apologies, but i will not be abstracting people
as mere pronoun users,
i know i should, but i kinda like "painting"
and giving peoeple race, and differences,
i can't really establish what pronoun-bleaching
would do to, oh i don't know,
perhaps i'd be writing this...

back when i still worked as a roofer and was doing
a project in Greenwich,
  nice try, construction industry men don't
go to the gym... what a joy to remember my roots...
anyway...
    what was i saying?
   so i commuted from north east london
this this little village...
and it really has a feel about it that it is a village...
i went into the Greenwich waterstones
bookshop and spotted something interesting...
    a j. k. huysmans trilogy (beginning with la bas)
and ending with *cathedral, or something like that,
if i knew what the internet was saying,
i'd buy all three books...
     but i did the dumb thing of buying
the first book of the trilogy, that's always in print...
anyway, no small loss...
   and there stood sideways joseph roth's
the antichrist...
              i can't compare it to nietzsche work,
even though i should, given roth was jewish...
and i figured: if the concept is not originally
jewish and greek, and anti- is a prefix much
more easily understood these days with
the existence of anti-matter...
            than say... armilus...
    well... so i was commuting day to day,
and over the course of the project probably read
two of three books, roth's was one of them,
alongside nikos kazantzakis' blockbuster...
but something weird happened when i read roth
for the first time...
     sitting in this dockland train heading south
of the thames, a group of muslim "women"
spotted that i was literate,
     they sat, about 10 metres away from me...
but the word antichrist must have prompted them,
one just said out-loud: you're satan's *****...
huh?
   there i am, reading my own book not raving
mad reading it aloud, and there she has the prank
of associating a book to a very mysterious person
who riddles the bible being completed...
      mein gott: two world wars ever since nietzsche
wrote he was the person with the title kept
sorta on a whim for nearly 2000 years...
     and then two days ago my father has a car accident
and this hijab clad woman is driving,
  but she does a Pilate and doesn't take responsibility,
the passenger that's with her jumps out
   and gives my father his details
and the woman is pristine...
     a *******, what do you call it: sacred cow?
most pedestrians in england are treated as such...
  so she phones her son and gives the phone to my father
and her son says to my father: it's against
the law to phone the police, you can't phone them...
well... hey presto! we're in Saudi Arabia!
and this is what's worrying me...
no... nope... this is what pains me...
    i had to take my ego for a walk tonight...
i had to think a lot of ******* out,
how the ego would whimper and whine like a dog...
there's your "janus" / "contronym"...
ego... dog...
   the leash? i'm thinking with it...
and suddenly, clarifty, i can pierce it's *******
narrative and think about it... as any id might...
what i experienced was an ego-dispossesion...
   i lost it, it turned into an automaton,
robotic misery... hardly the angry Frankenstein monster...
i lost the care for an ego-embodiment...
i was dispossessed by it, robbed, thief! thief!
i needed to come back home and read
heidegger's aphorisms 174 through to 178 from
the ponderings (it would help that you read the
ponderings... after reading being & time)...
the pain i felt was very much akin to being British,
even though it's something i assimilated into...
which could mean that's it's the odd bit...
should i, shouldn't i feel some sentiment for my host
culture?
word are flying around the place,
they're calling it cultural marxism...
well... i come from a culture that had stated
marxism, period, i.e. supported by an economic model,
that worked, and would have worked,
had capitalism not done what capitalism does
naturally: compete!
   i'm watching these cultural marxists and, i think,
i'm watching penguins in a zoo...
  i don't know what to make of these marxists,
who aren't even leninists...
            where's the economic model?!
  
that's the problem of going to a catholic school
in england, attempting to stress multi-culturalism,
i even ojected to being confirmed ritually,
with a bishop from Brentwood,
sorry, too much Irish around the place....
i too thought i was about to say something in Gaelic...
outer-east london: a complete ******* jungle
of biodiversity...
     so did i misplace my allegiences?
to the tongue? to faking an ethnicity?
    of course i'm pisssed off, i spent the past 2 hours
walking the most mundane of walks,
bewildered why this woman in a hijab wouldn't
own up to causing a traffic accident...
i helped him will out the police forms,
and there she is, on paper, smug like some ****** mary
because i'm the one that really doesn't think
that Islam got Project Hair wrong,
me? personally? i think that woman's hands ought to
be covered,
     in thinking terms, a woman's hands could
get me more excited than a woman's foot...
but sure... hell... why not hair?!
              the last time i checked, normal people
have an aversion toward hair...
ever see that person almost vomiting when they found
a stranger's hair in their soup?
  that **** that grows on your hair is the only silk
you've got... how about a few toenail clippings
to boot? first thing a sane would think: ****! ****!
oh, we're going to get on... just fine, just fine...
   the next time i think about encouraging
an **** ******* position's worth of prayer
i'll be a ******* cardinal.
   what's wrong with taking responsibility?
why are Islamic women so immune to the tractātus
of law? where's the jurisprudence?
   i'd call it something more than diabolical...
you can really become a vampire when you're told
the lesson: those that thirst for justice...
  lesser leech...
            who gives a **** whether it was: "but a scratch"?
woman! take responsibility!
  pampered little coconut jugglers...
   now to think of it... leave those curtains,
and this one time: she was walking with a buggy
and a small child and she unveiled herself from
a niqab before me...
           the perfect arabian nightmare i could
have ever witnessed...
             i had long hair back then...
what she revealed from under that niqab?
wait... am i writing this in the times
when the French occupied the Holy Land and had
the first thirst / idea of a colony?
  
this is me, imitating punching a brick wall...
this is me... in a boxing ring...
bashing myself...
            this is me thinking about how man
has no capacity to usher in karma,
how man's concept of law is hardly cosmic,
how man is a kniving ******* that
deserves something beyond a heaven and a hell:
rather: a return to his self...
that's what i keep telling myself:
i don't want heaven, i don't want hell...
i, just, want, to, return, to, my, self...
    yes, that's a reflection,
hence the pronoun has no compound, i.e. isn't
a reflexive understanding for the fluidity of language
expressed by the concerning compound: myself.
perhaps that's just the beginning of understanding
the noumenon / thing in itself, or rather to counter
the fluidity of the word itself, since, evidently
it self makes no sense that could ever produce
a concept akin to the noumenon...

why wouldn't this woman care to give an inkling into
her concept of right and wrong...
she's driving the ******* car, she makes a doo doo...
pauper... **** up!
            i still don't know why it was about hair...
you like a stranger's **** in a soup?
   what's with this middle eastern fetish for covering it?
hey! beginning from 1986, am i sorta automatically
involved in a cult that has a vintage of ageing from
a **** of a camel a long time ago?
  no wonder the knighthood ceremony was initiated
by slapping a newly initiated knight across the cheek,
like i said, a woman's hand is more ******
than her hair...
      i'd say: take up ye care to don gloves!
and that, i'm sure, will never happen.

it's probably the most delicate thing a woman can possess...
a hand...
the rest is what darwinism cared to provide us with:
a black widow, a mantis;
and that's talking pure earnest about the matter...

listen, i spent the past two hours having the ordeal of
an ego... which i had to anti-narrate into theory...
yes, the id was helpful, is actually told me, or rather,
interrupted the ego from the narrative
to give me this *******'s worth of profanity
(and yes, with due reason; ever fill out a police form
concerning some accident? do that, then you'll be equipped
to read Tolstoy)...

so it was ego-possessiveness,
      the ego already thinks its eternally subject...
that's one of the implants...
eternity and god are inherent in ego,
   your heart means absolutely nothing when the ego
has been given certainity that it can't shake off...
what the ego isn't given is a unit of reason
that sees past it... the id...
in relation to dualism and the much active dichotomy
as alternative to an equilibrium of dualism
i will outrightly exclude the superego
  as nothing but antithesis to the ubermann theory
of overcoming man...
  and on their shoulder they once had
the epitomes of cartoon conscience, an angel and a demon...
but thanks to the superego: they had mama
on their left shoulder, and papa on their right shoulder...

just the mere act of shutting that thing up
was enough, and it was apparent,
that writing fiction could be to blame,
   writing fiction can be rightly guessed at
for levitating a condition of medical proportion
into the realm of mythology,
    we have already depersonalised the unit
of ego to the extent that it has become polarised,
bipolar, e.g., comes from a depersonalised
gravity of ego,
we're no longer in need to write books,
we're in a dire need to write our own psyches...
and it all stems from making the basic human unit,
bound to the privacy of thought,
as needing a system that outweighs the moral
stratum,
           what can a person actually be or become
to even dream about asserting that there is
a da-sein (i.e. something, somethingness)
          "happening"?
i feel that there's something worse than a second
nakedness emerging,
         it's this incapacity to move on,
it's a mental nakedness, i am more easily prone
to dress my body in clothes
than i am able to dress my ego in thoughts,
than can correlate adequately, and peacefully...
toward something akin to a symbiosis
that can reach a = status, rather than an
   ≠ or an ≈ status... ****! Aquarius!
isn't the ≈ symbol the basis for it?
oh hell, back into the zodiac...
              
     i know my ego can be a downer,
but at least that's who i am talking about...
aphorisms no. 174 through to 178?
i do odd experiments with books,
     this is the first of its kind,
i'm actually going to rattle-******* this book out
till it feels like having wanked it 20 times
in a single day... i'll write what i "feel",
funny word, that word feel...
you never get to use it these days,
man is more about hammering in nails than
saying: ooh... that hurts...
and we all know what happened to Jesus'
teaching... forgive strangers...
     make sure your former friends are
crucified up-side down...
                 that really went far...
                      i can just see him...
an oasis of bullet-proof clauses...
              about how to handle people...
give them l.s.d. unconsciously!
         then wait for actual l.s.d. to arrive
and then worry...
when they took to their Swiss bicycles...
and writing poetry... and eating a soft-boiled
egg... given the concern for cholesterol:
a hard concept to fathom: that runny yoke...
     never ate mine with salt, i always like
that idea of legalised abortion...
                and we can be just that...
so imaginative to consolidate being mammal
that we can fathom eating chicken eggs
as easily as abortions... runny yokes have no basis
for a morality, or a compass...
they just are... runny... yummy...
             i call yokes the male version of
a woman's fascination with chocolate...
  i think egg yokes are the equivalent of cholocate
for men as chocolate is for women...
or so the advert said...

aphorism 174: as language...

          aphorism 175:
              philosophy catching up to science,
akin to theology catching up to philosophy,
both condescending extracts
that end up with both of the extreme parties
dressing up funny.

aphorism 176: such that newspapers are
the natural preservers? i.e. the idea of historical
escapism.

      (toilet paper does, much much more,
than a newspaper actually provides,
   press freedom is a bit boring to be honest,
beginning with the need for a moral agent
that's less and less moral, and more prone to
darwinism, i.e. selective, which is also said via:
what's natural, in a more and more techno-savvy culture?)

aphorism 177: only as, a rural thinker unto
a rural thinker... a case of describing a perfume
of those thinking about a day after tomorrow,
   but more precisely:
  the day before yesterday that didn't involve them...
say, on the ethnicity basis,
  the talk of being inheriting from the form
of ancestry... how we cultivate cucumbers,
tomatoes, prejudices...
   which is why i'm a slav happily talking a tongue
that's germanic, an off-shoot saxon,
and hopefuly defending it.

aphorism 178:
         "everything great wavers and wobbles,
stands in a storm. the beautiful is difficult."
   Ezra too, with the last, alas.
     but it's true... what happened in england in the second
part of the 20th century was great,
  and it did indeed wobble past the storm into
a desert of retirement...
            a peaceful coming toward terms of
a natural agreement...
   the generation preceding mine enshrined in their
psyche an england they heard over the radio...
king crimson... all such artistic expressions
found a case to take root...
     how parasites never attack a feeble creature
and only take roost in a strong symbiotic partner...
once it was said england could resemble ancient greece,
and it did, from the second part of the 20th century...
but that ended...
               it's gone, i have inherited a communist
past, a marxism with a concept of money,
and economic policy that wasn't inherently competitive,
but it also wasn't a welfare policy of the Marshall Plan,
and all i get is this freakish counter-movement
known as marxism in culture...
   that's worse than marxism in economy!

it should be heartbreaking to say this,
but coming from a monochromatic society,
watching the death of communism...
     i could say it was perfect... but then i can't
given my grandparents have a secure pension plan
that the state provides... i like that joke,
i just said it, and it makes perfect sense...
there is much more of Pilate in the history
of the peoples than there is of Jesus...
washing my hands clean, the companies said,
meaning self-employment...
     unless you have a really hungry libido
you actually do start worrying about keeping up
the numbers...
  companies don't...
      it's a bit of a bollocking...
i come from what could be imagined as a safety
economics of marxism into a marxism of culture
that i simply can't comprehend...
              well: it did give "us" a sense of pride,
and a will to rebuild warsaw without any american
money...
        the russians just said: where's your pride?
do you want to take their money and have it easy?
and when i ask that question:
i just start thinking about arabs without their oily diapers...
oil diaper... not exactly black gold:
oil diapers...
             Ahmed gonna poo poo?
              &nbsp

Can you laugh at jokes about ***?
Good, you pass the test.
Can you sit and not grow sore?
Good, you're perfect.

Can you be pumped full of *******
And not choke?
Excellent,
You're our kind of superhuman.

Don't look outside.
You're with me now,
And with me
You never have to think.

We're behind the box
Putting no effort in
And leading your lives
With jokes and yokes.

A land Egg Yokes and Cracken Town assortments
Duracell Bunny being full of energy
But today the Duracell Bunny narrating the surprises
It is the time and place
The Town of Easter land is where our story is the trace
It’s the citizens being Rabbits and eggs
Then we encounter Mr. Egghead
He is the Governor of Easter Land
Now every year the citizen folks of Cracken Town and Egg yokes have a challenge every year
You may want to step back and not be near
You could have egg on your face
Over in Cracken Town is where one crack deserves another
Each competitor is different than the other
Cracken Town Gang are determined to remain the reigning champion’s
But are they ready for a possible defeat?
I don’t want to make this story over easy
Perhaps even cheesy
So everything is set, and the atmosphere is in the air, the fragrance of spring
Yes including the Bee sting
So Cracken Town and the Egg Yokes are now in battle
Now hold on to your saddle
Oh no, the Egg Yokes is going to hit that too late, the horse rider
But the horse rider is ok
Wait a minute the horse rider is now in the battle as well
Do tell
Another fight indeed, but let me continue to narrate in proceed
I am only trying to do a good deed
I don’t know why I feel like I am in the town of OZ
Eggs thrown and cracks made
This is definitely an egg war
The Egg Yokes are playing, but Cracken Town folks are no joke
The score is Egg Yokes 8 and Cracken Town 10
So Cracken Town has an edge
Well Cracken Town scored another point
So Cracken Town remains the reigning champion once again
So Easter as they say, it’s Easter Land saying hooray
Happy Easter I say to you, let happiness continue to shine all through

Your colors are so heavy, how dare I, I cannot sleep. Years inundated under, through skin coils, marigold fields. Yellow crocuses, orange California poppies. Moors of cattle ranchers, yokes of oxen. Plasticine uber-confidence, silky white-skinned testubular thrice people harmonies. Blisses of contagion, contagious bliss. Wrists and incisors, tying down in a bedroom, waking up to live harps and choruses. You dance like you're so alive, but I'm so alive I can't dance. Or breathe. Or knead my fists of earthen wears, or sell my soul completely. I drove off a cliff last night, but the four foot fall ended neatly. The plateau authors my chance to sew my bright, beyond- my fortunes. But the hour before I fall asleep, seems to be the greatest torture.

She looks upon his lips, and they are pale;
She takes him by the hand, and that is cold;
She whispers in his ears a heavy tale,
As if they heard the woeful words she told;
She lifts the coffer-lids that close his eyes,
Where lo, two lamps burnt out in darkness lies:

Two glasses where herself herself beheld
A thousand times, and now no more reflect;
Their virtue lost wherein they late excelled,
And every beauty robbed of his effect.
“Wonder of time,” quoth she “this is my spite,
That thou being dead, the day should yet be light.

“Since thou art dead, lo, here I prophesy
Sorrow on love hereafter shall attend.
It shall be waited on with jealousy,
Find sweet beginning but unsavoury end;
Ne’er settled equally, but high or low,
That all love’s pleasure shall not match his woe.

“It shall be fickle, false, and full of fraud;
Bud and be blasted in a breathing while,
The bottom poison, and the top o’erstrawed
With sweets that shall the truest sight beguile.
The strongest body shall it make most weak;
Strike the wise dumb, and teach the fool to speak.

“It shall be sparing, and too full of riot,
Teaching decrepit age to tread the measures.
The staring ruffian shall it keep in quiet;
Pluck down the rich, enrich the poor with treasures.
It shall be raging mad, and silly-mild,
Make the young old, the old become a child.

“It shall suspect where is no cause of fear;
It shall not fear where it should most mistrust.
It shall be merciful, and too severe,
And most deceiving when it seems most just.
Perverse it shall be where it shows most toward,
Put fear to valour, courage to the coward.

“It shall be cause of war and dire events,
And set dissension ‘twixt the son and sire;
Subject and servile to all discontents,
As dry combustious matter is to fire.
Sith in his prime death doth my love destroy,
They that love best their loves shall not enjoy.”

By this, the boy that by her side lay killed
Was melted like a vapour from her sight,
And in his blood that on the ground lay spilled
A purple flower sprung up, chequered with white,
Resembling well his pale cheeks, and the blood
Which in round drops upon their whiteness stood.

She bows her head the new-sprung flower to smell,
Comparing it to her Adonis’ breath;
And says within her ***** it shall dwell,
Since he himself is reft from her by death.
She crops the stalk, and in the breach appears
Green-dropping sap, which she compares to tears.

“Poor flower,” quoth she “this was thy father’s guise,
—Sweet issue of a more sweet-smelling sire—
For every little grief to wet his eyes.
To grow unto himself was his desire,
And so ’tis thine; but know, it is as good
To wither in my breast as in his blood.

“Here was thy father’s bed, here in my breast;
Thou art the next of blood, and ’tis thy right.
Lo, in this hollow cradle take thy rest;
My throbbing heart shall rock thee day and night.
There shall not be one minute in an hour
Wherein I will not kiss my sweet love’s flower.”

Thus weary of the world, away she hies,
And yokes her silver doves, by whose swift aid
Their mistress, mounted, through the empty skies
In her light chariot quickly is conveyed,
Holding their course to Paphos, where their queen
Means to immure herself, and not be seen.

William Shakespeare

Sins aren’t inherited
Sins die with the sinners
My father was, as is I
I pray my kids
See how sad it is
That mortal men
Tie my ancestors yokes
To my neck to bare
I have no chance now
I’m just a heathan
Ask the high and mighty
The ones on the hill
The ones in their high walled
Cathedral. Branding me all
Kinds of unspeakables
But I am here to say
That’s not my yoke
I have my own but
Thanks anyway

All respect to Immortal Technique for the original "Dance with the Devil"(from whence the inspiration came)

Idea by Mr.Sandman ,Lyrics,-Tormented Soul("Mr.Sandman")The Devil(Jay Byrne)
Heavily influenced by and sampled from Immortal Technique(and Richard Kadrey's Sandman Slim novels,but that's another story...)

sample Immortal tech

"Now the Devil follows me every where that I go,
in fact I'm sure he's standing among one of you at my shows"

"The devil follows me,since an early age
was the recipient and donor of a murderous rage,
spit it down on page,burns like Alien acid,
my demeanor?the opposite of placid,
acid tabs and bags of yokes,coke and ket,
I'll eat,sniff and swallow,then smoke over your death,
been an agent of terror,since I turned 13,
and met the vicious demon who was dwelling within"

Vicious ? Me ? No- you got it all wrong.
I've been lookin' out for you all along.
Come on. Come help me sing my song.

"who the hell is this voice inside,I've heard all along?
the sniggering,conniving,font of my wrongs,
666 tattoo is a dubious crown,
for I know what awaits me underground"

sample
"Now the Devil follows me every where that I go,
in fact I'm sure he's standing among one of you at my shows"

Chorus(Skitz),so no matter what your sins,deeds,torments,sorrows,
you're ****** lucky that the devil chose me to follow...

Jay- But your tomorrow is borrowed from me, the keeper of sorrows..
..hallowed be the shadows.
So no matter what your sins,deeds,torments,sorrows,
praise your god that the devil chose me to follow...

But your tomorrow is borrowed from me, the keeper of sorrows..
..your soul soon to follow.

Sample
"so if the devil wants to dance with you you better say never,
cause a dance with the devil might last you for ever"

you **** trickster I loved her,you made me ****,
my own wife to add grist to your evil mill

I'm contrite. Never my intention.
You seemed to succumb to your own aggression.
But I can ease your pain...

"power,money,*****,drugs,material gain,
seem to pale when the devil's caught the glimmering flame,
of your soul in a trap like a rabbit in a snare..."

So who's to blame ? You knew my name.
Yet you choose to play the game all the same.
You were my goal.
Earthly pleasures,measured against your soul.

"Earthly pleasures? don't make me laugh,
last night I saw a helpless girl torn in half,
at my request,but your behest,I'm a puppet on a string,
screaming at the voice of doom that comes from within."

Chorus(Mr Sandman),so no matter what your sins,deeds,torments,sorrows,
you're ****** lucky that the devil chose me to follow...

(Jay) But your tomorrow is borrowed from me, the keeper of sorrows..
..hallowed be the shadows.

So no matter what your sins,deeds,torments,sorrows,
praise your god that the devil chose me to follow...

But your tomorrow is borrowed from me, the keeper of sorrows..
..your soul soon to follow.

I've tried every way to rid myself of your stain,
priests,exorcists,witches,all driven insane,

but a deal was struck,  "I was too young to know!,
that for a brief life of pleasure I was trading my SOUL,

Poor little bird. Sing a sorrowful song.
Use the word of your God but now your God's gone.
You try to hold on. It won't be long. You are a pawn.
Dwellin' in Hell and with demon spawn.

"AHHHHH,STOP...-your incessant gloating,
devil,demon in my hearts core floating,
if I had the subtlest knife I'd slice you out of my life,
instead of acting like a monster in a mockery,a half life,
please,I'm on my knees,but god's not listening,
as I look at more innocent blood glistening"

(Your new christening).A last act of contrition.
Baptism of fire. My ire still whispering

"he cried out to the sky cause he was lonely and scared,
but only the devil responded,Cause God wasn't there"-

And Now the Devil follows me every where that I go,
in fact I'm sure he's standing among one of you at my shows"

Chorus(Mr Sandman),so no matter what your sins,deeds,torments,sorrows,
you're ****** lucky that the devil chose me to follow...

But your tomorrow is borrowed from me, the keeper of sorrows..
..hallowed be the shadows

So no matter what your sins,deeds,torments,sorrows,
praise your God that the devil chose me to follow...

*But your tomorrow is borrowed from me, the keeper of sorrows..
..your soul soon to follow

it’s morning
groggy-eyed, zombie-like,
stubbled, disheveled,
he rises.

Outside is the gleam of dew,
the scent of fresh bloom,
the chatter of birds and squirrels.
Not for him, though,
the brilliant hues of early dawn,
the bustle and cheer of the day just born.

Tarry he cant, mustn’t
shouldn’t, oughtn’t
for he has work to do.

And so he scurries about,
not much unlike a rat-at-night.
scratching the stubble out,
shocking the slumber out,
with a splash of rusty water
and scented alcohol

glassy-eyed on the clammy-cold seat,
with the daily in hand,
he lets in garbage as he lets it out.
(let’s see: “six killed, talks fail,
girl *****, man robbed,
chain snatched, stocks down, jobs lost…)

but no, tarry he cant, mustn’t,
shouldn’t, oughtn’t.
for he has work to do.

Not for him
to reminisce and wonder
at bright-eyed kids straining at their yokes
to remember that kind teacher
who patted his cheek
and held him to her smock
smelling strangely of
freshly ironed starch.

Nor must he think
of  progress cards and golden stars
and hobbies learnt at leisure,
of cycling in the rain,
and endless hours spent
under the mango trees
waiting for heaven’s manna,
of books devoured, adventures vicariously lived
in strange English lands
where they breakfasted on
bread and poached eggs and bacon.

Nay, tarry he cant, mustnt,
shouldn’t, oughtn’t..
for hasn’t he got work to do?

‘ Tis his lot to weave
his own web of chaos
as the road turns a
tangled mess of trails
darting here and braking there
in feverish, frenetic fits
of stopping and going
and spewing
clouds of carbon and venom
and especial epithets

no, no, tarry he cant, mustn’t,
shouldn’t, oughtn’t,
for he has work to do.

So what if he didn’t see
--just ahead of him on the bike,
the baby’s pink,delicate,
fingers as she clutched
her mamma tight?
--the shriveled, outstretched,
hand that cried for a morsel of mercy
since even the cataracted eye
was drained of hope?
--the strange aromas of
fresh coffee, incense, cigarettes
and some open sewer?
--the signals that said “relax,
you’ve 68,67,66” seconds to go?

Not for him to tarry—he cant,
he mustn’t, shouldn’t, oughtn’t, god forbid!
He has work to do!

Quotations to send
calls to attend, meetings to sit in,
sipping soulless coffee,
nitpicking.
accounts to tally,
targets to meet;
better still, exceed,
‘in’ trays to empty,
‘out’ trays to fill,
reports to make,
power points to present,
all before lunch
and, strangely, until after
until, outside the prison,
life has , once again, ebbed away.
one more sun has died,
or so cries the muezzin,
some distant bells pealing
in doleful agreement.
oh where has the day gone?

Stray thoughts appear
like lights switched on-
thoughts of children, wife,
neighbour
thoughts that convince
that here, indeed, is a person
with kith and kin and others to love.
But no, they must perish—the thoughts—
he must instead focus on the task at hand.

of  first weaving through
the now dark chaos
of blinding headlights
and urgent horns, darting bikes,
neon fireflies
and reaching ‘home’ where
the ***** is busy cooking
and the cubs scampering…
“hi dad ”says the kid
as he mindlessly waves
his soul numbed by
the monotony of the day just gone
and the tv that’s ever on—
and already on the report for the morrow

can he afford to tarry awhile?
to hug, hold, talk?
to share with him
a childhood anecdote?
horrors! he cant, he mustn’t,
absolutely shouldn’t oughtn’t!
for he has work to do!

And so the bedroom light’s on
until long after she’s embraced
by slumber, deep slumber—
her eyes closed
in childlike innocence.
can he watch the slow rhythm of her *****?
the languid curves?
the cozy bed
with its promise of warmth?
on the screen , scowling,
is the clutter of data
that must be processed
into bite-sized bits of
decipherable hieroglyphics—
now, not later!

Its so dark, so  still,
even the stray dog has stopped
howling its pitiful howl
one more cigarette
burnt at the altar of work
one more hour burnt at the stake
he simply cant tarry,
mustn’t, shouldn’t, oughtn’t…
he has work to do.

It’s morning.

I hate the dreadful hedge behind the little wood;
And its roaming souls are blotted by a red-blood heath.
I hath treaded it, my imaginary path, since my years of childhood;
But still consolation hath come not to where I'th waited.

I'th painted it with my talent, my tears, and my solemn grief;
But even a light cometh not to such moments too brief;
Prayers are done; and even months and deserts and nights of supplications;
But still heaven is nowhere to me, heaven t'at is mute-and feedest only on our admiration.

Ah, Almighty, why is Thy image the one I so wanted to ****;
And why hath thou emerged within me no goodwill?
I am unable still, to locate my peace;
But though negligent-I think I am worthy of finding my bliss.

And Thy love of me is infamous like these frail petals;
And in my miseries Thou wert never around when I called;
Ah, where is this mysterious heaven, then, as Thou oft' boastest;
Whenst lightning is the one who destructs, and bedevils, and recomposes?

And Thy forgiveness is small and even absurd;
For salvations are seas-in which sins are bathed off and cured;
Making 'eir villainous souls are pure-and never impure;
Purified by the eternal corporeal blueness; so that t'eir weights merciful and sure.
And as sure as a gentle, understanding blood,
Where wouldst then be-a real punishment so hard?
And so where is this pompous hell embodied, thereof, as Thou often mirrorest;
If forests are dark enough-and at night canst be a terror deadliest?

Ah, and whenst my soul fallest ill,
Why art Thou not within me still?
I am weary; just like t'ese dark storms about me,
But still Thou art nowhere, so t'at my poems cannot find Thee.
Even as I starest at Thy plain rainbow;
Why is it of falsehood-instead of a sane tomorrow?
I searched and journeyed for Thy fair promise;
I am exhausted now, for I hath found not-one faint stretch o' Thy kiss.
I tired myself with Thy sour learning;
But Thou wert never there; Thou sat never, by my everything!

My blood and soul Thou hath grimly toughened;
And my flowery eyes Thou tested with tears.
Still I am febrile not-unlike my brethren;
And whenever I looketh up-Thou art never here.
Even of Thee my poems hath nothing more to say;
Though I hath fought true hard; 'gainst those who're 'stray.
Are true then-Thy bitter fires of hell,
Or is it just be a misguiding spell?
And wouldst there be fountains of water in heaven-
Or wouldst they be mere pools of poison?
For I s'pose it'd be but of one fake;
Bubbling and choking to everyone who takest;
And as my lust, and pain-Thy words consoled;
Still my misery was heroic; and I was the one scolded.
Even whenst flamed quarrels boiled;
I was the one ashamed, I was the one Thou harshly soiled!
Thou remained stiff, and in any way Thou couldst not behold;
I was oft' left stranded, collapsing and shudd'ring cold.
I was ignored, I was condemned to my suffering;
Thou soothed me never, Thou stood still to my pure straining!
I was left scarred, I was left scratched;
I was an orphan that the devil wouldst not accept;
I was like my unwholesome faith today;
And still Thou stayed mute; 's'though existed not-
'Till my tears died, and gave me nothing else to pray.

And so Eden is all abuse; and its roars are lies;
And didst I perish; wouldst only be glad its perilous eyes.
Perhaps to Thee t'is all be a tantalising story;
But as Thou needst now to know-I'd never be in thy territory;
Even though t'is earth wouldst perish, all of a sudden;
Never wouldst I kneel, nor supplicate to thy cursed ******;
Nor wouldst I cross thy damp riverside bridge;
For all is stained by dirt, and dry threefold filth.
And even nature shuffled away from my soul;
Still I stand firmly-away from Thee, o fishy and foul;
For I hath my own deployment, and honest authority;
I am honest and loyally even-to the swears of my beauty!
Ah, as Thou wouldst be pleased not, thus cast me now-away once more;
And neglect me stern' like ever before;
And admit me not-into Thy boastful superiority;
Caress me not, by Thy hands of menace-and regular hypocrisy.
I am tired of thy severable security;
As Thou owneth never-such sincerity!

And see Thy book-overborne by jokes;
Over which throats canst fall out their own yokes!
Leave me, leave me, but leave me now-just all alone;
As without Thee-I am used to being everything on my own!

Almighty, Almighty, Almighty-please now just kindly Thou leaveth me,
Strike away, if Thou couldst-my violin's barren chords-
So t'at all is silent to Thee;
And Thy dissatisfied other lords.
I am not Servant to Thy pleasures;
Though I'th strived to spell my prayers;
Thou made all feeble and obscure;
Thou turned all sickly and uglier.
Thou art hideous, hideous enough;
Thou art the devil-even the hidden devil on its own!
And thy book is not one plain verse of love;
But one naked pile of sworn lies-of plain vain scorn!
Ah, and as nothing is in Thy world, and Thy feverish harmony;
So listen, when Thou art to blame me;
I'd never still be thy bride-nor Thy wife;
I'd still fairly, but proudly turn-and leave Thee,
Though I's promised, immortality;
And though I's lent, another thousand lives.

What are our millennium fables?
Women keep giving each other labels,
No harmony for our ecology,
An alliance should be our synergy,
No accountability for the economy,
No wise leaders to steer us to unity,
Century's getting older, folks!
Any teamwork to cast off these yokes?
Symbiosis should aim at harmony,
Let's pray for millennium synergy!

Monet, Manet, Morisot, and the tortured Vincent
a long century or more ago,
filled their palates with color,
their canvases with impressions of life, love and loss.
And we, the great masters of civilization,
have treasured these like newborn babes.

I wandered through the polished halls
of antiquities to see them—
some hidden even from the harsh light of day
to protect their precious prinking from decay.
I strained my eyes to see their soulful strokes
and wondered why artists carried such painful yokes

McMurtry’s ranch has no paintings
but sculptures from a vanished sea.
A quarter billion years it’s been,
and yet they’re here for all to see

Rocks carved by patient scratching time
and stock tanks covered with putrid slime.
No lilies float on pools of blue
and no guard carefully watches you

Their sentries are the desert rattlers
and the sun scorched prairie lands,
but these ancient masterpieces
are safe from filching hands.

When I kneel on hard rock soil,
I forget my daily useless toil
and dig in clean eternal dirt
with no canvases to belie the hurt
of gentle men who felt the call
to let their heart be seen by all

Monet, Manet, and Morisot
are now laid to rest, with their burdens set aside,
but their colors are a reminder
that beauty and suffering abide

McMurtry’s rocks no longer feel,
but who could say they are less real
than colors fading from the light
and lonely artists’ painful plight.

the art of repetition they say, be ashamed of it they say... but it still resonates, why should i feel ashamed of repeating myself when physicists are trapped in revising the big bang theory; it's not exactly repetition, it's revision, i'm revising but at the same time moving on, with these scenarios still intact, like that time i wrote that frost on cars when walking past them resembled paparazzi camera flashes on the red carpet at a film premier.

my two maine ***** are weird,
the large ginger one (male),
quarus, thinks he's a window-cleaner,
he pretends to be running
rubbing his paws against windows,
****** weird,
weighs as much as an adult fox
~10 kilograms,
i should know, i was desperate for
beer and a sleeping pills concoction
and was about to travel a few miles
to an off-license next to the brothel
i went a few times to buy them,
lo and behold and dead fox on the pavement,
backing up to empty two bin-liners
i put the fox in them, had to witnesses
at 5a.m., started walking home,
would have taken a selfie, but i thought
a bit of the occult and bringing a dead
animal house into the house would
cause me bad luck, so i brought the scales
out and measured the poor ******* weight,
like i said, ~10 kilograms,
~115 kilograms of me, plus the fox,
walked into a field of shrubbery and
threw the poor ****** into the shrubbery,
didn't buy the beer, but then i created
a shamanic relationship with foxes,
one time i lay on a green patch at night
(because foxes only come out at night
in suburbia for their thievery),
drank a can of beer while the fox nibbled
at the parasites on its skin,
i admit, none jumped ship and jumped on me...
anyway, so this one maine **** of mine
pretends to be window-cleaner,
when it fact he smudges his paw-prints on
windows...
the other little one, the female,
veronica, does something similar,
but she doesn't think she's a window-cleaner,
she paupers with her paws as if nodding,
she puts them together and does a motion
like a gesticulation to prayer, when she wants food,
and she squirms her eyes in a pleading way
akin to, what shakespeare might have
said about two hands clasping...
and yes quarus has these furry extensions
on his ears like a lynx...
and yes veronica is long-haired
which makes all mongrel cats look a bit small
even though she's small herself...
but one's a window-cleaner pretender
and the other is a devotee in some weird
association with a buddhist ritual...
i'll never get the hang of this -
but yeah, a mature fox weighs ~10 kilograms...
god i almost puked sniffing out the blood
coming from his snout in the cold winter air.
i got it! the cat thinks the window-cleaners
are mimes, that they're miming some sort of representation
of seeing the invisible, well, ok, see-through,
but it's like the cat is telling window-cleaners
something akin to atheists telling the vigilant prayer-mat
hopefuls whether they know if god's east, or west, or north...
that's a cat, bewildered by window-cleaners imitating
them, and i wish i could explain it to him,
but how is he to mould more sounds other than
meow with his crude symphony of teeth that tear into
raw flesh? i can eat a stake tartar with an egg yoke onions
and gherkins... but i wouldn't eat raw chicken,
ok, fair enough, sushi is raw fish... but like that scare
over salmonella that prevents you from whipping up
egg yokes and adding sugar for *kogiel mogiel
(oh irish coffee is great with this stuff,
it's a heat insulating membrane,
whiskey and black coffee and this stuff that's
like a yellow runny yellow meringue on top -
contradictory, but no light is involved,
so out goes the truth about black attracting
light and warming you up, this is pure sunshine
afloat - this stuff acts like an insulator -
it's a colour concoction that absorbs
heat, a reversal of what light is, because in
colour theory the colour black absorbs light
which ensures you feel warmer,
this kogiel mogiel of raw egg beaten to a certain
thickness with added sugar is like a return
journey to the sun, where light is reminded
of its heating properties, rather than visuals
akin to photosynthesis and phototropism -
in a rush i probably explained it wrong,
but then the taste of the stuff overpowered me),
marine life can be hosts of much larger tapeworms -
those long lost descendent of squid -
mm flappy flappy flappy; at least octopuses
provide an ink-well, natural post-modernists in the waters:
spank a splatter... and then... run! well, tense up
the stationary wriggle and imitate what in an
atmosphere is a jump.

I said I was going home
but unpredictable got in my way.
I wandered into the park, curious, for I saw
a crowd milling about, and curiosity did demand
my time. By pure chance, randomness, I acquired
a bounty of yokes in the likeness of blue ghosts.
Such is the way of Millennium on a Friday.
As quickly I found my mates to show them
the treasure.
We decided
to get dosed.
Bitte.

Suspense coming up, then, forty-five minutes in
excitement hit
as our brains leak serotonin. On love buzz again,
Young demon.
Some gang tried to mug mine, I laughed at them
as we walked by.
Howdy-** *****?
Nobody could touch
us, I was on fire. Then
drum 'n bass brought everyone higher.

I don't know what wood
this table is made from
as I bought it from a yard sale,
but to be brash
it seemed the people's home
had been foreclosed.

Knocking on the table's surface
imagine the beating sounds
of drums, a native tribe
secluded from the river of reality
and yokes the essence
of their seclusion to be culture.

Now imagine the opposite
and you'll understand the quality
of the table I just bought--
who has no history
and most likely
rested on IKEA's factory floor,
it's welcoming to the world.

There is no grain to this creature
as the metallic hands that crafted this beast
lacked a soul and its creations lack one too--
fittingly, it's perfection is a symptom  
to the disease that lies in it's faux-wood.

Placing the poor table frame
inside some high rise studio in Manhattan
I can't help, but imagine--
the hands that will enviably gloss over this shell
and preach to their acquaintances
of a life the table never had.

and he said: 'may you falter at every turn when you ask to depict in masonry, as a literal fake, a joke'. what did he imply? you just keep looking at "beard" of ancient antiquity... the egyptian "beard" of the pharaoh... just a strap-on form of, what could probably be misrtaken for a *****... and the babylonian? can you really get curly beards, like the hairs on your head? ****** hairs are brutish, sure, they can seem curly at a centimetre's height... but in a beard? you're not going to get curls on it... plus the depiction... the fact that there are three different layers. i''m sure he left the latins be, since they respected an accuracy to the true image represented in idol-form of a statue, and that they treated these idols, simply equivalent to lamp-posts... and yes, some have very large heads (like michelangelo's david) - disproportionate to the body... as to roman emperors in "idol" form.. a large upper body... but very short legs.

just as latin has been dubbed, a dead language,
so too, has the history embedded with
the latin phoneticism (i.e. the alphabet),
thanks to darwinism, we can erase all the history
embedded in these letters,
             and, perhaps return to the sanctity of
phonecian... or even better...
                            hieroglyphics...
                                 to me, nothing memorable is
actually happening these days,
       i know that something is happening,
              but then darwinism comes along and goes
back thousands of years to a "beginning",
that seems contradictory to the joy of watching
the *bali macaques of the uluwatu temple stealing
tourists' possessions (eye glasses, cameras, etc.)
    and holding the tourists' possessions to ransom,
in exchange for food...
            plus i can boil an egg for a runny yoke in 5minutes...
all i'm saying is...    i need the now,
                    the immediacy of sensations!
i'm talking through a microscope of history,
    a day-to-day...
                     these journalists in the papers are talking
through the perspective of a telescope of history...
                    and by journalists, i mean, the proud boys
of england... who are standing on one leg (darwin)
since newton was debunked by einstein;
        please don't mention standing on two legs by citing
shakespeare...           it's a different barrel of herrings.

She'll receive a reception of disdain
In a month her freezing winds shall arrive
The thermometer taking a big dive
We'll be captive to her very cold refrain
Winter's unwelcome vetch o'er our land mass
The countryside touched by her iciness
For she is a very bitter gelid lass
We'll stay inside to shelter from her lash
No warming sunlight rays within our sight  
Many hours of her severe frigid morass
Everything yokes in a nasty sash
The season of winter shall not delight

Exalted eggs
sell lent egg salad
to eggshells.
Egg beaters
beat her
for the better
of the better
eggs.
Yokes of the yokel
yolks
choke the yolks
they’re meant to yoke.
Though runny and broken,
run he and broke in.
****** he,
dumped he,
leaving all the eggs
in eggshells.
These saddest fractions,
in shattered
silence, sigh “Let’s
decompose.
Let’s be compost.
Let’s become a flower.”
But on the wind
they twist,
they wind,
they rose.

I don’t recognize you, but you’ve returned, oh it
must be you. No one else comes here but you.

Do you remember this music?

Kaleidoscopically gemmed it repeats, perhaps too
delicately—a quiet, tinkling knell, fishtailing through the
glimmering rain—mauve—soft-soaping the soil to darker clumps
beneath—soppy—slowly sinking so pretty, yet
terrifying now you’ve stepped into and through each
silted deepness, holding time.

This music begs you still—it has not stopped begging since—
to step further inside the wet loam (You clutch time now.)
To press down on it, in it, and listen tender the key you touched in
life between moments. It’s the reason you’ve returned.

You won’t, it’s not music, this feels like a baby’s head you’re on, you
cringe. About to cry.

Again, I’m sorry, but you have to—you have to feel it
scarily give a little. Feel it sink, infolding inside-out through its
thin pleura overflowing, always overflowing with the visceral
sap of everything on it—(I mean really everything.)—this
glistening ick, this frog-soil—moist, sickly cloying, susceptible
almost to light. And breathing.

It’s about to give out under your feet.

And kaleidoscopically gemmed it repeats, can you hear it?

Yes, you could be stepping on all their naked lungs, but there’s
nothing to fear, it’s an eternal field of their lungs—pink and gasping—
and that’s all there is here.  

Feel with your foot, like me. Is it alive? Or is it life? Listen, it
bleats a note. Why so sweet if, by touching it, we’ve made it drip
first truth from its tongue, look!—the blood of its eyes’ red
rivulets. Of its heart. The slightest breach it was. Barely an
opening

I’m sorry. I don’t mean to force you. If I was only me, I’d
leave it be, so it could spare us the look at the inner red that yokes
flesh to spirit. But you arrived here, and—listen, now it’s been
done, do not close your eyes.

You didn’t want to see this, I know—the sticky gum or muck that
licks over the fibrous bridges. Keeps them glued down and
invisible in the other world. It is all much better when the mucilage
does not ooze out. When the form is skin-tight, because that’s how
it works best. Without you probing its pores.

But now do you see, probing its pores, what you may find?
Look. Now do you see why the music has begged you?

What rests underneath there—what you may find in that dark
indigo clay which the shamans dug and pressed over their
blackened eyes in the night-trances—glows transparent somehow.
In pulses. Like Aurelia, the silver moon jelly.

Now it is just within your reach.

Light would pour to the other side, and their mouths would stiffen
with several infinite unintelligible syllables remaining stuck there
under their tongues. As it poured, they felt their blood replaced
in a surge with veinless essence, which sustained in its flow
through them something of precarious beauty—ascending, swirling
itself in air, then back into again, again returning to the home of homes
within them.  

The silver-moon-jelly-clay is continuously poised on the tip
(of not being clay).
About to break into splendor, into finally birth-giving of real breath.
Of meaning to breath, and to breathing.

This is what feeds, unknowing to them in that world, their field of lungs.
But you will know instantly when you feel it, that by feeling
(in feeling)
you have really always known.

Did you reach for it? Did you feel it in that second? You did not, I see
(you were so close!)
for now we’ve passed the origin symmetry and are sinking up! Going
deeply back up through the sticky goop with red glue in our hair,
through the moist-frog-ick-soil, choking dirt again, squishing loam
with our heads, shooting upward like falling, hearing lungs, and now
out, atop the surface again, in this bare garden that grows only under.

The skies above, still mauve, and the rain lips quietly the same
melody which, kaleidoscopically gemmed, repeats. It was all as quick as
nothing.

And, as I look at you, I see you’ve already forgotten
everything.

And now you’re leaving me! Fading back through the spectral
break in the clouds, whoever you were. Whoever it is you became.

I did honestly believe this was to be that one moment when, together,
we’d finally get to touch it. Press it like real sun to our blackened
eyes. I cannot tell you, it has felt like the one each time.

But I know to wait. I can wait. In this world I keep fluttering hope
in my hand. And you, whoever you’ll be, will return here.
You always do.
Do you ever remember why?
It’s because, when you leave through the clouds to go back to
that world, you are still. Always.
Clutching time.

poetry is more than me
it's more than words
& more than rhyme
it's vaster than space
& faster than rhythm surfing
the waves of time
amplifying its
frequency with
each &
every
line
pointed by symbols (signs?)
clung to limestone precipices
like vines within concrete crevices
whispering screams of defiance
against ignorance's yokes,
again our arrogance jokes
about the insignificance of other folks
of the other ones
of them, those people, the absentminders
relentlessly fettered in golden
coats profaning their shine thusly true
so that the unnoticed may reflect upon the surface
as the caustics of thought refract through
the waters of spirit & soul
churned out of each & every mind
a field of poetics
lurking behind the edifice of structure
deified as functional perfection manifested
but utterly infested with ***** sheets
& replete with redundant repugnance
filtered by plumbing that dumbs **** down
to the basement level deep underground
where much is mumbled but little is said
aside from the storm a'brewin' overhead.

I Hear All The Outlawed World

                        I

I hear all the outlawed world in harmony,
The marshling stalks the green and gaunt
Destroyers who heed not sparkling deserts
Charged to the gill, nor candles pitching down
Like doom.  I note the scale of fossils
In cloud covered peaks, record
The seemly count of bodies by square root
And irrational number, I am witness
Bound to bounty to all who blaze in gray
And shallow grooves seeding their ends
In strikes on the ripe and smoldering fields.

                        II

I see all the outlawed world in harmony,
Barking wood bracing by the bud,
Where runs of blue, bury in vain
Down slash of mountain forest, cascading
Into august, rising after the fall,
As do kind-killers blasting from shells
To die as snails creeping under flower,
Who saw the past wasting away
In filed futures, slipping by blades in neck
Of wood, sightless as gallows of trees
Try ****** each time they make their leaves.


                        III

I know all the outlawed world in harmony,
By seamless song of stuttering gulls,
As in conches, waves of providence,
Cell from the center, beating musseled shoals,
Where wailing ghosts and wing-tips point
Printed nails to the silent capes,
And bumble hairs comb round the broken yokes
Stirring streams of babble baited
By flowering psalms, engaging arms to prey
On tales told by the rood and drown
In eyes turning like sands on the sea.

even the queen doesn't wear as many pompous garments
throughout the year, as she does  upon coronation,
or the annual opening of the parliament -
high almighty she sits, in the chamber
of the house of lords, before the
"commoners" / middle-class pimps
lords of the manor of Cambridgeshire
are later summoned by black rod -
all the knock knock jokes stem from there:
black rod - knock knock.
the commons' - who's there?
black rod - black rod!
the commons' - black rod who?
black rod - black rod you wouldn't even care,
                    the pigs' trough is waiting.
but even the queen doesn't wear
all the garments she's entitled to upon
this occasions - i mean the full garment...
so is the commoner's approach to
vocabulary... on a printed page of a book
a poem looks: so much more menacing!
it's as if i actually have stamped
each poem, and they're not r.t.s. (return
to sender) example of bypassing
and destroying the the royal mail
with a magician's snap of the fingers...
but as honesty goes, the internet made
one magic trick, snap of the fingers,
and a thousand centipedes of postmen
disappeared in a second... gone... flushed
down the social-cohesive toilet...
it's called: improvement... the Chinese
are like: bring them over, we have
a billion and we need the leg work,
done and dusted, the last meaningful
letter i ever received was... i don't remember:
safe to say: never.
i am actually comparing something,
opened a beer, sat on a windowsill,
and thought to myself: after i digest
Stephen King's media outlet with his
many ghost writers, i'll smoke a cigarette
and read that ghastly thing that has my
name and picture printed on it...
it's ****** hard to read your own thoughts
back: given elephant narcissus in the room
and the bay leaf sensation in your mouth
rereading the ******* -
oh, by the way, in my culinary arsenal,
on today's menu: pork tikka masala -
i know, a heresy, tikka masala paste extra,
but to infuriate the palette:
not ground cumin and coriander, seeds,
a bay leaf... cloves (not necessary),
and cardamon pods -
                                freshly chopped tomatoes,
creme freche instead of double cream and
yogurt - garam masala, Kashmiri chilly powder,
paprika, turmeric... anti-dementia exercise:
what the **** did i put in?
50% youth unemployment in Greece,
45% and 40% in Spain and Italy respectively,
well, if you're going to have an existential
crisis, i.e. you're not in denial about old age
and how the Dutch and the Swiss and the Belgians
are the great humanitarians of our time...
might as well have one now.
funny enough, most people will not be saving up
for a pension... they'll be saving up for
euthanasia... honest to god, the lemmings are coming!
the lemmings are coming! in human terms:
that's not a myth.
****... what a digression... even the queen doesn't
wear the many garments presiding over her
role as being understood upon the annual
opening of parliament: in layman's terms,
i mean that to be synonymous with vocabulary...
a.i. says one as an abstract version
of all the other pronouns...
   the royal says we: because there's always
an entourage of lackeys and servants -
all the commoners get stashed in i, the over-exemplified i:
egoism, you, he, she, and the paranoid collective
of the royal's we, i.e. they...
it came to me rereading the Frederick II
Hohenstaufen Linguistic Experiment -
i realised, because of certain words having
a near ~synonymous status:
mainly because they're so closely bound,
and like triplets, you can't have three different
wombs to get the bunch out
(oh, i have fried twins on toast,
once or twice, twin yokes in one egg,
i wonder: would they ever... er...
become Siamese? division gone awry,
or God teaching angels mathematics,
someone's bound to slip up... oh come on...
give room for some ****** simplicity!) -
what i want to reiterate is: even the queen doesn't
wear all the required authoritarian garments
throughout the year: look at her taste in
frocks... a puppet without a puppeteer -
now that's authority, wink-wink-oi-oi
nudge of the elbow, 'ello 'ello 'ello 'ello;
the same goes for me, you and every other
Jack and Jill... three words...
all statistical... mode... median... mean...
now, i haven't the foggiest how to differentiate
you a meaning for each... thus
looking at the poem i mentioned:
ontological modes - i.e. certain words can't
provide ontological modes -
attacking the verbiage, you honestly haven't
read continental thought, roll a spliff,
****** off... anyway...
it's like the queen's story... let's say her
garments are necessary analogy: she doesn't
wear all the pompous cloth and pearl
every day, unless it's everyday in a painting...
that's the same with vocabulary...
plus mode, median and mean are congested into
an alphabetical coercion -
let's say zoological and anthropoid -
so far apart you can almost keep them freshly
imprinted to a satisfying differential immediacy -
i.e. you can give me a meaning of the two words...
but mean (1) is soon followed by median (2)
                later comes the meaning of mode (3 -
in alphabetical order... even though
the alphabet has only a quantum chronology -
  compact a, first, then b - stranger that it
wasn't supposed to be necessarily e) -
which is why we seem to unhinge from specific
vocabularies - in education we are strained
at times to learn specific vocabularies,
but later discard them, we're actually repelled by
categorised vocabularies: niche vocabularies -
from the moment of hinging unto certain
words, we immediate unhinge from them...
leave school, learn to earn money...
as with the queen: we don't wear all the garments
of the vocabularies we were exposed to...
the difference being: she gets reminded...
the majority of us never get reminders
about using certain words: even in pub trivia
general knowledge quizzing, or that's the last
resort... for the most part, that's
what the dictionary is for:
                            it's prime utility has an
   a posteriori ontology -
                whereas the thesaurus (rex) has an
a priori ontology: which is why writers look up
words on the synonymous scale to create an exotic
jungle, which would otherwise look like the meadows
of Hyde Park... plus the dictionary states a word's
etymology - which doubles the proof that
a dictionary has an a posteriori ontology / nature
    of being used -
                                 in abstract, yes, ontology:
                 nature of being per se - box of chocolates
and Forrest Gump's wisdom on: you never know
what the kaleidoscope will show off and what you'll
get: mint?! yuck!
                             but as i already stated:
even the queen doesn't wear all the garments
required for the annual opening of parliament
every day... as with us and our lesser jewels:
words - not all words are there to be kept on
close surveillance through the year -
                     it's worthwhile remembering that
each of our faculties has a weakness...
and not all words are permanently loyal to us,
primarily through environmental fluctuations
governing their use, outside of a chemists?
would you necessarily hear nouns used in a chemist
outside a chemist? probably not...
so that's how i do mental crosswords -
well, i have absolutely no clues -
you have a bank balance an average Chinese
might have of 3000 ideograms -
    find me the tetraideogrammaton!
    earth wind & fire... & water...
                       but that's how i known i'm doing
crosswords in my head... a long forgotten word...
revisited... and instead of creating clues and guess
work: i have a narrative, anew -
a word once used in an examination paper,
later discarded, now revisited for my pleasure -
but we never have a complete account balance
of our vocabulary, that's always fluctuating like
stock-market share prices -
                we're like the queen without her
authoritarian garments most of the time -
                              we have (on purpose) set up
various bank accounts for specialised topics /
obscure knowledge - i really don't know if this
was a good idea - crosswords and obscure knowledge
trivia - again, like at school, this is a way
to misplace the greatest outlet of memory:
the optic foundation - the photographic something or other...
which, by way of consent has the power to
show us the dark room being opened -
      the Black Dot Eraser - happens all the time:
the Black Dot Eraser is like a concentrated form of
something, prone to insane gravity of pulling everything
into a nano-metre dot... a blind censor -
                      who says: i haven't seen anything prior,
and even with your words attempting to illuminate
the sense that hasn't graciously been bestowed upon me:
i will not see anything after.
                       unappealing the quest for
a unifying sense datum... of the five variations,
      given the five senses, how can we every reach
a simple i i i i i                 rather than a variable
                                      i i I I i?
      it's a basic schematic - a variation of?
some words (datum in exclusiveness) have variations
   in being ascribed sense - given there are give senses,
not every word (datum as exclusive of 4, but inclusive
   of at least 1) can be ascribed a placebo uniformity:
   i i i i i -                           since the nature of a datum is
   to show us fluctuation:
                                      e.g. i i I I i...
   given that different people, react to a word differently
in each sensual medium: the fluctuation of
   being given a piece of information inscribed in a word
when ingested by hearing, seeing, speaking, etc.
well... that's that: 200 camels came by the oasis
and drank 200 litres of water each (that is their
actual capacity after crossing a desert) -
                                                            and that's that:
testimony to the superiority of the oryx.

Geese are
Not gifted
Spellers.

They write
Poems
In their eggs.

The letters
Cannot
Be separated
From their yokes.

In the court
Of the Blue King
Atrocious spelling
Is called “Goose-spelling.”

Turn of phrases
That cannot
Be separated
From its image.

Conversely Wicked spelling
Is known as Dragon-spelling.
Where quatrains
May spontaneously combust
Burning the finger
Of luckless scribes.

We get drunk, there's coke,
there's yokes,
there's drugs in abundance,
emotions pour out through
the broken dam, exploded
temporarily by big eyes,
slurred words, and a general,
overwhelming sense of well-being.

Euphoria brings euphoria,
I lie in your arms "just be with me."
You agree, it's easy,
almost beautiful.
We talk about how we've hurt eachother,
your brother, your ex, your roommate
we blame these people for our losses,
for our inability to just love eachother.

But then
sobriety
crippling and loud, the day is crisp,
lights are bright and suddenly
I am on an operating table.
You are brandishing an instrument —
a scalpel? Or a needle.
Are you stitching or cutting?
Your hand poised above my heart
we stare at eachother in silence.

You turn, your white coat swirls,
you leave.
But wait? Where are you going?
Is this love? Is it love? Is it?

There are those
They'll tell you it's always going to be this way!
Twenty to life
One way or another you're going into your cage...
Try to fight, try to resist
Boy, they'll whip you in shape...

Are you one of those that say, “Well, that's the way it goes...”?
If we listen to you then things will never change

The hatred sown, by the Master's own
Now do you understand the recent decay?

A family of Three. A people free!
They thought they were safe, so they fell asleep...
The Fascists won!
They got us on the run with their tricks of the trade!
So, you wanna fight?
Clean the slate for a brand new day!

We'll just put a stick in the spokes
Grab life by the throat
Then we'll drop our yokes and we can walk away...

To better days

Don't be one of those that say, “Well that's the way it goes.”
We can't listen to you because it's time to change...

If our souls can't change
If we can't learn to love
Then we'll remain the slaves...

There are those that say, “Well, that's the way it goes.”
Now do you understand the recent decay?

I Hear All The Outlawed World

                        I

I hear all the outlawed world in harmony,
The marshling stalks the green and gaunt
Destroyers who heed not sparkling deserts
Charged to the gill, nor candles pitching down
Like doom.  I note the scale of fossils
In cloud covered peaks, record
The seemly count of bodies by square root
And irrational number, I am witness
Bound to bounty to all who blaze in gray
And shallow grooves seeding their ends
In strikes on the ripe and smoldering fields.

                        II

I see all the outlawed world in harmony,
Barking wood bracing by the bud,
Where runs of blue, bury in vain
Down slash of mountain forest, cascading
Into august, rising after the fall,
As do kind-killers blasting from shells
To die as snails creeping under flower,
Who saw the past wasting away
In filed futures, slipping by blades in neck
Of wood, sightless as gallows of trees
Try ****** each time they make their leaves.


                        III

I know all the outlawed world in harmony,
By seamless song of stuttering gulls,
As in conches, waves of providence,
Cell from the center, beating musseled shoals,
Where wailing ghosts and wing-tips point
Printed nails to the silent capes,
And bumble hairs comb round the broken yokes
Stirring streams of babble baited
By flowering psalms, engaging arms to prey
On tales told by the rood and drown
In eyes turning like sands on the sea.

I Hear All The Outlawed World

                        I

I hear all the outlawed world in harmony,
The marshling stalks the green and gaunt
Destroyers who heed not sparkling deserts
Charged to the gill, nor candles pitching down
Like doom.  I note the scale of fossils
In cloud covered peaks, record
The seemly count of bodies by square root
And irrational number, I am witness
Bound to bounty to all who blaze in gray
And shallow grooves seeding their ends
In strikes on the ripe and smoldering fields.

                        II

I see all the outlawed world in harmony,
Barking wood bracing by the bud,
Where runs of blue, bury in vain
Down slash of mountain forest, cascading
Into august, rising after the fall,
As do kind-killers blasting from shells
To die as snails creeping under flower,
Who saw the past wasting away
In filed futures, slipping by blades in neck
Of wood, sightless as gallows of trees
Try ****** each time they make their leaves.


                        III

I know all the outlawed world in harmony,
By seamless song of stuttering gulls,
As in conches, waves of providence,
Cell from the center, beating musseled shoals,
Where wailing ghosts and wing-tips point
Printed nails to the silent capes,
And bumble hairs comb round the broken yokes
Stirring streams of babble baited
By flowering psalms, engaging arms to prey
On tales told by the rood and drown
In eyes turning like sands on the sea.

In my search for the serene quietude of dawn
To warm with embers the cold rivers of my soul
I have forsaken your dark shores
Rising and gliding above the hills and mountains
In the swiftest speed I roared

But a giant realization had snatched me
From the mountainous caverns of solitude
Indeed as I have always known, it is
Inside the warmth of your animated splendor
With impassioned ears, I listened to
The sweet cacophonies of jeepneys roaring
In your busy streets, and the hawkers hawking
Along the sidewalks and sidestreets of life
Hustling under the red skies of your twilight

I am alive, and you are alive
Amidst the death that pervades the air
And the disquiet of the surrounding chaos
Like a dark ominous fog that rises into the stars  
Destroying the holiness of dreams

Life, life, life! I screamed into the depths of your bay
Hoping to dredge from the red waters, the long gone
Where tattered dreams where made anew
Woven from the silken threads of sleep
Birthed by the once glorious rising of the sun

We are alive, we want you alive
And with our heft, we will raise our fists
We will break the locked doors of heaven
To drag out the kings to hell
And sentence them to the nothingness

We will dance, like the galaxies
Hammering and pounding the ground
Shattering the yokes of cerebral slumber
To ignite the furnaces of life
And start anew a fire that would burn
To bring the light through the everlasting dark!

Violet light Bleaches steaming emptied emus' bladders on time, I want I want I am amongst the Atman at dusk man's lust rises ****** parry as a guardian of the gourd the glory of the gore internal innards languish read the spare change small children inquire currency smell of bleach eases the crucible fixing my easel with ease as all society is, is a trap, a trap lime citrus as sweet as Virginity as **** as a tarp pushing out rain water for a creature's belief in solidarity, soil begs to return sustained by nourishment of the water table and rain shadow, fees lie fallow I am a three field system mid evil as a midwife. aggregate agates gating Gaelic gaiety, fair as faith fairly free as a fairy, pixie sticks mixed well with angel dust I return my receipt as I am an alchemist to Egypt saying 2 sips taste better, who's at a crude joke who explains rude yokes poked by a spear leering silence at the steer awaiting an opacity to light my lantern, forsake advancement for the sun bends gravity as an attitude, who of many resist the power of effulgence, even lycanthropes need hope for the souls as the basis of reflection brings the rains sparked in rainbows.

What makes a friend? cogar a creyo una mi Amiga Bonita hace difficl estoy muy triste para la pnta y ala comer mierda.

UV is not a Cavalier, the ultra violet alpha is a royalist

i remember these two particular catchphrases uttered from english lips in the early 90s: the burqa? satan's postbox; and the other? jesus is coming: look busy.

i have to admit it, jazz sounds so much better,
and i'm sure if i was writing this in
the 20th century, jazz would have abhorred me,
but more so the beatnik poetry-jazz fission,
like some godfather of rap of something -
still jazz sounds better, and even though i was
partially raised on classical music,
point being, when *batman forever came out,
i didn't buy the soundtrack with U2 on it,
but instead the elliot goldenthal score -
notably for the song fledermausmarschmusik -
times were tough, we still used to play
with action figures and were the puppet-masters
in those days, rather than monochromatic
in smartphone wizardry...
                and i remember this one woman working
in our price asking me whether i was
sure i wanted the classical score of the movie,
rather than the soundtrack: and i said -
well, d'uh!
   but i can't contest for loving classical music
more than jazz, esp. not during these "detox"
weeks... jazz is just that: a cough medicine,
a paracetamol, something akin to beating
egg yokes with some sugar, until a pale canary
foam forms, and then you place it on top
of a black coffee, with some whiskey to boot...
i'll say this, these "detox" weeks are best
done during the autumnal / winter months -
just enough sunshine to make a 32+ hour days
bearable...
           what time is it? almost 3pm?
that's me crossing the 24h threshold of being
constantly awake...
            by the time i hit the whiskey this evening
i'll be heading into the 32nd hour of being
awake, straight...
            but i love these prolonged days,
the sort of days that merge into nights that then
somehow merge into the high octane morning
hours, notably looking at schoolkids pass my
house in school uniform...
         you should have seen this kid (who i was)
and his first time in regent st.'s hamleys...
  it was like a scene from big -
  once he spotted those batman action figures
his cheeks turned into bright luminescent
beetroots...
                   prior to that it was the joy of
playing outdoors, throwing marbles
into a dug hole from the distance of 2 metres,
and there was also the bet: 4 marbles a game,
5 marbles go into the hole and the winner
takes it all...
         and what about plasticine in the game
of kapsle, placed into bottle-caps,
and flicked around in a maze drawn on
       the pavement with chalk?
girls? hopscotch...
                                but we used to gang
up as if the utopian version of the lord of the flies
and head into the woods, and bake us
some tatties in charcoal of a fire...
            we used to look out after each other...
obviously some of the kids from my childhood,
last time i heard: became violent criminals...
but that's beside the point,
  when we were young, it mattered that we
had a group ethos: no one is going to be left
behind... stealing gooseberries -
  that would make these overly sweet sour-sweets
taste like honey drizzle over oats...
but that's the great thing about these "detox"
weeks, i get to experience 32h days,
   half a day, the entire night, and the entirety
of the next day, and about a third of the next night...
even if you asked me how i managed
to stay awake for so long and fail to even
powernap for a quickie 15 minutes,
       i'd probably sooner inquire:
so, what's the secret for those quickies you wild
kids have in the domain of ***...
last time i checked, she just perfected
her ******* before we were breaking up -
she tightened her lips...
        ah, i know the youtube hysteria of:
telling personal things to strangers -
    i get the argument -
  but unlike the medium of youtube - writing
still has the aura of:
as one stranger unto another -
          there's no greater sense of privacy,
as the privacy without a muzzle-guard of a dog...
it can be rather intimidating, to find that
however personal your content is,
   it actually entrenches your privacy,
paradoxically...
                    don't ask me how this happens...
i guess that: if your "privacy" is merely
an intricate web of lies... i guess you'd really
want to protect your spidery-ego as much as
possible...
                  but when you state your privacy
among internet profiles - glass people in glass houses...
(who the hell puts up these profiles,
what's there to talk about, on the date,
when you already have an a priori picture of a person
and their interests?) -
   once again, i don't know how it happened,
but by revealing my private life in "public",
i somehow managed to turn into
a right ol' hermit...
                      and unlike the youtube mentality:
i'm still a stranger among strangers,
       maybe that comes down to my ability
to talk to old men on benches, randomly,
while having a beer and a smoke;
don't mind homeless people either -
  give them a cigarette, ask how they're feeling,
and never bothering to ****** them
about the ethos of work, given that
so much of "work" these days is exactly that:
"work".

I Hear All The Outlawed World

                        I

I hear all the outlawed world in harmony,
The marshling stalks the green and gaunt
Destroyers who heed not sparkling deserts
Charged to the gill, nor candles pitching down
Like doom.  I note the scale of fossils
In cloud covered peaks, record
The seemly count of bodies by square root
And irrational number, I am witness
Bound to bounty to all who blaze in gray
And shallow grooves seeding their ends
In strikes on the ripe and smoldering fields.

                        II

I see all the outlawed world in harmony,
Barking wood bracing by the bud,
Where runs of blue, bury in vain
Down slash of mountain forest, cascading
Into august, rising after the fall,
As do kind-killers blasting from shells
To die as snails creeping under flower,
Who saw the past wasting away
In filed futures, slipping by blades in neck
Of wood, sightless as gallows of trees
Try ****** each time they make their leaves.


                        III

I know all the outlawed world in harmony,
By seamless song of stuttering gulls,
As in conches, waves of providence,
Cell from the center, beating musseled shoals,
Where wailing ghosts and wing-tips point
Printed nails to the silent capes,
And bumble hairs comb round the broken yokes
Stirring streams of babble baited
By flowering psalms, engaging arms to prey
On tales told by the rood and drown
In eyes turning like sands on the sea.

DIARY ENTRY, EIGHT
By darcy prince

Today I bought some protein powder, which is the first time doing so. I’m a vegetarian, for a while I was eating chicken, as long as it was well-cooked. But I can’t remember the last I had any. I take fish oil, most of the time, twice a day. My other ways of getting protein now, mainly boiled eggs, always around six of them. If I forget to boil some, it’s fried eggs. I don’t eat yokes. I normally boil them early in the afternoon, then go off for the rest of my day, leaving them in the fridge until evening. Because of the heat & my apparent time constrict, is why I cooked them & left them to cool, by the time it’s time for dinner, the eggs have cooled down. I am actually looking over videos to it, how to make them, ways to take them, etc. Which I should have done prior. But since I don’t eat meat, it is worth a try. Expensive. But you get a lot for what you pay for. But it is a part of my weight loss journey. Which has been a back & forth this year. Even though I’ve been told so many times that I’m not fat. I just think I wasn’t healthy, that's all. Yes, for aesthetic reasons I am searching for, maybe a Greek ecstasy. Maybe some attention to. Since my last entry, I have talked about dating again. More so asking a crush out. I still think it won’t go well. In about 90 mins, I am going for a walk. If it’s not for health, do it for attention, but it’s worth giving it a go. It’s a little of my NoFap journey or in other words, getting to know myself again.

See what happens, I’m actually more curious to see if I’ll stick to the protein powder things. I am worried about the sugar content & learning another way besides mixing it with milk. Which has both high levels or sugar & fat. My landlord asked me why I never took any. Asking when coming home with a new container of fish oil. Which I had never thought of. I mean, I saw them around the shops selling, etc. Walking around the shops, I saw a container on sale, for why not. On the way, I realize how I'm supposed to take it? When to take it? Etc. With all that fun stuff.

Oh to the experiences I’ve missed out on, by not being tall, thin & attractive.

I don’t think people are interested in my idiots, food things & body image problems. Which is always an issue, sometimes any underlying shame that's trauma prone comes in when one is an adult, you’re more aware & have the skill to correct but those emotions in feeling the issues hits all at once, leaving one cripplyong.

My smoking hasn't been the best. I’m still in the habit of every two or three days, I’ll smoke an entire pack & go out to buy another one, by the end of it, the second pack, at least half of it’s gone. The virtue of humanity is on such a slow rise to the top, it’s so hard to do, yet such a struggle to do so, as vice seems so normal & effortless to do. Being into moral philosophy, I could spend that money, time, whatever on so many other things. I seem to never be able to swing into the mood to do anything about it. This is where some of my personal shame comes from, realizing for the first time how much youth is wasted on the young. I’m sure I’m looking forward to having a rock bottom in this area, I wonder what will actually trigger it? Maybe the actual habit of having it or my lack of financial skill is the cause why I’m single. I know there is dignity in the effort.

My thinking will be the death of me. I know better, or at least the awareness I could do better. My actions do not follow that.

Though if you’re asking me, sweets, chocolates, whatever would be taken out of school, a legal age for fast food, higher taxes for such companies that produce such food items, so-on. It does seem hard to get healthier, to lose weight, to be somewhat aesthetically pleasing once you age. Not all of it is the result of not being able to, just a biological part of life. Those self-help gurus who fail to throw out either of anything negative are maladjusted people, failing to connect the knowledge of a healthy lifestyle to someone’s emotions & economic access. We're in a culture where it’s cheaper to buy chocolate than it is to buy fruit. Chocolate for comfort rather than a one off pleasurable treat. Fruit for the body to fuel the mind but displayed for health nuts. Is the show ‘The Biggest Loser’ still a thing? It's an entire societal thing. My weight gain in my adult year is really up to me. At least I know the difference between McDonals to a fruit shop. For what alone is a part of my own doing. If I adopt that sort of all-time positive thinking as those self-proclaimed guru’s, I indirectly flee from reality, to elicit a community where nothing could ever possibly go wrong. It’s not solely a matter of being sexually attractive in the eyes of other people, but by simply supporting local fruit shops, I’ve provided a small contribution to the running of their shop & a slight chance of never having their prices go up & the healthy my body is, the more freedom the medical & scientific community is to focus on much harsher realities of life, such as mental illness & the cure to cancer. I know that seems dramatic but a large amount of truth is in it.