Twisted
Burning
Toiling
Anguish
Wrapped,
Concealed
Deep
Beneath
D­isconcerted
Contortion
Attempting
Feigning
Effervescence.

if you can find c. g. jung writing an answer to the biblical Hiob, i can be found writing this... or as the Lad Bible states: be your superficial you... so when she's not her superficial self... you can just play the awkward monotone speaking caveman that you weren't before she played you that superficial card of hers to tone down your interests.

you know why i'm fascinated with schizophrenics?
primarily because they are concerned with
an inorganic medical condition,
there are, absolutely, no reasons to suggests they
are organically prone to premature degeneracy,
they are what the Alzheimer old man calls an angel,
and what the "angel" experiences from time to time...
to cite a non-typical schizoid experience -
a splinter in the mind?
when i wrote my previous poem, i was listening
to the song *the parting glass throughout,
on and on and on... the rhythm took over...
and when the "poem" was finished i retracted myself
into my room and first played auld lang syne
(with lyrics and English translation)...
                           and then... the pure instrumental
of knee-deep-bagpie... bagpipes, sure, horrid,
screeching drowning-lungs of magpie
cackling cut short into a carbonated highland water...
     oh don't worry, what this comes down to
is personal experience, such negations of ease
are not like the black plague, or a.i.d.s.,
they don't come into contact with purely-riddle
human incompetence... it takes more than that...
certain conditions are not viral...
you can't interpreted them as political malevolence
akin to a political movement... primarily because
the numbers don't add up...
                    the complexity of thought is
the complexity of regarding the mind as an abstract
of the brain, given the brain has no accuracies
concerning abstraction when stated against being automated
to a pair of kidneys... i too wish for a La La Land sometimes...
but that's not the reason people allow ***** donations...
     but you know, it really gripped me,
i wrote that poem, listening to the parting glass,
and felt nothing, nothing... because i was so
formulated to write what i wrote...
  i wrote the last bit, walked into my room,
and played the second version of auld lang syne...
the royal scots dragoon guards pure instrumental...
   and you get to weep these cold tears
after an insomniac cold shivers getting warmer with whiskey...
              and whimper and bite your bottom lips...
because you're hardly a woman fainting
and the drama isn't in you...
               and it's actual tears...
people laugh and cry saharan tears, meaning: it never
rains over it...   i see Sahara as the ancient version
of the Himalayan mountain range, suddenly reduced
because god is fickle and well, aren't we all?
           if any of us are alive to read or speak such
encodings... there will be a desert made from
the Himalayas that will be called the Himalaya -
but that's really being optimistic.
       there used to be mountains, mountains in
north Africa, Gandalf! but they crumbled in deserts!
where once a mountain range, subsequently a desert...
where now a desert, once a mountain range.
can i please get a taxi to leave this current
history and Darwinistic revisionism of it as telling
us ape Adam had more psychology about him than
Charles XIV? i want to hear the geological version
of Darwinism! but am i hearing any of it? n'ah ah.
       so yes, upon hearing the scotch dragoon guards
pipe a full whiskey sodden breath into the
         bagpi - i heard the word counter to my scrambled
narrative... king... king?!
                   which is what's bewildering about
a medical term deemed premature dementia...
   it's an organic impossibility...
but given society is an inorganic organism
and all our socio-political mechanisms aren't exactly
organic, there might be some sense in this piquant
dabble in an auditory hallucinogenic experience -
which, evidently, people find frightening,
since they occupy defining their thinking with
hearing so much, and when seeing a homeless man
think so little...
                     logic? a particular arrangement of words
that does not provide kind rubrics for the testimony of
the many...
                    i can hallucinate this auditory "addition"
and competently go on my daily business,
or my nightly business finishing a bottle of scottish amber...
some people cannot...
                 what i see it western society predicating
their poor knowledge of Alzheimer's as if searching
for some genius to explain what happens to the abstract
functions of what the brain represents
                 in terms of how the brain and abstraction
can't be cleanly separated, i.e. to treat the degeneracy
of the brain as succumbed to, but not succumbing to
the elaborated foundations of the "brain"
within the trans-physical functions of the "brain"
within a framework of memory, vocabulary, memory.
people first attribute the brain with too much
           concern for abstraction when in fast the driving
force for abstraction is the now-vogue zeitgeist
"psyche does not exist" -
                            and when the brain degenerates like
a heart or a kidney can... people start to freak
out propping out a Frankenstein revival that brain
cannot in-act upon...
                                 they told us the brain is fat...
          then they tell us only 0%, or fat-free yoghurts are
good... isn't the case for the epidemic of dementia
due to the fact that we're censoring fat?
what feeds the brain? fat! what are we censoring from
our diets? fat! fat free ******* yoghurt!
                             where does the modern epidemic
stem from? censoring fat! you anorexic ******* morons!
  you know why i put extra fat in the way i cook
meals, you know what orthodox cooks tend to
like a sizzle of a lump of lard? brain food...
     and yes, some call it eating a lot of nuts...
well then... fry me a ribs-eye steak on a handful of
cashew nuts you crazy *******!
            this is what drives me crazy concerning
auditory hallucinogenic experiences...
there are no drugs that you could ever sell that people
would buy to experience an auditory hallucination...
primarily because people made thought
   an auditory experience...
                  that's the norm, i'm not talking Walt Disney
here... and people enjoy music because it feeds the heart
in a way averse to images that feed the libido
or dreaming...
    the point being, my "hallucinatory" experience lasted
for less than a second... some ***** on l.s.d. trips
for half a day because he finds modern movies boring
and finally gets to appreciate cubist contortion
mechanisations... i can do more damage with a second's
worth of "auditory" hallucination than that little
hippy can do away with 12 hours, and only end up
writing a haiku thinking he can suddenly conjure up
spirits of Shinto like some Gilgamesh *** Bruce Springsteen;
then he shaves his hair and travels to Mongolia
to learn the index against the lips motorboating
harmonica... and i end up saying: thank you;
cos it wouldn't be twangy without that kind of a tranquiliser
to stabilise excitement beyond encoding sounds.
          i can tell you how ******-up my internal
narrative has become, so i'm defeatist,
here's how it looks like when i get agitated...
               writing on a white flag...
      oh look: wavy! wavy! i'm waving it...
going boats full of nuts and bananas!
             you ever hear the story of a psychiatrist
jumping on a table and barking when a conscription
  cadet tried to fake being mad?
      she did what i just wrote and asked H. Clinton
to reiterate on the campaign trail.
                    inauguration 2017:
   i solemnly swear, that H. Clinton barked like a ruffian
poodle on the campaign trail.
  beside the point though, schizophrenia is an inorganic
manifestation of an actual organic degeneracy -
it's a negation-of-ease for dangerous people...
     people who probably have a music taste outside
the top 40 best selling albums (let alone singles)...
                   and they're quick to pick up on this grey area
concerning premature depression...
                it's trendy these days... people who are melancholic
are people who are like Homer, wrote the Odyssey
went blind from making too much heroism from
      the cannibalism at the gates of Troy and couldn't
handle telling a single lie after having written such an epic...
   or as Virgil convened: Paris didn't escape,
Aeneid did... no one knows what happened to Paris,
       probably choked on a raisin or something:
it's ancient history, if you're not going to talk about it
in a callous manner, then be prepared for careless mannerisms:
pout, **** *** cheek, shelfie!
               what i am seeing is this quote:
a butterfly on the Galapagos Islands... a Tornado in
Colorado... the poetics of quantum physics,
or misplaced potentials of counter-quantifiable
simultaneous counter-interpretations...
    the butterfly effect? under the umbrella corporate
otherwise known, from ancient times: a metaphor.
hey, we started reading into hydrocarbons,
there's no way to talk easy for us...
                           for all my love for one inspiration,
i lost my love for him when he said that not tying your
shoelaces (i.e. spelling) was because he thought it was
indoctrination... you know who i mean: Mr. Chow Chewski...
   spelling? that's like tying your shoelaces!
         question is... who would ingest a hallucinogenic
drug that didn't utilise the multi-coloured world to
an excessive amount to be prescribed, say, an U.V.
phosphorescent spectrum of seeing... when, given all
that... sound occupies this realm of b & w?
               who could create an auditory hallucinogenic?
can you imagine it?
                             most people with a weakened cognitive
membrane would go nuts... as the case has been proven
many a times...
        but given the fact that no such hallucinogenic exists,
or that "auditory" / cognitive hallucinations are
disregarded even though Descartes stressed this
   notion of a substance / thought, and an extension /
       sensual disparities with regards to cohesive uniformity,
i.e. regarding over-stressing a particular sense
      and never reaching a former cohesion...
           can only mean a circumstance later described
by Kant within the framework of the noumenon -
    i.e. perhaps you've seen too much, but heard too little...
perhaps you've tasted too much, but had barely a sniff of
                  more...
        the original thought when exposed to a cohesion
of uniformed senses, experiencing a discohesion of
             a presupposed sensual "uniformity",
returns back into a form of thought, i.e. an extension...
                only because the thing in question is a
presupposition, not a supposition that can be countered
with a proposition, i.e. since we all made mistakes
presupposing, we have become prone to propositions to
suppose otherwise... in terse terms: invent politics.
so what i termed "auditory" and "hallucination"
and conflated them in a prefix of cognitive-, in consolidation
i meant to say that: once all presuppositions (thoughts)
disappear by the miraculous ape that man either is
or wishes himself to still be... and we deem to say:
   reality...                 we only have suppositions (extensions)
               that appear...
                         by the miraculous ape that man never
was and wishes himself to nonetheless be:
  in that consolidatory ref. to the last trinity of Cartesian
thought: substance - in the former the formation
of will... in the latter the complete lack of it -
                              to the simpler scenarios,
we already have knowledge of prisons and asylums...
            because internalising such possible scenarios
never leaves the many to be grafting such possibilities
with enough calm as to persevere for the sole purpose
of understanding, as what point can a noumenon-unit
enter the argument if not from a reflex
                       as this continued narration explains...
none of this was reflected upon...
reflection in such circumstances usually means weaving
a machete at your neighbour...
                                  the noumenon-unit
the ping-pong factor in all of this is a reflex action...
         not a reflective action...
               i am no king no more than i am a pauper...
   now imagine if i tripped for 12 hours on l.s.d.,
having extracted so much, from an "auditory" "hallucination",
that, in the realm of the mind, is neither a minute,
nor a second, nor a nanosecond...
               it's unitary equivalent is simply that of: a word.

From the outside he is unfinished and grotesque
A figure conjured up by a devilish intelligence
Out to shock the world with his ghoulish antics
For who could find such glee in such contortion
But as always poor **** sapiens is off the mark
For inside this morbid cask of human digression
Lies a trove of bountiful beauty in aesthetic abandon
The beauty inside the man is the work of a maetsro
Poetry that seizes the imagination is his speciality
And music that arrests even the gods is his forte
So be not hasty to judge what you see before you
Let the scales that blind your inner vision drop off
And there before your newly-tutored eyes
Will lie an essence of such beauty as you can never imagine
Loudly proclaiming the worth of the person inside the shell
And how disability is only a layer that when peeled off
Unveils the inimitable jewel inside in its range and depth

It’s a place of healing,
the forest floor.
A place alive with secrets and knowing.

My learned sense of reality catches on the brambles and thorns as I pass,
and the tentative uncertainty of my untrained step
loosens with the soil on my feet
in the puddles on the path.

It’s a place of healing,
the forest floor.
A place intent on living.

Where each movement beneath the
towering company of life informs the next.

A little slower this time.
A little softer.
More quiet.

And with each surrendering breath,
another can be heard.
One more colossal and unified in its polyrhythmic sway.  
The trees and vines and creatures with their watchful eyes,
and the earth underfoot,
swell and recede in a merry yawn.

On my twilight walk to fetch water
the dark patiently dilutes all colour,
but allows detail a stolen moment to define my way.
The texture of bark on the lean oak trees around the spring,
the burbling contortion of their reflection at its yielding mouth,
the lichen-rough rocks,
smoothed at the water's edge,
all persist and scintillate into grey.
The soft pricked dendrites of moss cushion my knee
as I slip and fall,
one foot in the spring!
And my scream and giggle pierce the listening night,
and there is no other human being in sight.
So I sit. Wet and still. In the moss.
For tonight, when the darkness stretches its veil impenetrably-tight
over the forest I shall be inside,
to find my place within it's creeping, writhing breath.

Its a place of healing,
the forest floor.
Where living things may grow.

I think
That I will see
What it's like to be
So cold and angry

I'll step into
Your worn down shoes
Look for clues
Of why your laces are loose

I'll tear your back
Pull at the crack
Ivory is lack
Stepping into the sack

Reddish burns
Eyeballs churn
Having to relearn
Basic motor functions

Look into the mirror and Smile
Greet every customer with a warm Smile
Close your eyes alone and Smile
Think about the war and Smile
Imagine your daughter and smile
Leave your troubles at the door and Smile
Black out, wake up without a mother and Smile
Smile for the camera
Smile
Smile
Smile
Look I know you're depressed but Smile
Maybe you'll be happier if you Smile
I heard you can trick your body's chemicals into thinking you're happy if you just Smile
I didn't say be happy, I said Smile

Smoke a cigarette and Smile
Look your ****** in the toes and Smile
Put your makeup on and Smile
Pour a fresh cup of coffee and Smile
Hold their hand, look at the stars and Smile
Shut the **** up and Smile
Sit at the bottom of your shower and Smile
Empty this bottle and Smile
Lose your lifes fourtune at blackjack and Smile
Take this pill and Smile

Stop Smiling
Why are you still Smiling?
Is that all you can ******* do?
SMILE?
Smile
Like this contortion of flesh is taking a punch
Smile
Because this curvature is a war on hatred
Smile
Like a curse word
Like body armor
Like a paycheck

Smile.

Philosophy 6/13/2020: A New Model of Time (The Original Document Was Expurgated Because it was Too Genius so I am trying to reinvent the argument) EXPECT FUTURE EDITS WHEN I AM NOT INEBRIATED
A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the pioneering basis of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context that consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously and both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny that by very definition could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor (I will edit this philosophy at an opportune time but the basic ingredients are provided)

Please God, help me stop living in a dream
Viewing life through a veil
Contorted are the faces I see
All I need is to open the curtain
I will see the hideous truth
'Neath the lies one day

Straddling the floor in a perfect split, arching my back and bending over backwards. Standing on one foot upon my tip toes. Flexing my arms and legs in many an ****** pose. Wearing form fitting clothing to show off every curve. Hand standing upside down is among the things I love. Putting up my hair in a bun nice and neat. Approaching the mat with smooth legs and bear feet. Taking a turn then flipping backwards and landing with a thundering bounce. Twirling a ribbon as I prance about. Showing how agile I am as I strut my stuff! Flying like a eagle into the air and hoping I was good enough. Doing all of the things I love, finishing with a contortion pose in clothing that fits like a glove. Being an acrobat is really too much fun.

wrapped up in pretzel shapes on my bed in the middle of the night
contorting and twisting
holding my head, lifting my legs
bending my knees
happily.
much unlike the way you contorted me for your own pleasure
much unlike the pretzel you kneaded me into
alike, but different.
so different.