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"yorker" poems
Time: 7:30 pm Temp.: 68F ~~~ overlooking the runways, festooned by accidental heavenly whimsy, or humanistic whimsical inten-sity, all the the planes and trucks are flashing electrifying speckles, of eclectically synced red and green it is not my holiday, but no matter, like every New Yorker this day, I am happily celebrating its double U, unique, unusual "record breaking warmth" yes, the Fahrenheit is outtasight, and by the dawn of early eve~night, the Centigrade is spiraling in reverse retrograde, as the temp eases on down, just below seventy degrees, on this dewinterized twenty fourth day of December, two nought and fifteen traffic is light, the terminal, an unbusy, slim shadow of itself, the maddening crowds gone, now all are among the dearly departed and either/or, the newly arrived so composition of the observational, brings cheer and smiles to my faith, (I mean my face), the crowning quietude of clear skies, the absence of street smart city  bustle and hustle, the languid atmosphere at the gates, (where seldom is heard an encouraging word)# makes me reconsider the true meaning of the au courant phraseology of this day "record breaking warmth" for there is indeed a calm invisible warmth suffusing all tonite, chests glowing from fireplaces within, contentment chamber containers in both hearth and heart, and I am thinking miracle, about all the human warmth on this celebrated evening, holy night indeed, it is breaking records of recorded human fusion, the united commonality of millions warming his and her stories world-over, that your personal poet is warming to record
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Dec 24, 2015
Dec 24, 2015 at 8:21 PM UTC
Christmas Eve, 2015, LaGuardia Airport, NYC
Time: 7:30 pm Temp.: 68F ~~~ overlooking the runways, festooned by accidental heavenly whimsy, or humanistic whimsical inten-sity, all the the planes and trucks are flashing electrifying speckles, of eclectically synced red and green it is not my holiday, but no matter, like every New Yorker this day, I am happily celebrating its double U, unique, unusual "record breaking warmth" yes, the Fahrenheit is outtasight, and by the dawn of early eve~night, the Centigrade is spiraling in reverse retrograde, as the temp eases on down, just below seventy degrees, on this dewinterized twenty fourth day of December, two nought and fifteen traffic is light, the terminal, an unbusy, slim shadow of itself, the maddening crowds gone, now all are among the dearly departed and either/or, the newly arrived so composition of the observational, brings cheer and smiles to my faith, (I mean my face), the crowning quietude of clear skies, the absence of street smart city  bustle and hustle, the languid atmosphere at the gates, (where seldom is heard an encouraging word)# makes me reconsider the true meaning of the au courant phraseology of this day "record breaking warmth" for there is indeed a calm invisible warmth suffusing all tonite, chests glowing from fireplaces within, contentment chamber containers in both hearth and heart, and I am thinking miracle, about all the human warmth on this celebrated evening, holy night indeed, it is breaking records of recorded human fusion, the united commonality of millions warming his and her stories world-over, that your personal poet is warming to record
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51
Belated Cousin my Younger Cake gives Forgive my Busy Bee to Greet you well Since both we in Tune to the Yorker's, lives Are what a few Dollars which I can sell Now, how was your Day? Special as it seems That the Early History our Links blur Perhaps I was Young to sort out the Reams Forgetting that Paper, Pink would occur Overall, such a Worry-Wart I am To think that you have Stones in my Basket Realising that our Blood's Strength it can Revive my Love's Story in your Pocket. Greatly wish, Manang, my missed Uncle bears Take his Candle; And put it in your hair.
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Mar 12, 2013
Mar 12, 2013 at 7:01 PM UTC
SONNET TRIBUTE: RINA D. VARGAS-MALIG
In the annals of New York City An amazing hero is acclaimed, Known as "The man in the red bandana" Welles Remy Crowther was his name. Born in Nineteen seventy seven, This New Yorker, born and bred, Could have escaped death's destruction, But chose to rescue folks instead. All his life he cared for people, Loved his family, kept them dear, But on that day of 9/11 His higher purpose became clear. An Honor Student, Lacrosse player, Former fire fighter, too, When explosions rocked the building, Welles knew what he must do. Rescuing with calm authority, Directing people toward the doors, He found a woman so disabled He carried her to the 61st floor. In the end, before death took him, Twelve people were brought out, saved. No one knows where Welles is buried In his 9/11 grave. Later, when his mother told Of the red bandana Welles had, The survivors saw his picture, And knew Welles was the brave lad. Only 26 years old, Welles Crowther manned up in strife, That young man is New York's hero... ... for twelve gave HIS VERY LIFE. Soul Survivor Catherine Jarvis (C) September 11, 2014 13th anniversary of 9/11
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Sep 11, 2014
Sep 11, 2014 at 7:54 PM UTC
The Man In The Red Bandana [Hero of 9/11]
There are three versions of this poem. only one of them is available on the internet. This first version is from the New Yorker in a 1941 issue. It is the earliest version and the one that is quoted all over the internet. To My Valentine     by Ogden Nash (1902-1971) More than a catbird hates a cat, Or a criminal hates a clue, Or the Axis hates the United States, That's how much I love you. I love you more than a duck can swim, And more than a grapefruit squirts, I love you more than gin rummy is a bore, And more than a toothache hurts. As a shipwrecked sailor hates the sea, Or a juggler hates a shove, As a hostess detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than the subway jerks, I love you as much as a beggar needs a crutch, And more than a hangnail irks. I swear to you by the stars above, And below, if such there be, As the High Court loathes perjurious oaths, That's how you're loved by me. The next version is the lyric of a song from the Broadway musical "One Touch of Venus" (1943) by Ogden Nash, J S Perelman and Kurt Weill. Nash wrote this lyric. It is not on the internet that I could find. I got it from the sheet music. HOW MUCH I LOVE YOU More than a catbird hates a cat, Or a criminal hates a clue, Or the Axis hates the United States, That's how much I love you. As a sailor's sweetheart hates the sea, Or a juggler hates a shove, As a wife detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than a hangnail hurts. I love you more than commercials are a bore, And more than a grapefruit squirts. I swear to you by the stars above, And below, if such there be, As a bride would resent a blessed event, That's how you are loved by me. More than a waitress hates to wait , Or a lioness hates the zoo, Or a batter dislikes those called third strikes, That's how much I love you. As much as a lifeguard hates to swim, Or a writer hates to read, As Hays office frowns on low cut gowns, That's how much you I need. I love you more than a hive can itch, And more than a chilblain chills. I yearn for you in an ivy clad igloo, As a liver yearns for pills. I swear to you by the stars above, And below, if such there be, As a dachshund abhors revolving doors, That's how you are loved by me. The third is from the book "Marriage Lines: notes of a student husband" It was published in 1964 and contains a revised version of the poem with a much different ending. This too is not on the internet. I got it from the book. TO MY VALENTINE More than a catbird hates a cat, Or a criminal hates a clue, Or an odalisque hates the Sultan's mates, That's how much I love you. I love you more than a duck can swim, And more than a grapefruit squirts, I love you more than commercials are a bore, And more than a toothache hurts. As a shipwrecked sailor hates the sea, Or a juggler hates a shove, As a hostess detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than the subway jerks, I love you truer than a toper loves a brewer, And more than a hangnail irks. I love you more than a bronco bucks, Or a Yale man cheers the Blue. Ask not what is this thing called love; It's what I'm in with you.
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Feb 14, 2018
Feb 14, 2018 at 2:51 PM UTC
TO MY VALENTINE Ogdon Nash three versions
There are three versions of this poem. only one of them is available on the internet. This first version is from the New Yorker in a 1941 issue. It is the earliest version and the one that is quoted all over the internet. To My Valentine     by Ogden Nash (1902-1971) More than a catbird hates a cat, Or a criminal hates a clue, Or the Axis hates the United States, That's how much I love you. I love you more than a duck can swim, And more than a grapefruit squirts, I love you more than gin rummy is a bore, And more than a toothache hurts. As a shipwrecked sailor hates the sea, Or a juggler hates a shove, As a hostess detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than the subway jerks, I love you as much as a beggar needs a crutch, And more than a hangnail irks. I swear to you by the stars above, And below, if such there be, As the High Court loathes perjurious oaths, That's how you're loved by me. The next version is the lyric of a song from the Broadway musical "One Touch of Venus" (1943) by Ogden Nash, J S Perelman and Kurt Weill. Nash wrote this lyric. It is not on the internet that I could find. I got it from the sheet music. HOW MUCH I LOVE YOU More than a catbird hates a cat, Or a criminal hates a clue, Or the Axis hates the United States, That's how much I love you. As a sailor's sweetheart hates the sea, Or a juggler hates a shove, As a wife detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than a hangnail hurts. I love you more than commercials are a bore, And more than a grapefruit squirts. I swear to you by the stars above, And below, if such there be, As a bride would resent a blessed event, That's how you are loved by me. More than a waitress hates to wait , Or a lioness hates the zoo, Or a batter dislikes those called third strikes, That's how much I love you. As much as a lifeguard hates to swim, Or a writer hates to read, As Hays office frowns on low cut gowns, That's how much you I need. I love you more than a hive can itch, And more than a chilblain chills. I yearn for you in an ivy clad igloo, As a liver yearns for pills. I swear to you by the stars above, And below, if such there be, As a dachshund abhors revolving doors, That's how you are loved by me. The third is from the book "Marriage Lines: notes of a student husband" It was published in 1964 and contains a revised version of the poem with a much different ending. This too is not on the internet. I got it from the book. TO MY VALENTINE More than a catbird hates a cat, Or a criminal hates a clue, Or an odalisque hates the Sultan's mates, That's how much I love you. I love you more than a duck can swim, And more than a grapefruit squirts, I love you more than commercials are a bore, And more than a toothache hurts. As a shipwrecked sailor hates the sea, Or a juggler hates a shove, As a hostess detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than the subway jerks, I love you truer than a toper loves a brewer, And more than a hangnail irks. I love you more than a bronco bucks, Or a Yale man cheers the Blue. Ask not what is this thing called love; It's what I'm in with you.
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79
I am an italicized remark, your spicy punctuation; I am your steamy satisfaction, your permanent vacation. A unique innuendo, a read between the lines; I am a story like no other as I lick between your thighs. from Cosmo, The New Yorker; A romantic gentleman lover. A sweet wine you taste-test and lick around my lips, I am a kiss you can't resist- a naked sweat, a seductive bliss. I am the palm that stings the skin, a ***** spank than burns within. I am a moaning, seeping ****** that rumbles with percussion. I am your emphasized description although no adjective does justice.
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Jul 21, 2010
Jul 21, 2010 at 8:08 AM UTC
A Read Between The Lines
Young Liam loved Orange and liked to wear ties. To his firehouse friends He was one of the guys. He had his own locker a slicker and hat. He also had cancer, and a bad one at that. From early on in his life he fought neuroblastoma ; An invasive tumor a metastatic carcinoma. His family who loved him labored to save their dear little child Prince Liam the Brave. He faced surgery bravely, engaged in his fight.. He endured radiation Chemo and knife. When many a New Yorker complains about stress, Prince Liam was stoic When put to the test. Then just before Christmas he suffered a relapse He became neutrapenic- His immune system collapsed. With blood in his ***** And a spot on his lung Liam grew weak. his defenses undone. An Amethyst stone he received from a friend was his talisman of hope that he held to the end. The worst part of the journey was when hope was gone. Then Liam lay, still and silent in his mother's arms. There are brave fire fighters Who’ll be fighting back tears Brave Prince Liam has died, He lived only six years There are many old people still avoiding the grave Who know less about love Than did Liam the brave We will gather together In St Francis’ nave To remember the life of Prince Liam the brave i
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Dec 29, 2011
Dec 29, 2011 at 8:18 AM UTC
Prince Liam, the Brave
I, too, would ease my old car to a stop on the side of some country road and count the stars or admire a sunset or sit quietly through an afternoon.... I'd open the door and go walking like James Wright across a meadow, where I might touch a pony's ear and break into blossom; or, like Hayden Carruth, sustained by the sight of cows grazing in pastures at night, I'd stand speechless in the great darkness; I'd even search on some well-traveled road like Phil Levine in this week's New Yorker, the poet driving his car to an orchard outside the city where, for five dollars, he fills a basket with ********* apples.
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2.9k
The Road
It snowed last night which pleased me - but hardly enough - it just teased me. The thin, white sheet of snow looked bright and fresh the dull, browned hedges of fall became holiday dressed, the air had a sharp, chill perfume and the ground a new, sparkling flesh. Lisa, a New Yorker who knows snow, gawked at me as if I were insane, “You’re excited by NOTHING,” she sarcastically complained. I replied, “When it snows there’s a quiet solace, and the world looks clean and flawless.” The weatherman is promising us a blanket of snow this weekend and that would be nice, a storm of ice, to lock us in as the week ends
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Dec 12, 2022
Dec 12, 2022 at 12:17 PM UTC
snowed
The sky looks like cigarette ashes in a puddle of milk, and I, almost 22, am unsatisfied that I have not won a Pulitzer. And I, on the borderline of delusion and confidence, am unsatisfied I am not crazy or cocky enough to submit to The New Yorker. I hear the voices of the pastors, telling me that God heals all. They say 'He' is the only absolute. The people raise their hands towards the water-stained ceiling, as if He'll push his arms through the copper-colored scabs and save them. Grabbing their wrists and cooing, I am the remedy to the anxiety of death. I am six foot one and French, Irish, Cherokee, some sort of Anglo-Saxon, and a lost **** in a drowning garden. I think about all those who had to **** in order to make my cheekbones, eyebrows, lips, and **** I think about how I'm good at *** and bad when it comes to forgiving too easily. I wonder how I can sweat on another body, but only feel naked when I have to be myself. I watch the elderly chant words: ****** ****** **** and Half-Breed. I study if their dry lips reflect the hate in their eyes. Not all are like this, but I am surrounded by tables of them, as I pretend to be Christian, just to get ahead. I don't speak, just sit like an unfilled bubble, waiting to be marked out by graphite. I feel like a ********** I wish I had a Pulitzer. The sky looks like a stretched grape, covered in kisses of ****** And I, white American conformist, am unsatisfied that I have succumbed to the American Dream. I wish I had a Pulitzer, I wish I had my mom and dad.
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Aug 16, 2015
Aug 16, 2015 at 2:56 PM UTC
Ashland
The sky looks like cigarette ashes in a puddle of milk, and I, almost 22, am unsatisfied that I have not won a Pulitzer. And I, on the borderline of delusion and confidence, am unsatisfied I am not crazy or cocky enough to submit to The New Yorker. I hear the voices of the pastors, telling me that God heals all. They say 'He' is the only absolute. The people raise their hands towards the water-stained ceiling, as if He'll push his arms through the copper-colored scabs and save them. Grabbing their wrists and cooing, I am the remedy to the anxiety of death. I am six foot one and French, Irish, Cherokee, some sort of Anglo-Saxon, and a lost **** in a drowning garden. I think about all those who had to **** in order to make my cheekbones, eyebrows, lips, and **** I think about how I'm good at *** and bad when it comes to forgiving too easily. I wonder how I can sweat on another body, but only feel naked when I have to be myself. I watch the elderly chant words: ****** ****** **** and Half-Breed. I study if their dry lips reflect the hate in their eyes. Not all are like this, but I am surrounded by tables of them, as I pretend to be Christian, just to get ahead. I don't speak, just sit like an unfilled bubble, waiting to be marked out by graphite. I feel like a ********** I wish I had a Pulitzer. The sky looks like a stretched grape, covered in kisses of ****** And I, white American conformist, am unsatisfied that I have succumbed to the American Dream. I wish I had a Pulitzer, I wish I had my mom and dad.
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38
I saw Sting in the lobby this morning, we were going out and he was coming in. Lisa nudged me, “Sting” was all she whispered. He was with a woman and a man. The woman was talking to the doorman. Sting was dressed all in black except for a long stark-white cashmere scarf, he was chatting and working a dark-gray French-flat-cap around in his hands. His hair is very short and white. We wanted to walk in the snow, if only for a minute. A gust of wind caught us as we reached the sidewalk. The two American flags, on either side of the entrance, went rigid, at 9-o’clock as if saluting us. “Jeeez!” I said, like the Georgia girl I am - or was. “Don’t be a baby,” Lisa answered, like a true, pittyless New Yorker but her cheeks had turned a child-like pink. She flipped up her collar. I patted my pocket, relieved to feel my phone and know that if we froze to death the authorities could use “find my friends” to locate our bodies. Leeza joins us a moment later and I can’t help but notice that she’s dressed like it’s a cool fall day. Back in the day, when my brother would dress like summer even though temperatures in Georgia had dipped cruelly into the fifties. Seeing him, my mom would say, “Where there’s no sense, there’s no feeling,” but I don’t. “Did you see Sting?” I asked Leeza (12). She gives me a blank look. “Sting”, I said, “the lead singer for The Police?” I add, as clarification. “I don’t know who that is,” she says flatly. “He was famous,” I say in surrender, “a long time ago, in the 90s.” Maybe the next generation won’t be as celebrity driven. Thank God Lisa suggested I pin my artist-beret down or it would have blown away, like my resolve to walk in the snow. Still, I followed Lisa into the park like a cat on a leash - unwilling to be seen as any less Canadian. The show crunched like we were trampling over snow-cones. Trees began turning away the wind as we entered Central Park, “I think we may survive.” I said cheerfully. Just because you're freezing to death doesn’t mean you can’t be ​​affable. Why don’t pigeons freeze to death - I thought birds flew south for the winter?
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Jan 10, 2022
Jan 10, 2022 at 9:17 AM UTC
Stinging January morning
I saw Sting in the lobby this morning, we were going out and he was coming in. Lisa nudged me, “Sting” was all she whispered. He was with a woman and a man. The woman was talking to the doorman. Sting was dressed all in black except for a long stark-white cashmere scarf, he was chatting and working a dark-gray French-flat-cap around in his hands. His hair is very short and white. We wanted to walk in the snow, if only for a minute. A gust of wind caught us as we reached the sidewalk. The two American flags, on either side of the entrance, went rigid, at 9-o’clock as if saluting us. “Jeeez!” I said, like the Georgia girl I am - or was. “Don’t be a baby,” Lisa answered, like a true, pittyless New Yorker but her cheeks had turned a child-like pink. She flipped up her collar. I patted my pocket, relieved to feel my phone and know that if we froze to death the authorities could use “find my friends” to locate our bodies. Leeza joins us a moment later and I can’t help but notice that she’s dressed like it’s a cool fall day. Back in the day, when my brother would dress like summer even though temperatures in Georgia had dipped cruelly into the fifties. Seeing him, my mom would say, “Where there’s no sense, there’s no feeling,” but I don’t. “Did you see Sting?” I asked Leeza (12). She gives me a blank look. “Sting”, I said, “the lead singer for The Police?” I add, as clarification. “I don’t know who that is,” she says flatly. “He was famous,” I say in surrender, “a long time ago, in the 90s.” Maybe the next generation won’t be as celebrity driven. Thank God Lisa suggested I pin my artist-beret down or it would have blown away, like my resolve to walk in the snow. Still, I followed Lisa into the park like a cat on a leash - unwilling to be seen as any less Canadian. The show crunched like we were trampling over snow-cones. Trees began turning away the wind as we entered Central Park, “I think we may survive.” I said cheerfully. Just because you're freezing to death doesn’t mean you can’t be ​​affable. Why don’t pigeons freeze to death - I thought birds flew south for the winter?
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9
It's been so long, too long.. if only this breeze would prolong its stay... thoughts like, man a year ago the weather during this time, was colder than today.. 65 degrees. a New Yorker may laugh... but a Cali kid is out here freezing his *** bonfire in the backyard watching the time pass, the fire flickering, whispering the secrets of the past. you should listen. maybe you too will fall in love with the wind. fall in love with giving thanks and hugging your kin. fall in love with gifts, Santa, candles and grins, finally make a resolution to put behind all your sins. 60 degrees. it gets colder as the night progresses.. you capture the essence, of the night.. and realize its adolescence. it hasn't yet began to even grasp adult lessons.. 55 degrees, feeling weak in the knees, its been a week, since the tree outside had any leaves. no fireplace, no heater just a ******* and cheese, and take your *** to bed early before you get the real breeze. 50 degrees, I'm freezing to death, more depressed now knowing that my babygirl left, so I'm here all alone. me, chardonnay and a cup. fog surrounding, branches howling waiting till winter is up. -afj
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Nov 18, 2014
Nov 18, 2014 at 1:34 AM UTC
Winter.
lights flashing through the city and polluting the air, car horns honking and people colliding with your shoulder. billboards flashing advertisements for the crowds below: ‘get a coke! stop by olive garden! try this phone service!’ and surrounding those screens, posters for the theater. wicked, lion king, hamilton, and more go to west 46th street and fight the crowd, feel the excitement, hear the orchestra, touch the souvenirs, let even a native new yorker become a tourist for one day take your seat, admire the view, take some pictures, listen to the ushers, watch the crowd settle, straighten as the lights dim. everyone in places--it’s showtime.
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Oct 26, 2016
Oct 26, 2016 at 11:43 AM UTC
broadway
Meze *Meze or mezze /ˈmɛzeɪ/ is a selection of small dishes served in the Middle East and the Balkans as breakfast, lunch or even dinner. -~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ It's a meze day, Many small poems arrayed, A tasting menu, Hummus and babaganoush, Small observations, Pita dipping, Long writs tabled, Unless dragged out from the wine cellar, For another meal, Another mood. They'll keep, or not. The bay and beach have been traded in, For Western Mass. mountains, The highland region, The Berkshires, the Green and the Taconic Mountains, Formed over half a billion years ago When Africa collided   with North America. (Just for a weekend, a traitor, I'm not.) *Different insects checking me out, Crash landing in my chest hair jungle To get a taste of a Long Island salt air, Fresh blood and poetry from a foreign tongue. Mount Greylock asks me what I got to say. I said I got grey locks older than you, friend. I am a billion years old, son of the copulation Tween the Sun and and a passing comet, The Atlantic, My amniotic fluid birthstone unevaporated.. Greylock sniffs, mumbles, just another New Yorker. *The clouds different, thick slabs, bank-heads keeping My sun-father from showing his true colors, My skin seeks his restorative powers, Burn the strain, the stress, the black circles from Within and without, but this is a partly cloudy day. Sooner than me, the leaves will be red and gold, The season of long sunnier days forgotten, The trees that Fill the panorama, Point their soon-to-be Denuded branch fingers at me Accusingly, L'etranger, You brought winter's chill, A lie but perhaps not, For they are sensing the Inhabiting cold in me. A strange day, every asking, passing thought Thrown back in my face, And stewed, stir fried up All in vain attempts to keep warmer Just a little bit Longer.*
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Aug 18, 2013
Aug 18, 2013 at 1:23 PM UTC
Meze
Meze *Meze or mezze /ˈmɛzeɪ/ is a selection of small dishes served in the Middle East and the Balkans as breakfast, lunch or even dinner. -~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ It's a meze day, Many small poems arrayed, A tasting menu, Hummus and babaganoush, Small observations, Pita dipping, Long writs tabled, Unless dragged out from the wine cellar, For another meal, Another mood. They'll keep, or not. The bay and beach have been traded in, For Western Mass. mountains, The highland region, The Berkshires, the Green and the Taconic Mountains, Formed over half a billion years ago When Africa collided   with North America. (Just for a weekend, a traitor, I'm not.) *Different insects checking me out, Crash landing in my chest hair jungle To get a taste of a Long Island salt air, Fresh blood and poetry from a foreign tongue. Mount Greylock asks me what I got to say. I said I got grey locks older than you, friend. I am a billion years old, son of the copulation Tween the Sun and and a passing comet, The Atlantic, My amniotic fluid birthstone unevaporated.. Greylock sniffs, mumbles, just another New Yorker. *The clouds different, thick slabs, bank-heads keeping My sun-father from showing his true colors, My skin seeks his restorative powers, Burn the strain, the stress, the black circles from Within and without, but this is a partly cloudy day. Sooner than me, the leaves will be red and gold, The season of long sunnier days forgotten, The trees that Fill the panorama, Point their soon-to-be Denuded branch fingers at me Accusingly, L'etranger, You brought winter's chill, A lie but perhaps not, For they are sensing the Inhabiting cold in me. A strange day, every asking, passing thought Thrown back in my face, And stewed, stir fried up All in vain attempts to keep warmer Just a little bit Longer.*
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58
With a flap of pink-flamingo wings, whoosh of speedboats in the bay the rear-swinging amble of burnished girls in bikinis “Miami Vice” launched itself week after week as a thoroughly ****** delight. The show: a pop-culture event the media poetry of the ******* era. Two cocky not very talented male beauties who spoke in innuendos and dressed in pink T-shirts Armani and sockless loafers. The best episodes were shot and cut like movies and glowed with neon and pastels and party lights in stucco mansions. The varieties of pleasure under an endless American sun. (From the New Yorker article entitled, “Hot and Bothered.”)
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Feb 23, 2013
Feb 23, 2013 at 11:32 PM UTC
Under the American Sun (a "found" poem)
Went to film school, want to be a filmmaker still My dream unfulfilled, but still unfolding I look at what used to inspire me: magazine articles about the great directors. always male. even today. I used to want to be the female version. Not anymore The New Yorker has a piece on one Describes the process: a demanding scene where Julia Roberts walks down a street and then gives a LOOK This is not drama. drama is conflict. the new yorker doesn't know this describes the making of "art" as the shot is repeated with different LOOKS It's all taken so seriously: a large photo of the ARTIST on the facing page He has four o-clock shadow times a few days. this is the look of a filmmaker you will see it in the second half of the semester at any film school and he looks worried, intense, confused...gassy? artists are never happy is life a pretty picture? the artist knows this and cannot, will not smile Later, "the Brille Building," in New York. wow. a building with a name no less a building where many films are edited, have been edited over the years. a sweatshop for editors of picture and sound, and a place for the director to continue, now out of the shadow of the STAR He's using a lot of profanity now. Just because he's an old white geek don't think for a minute he ain't kool, he ain't street. Actually, go ahead and keep thinking that, because you're right Amazingly enough, he, from his heights of artistry, is slumming it with take-out Oh, the dedication. Oh, the fear of ever leaving the building and being reminded there is a whole world outside that doesn't care about you His brother is the editor (no, don't say there is nepotism in this business, it's your imagination) They review the shots of THE LOOK There are many takes and now, this director who adapted someone else's novel to the screen now claims, he wrote it. Really. It is all his. Yes I still love making films but I've never loved the biz And as I get older, the more I think that real artists don't get written up in the New Yorker with such verve because they'd think it was just too silly
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Nov 25, 2012
Nov 25, 2012 at 12:06 AM UTC
Pretentiouso Fantastico
Went to film school, want to be a filmmaker still My dream unfulfilled, but still unfolding I look at what used to inspire me: magazine articles about the great directors. always male. even today. I used to want to be the female version. Not anymore The New Yorker has a piece on one Describes the process: a demanding scene where Julia Roberts walks down a street and then gives a LOOK This is not drama. drama is conflict. the new yorker doesn't know this describes the making of "art" as the shot is repeated with different LOOKS It's all taken so seriously: a large photo of the ARTIST on the facing page He has four o-clock shadow times a few days. this is the look of a filmmaker you will see it in the second half of the semester at any film school and he looks worried, intense, confused...gassy? artists are never happy is life a pretty picture? the artist knows this and cannot, will not smile Later, "the Brille Building," in New York. wow. a building with a name no less a building where many films are edited, have been edited over the years. a sweatshop for editors of picture and sound, and a place for the director to continue, now out of the shadow of the STAR He's using a lot of profanity now. Just because he's an old white geek don't think for a minute he ain't kool, he ain't street. Actually, go ahead and keep thinking that, because you're right Amazingly enough, he, from his heights of artistry, is slumming it with take-out Oh, the dedication. Oh, the fear of ever leaving the building and being reminded there is a whole world outside that doesn't care about you His brother is the editor (no, don't say there is nepotism in this business, it's your imagination) They review the shots of THE LOOK There are many takes and now, this director who adapted someone else's novel to the screen now claims, he wrote it. Really. It is all his. Yes I still love making films but I've never loved the biz And as I get older, the more I think that real artists don't get written up in the New Yorker with such verve because they'd think it was just too silly
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32
January 31st is just around the corner With hope it will be slightly warmer I haven't seen you in a while Your lisp makes me smile I miss my Long Island New Yorker
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Jan 15, 2015
Jan 15, 2015 at 5:20 PM UTC
I'll See You Soon
Wake up on the wrong side of the bed, And pull a muscle slightly. In the pain, to the ground you’re led, And jump back up again sprightly. Like the lumpy pillow at the edge, I like my despair rare. Get smacked by the ink trying to caress your hair, While the bespectacled man mouths disappointment. And his wife looks down at you and stares, Brush it all off because hey, it's atonement. Like the lukewarm cereal milk, I like my despair rare. She smiles at you, but her eyes seem to deplore, And her boredom, oh large is it writ. Ah her mouth was a chocolate fountain before, But of late, it seems like it’s on autopilot. Like her constant glances at the icon, I like my despair rare. Breathe in the comforting smell of meat, Smoked and salted to perfection. Only for that one song to play on repeat, And move over to the other section. Unlike what I ordered, and like the steak I got, I like my despair rare. Break off those wonderful relations, Through no fault of your own. And get sent on quite a bad trip, Realizing all that time together was just a loan. Like the price tag on that fancy bottle, I like my despair rare. Go home to watch the grand game, With a six needed for the fans and players to mingle. It seemed as though even fate wanted to maim, As the voices echoed “Single!” Like that dipping yorker, I like my despair rare. Back in bed with a heavy head, Perhaps things didn’t go all that bad. What went wrong? Was everything misread? Maybe this is the time to be sad. I like my despair rare, I do. But maybe it likes me more.
0
Apr 7, 2016
Apr 7, 2016 at 9:46 AM UTC
I Like My Despair Rare
Wake up on the wrong side of the bed, And pull a muscle slightly. In the pain, to the ground you’re led, And jump back up again sprightly. Like the lumpy pillow at the edge, I like my despair rare. Get smacked by the ink trying to caress your hair, While the bespectacled man mouths disappointment. And his wife looks down at you and stares, Brush it all off because hey, it's atonement. Like the lukewarm cereal milk, I like my despair rare. She smiles at you, but her eyes seem to deplore, And her boredom, oh large is it writ. Ah her mouth was a chocolate fountain before, But of late, it seems like it’s on autopilot. Like her constant glances at the icon, I like my despair rare. Breathe in the comforting smell of meat, Smoked and salted to perfection. Only for that one song to play on repeat, And move over to the other section. Unlike what I ordered, and like the steak I got, I like my despair rare. Break off those wonderful relations, Through no fault of your own. And get sent on quite a bad trip, Realizing all that time together was just a loan. Like the price tag on that fancy bottle, I like my despair rare. Go home to watch the grand game, With a six needed for the fans and players to mingle. It seemed as though even fate wanted to maim, As the voices echoed “Single!” Like that dipping yorker, I like my despair rare. Back in bed with a heavy head, Perhaps things didn’t go all that bad. What went wrong? Was everything misread? Maybe this is the time to be sad. I like my despair rare, I do. But maybe it likes me more.
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42
English Translations of Russian Poems by Vera Pavlova Shattered I shattered your heart; now I limp through the shards barefoot. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Seasons Winter―a beast. Spring―a bud. Summer―a bug. Autumn―a bird. Otherwise I'm a woman. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Pygmalion Immortalize me! With your bare, warm palm please sculpt and mold my malleable snow. Polish me until I glow. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Scales Scales: on the one hand joy; on the other sorrow. Sorrow is weightier; therefore joy elevates. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Muse A muse inspires when she arrives, a wife when she departs, a mistress when she’s absent. Would you like me to manage all that simultaneously? ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Stone Wall You, my dear, are my shielding stone: to sing behind, or bash my head on. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Fluttering Remember me as I am this instant: abrupt and absent, my words fluttering like moths trapped in a curtain. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Flight I have been dropped and fell from such immense heights for so long that perhaps I still have enough time to learn how to fly. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch God saw it was good. Adam saw it was impressive. Eve saw it was improvable. —Vera Pavlova, loose translation/interpretation by Michael R. Burch Three versions of Vera Pavlova's "tightrope" poem: I test the tightrope, balancing a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch I walk a tightrope, balanced by a child in each arm. —Vera Pavlova, loose translation/interpretation by Michael R. Burch I test the tightrope, balanced by a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Vera Pavlova is a Russian poet. Born in Moscow, she is a graduate of the Schnittke College of Music and the Gnessin Academy of Music, where she specialized in music history. She is the author of twenty collections of poetry, four opera librettos, and the lyrics to two cantatas. Her poetry has appeared in The New Yorker and other major literary publications. Keywords/Tags: Pavlova, Russian, translations, epigrams, woman, female, shards, seasons, scales, tightrope, child, arm, sorrow, joy, shattered, heart, broken, glass, limp, limping, barefoot, snow, sculpt, mold, polish
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Mar 20, 2020
Mar 20, 2020 at 1:25 AM UTC
Vera Pavlova "Shattered" translation
English Translations of Russian Poems by Vera Pavlova Shattered I shattered your heart; now I limp through the shards barefoot. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Seasons Winter―a beast. Spring―a bud. Summer―a bug. Autumn―a bird. Otherwise I'm a woman. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Pygmalion Immortalize me! With your bare, warm palm please sculpt and mold my malleable snow. Polish me until I glow. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Scales Scales: on the one hand joy; on the other sorrow. Sorrow is weightier; therefore joy elevates. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Muse A muse inspires when she arrives, a wife when she departs, a mistress when she’s absent. Would you like me to manage all that simultaneously? ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Stone Wall You, my dear, are my shielding stone: to sing behind, or bash my head on. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Fluttering Remember me as I am this instant: abrupt and absent, my words fluttering like moths trapped in a curtain. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Flight I have been dropped and fell from such immense heights for so long that perhaps I still have enough time to learn how to fly. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch God saw it was good. Adam saw it was impressive. Eve saw it was improvable. —Vera Pavlova, loose translation/interpretation by Michael R. Burch Three versions of Vera Pavlova's "tightrope" poem: I test the tightrope, balancing a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch I walk a tightrope, balanced by a child in each arm. —Vera Pavlova, loose translation/interpretation by Michael R. Burch I test the tightrope, balanced by a child in each arm. ―Vera Pavlova, loose translation/interpretation by Michael R. Burch Vera Pavlova is a Russian poet. Born in Moscow, she is a graduate of the Schnittke College of Music and the Gnessin Academy of Music, where she specialized in music history. She is the author of twenty collections of poetry, four opera librettos, and the lyrics to two cantatas. Her poetry has appeared in The New Yorker and other major literary publications. Keywords/Tags: Pavlova, Russian, translations, epigrams, woman, female, shards, seasons, scales, tightrope, child, arm, sorrow, joy, shattered, heart, broken, glass, limp, limping, barefoot, snow, sculpt, mold, polish
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73
I loved it, whitewater rafting in the Adirondacks, sleeping in tents cooking on woodsmoke having a joke with the New Yorker yokels known locally as the locals. It was Yellowstone that stole my heart, rings of fire on the end of a rainbow dreams that we lived and we lived for the dream, all the rest is just history and most of that went to the scrapyard.
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May 7, 2016
May 7, 2016 at 12:26 PM UTC
Upstate
I was depressed when I stepped into the L train what was more visible though was my anxiety from being a bus-girl and not avidly riding dingy.             rat-infested.           pee-reeking.     hobo-filled. trains. I sat right next to the most evil looking character from a beloved Disney movie. He asked me how my morning was going as he held his coffee in his left hand and a cigarette in the right. breath reeking of sadness greater than mine. _such a New Yorker thing_. I told him about my friend moving away and how I was so sad I made my mom cry And then he told me about how he was sad when his friend decided not to share a cardboard box with him..and I kinda just nodded hoping he wasn’t serious. train people are interesting so in order for Joey- yes his name was Joey- to stop talking to me I started to write about all the sweetbitter things about the train and if Joey just wanted to feel like he was relatable again..
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Sep 24, 2018
Sep 24, 2018 at 9:09 PM UTC
stand clear of the closing doors
It was past 10 pm Indian Standard Time And the score was Two O Five Klusener was the launcher Donald was the Duck Hansie had the fancy That he will lift the cup Seconds ticking One, two, three, four, five… Damien Fleming’s the bowler And he’s known as a troller Windies was the victim Eight years ago Steve Waugh! The man who made Gibbs drop the cup Stood there Like a commander Klusener like a slaughterer Yorker’s the marker To stop the nine runs needed From the Klusener blade NOW THE LAST OVER ONE went for a four TWO went for a four Tensions flared up We are on the proverbial Edge-of-the-seat Steve stood there No expression on his face Hansie's in the pavilion Like a warrior king THE THIRD BALL Damien's running like he do Yes, bang on target Klusener's couldn't get it off Like the way in his earlier knocks off One run needed in three Just a recap again Final over last pair together nine to get in six ***** player of the tournament on strike Successive fours from Lance Klusener and it was one from four ***** Then came the comedy for South Africa uniquely in the game's annals the tragedy of a tie. Moments before it Steve Waugh was As cold as an Iceberg To the Titanic of South Africa (To be continued in next part)
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Nov 1, 2014
Nov 1, 2014 at 6:31 AM UTC
Epic Waughage - I (Collaboration with the peerless Elizabeth Squires)
Poison ivy spreading all over my skin. I brushed up against death and never want to do it again. They say with time it goes away, but I can still feel it all over me. The clock doesn't erode the way I can feel inside. I dance with the hands but am, really, looking for some place to hide. I've used a neon bible ever since she died. And when she couldn't move, the sirens blared, she said it'd be okay, but I felt so scared. Maybe it's all in my head, as the roof took rain. She said 'I'm going far,' I said, you gotta stay, you're just in pain. I'll never show her what I am capable of. I was in The New Yorker and I'm not sure if she even saw. There's a paralysis that comes with love, related to every coffin drop that sings from above, and I wish you knew her, too, as well as she knew me: I am twenty-three and covered in ivy.
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Jan 28, 2017
Jan 28, 2017 at 3:44 PM UTC
Poison Ivy
Cracked concrete, soaring sky scrapers Hundreds of shoes patter across the ground Designer summer collections of 1988 worn by many Horns chant an uncomfortable song And the streets, littered with humans, cars and buildings, can barely feel the sun. A Georgio Armani Suit can be seen in the crowds, Double-breasted, jet black. It's cool style attracts attention in the midday sun, as does it's owners confidence. Expensive product makes his deep brown, perfectly slick hair appear black. His unidentifiable expression intrigues many, a certain smugness lies within it. His confident, conceited business strut reflects his situation; A successful, handsome commodities broker with a blood spattered rain mac in his $3,600 Ralph Lauren briefcase.
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Jun 18, 2012
Jun 18, 2012 at 5:56 PM UTC
Mr New-Yorker
Standing in the crowd I was Surrounded by strangers In the dead of night. People from across the globe Connected through this single Experience. Sharing tells And their walks of life. The ball drops And confetti springs People look around in awe As I look to My right, My left, My front and back I'm not surrounded by strangers Anymore. The Portuguese behind us, the Brazilians to my left, The 7. Foot New Yorker in front The spaniards to my right N in my group two new friends From 2 hours away. The crowd disperses As we all say good bye Carrying with us the joy Of new life, friends and An experience that connected Us all.
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Jan 1, 2014
Jan 1, 2014 at 2:20 PM UTC
Time Square
This word was invented in 1935 by Everett M. Smith, president of the National Puzzlers' League (N.P.L.), at its annual meeting. The word figured in the headline for an article published by the New York Herald Tribune on February 23, 1935, titled "Puzzlers Open 103d Session Here by Recognizing 45-Letter Word": Pneumonoultramicroscopicsilicovolcanoconiosis succeeded electrophotomicrographically as the longest word in the English language recognized by the National Puzzlers' League at the opening session of the organization's 103rd semi-annual meeting held yesterday at the Hotel New Yorker. The puzzlers explained that the forty-five-letter word is the name of a special form of pneumoconiosis caused by ultra-microscopic particles of silica volcanic dust... Subsequently, the word was used in a puzzle book, Bedside Manna, after which time, members of the N.P.L. campaigned to include the word in major dictionaries. This 45-letter word, referred to as "P45," first appeared in the 1939 supplement to the Merriam-Webster New International Dictionary, Second Edition.
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Jun 17, 2014
Jun 17, 2014 at 10:59 AM UTC
Pneumonoultramicroscopicsilicovolcanoconiosis