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daniela May 2015
you know, i’ve been thinking a lot about comets
because all stars are destined to explode
and the more light you give off
the faster you burn out
i guess this is why they say only the good die young,
i guess i’ll live forever
but immortality sounds lonely and most living legends tie their own nooses,
and the rest of us live just by making excuses
i'd count out all the stars in between us like miles
but you're half way round the world and i'm more than a few days behind
i'd count out all the stars between us, make promises and wishes on them
but i know they’d both be empty
but stars are always dead on arrival
but you’re too far away even if you're right next to me
we were looking at the same stars, just not the same constellations
and i'm so ******* sorry for all the things i let burn out,
all the things i let go ruined instead of dealing with them
i’m afraid of failure so sometimes i don’t try at all
i’m sorry you got the worst parts of me
i’m sorry you got my collisions instead of constellations

you know, i’ve been thinking a lot about comets
because you were afraid of commitment mostly because
you thought you were supposed to be and i said
i love you like a bomb going off too soon
my whole body is on fire,
you ignite me like lighter-fluid and bad decisions
and the best things burn out fast
the shortest lights burn the brightest
it’s science, it’s physics, we can’t fight this
we were doomed from the start, it’s inevitable
that we have to take things apart
somebody told me love is having the perfect opportunity
to hurt somebody and letting it go,
so i guess that’s how i know we’re not in love
because we hurt each other just to prove that the other one
still cared enough for it to sting
because i learned that you’re not real unless you make marks,
so i hope it ******* scars
i hope you can always see the bruises in the shape of my lips
i hope you never forget

you know, i’ve been thinking a lot about comets
i’ve been thinking about whether comets or craters are more important
whether it’s about the way you blaze out or just your ashes
whether it’s about what you do or what you leave behind
i’ve been thinking about why we treat
black holes and supernovas as opposites
when they’re really not that different at all
both catastrophes in their own right, yet one of them seems more poetic
but you don’t get to decide the amount of pain you’ve inflicted,
we are all afflicted with this thinking that we’re the only exception
i think we are all guilty of thinking
we’re supernovas instead of blackholes

you know, i’ve been thinking a lot about comets
i’m a mess and not just metaphorically,
sometimes i kind of think i’d be a lot happier without
all the things that make me myself
i am in a glass jar watching myself implode because
i kind of wish i was born with more serotonin and a different kind of motivation,
like i’m an observer to myself
and i’ve always viewed my own heart breaks
almost as the out-of-body experience, like a third party
investigating the remains of what was or what wasn’t
i am the medical examiner of my heart
and poetry is a lot like dissection
and love is a lot like hate
and living is a lot like dying
but regret is just a waste of emotion and love is just a waste of devotion
and going out with a bang
is much more glamorous than going out with a whimper
and nobody talks about slow burn, only the explosion
if you were a star then you were a shooting one,
and you’re always most popular the day after you die
but i’m done with that ****,
this is not a dead poet’s society
this is a society of poets who wanted to die but didn’t
because i think this might be a sad poem,
but i am not a sad person or at least i've been trying not to be
because we were all born to die, but we were also all born to live
measured by the blaze of our burnout, the trail behind us
i’ve been thinking a lot about comets
i’ve been thinking a lot about comets
i’ve been thinking a lot about comets
i think this poem is probably about like three different things / feelings
RAJ NANDY Jul 2017
THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI
i like to watch the comets with there big long tail
flying through the sky as they begin to sail
flying through the night like rockets in the sky
such a sight to see as they begin to fly

lighting up the sky lighting up the night
with there big long tail shining oh so bright
a lovely peace of nature in the sky above
just watch the comets is something that i love
Jay Jimenez  May 2013
comets
Jay Jimenez May 2013
Our lives are kinda like comets
just waiting to run into something
so it eventually stops.
William Bednar  Nov 2011
Comets
William Bednar Nov 2011
It's a scary thing, to do.
A frightening thing, to act.
Sometimes it's hard to follow through,
And so you wait in bed, compact.

Beyond that door, there is a world of hurt
And the bed is safe and warm,
But on the chair is your coat and big-boy-shirt,
And you have to face the storm.

Sometimes, at night, you see the stars,
You feel the sky is raining fire
While the dull, electric rush of cars
Makes you wish you don't aspire
To freedom
And to love.  Be bold,
And seldom
Will you feel old.

Let the comets grace your skin.
Let the wind caress your hair
And follow down your spine and in
Your chest, and breathe away despair.

Face the lightning on the road
And the fury in the stars.
Leave the safety safe at home.
Give yourself some battle scars.
i like to watch the comets fly across the sky
lighting up the night as they go passing bye
like a rocket ship in between the stars
flying round the planets jupiter and mars

with its comet trail  high in the sky above
just  to watch the comets is something that i love
makes the world feel peaceful makes life feel so free
a lovely piece of nature that i just love to see
Brandon Barnett  Dec 2012
COMETS
Brandon Barnett Dec 2012
I will walk the miles in your heart
the distance it takes to prove my love
I will trudge the sands of your time
the moments you need, to know I will stay
I will chase storms into the ocean
and beat the waves to rest on your shores
I will catch fire for you and burn new light
to set aglow the path to your affections

giving up or giving in, will never even begin to begin
and never will I ever beg to be let in
I will earn you

I will ride the comets into your black skies
to get a deeper look into your blue eyes
I will never surrender or be subdued
I will reach you
I will brave the fears and swallow the salt in your tears
to teach you
that we were meant to be one
no setbacks will keep me, no dark streets will defeat me
I will arrive, I will arrive

You are my river uncrossed, you are my home still lost
you are cherished deeply at any cost
you are my quiet moment soon to be filled with music
you are the evidence of love that proves it

I will run the race it takes to chase an angel
I will
I will it to be true
and no mile will keep me from you
a battle ensued
across the skies
meteors and comets
impacted
upon each other
fierce were the explosions
a trembling quake
rolled through the planetary spheres
neutrons and protons
collided
monstrous and massive
destruction
befell the galaxies
which were ******
into the battle's vortex
combustible fires flared
burning for millions of years
the war didn't abate
the kinetic energy
compelled
more
devastation
catastrophe
lasted
until
eternity
Florence Maude Apr 2015
Some people are like stars,
so close yet so far away.

Some people are like the moon,
Shining so bright, but rarely noticed.

Some people are like comets,
They burn so bright and so fast that they don't last.

Some people are like constellations,
They look so put together when really everything is far from it.

Some people are like the night sky,
They look so dark far away, but really are filled with light.
I will bring fire to thee.

Euripides.—’Androm’.

‘Eiros’.

Why do you call me Eiros?

‘Charmion’.

So henceforward will you always be called. You must forget,
too, my earthly name, and speak to me as Charmion.

‘Eiros’.

This is indeed no dream!

‘Charmion’.

Dreams are with us no more;—but of these mysteries
anon. I rejoice to see you looking life-like and rational.
The film of the shadow has already passed from off your
eyes. Be of heart, and fear nothing. Your allotted days of
stupor have expired, and to-morrow I will myself induct you
into the full joys and wonders of your novel existence.

‘Eiros’.

True—I feel no stupor—none at all. The wild
sickness and the terrible darkness have left me, and I hear
no longer that mad, rushing, horrible sound, like the “voice
of many waters.” Yet my senses are bewildered, Charmion,
with the keenness of their perception of the new.

‘Charmion’.

A few days will remove all this;—but I fully
understand you, and feel for you. It is now ten earthly
years since I underwent what you undergo—yet the
remembrance of it hangs by me still. You have now suffered
all of pain, however, which you will suffer in Aidenn.

‘Eiros’.

In Aidenn?

‘Charmion’.

In Aidenn.

‘Eiros’.

O God!—pity me, Charmion!—I am overburthened
with the majesty of all things—of the unknown now
known—of the speculative Future merged in the august
and certain Present.

‘Charmion’.

Grapple not now with such thoughts. To-morrow we will speak
of this. Your mind wavers, and its agitation will find
relief in the exercise of simple memories. Look not around,
nor forward—but back. I am burning with anxiety to
hear the details of that stupendous event which threw you
among us. Tell me of it. Let us converse of familiar things,
in the old familiar language of the world which has so
fearfully perished.

‘Eiros’.

Most fearfully, fearfully!—this is indeed no dream.

‘Charmion’.

Dreams are no more. Was I much mourned, my Eiros?

‘Eiros’.

Mourned, Charmion?—oh, deeply. To that last hour of
all there hung a cloud of intense gloom and devout sorrow
over your household.

‘Charmion’.

And that last hour—speak of it. Remember that, beyond
the naked fact of the catastrophe itself, I know nothing.
When, coming out from among mankind, I passed into Night
through the Grave—at that period, if I remember
aright, the calamity which overwhelmed you was utterly
unanticipated. But, indeed, I knew little of the speculative
philosophy of the day.

‘Eiros’.

The individual calamity was, as you say, entirely
unanticipated; but analogous misfortunes had been long a
subject of discussion with astronomers. I need scarce tell
you, my friend, that, even when you left us, men had agreed
to understand those passages in the most holy writings which
speak of the final destruction of all things by fire as
having reference to the orb of the earth alone, But in
regard to the immediate agency of the ruin, speculation had
been at fault from that epoch in astronomical knowledge in
which the comets were divested of the terrors of flame. The
very moderate density of these bodies had been well
established. They had been observed to pass among the
satellites of Jupiter without bringing about any sensible
alteration either in the masses or in the orbits of these
secondary planets. We had long regarded the wanderers as
vapory creations of inconceivable tenuity, and as altogether
incapable of doing injury to our substantial globe, even in
the event of contact. But contact was not in any degree
dreaded; for the elements of all the comets were accurately
known. That among them we should look for the agency
of the threatened fiery destruction had been for many years
considered an inadmissible idea. But wonders and wild
fancies had been of late days strangely rife among mankind;
and, although it was only with a few of the ignorant that
actual apprehension prevailed, upon the announcement by
astronomers of a new comet, yet this announcement was
generally received with I know not what of agitation and
mistrust.

The elements of the strange orb were immediately calculated,
and it was at once conceded by all observers that its path,
at perihelion would bring it into very close proximity with
the earth. There were two or three astronomers of secondary
note who resolutely maintained that a contact was
inevitable. I cannot very well express to you the effect of
this intelligence upon the people. For a few short days they
would not believe an assertion which their intellect, so
long employed among worldly considerations, could not in any
manner grasp. But the truth of a vitally important fact soon
makes its way into the understanding of even the most
stolid. Finally, all men saw that astronomical knowledge
lies not, and they awaited the comet. Its approach was not
at first seemingly rapid, nor was its appearance of very
unusual character. It was of a dull red, and had little
perceptible train. For seven or eight days we saw no
material increase in its apparent diameter, and but a
partial alteration in its color. Meantime, the ordinary
affairs of men were discarded, and all interest absorbed in
a growing discussion instituted by the philosophic in
respect to the cometary nature. Even the grossly ignorant
aroused their sluggish capacities to such considerations.
The learned now gave their intellect—their
soul—to no such points as the allaying of fear, or to
the sustenance of loved theory. They sought—they
panted for right views. They groaned for perfected
knowledge. Truth arose in the purity of her strength
and exceeding majesty, and the wise bowed down and adored.

That material injury to our globe or to its inhabitants
would result from the apprehended contact was an opinion
which hourly lost ground among the wise; and the wise were
now freely permitted to rule the reason and the fancy of the
crowd. It was demonstrated that the density of the comet’s
nucleus was far less than that of our rarest gas; and
the harmless passage of a similar visitor among the
satellites of Jupiter was a point strongly insisted upon,
and which served greatly to allay terror. Theologists, with
an earnestness fear-enkindled, dwelt upon the biblical
prophecies, and expounded them to the people with a
directness and simplicity of which no previous instance had
been known. That the final destruction of the earth must be
brought about by the agency of fire, was urged with a spirit
that enforced everywhere conviction; and that the comets
were of no fiery nature (as all men now knew) was a truth
which relieved all, in a great measure, from the
apprehension of the great calamity foretold. It is
noticeable that the popular prejudices and ****** errors in
regard to pestilences and wars—errors which were wont
to prevail upon every appearance of a comet—were now
altogether unknown, as if by some sudden convulsive exertion
reason had at once hurled superstition from her throne. The
feeblest intellect had derived vigor from excessive
interest.

What minor evils might arise from the contact were points of
elaborate question. The learned spoke of slight geological
disturbances, of probable alterations in climate, and
consequently in vegetation; of possible magnetic and
electric influences. Many held that no visible or
perceptible effect would in any manner be produced. While
such discussions were going on, their subject gradually
approached, growing larger in apparent diameter, and of a
more brilliant lustre. Mankind grew paler as it came. All
human operations were suspended.

There was an epoch in the course of the general sentiment
when the comet had attained, at length, a size surpassing
that of any previously recorded visitation. The people now,
dismissing any lingering hope that the astronomers were
wrong, experienced all the certainty of evil. The chimerical
aspect of their terror was gone. The hearts of the stoutest
of our race beat violently within their bosoms. A very few
days suffered, however, to merge even such feelings in
sentiments more unendurable. We could no longer apply to the
strange orb any accustomed thoughts. Its
historical attributes had disappeared. It oppressed us
with a hideous novelty of emotion. We saw it not as
an astronomical phenomenon in the heavens, but as an incubus
upon our hearts and a shadow upon our brains. It had taken,
with unconceivable rapidity, the character of a gigantic
mantle of rare flame, extending from horizon to horizon.

Yet a day, and men breathed with greater freedom. It was
clear that we were already within the influence of the
comet; yet we lived. We even felt an unusual elasticity of
frame and vivacity of mind. The exceeding tenuity of the
object of our dread was apparent; for all heavenly objects
were plainly visible through it. Meantime, our vegetation
had perceptibly altered; and we gained faith, from this
predicted circumstance, in the foresight of the wise. A wild
luxuriance of foliage, utterly unknown before, burst out
upon every vegetable thing.

Yet another day—and the evil was not altogether upon
us. It was now evident that its nucleus would first reach
us. A wild change had come over all men; and the first sense
of pain was the wild signal for general lamentation
and horror. The first sense of pain lay in a rigorous
construction of the breast and lungs, and an insufferable
dryness of the skin. It could not be denied that our
atmosphere was radically affected; the conformation of this
atmosphere and the possible modifications to which it might
be subjected, were now the topics of discussion. The result
of investigation sent an electric thrill of the intensest
terror through the universal heart of man.

It had been long known that the air which encircled us was a
compound of oxygen and nitrogen gases, in the proportion of
twenty-one measures of oxygen and seventy-nine of nitrogen
in every one hundred of the atmosphere. Oxygen, which was
the principle of combustion, and the vehicle of heat, was
absolutely necessary to the support of animal life, and was
the most powerful and energetic agent in nature. Nitrogen,
on the contrary, was incapable of supporting either animal
life or flame. An unnatural excess of oxygen would result,
it had been ascertained, in just such an elevation of the
animal spirits as we had latterly experienced. It was the
pursuit, the extension of the idea, which had engendered
awe. What would be the result of a total extraction of
the nitrogen? A combustion irresistible, all-devouring,
omni-prevalent, immediate;—the entire fulfilment, in
all their minute and terrible details, of the fiery and
horror-inspiring denunciations of the prophecies of the Holy
Book.

Why need I paint, Charmion, the now disenchained frenzy of
mankind? That tenuity in the comet which had previously
inspired us with hope, was now the source of the bitterness
of despair. In its impalpable gaseous character we clearly
perceived the consummation of Fate. Meantime a day again
passed—bearing away with it the last shadow of Hope.
We gasped in the rapid modification of the air. The red
blood bounded tumultuously through its strict channels. A
furious delirium possessed all men; and with arms rigidly
outstretched towards the threatening heavens, they trembled
and shrieked aloud. But the nucleus of the destroyer was now
upon us;—even here in Aidenn I shudder while I speak.
Let me be brief—brief as the ruin that overwhelmed.
For a moment there was a wild lurid light alone, visiting
and penetrating all things. Then—let us bow down,
Charmion, before the excessive majesty of the great
God!—then, there came a shouting and pervading sound,
as if from the mouth itself of HIM; while the whole
incumbent mass of ether in which we existed, burst at once
into a species of intense flame, for whose surpassing
brilliancy and all-fervid heat even the angels in the high
Heaven of pure knowledge have no name. Thus ended all.
Kevin Eli Jan 2016
Delayed response to ground control, oh how I was crying.
In retrospect, I was just shallow; like an astronaut only watching
himself as the rest of the world kept steadily spinning.
Impersonal up here, never caring about winning or losing.

The star charts that mentors showed lost to what my mind followed,
A winding path through this sacred space which I unhallowed.
I didn't flinch at blastoff; it wasn't bravery, it was me being a coward.

Sweating in a far away bed, steel round walls with no decoration,
Straining my mind fighting the moments of suffocation.
Spots in my vision, distortion and discoloration.
Seeing stars I glimpsed my comet on exhibition.
I would have to come back around. It was just a matter of my rotation.

Retrospect from ages back and to beyond where we will have gone.
Black holes made that can never be filled, endless they came, endless they will come. To touch down in glory, or stay on the run. Life is just a rocket that departs from the sun. The rest isn't lost, it just hasn't been done.

So as we eventually drift into deep space and age becomes our dawn, remember to look out the window and wave to the passerby's.
They will cheer you on.
Jude kyrie Sep 2015
Colliding Comets

We collided like comets.
Travelling aimlessly in space.
Following the elliptical orbits
of forever.

When we hit the heat
Was like a furnace.
Energy collected from infinity
Released in a blinding flash.

Our masses coalesced
We now travel as one
deflected into
an unknown orbit.
But no longer alone.

Exploring space and time
finding new
wonders together.
until we return again
in a thousand years

— The End —