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Jul 2018
250 Surf

And into the driveway it takes it for a ride, come on take on this lifeline, and feel it from below, moving up and moving jag, one more for free when I buy nine won’t you put it in the bag- the people are freezing, the zig is at the zag, all the people are screaming, won’t you let them in the back? Come on won’t you feed them, and tease them with a zap, catastrophe seething, relaxing in the bath, suffering or maybe ******* squeezing, pick me up from the airport we’ll go driving in the Jag, you’re already mostly in the bag, I light up a square and light a second for you man, light one up for the girl whose sitting in the back. Her hands are freezing, her lips are turning black, a lamp standing on a suitcase, Earl Grey and Lavender, she’s got ***** packs and sunglasses, she’s gotten ready for morning class, it’s a gas, a blast, from the past, trash and she’s ******* reeling for a squeeze, she just wants a taste of the past, I laugh, I laugh, I laugh. Put a stamp on her legs, touch them and turn up the volume on the amp. She’s got it, she’s not it, she’s winning playing tag-

Come on won’t you feed them, and tease them with a zap, catastrophe seething, relaxing in the bath, suffering or maybe ******* squeezing, pick me up from the airport we’ll go driving in the Jag, you’re already mostly in the bag, I light up a square and light a second for you man, light one up for the girl whose sitting in the back.

We’ve arrived wearing new things, they think we’re in the band. We order tater tots and martinis, and get our gear so we can get ourselves together in the van. It’s a plan, let’s advance Peter Pan, lift off, touch-down, get a spotlight, and then let’s have a dance. I’ll hop out of the pram, catch a lamb, with just one single hand, greet the grand, then do three somersaults, before we go on tour from 250 Surf Street and perform our second jam, we’re the coolest of the new acts streaming from Japan.

Come on won’t you feed them, and tease them with a zap, catastrophe seething, relaxing in the bath, suffering or maybe ******* squeezing, pick me up from the airport we’ll go driving in the Jag, you’re already mostly in the bag, I light up a square and light a second for you friend, light one up for the girl whose sitting in the back.

In the movies, monsters chase the heroes down. Is there a series of numbers that will release our hunter so she can catch those monsters by the horns. It’s a storm moving forwards, a disaster itching to come back, it’s the sound of a nightmare kicking dirt and bounding down the path. They’re alone but I hear her, the dangers coming fast. This olfactory mainstay, of juggernauts searching for something of a snack, even just a pack of peanuts in their sacks. A sample coming quickly, a set of kissing wizards sniffing cotton candy from a bag. The ache of a Tuesday, where seduction leads our pack. This is merely an act, this is merely an act, it’s just merely an act. Tombs enacted, coffins still they can’t resist, feeding sorceries and eating whims.

But then this is nothing, their stories quickly held in suspense. Their fingers numb with the words, they continue to forget. The strangers are wanting for this alphabet, the laws of the marshal that summer soon upsets.

An alert for the clouds,  across the sky to the stains on their affair, her man ******* pleading, love please put back on your underwear. The girl is screaming, in the governments’ undertow, and the ache of her sexuality can bring her skirt back down. Then there’s this season sweeping, there’s this garden you remember from back home.  the flowers topped upon the stem, thorns dipped in poisons, they keep our heart rate in suspense. Into the river  a surge of disbelief, where the cranberry serums overtake those 15th Century reliefs.

Then there’s the neighbors of evil, they’ve brought up the bags, pairing off with a 40oz and a joint of sticky hash. They carry their guns, and they carry with numbers. The master of art dying on a chariot or gurney. A satyr boost by easy flow, dances for tips at a Go-Go. Drinking up with idle stars, smoking cigarettes at outdoor but covered bars. Drinks for her friends. Drinks to get rid of the bends. Something to carry them through, something to carry after them too. Pleased and pleasing.

This is just the story of easy. This is just the state of disbelief. This is just the nuisance of riding a cable car, and performing with a chisel some religious affiliates relief. Then it’s the garden, 64-bit software coming down. He passes the lighter back to the girl sitting quietly observing, while the minister’s teeth are quickly falling out. So please me please me. Please me appease me and send me out. If the bagel is 99 cents and a drink is a dollar ten, we should have enough to sit on the bench before we start to go. Just *** and please me, just scream and shut the doors up top. I spin in circles riding Brooklyn rooftops, while the neighbors try to stop us from jumping down. I guess somebody died last week from jumping down, I guess somebody died from jumping down. I think he died from being alone. You and I wont die from falling down, we’ll never die from being alone.

Come on won’t you feed them, and tease them with a zap, catastrophe seething, relaxing in the bath, suffering or maybe ******* squeezing, pick me up from the airport we’ll go driving in the Jag, you’re already mostly in the bag, I light up a square and light a second for you man, light one up for the girl whose sitting in the back. She asked me if I was gay, I touched her leg, and put my lips to her mouth. We sat in the car past morning, whispering and never coming down.
Martin Narrod
Written by
Martin Narrod  38/M/CA
(38/M/CA)   
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