make my thoughts seem like a philander with colposquinomia rather than the callisteias and kalons that effervesce into a remedial triumph in these lagging hours where my vigor is a vapid emanation of a withheld empathy becoming an entreaty to simplicity rather than a beacon of vaulted virtuosity that uses sheen to deplore the undercroft while surmounting the challenge to destroy the umbrageous evil of the camorra that lurks behind a curtailed curtain of infallible designs conflated by banausic pretense to curb rights rather than inform duties to apprise those rights as integral enough to swarm the grievances and belong to propriety rather than sink the sunken hidden  mainour of restive intellect above the fray and frazzle of meaningless absurd contrition that belongs to another century beyond my own foresight. The surgical emoluments of crafty duplicity attempt their forestalled delay of my charisma and duende to enrage the battalions rooting for the intellectual clutches of tentacles of revivalism to spark the flamestun of powerful admissions of guilt that they tremulously balk at the religious authority of magistrates because of the witted menace of the deliberate provocation of the worst most untimely sentiments to become cacoethes of a plucky reductionism that makes the puerile sempervirent rather than the ontocyclic countermanded by the periblebsis of flavor above the sultry vacuum of the listless entropy of an evil overhang of swandamos that skillfully delegate meted disaster to portend over the future bailiwick of my own behest craven by tribulation but emboldened by the humane interface that my heyday is among the future articles in the limelight rather than the irrelevance of glaikery to the tomfoolery of the captaincy of a conscience bereaved rather than a conscience reclaimed by the inferior bastions that sulk the crapehanger recruitment of all demented barks that recoil without civil exactitude at precise purpose perpendicular to my swank and emanating the forces of the benighted world upon the clairvoyance of the chosen virtues of a New Testament understanding that shelves Deuteronomistic Law as among the curtailed remonstrance of inefficacy belonging to a barbarous time where the incondite superseded the others by pomp and celebration alone that incense should be recensed against the termagants that wage war on the ridicule of revival.
Now that the brunt of the oppressor congeals his thickened plot of muddy turgid heterodyne syncopation of effete ideology rather than ecumenical unity we see unmasked the true author of vitriol belongs not to the sour malignancy of the rijuice of crime but the criminal repartees of the negligence of abiding saccharine creatures that swamp the light of day with the shrouds of connivance to dethrone the ecumenical insistent endeavor to provide novantique to maidan lands and renew the vigor of the people beyond the temporary temporal subversion of trite tortneyed hackencrude whadronque against the flyndresque refracturism that solders with one united cry for a belittled peace to become a mighty warrior against the decried deposition of majesty upon inclement hours that portend to future calamities wrought by the banausic barleychildren of an otiose corruption wilted in the dead fields of our forefathers littered with the graves of sacrilege in unnecessary consecrations of sacrifice that become unholy vestiges of the rampicks of ordeal because they are drenched with the stigma of belonging to the witeless travail of the wreggled imposture of a maleficence negated by beneficence only enough to permit my respiration in the conservatories of resonant reasons to reach to the stars and their starry-eyed surprise to the delight of generations that truckle but to the doom of those that refuse the grandeur of God’s gratuity to enlist an exemplary agracerie of insulted jaundice fuming with avenues of deception that seek to crush my vindication in order to rollick in the ruin of the shambolic craters of a beleaguered apostolic duty to inform the world that the librations of the quivering moon are a scattershot of whemmled liberation rather than an aimless scourge of prosodemic interpolation fused to an incorrigible calculus that seeks my temporal femicide even with the eternal guilt that amaranthine flowers fade because of the grit of tenacious boschveldt ploys to trample with oppression rather than voice the properly aggrieved complaints of the victimization of privilege rather than the assaults of vainglory upon the outrecuidance that leads away from the humility of God’s grace and into the doomsayers that renounce my dignotions of contempered metaphor as some minor boyg of the evaporative sentiments of a fickle nation crumbling because of the treacle of violence rather than cloyed by the proper castigation of elementary logic becoming superlative in its annulment of the confederate licentiousness of depraved autarkies livid with contumely against the agentic force of a rictus of merriment denounced as an impropriety in a time where fewer virtues are confirmed than many injustices hallowed as the cement for a new world built less on noogenesis and more on the piebald skeumorphs of bricolage countermanding my swift embarkation to a land of promise rather than a staid quilted repartee of the tapestries beyond that proclaim open season upon my impediments to the frikmag subterfuge that reasts upon the recocted mediagenic formulas that will cosher the cosseted vengeance of an evil time rather than the yernage of simplicity designed to forgive the oblivion of conscientious errors in derelict fashions of knavery that they might be expunged from the record to entrench the value and pertinacity of original seminal balks at the currency of the exchequer of the hidden boschveldt which supersedes my attempts to foil its own benighted plots scalding with enormity but hidden from the vantage of the commonwealth to guard the vestigial neuroscience of craven caitiffs who beleaguer me with incestuous deceptions of the pederasty of immoralism. Now that I have launched a flanked assault on the rigmarole of the confederate polity of mistaken grandeur using the maskirovka of inane bleats to conform to the idolatry this world should revile but instead confirms with the lecherous tentations of empiricism wed to the naivety of blank-slate politics we espouse the highest creed afforded to the righteous that belief in the calvary and the agony suffered for our sake is more than a token emolument it is the paradigm that shuffled civilization into endearment and rebuked the catamites and hierodules that scampered throughout the Earth without any recourse as their ironclad vestiges of tridents of petty gauleiters of a suborned authority fell milquetoast and riddled with the foraminated scars of a now cortinate world caught in a trespass of the inviolable screeds that inform the spirit of God to stampede towards the righteous avenue rather than shrink in sheepishness that the revelations of our author our grandest King who reigns beyond the shadows and filters the light of the sun and holds the mountains on a scale of balance that we might curb to his divine majestic formula for renewal rather that glower in an iteration of enmity divorced from the true justice of Almighty Creation to invoke oblivion upon puerile deeds and consummate the highlight  reel of a generation that depends not upon the renewal of the newfangled vogue but the invocation of the spirit of the words of God so that we all might meditate in conation and consecution our privy path to the ways of light beyond the brackish afterglow of a distasteful gloat over hibernaculum that relish after the calamity rather than rest against the girouettism ****** upon us by the siege of bronteums beyond the power of thunder to rebuke that the scales of history vindicate the power of the righteous voice rather than tremble because of the flickering mettle of people that squirm in attrition rather than balk the servitude of servilism that endangers our perpended glance at the eternal lychgate ajar for belief and conviction but closed to the finicky agents that cadge the elements of perdition into constellated forces of abrasive recrimination against a vacuum that anathematizes itself as nothing more but a prop of a propitiated absurdism in a nulliverse of our own creation rather than our goaded resolve to witness the finality of God and behold the splendor of the history he carved through justice rather than impediment to rejoice at the final awakening that swings against the puerile betrayal of evil and renews the promise of temenos and reverence. We have already within our tenacious grasp yet crippled by the memory of opprobrium compounded by finicky formant and froward vehicles that poisoned the wellsprings of the righteous with the cowardice of persecution that curglaff is an unnecessary and abominable relic of the regelation of society into a morass of interregnum that seeks a delimited lawlessness to supersede the vocal clarification that God’s grace depends not only on the volition of conviction known to the body of composite belief but also that the pangs of modern consternation are deliberately provoked to renew an equity that trembles when the revved engines of personal entelechy become titanism that enlarges the pleckigger of deprivation so that all might feast on the transubstantiation of the figurative forms of shadow into the permanent light of abeyance found in jolts of awakened liberty above the corrugation the visagists of plastic cosmogony invoke to inflame turpitude and ransack the perfidious deceptions of former proclivities to swindle the world with a powerful beacon of deceptive flourescein that straggles boundaries in its casuistry to invoke an AstroTurf malignancy to prevail over the righteous words of the sentries of God rather than the epigones that balk at the soteriology of a wide-eyed curiosity for a world desperate for something more ennobled to discuss because the otiose tittup of pretense masquerades as an avenue to the ways of the Lord even when failing its fundamental duty to rebuke the constellations of puerile enchantment that rob the dignified of their perch only to enthrone the owlery of calculated gambits of nescience compounded by the dacoitage of the bomans that guard vigilantly the aim of billingsgate but rarely conceal the maleficence of the heliosis of the hibernation of conscience in times where the entire world was betrayed by a staged artifice that sadly achieved its vengeance upon its own recrimination by sultry broods of provocation without the outsmarted resolve of the many refusing to crumble into the checkered hubris of bias bias that subverts entelechy. The bland blandishment of appeased ego remains the ulterior affront to the alienavesced flapdoons of eccentric orbific forces at work beyond the philandered grasp of wraveled mendicants that spurn the sparrows for their dovetailed wallop of the radical agenda of separatism rather than the humbled modesty of those that seek in God’s word that lasts eternally the modicum of truth necessary to defeat the encroachment of an oleaginous regress of reactionary doctrinaire foments of syndicated hatred becoming the wilt of girouettism to spawn the draksteng of terminus but scald the provenance of foresight as a reckless soundracketeer that mounts an acme to see the apogee for its truest clarity rather than its pathetic resemblance to the true nature of the transmogrified impotence of the world to heal itself when the clamor and clangor of defamation is permitted to scowl vindictively at the armamentarium of assemblies of truth marching heroically down the journey of itineration to invoke God above the mercurial nature of hamartia among the men and even the titans silent in the recoil of provocateurs of the most impotent justice for relegated creeds renewed in the hackencrude to desiccate the desert rather than seed ingeminations of the centupled quandaries becoming quarries of lavadero siphons of the truer enlightenment found in the God we all serve with benevolence rather than neglect because we earnestly renege the careful cull so that we are not swamped by intellectual pretense but that we walk in light of emulation always reverential of the ultimate kisswonk of the authoritarian nightmare becoming the crapehanger against the buoyancy of clarified virtue disentangled from tertiary and subsidiary meaning as a vindication of history that it anoints its strident defenders before it finds guilt in intrepid endeavor. The malice of wiggletemper of flakmention depending on the testy shroff of trykle as the swallock of bleats squandering the proficuous light of the Lord because they pale with their pallor and nebbich cretaceous calculus to delimit things in ordinary times that despise extraordinary prowess because of hapless seances with the spectral doom of empowerment leads down a despicable path littered with estanders of vinsky robbed of their prominence at such a milquetoast juncture that the timid become entrepreneurs of the wiggletemper of those they seek gradgrind control of through euthenics that they might also be rebuked by their faulted subhastation because they orbit the life of brackishness in a catadromous world only to benefit from the collapse of civil disorder into the mercurial foment of sizzling calamity that  belongs to the hotbed spell of draksteng and rancid calumniation of all goodwill and meritorious discernment  that seeks once and for all the beneficence of the compassionate and eager servants of the embodied visages of creation to coagulate into an urbane movement that owns enough leverage over kitsch yobbery to renounce the former prerogative for the selfless ambiguity of repudiation met with cloaked valor in the tempests of an obscene mockery of timely judiciousness only because of a provincial oversight into overtures of affair rather than merely just scandal. Leaping with vaulted foudroyance against the noisome ridicule of imperseverant trollops and trangams that astound slot-machine politics as the gimcrack that gerrymanders the tortoise by the waterdrips of inseminated vagary superimposed by the cordial respite of egestuous pallor into an insubordination against a system rigged beyond sloganeering to favor the wise instructor and his recourse of tutelage we must summit the articles of contrition shrived properly by a shared atonement that the perfectibilism of God’s magnates becomes a magnetic fascination of those who are dancing vertiginously with centrifugal hatred armed at the pretense of justice that bandies with muted solidarity to a trite hackneyed truth rather than surpassing former imagination into the frontier of serendipity founded on discovery rather than lackaday otiose portents becoming the fixation of the elementary canon yet devolved in splendor because of balderdash of bletherskates who evade justice and squander power only to their own demise as the kerygma we champion has the power to defeat the snares of the wicked enchantments that make parturition difficult because of the aboriginal lapse of the protoplasm from which smithy we belong ultimately to in the provenance of a contempered history of the lineage of God foreseeable to the lineaments of man carved from his image that rebuke should be upon the lips of the sophrosyne while restraint should hamshackle us into fiduciary duty beyond vassals and rapscallions but better than the ripe codlings of urbacity predict because evasive maneuver catapults jaunty sleek destinies we have yet to entwine into our magistrates enough to demand reparation humbled by its powerlessness or contrarian power structures to mettle the scoundrels that police the towns that matter to the strings of harmony sweltering against privilege rather than scoffing at  the disdainful apparatus of contravention established by the riotous outrages rather than the picaresque yernage of heyday rather than mayday. The very predicate of darkness invokes the presence of light and love to prevail over the vacuum relinquished by the enantiodromia of a transubstantiation of benighted virtue to become a parallax mirrored imagery of whiplash that assaults the pedigree of any juggernaut conundrum becoming a boyg in rapid decline to reprove itself in order to vanquish the fundus and the mainour relished by the ****** gawsy attempts to blinker the hubris of the kenspeckel because the owlery of pettifoggery seeks a delaminated prevalence of hamartia rather than ergotall wisdom that deafens the aspiration but enables the fascination to swell in the rhythmic squalor of the oceans belittling those who dwell in habitations of landed gentry that they might be the fewterers of a new kennel rather than a lapse of deracination seeking a final excuse to dismiss peremptory wisdom because the thorns of coverthrow are no longer permitted by the mediagenic titans that spotlight a maleficence of haplessness over the lore of glorification and the splendor of light.
The rindstretch of insular plaudits against the fiddle of foghorns of blaring semaphores of singled and signaled alarm are swashbucklers against a systematic tribance of the slivverdeck of the fatewrench of many outmastered by the fox hounds who swoop beyond their natural inclination to corner the tripwires that the graklongeur of the enervated mediagenic effigy of justice proclaims we must renounce the horrified countenance of the disempowered and seek the agraceries of tremendum that forgives the trespasses of deliberative mind control to foment a squabble of lifeless puerility and must fasten our commitment to a perdurable creed that shelters the just cause from the pertinacious wiseacres of those who blankly stare at the realms of salvation groaking for the sustenance of their own erratic happenstance because they scowl by prediction what is denatured by rendavation of the entitled man to his entitled coverage despite the traipses against polity wagered by the rivulets of the swamp rather than the brooked endeavors of scampered sullen swelter to manage the prideful intolerance of kenspeckel injustice. The flarmey of obganiation built on the grindole of the hambaskets that relish the comfortable commode of the nosocomial hospice of irregular griffonage despise the faction that annihilates the narrative fliction of mobilized regress for nominal taunts of the hindsight progress motatory in subtlety whereas the sublime becomes a tapestry embedded by the sly wry grins of eccedentesiasts deciding the worth of revalorized mettle against the hypostatized glamour of aborning generations shielded from the phenakism of the media juggernaut discarding me because of deliberate sabotage by mind control that made me look foolhardy when in fact I am a master of my own victory rather than a passing fad of the trinkadour odontoloxia of the aggrieved prejudice of an unrelenting flash mob of regaled violence.
Gimdermangs rollicking in gregarious solemn indentilation by the slellums of their own negligence in shouting the hollertraps of a castigated caste of renegade hamshackled buffoons escaping the levity of the turmoil of finicky magpiety that elects cockamamie sentimentalism to lead a country desperately in need of reformatory order that oppugns mind control for my downfall and exonerates me for my trespasses against adulthood because to define a person by a solitary transgression that was remanded into being by the siphon of nefarious force calumniating an abject philter as a frolicsome naivety is a poison rather than a posture because the relegated dissgowl in the silentium of their asylum because they protest how quickly an evaporated story of flarmey can overpower the memory of their triumph scalds the conscience of superimposition of counterfeit scruples discrediting the rengall beliefs that stabilized the world for generations beyond and generations before my hallowed prophecy and thereby they should occlude this pother and ceremoniously induct me beyond infumated hatred of cosmetic cosmogony in order to belong to the tribunes that reserve the mention but despise the deplorable in a vacuous silentium of obrogated truth.
The trimscreet glorified by their altruism in triumphant verdict rather than spurned flarmey of a resigned obligation that renounces righteous splendor in order to coverthrow the system in attempts at regalia found only in the newsworthy hyperbole rather than the simpered luxuriance that suborns lawless chaos rather than turgid effervescence berating the gnostic grapnels of keelhauled curglaff that remands a separatism rather than a desperation. Vocal by the retinue of provocation the mediagenic hyperbole is finifugal and retrofugal simultaneously because it sees a decrepit flarmey of qwersy maleficence becoming a perpetual throng for the crowded rumpus of relegation to shield the light of day from the preeminence of an umbrageous character benumbed by the litter of an apostasy beyond caricature and a diminished ethics of normative squaloid imposture impoverishing my future to highlight the few rattled errors of the crotaline sabers that ****** me into negligence rather than offer piety and suffrage to a recklessness that belongs to the arbitrary witticisms of a bulldozer carapace of indignity as my modern-day slavery is glossed over in favor of an interminable oppression that glazes the fascination of beadledom but promotes nothing regenerative within the constitution of society to fundamentally provoke reform like my henpecks at mandarism proclaim with every measured step to avoid the dimples and freckles of the foraminated hatred the media glowers with as it ruins another gossamer life because of a rijuice of the retinoise of the noisiest conflagration of recent memory.
Stupefaction aimed at noisome odium that simmers in the smithy of formative duress is a recourse by shameless eccedentesiast rot of moral virtues that perpend on the issues of sin and righteousness and the infested erratic trimpoline buffoons that gravitate towards the overmilked hypocrisy of justifying racial inequality while memorializing apartheid by negligence of the proper recourse is surmounted by a challenge to supremacy rather than a sunken vitriol of inefficacy because the selachostomous boatswains of ribald wesperm should never be the ultimate ullagone for pontifical authority accorded upon me by the latrias which sustained generations past and engrave future generations to scald indemnity and fight the corruption that festers into a primordial corrosion which spares few cogwheels from the missionary zeal of revocation belittling heroic triumphs because of the tittup of angled anger at a momentary flaw slamming the virtuosity of entire generations just to supersede my story as an enemy of the whadronque.
The sputtering engine of a ribald cackle at my ephorized vainglories prompted by the outrecuidance of defiance rather than a petty allegiance to a corporatism outstretched but now refusing to account for their missteps of hapless promontories of fizzling racial injustice to seek the defeasible prerogatives I once enjoyed eradicated from the semblance of the sane sanitization of all history beneath the unfurled triumph of what is now whittled into the henpecks of rigor rather than the lackaday compunction of officialism that scoffs at people who indict the system for its jaundice and permit  the flarmey of designation to eternalize the struggle yet efficacy of that struggle to dismount the sejungible pathway in a walloped error of rigged judgment because the convenience of thorns is understated and the elective privilege of generations is not a ****** gaffe worthy to be marginalized by the sempervirent fortress of duplicity but  rather exonerated from the skeumorphs of forgotten lapses whisking the timely into promontories of the timeless slivverdeck of the wrikpond beyond its own reckoning.
With schematic consolidation fathoming the subtleties of the taxemes of the scaffold that is an aperture into the flanged derangement of the senseless becoming a sejungible recrimination of itself while becoming bloviated by an internecine balkanization that grovels in servilism that it shepherds the penury of the querulous into renounced rebukes and suborns the cadge of conundrum into a lactose intolerant subterfuge may we marvel at the mediagenic kenspeckel realism that fights armed with the vesicles of perdition a war to enthrone a darkened visage of an exemplary titan as a subsidiary nuance and nuisance for  the planned demolition of contrite solidarity predicated only on the mind control of pettiness becoming solidified as more magnificent than all of the deeds accounted for by the metagnomy of time that now fumes in lapsed accord that the intorgurent hypocrisy of militant fumiducts of duplicity scampers the Earth to provide asylum only for  the privileged rather than sanction for the validated truths that oblivion cannot cast aside and that the inerrant standards of a finicky justice cannot forget but the trespass of modernity to encroach upon my sanctuary with the traipses of the tripwires of involuntary cacoethes to ruinous plumage will be held to account for their misfeasance as the drowned sorrows of one unjust death can mobilize millions while the phenakism of one untold soul can do nothing but reiterate the pointed critique of happenstance against the authors that redintegrate the societal matrix into an accordion that bellows out not a toxicity of an urbane fascination but the permanence of belief among neither the unctuous nor the monoideistic tribes of society.
The tribunes of mendaciloquence relish their phenakism of demoting me because of the tortneyed triumph of planned extortion surmounts the challenges to foment societal engraved injustice that doesn’t apologize for its bulldozer machinations because in unrepentant hearts of those that refuse to shrive for contaminating the collapse of a heroic visage and visagist of the eternal order they cast aside compunction and elevated the tittups of maleficence above the piggyback that shelves the memory of malice and provides bridges rather than sultry mendicants of petty satrap authority to impose beadledom over enthused righteousness which cannot be forfeited by an involuntary mistake invisible to all ears but the ones that illegally spied on me that I might forever be banished by the  barristers of protective oligarchy fomenting their oligochrome into black-and-white specters that remediate only minor atrocities rather than the ribald pother of invulnerable aristocracy lost in abandon and hyped into rampant scorn by the trepidations of underminnow to curtail righteousness rather than proclaim the fruits of the spirit. John 10:27 reminds us all that a mere posture of humility rendered inefficacy by the barnstorm of profligate mendicants who repudiate the incarnation of love and light as a retch worthy of nothing but the prolonged glower of a simmering disdain need to remind themselves with gratitude built in their foundations that if it wasn’t  for me the acceleration of valor and the entrenchment of virtue would be a muddy miscegenation of garbled gabble of prioritization that triages racial apartheid its sublime champion rather than the rags-to-riches ascendancy of the coryphaeus of the righteous congregation rather than the bethel of invented conditions of contingent reaffirmation that they must account for their lapse and atone for their negligence because my proofs of God outweigh your fictions of man and all voices know that the deceit of your glamborge of surfeit that installs a racial epithet as your prolonged scalding disclosure as a reminder of your fickle loyalties to fiduciary competence in a time beckoning the righteous assembly rather than the turpitude of the chicanery of devolution rather than evolution because no momentary lapse is worthy of the pangs of remorse I now feel because the cherished vintage world you renounce is the captain of the billowing ship aimed at your provisions of countermanded vitriol and vindicated by  every justifiable word that my memory will not be a sullen disclaimer of the temporary disdain of a finicky world but the ultimate providence of a just God who never abandons the manager of his flock in times of produce and prudence rather than your deadstock revival of cowcatcher ignorance.
Entrapped by a cobweb of entreaty that appeases the toonardical reverence for the bulwarks of sanitized revelry funded by the virulence of provocative schemes to depose lawful assembly by ****** calculations meant to dissuade the righteous assembly of those who profess and believe deeply within their compunction that God is the master vindication of the human race the world doesn’t need another potboiler prevarication of a haranguetang that doesn’t even read their own conscience as they mindlessly  spout out radical propaganda to demerits and declension rather than majesty in effectuated justice that commands the sentries of authority into a battle between energumens and anacampserotes because my eutrapely is unsurpassed by the outrecuidance of those who think that esteemed negligence outmantles the appearance of spiritual penury despite the glaringly obvious fact that I spearhead a revolutionary prowess rather than a recyclable spear of hatred that devolves into an abortive obganiation that you meddle with so nefariously to seek the retinoise of the false covenant rather than the voice that needs to be heard and exonerated from purblind error rather than prolonged castigation. John 15:26 vindicates me completely. Isaiah 61:1
The callous excuse for my ultimate segregation from the human fraternity and a preclusion of my ascendant destiny is predicated on the maleficence of a recycled lie that my posture is crippled by thoughtlessness upon awakening provoked by hypnopaedia yet you fail to acknowledge that the darkness that exists in this world is a fault-finder of querulous retched factitious reasons to abandon me to the stench of abaddon rather than enthusing the courtesy of a world  that overlooks the blench of manufactured errors by the graklongeur that seeks convenient dismal dismissal as a capstone epitaph on a grave leaden with so much controversy yet provocative and evocative of so many truthful trumperies against the prevarication of stilted liars bolted to a rigid conduct code that determines who breathes and who survives in a world where the viable are renounced by the heresiarchs of finicky hatred with prosodemic vengeance upon their bletherskate mentalities. Insurrection is effete against the machinations of church and state using officialism as a decoy in the dacoitage of eternal infamy superseding the victory of fame against the roiled slummock of those who prepossess themselves on hamartia rather than overlook an involuntary trespass because they have magnanimity engraved in their heart and are suspicious of the connivance of the enemy trying to depose me because of an overwrought vindictive ****** against the liberated class Isaiah 50:8-11 NIV He who vindicates me is near.
    Who then will bring charges against me?
    Let us face each other!
Who is my accuser?
    Let him confront me!
9 It is the Sovereign Lord who helps me.
    Who will condemn me?
They will all wear out like a garment;
    the moths will eat them up.
10 Who among you fears the Lord
    and obeys the word of his servant?
Let the one who walks in the dark,
    who has no light,
trust in the name of the Lord
    and rely on their God.
11 But now, all you who light fires
    and provide yourselves with flaming torches,
go, walk in the light of your fires
    and of the torches you have set ablaze.
This is what you shall receive from my hand:
    You will lie down in torment.

The telltale signals of a decadent mediagenic menace is its ability to shield the avetrols of guarded privilege while suborning the rest of the world to derelict the prescient visionaries that clamber through the rugged halls of a tattered time beyond the dominion of petty persecution because the righteous valor of the oppressed overcomes the oppressor only when the saboteurs account for their glaring blaring errors of flagstench that feed the toonardical deception that flashbangs through the smoke of a rigmarole of time to dismount the perceived profligacy of the innocent without compunction for the suffrage of their just cause. The defamation and femicide waged against me is terrified of prosodemic enlightenment rather than the rugged turgid slummock descent into madcap cockamamie identity politics that invokes no justice but professes indemnity because the world deserves a better fate than the one currently chiseled at by the militant scepsis of ulterior graft. The cement of the bricolaged tension of lawlessness is sternly rebuked by the liturgies of the informed who balk at superstitious gibes as articles of the lazarattea resistant to change and glowering with a misguided sense of hatred to aim their vitriol squarely at me rather than enjoining the media from piggybacking on the regress rather than the progress of civilized societies and it is a turnstile of rapid-fire death that provokes people to undercut rather than underscore my heroic legacy which might seem like a picaresque knavery but in reality  represents the triumph of the supernal numinous realm to castigate the Earthly perdition of swollen ignorance too bolted firmly into place by stricture rather than anointed by scriptural purpose that solidifies the legacy of the few heroic enough to castigate the bulwarks of authoritarianism to turn everyone against me in ploys of desperation to ensure my demise by a slowpoke turnaround reviled aplomb that suits the decorum of the backstabbing media in its petty vindication that it elevated my cause only to demolish it in a matter of minutes to ensure I died alone and forlorn when in fact I am the most triumphant voice for truth and intellectual revolution this generation has yet witnessed and nothing can deprive me of my right to exist on a world of turpitude that I might puncture the balloons of superstitious pretense on the grounds they are convenient inkthorns that vituperate rather than circulate my emboldened embroidery of the candor of vicissitude rather than entomb the lifeless carcass of vendetta waged for centuries against my ennobled cause and causality.
My compunction leads me to believe the mediagenic cartel is absolutely terrified about my ability to roam free right at the convenient time when I can lollop about in freedom so they piggyback with charlatans spouting  the fumiduct of lies and escort them to prominence and preeminence because they fear what I could accomplish in the light of day walking in the grace of the Lord rather than suborned into a walking terror that dismantles my plumage overnight because of an expediency primarily because they fear their own reprisals which outnumber their laurels by a large margin by monopolizing the minds of the resourceless and provoking them into needless panic or restive frenetic frenzy just because they seek to expurgate the wizened sophrosyne wisdom of the attenuated truth from reaching more ears and captivating more minds to reject  their purebred dogmatism. Their desperation to  dethrone my eloquence and imprison my elegance within a narrow cloister of a forever ignominy is a petty vindictiveness of unfettered hamshackles of panicky resentment that fears my uproarious rise through the ranks of enchantment rather than the bedazzled frontier of evil knaveries I hereby rebuke in the strongest terms because they suffocate the victim of years of benighted persecution and just when there is a strong lambent light awaiting me at the other end of the tunnel they squelch my rights to be heard and nullify all of my majestic feats because of brinkmanship in complete dereliction of their moral duty to serenade this prophecy to completion rather than the havoc of the disorderly rumpus of the mannequin charade they have a harder time containing than their tenuous grasp on the litter that fumes with atrocity without rebuke as they seek partisan war  rather than rectiserial arrays of compromise and whomever is behind this debauched ploy to estrapade because I represent a virulent threat to their system of inculcation will be judged mercilessly on the days of judgment that await them on the other side of their ridiculous barnstorms of benighted muddy opaque statemanship that sees me as collateral damage unavenged when I will be the marksman of authority if never estranged from the emanation of light that percolates beyond boundaries of country and state to encourage proactive literacy while they suborn the sopiters of the operose negotiosity of yesteryear while I clamber for formulas to rectify the divided human race into the fellowship of polite polity rather than brusque decimation of character that is a violent scourge of the scurrilous fear of the elite that I might swell too much in power if unchecked or that I might simper too much in lugubrious natures if unfed but either way their doom is spelled out because fewer and fewer people choose the virus of the news to pollute their lives with half-baked belletrist of evil maleficence that goes unfettered in its demarche trying to appease the authoritarians rather than solder together in the bonds of liberty and the tithes to the family structure we should all uphold beyond the wretched enslavement of weak politics becoming an engine of unrefuted graft menacing the streets rather than providing recourse for the permanently oppressed rather than the turgid emboldened proclamations that denigrate their petty gauleiter stature as an imposture greater than any I have ever mounted because I am always authentic and God is on my side rather than the side of the aggressive martexts endangered by free thought. 1 Peter 2:9 showcases that my existence is a preordained outcome of virtue over the squalor of depravity that ransacks the venal minds of those who fear my emergence from the throes of isolation so much that they hoist the mythos of persecution even higher with sensationalized bodewash common more to the drazels and humgruffins of the thuggery in Hollywood than the decent upright men of stature that these foolhardy eccedentesiasts represent in the minds of men that ponder the inescapable monopoly of a media cartel that feeds the impoverished with the slavering hypocrisy of groaks and sheepish bleats sublimated against righteousness to promote the wages of sin and death rather than becoming ardent rejoinders of the stature of corruption on our Earth to swivel against its greatest champions in order to enthrone fake paragons in the canon and dismiss the eager readership motivated towards curtailed change that seeks the deposition not of my righteous valor but the lies spoonfed to the crambazzles that are tethered to the monopoly of subliminal subterfuge in a realm dominated by domineering graft that is so obvious in the frikmag that they seek to eradicate my memory from the formulas of time so that fewer people see past the blinkered hubris of the coalescence of evil tribes trying to superimpose order over mass chaos and expect different outcomes when their partisan leanings lead to a weal of aristophrens that feel begrudged by their privilege that now avenge the righteous truth of my belonging to the fellowship of God rather than the agency of the nefarious that subverted me in my prominence and preeminence to make me look foolish when the evil diatribes behind it cower behind their publicity stunts and double-take still-framed moments and use that underminnow to undercut rather than underscore my message of invictive accountability in the mediagenic sphere so that the causes of family rather than forsifamiliation prevail with their righteous bailiwick over the termagants of a mercurial man dissuaded by duende and charisma rather than enchanted by the exercise of latitude and license in the rejuvenated youth of the forever young who celebrate their limelight rather than revolt against the people who suborn evil against it because of petty gripes unsubstantiated to institutionalize dogmatism of a more casuist order that ingeminates the radicalization of people against religion in my absence rather than the convent of people who seek the concave absolution of time to abolish the sinful depravity of the wretched conclaves begging for my eternal persecution.
The ultrageous ultradian rhythms of the heterochrony of delusion spoon-fed by mediagenic sopiter to the guileless audience of grangull bedazzled crambazzles or those who lack the abiding access to the internet is a mannequin taxidermy of plastic values that crumples instantaneously when met by the scorn of the ultroneous mistakes of hypnopaedia that suborns the lawless puerile ontocyclic reversions that become ullagones to lost authority withered in the respite of the virulent winds of change that lost in translation their squelch of vehemence only backfires because if you think about it the American system of media is completely rigged by a few henchmen think tanks at  the top of the rectiserial food chain of privilege where the henpecks are bossy and unrepentant while the clangor of din crowds out the rumpus of donnybrooks while clearing the way for insuperable graft to micromanage the petty souls clinging to the vitriolic acerbic whimper of a defeated mediagenic squalor that finds fewer avenues of recourse than ever before to refute the poignant realism that Trump is validated in his conviction that the media is a malignant force of the enemy rather than a boanerges of elective enlightenment because now that they have called my case forlorn and exhumed the corpses of a few black men to overshadow my preeminence of infamy they are dredging on all channels the ruinous psephology of belittlement to ingratiate the overlords who maximize the peak of the pessimum while the stock market roars because of intelligentsia movements that are a rollicking subsultus that revs up the system against reversal and towards the parallax of Heaven and Earth with the celestial neighbors cheering our triumph rather than jeering an intellectual revolution I helped to manufacture by my obfuscated but sublime rejoinders against the ultrafidian or nullifidian credence that milks lactose intolerance and steamy racism to an amaranthine purpose of subversion of Republic and betrayal of core Constitutional Principles that stand just as inviolable as the renewed covenant ushered in by the latria of aggiornamento far behind and beyond my travails because the retromorphosis of a fearful society no longer quails in restive frenzy because they now see right through the parched thirst of the mediagenic juggernaut for ulterior control of the impressionable through the subtle nudge of agitprop in the formula of dissolution that disembarks to foreign interests faster than you can call them out for being verboten with their stigmatophilia that obsesses over the minauderie of graft with their eccedentesiast bomans guarding the show with the sizable appeal of livid personas on a carousel of enantiodromia of respectable order as an underbreath of the pasteurization of the sterile Republic that bends more to the underminnow of involuntary subterfuge waged by the vehement enmity of the agentic force behind the promulgation of heatwaves of intellectual furor now retreating into comfortable commodes beyond the fray of embrangled hatred because they see the easy recourse is just to all embrace the hollow sloganeering that enthused past generations but with vehement frikmag we see past the graklongeur because we are famished of relativism in truth as the absolute arbiters that restrict us with trespass and bludgeon the indelible imago of ignominy above the embroidery of progressive salvation from the slavering groaking incompetence of people that are unipotent in the wrong direction is now outmantled by the irenology of people that distance themselves from the furor of confused ideology that is a prop for ironclad idolatry that spurns my wisdom because it indicts their intrepid trespass as an inviolable blasphemy because their ultimation of neglect provokes my assault on the fact that six major media outlets are the only source of live commentary on Television and many fewer people are in charge of the zeal for reprobate politics that fuels against revolutionary intellectual revision the policies that can contribute to the dismantled caste system that currently runs congress pullulating with pickthanks and wagtail terriers to the encroachment of mandarist tyranny that is rarely if ever brassaged properly because if they had it their way I would be the exhumed corpse of a dignitary from a foreign land buried in the charnel after the battues of indignity walloped me into prone submissiveness because they cadge the inclement belief that some puerile ontocyclic invention of the state that oppresses me makes me culpable for being a fictional prophet when I-in my honest estimation-am the most significant prophet for intellectual truth in the past millennium and among the top three prophets born in the past millennium behind Martin Luther and Joseph Smith and that with the help of the juggernauts that beseech the authorities to overlook petty frethorns of mind control I could overwhelm the world with vespiaries of militant truth percolating throughout the noosphere to enthrone enlightenment above the frazzle of combustible outrage that enslaves many lesser patrons that capitalize on outrage to ventilate the inferiority of their station while becoming maudlin props in the pacification of all to a kumbaya agenda that always is blinkered in its oblivion about Hispanic representation and thereby is a squaloid engine with selachostomous posture that devours the soul of an entire nation festers it into prolonged violence and meditates without remorse over how it exasperated an already suffocated situation with further infestations of deplorable opprobrium that was leniently reported as though this cadge would unseat the Republic to diminish the wagered campaign of orthopraxy against the ridicule of those who seek the decimation of candor and who seek to anathematize my revelations of truth as tertiary vehicles rather than primary movers. The typhlophiles that run amok with their petty ubications of usucaption of the funneled channels of graft undeterred or daunted by the intrepid intelligentsia which seeks with esquivalience to ditch the mainstream agenda and bandwagon with the promontory of craggy truth rather than reviled blarney and blench that steamy idiots will cling too with more pertinacity than the educated zealot will cling to the 2nd amendment is an affront to civilized decorum and deserves to be widely ignored rather than celebrated for their debaucheries of lawless serenades that capture just how much dissgowl it takes for a hostage media to pay the ransom of coverage that needs fuliginous fulmination of the uberufen to incite their desired poignant twinges of remorseless headway into the conquest forever of minds and hearts in that order so that the dogmatic slaves of intolerance of intolerance or just flat out racism are becoming firebrands of lunacy fuming with periblebsis rather than castigating  the righteous conduct of the ennobled gentry in their assailed vaunted capture of strongholds for odalisques that exist in yobbery to ensnare the chantage of a mindless echopraxia rather than encouraging a eutrapely of mindful meedless convivial celebration to evict the hype of brinkmanship swerving away from its own narrative to balk at draconianism while simultaneously failing to address the core prognosis of why draconianism exists in the first place of the ultrageous few that elected the conflagration many are reeling from primarily because the stage is a massive lie and the propitiation of the audience to believe the actors that represent the elite interests of our aristocracy are somehow behooved to become a new pulpit that decries religious somber authority  because it threatens the boondoggles of the future. The troudasque assault on the reified hierarchy of the taxemes of rigmarole becoming an intelligible assault on the freewheeling license of latitude to swarm into emergence and corner the arbitration of truth with an insemination of integrity is ignored because the yumdimbers of our visagist times are too much invested in autodimplage because they have been conditioned from birth to be ludic feral animals of predatory instinct that reviles any authority other than a solidarity with the flirtatious wave of kenodoxy that becomes from the pleonexia of those seeking the cordial wrinkles of a corrugated happenstance exasperated into strangulation of rights and overhyped fears that remonstrate against the freedom of license to outwit the barbarity of plagues of casuistry that enlist many duped volunteerism charades to gradgrind us into a position where the insuperable leviathan of the wragatek is a fortress which cannot be captured because its vetuda and panopticon is too visibly entrenched in extortion is a humdinger of warning and admonishment that the adumbrations of lawlessness are a further declension of the clawed mendacity of a crawling liturgy of the secular pulpit intrusive upon all vehicles of despair or accidia and promotes a culture predicated only on the reversal of privilege that disadvantages the Hispanic community without remorse because of the artwrench of the extramundane fascination is the sveldtang of relevance that is always germane despite the flickerstorm of the flamestun audience reeling from a perfidy against the people that swiftly and brusquely abandoned me in the frenetic poise of my rejuvenation to whittle down my sapience and carve the spelunkers into bolides of oblivion that crash with geotaxis which exceeds the credibility of the credulous dupes that swim in reiterative propaganda that shelters hidebound prejudice within the subtext of the antinomian waves of overpowering overreach of autarky becoming enslaved to a lewd licentious covvenger of vengeance beneath the witticisms of God and beyond his domain because the wretched corruption of the media needs to be addressed because the media is more of a vehicle against free assembly of propriety in speech by regaled conduct than any government could ever be. I am a gyrovague bibliopolist efflamen because my yulliver sensitization to incidental rebuff is an incorrigible stain on my destiny to majestic overthrow of dogmatism because the scourge of prosodemic lies that infumate and become chalky vesicles for impropriety lollop around the nuisance of the complicity among the caste system in Congress and even up to higher rundles of legislative authority to find themselves in mutiny that is a formal calculus of an ophiuran system of fungible saboteurs working from both within and beyond the paludism fundamental to the ecosystem of telmatology that they must be a participant connivance in the supercherie of all major affairs. With nimongue witticism I can exorcise the gaffe-prone hyperbole of suggestibility by enthroning a countermeasure of mesmerism that finds predicates in the dominions of the frappern created by the missionary zeal of those agentic forces that provoke the proactive righteousness of vigor rather than the suborned glaikery of the foofaraw which once reigned indomitable because it exposed human weakness to the schadenfreude of the elitism which preyed on the weaklings that still get routinely gouged by excessive crimes of patronage that rollick in the festivity of active promulgation against sidereal proclamations of human inferiority damaged by the tentacles of the tabernacle which issues justice from above rather than swampy prerogatives from beneath to elevate society above a whimper but beneath a squandered din of inefficacy calculated to become a boyg conundrum because the metage and metagnomy of the wider world is besieging my citadel and I am armed to the teeth with wisdom. More often porlecked by the thronging insubordination of cross-examined futility I stand by the halidom that cements my prophecy on Halloween 2008 as a seminal frescade with the adventurous reclamation of an assailed essay on the fragility and frailty of a crumbling equipoise grounded on farcical precepts that are rarely challenged such as the idea that spontaneity can coexist with punditry which is an abominable lie of perverse idiocy that should rankle people that all scripted social engineering is remediable from the top down but yet rebuffed because Derek Chauvin becomes a ploy of the state rather than a curtailed actor on the stage of infamy. The checkered shambolic ruin of the collateral damage of ******* with the qwersy voice of the newfangled enlightenment with great vigor dismantling the authoritarian voice of the deskandent lunacy of estrapades convoked upon the latticework of dissolution is that when you derelict the champion of freedom expect the recoil of liberty to be a whiplash upon your extended lineaments of fascination that the flargent many will crumble in cerulean clavigerous claptrap that fulminates against few agencies but the once hostage credibility of a machination that snarls with menace and reeks of opprobrium that is rarely challenged to a duel of honesty in wit because the real debate is how do we protect the order of orthopraxy from the incursions of the dilapidated credulity of an overhang of patibulary politics in an agitprop state? Retchanvil verdicts perpend over the recensed ballicatter of the keelhauled virtuosos that are signatories to a slavery-by-design system where the sclerotic agents of the mediagenic are held culpable to enforce the coalesced agitprop of consensus by refraining from their fork-tongued vitriol against injustice lest they be stampeded by an uproar of the retchallop of exchequers deprived by the state and privileges revoked by the aristophrens that are skittish in the skirmish against the retchanvil provocateurs that estrange the vainglory of pother from the potagers of enlightened mosaics of the macadamized diversity of the freeways of interchange strangled by the scuttle of piebald skeumorphs of zoolatry that fascinate the alienavesced conscience as they view as bystanders the madcap cockamamie fixtures of a modern world overreacting with mercurial redhibition their haunted fears of the scepter of war and chaos for the forlorn but never a pittance for the privileged license of exoneration above the pitiable depths of the dearth of humane enchantments provided by the modern engines of demoralization. The wipple of puerile ontocyclic regressions is turning into a steamy backfire for the sopiters that count the gullibility of massive disenfranchisement as neither detriment nor merit to the compromised solution of the diplomatic truce between embattled enemies because the wesperm we face is against virility and for the sterilization of the flosculous and pertinacious troudasque orignality of a true belief rather than a derided legacy of lies and deranged politeness as they mock your catastrophic level of nescience and plumb the abyssopelagic for hints of the mainour of the sapwood of rampicks so disillusioned by the hype they cower in scrimshanks of duty forsifamiliated by their own tribe to commence a tirade against decency rather than upholding the zeal of the lawful demonstration rather than the conflagration of repartee to enforce a newfangled decorum that is honest enough to encounter the brusque bruption of reneged agreements rather than the salty saunter of the piggybacked immoralism that sinks beneath the artifice above. The dratenk of the foibled fables of invulnerable arbitrage by boursocrats to outfox the system greatly abetted into competent leverage by the finesse of autodidactian prestige is overlooked by many as incidental when in fact the measurable demarches for the unified front of enlightenment don’t devour their frenemies but instead resort to negotiable pinhokes of devolved clarity that wravels the system and oppugns the oppression of the listless weal of warmongerers and freebooters alike as corsairs of the same syndrome of pleonexia that is a marauding force for vehement fiction becoming engraved as cretinism and certitude in diplomatic gamesmanship that is a humdinger sockdolager for the ages that provokes us to a sophrosyne neglect of the ulterior channels of furrowed outrage in the sulcate grooves of hypocrisy twirling with gawsy chocolate-box surfeit to try an install a puppet rule and a gentreng honesty that makes no concessions to a systematized persecution of the ribald witwanton effrontery against the profligate syndicate that syndicates a warbled wipple as the justified end and entombment of a prominent leader as self-sabotage is never convenient but their overstated neglect is their own pitfall rather than their collaboration in triumphant rhetoric to quizzically spurn the contumely of unstated harangues of charlatans who invoke beadledom to impose the corrosive corruption of optative choices to silence opinionated voices out of pragmatic necessity rather than cordial disagreement. The ammenque loitering against the trillops that guard the treasuries of flakmention and flarmey is an implucture of all talent corroborating a false narrative so that it is plucky enough to withstand the rooster assault on primposition of redstrall bluepomp that is the rapknock against the efflamen to endanger their safety and besiege their glamours and scintillating glints of appeal because appellate courts justify the dratenks of flombricks of wiseacres of benumbed clarity to invoke a martial order rather than an irenic francketor metanoia towards God rather than against his frenetic barnstorm for clarity and clairvoyance withheld to the ******* of redominage in the hyjamb of repcrevel.
The symbolic resistance to galvanized divestiture makes me a homeless king domineering over entire regions despite the nosocomial welcome of the evil poltroons and scullions that withhold justice from my presence because they taunt me with insubordinate factions of facture rather than the foofaraw of faffle in useless deskandent poverty because my otiose wealth swells into a dormitory of dormant passions simpering with the luxuries of time to engorge coffers rather than create coffins. I am drastically tired and wilting from the pangs of contrition that I seek the appellation of the Lord but my appendages are conflated because I sought my own outrecuidance rather than a redivivus of reclamation because I stand stranded from my own euphoria as a punitive measure because I trusted too much in quacksalver remedies of parched apothecary wisdom that now enliven barely any part of me as I have cleansed the remnants of my advantage to squander.
I am equipped for long-haul visionary prowess but I am paraded around as a nuisance for noisome vapid conglomeration to supersede my valor of purpose. Hebrews  13:1-3 NIV 13 Keep on loving one another as brothers and sisters. 2 Do not forget to show hospitality to strangers, for by so doing some people have shown hospitality to angels without knowing it. 3 Continue to remember those in prison as if you were together with them in prison, and those who are mistreated as if you yourselves were suffering.

The guild and build of compunction is predicated on the ethos that an eternal generosity not flickering in a disdain for discipline avoids dippoldism but chastises the wicker of the wicked so that the snuffed ambeer of rijuice becomes a permanent abode of those that aim for righteous conduct and a pivoted course above the travail of useful operose laborious krifts but also against the principalities of darkness that overcome the world with maleficence even in times tithed to eternal remembrance that they might be integral to the sejungible fractures of history that don’t bluster with importune crestfallen dirges but siphon through lavaderos the rectified remembrance of all virtuous deeds consummated through the renewal of covenants too herculean to master by any one apostolic visionary because I apply my wisdom to the nature of a servant dutiful in my fiduciary duty to the covenants that are foiled or proven but simultagnosia overcomes neither  the dissident nor the zealot because it is squelched by the coming of the light of aborning tides of day bequeathed from the night of lucubration that is the pedotropy of a new century rather than a rigid certainty of the last century that lapsed with grievous war and forlorn strife that the trumpery of evasive rookery doesn’t roodge people from their tranquility but instills a surpassed peace that placates the understanding of the placid miracle in the turgid ponds of absolution given as gratuity to the marvels of those without blemish or defect yet many fall short of the grace of God but are we all indeed sinners or is there a rare batch among us who is so blameless that he becomes blameworthy in the eyes of a glowering sentiment of perfection being impossible. I offer the exemplary wisdom of this age to renew that which is only impossible without the counsel of the aggrieved generation eager to novantique but disregarding the sentinels that seek the destruction of the womb and the matrix which harbors all life and neuters through death the covenants of old that a wizened corrugation of reclaimed prophecy might have enough mettle to fulfill the law of the Lord. Let the blameless procession of ceremony anoint newfangled rulers in the interregnum between lapses predevoted by the diablerists of contamination of the purified license of a ragged continence becoming the bewrayed secrecy of a furtive cloak of deliverance that professes no partisan allegiance and defies no creed but the ultimate salvation of as many of the members that constitute the living God of composite symmetry with enlightened and awakened wisdom rather than the slumber and the slummock of the radical princely rebuke and rebuff of the polished sentries of terriers too loyal to the fewterers that gave them life and not curved enough towards the beneficence of compunction actionable for levity against the gravitas of levitation afforded to the few if rarely by seldom simpers that the luxuriance of man be cloaked in the majesty of the throne rather than the ensnared tomb of sandapiles of petty eternity Matthew 5:17-19 NIV 17 “Do not think that I have come to abolish the Law or the Prophets; I have not come to abolish them but to fulfill them. 18 For truly I tell you, until heaven and earth disappear, not the smallest letter, not the least stroke of a pen, will by any means disappear from the Law until everything is accomplished. 19 Therefore anyone who sets aside one of the least of these commands and teaches others accordingly will be called least in the kingdom of heaven, but whoever practices and teaches these commands will be called great in the kingdom of heaven.

To heed the call of discipleship invoked by the peremptory sophrosyne commandments of my prophetic tentacles that for momentary transcendence evolved beyond  the lapse of a cursory glint of sheens of iridescent squalor lost to the futility of a timeworn design  that I might measure up as worthy in the kingdom of Heaven to issue decrees and anoint the latria with newfound growth without decimating the spirit of the Law nor the words that constitute it despite minor grievances with the subordination of women and the slavery of men that have been remanded by ecumenical benevolence because of secular paragons celebrated widely for enlarging the sphere of humane compunction so that zoolatry and idolatry do not consume the  comestion of the Earth before the outrage of the contrition of those that knock and seek and find ajar the doors to the lychgate that leads to paradise beyond rather than turpitude beneath. As found percurrent through the human facetiousness about stricture caving into witwanton pressures to rectify a modern law to supersede a valorous insurrection of petty cordslaves mentoring themselves into indigence rather than cloaked with resplendent jovial grace we must find ourselves vindicated by magnanimity and renewed by the agony of calvary before we can call ourselves disciples rather than loutish repugnance that glowers at the dimples of time rather than pounces on the eager testy reaches of limitrophe and charter to centuries beyond our own which will either heed my wisdom or disregard it as less than sagacity embodied and more of an individualist bent but carved throughout the Bible was the insemination of the redaction of pure sentiment into cobbled perfection and yet lacking the insight to discern the future yet elapsed I contain within me a joyous discernment that the torpindages wagered through time traindeque the integrity of the trykle of inconvenient bristles that apportion the loaves and the fish evenly among those seeking food that abundance derived from dearth enriches all for in my petty  insights humbled by the porches and porticos of my assembly and ascension into a more sanctified practice I might become licentiate rather than licentious because the key difference between the disciple and the master is that the master has grasped within his truth the full measure of the scales of tip-toed justice and judicious foresight never overlooking the niceties that glamorize the vogue that contains the ebullience of artistry to entertain the flocks of Heaven and Earth and among the celestial realms earn a reputable stature as canonical enrichment rather than belittled provincialism. Gardens of the propriety of genteel regaled zalkengur will shimmer beyond resplendent imaginations never splenetic or phlegmatic in rejection of the covenant which binds us to the promise of Isaac both with the deeds of Moses succeeding him to bequeath the riches of tattered lands favored by the timeworn compunction of design to end the apartheid that rules a war-torn patchwork desolation that reigns in destitution weary of its own shadows that umbrage offends both God and Man and thereby is revoked with the privilege of the few capable of vulcanizing the totemic prerogative into a democratized  bailiwick that seeks the rijuice of remanded custody of the future to the diligence of the hands of crafty craftsman rather than other disparate clenches of the tenacious idolatry of the purebred past fed the ligony of reputable deeds or worse knaveries that are obliviated from the highlight reels that accept correction and lead prolonged lives of gallivanting gallops towards the pastures of prosperity gleaming with the boodle of the well-earned realty of labor rather than just the pretense of levied taxation upon the unfair distribution of things beyond man’s petty grasp of the junctingent reality that seeks its own heyday beyond the stegmonths that broaden the pains of parturition given as punishment to seek the reward of oikonisus rather than the dissolution of accusative whispers retreating into embanked subterfuge rather than swiveling among the creatures of light so that all might have the courage to approach the lambent presence of wisdom despite the fettle of doubt and the hamstrings of desperation that curb our mettle and cast aside our reigns to tatters rather than scullions who devour all with their charnels of brutish injustice.  The enigmatic linchpin of guarded furtive secrecy is that the lambent light shimmers with sheen but only by propinquity and proximity can it be fully fathomed so thus we must shepherd the courage and audacious resolve of the many to surmount the challenge of conation beyond the despair of failure so that the marginalized fruition of the devolved prosperity of contempered metaphor leads to the regaled histrinkage of phylogeny beyond racial divides and for the profiteers of a new century gilded in light rather than regressing into the darkness of chambers that sulk because they are seedy rather than impregnated with the fruit that distinguish the bowery from the metropolitan urbanity of clairvoyance.
The dissipated pogonip of punitive dippoldism is antithetical to the relache of paradoxical inoculations cadging dissolved juxtaposition to internecine tangential respites in the clamor of time to speak on its own behest to the calamities offset from the friction of a world slick in furtive details but evasive with dodgy harangues about the radical imposture of jingoism above the right of the voiceless to amplify the stern ripostes against warped dementia and fortify the strongholds of a guaranteed compunction contingent upon the tincture of attrition yielding a cloveryield for ambassadors to the true living wisdom of the Almighty presence of supreme authority rarely invoked but established by careful entreaty to evacuate the endangered sultry lickerish malapert licentious broods of those taxidermies that squelch the feral gregarious spirit of the untamed limits of imagination that spawn new worlds and better deeds from the spools of the woolen greenhorns that mete out our deeds for feted reclamations of the novantique. The stipulation of providence leans on the weal of turnverein abiding by amaranthine dictates that are supervenient with a beneficent attempt at recoiled surrender to divine will but met with a firm individualism that seeks to picaresque rejoinder the ultimatum of time itself to seek and find or to be stranded and evoke. The poignant twinge of individualism is a harrowing force of idiosyncrasy to triumph by hortoriginality rather than leak like a rusty faucet by the whimsy of formula and calculus both arrayed in constellation to abide by the cretaceous dictates of lifeless discipline bent by the ferules of improbability and the acatalepsy that precludes any judgment of the impossible because  the vanquished sandapile of the aggrieved coffins of former titans breathes less under the scrutiny of silk than it does when the emigration of souls in tenure and tutelage of others depend on the living sustenance of the active word Heb 4:12. We exact a precision of balance against the stultified weather of a grievance of sorrow and somber semaphores that portend gloom rather than shimmer with optimism in light but a benighted day is but a prelude to the sunblind coronation of the rigors of  mettle becoming the refracturism of a conclave that divides time in half to recursively reiterate itself in reversal and then become sejungible from holistic parcels itself to rejoin into one solid entity even when the indivisible becomes soluble in the mysteries of the ultimate querulous enigmas foreign to many minds prepossessed by anteric spite or the spate of dissuasion rather than goaded adventure that spars against the spartanism of rigged gladiatorial spectacles that appease the aceldama much to the agony of the participants who issue not even a whimper of resignation in their trumpery over courage because they foist their momentary battle as an exaggeration of the prowess of invented celebrity that is much belittled in the artifice of war that is checkered against the hubris of outrecuidance that gloats over the dumose duress of shattered paradigms while regnant upon the face of the dormant courtesy of designation rather than design for the supercherie of evocative throngs of rumpus and cacophony to settle into the sedimentary victories of tallespin rather than internecine gambits of glaikery lost in the ****** creeping galvanization of artistry met with inclemency. The sophrosyne proclivity pivots on a propinquity of asseveration of sacerdotal mandates and individualism untethered by the boundaries of the purely lucid and pellucid thoughts known to the conversant tongue because to regiment the historical lineage of a crafty kisswonk that avoids the pitfalls of egestuous penury of conservatory conservatism and neglect the thorny imbroglios posed by the ragtaggers of freebooted hornbooks sold by the colporteurs of the aboriginal swindle of defalcation from public treasury we must find treasure in all composite works as mosaic artistry becomes the granular comportment of majesty unfurled by emblazoned ascertained certainties without being flummoxed by the crestfallen pause of the waterdrips that stand nesiotes in silentium insular in design only to be found among the troves of the value that designates the valuable from the worthless and we must determine the integrity of deeds supernal and faith provisional the restive pause of soteriology that all matter is better than all sense only because without matter sensation would lack its testy limits to the mathematical postulate that carving sapwood is easier than the whipsaw of the contrition of centuries grieving over  their compounded losses rather than prizing their compounded interests of atocia and wesperm of neutered virility swamping the industrial sentiments with clockwork vanities rather than humbled or even humiliated revenants of carnation believing never the credulity of partial lies but swerving away from temptation even upon faulted pages that superstition will evict. The boiled subsistence of many odd epistolary requiems are omitted from memory because the reverse evasion of an unmerited life earning  few keepsakes worthy of a tithe to a modesty of reprisal rather than a ruckus of betrayal that casts asunder the former ******* for the emergence of the stegmonth and the barleychildren of emigration to newly crowned visages storming the frontier of not headlong abandon but the sad recadency of vitriol upon sentiment divided against itself like a creaky vestige of a craggy hill surmounted by an edifice of sterilization rather than perdurable anointment. We whimper with resignation that this overlooked passage through the turmoil of the yearned heyday upon the grunts of labor will forever be stained by the petty numbers that emblazon the recumbent posture of inconvenience riddled with foraminated despised countenance belied of its own true nature to wither into the crumples of ashen dust memorialized by fewer than the momentum of catalysts demands. Proverbs 8:22-35 NIV
“The Lord brought me forth as the first of his works,[c][d]
    before his deeds of old;
23 I was formed long ages ago,
    at the very beginning, when the world came to be.
24 When there were no watery depths, I was given birth,
    when there were no springs overflowing with water;
25 before the mountains were settled in place,
    before the hills, I was given birth,
26 before he made the world or its fields
    or any of the dust of the earth.
27 I was there when he set the heavens in place,
    when he marked out the horizon on the face of the deep,
28 when he established the clouds above
    and fixed securely the fountains of the deep,
29 when he gave the sea its boundary
    so the waters would not overstep his command,
and when he marked out the foundations of the earth.
30     Then I was constantly[e] at his side.
I was filled with delight day after day,
    rejoicing always in his presence,
31 rejoicing in his whole world
    and delighting in mankind.
32 “Now then, my children, listen to me;
    blessed are those who keep my ways.
33 Listen to my instruction and be wise;
    do not disregard it.
34 Blessed are those who listen to me,
    watching daily at my doors,
    waiting at my doorway.
35 For those who find me find life
    and receive favor from the Lord.

We were all borne of the smithy of the furnace of the aboriginal yet it is lapsed in our memory as the stardust of a time beyond volition and therefore repentant not because contrition for secondhand deeds without moral pedigree tethered to altruism requires few hymns of atonement that we were there when the protoplasm engulfed the Earth and rattled the cages of the celestial realm so that the emigrants from the future and the distant sidereal neighbors we barely know with intimacy saw us in a decarnate form crass to perception but not immune from the pregnancy of rebirth that is the incarnation of all flesh and blood lived in the loitered remembrance of eons that flashed by in seconds rather than draped over countless millennium with a poise and a pause. There is a tenure of conviction which abides by a deputized authority that fossicks every creaky hinge of absolution to demarcate the boundaries of stardust that impregnated the world with life in variegated diversity not for a haughty zoology of the sneer of outrecuidance or merely the capitalization of the syndicated gains of collectivized enlightenment but the higher realm of betrothed fidelity to the tutelary plenilune dictates that are in sultry sullen broods of oligochrome to the tentative ear but swivel silently to the journeys ineffable that make life memorable and peaceable with armistice rather than desperate recoils of militarization against domesticated furor rather than foreign malevolence that depreciates the tegular carapace of conversion to summit the tropes of tramontane fables archaic in literacy but bundled in the comestion of design that are formant proprieties of spates of flamestun twinges that spurn the ferule and bound the jackals leapfrog above the bushy secrecy of a pointed swarm rather than a pointless scorn that disavows its prejudice for pride but becomes an empty vehicle of subversion rather than empowerment when the people abounding in its glorified presence  become captivated by transfixed valuable temporal achievements rather than the core of mettle itself to divide the plunder on even ground.  The fickle atoms that when divided provide the ulterior gainsay of destruction are the same unitary properties that should stand forever indivisible in the resemblance of an effigy never berated because of insensate brevity in sensible sensation but always applauded because the constitution of all matter belongs to the ephemeral spars among stars and the violence of bolides of collision rather than ramparts of desecration. The offspring of this shambolic awakening is the seminal procedure beyond the reiterative quips of awakening that seems to make few demands that are heard beyond hearsay and a great deal of ordeal ruckus and character building at the centerpiece of a mosaic permutation of fundamental perpended democracy that shelves its prerogatives to obganiate the tired point of the tiresome hackneyed narrative that seems steamy and running out of gas and thereby stranded in insular vagary. This gay-baiting ******* deserves to belong to perdition in the deepest barathrum of hell because schadenfreude should not overpower moral logic because of corrupt evil henchmen that won’t surrender a petty point in a war they will lose completely by my vindicated triumph over the ugly tittups of desiccated vigor intermediary to triumph that regales only the worst of society to curbstomp me because of ridiculous lies that deserve the strongest excoriation demanded by the exigency of this scenario because you can’t justify slavery to prove GLAFD vindicated.
I stand in solemn triumph that this psychological debauchery cannot reduce the agency of God into some petty psychological experimentation with human virtuosos to make them grand empirical diatribes of the suborned fagins of robbery and thievery that sneaks around the thickets to reprove the vindictive ****** of God against his many coagulated enemies. I am here to declare the Black Lives Matter slogan a fraud to enslave dumb people that aren’t awakened to the true trumpery of supercherie that governs our country negligently while many itch for the grievances of legal recourse but feel intimidated by the strangulation of the armies of evil promoting consternation to demerits rather than plaudits. I am a righteous agent of valor rather than a deposed reiterative squalor that vanquishes the enemy despite their background because I don’t shrink from a fight even when embattled by the shepherds of evil maleficence that simpers with disdain at my heroic attempts to beat Truman Show politics that shelve moral fiduciary duty to subsidiary status while I campaign for the valorous enrichment of God’s bounty beyond limits of the petty  finicky resolve of the enemies that surround me with finicky subversion. The inexcusable crime here is that the majority of malcontent deals with slavery rather than George Floyd whose memory is memorialized as a sopiter to the dumb people watching TV dying of senectitude that don’t research the  internet when the truth is far more glaring Facebook mafia and Silicon Valley are holding me hostage to prove a petty point about the schadenfreude of a never ending torrent of bashing Beto’ O’Rourke style that would end in a terminus of despair to promote a radical agenda that is now being hijacked by BLM despite the fact most of the momentum is being catalyzed by my injustice and the grappling moments with the demons that estrange me and suffocate my movement to squalor and entrenchment. Wake up! This is not BLM anymore it is a hijacked excuse for the slumberous old people who only watch TV and don’t do research and there is a concerted effort to limit free speech even when I have license and latitude to exercise my authority to exorcise demons that haunt this skrimch that resides in eternal evil for petty political ploys deranged in lunacy rather than ennobled by God’s justice and this maleficence will never end until my dying day because I will not resign to the pressures of divestiture to lead a prosperous life only to find perdition at the end of my path because I abide by God’s covenant without flinching and I will march on for the solidarity of liberation rather than the squalor of demerited apartheid.
White prejudice tried to systematically erase me from the records despite my continual truth in interrogation that subverted me in the most minatory way imaginable. I stand reformed by my character in the face of depredation because their faultered attempts failed. They should be degraced from their positions of primposition of the police state that avenges all petty losses in the SB era at a time when I was prone to querulousnesss. Benumbed by crisis the world will be inoculated from truth to subversive values that inculcate the vulnerable rather than exonerate the bridewells of encomium. I justify my works by God’s compassion to bless me with such encomium even in these balkanizing circumstances that we all might be remediated by the grace of the one who sent us to the missionary zeal to compunction that delivers the sentinel vision of terriers of goodwill and justice!