"yew" poems
This is the light of the mind, cold and planetary
The trees of the mind are black. The light is blue.
The grasses unload their griefs on my feet as if I were God
Prickling my ankles and murmuring of their humility
Fumy, spiritous mists inhabit this place.
Separated from my house by a row of headstones.
I simply cannot see where there is to get to.
The moon is no door. It is a face in its own right,
White as a knuckle and terribly upset.
It drags the sea after it like a dark crime; it is quiet
With the O-gape of complete despair. I live here.
Twice on Sunday, the bells startle the sky ----
Eight great tongues affirming the Resurrection
At the end, they soberly **** out their names.
The yew tree points up, it has a Gothic shape.
The eyes lift after it and find the moon.
The moon is my mother. She is not sweet like Mary.
Her blue garments unloose small bats and owls.
How I would like to believe in tenderness ----
The face of the effigy, gentled by candles,
Bending, on me in particular, its mild eyes.
I have fallen a long way. Clouds are flowering
Blue and mystical over the face of the stars
Inside the church, the saints will all be blue,
Floating on their delicate feet over the cold pews,
Their hands and faces stiff with holiness.
The moon sees nothing of this. She is bald and wild.
And the message of the yew tree is blackness -- blackness and silence
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Perfection is terrible, it cannot have children.
Cold as snow breath, it tamps the womb
Where the yew trees blow like hydras,
The tree of life and the tree of life
Unloosing their moons, month after month, to no purpose.
The blood flood is the flood of love,
The absolute sacrifice.
It means: no more idols but me,
Me and you.
So, in their sulfur loveliness, in their smiles
These mannequins lean tonight
In Munich, morgue between Paris and Rome,
Naked and bald in their furs,
Orange lollies on silver sticks,
Intolerable, without mind.
The snow drops its pieces of darkness,
Nobody's about. In the hotels
Hands will be opening doors and setting
Down shoes for a polish of carbon
Into which broad toes will go tomorrow.
O the domesticity of these windows,
The baby lace, the green-leaved confectionery,
The thick Germans slumbering in their bottomless Stolz.
And the black phones on hooks
Glittering
Glittering and digesting
Voicelessness. The snow has no voice.
28 January 1963
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A is the Alphabet, A at its head;
A is an Antelope, agile to run.
B is the Baker Boy bringing the bread,
Or black Bear and brown Bear, both begging for bun.
C is a Cornflower come with the corn;
C is a Cat with a comical look.
D is a Dinner which Dahlias adorn;
D is a Duchess who dines with a Duke.
E is an elegant eloquent Earl;
E is an Egg whence an Eaglet emerges.
F is a Falcon, with feathers to furl;
F is a Fountain of full foaming surges.
G is the Gander, the Gosling, the Goose;
G is a Garnet in girdle of gold.
H is a Heartsease, harmonious of hues;
H is a huge Hammer, heavy to hold.
I is an Idler who idles on ice;
I am I--who will say I am not I?
J is a Jacinth, a jewel of price;
J is a Jay, full of joy in July.
K is a King, or a Kaiser still higher;
K is a Kitten, or quaint Kangaroo.
L is a Lute or a lovely-toned Lyre;
L is a Lily all laden with dew.
M is a Meadow where Meadowsweet blows;
M is a Mountain made dim by a mist.
N is a Nut--in a nutshell it grows--
Or a Nest full of Nightingales singing--oh list!
O is an Opal, with only one spark;
O is an Olive, with oil on its skin.
P is a Pony, a pet in a park;
P is the Point of a Pen or a Pin.
Q is a Quail, quick-chirping at morn;
Q is a Quince quite ripe and near dropping.
R is a Rose, rosy red on a thorn;
R is a red-breasted Robin come hopping.
S is a Snow-storm that sweeps o'er the Sea;
S is the Song that the swift Swallows sing.
T is the Tea-table set out for tea;
T is a Tiger with terrible spring.
U, the Umbrella, went up in a shower;
Or Unit is useful with ten to unite.
V is a Violet veined in the flower;
V is a Viper of venomous bite.
W stands for the water-bred Whale;
Stands for the wonderful Wax-work so gay.
X, or ** or *** is ale,
Or Policeman X, exercised day after day.
Y is a yellow Yacht, yellow its boat;
Y is the Yucca, the Yam, or the Yew.
Z is a Zebra, zigzagged his coat,
Or Zebu, or Zoophyte, seen at the Zoo.
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Say this city has ten million souls,
Some are living in mansions, some are living in holes:
Yet there's no place for us, my dear, yet there's no place for us.
Once we had a country and we thought it fair,
Look in the atlas and you'll find it there:
We cannot go there now, my dear, we cannot go there now.
In the village churchyard there grows an old yew,
Every spring it blossoms anew:
Old passports can't do that, my dear, old passports can't do that.
The consul banged the table and said,
"If you've got no passport you're officially dead":
But we are still alive, my dear, but we are still alive.
Went to a committee; they offered me a chair;
Asked me politely to return next year:
But where shall we go to-day, my dear, but where shall we go to-day?
Came to a public meeting; the speaker got up and said;
"If we let them in, they will steal our daily bread":
He was talking of you and me, my dear, he was talking of you and me.
Thought I heard the thunder rumbling in the sky;
It was ****** over Europe, saying, "They must die":
O we were in his mind, my dear, O we were in his mind.
Saw a poodle in a jacket fastened with a pin,
Saw a door opened and a cat let in:
But they weren't German Jews, my dear, but they weren't German Jews.
Went down the harbour and stood upon the quay,
Saw the fish swimming as if they were free:
Only ten feet away, my dear, only ten feet away.
Walked through a wood, saw the birds in the trees;
They had no politicians and sang at their ease:
They weren't the human race, my dear, they weren't the human race.
Dreamed I saw a building with a thousand floors,
A thousand windows and a thousand doors:
Not one of them was ours, my dear, not one of them was ours.
Stood on a great plain in the falling snow;
Ten thousand soldiers marched to and fro:
Looking for you and me, my dear, looking for you and me.
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I still remember
the drawn out afternoons,
the minutes passing without a thing to do,
the clock just a metronome
keeping us in time.
I poked fun at you without reason;
jealousy leads one into themselves it seems.
Do you recall?
We were carnal beings...
I'd apologize for my egoistic banter,
but apologies are best left to the
eulogizer,
and this may be some sort of graveside whisper;
a long-winded to-do list of idle talk.
I'd call you
"Lesbia", "Rosalind",
"my diadem stashed away",
but twenty-two months wore words away
and it would seem like frantic blandishing.
Maybe in my own life
I may be able to demonstrate
what William Yeats had meant
by a body quarreling with it's soul,
but I think -- You're delusional! --
that I could be content.
I remember everything ---
I remember the yielded heart feels a subtle sting.
The yew chattered in the wind outside your
window and I felt rooted
as I told you
I was you and would always be.
But twenty-two months is a long time.
Sep 21, 2012
Sep 21, 2012 at 2:54 PM UTC
"Under the flag
Of each his faction, they to battle bring
Their embryon atoms." - Milton
WELCOME joy, and welcome sorrow,
Lethe's **** and Hermes' feather;
Come to-day, and come to-morrow,
I do love you both together!
I love to mark sad faces in fair weather;
And hear a merry laugh amid the thunder;
Fair and foul I love together.
Meadows sweet where flames are under,
And a giggle at a wonder;
Visage sage at pantomine;
Funeral, and steeple-chime;
Infant playing with a skull;
Morning fair, and shipwreck'd hull;
Nightshade with the woodbine kissing;
Serpents in red roses hissing;
Cleopatra regal-dress'd
With the aspic at her breast;
Dancing music, music sad,
Both together, sane and mad;
Muses bright and muses pale;
Sombre Saturn, Momus hale; -
Laugh and sigh, and laugh again;
Oh the sweetness of the pain!
Muses bright, and muses pale,
Bare your faces of the veil;
Let me see; and let me write
Of the day, and of the night -
Both together: - let me slake
All my thirst for sweet heart-ache!
Let my bower be of yew,
Interwreath'd with myrtles new;
Pines and lime-trees full in bloom,
And my couch a low grass-tomb.
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Mongst the salacious ferns of
Artemis requested in the land
of the handsome labyris women
wealing and weaving Vulcans
shrewd hearts of jasper and
chalcendony, governess Hulda
cleaves Muspellsheims yew bones
fletching mandrakes philtre whetting
hie Cupids perfuse herb of grace
intercessorial unto volcanic pious
virtues haranguing loves cataract
dashing herewith demotic enditements
distempered of ludic ordination;
forging a year and a day halest
cledonomancies volley of truths
bequeathing privity of Heavens
prismatic trajectory.
ELEETE J MUIR.
Nov 8, 2013
Nov 8, 2013 at 9:25 PM UTC
What is different about your trunk?
Said the Cedar to the Ash.
It's rotten, ere forgotten,
And its branches have long gone.
What is different about your leaves?
Asked the Oak to the Holly.
They're pointed and disjointed
And their colour has gone dark.
What is different about your boughs?
Asked the Poplar to the Yew.
They're leveled and disheveled.
Do you like them? Oh I do.
The sunlight is fanned by your boughs, dear Yew,
Rain makes night seem longer on your leaves, my Holly
Your trunk may be rotten, dear Ash, but it is terribly untrue
To say that it does worse than any other.
The forest lights with sunly sprights
And I will walk among the trees
And hear the sounds and see the sights
Of a nature much more at ease.
Jan 8, 2015
Jan 8, 2015 at 9:24 AM UTC
From citron-bower be her bed,
cut from branch of tree a-flower,
fashioned for her maidenhead.
From Lydian apples, sweet of hue,
cut the width of board and lathe,
carve the feet from myrtle-wood.
Let the palings of her bed
be quince and box-wood overlaid
with the scented bark of yew.
That all the wood in blossoming,
may calm her heart and cool her blood,
for losing of her maidenhood.
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Swimming through deep water
Heading for the Holt?
Stop and pause to pray or prey?
Opportunistic?
Jean van jean?
In the forest there are no sanctions
Just life and death and hibernation
In the urban forest
The place we call the office
Or the Learning Zone
There is so much more risk
Classes clash; personalities clash;
Priorities clash; authorities clash!
The mob rules
The bullies rule
The demands/needs of the customer; the consumer; the learner
All must be met
Where am I in the urban forest
A tree shrew
A thorny owl
A wild Ottter
Or an Osprey with a mountain view
Soaring high above the issues of the urban forest
Far travelled wild Osprey
I yearn to be yew
Feb 7, 2014
Feb 7, 2014 at 5:42 AM UTC
Come away, come away, death,
And in sad cypres let me be laid;
Fly away, fly away, breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet,
On my black coffin let there be strown;
Not a friend, not a friend greet
My poor corse, where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O, where
Sad true lover never find my grave
To weep there!
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Seven stars in the still water,
And seven in the sky;
Seven sins on the King’s daughter,
Deep in her soul to lie.
Red roses are at her feet,
(Roses are red in her red-gold hair)
And O where her ***** and girdle meet
Red roses are hidden there.
Fair is the knight who lieth slain
Amid the rush and reed,
See the lean fishes that are fain
Upon dead men to feed.
Sweet is the page that lieth there,
(Cloth of gold is goodly prey,)
See the black ravens in the air,
Black, O black as the night are they.
What do they there so stark and dead?
(There is blood upon her hand)
Why are the lilies flecked with red?
(There is blood on the river sand.)
There are two that ride from the south and east,
And two from the north and west,
For the black raven a goodly feast,
For the King’s daughter rest.
There is one man who loves her true,
(Red, O red, is the stain of gore!)
He hath duggen a grave by the darksome yew,
(One grave will do for four.)
No moon in the still heaven,
In the black water none,
The sins on her soul are seven,
The sin upon his is one.
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No, no, go not to Lethe, neither twist
Wolf's-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kiss'd
By nightshade, ruby grape of Proserpine;
Make not your rosary of yew-berries,
Nor let the beetle, nor the death-moth be
Your mournful Psyche, nor the downy owl
A partner in your sorrow's mysteries;
For shade to shade will come too drowsily,
And drown the wakeful anguish of the soul.
But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
Emprison her soft hand, and let her rave,
And feed deep, deep upon her peerless eyes.
She dwells with Beauty--Beauty that must die;
And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
Veil'd Melancholy has her sovran shrine,
Though seen of none save him whose strenuous tongue
Can burst Joy's grape against his palate fine;
His soul shalt taste the sadness of her might,
And be among her cloudy trophies hung.
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do you remember i wrote
about the hawfinch, dead
at my gate? i have the skull
to wonder at the big beak.
such a big beak. a man
came yesterday, explained
yew berries, the outer shell
and kernel. none in the drive
today.
no berries left, these trees,
there are no hawfinch here,
today, sir.
yes, you may photograph.
this skull.
sbm.
Jan 21, 2014
Jan 21, 2014 at 1:23 AM UTC
I came to a courtyard of my own making,
To a cottage by the sea at the worlds edge.
I furnished it with my left over life, complete,
Barren and colorless and I wrote the newest
Book of psalms out of tinder and flame, a tome
Of grey and useless poems, unheard of songs
And reams of flesh. There in the lightest dark,
By the Druid stone that was placed just for me,
I planted a creeping yew tree. And the moon
Sang in celebration and silence like a fallen
Priest.
Under the covering hazel trees,
That sprung to life after the longest winter,
Which taught me to forget my name, I now
Struggle with light and my body, warring, torn
Is fading slow, like the always arriving, down
Turning solstice, the climates of the mind,
Where it is digging the never ending shallow
Hole only the spreading eternal yew, that I
Planted, will ever know and only the Lazarus
Moon shall ever rise above.
I came to a courtyard of my own making,
Was it dream that led me there or my eyes?
Oct 15, 2013
Oct 15, 2013 at 2:02 PM UTC
“do you love me?”
What does it mean when you ask me? How can you not tell?
If you can’t tell that I love you then maybe that’s just as well.
You see I’ve never felt love before, just lust, pain or adoration,
But I know it shouldn’t lie so easy with constant hesitation.
“Do You Love Me!?”
The question pierces my ear but my lips are not sincere
The words don’t roll off my tongue as easy does my eye.
My heart doesn’t beat in rhythm until the time we say goodbye.
I need to breathe, let me breathe. But all I do is sigh.
“DO YOU LOVE ME?!!”
How can you spit wasps at me when all I want to speak is butterflies?
Do you know what love is or is just easier to be cruel than to be kind?
How can I tell you, with tears, with yells, with infidelity? How do I tell you I love you? With lies, broken promises and charity?
“I’ll ASK YOU ONE LAST TIME, IF YOU DON’T ANSWER ME THEN IT’S FINAL.”
Cocked gun at my head, pale blue vision turning scarlet red
“DO.”
It’s small led shaft pointed at my brain, no warmth left.
No time to say I’m sorry just forced words to relieve me of my breath.
“YOU”
Tie a noose to the yew tree and kiss me on the cheek.
It’ll bow down it’s branches and grow new roots. I’ll be ok, escaped to love another day.
“LOVE”
Pull the trigger, I won’t tell. You’ll never know, you can go to hell.
“ME?”
Yes, of course I do. Why do you even have to ask?
Jun 13, 2013
Jun 13, 2013 at 4:59 AM UTC
Old Meg she was a Gipsy,
And liv'd upon the Moors:
Her bed it was the brown heath turf,
And her house was out of doors.
Her apples were swart blackberries,
Her currants pods o' broom;
Her wine was dew of the wild white rose,
Her book a churchyard tomb.
Her Brothers were the craggy hills,
Her Sisters larchen trees--
Alone with her great family
She liv'd as she did please.
No breakfast had she many a morn,
No dinner many a noon,
And 'stead of supper she would stare
Full hard against the Moon.
But every morn of woodbine fresh
She made her garlanding,
And every night the dark glen Yew
She wove, and she would sing.
And with her fingers old and brown
She plaited Mats o' Rushes,
And gave them to the Cottagers
She met among the Bushes.
Old Meg was brave as Margaret Queen
And tall as Amazon:
An old red blanket cloak she wore;
A chip hat had she on.
God rest her aged bones somewhere--
She died full long agone!
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Sitting closely to the lavender
Who looks to the mackerel sky
Right next to the bird feeder
And has a golden twinkle in its eye
Is the tiny Forget Me Not, bluer than blue
With a tiny black dot.
Sheltering under the striped bamboo
In a cool shady spot.
She knows a thing or two
She comes back here twice a year
Its roots buried with the Yew
Where no gardener can interfere.
When the sun appears
And the clouds soften
After the rain clears
Which is not that often.
The Forget Me Not will remember
When the dark nights fall
It will be watching by the wall.
In early September
Jun 26, 2013
Jun 26, 2013 at 1:02 AM UTC
How is it three years, and I still have the same dreams?
Can you explain that to me, lovely sparrow?
Clutching olive branch and yew bark
Grabbing in the dark for cold water, sweating down the glass
Bitter chlorine and calcium built up on the face
Mineral finger-paints, broken down with linseed oil and worn palms
Your eyes behind those old glasses, working clay on the wheel
Such pride in glazed pots collecting rain on the patio
Paving stones laid in sand, the last few crooked on account of the cervesa
Dry in the mouth like panting dogs, deadweight collapsed on threadbare carpet
How do we convince ourselves that it is desirable to be alone?
I hold you in my arms in a dream, whoever you are
Pulling all the strands out of a wicker basket, creating uselessness
Chattering keys on a laptop like shivering teeth
Coughing, faceless, men, the embodiment of misery in this night
The most beautiful pair of eyes I've ever seen, what other secrets lie beneath
that hijab?
Just a passing glance, most of the people we see, we will never see again
How is it some make such a profound impression with nothing more than a
smile?
Lying under the Joshua tree, surrounded by dirt roads leading nowhere in particular
Warm water mingles with the sweat on your lip
A sigh that send chills through me
The restless wind, nothing more
Jun 22, 2012
Jun 22, 2012 at 9:45 PM UTC
[Dedicated to Raymond Radclyffe]
I am that hawk of gold
Proud in adamantine poise
On the pillars of tourqoise,
See,beyond the starry fold,
Where a darkling orb is rolled.
There, beneath a grove of yew,
Plays a babe. Should I despise
Such a foam of gold, and eyes
Burning beryline, so blue
That the sun seems peeping through?
Did I swwop, were Heaven amazed?
With my beak I strike but once;
Out there leap a million suns.
Through the universe that blazed
Screams theit light, and death is dazed.
In my womb the babe may leap;
Seek him not within my eye!
Nor demand thou of me why
I should plunge from crystal steep
Like a plummet to the deep!
See yon solitary star!
What a world of blackness wraps
Round it! Unimagined gaps!
Let it be! Content thy car
With the voyage to things that are!
Nor, an thou perchance behold
How I plunge and batten on
Earth's exentrate carrion,
Deem torquoise match midden-mould
Or deny the Hawk of Gold!
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I can hear the song of the trees
It floats from high above my head
Whispering through the rippling leaves
Being also heard by the birds perched
As they begin to dance from branch to branch
And then the birds also join in the song
Listen to the story of the ancient Oak
You shelter in the branches to hear it told
Of a long time ago when fields grew wild
Of the changing centuries that have passed on by
How the Oak has lived through long forgotten battles
It is a story shrouded in a history of hidden lore
Changing colours as the very leaves start to paint
How many artists have these trees always inspired
The Mountain Ash and the Cedar so royal
The tears unseen from the Weeping Willow
The solitude of the lonesome Pine
Gothic secrets in a cemetry of the Yew
I planted a tree to remember those gone by
Knowing as it grows, so their legend lives again
How they changed my life by their own
So now I hope that their song will be sung
Even when I am gone and long forgotten
And like that very tree, I know they will live on
copyright Chris Smith December 12th 2009
Dec 24, 2009
Dec 24, 2009 at 6:22 AM UTC
This heaviness in my chest is a grim room.
One cherished by a fool,
something that will never come to light.
It is a constantly dim room,
never lightening,
only strangled into night.
There is a lone rocking chair
in the room, cast out of yew.
My madness here is aplenty
and my silver thoughts a few.
My heart is made
of gray rotten walls
and deadly nightshade.
Maybe one day,
when a certain light
passes though the curtains,
I will walk out the door.
May 5, 2012
May 5, 2012 at 9:39 PM UTC
Bring, in this timeless grave to throw,
No cypress, sombre on the snow;
Snap not from the bitter yew
His leaves that live December through;
Break no rosemary, bright with rime
And sparkling to the cruel clime;
Nor plod the winter land to look
For willows in the icy brook
To cast them leafless round him: bring
No spray that ever buds in spring.
But if the Christmas field has kept
Awns the last gleaner overstept,
Or shrivelled flax, whose flower is blue
A single season, never two;
Or if one haulm whose year is o'er
Shivers on the upland frore,
--Oh, bring from hill and stream and plain
Whatever will not flower again,
To give him comfort: he and those
Shall bide eternal bedfellows
Where low upon the couch he lies
Whence he never shall arise.
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Lines composed while climbing the left ascent of Brockley Coomb, May 1795
With many a pause and oft reverted eye
I climb the Coomb’s ascent: sweet songsters near
Warble in shade their wild-wood melody:
Far off the unvarying Cuckoo soothes my ear.
Up scour the startling stragglers of the flock
That on green plots o’er precipices browse:
From the deep fissures of the naked rock
The Yew-tree bursts! Beneath its dark green boughs
(’Mid which the May-thorn blends its blossoms white)
Where broad smooth stones jut out in mossy seats,
I rest:—and now have gained the topmost site.
Ah! what a luxury of landscape meets
My gaze! Proud towers, and Cots more dear to me,
Elm-shadowed Fields, and prospect-bounding Sea.
Deep sighs my lonely heart: I drop the tear:
Enchanting spot! O were my Sara here.
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