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A horror movie scene as the heroine escapes.
Everything is still besides her convalescing breath and the distant, chasing wind.
Not a noise is heard except the fall leave's rattle and the birch wood's moaning bark in the moonlight.
Her body slouches into the protection of a shed, shrouding itself in the aroma of cut grass.
A tense brow relieves and tired eyes close, able to accept the modicum of peace.

A possible misstep turns the wary peace on end with the sharpness of broken leaves. The once relieved brow beckons their wild eyes towards an opaque barricade.
Sly pieces of garden equipment leash her weathered jacket in place as she attempts to stand.
A cackle is heard, a shriek undone.
To spite the brittle wood, that formulaic jump-scare-skeleton-hand bursts through the shed's solicitous walls, set to declare the last of a weary soul as his own.
The wind catches up and spearheads any hole it can find.
It begins whistling around the dim room like a tornado elated to havoc behind a castle's walls.
The tree bark howls, the leaves, now delight.
We learn there is no reprieve for a begging champion.
The camera backs out of the splintered hole and pans over a silhouette forest to face the waning moon.
The hero succumbs with muted screams to a gore far below and out of frame.
The only closure, a black screen, with bright white letters, slowly scrolling up.


The end.
Just something I had fun writing, figured not posting it would be a waste despite it not being "poetry", just an experiment I guess. I feel like it would be good, in like, a high-school, short story competition. *****.
Vera Jul 21
Clothes have outgrown me many times over,
but this sadness never does.
One size.
fits all.
There should have been an obituary for cancer,  not you.
Wishing these slits within my skin could have been
replaced by a reality check from you, “You chose to exist.”

My name causes a sigh to escape from lips,
that do not feel like they belong to me,
the girl,
whose words always had to be special.

The schematics of hospitals like a birthmark in my brain,
born into sadness, a gut feeling as a child.
Never trusting time
due to what it delivers.

Death, being the only thing I desired.
But you, 
who I love,
endlessly-
robbed by it.
Whose ebb for life glowed so feverishly.
Stopped comparing depression to lace,
restricted the belief that suicide is poetic,
seeing things as they were.
More often than not, applauded for feeling emotions deeply.
Every second that dies, the shift of my heart quakes.

This world is not tender.

II. Sad.
I have known the flowers I wanted at my own premature funeral,
knowing how many bouquets honored you that day.

split open my veins like a dimension
reminiscent of days where I anticipated deathbeds.


My family wondered,
can we make it through another day?
Death scares me for what it has taken,
yet, I’m not afraid to die-
it’s all I deserve.
So I await the day pain erupts
from my throat,
acknowledging the days a soul
lived inside of my body-
footprints that walked,
belonging to me.

But I learned so well.
How to suffer with a smile,
dreading the beating of my heart
how unfair—
I don’t want to take these deep breaths
You deserved,while I masquerade as a member of the undead
Never outgrowing the desire to rot with the phantoms residing under my bed.


III. Jokes played by the universe.
punchlines delivered,
how could anyone to stand to be in the same room as myself?
How could anyone look over skyscrapers and sunsets,
and not be infatuated with concrete consuming them?
How I shared a sigh of relief during the thought-
of knowing people would thrive without me,
or the power of a belly laugh,
resembling a laugh track audience
drowning out 3 AM suicidal thoughts.
—V.H.
I wrote this in pink gel pen, maybe, that’s another joke.
I’ve finally stopped
writing
unrequited letters;
there were too many
wasted breaths
left unsent

Lapsing intentions
befallen on timeworn
tawny crumpled  pages;
aging like spent flowers
in fading earth tones
and rumpled paper regrets

Multi-hued words uttered—
mummers of voiceless exhalations
spoken without a sound;
indelible spilled ink
left behind,
lays fallow for so long

A love once new,  and
a growing silent ache—
a hungry heart
left for dead—Déjà vu

We leave a lot behind,
fallen leaves in unspoken ink
a restless soul laid bare
by a passing moment's
random gust;

atrophied
like unwritten poetry
stifled stillborn
in a wadded up paper lament


jesse stillwater ... July 2018
feelings aren't right or wrong, they're just feelings ...

Thanks for stopping here
Writing is
the frozen music
of an ellipsis -
a silent song
of a lonesome poet
who sings in the dark
between howling winds
crossing swords
in the white shades
of unseen things -
a winter on the pole
on whose  obverse side
there's Rio,
and mirth,
and dancing,
and the sun's critique
of hegemony.

© LazharBouazzi
Lazhar Bouazzi May 2016
Writing is
the frozen music
of an ellipsis,
the silent song
of a lonesome poet
who sings in the dark
among howling winds
crossing swords
in the white shades
of unseen things -
a winter on the Pole
on whose  obverse side
there's Rio,
and dancing
and mirth
and the sun's critique
of hegemony.

© Lazhar Bouazzi, May 31, 2016
Dead Rose One Apr 27
3:15am

<•>

unlike a first kiss, a first love,
the premiere awkward first coupling,
which when one recalls it
appears with ever increasing fuzziness (intentionally?)
or not at all, so much so that making it up based on
fleeting hazed glimpses of unmemorized dreams
just to have an “official entry in the cloudy memory,”
is a semi-necessity for regaling...nobody

but you never forget your virginal
projectile vomiting

there is even an emoji for it,
a hurling curling celebration

like a computer reset,
a confessional admission
that includes your own original
original sin,
a purging so complete,
it is a rebirthing of sorts,
a human do over

(c’mon c’mon get on with this, this
no kiss, a most undeserving bizzaring poem title choice)


each and every time I draw forth
the words on the in sides of me
they are ejected with force comparable,
my body rejecting l'étranger,
who’s now escaping

no first kiss, miss, no laughing at one’s first tumbling fumbling,
there is no smiling recollections sweet,
a cover up for your exciting intimation initiations faint revisions

but your first writing!

given up and out in a ejection burst,
a needle in the arm, gunshot
fluids *******, spit out,
without malice aforethought,
and this your last writing

this one, yes, this one.
comes quick, rough and inelegant,
expulsion combustion leaving you
panting on the cold floor you emptied
but
sorta of whole, a clean sheet, so to speak,
swearing you’ll never do this again,
must be an easier way,
to just slow secrete it holy,
or give up the drug of writing
raven forevermore nevermore

nope-u-dope

the vision of a long ago rabbi,
being burned to death slowly
by the Romans, wrapped in
dampened torah scripture scrolls
to lengthen the burnished burning,
a vision burned into a
very youthful boy’s consciousness,
the holy black ink hand drawn letters flowing
from martyr’s mouth, flying heavenward
this fresh within,
a childhood image primal mind,
is ways present
as each letter typed, formulating mathematically,
based on an artificial intelligence theorem,
that updates itself with every missive,
until the new poem is
projectile released in
a single ***** bursting,
purging of the urging

and guess what,

it just happened again

4/27/18

~for Sky, whose poems endearing found me, in her brazen ways,
which is what poets do~
https://hellopoetry.com/sheepskyny/
When Rabbi Hananiah ben Tradyon was caught teaching Torah in public, the Romans decided to make an example of him. Accordingly, Rabbi Hananiah was wrapped in a Torah scroll, which was then set afire. As if this torture were not sufficient, strips of water-soaked wool were placed on his body to prolong his agony. While his distraught students looked on helplessly, Rabbi Hananiah inspired them with his famous utterance, "The parchment is burning but the letters are flying off," meaning that enemies can crush the Jewish body but not the spirit
Johnnie Woods Jul 29
Writing a poem.

There are lots of things that contribute to the outcome, the poem.
-Certain words hold a hard to describe sensation to them, they're made to evoke some feelings and also give a sense of unique kind of rhythm. Had the writer used a synonym, it wouldn't have the same impact on the reader. He's like mysterious chemist adding proper ingredients to his mixture to make it work perfectly.
-The way a writer constructs the poem leads to rhythm as well, how he decides to start a new verse that divides a sentence, the way he locates words - or even blank spaces - on the surface of sheet - the field of his performance - it all contributes to the creation of imagery. Therefore, we can see that creating a poem isn't just writing words. It's how you put them together. A poem that's being created, sometimes slightly wanders away from the realm of plain writing - and goes beyond.
SøułSurvivør Jul 2015
be washed away

(with spoken word inserts
by soulsurvivor)

When I die don't cry for me
In my Father's arms I'll be
The wounds this world
left on my soul
Will all be healed and I'll be whole
Sun and moon will be replaced
By the light of Jesus Face
And I will not be ashamed
For my Savior knows my name.

- chorus -
It don't matter where you bury me
I'll be Home and I'll be FREE
It don't matter where I lay
All my tears be washed away

SS insert -
Persecution I'll expect.
It's not surprising. Folks reject.
Still I LOVE my Lord so dear
I'll forgive and have no fear
Faced with evil on all sides
In the Lord I will abide
No force of **** can remove Thee
It don't matter where you bury me

---

Gold and silver blind the eye
Temporary riches lie
Come and eat from heaven's store
Come and drink and thirst no more
So weep not for me my friend
When my time below does end
For my life belongs to Him
Who will raise the dead again

- chorus -

SS insert -
I will pass. That much is clear.
I'll leave my tabernacle here
Life is short, the time doth fly
So I'll go to kiss the sky
Then I'll know all mysteries
It don't matter where you bury me


A song written by Julie Miller
Performed by Emmy Lou Harris
and Selah (this version is below)
With inserts by SoulSurvivor
http://youtu.be/SW_3kHHvk8M

I feel SO blessed to know the Lord Jesus Christ. I have reposted this song as I believe it to be a VERY important message.

I don't doubt that the Lord waits for those who are faithful. He delivers them out of their troubles. You don't have to die for this to happen either. If you are redeemed by His blood you've had a transfusion and are HIS CHILD. If you think your earthly dad was protective he was NOTHIN' compared to ***!

Sorry I have not been able to read much. Or respond to comments. I have elderly parents to care for. And every time I go to get on site I get the "bad gateway"!!! Are you all experiencing this as well???
---
Tommy Randell Jul 2017
The typeface of our lives,
The letter shapes and spaces,
They reveal by turn the motives
Of our pauses, and our graces  -

We become our Alphabets,
Poetry is how we are known,
For each of us our analects,
How we flesh ourselves on the bones -

Each of us is a Mother Tongue,
A font, a calligraphy of memes,
Yet every page of verse is an extinction
In a natural selection of themes -

We Poets, knowing our pens are slickest,
Our Poems and all we create
We hope each one is the fittest
But, we abandon each one to its fate -

We Poets, our Poems,
This notorious continuance in action,
This carnal and passionate urge
To imprison Life and its Truth in redaction.

Tommy Randell 27th July 2017
I was afraid to pick up the pen.

Afraid that my technicolours
would become a bruise in their eyes.

I thought what what intrinsic to me
would seem sadistic to them.

I was afraid
they would be oblivious to the glitches I showed them in society

I was afraid they wouldn't care..

I was wrong.
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