"yeats" poems
For seventy or more years TV
And radio ruled the world,
Along with telephones.
But then computers made their mark,
Soon followed by mobiles, Smartphones,
Ipads, Bluetooth, Wifi and who knows what?
In no particular order.
So herds of sheep migrated
Into Cyberspace
Even Myspace!
Then on to Planet Facebook
And Terratwitter.
We talk with people we’ve never met,
And meet folk with whom we’ve never talked.
It keeps us occupied I guess,
And gives relief from stress.
These images that yet fresh images beget,
I’m sure Yeats would agree.
I tolerate these adverts flashing in my face
And soak up knowledge to my solid mental grace.
A world of wonders beckons in
The depths of Cyberspace,
And as a Nerd before they were invented,
I have to say I’ve truly found my place.
Paul Butters
Jul 12, 2014
Jul 12, 2014 at 9:44 AM UTC
Every place I turn
I can't unsee the horrors I've known
I can't say I have had it the worst
Not by a long shot
But it hasn't been butterflies
No three year old wants to see
Random men in their house with
Their mama when their daddy's not home
And no six year old should have to see
Parents so enraged
And divorcing
Nor should their best friend's parents
Feel a need to adopt them
Even temporarily
No seven year old should
Feel they need to be twenty-seven
And like they aren't allowed to cry
No ten year old should be forced
To choose which parent they like best
Under any circumstances
No twelve year old should feel
Any desire to harm themselves
And watch blood swell on their arms
No fourteen year old should think they're
Wrong because they believed in love
Nor should they feel jaded
No fifteen year old should contemplate suicide
At all
Especially not so thought out
With a grand scheme and everything
Just two months before their sweet sixteen
No sixteen year old should feel betrayed
And forgotten
Or unworthy of any kind of love
Every step I take I am reminded
That life is a widening gyre
Mr. Yeats, you were right
But I can't accept that to be
The only plausible possibility
Which leads me to believe
That with every step I take
Though my heart is torn to bits
By this minefield called life
I get a little bit
Stronger
Jul 18, 2016
Jul 18, 2016 at 1:48 AM UTC
I sometimes take words that were first used by others
(I'm About to admit I'm a bit of a crook)
Re-hash and re-use them, and make my own covers-
Stealing little known lines from an eloquent book.
I've stolen from Shakespeare, yanked words off of Yeats,
And pilfered from Plato and Brown;
I've probably swiped stuff off all of the greats,
And many of zero renown.
There's more to be heard in the wise words of Wilde
Or took from a Tennyson line
Or the thinking out loud of an inquisitive child,
Than could spill forth from this pen of mine.
So if I've stolen from you, and perchance have offended,
(Yes- I'm about to steal Shakespeare again)
Just think but this, and all is mended;
Nothing original came from my pen.
Which means that, eventually, all that I've ever done
Will be lost in the shadows of time,
Skipped over, or lost, and simply outdone
By your works original shine.
Oct 27, 2018
Oct 27, 2018 at 6:05 AM UTC
“Oh you’re Irish?” he said.
“Did you learn the language much?” he said.
Honestly, what can I tell him? I was raised in the North - a ****** wasteland for such a naïve question.
Vague memories of fumbled classes where our secret history was ditched just to get straight into the basics (Cad é mar atá tú?)
No – seriously - I was not tied to it – it was anonymous to me at that age.
Forgotten like some distant echo of once visiting Coole House as a child.
Sure, we knew it was “important”, “our national language”, “heritage” etc. and we were warned it was quickly slipping into the drain of Western hegemony.
But it was baffling, unsexy and only the blunt-faced humorless IRA thugs amongst us were in any way keen.
Then it was gone, just like the faded memories of “The Children of Lir” from my primary school.
Looking back I wonder, what was the point?
A half-full measure paying lip service to our identity.
Teachers and headmasters terrified of the grand colonial reveal that the lessons might have hinted at (were they trying to stop us being Provos-in-waiting?).
And all of this against the awful shame of a common tongue that had no foe yet was slowly vanquishing from our shores.
It could have all been so different.
Rather than rushing to get something in our empty skulls, they could have given us a sense of joy, pride & belief in our own culture.
Calling on Yeats, Behan, Heaney and others to drown us in the language of our ancestors.
Telling the stories of old that only the academics & hippies were keeping from us then.
You know, it might kept us all on the same beautifully illuminated page.
We might have been comfortable in our skins and open to others,
not looking deep into our worthlessness and lashing out at them.
Language is being and language is connecting, I’ve learnt.
But that’s not something I got from my secondary school.
June-July 2018
Sep 12, 2018
Sep 12, 2018 at 6:06 PM UTC
I still remember
the drawn out afternoons,
the minutes passing without a thing to do,
the clock just a metronome
keeping us in time.
I poked fun at you without reason;
jealousy leads one into themselves it seems.
Do you recall?
We were carnal beings...
I'd apologize for my egoistic banter,
but apologies are best left to the
eulogizer,
and this may be some sort of graveside whisper;
a long-winded to-do list of idle talk.
I'd call you
"Lesbia", "Rosalind",
"my diadem stashed away",
but twenty-two months wore words away
and it would seem like frantic blandishing.
Maybe in my own life
I may be able to demonstrate
what William Yeats had meant
by a body quarreling with it's soul,
but I think -- You're delusional! --
that I could be content.
I remember everything ---
I remember the yielded heart feels a subtle sting.
The yew chattered in the wind outside your
window and I felt rooted
as I told you
I was you and would always be.
But twenty-two months is a long time.
Sep 21, 2012
Sep 21, 2012 at 2:54 PM UTC
"Too many things are occurring for even a big heart to hold." - From an essay by W. B. Yeats
Big heart,
wide as a watermelon,
but wise as birth,
there is so much abundance
in the people I have:
Max, Lois, Joe, Louise,
Joan, Marie, Dawn,
Arlene, Father Dunne,
and all in their short lives
give to me repeatedly,
in the way the sea
places its many fingers on the shore,
again and again
and they know me,
they help me unravel,
they listen with ears made of conch shells,
they speak back with the wine of the best region.
They are my staff.
They comfort me.
They hear how
the artery of my soul has been severed
and soul is spurting out upon them,
bleeding on them,
messing up their clothes,
dirtying their shoes.
And God is filling me,
though there are times of doubt
as hollow as the Grand Canyon,
still God is filling me.
He is giving me the thoughts of dogs,
the spider in its intricate web,
the sun
in all its amazement,
and a slain ram
that is the glory,
the mystery of great cost,
and my heart,
which is very big,
I promise it is very large,
a monster of sorts,
takes it all in--
all in comes the fury of love.
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I have a blue blanket, it looks corduroy but it's synthetic polynesian cotton.
Considered by some to be polyester. After the ninth year of ownership I started
Telling house guests it had always been mine; but secretly knowing it came from my
Ex Kristina who left it with some of her other things in 2005 in my grand deluxe Evanston
Apartment. In like some really awesome way, I could fold the corners together to see little blocks
Of the Universe form cubes in the fourth dimension and gain a better understanding of my own
Little black shmata. Top drawer, white dresser, in the back with the leftover girlfriend underwear between
My first ever stuffed animal dog/rabbit.
Amazing how these thinned and frayed azure threads had held so many midnight conversations Together- maybe fifteen other girls had nuzzled with Kristina's blanket. Last year the guilt set in. You Watch a girlfriend, say, ratchet through your room naked for something soft to put over her to listen to
Some half-stanza from the new Yeats critical and that, do-I-tell-her feeling comes over you. Blue Polyester really had a way with women. My last serious crush, the one of six months, the one from the place that was close to where I worked six days a week, would you believe, she had not interest in that heap of thread, under my pillows spying on us sleep for twenty-four long weeks.
"Drop in the bucket" the sixty-year-olds say. I say, bring me my ******* fourth dimension blocks and cubes ************ I want to visit the existential, I want to experience the hoo-ra and Ga-Ga those kids throw around on Milwaukee waiting for $150 NBA slippers.
Wednesday is my day for telling the truth.
2:00p.m. sitting in the front of her alizarin El Dorado.
"I have something I have to tell you," I said, my mouth practically filled with marbles as I barely could Utter the words: it's not going to work out.
Apr 26, 2014
Apr 26, 2014 at 5:51 AM UTC
I'm ****** off with Robert Frost
And the guy who wrote Paradise Lost.
I ain't happy with Aristotle,
And especially John, the weird Apostle.
Don't mention, please, Shelley or Keats,
Blake, Byron or Yeats;
Each and every one you see,
(if you're ready for some truth)
Took their themes from me.
Don't look aghast,
Don't tsk and titter,
Their thievery's left me
Mean and bitter.
Just because they said it first,
Doesn't mean I find it just.
It doesn't give them ownership
Of my themes and authorship.
I write of Roads, Good and Evil,
God and Satan, love and leaving.
I know I'm internally bleating,
But I can't abide this metric beating.
Although they're merely dust and bones,
They don't have the right to own
All the great lines I have sown:
The best laid plans of mice and men.
(I said that before Robbie Burns).
Let me make this poeticaly clear;
***If I was there, or he were here,
I'd sue the *** of Will Shakespeare***.
May 11, 2018
May 11, 2018 at 9:31 AM UTC
So...there's this girl who's rather smart
that, when her lips begin to part,
drives me up the wall in a good way.
I sort of want to see her everyday.
She's usually busy though,
so I occupy
time with one constant sigh
until she calls and then I go.
I don't really know too much about her ---
she's Aphrodite's caricature! ---
no,no, that's a bit rash and inflated,
but in my stomach butterflies've congregated
each time her face comes to mind.
Severely interesting,
her hands are often clean
and she's never proved less than kind.
I think it might be good to write her a song
(I should've been writing this all along)
so that she'll feel sublimely delighted
and is happy, though consistently derided
by the upkeep of her garden's flora.
She could use a lot
of things uncommonly wrought,
like poems stuffed with anaphora.
*In time all the snowflakes will evaporate.
In time the sun will sleep under an iron leaf.
In time acetylene darkens human hate.
In time all time will seem quite brief.*
So, in honor of her I have created
this mediocre song so dominated
by use of the Yeats-stanza's rhythmic-rhyme,
offering it to her as ends to the crime
of my deplorable mannerisms.
I hope it's well-received,
being arduously conceived,
but I'll openly accept criticisms.
Coral, though you must (and do) work a lot,
work harder at those things which can't be bought
(i.e. relationships, love, and empathy)
for even the natural workaholic bee
requires mutual love.
Even while working
find a small moment to sing
this song. I hope it's enough.
Oct 5, 2012
Oct 5, 2012 at 2:54 PM UTC
I lived,
to write
my story of
survival for people
who are suffering victims.
"I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest."
A Dialogue of Self And Soul - W B Yeats
Jun 29, 2018
Jun 29, 2018 at 7:34 AM UTC
(for the unknown You) –
Sweep up a mound of achievements;
layer dogwood and newspaper beneath;
find a small, secluded shoreline to sleep an endless sleep;
shovel money (in at least twenty currencies),
some status and fame
onto the funeral pyre’s unremembering flame;
write furiously with computer or pen,
fill out the days’ whitespace with enthusiastic fantasy;
revel on a fallacy (or three);
win the gladiatorial games in the Corporate Arena;
rediscover a bit of ancient folklore;
set up nice altruistic societies to make orphans feel infinite;
plant a little garden – give guidance in its growth;
build four or five fine-but-small boats
with richly decorated keels;
fight for something worth believing,
though I’m still unsure what that means…
A(my) guess: lyricism and poetry and prose,
musical composition, simply being kind and open;
A suggestion(for You): lay Your hand on a patient’s slowing heart
in a cancer ward, catch their tears with a jar
and meditate on better things to do;
give the old folks a laugh;
steal the Elgin Marbles back for the Greeks,
or, for the memory of ancient Greece;
find where lay a psychopathic fascist’s bitter ashes
and give them to the conspirators for closure;
(for me) place letters on the graves
of John Keats, Percy Shelley,
Wystan Auden and William Yeats;
rescind, abolish, annul, invalidate
my station in God’s dysphoric, existential reverie;
heap up beautiful words and send them off to sea
inside a laptop on a cellophane-wrapped raft;
(for both of us) think thoughts uplifting;
smile thirty-three times a day (or more);
plan for the future of ourselves and others;
give just a bit of love to our mothers;
sweep the kitchen and the city streets for free;
by your garden plant a tree.
Beyond these things for us to do,
be proud-yet-humble, open-eyed and acquiescent;
just accept; all things inanimate and animate, accept.
Jul 4, 2012
Jul 4, 2012 at 7:58 AM UTC
Old stripe-laced tiger moth of the Serengeti with your sugar-seeking tongue,
Your powdered fang stubs into another ******* hartebeest of some bud.
Jun 6, 2019
Jun 6, 2019 at 10:55 PM UTC
You live on the canal,
by the little swan
that whittles the sun.
A sudden rush of clouds,
a clatter of sandals -
caprice of Dublin.
I knew of Dublin
and its grand canal
from old books tan as sandals.
I read Yeats for a swan,
Joyce for castle clouds
that yielded little sun.
But you, you were the sun!
You lit green Dublin
from within. Clouds
fled from the canals
of your eye. "Swansies."
And summer's far sandals
were today's sandals:
time shifted in the sun,
took flight like the night swan
through ancient Dublin.
You sent letters from the canal,
letters that divided clouds,
only to calve new clouds.
I've never worn sandals,
not ever, but when the canal
danced in my dreams, the sun
pierced my foot in Dublin.
You were my swan,
my elegant swansie,
killer of cloud,
conquistador of Dublin
in gladiatorial sandal,
herald and avatar of sun,
romantic of the grand canal.
Let me taste unclouded sun -
let sandals upend the canal -
send swans by the dozen into Dublin.
Jun 11, 2019
Jun 11, 2019 at 10:19 PM UTC
~
March 2023
HP Poet: Thomas W. Case
Age: 53
Country: USA
Question 1: We are very happy to have you participate, Thomas. So how long have you been writing poetry, and how long have you been a member of Hello Poetry?
Thomas W. Case: “I've been writing poetry since I was 16, and I've been a member of hello poetry for 3 years.”
Question 2: What inspires you? (In other words, how does poetry happen for you).
Thomas W. Case: “The things that inspire me to write are life: the good, the bad, the ugly. Emotion inspires me to write. Poems come to me in many different ways. Sometimes in pictures, sometimes a word will pop into my head and I will write around it. And sometimes a situation in my life will transpire and I will write to process it.”
Question 3: What does poetry mean to you?
Thomas W. Case: “Poetry is cathartic for me. It's a lifesaver, it gives me a unique perspective on the world, it helps me to make sense of life. Poetry is my highway through the madness.”
Question 4: Who are your favorite poets?
Thomas W. Case: “Charles Bukowski, Pablo Neruda, Dylan Thomas, and W.B. Yeats.”
Question 5: What other interests do you have?
Thomas W. Case: “Writing short stories, reading, and spending time with my kids.”
Mr. Timetable: “Thank you so much, Thomas! We really appreciate your willingness to be the first one to be spotlighted.”
Thomas W. Case: “Thank you, man. I look forward to seeing the post and how it turns out.”
And thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Thomas a little bit better.
– Carlo C. Gomez (aka Mr. Timetable)
We will post Spotlight #2 in April!
~
Mar 14, 2023
Mar 14, 2023 at 7:50 PM UTC
His wife, George, was present with flowers.
Anne and Michael,his children, were there.
A headstone had been carved at the Quarry,
now all waited on Yeats to appear.
Soft and damp was that day in the graveyard
with the scent of turned earth in the air.
Beyond rose the bulk of Ben Bulben,
As the Lorry, with the poet, drew near.
Ten years he had slept in his coffin,
while the great nation states played at war.
Now Sean MacBride, the son of his rival,
brought him home, where he'd not been before.
At his birth, Yeats was a British subject.
By his death, a Dominion was here.
Now they laid him to rest in the free state;
the newly minted Republic of Eire.
A bhean chéile, George, a bhí i láthair le bláthanna.
Anne agus Michael, a pháistí, bhí ann.
Bhí A cloch chinn snoite ar an Cairéal,
gach fhan anois ar Yeats le feiceáil.
Bhí bog agus tais an lá sin sa reilig
leis an boladh de domhain iompú san aer.
Beyond ardaigh an chuid is mó de Ben Bulben,
Mar an Leoraí, leis an bhfile, tharraing aice.
Deich mbliana bhí chodail sé ina cónra,
agus an stáit náisiúin mór a bhí ag an chogaidh.
Anois Seán MacBride, mac a rival,
thabhairt dó sa bhaile, i gcás nach mhaith a bhí sé riamh.
Ag a rugadh é, go raibh Yeats ábhar na Breataine.
De réir a bhás, bhí Dominion anseo.
Anois atá leagtha siad dó a gcuid eile sa stát saor in aisce;
an bualadh nua-Phoblacht na Eire.
Feb 27, 2012
Feb 27, 2012 at 2:10 AM UTC
In plain sight, the Peacocks ply their wearisome
Colours. Awkwardly swaying, pompously preening,
They cry to be seen, their voices are gurgling
And gawking. The direction of wind is their vane.
Overhead, in the secret sky fleet wings are truth.
In the sun the searing Falcon is seeing all;
His talons turn and steal away, they are mad,
Playful fingers— they will have their say.
— after W. B. Yeats
Jul 11, 2012
Jul 11, 2012 at 1:51 PM UTC
Read Shakespeare and Milton and all of the rest
Keats, Coleridge and Wordsworth are some of the best
Read Ted Hughes and Sylvia, Motion, Duffy
They say what I want to say better than me
Read Homer and Ovid, Basho and Su Shi
Chaucer and Boccaccio they've stood the test
Read Donne, Spenser, Marlowe, Jonson and Raleigh
Read Shakespeare and Milton and all of the rest
Read Swift, Pope, Blake, Tennyson, and Rossetti
The two Barrett Brownings are of interest
For feelings romantic as true as can be
Keats, Coleridge and Wordsworth are some of the best
Read Larkin and Betjeman if you're depressed
Read Wendy Cope to enjoy all of life's zest
Yes please don't think I despise modernity
Read Ted Hughes and Sylvia, Motion, Duffy
And how about all those I haven't addressed
Yeats, Auden, Joyce, Longfellow, Poe and Shelley
And all of the others I'm bound to have missed
They say what I want to say better than me
But what of the poet, with poets obessed?
In prose I am prolix, in speech stuttery:
So where will you find my emotions expressed?
On MySpace, on Twitter, read my poetry
It says what I want to say
Oct 7, 2009
Oct 7, 2009 at 11:12 AM UTC
I tip my hat to Kierkegaard
Who was there when things were hard,
To Mr. Hofstadter
Loading my cannon with fodder,
To Willie Yeats
Who showed me my poetic cognates,
To the Buddha
Who, mentally being a barracuda,
Illuminated what patience really means,
To Graham Greene's
"Brighton Rock"'s influence on Morrissey,
Which made me smile at the sea
And recognize "in my own life
What Robert Browning meant
By an old hunter talking with Gods;
But I am not content."
Jun 24, 2014
Jun 24, 2014 at 1:26 AM UTC
I am neither lyrical JOHN KEATS
nor the great WB YEATS
I have never reached great heights
I am in my preliminary plights
I talk about fundamental rights
or the beauty of Diwali lights
most of my poetry is immature
but my friends praise it very pure
I know for sure
they don't want to hurt my heart
and never critisize my art
because it is the most sensitive part
But I know my own limits
I have got fewer merits
than unidentified demerits
Nov 12, 2010
Nov 12, 2010 at 2:34 PM UTC
DO not because this day I have grown saturnine
Imagine that lost love, inseparable from my thought
Because I have no other youth, can make me pine;
For how should I forget the wisdom that you brought,
The comfort that you made? Although my wits have gone
On a fantastic ride, my horse's flanks are spurred
By childish memories of an old cross Pollexfen,
And of a Middleton, whose name you never heard,
And of a red-haired Yeats whose looks, although he died
Before my time, seem like a vivid memory.
You heard that labouring man who had served my
people. He said
Upon the open road, near to the Sligo quay --
No, no, not said, but cried it out -- "You have come again,
And surely after twenty years it was time to come.'
I am thinking of a child's vow sworn in vain
Never to leave that valley his fathers called their home.
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We have fallen in the dreams the ever-living
Breathe on the tarnished mirror of the world,
And then smooth out with ivory hands and sigh.
W.B. YEATS
* * * * * *
My soul looked down from a vague height, with Death,
As unremembering how I rose or why,
And saw a sad land, weak with sweats of dearth,
Gray, cratered like the moon with hollow woe,
And pitted with great pocks and scabs of plagues.
Across its beard, that horror of harsh wire,
There moved thin caterpillars, slowly uncoiled.
It seemed they pushed themselves to be as plugs
Of ditches, where they writhed and shrivelled, killed.
By them had slimy paths been trailed and scraped
Round myriad warts that might be little hills.
From gloom's last dregs these long-strung creatures crept,
And vanished out of dawn down hidden holes.
(And smell came up from those foul openings
As out of mouths, or deep wounds deepening.)
On dithering feet upgathered, more and more,
Brown strings, towards strings of gray, with bristling spines,
All migrants from green fields, intent on mire.
Those that were gray, of more abundant spawns,
Ramped on the rest and ate them and were eaten.
I saw their bitten backs curve, loop and straighten.
I watched those agonies curl, lift, and flatten.
Whereat, in terror what that sight might mean,
I reeled and shivered earthward like a feather.
And Death fell with me, like a deepening moan.
And He, picking a manner of worm, which half had hid
Its bruises in the earth, bur crawled no further,
Showed me its feet, the feet of many men,
And the fresh-severed head of it, my head
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I'm studying real poets.
Shelley, Sandburg,
Frost, and Wordsworth.
Coleridge, Blake,
and William Butler Yeats.
Do you know why they're
considered real poets?
Because they made art,
not hashtag trends.
Wrote from Experience
with black quill pens.
Sure, they got high,
but wrote on instinct.
And The Road Not Taken doesn't
mean what you think.
They wrote about about life
and the world that they heard,
not ******* in the margins
of Microsoft Word.
Sep 6, 2014
Sep 6, 2014 at 2:45 PM UTC
I suckled my mother's Bluetooth breast
while my father built me a bassinet
of series circuits with high, motherboard
bars.
I've got that artificial baby glow.
But Mom put my ****** on Facebook
at four weeks and I still haven't re-friended
(forgiven) her. My upgrade's in nine months,
but I want my downgrade now
'cause all I get are social invite excuses
from Facebook fuckfaces. We pack
our lives into little boxes that we're
not even allowed to open.
We drink to technology, keep our lazy
eyes on our news feeds, and recycle
ideas like their owners would even
want to see what we've done to them.
We misquote Confucius and credit ourselves
with mangled Robert Frost stanzas.
"Two roads diverged in a yellow wood, and I think
it's awesome that Pepsi used to be blue."
Reblog, revine,
retweet, FaceTime.
Folding chair fold-out on someone's lawn.
White-out Yeats, Keats, Byron, and Auden,
and write John ******** or Tom Whatever.
We're caught in the chicken wire of an LCD
fruit basket so neat, orderly, and brushed
aluminum. How can people write in Starbucks?
S
B
U
X
B
S
The cooler's too ****** music's too shy,
and the sugar, no, not just the sugar.
THE PEOPLE are too artificial.
The carpet-suit inlay I'm standing
on has pencil lead, sock lint,
and receipt shred lapel pins.
Even corporations play dress-up.
But what happens when Y2K kicks
in tomorrow?
Lives will be lost even before
the missiles **** us.
And the planes that drop
from the sky won't even come close
to when the bough breaks your little
girl's heart, baby, because your phone
can't raise her anymore, so you have to.
And based on your search history,
tweets, and recorded dreams,
she's better off in the warm
embrace of a hard drive.
Nov 26, 2014
Nov 26, 2014 at 10:54 PM UTC