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"zither" poems
I sit along in the dark bamboo grove, Playing the zither and whistling long. In this deep wood no one would know - Only the bright moon comes to shine.
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5.6k
Bamboo Adobe
because our dreams of leaf-canopies and lignin arrive at a certain variety of green, we will zither anew with song here in Bulacan; all the leaves are capsized brandishing inflorescences as naked as   the scent of petrichor girdled on the cobblestones: they are forsaken not by trees but by seasons only, a twofold deliberation of caprice: there is only two of what is spoken.    such is the warmth and coldness, missing their obvious targets, hesitant and abstruse,   scattered and at long last, never collected deftly camouflaged in the familiar drapery, “Tantusan mo!” as they cry for marks to remember, we touch the cicatrix to measure with our jagged hands how much we have forgotten. what we cease to remember descends deep, as wash-hand basins concur such depth, into the well of ourselves, later to discover such perilous foundling in the squall of either morning or evening,    still devoid of sense: still arguing whether there is much to reconcile with what has been found and what has been pictured    now, altered by such loss: this is danger, and so is nothing, swollen and tender, the waters of the estero reek of such remembering – we cannot ignore its perfume, oddly taking the shape of the next dagger slowly making its way towards the back of the skull to pare with river-run precision, what we all try to hold back inside; so as if to say,              “Tantusan mo!” to remember where     we last    took  off,  like a heron,    or a  bird, wary of distances.
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Jan 26, 2016
Jan 26, 2016 at 12:59 AM UTC
Tantusan Mo
because our dreams of leaf-canopies and lignin arrive at a certain variety of green, we will zither anew with song here in Bulacan; all the leaves are capsized brandishing inflorescences as naked as   the scent of petrichor girdled on the cobblestones: they are forsaken not by trees but by seasons only, a twofold deliberation of caprice: there is only two of what is spoken.    such is the warmth and coldness, missing their obvious targets, hesitant and abstruse,   scattered and at long last, never collected deftly camouflaged in the familiar drapery, “Tantusan mo!” as they cry for marks to remember, we touch the cicatrix to measure with our jagged hands how much we have forgotten. what we cease to remember descends deep, as wash-hand basins concur such depth, into the well of ourselves, later to discover such perilous foundling in the squall of either morning or evening,    still devoid of sense: still arguing whether there is much to reconcile with what has been found and what has been pictured    now, altered by such loss: this is danger, and so is nothing, swollen and tender, the waters of the estero reek of such remembering – we cannot ignore its perfume, oddly taking the shape of the next dagger slowly making its way towards the back of the skull to pare with river-run precision, what we all try to hold back inside; so as if to say,              “Tantusan mo!” to remember where     we last    took  off,  like a heron,    or a  bird, wary of distances.
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31
Dont talk to me about sense-vense - do you, or do you not? tell me this much; Don't go zig-zag, jibber-jabber, zither; look I don't care of money-shoney, this caste-vaste, mummy-daddy and the society; We could might never deny this, pow-wows cannot measure this, do you, or do you not? That is, is all there is.
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Feb 20, 2015
Feb 20, 2015 at 10:18 AM UTC
Is, is
because love when cut, lets loose an empire of blood: i have in my lips, a treaty of oblivion— releasing an embittered lemon. in the throne of the sea, waves repeat the crash of perfidy. by the mountains they ride, the thick air of strobe. rocks receive the genital fire of lighthouses exposing intones of shadow one by one. the beast maimed behind the zither of trees makes no sound like an aleph. i herald the collusion of night and children and weep at the solicitude of mothers, because pines swoon in the dark and with its hand, the gentlest war threshes the flesh and blood, raining on us forever. hostile eyes bypass the silence of things and lovers closing doors repeatedly, disrupting the vale from its slumber. it is because when love is let loose, it releases both of us — weary, inescapably ripe with the wind, looking for each other as doves do in flight, separate and obscured, opening gates; nightfall: the savage aroma of wood on the leaves that sway fervently tippling away from boughs.
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Dec 15, 2015
Dec 15, 2015 at 4:32 AM UTC
Gates Opened: Nightfall
You are a poet, a musician and everything When you smile it’s sonnet 18 When you frown it’s dark ambient to me. When you pause and bury your head in the book I would caress your hair like zither Sing an ode to your soul Your pale long fingers, fragile and bossy Manipulate strings and words and minds easily Slap me, pop me and shape me please.
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Apr 16, 2014
Apr 16, 2014 at 12:26 PM UTC
Pseudo sonnet 18
Like Winston Smith, I think it’s time to start a diary. Follow me now:  it’s April in Oceania, The cruelest month, The silly season, printemps, A regular I see London, I see France. I see Winston’s Underpants. If you catch my drift? La Primavera: Vivaldi’s rocking the Juke box and the vote, Botticelli’s painting, A mural on Jerusalem's wailing wall. My diary will be hard evidence of thought crime. Thought crime: one of the more severe varieties of Religious experience & the most psychotic form of mental illness, In a category known as antisocial personality disorders. Thought crime means never getting into any serious trouble, Until you’re caught, can we at least agree on that? So, we'd better add the DSM to our stack of essential literary classics. The Diagnostic and Statistical Manual of Mental Disorders, Published by the American Psychiatric Association, Providing a common language, A shrink’s Esperanto. DSM-IV codes classify mental disorders. The DSM: a Frommer’s travel guide & User’s manual for life on planet Earth. So, like Orwell's Winston, I start a diary of my own; but Unlike Mr. Smith, I address my message to the here & What’s happening now, not the future, not the past but N-a-zayer, N-a-zither NOW. That's right, I write for the present: “If thought was ever free, it is not free now." If truth exists it is a closely guarded secret, Although McLuhan’s observations hide in plain sight: *“The new electronic interdependence, recreates The world in the image of a global village.”* Which makes us all global village idiots. We are no longer different from one another; The age of groupthink is here. I write to you from an age of security & surveillance, Warrantless search and predator drones, An age where no man is ever truly alone. From an age of standardization, replaceable parts, Whirling dervishes, dabblers in spin control, Newspeak and doublespeak, Atlas shrugged, drugged and fugged, The new world order: All but the faint of heart need apply, … "I send greetings.”
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May 14, 2016
May 14, 2016 at 3:56 PM UTC
"My New Diary"
Like Winston Smith, I think it’s time to start a diary. Follow me now:  it’s April in Oceania, The cruelest month, The silly season, printemps, A regular I see London, I see France. I see Winston’s Underpants. If you catch my drift? La Primavera: Vivaldi’s rocking the Juke box and the vote, Botticelli’s painting, A mural on Jerusalem's wailing wall. My diary will be hard evidence of thought crime. Thought crime: one of the more severe varieties of Religious experience & the most psychotic form of mental illness, In a category known as antisocial personality disorders. Thought crime means never getting into any serious trouble, Until you’re caught, can we at least agree on that? So, we'd better add the DSM to our stack of essential literary classics. The Diagnostic and Statistical Manual of Mental Disorders, Published by the American Psychiatric Association, Providing a common language, A shrink’s Esperanto. DSM-IV codes classify mental disorders. The DSM: a Frommer’s travel guide & User’s manual for life on planet Earth. So, like Orwell's Winston, I start a diary of my own; but Unlike Mr. Smith, I address my message to the here & What’s happening now, not the future, not the past but N-a-zayer, N-a-zither NOW. That's right, I write for the present: “If thought was ever free, it is not free now." If truth exists it is a closely guarded secret, Although McLuhan’s observations hide in plain sight: *“The new electronic interdependence, recreates The world in the image of a global village.”* Which makes us all global village idiots. We are no longer different from one another; The age of groupthink is here. I write to you from an age of security & surveillance, Warrantless search and predator drones, An age where no man is ever truly alone. From an age of standardization, replaceable parts, Whirling dervishes, dabblers in spin control, Newspeak and doublespeak, Atlas shrugged, drugged and fugged, The new world order: All but the faint of heart need apply, … "I send greetings.”
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48
I bobbed on your crests, I floated on your glades, You drowned in loveliness, I loved your ugliness. Haze covered all and made it vague, Like some dream flitting from heart to mind. We walked on these shores, We kissed under these stars; The heavens were set up to shield us, The moon was made to be compared. Contrast to your black night face, Pale white satellite never compared; It pulls at our oceans, Tugs on our sea-strings, Plays my harp And teases your zither. Your voice melts into the pitch, Your eyes shine through the gleam; The streetlights vainly interrupt. It happens once every so often, Love like this, This sort of kiss, This kind of embrace, This warmth on my face. I am drowning in our boiling oceans of love.
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Feb 27, 2010
Feb 27, 2010 at 11:14 PM UTC
Once Below a Dream
it is not the tier of enmeshed leaves nor the zither of green. none is their duty to discover the lunar hook of moon. — the old bamboo is the mistral danseuse tonight. whatever the etcetera of it, whatever the birds demand from it. a sling of breath is far-flung into the sky announcing merriment before the child beheads the tulip, before the creature chokes the pistil, before the light enters slow-churn of synthesis. hearing the giggling of bush in the mire of wind, heaving in all kinds of sleep, the children, the weather, together; synapses drunk in translation and we feel no longer the secret of a guerrilla behind the foliage. it is only the heraldry of the world when the morning unclips its wing, as monsoons continue their bushwhack amongst petty citations. past oceans gleaming and away from hills dreaming — by the river, dead of heart, riveting silence of land, past the battered bridge in Marilao tracing deathlier waters, all gone in recall, something i scour to find only pining away from scarcity of remember. it is never their duty to bring back its image to dance with me again.
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Nov 9, 2015
Nov 9, 2015 at 9:04 AM UTC
Even Deathlier Waters
ABC Poetically Foolish A young poet, I am Bilingual in rhythm and rhyme Cast out of English seas Doubt in my words Evidently misunderstood F#ck my ABC's, 123s Gratefully humbled by critics Heartbreak by lovers I wish peace upon others Joy to the world King of all kings Love eternally bound May the alphabet Never end Oh, how I sound like tweets Posting my twits Questioning society's wits Raising my fist Strengthening my grip Teaching the youth Understanding my faith V per Vittorio Why do I question everything Xavier resurrected You represent me, & Zither is my voice.
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Jul 20, 2015
Jul 20, 2015 at 12:04 PM UTC
Oh, how I sound like tweets
if love's the gaze of stone and hate        the water drifting hands to their    undreams of dreams, then it shall be      with the zither of leaves a quartet of wind         sifts inanimately so as dark as the night     they will not dare speak the ineffable.   if love's touch homing back to cities as      spry as an unwound, delicate moon as         can be, these flowerings drone            exactitudes the rambunctious plunge     of the roots to the Earth                   and i will sing these delightful bursts called    days in      April have not the touch of frolicking birds   and the quibble  of the masses half-opening         and ultimately quivering are the mountains and the fish dance in the tumult       of their aqueous variations        it    is   April,  sing gently, as now all the     leaves have fingers and  the ferruginous  rivers    have   feet   and   my love             a   flower at   last!
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Jan 14, 2016
Jan 14, 2016 at 12:13 AM UTC
It Is April, Sing!
Mine eyes retain the scourge       of love        blueness bites vogue sun   scarring moon-clusters in     unyielding boughs lamenting       this sidereal zither. Mine eyes burn pale fire      through chaffed hands pallid       markings wall-scrunched       and depthless now       names wield swords as their    sharp edges bequeath wound upon    wound taking helm to helm,         no shattered voice of pain.   Mine eyes still these urgent     importances distilling the      crucial hour's wane - unreliable sundial seeking the sun     to scale shadows telling time      Mine eyes know     her nudeness vague, her bareness clear, her voice splintering the woodwork of soul,     keeping it in a jar,          urn,       rotundly incarcerated there,     mouth sings lip-meanderings       multiplied wolves at      the door.
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Sep 30, 2015
Sep 30, 2015 at 4:16 AM UTC
Mine Eyes
i shall carry with me the steel morning as words unmoving in swathes, petrified in my shoulders and i shrug, unbecoming of Atlas. all the birds gone. only trees zither untold messages - all stones displaced in riverbed silence. in the night there is a lyre and the fingers nimble-dancing, unplayed, alone as wind fuses with ornate drivel. my bones rattle in unimpeachable oblivion! an inamorata weeping left touched without violent hands, arms choke out nuisances from still-sitting inamoratas. the loom of my hands famished with light's fabric, the children's laughter frayed as i genuflect in thorns and bleed only minute blood. the threshold breaks in the unrest of somnolent eyes. a somnambulist without path, a path without feet, or no journey at all! time's monuments leveled off the Earth and the clanging of metal collides with air, a senseless caveat - all gone, all gone!
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Sep 14, 2015
Sep 14, 2015 at 10:49 PM UTC
Atlas
Spritzed me with rain, this morning.    Rooftops unravel inner coating like old scabs    to wounds. Quiescent mercy of the Sun    bleared behind curtains of cumulus. There is a far    more in-depth correlation between an insurmountable   ex-facto and the fruition of affront: something a sutured lip unwraps, a sotto voce.                                                               Murmuring murmurings,        tousled the leaves to a zither like salad on a depthless bowl:     a coarse susurrus unattainable through lip-reading: tongue’s the    scythe and the message that rummages athwart, something                                  that rushes in the blood, a scrape on the sinew                  as I coil in pain like a thing in womb revealing its fetal nature.                               something that speaks for another one – ventriloquism                        in its keenest sense,        speak for me, you, both of us lost                                 in frenzied translation.
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Jan 27, 2016
Jan 27, 2016 at 1:44 AM UTC
Translations
what it meant, first time, felt, the night blacker, moon daresay zither of birds asleep somewhere stone whetted by air, lingual and sharp with reticence, that obscured thing of beauty at the edge of forget— ah, our memory that picks the derelict, so much is truer in abandon: tear-shed, stifled, watching the word dart through the carapace pulverizing a sensible universe tracing the line of shadow immaculately awed. inward gush of blood as always and a smile feigned, running across the turgid avenue burning bright, the rebel, fading out.
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Oct 27, 2015
Oct 27, 2015 at 12:02 AM UTC
Rebel
Great Vanity of vanities How much Art and feeling In our world today Is warped and twisted Perverted and falsified Willingly For the poisonous pleasures Of Reward or Fame? I admire the man Who left only his zither and a donkey And the donkey ill at that But he left his rhymes His touch on our Times The pure sense of his thought In the letters that he wrought. Let me try instead To bend my head Embrace poor and meek And never seek Praise or Reward And never be torn By withering scorn The plentiful sneering of proud men jeering I just ask you to know I tried to show without doctrine or preaching or toffee nosed teaching the flawed Art   of my beating heart Let me leave behind the honest confusion of a groping mind and the scars of contusion a hint of the sleepless the long nights pacing thoughts wildly racing all seen by who? Perhaps all this cacophony The madness, the rage Cannot be nailed To a printed page Perhaps the lone witness The jury in court The only observer Of the demons I've fought Is present only in the silent rays When a quiet sun Through mist and trees Creeps in and visits And often sees A small man, rhyming, puzzling long Composing, two fingered, his feeble song.
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Jul 31, 2016
Jul 31, 2016 at 10:31 PM UTC
Caution - Small Man Rhyming
I play zither well, but I make a few mistakes – then he looks at me.
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Oct 11, 2020
Oct 11, 2020 at 5:17 AM UTC
[ I play zither well ]
I. In cold rains cicadas shrill, red leaves shaking, drearily still. At the Hour of Great Waste (sky’s sun-ray laced) A hundred Li’s away from Tongguan’s lofty gates We part our ways amongst the barren hills II. When I plucked flowers from my crisscrossed hair, (they were still blooming like yesteryear’s pear) Your carriage passed by my garden, whips lashed on your steeds (in golden halters they're restrained). My Lord you were young, without fear or suspicion, Could still dance and swirl, or play jewelled zither I (too young to be your lady) knew not what sorrow is Had only drank tender tea, picked from last pentad. III. Fifty strings on zither play in vain Thunder cloud brings a sudden rain At the hour Ying and Yang entwined Tears rolling, my sight they blind.
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Aug 4, 2019
Aug 4, 2019 at 2:36 AM UTC
Left Untitled
A Knowing Feeling stirs in me when I choose colours when painting or strike strings on the zither Others make inventions design processes write the truth or fantasize it Is it the Muses a divine spirit or is it the flow of time that pours nectar into open mouths? Just open the mouth like a chakra and receive it no longer feel yourself and enjoy total peace?
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Feb 15, 2021
Feb 15, 2021 at 3:55 AM UTC
Knowing Feeling [2]
in the bleak -- the span of your forest's questions i cannot shun with my hands. it is like naming the trees in the morning and almost with ease from the bend of the boughs to the song nearing its end in the once-told twilight of the never arriving, forgetting everything in the night as the space widens like an eye awakened to new pains yet old truths. underneath the sovereign of which darkness remains uncharted is the single candle burning, intent to squirm back to its death. it is sure than when our eyes meet, in knowing this, there is ineffable readiness, than when i try to remember with frail knowledge the sorry names clinging to elegiac leaves zither no more, you are ready to forget.
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Sep 14, 2015
Sep 14, 2015 at 11:44 AM UTC
Pananaghoy