my town
where wild flowers grow
between tram tracks.
there was a time when
it was hardly morning,
no bridge into daylight.

walls had ears,
neighbors had eyes
whispering behind the curtains
there was an emptiness in the guts
of the city
and poetry locked in the drawers,
Borges was read under the blankets
while Dostoievski was  a comforter:
demons were embedded.

yeah, people were clapping and smiling
watching the nub of history, numb
they had a life to live,
what can you say?

one day the radio
burst on in the streets
some were shivering in the attic
"we are free", they said
"we are free",
came the echo in trance

"shhhhh"! said others,
let us wipe the blood
don't disturb the sacrificed
so we can sleep
without dreams

it's Thursday in my town
streets are weary
and our souls are
slowly expanding

"Bring me the sunflower so I can transplant it
to my earth scorched with salt,
so it can display all day to the azure mirrors
of sky the anxiety of its yellow face.

Dark things stretch towards brightness,
bodies exhaust themselves in a flow
of colours: this in music. To vanish
is thus the hazard of venturing.

Bring me the plant that leads
where blond transparencies rise
where life dissolves like essence;
bring me the sunflower crazy with light."

*Eugenio Montale

ask your blood
your limbs, your breathing feet
what Poetry is -
a phylogenetic anomaly
in light’s discontinuity

or just…
the strange yearning of hematopoiesis

ask the silence in your lungs
the bursting DNA, reinterpreted
how it allures memory inside your bones
how it treads conventions of sleep
with the weight of a sigh

if you ask me
what Poetry is
I’d say: breath calligraphy
a winged dream of depth
on enchanted retina
the bitter-sweet art of airy harmony

ask your hands
what Poetry is
perhaps they’ll take a moment
to bloom

I know, you never intended to be in this world.
    But you’re in it all the same.

    So why not get started immediately.

    I mean, belonging to it.
    There is so much to admire, to weep over.

    And to write music or poems about.

    Bless the feet that take you to and fro.
    Bless the eyes and the listening ears.
    Bless the tongue, the marvel of taste.
    Bless touching.

    You could live a hundred years, it’s happened.
    Or not.
    I am speaking from the fortunate platform
    of many years,
    none of which, I think, I ever wasted.
    Do you need a ****?
    Do you need a little darkness to get you going?
    Let me be as urgent as a knife, then,
    and remind you of Keats,
    so single of purpose and thinking, for a while,
    he had a lifetime.

**Mary Oliver

lost in a sky
of strange and far places
a hint of a house
and treetops in the mist
guide my way to you

she gazes
into the same skies
as you do
may your thoughts also
come to be one of accord

if you answered
the tapping of every
water bird
even a wandering
moon could enter

if the haze had not
come out to go in between
the moon and flowers
otherwise even the birds nests
might have burst into blossom

boat upon high seas
if you are drifting without
a harbor or course
give me a call and I'll row
out to teach you about ports

not even knowing
the meaning which the color
of lavender has
but watching it carefully
this one's heart is deeply touched

Murasaki Shikibu, *A String of Flowers, Untied...

desire has no mercy
like a red morning light
tickling your feet
it has me transparent
it has me transformed
into roar, thunder, wave
or quicksand in your hands
till the air in between
is fully charged,
radioactive
and insane

This is now. Now is. Don't
postpone till then. Spend

the spark of iron on stone.
Sit at the head of the table;

dip your spoon in the bowl.
Seat yourself next your joy

and have your awakened soul
pour wine. Branches in the

spring wind, easy dance of
jasmine and cypress. Cloth

for green robes has been cut
from pure absence. You're

the tailor, settled among his
shop goods, quietly sewing.

it must have been light
that invented my mind
the light terrorizing my eyes so
that I walk obsessed by beauty
I am trapped inside the circles of time
they grow and revolve in my tissues
it must have been love like a pocket of darkness
like the gravity that is so simple
that we can't understand

were we looking
for the feminine
of our soft hands
no questioning
the nature of daylight
is wonder, we feel it
in our touch
we know the ancient art of
cartography: love memory
death quivers deltas of tears
we taste the starvation of breath
the magnitude of gratitude

we kept the drum of hearts
alight to catch the waves of time
Anna's drum summoned Shiva,
the master of shiver
the god of blood
carrying sage scent in our hair
forgotten paths in our shapes
pink lotus flowers in our wombs
bold desires in our feet
tales of flames in each scar

we recognise each other
greet with a soul reverence
across time across space
we forgive ouselves
our betrayals violations
of a feminine truth
we wait for the men we love
we set ourselves free
from the spinning wheel of pain

we receive
we keep
what is alive
what is dead
still not born
in refused bodies:
the possibility of
kindness

we are women
we are dancers
we sing fiercely,
gently from the
chest of the moon

I remember
it was fog and
then it was light and
I was already falling
outside of myself
thank you
for showing me
the way back
thank you
for wonder
with it
I write poetry
everyday

The nature of infinity is this: That everything has its
Own Vortex, and when once a traveller thro' Eternity
Has pass'd that Vortex, he perceives it roll back behind
His path, into a globe itself infolding like a sun,
Or like a moon, or like a universe of starry majesty,
While he keeps onwards in his wondrous journey on the earth,
Or like a human form, a friend with whom he liv'd benevolent.
As the eye of man views both the east & west encompassing
Its vortex, and the north & south with all their starry host,
Also the rising sun & setting moon he views surrounding
His corn-fields and his valleys of five hundred acres square,
Thus is the earth one infinite plane, and not as apparent
To the weak traveller confin'd beneath the moony shade.
Thus is the heaven a vortex pass'd already, and the earth
A vortex not yet pass'd by the traveller thro' Eternity.

from The Illuminated Prophetic Books  **Milton

We, the rescued,
From whose hollow bones death had begun to whittle his flutes,
And on whose sinews he had already stroked his bow-
Our bodies continue to lament
With their mutilated music.
We, the rescued,
The nooses wound for our necks still dangle
Before us in the blue air-
Hourglasses still fill with our dripping blood.
We, the rescued,
The worms of fear still feed on us.
Our constellation is buried in dust.
We, the rescued,
Beg you:
Show us your sun, but gradually.
Lead us from star to star, step by step.
Be gentle when you teach us to live again.
Lest the song of a bird,
Or a pail being filled at the well,
Let our badly sealed pain burst forth again
And carry us away  -
We beg you:
Do not show us an angry dog, not yet -
It could be, it could be
That we will dissolve into dust
Dissolve into dust before your eyes.
For what binds our fabric together?
We whose breath vacated us,
Whose soul fled to Him out of that midnight
Long before our bodies were rescued
Into the arc of the moment.
We, the rescued,
We press your hand
We look into your eye-
But all that binds us together now is leave-taking.
The leave-taking in the dust
Binds us together with you

**Nelly Sachs

I can see this only with my imaginary eyes
I can feel it in the vibrant empty spaces inside
how everything is woven together
so that I belong to her to him to them and to you
I belong to my skin I belong to the bones of my hands
I belong to my nails, of course to my heart
what if we are first imaginary beings with concrete joints?
have we forgotten that we belong to the story of the air
water fire, to the story of the earth?

the closer I get to who I am, to the earth of the soul,
to the real depth of blood, the more I cease
for a moment to twist the faces of wind in my mind
so that the world doesn't get hurt
I belong to a window, to this edge
between outside and inside

I belong to the world, oh
how wonderful that
the world belongs to itself

I am ashamed that I am Spanish because of Franco
I am ashamed that I am French because of Algeria
I am ashamed that I am Algerian because of France
I am ashamed that I am American because of Bush, Iraq
and the bloodshed once among brothers
I am ashamed that I am Russian because of Stalin, Gulag
and recently of this and that
I am ashamed that I am German because of ******, clearly
(Pol *** appears more and more seldom in the lists, but one is horrified, humanly ashamed, remembering)
I am ashamed that I am English because of football etc
I am ashamed that I am Polish — only when I am not proud
I am ashamed that I am Turkish, but then there are Kurds...
I am ashamed that I am Czech and allowed myself to be stifled

(I am just as ashamed myself — some say, who feel
shame in its extremity and hide weapons in pantries, waiting for that moment
in which they wash away their shame with the blood of traditional enemies)
I am ashamed that I am Orthodox or Catholic and I wedge and split
the mountain on which Jesus bled — before others made even smaller
pieces out of his Golgotha below
I am ashamed that I am Indian because... well, it’s no matter
I am ashamed that being Macedonian I let the Greeks be even more
I am ashamed that I am Korean and one of Kim Ir Sen’s
I am ashamed that I am Korean no matter where, as long as
Kim Ir Sen’s Koreans remain
I am ashamed that I am Serbian, but... let me think
I am ashamed that I am Chinese because: ‘You’re Chinese?’
I am ashamed that I am Romanian because of Ceausescu, Dracula of course

and now, God, all these Romanians all over the world...
I am ashamed of my nation even when I am not ashamed
— but each of us seeks to forget something
I am ashamed because .......... [Everyone: fill in the blanks, write yours here!]

but you, but you — you, only you
you, whose nation filled the desolate earth with life and kindness
you are the man who begins the new day
today
with your first step

*Ioana Ieronim

I'm in the here&now;
or on a ***** street busy with indifference
daylight falls over
like an iron curtain
and my caged dreams
suddenly claim
their seed innocence

I thought I met you
on unpredictable roads under my skin,
in the splitting of one second into another,
in the empty spaces of the atoms,
in the breath of the night
into the unthought known
or some promise, untaught

I’m holding here
my exhausted smile
me and a flower lady
holding  unwittingly
a water lily
redeemed

finally this moment is here, I've been watching
and waiting, I've been hearing it all along
in between your words, in the center of the stories
you tell so eloquently, so clever, so wise

there is light in your right eye, some shadow in your left eye
the evening light is sweetly illuminating the magnitude of loneliness
some feelings need at least two people in order to be bearable

you sat and listened you looked deeper into your body
language receded, obscured itself like the moon
sometimes there is no need for words
something more important needs to be created
in between bodies and minds,
the flow of connection, of true partnership

the waves started, the waters of loneliness surfacing
you cried your tears and I cried mine
as I listened to the silence of tears I understood: this was the moment for a few simple words: I see you, I am here
there is no falling deeper than this for now
truth, this scarry creature, was there in your flesh and in mine
your loneliness was like a sea without horizon but the shiver of depth  like a voice without screaming, a bird without flight

perhaps this tango with tears will fill your lungs with innocence
as you imagine a new horizon, a new architecture for happiness

your eyes hot like a bullet
mine engulfed by the equinox &
the silences I walked away from
we are two or more
two people who shout at each other letters
that have never touched any alphabet
who throw beautiful ideas to be caught by twilight
the hour is always unknown
as if we watch each other's destiny
what comes next only the oracle of Delphi knows
or the roots of entropy maybe
I keep some thoughts in the straitjacket

we guard bridges, ancient castles in the sky
we guard the world not to turn into a casket without music
who invented this question mark
that we owe each other happiness
I wonder if the trees have unspoken meanings
do they turn overnight into telescopes to quest
the loneliness of stars, as we do

I might turn into a shadow
blinded by darkness
we draw uncanny shapes,
everything a circle can endure
with our mouths full of pebbles

let me listen to you
your hidden landscapes
your lives lost
in velvety oblivion

listen to the streams of blood
throbbing at your wrist
in the tender flesh inside your elbow

listen to the vulnerable intensity
in the soft vale at your collarbone

the silence on your lips
the whirls below

listen
listen through you
to these things that one cannot speak

by Ioana Ieronim from Ariadne's Veil

this morning when I opened my eyes
the light was breathing the window had a pulse
as if I was a body with unmystified senses
as if I could see deeper in everything that surrounds me
perhaps a remembrance of how
difficult it was for me to be in the world
with an immense sensitivity to the slightest movement of life around me,
how wondeful to attune to the wind, the leaves, the cacophony of beautiful words and deeds, the harmony in the blinking of strangers, the sway of steps on the streets, the collapse of the waveforms of dreams that we called reality
how hard to have a mind that might understand eventually that truth is complicated or not for every creature on the walks of life.
my essence is vulnerability my strenghts is my weakness for my foolishness there is no cure
don't have to look in the mirror to recognize
my human face, your human face, their faces
late in the night when I close my eyes I see only people, the beauty of the world, the cosmos created through pain, how
the morning of the day I was born was there, and everything was already breathing before me and everything will be still spinning its mystery when this excess of life will rob a last breath from me. I know I will be watching the breath of light, how everything gets illuminated when the time is ripe

Increasingly there’s more in my life
A life between barcode
SIM
Remote with apocalyptic news and dire pornographers

life among multiple camera teams
between several videos about a future that all sounds good

blocks of life between advertising and surveys on how
Europeans can achieve
the cosmic ****** and a more profitable single currency

living ever more my own life
inside an inland country
where in waiting and loneliness I see greetings
from where I hope to reach the Himalayas and write:
‘Life is no good with Coca-Cola!’

Dan Mircea Cipariu

[Translated by Jon a’Beckett]

New Europe Writers  Bucharest Tales, Contemporary Literature Press, Bucharest 2014

kanso infuses my eyes
everywhere there
even in a deer
my heart recognised him
skipped a beat in overwhelm
the sacredness of the air
touched everything
the great temple
the red shrine
its emptiness
so vibrant
pure beauty
my atoms turned
into God's particle

something
in my heart
misses him
in the unseen
puzzle
surreal so
beautiful
and
so it is
kanso of the soul:
I kept on
dreaming
to be a deer
in Nara

we are the stories between the armpit
and the hand
between the whisper and the sigh
forged by galaxies of wounds
in the fragility of light
of spaces crushed
by the acceleration of time
our irises boundless
sometimes

we are the stories that tell
our soles when to stop
our bones when to sing
that put sunflowers
in our haze
cranberries in our waitings
delight in our might
skyscrappers of thought in our deeds
promises in our hands full of mud
over caskets

we are the stories of love's failure
(aren't we asking too much from love?)
of decay of pretend of parasitic laughter
of the violence of bodies without minds
without singing in the hearts
stories of fists strife and toil,
the boredom of dawn
repetition of self-deception
circles not round
triangles full of hurt
of the rigidity of one plus one
equals two
the rest is wonder

so many stories exchanging nouns, verbs
attributes just to capture
what is forever escaping alluding flowing
naturally undisturbed in the exchange of
vowels
like dark matter that escapes iself
only in dreams

was it the awe of vowels that invented the world?

incessantly on the edge
of chaos of blindness of knowing
of loss of void of grief & joy
of floating to the unknown
or pausing into certainty
hard working minds and eager souls
errect citadels of meaning
in dialogue sometimes
or as oppressive as
the denial of slippery roads
of sad guitars or
maddening violins

our shadows sit closely next to us
precisely when
we're stepping into the light

it is just enough,
too many in depth lessons.
pain always asks for something,
fear has run out of options,
joy wears light dresses
loneliness refuses dinner,
despair sits at a crossroad.

these are just contours of events
obliterating "the vital impetus"
as in a probabilistic game
or in the second law of thermodynamics
blissful equilibrium is just a special retreat
some form of inner spacial homogeneity

this is just a moment
before dinner is served
on a peaceful evening
by a lake
catching the last rays
of the singing sun

"God is Alive, Magic is Afoot."*

Who are you? Who am I?
the light  in February can be self-sufficient,
sharp as deafness in the middle of the sentence
heavy as denial,
rapturous as a fusion
in the wind, in the air
forces of cohesion and destruction
play well together
in the arena of ribs, guts, lungs,
perhaps the silent liver
something is shivering inside
the light of a blade
an efortless wave of desire
a tired boundary left alone in the afternoon
the contours of my limits, your limits,
their limits so bright in this
constructivist fabric
Picasso was just foretelling us
forcing the doors
to expose the cover-up
dreaming his internal objects

then we start all over
with every breath
I want to give myself to me
as a new toy, as a gift
I want to love him with overt passion
I want you/him to break and store me
in between your thoughts
the body is full of eyes, of ears, of lips
I’ll survive in a whisper

They just want to flow into each other
clapping, holding on to the fluid of life
engulfing everything, defying all
censorship, authorship,
leadership

the light in February
is newly born with desire
to embrace itself, its darkness
in the vibrant body
I am, you are are sliding back with the air
finding rest in the vital void

the song remains the same
I am you, and you are me
the enchanted blade
is ready to cut
a new body for misunderstanding
we need to survive each other
something is tickling my feet
some wordless revolt
some rage of the living
to impersonate death
to posses their breath

I feel my boundaries
watched over by desire
but you are always invited here
to sing your sea of blood
turquoise or as you like

I am my desire
my desire is searching for myself
everywhere
in the incomprehensible light
in the lightness of his hair
in their hunger, courage and despair
for tomorrow

there is something good
and some light
in this desire
enraging my cells
with divination chanting
sculpting my shape
in violent curves
I don't recongnize the hues
of mornings
because of frenzy:
the new definition of gravity
along the lines
mesmerizing visions of
softness and caring

love is a whirlwind
in any language
a clear water
so you can see
how translucent
nakedness can be

hers is
the bending of space
to smaller and smaller
atoms of delight,
fusion, diffusion, infusion

it holds you tight
from the very centre
(heart&lungs)
when it breaks you
and then these traces
the swarming of photons
in the fabric of skin
sweet radiance,
energetic warmness
an arch, a cohort of waves
crushing everything
like cherries' sense
reality sense
roads' sense

a scarring refusing
to scream/bleed
defiance of stillness
music of laughter
sun raising in your hands

there is something beautiful
for the poetess in me
it just describes herself well
for the never-day
it transmutes
anything:
beauty into horror
horror into despair
despair into words
even thought into
singing birds

she opens herself to the horizon
holding desire heavily in her breath
so crushing and withheld
the quiet rush of blood
bleaching his embrace
words withdraw in their matrix
only the form of his lips in her smile
and his walk in her feet
and making love so light
when the truth is androgyne

there’s still some music hidden
in the burst of noon
I can feel it in my lips
the Man you are
you ****** time
when you forget to blink

make me your Woman
embodied certainty
doorstep within
pillow for dreams
uninterrupted

I’ll be your road back
into childhood laughter
fill me with poetry, commonplace,
raw matter-of-fact
I’ll wear the day for you
fix little surprise
in the cup of tea
let you play true love
with my heels, dormant

twist the mirror inwards:
I’m yours.
you stranger,
behold thy Woman

“while resembling you
looking at it with my heart
I’m discomforted
by the weight of tear-like dew
on wild carnation flowers”

“beyond measuring
the thousand fathoms depth
may the sea weeds
keep growing to be so deep
I’ll be merely a caretaker”

“you only dip
into shallow waters
in my morass
my body is totally submerged
in the ways of burning love”

“clouded
by affairs of the heart
I am lost
hello! Why doesn’t someone
ask how I am?”

Murasaki Shikibu

Hypnotic days
hypnotic nights
our bodies have burnt
all clothes
and several lives

we are
as hungry as the world
as old
as young

our bodies
two motionless stones
in a mountain river

Ioana Ieronim, from *The Lens of a Flame

elemental force
her hips sway in Paris
his dreaming hands in Montana
entangled
geography subsides

so many words and still
the essence is trapped
in the discreet quanta
in this autobiography
of milk in my tears

no wars to fight
nothing to prove
the ancient love will find me,
the unknown you
the right verbs
the earth of home
the cycle of life
in my dreams

the round present immerses me
in gratitude for all my selves,
the depth of coherence
the bottom of the sky
in this simple truth,
my heart is my home

death comes with a sway
in the cold of the night
in their beds turned to hell
shed a tear stay to pray
for the dormant force
not to take more away
so easy to forget
how fragile we are

A sign we are, without meaning
Without pain we are and have nearly
Lost our language in foreign lands,
For when the heavens quarrel
Over humans and moons proceed
In force, the sea
Speaks out and rivers must find
Their way. But there is One,
Without doubt, who
Can change this any day. He needs
No law. The rustle of leaf and then the sway of oaks
Besides glaciers. Not everything
Is in the power of the gods. Mortals would sooner
Reach toward the abyss. With them
The echo turns. Though the time
Be long, truth
Will come to pass.

But what we love?  We see sunshine
On the floor and motes of dust
And the shadows of our native woods and smoke
Blooms from rooftops, at peace beside
Turrets' ancient crowns; for the signs
Of day are good if a god has scarred
The  soul in response.
Snow like lilies of the valley,
Signifying a site
Of nobility, half gleams
With the green of the Alpine meadow
Where, talking of a wayside cross
Commemorating the dead,
A traveler climbs in a rage,
Sharing distant premonitions with
The other, but what is this?

By the figtree
My Achilles died
And Ajax lies
By the grottoes of the sea,
By streams, with Scamandros as neighbor.
In the persisting tradition of Salamis,
Great Ajax died
Of the roar in his temples
And on foreign soil, unlike
Patroclos, dead in king's armor. And many
Others also died. On Kithairon
Lay Eleutherai, city of Mnemosyne. And when
God cast off his cloak, the darkness came to cut
Her lock of hair. For the gods grow
Indignant if a man
Not gather himself to save
His soul, yet he has no choice; like-
Wise, mourning is in error.

Friedrich Holderlin
translated by Richard Sieburth

in the centre of the cathedral
the square of a little town
where those in the know tell of an invisible cathedral.
a massive guest
the outside light
there is such purity in the pigeons’ feathers
superfine flour falls from the sky
on buildings on trees on people’s shoulders.
small bones rattle echoing in the coffin of a small guitar
while the world can no longer contain happiness.
there at the wall
two lovers wind into an 8.
late. in their shade
a blind horse
is crying sweat from its neck.

Ion Mircea, from *My Cup of Light

After it blossomed,
The flower said,
"Now, my beauty is beyond my control.
Now, even I am beyond my reach."



Ahmad Nadeem Qasimi, Selected Poems, The Pakistan Academy of Letters, Islamabad 1995

I have no choice but to breath this air
or do I? I can speak and I can write
something about anything,
I can witness the hows the whys
pro and cons of the daily agenda
freedom has a local flavour
idealogy a bitter taste

discrete pockets of life disjointed
I meet them on the streets
the social body this rags when
policemen rebel against the truth
doctors against health
teachers against compassion
politicians against duty
a slaughter house the mind in action

we look the other way with a laugh
not to see the epidemic of helplessness
political physiology gone awry
oppression cemented in our deeper minds
we carry it in our shoulders like
a gun machine waiting to happen
the collective focus a borderline land
the air itself suffocated by the
politics creating despair so that
minds have no more sceneries
to dream the world into existence
or do they?

A time comes when you no longer can say: my God.
A time of total cleaning up.

A time when you no longer can say: my love.
Because love proved useless.
And the eyes don't cry.
And the hands do only rough work.
And the heart is dry.

Women knock at your door in vain, you won't open.
You remain alone, the light turned off,
and your enormous eyes shine in the dark.
It is obvious you no longer know how to suffer.
And you want nothing from your friends.

Who cares if old age comes, what is old age?
Your shoulders are holding up the world
and it's lighter than a child's hand.
Wars, famine, family fights inside buildings
prove only that life goes on
and not everybody has freed himself yet.
Some (the delicate ones) judging the spectacle cruel
will prefer to die.
A time comes when death doesn't help.
A time comes when life is an order.
Just life, without any escapes.

**Carlos Drummond de Andrade

Egotist, the master of the ego mist
or some ego antagonist
he is so much there
in the center of a web
of regurgitated fears
recycling pointless
the old cycles of
night after day
life after chaos
but no death
after ego inflation
just a rusty song
of imprisoned moments
or undeciphered gnashing
all character is just the dust
you cannot grasp
grey ruminations
curses wiggling
in times devoid of innocence
the cruelty of a ****
refusing to wither

at the end of his cigarettes
a speck of self
is threading a stratagem
to severe the ties
for the ******* of distance
so that he can continue
uninterrupted
to mutilate his heart

no one can persuade the night
into whitening
like you clean your teeth
of curses
the rest is sadness
the dew would know it.

Dear HP community, my friends, I've been thinking about this for a while and now is the time to act and propose you a challenge :)
I would love to hear from you about this: what does it meen to you to be human? It might not be an easy question but let's give it a try.
In the face of virtual worlds, AI, in the dazzling speed of our world, in the face of our severing ourselves from nature, I find the topic relevant. I hope you do too.
Please feel free to address the challenge any way you like, with depth or shallowness, with fun, humour or depth of thought, with your felt sense or otherwise. As you wish, in comments bellow or maybe in a piece of writing. I hope to hear from you and I won't be offended if I don't. Maybe we can write a collective poem, who knows?
Warmly,
Irina

by Theodore Roethke

In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;   
I hear my echo in the echoing wood—
A lord of nature weeping to a tree.
I live between the heron and the wren,   
Beasts of the hill and serpents of the den.

What’s madness but nobility of soul
At odds with circumstance? The day’s on fire!   
I know the purity of pure despair,
My shadow pinned against a sweating wall.   
That place among the rocks—is it a cave,   
Or winding path? The edge is what I have.

A steady storm of correspondences!
A night flowing with birds, a ragged moon,   
And in broad day the midnight come again!   
A man goes far to find out what he is—
Death of the self in a long, tearless night,   
All natural shapes blazing unnatural light.

Dark, dark my light, and darker my desire.   
My soul, like some heat-maddened summer fly,   
Keeps buzzing at the sill. Which I is I?
A fallen man, I climb out of my fear.   
The mind enters itself, and God the mind,   
And one is One, free in the tearing wind.

Then we met more often.
I stood at one side of the hour,
you at the other,
like two handles of an amphora.
Only the words flew between us,
back and forth.
You could almost see their swirling,
and suddenly,
I would lower a knee,
and touch my elbow to the ground
to look at the grass, bent
by the falling of some word,
as though by the paw of a lion in flight.
The words spun between us,
back and forth,
and the more I loved you, the more
they continued, this whirl almost seen,
the structure of matter, the beginnings of things.

Nichita Stanescu

“when you get up in the morning you must take your heart in your two hands. You must do this every morning.” Grace Paley

fall into me
on blackout days
for something beautiful
is here is everywhere
is nowhere
you knew it
Borges used it
beauty is a physical sensation
the axis mundi piercing
the palms of my hands

memory like a gipsy woman
who reads palms
beauty, yes, it draws the soul
ascetic
I figured it out in the smiling of your sleep
like babies smile to angels, they say
this game that keeps us alive is hers
golden beetles die for it
of for the love of dust

pastimes of gods its archives
everyday the light tastes differently
the body moves where the mind is
or the other way round
I'll read Cartarescu to you half naked
one page a day

beauty is the quest,
this spiral of wonder
filling up the rest &
my nails

the light is flowing on the naked trees
reality is more beautiful than metaphor,
I'm thinking while I'm feeling
the river of darkness flowing through me
faces gestures smiling and forgetting
destroying the plenitude of not yet known
spring explodes like vitamin bombs in old scars
the life waiting to happen begging for us to contemplate
I'll never stop dreaming someone else's electrical storms
I have to learn how to walk on how to love even more
the skeleton of darkness in the hands of time

"The mother's heart is the child's playground."

i have one story to tell  to me again and maybe again, i caught myself dreaming the boundary between the energetic darkness and the travelling light. this vital story  when the mornings were pure the nights full of unknown beings, the rib cage the only space i knew rippled by the vital waves, by dread, incomprehensible vibrations, the beat of my heart unprotected, the horizon had not yet been invented, nor the sisterhood and brotherhood.  pain was an incessant falling into the void, the desire infinite, my body shattered into vital fragments, a misattuned orchestra of delight and terror (body-mind-reality continuum forever broken). at the crossroad of deadness and aliveness i was stamped with fire and water, i was an imaginary being without limits. even now i use a strange language and visions of the infinite haunt me, i taste life when i confuse myself with you and her and him and them, so that death is not incomprehensible. i was once a pool of vibrant nothingness, this terrible pain of life crushing itself inside the flesh, of reality and imagination, longing and despair annihilating each other.
my body carries patiently the invisible tattoos of vibrant scars, she waits for me to learn how to love the simplicity and the serene fullness of life. all i need is more words, new vessels for the infinite desire, more "i" in this i from the imperfect, impermanent and incomplete.

that moment of terrifiying beauty
for which there is no language
only a foam of primordial letters
and the possibility of cosmos

the hours cascading in his veins
it was so natural and shocking:
he was my hidden black whole
(the black whole one thought crosses to another)
and with my bare feet on the blade of the horizon
I was bleeding curses
promises to the unknown
confessions of sublime intensity

the terror of beauty so real
as we danced that mysterious dance
of light turning effortlessly into darkness
of darkness turning effortlessly into
light

it all starts in pieces
maybe I was his morphine
and he was rebelling against
every fragment of unhealed time
in his shoulders.
with him I discovered a new sea of time and
fused with my roots
I rest suspended in the chaos of possibility
to the end of my undreamed dreams
as he was hallucinating my younger selves
anew

we opened the other dimensions of time
descended into flesh
without really knowing
how coherent pain can be
and I could go on and on and on, like the beat
we were only a poem
without destination
but the possibility
of cosmos

The fruits are ripe, dipped in fire, cooked
And tested here on earth, and it is a law,
Prophetic, that all things pass
Like snakes, dreaming on
The hills of heaven. And as
A load of logs upon
The shoulders, there is much
To bear in mind. But the paths
Are evil. For like horses,
The captive elements
And ancient laws
Of the earth go astray. Yet always
The longing to reach beyond bounds. But much
To be retained. And loyalty a must.
But we shall not look forward
Or back. Let ourselves rock, as
On a boat, lapped by the waves.

"And the heart is hard to translate"

I rush every sunset in its pit of blood
I hold your absence with my bear hands
As the center of the silence I can give to myself
Some impressions of my thoughts of you
Uncertainties embodied by swords
Are roaming the streets in my place
The mirrors chased me away
They refuse to deepen the light
Refuse the clarity of a day
When I am a simple woman
When you are a simple man
I have to prepare my escape routes
Since your fingers smell of apples
The air is full of chemicals
And I stare at the intoxicating hope
My curses explode in hourglasses
There must be a misunderstanding
why did I promise to myself
my heart,
your hell,
our dance,
the resurrection
of naivety
in this body?

perhaps there is no doubt:
I can only love you
       or
I can love only you


and no
yet
but
(shh, oh, my foolish heart!)

he survives his story kept in boxes and knives
the dread of forgotten runes keeps him company
mother repression father night
emptiness surrounded by invisible walls
death a continent for the living

I am facing this vortex of muted music
with empty hands, despair and white hair
no solace for the unshed tears
everyday he tells me something
about nothing

not forgetting flames me up
like a foam of whispers
bursts into with laconic daring
over darkened waters
your name hangs unwritten
I rolled over on a rib
but it's useless
how long am I going to ferment you in my armpit
with your fragile ****** smile?
chase me away like the passersby do
with the meaning of travelling
I was not and you were not
you were not in my dying
we were only a laden pool of sunlight
I didn't find any solution
than to behead the days
these thin days unraveled from myself
from the bone of the world peeled of magic
the art of forgetting is for those
who sleep on pillows

such a long, long road
I've been travelling to a destination
obliterated by pain
to this gravitational center, to this place
with no hiding space
only mute seagulls
have seen my screaming
I've cursed myself on pages,
diaries of gory hours
I've cupped myself in belated answers,
dancing tears
more than eyes can meet

while I was forgetting nothing about everything
the world revolved once, twice, a dozen of times
you were learning to dissipate your name
to waste it on the lapel of not yet discovered seas
in the silence of leaves

now I know this calmness,
this tenderness of dying
I could write this unthreatening poem
today, tomorrow
till forever finds some peace
perhaps
some forgetting