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Oli Jun 17
I wish I had the words to say, my blood soaked brain
it stains the cloth that suffocates, baby's blue face
I wish I had the words to say, my aching state
I ate the taste, neglect my frame
a shapeless pain, no meal today

wring out blood and words and thoughts forever
wring out blood and words and thoughts forever
wring out blood, words, thoughts, forever
wring out blood
words
thoughts
wring out blood
wring out blood
wring out blood
wring out blood
wring out blood
wring out blood
entablature archetypal wrangle arguable arraign arrest ascribe arsenal article artificial artisan ascension austere askance obliquely aspire assail assault assay assert diligence obsequious assimilate stigma perspicacious astute asunder atman atrium attrition intrepid autonomous avarice avert avocation azimuth azure abbreviate aberrant abhorrent relinquish loathe abstinence abstention  abysmal accelerate accordance accoutrement accrue exasperate acquaintance baccalaureate bacillus backbite baggage ballistic baluster bandolier banister barrage barranca barrier bartizan basilica bastion batholiths bathyscaphe battalion batten battle bauble ***** beastly ******* beckon beacon bazaar bizarre Bedouin beguile behavior beleaguer belligerent belvedere berserk beseech bewilder bezant bicker bigamy bight bilk billet billiard billow biogenic biscuit bivouac blatancy blizzard bodacious boggle bollix bombardier boudoir bouquet butte boutique bower brassier mesa breach breech brochure brogue brooch broach bruise brusque buccaneer buffoon bureau buttress buxom caffeine cauldron calisthenics calligraphy callous camouflage campaign campanile cannery cannibal canny cantaloupe cantankerous cantilever capacity capillary capricious carbohydrate caricature carnivorous carouse carriage cartography casserole cassette cataclysm catastrophe cache categorical caterwaul cavalier cauliflower celerity alacrity cellophane cellulose cemetery centennial cereal cerebellum ceremonial cesarean cessation chaff challenge champagne chandelier changeable chaparral charade chargeable chassis chateau chauffer chauvinism Cheshire chiaroscuro chicanery chiffon chigger chrysanthemum cipher circuit citadel clairvoyant clastic clique coalesce coercible coincidental colloquial colossal column combustible communicable community commute complacency compulsory comradery conceit conceal concession confetti conglomerate conjugal connive connoisseur consensus constellation consummate continuity contrivance convalesce convenient convertible convolution copasetic copious corduroy coriolis cornucopia corollary corpse corpuscle correlate correspondent corridor corroborate corrosion corrugate corrupt costume counselor countenance counterfeit courageous courier courtesy covert covetous cranny crease credenza credulity crescent ******* criterion crochet crocodile croissant crotchety crucial cruel cryptic cuddle cuisine cul-de-sac culinary culpable culvert cumbrous cummerbund ******* cunning curare curiosity curtilage curtsy curvaceous custody cylindrical cymbal cynicism cyst dabble daffodil daiquiri damsel dastardly dazzle deceit debilitate debonair debris debutant decency decipher decimate deconcentrate decorum decrepit dedicate defamation defendable defensible deference deficient deficit definitive defoliate delectable deliberate delicatessen delinquent delirious demarcate dementia demolish demure denigrate dentil denunciation deplorable depreciate dereliction derisory derrick descent desirable despair desperate despicable despondent destine deterrent detonate deviance devisal devisor devour dexterous diabolicalness diagnosis dialogue diamond diaphragm diarrhea dichondra dawdle differentia difficulty diffuse dilapidate dilate dilemma diligent dilute diminutive dinghy dinosaur director  dirigible disadvantageous disastrous disperse disciplinary discomfiture discordant discotheque discreet discrete discrepancy disgust disguise dishevel dispersal dissect dissention dissertation dissident dissipate dissolve dissonant distillate distortion distraught disturbance divvy docile docket doctrinal dodder ***** eccentric linguistics domical dominate domineer dominion dossier doubloon douse drawl dreary dubious dulcet dungeon duodenum duress dwindle dynamism dynasty ebullition echinoderm eclectic ecliptic economist ecumenism edifice editor educe effervesce efficacious egalitarian elaborate elapsed eerie elegy eligible eliminate elite elixir elongate elucidate elusion eluviation emaciate embarrass embassy embellish embezzle embroidery embryo emissary emollient emphatic enchilada encore encumbrance endeavor endogenous endure engender ensemble enthusiast entourage entrepreneur epaulet epitome erratic erroneous escapade esophagus espionage esplanade etcetera ethereal etiquette eucalyptus eulogy exaggerate exacerbate excellency exhilarate expectant exquisite facetious Fahrenheit fallacy fanion fealty feisty frisky felicitous fenestration ferocious fertile fervent fickle fictitious fiery finesse finial fjord flaccid fledge flippant flirtatious flivver fluctuate follicle forbearance forbiddance forehand forebode forceps forfeit
forgo forlorn formidable foundry foyer fracas fraught frivolous frolic frontier funnel copious furrow fuselage fusillade futile forgone frivolity frolic galaxy galleon galoot galore galoshes gambit gangrene ganglion gargantuan gargoyle gardenia garret garrote gasolier gatling gawky gazebo gazelle gazette geezer geisha gendarme generosity genre genteel gentry genuine geodesic geranium gesticulate ghastly giggle ****** gimmick giraffe gizzard glacier glamour glimmer glimpse glisten glottis gluteus gluttony glyph gnarly gnaw goddess godling gorgeous gorilla gory gossamer gourd gouts gracious gradient granary grandeur granulation grapple gratify gratuitous gregarious grenade committee grievance griffin gristle grotesque gristly grotto grouch groupie grisly grovel grudge gruel gruesome gubernatorial guerrilla guffaw guidable guidon guile guillotine gullet gymnasium gyrate habitable hacienda haggard halibut halitosis hallelujah hallow halyard hammock harangue harass harried hasp hatred haughty hearth hedonism hegira heinous hegemony hemisphere hemophilia hemorrhage herbivorous hereditary heresy heritage heroine hesitate hibiscus hidden hideous hieroglyphic highfalutin high-rise hilarity hippopotamus hoarse holler holocaust holster homicidal horror hosiery hurricane hydrant hydraulic hydronic hyena hygiene hyphen hypnotize hypochondria hypocrisy hypocrite hypotenuse hysteria idiocy igloo ignoramus ignore illicit illiterate illustrate imbecile immaculate immaterial immature immersible immigrant immune impasse impeccable impedance impenetrable impervious imperfect implement implicate implicit important impressible innately inert impression impugn inadequate inanimate inauspicious incandescent incantation incarcerate incentive incinerator inclusion incoercible incompressible incontrovertible controversy indefatigable inconvertible inconvincible incorruptible indices indictment indigent indigestion digestible indignant indiscretion indiscreet indisiplined indiscernible inducible inebriate ineffable inefficacy ineludible inexorable inexpiable inextricable infallible infatuation inferior inflammatory inflexible infuriate inimitable iniquitous infuse infusion ingenuity ingratiate inimical innards innocence innovate innumerable inoculation insatiable insectivorous insincerity insinuation inspection inspirator instability installation insurance insufferable insufficiency insurrection insupportable integrity intellect intelligence intemperance intension interaction interception intercession interdiction interface interference interpolate interrogate interrupt intersperse intervene interstice intractable intergalactic intransigent intravenous intrepid intricate intrigue introductory introject intrude inundate invective invariable invertebrate investigate intuitive invertible investiture inveterate inviable invidious inviolate invigorate invincible invoke invocation invalidate involute invulnerable impregnable ionosphere ipso-facto irascible iridescent eradicable irrational irredeemable irrefragable irrefutable irregular anomalous irrelevant irreproachable irrepressible irresistible irrevocable irreverent irresponsible irritative irrigate irritability isolable isosceles isostasy  issuance isthmus italicize iterative itinerary interjection ******* jackhammer jackknife jackpot jackrabbit jaguar jai alai jalopy jalousie jamboree Japanese jacquerie Jacobin jargonize jaunt javelin jealous jehoshaphat jeopardy jocular jouncy journal jubilant jubilee judgment judicature judicious juggernaut jugular juke julep juncture junta jurisprudence juvenilia juxtaposition kahuna kalpa kamikaze kerf kangaroo karat ken katzenjammer katydid kempt kerosene kewpie khaki kibitz kibosh kilter kimono kinesiology kleptomaniac knell knowledge knuckle kook kowtow kulak kyrie labyrinth laccolith laceration lackadaisical laconic lacunar lacquer lagging laissez-faire lamprey languish lanyard lapidary laputan larceny lariat laryngeal larynx lascivious latent latter lattice latrine launderette lavatory laxity lechery legacy bequeath legend leister lei leisure lemming leniency lentic leopard lethal lethargy lettuce leviathan levitate lexical liable levity liaison libation liberate licentious lieutenant ligament lilac limnetic limousine limpid lineage lynchpin lineolate lingerie lingual liniment linoleum liquefy litany literacy lithesome littoral lizard loath local loiter longevous loquacity lottery louver lucidity lucrative ludicrous luminary lummox lurid luscious lyricism machinator machinelike machismo macrocosm besmirched machiavellian mackerel mademoiselle maelstrom maggoty magisterial magnanimous magnifico maintenance malaprop malarkey malediction malamute malicious malign malinger malleable mandarin maneuver mange maniacal mannequin manure manzanita maquette maraca maraschino marauder marbleize marbly marionette marmalade marquee marquetry marrow marshal marshmallow martyr mascara masochism massacre matriarchy maudlin mausoleum maxillary mayonnaise meager meandrous medial medieval megalith mediocre Mediterranean megalomania melancholy melee membrane memorabilia menagerie mercenary mendacity meritorious mesmeric mesquite metallurgy metaphor meticulous metronome metropolitan mezzanine micrometer midriff mien demeanor millennium minarets minion minuscule minutia misanthropic miscellaneous mistletoe moccasin modus operandi monaural mongrel monotony morgue morose morsel moribund mortgage mosaic mosque mosquito motley mottle mucous membrane mucus mullion multifarious munificent museum musketeer mutable mustache mutineer myopic myrmidon mystique naïve narcissism narcosis narrate nausea navigable Neanderthal necklace needle nefarious negligible nemesis neophyte nertsy  nerve-racking nestle nether newfangled nocturnal nonchalant non sequitur normative Norwegian nostalgic nuisance nullify obedient obeisance obelisk obese objectify oblate oblique obliterate oblivious obsess obsolete obsolescence obstacle obstinate occupy occurrence ocelot odious oedipal officiate ogle ogre oligarchy omelet omnificent omniscient ontological argument oodles oomph opaque operable operative opossum optimal orangutan orchard orchestra ordinance oregano orgiastic oriel oriole ornery orphan osculate ostensive ostrich osteology oust overwhelm overwrought oyster pachyderm pacific pageant painstaking palate palaver libel palette pallet palomino pamphleteer panorama pantheism parapet paradigm papier-mâché paraffin paralyze parishioner parliament parody parquetry parsimonious pasteurize pathogenic payola ******* pediment pendant pendentives penicillin pennant pentathlon perception percussion perennial parameter perimeter peripheral peristalsis permissible pernicious perron perseverance persistent persona persnickety personnel persuasion petite pertinacious pessimistic pestilent pestle petticoat petulant phallus phantasmagoria pharaoh pharmaceutical peasant philander phenomenal philosopher phlegm phoenix phooey phosphoresce physique picayune picturesque piety pilfer finagle pilaster pillage pineapple pinnacle piquant pique piteous pitiful pittance pizzazz placate placenta plagiarism plaintiff plateau platypus plausible plinth plunderous pluvial poinsettia pollutant polygamy pommel ponderous portico portiere portentous prairie precipitous predecessor predicate predilection preeminent preempt preferential premier preparation preposition prerogative presumption pretentious preternatural privilege proclivity prodigious proffer progenitor progeny promissory promontory propellant propensity propound proselyte prospectus protégé protocol protuberant pseudonym  ptomaine pulchritudinous pursuant pygmy pylon python qualm quarrel quarry quash queer quell querulous quibble quitter quixotic rabbet rabbit rabbi radiant rambunctious rancor rankle raspberry rethink rebellion recant recital reconcile redundant referral reglet relevant reluctant remiss reminiscent remnant rendezvous renegade repartee reprieve repertoire repetitious reprehensive reprisal repugnant rescind reservoir resistant resurgence resurrect revelry reverie retaliate reticent retrieve retrograde reveille reverberation reversible reversion rhapsody rhetoric rheumatism rhinoceros rhinoceri rhubarb ribaldry ricochet riddance rigmarole risqué rive rollick Romanesque Rosicrucian rotisserie rotunda rogue roulette rubato ruminate rusticate sabotage sabbat saboteur sacrilege sadomasochist salacious salmon salutatory samurai sapphire sarcasm sarcophagus sardonic sarsaparilla sassafras sassy satiate satirical saturate saunter savoir-faire savvy scabbard scaffold scalawag scarcity scathe scenario scenic schism sciatic nerve ******* scintillate scissor scourge scrawny scrimmage scribble scruffy scrounge scrumptious scrunch scrupulous scrutiny scurry scythe sedition seethe seismic self-applause seltzer semiporcelain seniority sensible sensual separate sepulcher sequel sequin sequoia serape serenade sheaves serendipity  servant settee shabby shackle shanghai shanty shellac shenanigan Sherlock shirk shish kebob shoulder shrapnel shriek shrubbery shtick shush shyster Siamese sibyl significant simile simplicity simultaneous sinewy siphon skeptic skiff skillet skirmish skullduggery slaughter ****** sleeve sleuth slither slough sluice smart aleck  smidgen  smithereens  smolder  smorgasbord snazzy sneer snide snivel snorkel sobriety socioeconomic sojourn solder soldier solemn solicit soluble solvent sombrero somersault soothe soprano sophisticate sophomore sortie soufflé sousaphone ***** spiel souvenir sovereign spaghetti spandrel sparrow spatter sphinx spatula species specific spectacle spectral spelt sphincter spinach spinneret spiritual splatter splitting splurge spry  splutter sporadic sprawl sprinkler spree sprightly squawk spurious sputter  squabble squalor squander squeak squeal squeamish squeeze squiggle squinch squirrel stable squoosh stabilizer stagnant stagnate stalactite stalagmite stammer stampede stationary stationery statue statuesque statute staunch stealthy stein stellar stench stencil stoic steppe sterile stickler stifle stimulant stingy stirrup stolid strafe straggle strangulate stratagem strategy strenuous stretch strident stringent strudel streusel strychnine studious stultify stupe stupefy stupendous special stylus stymie styptic sublimate subliminal submergible substitute submersible subpoena subsequent subsidiary substantiate suburb subversion success succession succinct succor succulent succumb sufferance suffocate suggest suicidal sully sultry sumptuous sundae sundry superfluous superior supersede superstitious surreal supplicate surrender surrogate survey surveillance suspension suspicion sustenance swarthy ******* swath swear sweaty swelter swerve swindle swivel swizzle sycamore syllable symphony symposium symptom syndicate syndrome synonym synonymous synopsis synthetic syphilis syringe syrup suffrage tableau tabloid tacit tambourine tandem tangible tarantula tarot taunt technique telekinesis temperamental temperance thence temporal temporary tenuous tequila terrace terrain terrific terrify tetanus tether thatch thistle thither through though throat throttle thwack thwart ticklish tiffany timbre tirade titillate toboggan tolerant tongue top-notch topography  tortoise trauma tortuous torturous tourist tracery tournament tourniquet trachea traffic tragedy tragic traipse traitor tranquility transcend travesty transcribe treachery treatise trellis trepidation trestle trinket triplicate triumphant trivial troglodyte troubadour  trousers truncate tumultuous tundra turbid turpitude turquoise tutelage twixt twiddle twitter tycoon tyke typhoon tyrannical tyrannize tyranny umbrella unfulfilled unanimous usury undulate unequivocally unguent urethra unprecedented unscrupulous untenable unwieldy utterance vaccinate vagary valance valiant vandal variety vehement veldt veneer vendetta venetian vengeance vernacular versatile version vertebra vicinity victual vigilante villain vincible vinyl violate vitality vivacious volition voluminous voluptuous ****** vulnerable wahine waiver wallaby warble warrant wayfarer weasel wheedle wheezy weird whilst whistle whither whittle whoopee whoopla wistful whither wizen wont worse worst xanadu yowl yucca zephyr zeppelin zucchini extraversion embezzlement euthanasia extortion obscure carousing marauder aptitude ribaldry rigmarole chicanery shenanigans capers antics escapade crafty cunning cleaver connive furtive sneaky stealthy plunderous pillaging usurper pilferous wheedling finagler longevous loquacity derisory deplorable critical decimations tithe cynic frivolity frolic derriere easel emasculate emaciate linguistic depravity berate scold scorn scoff rail rebukeness  brawl vapid hamster spleen sequiter sequacious sequesterous flatulence impressible herbaceous impropriety veneration ignoble fatuous phatic journey acrid pungent fetid fiendness gamut ire irascible graffiti irk tedium diminutive minutia iota iterative reiteration self inductive interpolations objectified interstitial extrapolation trepidation tumultuous tortuous adjunct turpitude salient viable seethe conflagration lexical etymology idolatrous affectionate ****** caress craw swell surge flow flux amorous enamor endear ardent ardor cajole piquant poignant prescient puissant presage apex crux citadel pinnacle vertex vortex matrix ****** peak languishing lurid larcenous licentious lascivious squanderous squaloring wallow in the furrow confluence wretched infelicitous trajectory sordid warp strong raw war resume quirkness ***** tinker **** fink stink ******* eccentric pinky suit idiomatic cognate somatalogy virtuoso concurrent intemperance obsessive habitual addicts psychosomatic pathological psychopaths diabolically maniacal dementia panoramic tableau tediously meticulous laboriously beleaguering excruciating exacerbation autonomous avarice oscillating ostracism adrenergic analeptic adumbrate obdurate aberrance genocidal xenophobic prospectus personification of sartorial perfection visage picturesque vision of spectral grace picture of positive prosthesis protractive analysis cyborg ebullition ne plus ultra monad cybernetics prognosis prognostication clambering clamorous clangor hectic mayhem pulverize annihilate pompous bombastic query squash squawk squish squirm sprocket squeal squelch staunch statuesque steadfast steep stench stint strategic logistical tactician stratum stolid stoic stodgy viscid tumult stray streaky stretch strenuous striated strident stringent strive structural strut subjugate subjective substratum substantiate subterfuge subvert sultry sulk sundry superlative superfluous superficial syllogism soliloquy superovulation superfluity superfetation superfecundation suspicion swig superstratum sycophant ingratiating surrogate suspension swindle swallow swanky swath swill sympathetic symbolic synapse synchronous syncopate synoptic synectics syndrome synonym syntax systematic larceny lecher oligarchy ribaldry rigmarole intoxicate tangential tectonics tantamount telepathy tantalize throng tactile taint talisman talesman squabble brash torment temerarious terminus thrall torpid torpor torque tousle  traduce transform transubstantiate transpire transmute transmogrify transport trapezium traverse treason tremulous trendy trivia trifles trounce turgor truculent tuft turf turbid turgid tussle twain twang twinge twerp twit twitch tweak **** procedure vernacular posthumous spasmolytic propagate prolific proliferative profusion profundity proliferate profligate cogent fecund secund secular thick trick quick mystical silhouette sojourn excursion genre engender jaunt pilgrimage prophet trek waver wrought waxy waylay weave weary web wedge ***** wend whang whet whimsical whir whinny whereupon whish whisk whoosh whizbang whoop whorl wield wile wilco wild whence wingspread wiry wiseacre wherewithal rapacity wolf whistle wrath wraith wrack worship wrest wretch wring wriggle wry shyster shylock phone roan tone zone bone hone loan drone known own moan cone done groan koan gnome dream gleam cream seam beam          team serene ravine green gene careen tellurian terrene quaff query quiescent radishes reciprocate raunchy raspy rascal rampant rampage ravage ****** ravish rebuke rebuff rend reave recourse reconnaissance reconnoiter rectify recompense rectitude reconcile regime reintegrate relegate rejuvenate remission remonstrance reparation replication reprieve reprisal nocturnal emission repose remunerate resonant retort revelation revision grandiloquence cleft fissure crevasse rift rill robust rouge niche
crack tromp stomp chasm crevice trudge rostrum rout roust row ruckus sagacious salacious sapient satiric sarcastic sartorial sartorius scalawag screed scrutable contemptible scurvy scuttlebutt seditious seduction sect segregant sequacious psychic reverie subterfuge serenade sequiter serendipity shuck shylock sibilant shush signet simulation siren skeptic sleek slick slinky snare ****** sneeze sneer snide smug intrados loquacity spandrel iambic sonorous spatial spatiotemporal telemetry spectral spry spectrum speculate solicitor sprout spoof specular splendiferous sporadic spurt binge spree ***** squalid forte fortitude Gumby emit war  time raw umbrage ultraism ultimatum unary unbridled uncanny unanimous ambiguous biased unabated uncharted articulate deviating undertow congenial feint feign unity predicate unprecedented paradigm unscrupulous brash dire unfathomable unlimited urchin usurp utmost utilize fluctuate vague vacuous vanity vanquish vantage veer vast advent veracity verbatim vertex vortex vertigo vestige vex vigor vitalize virile vicissitude viscous visceral virtuous virulence vital virago vivacious vivid livid splurgeness stag vituperatively vociferous volition void voracity waft vulturine wacky waifs wainscot waive wallah itinerant wand wane lavish wanton wonderlust warrantee warn warp warlock warren wastrel wastage warranty dicker insidiously sinister flagrant verity maniac pack mendacity abscissa ordinate yacht yearn yaw yare yen yelp yin yonder yoni yore yours yolk zany zest zeal  zenith zingy zooid treatise hyperbolic lingam blasphemous farcical fugueness and estranged ensemble orchestration rendition various assorted forms of related stranger weirdness traveling down this obtusely overt contusion in my vehicular contrivance convection convolution abalone absolute acceptance accurately acquiesce acquire actually adamant additional adequately adherence affiliation affinity against aggressive allegiance although allusions amendable analogous analysis anchor ancient animation annihilation appeared approach appropriately archaic assembler assimilation assuage attain attempts attendant attribute audience aura auspicious authoritarian authoritative barbeque before belligerent binary blazing Buddha bulwark carousel ceaselessly ceremony chaos character charisma Christmas chronological cite classification classify clutter cocoon cognation cognizant comment communal complete conceive conceptual conclusion conducive conquered consciousness constituent construction continuum contrarily convenient corporeal collage creates credibility crystalline culture curious curriculum decadent decide deferred deified deity deliberately delineate deluded delusion demagoguery democratically descriptions desire destroy destructively develop dialectic dictates difficult diffuse disappeared ecstasy ecstatic efficiency elaborate elliptical empathy endeavor engaging equipment escape especially essence eventually evolutionally excellence excitement expectorant expedience experience extraneous extremity façade facet fashions fever flatten forgotten frailty framework gapping glimpse grandiose graphically groan growing hedonistically hierarchy hobby holocaust homogenous hovering ideology imagination immaturity immediate imperative impertinence important inadvertency inapplicable indispensable individually infancy initiate innate interpreters intervene intricacy intrinsic irrelevance jagged kaleidoscope lit literally lose ludicrous macabre minstrel meld mischievous model monstrous mores myriad mystic necessity negativity Newtonian normalcy nuance nullify obnoxious obscure obvious occasional officiate ominous omnipotent oppose optimizes oscillating ostracism paradoxically partially participants pebbles perceive pervasive phenomena portrayal posses preceding pretty prevalent pregnant primitive prism processional progress prominent proprietor psychic psychological purpose pyramid quandary rational receptacle recumbent redemption refused reiterate relatively relativity relevant reminiscent renaissance revere schemes schizophrenia separately sequence serious severe socially spontaneous stalwart stimulus stomach struggle stunned succession superimpose supplement suppose surround swimming switch symmetry sync taubla tapestry tenacious tendency tyrant terrestrial torrential totally tomorrow transient turbulence tyrannical ulterior ultimate universally unwarranted vicious weather yankee whether soliloquy amenity ambivalence ameliorate aggrandize aghast agrapha barnacle gerrymander jasper jasmine obfuscate obdurate castigate metaphysique cyborg appliance intrepid intrigue mystique impetus volition gumption motivation inspiration metaphor parable leprechaun leniency secund hefty endogenous exogenous lozenge irrefragable recalcitrance fecund jaded seal ordinand obdurate aberrance ignominious interface consent imbroglio embroilment lethargy impressionism agitator treacherous lurid allure obstreperously abstruse subconscious squanderous squalid anomalous punitive incendiary infrangible extemporaneous incognito (succubus , incubus) incongruous incredulous indemnify indigenous infernal infidel iniquitous secular funky spunky Rosicrucian epicurean phlegm levity levee lubricious loath loathe frigid **** ******* lick fenestration dire ****** brash crass rash aggrandize tactile acuity bridge rude crude bandy randy monad positive indenture obnoxious obtrusive obtusely overt indemnities annuities cavalier dawdling gallivant bought naught fought caught ought dribble rip zip gig blond entropy catalyst cohort cavort chronological sublime purvey pander meandrous extravagant exorbitance ***** vicarious endear eccentric cognate frolic frivolity fawn agnate aggregate junction function conjunction conjecture conjugation adjunct contiguous constituency cohesive coercion covert maestro maitre d mastoid newel minx murk monad muss muggy mull mirador bartizan musky meager demonstrative anarchy iconoclasm misnomer mimicry minaret mimetic monocracy pungent mordant mnemonics mangle maim mutilate mesomerism morpheme nepotism nurture vexation anxiety vindictiveness vendetta moot void null meringue laconic obliterate papaya proboscis podiatry polemist porcupine palindrome pandemonium presumptive procureness ploy **** paltry pander paphian pummel puny presage felicity parley parturient potpourri partisan peccavi verity goad penumbral platitude platonic proxy photic pharos perdurable preemptory posh perfunctory perilymph phoneme phenetic phantom permeate proximity phantasm phalanstry delusory apparition pietism oviparous expiate vindicate extricate  exonerate absolve posthumous prehensile prerogative presumptive prestissimo preterite retroactive primacy prevaricate equivocate primordium primeval puissance  pristine prescience prompt prodigious protagonist prurient pyre lurid pshaw guffaw purlin purloin quirk pith quark ***** tip put temerarious userp asymptote pirate tiny hat  thief tine slow slide slim hide me effigy infinitesimal slink slick paw
flaw craw claw heuristic swum cuckold climb locuna live **** sly **** sequacious expeditious sequesterous glove glaive glade
don’t dale  otter glue equestrian gog rift cog gone lean had good gold ride ode *** house pine low law earth *** guilty slime negligent torrentially torrid tortuously tempestuous einzeln function truckness presumptive procureness ploy **** off the line cyborg cylon live antonym exogamous dimorphism pry rap gape homogeny gap dudely cruel incredulity ergo apropos ipso-facto pith tip push where keeky geek peek peep glib jive gawk talk dudely cruel off the line but off it !  pit ego colossal incredible fantastic great outrageous amazing fabulous terrific stupendous splendiferous glorious God grandiose orgiastic magnificent ne plus ultra astounding astonishing bodacious marvelous exuberantly ecstatic subliminal nostalgic allusions subordinate ancillary conjectures similar analogous configurations exotically ****** quixotic render proof orchestration rendition unicorn railway mainsail ebullition monad girdle thigh spasmolytic heuristic sartorious sartorial discrepancy amendment rip reave rive tear rend esoteric erudite beleaguer hype synch torque your ringer occipital sync ubiquitous eucharistic oblation obeisance oblate obelisk ubiquitous edifice ******* efficacious salacious lubricious sagacious expeditious grief  orgiastic paroxysmal orthogenesis overture repertoire quagmire quandary poshly plush lushly lustful longevous loquacity hunky-dory harbinger guzzle gyro gyre exult heuristic awkward humph haberdashery hauberk huarache bourgeoisie dichotomy greave zealot goatee cavalier humerus gumption hors d’oeuvres coalescent hysterically delirious coercion nullify correspondence corral coral architrave archaeology ardent ardor arduous awry askew asinine altruistic allure allude alluvium aloof egress effulgence ephemeral apathetic anxiety antonym existential exigency exodus expiate esoteric exacerbate evoke exact exult excerpt exorbitance cajole argent apriori arbitrate appliqué aqueduct presumptuous prestige precocious precursor preempt predilection premises premonition preoccupy preponderance prescient pretentious perineum peristyle perpetuity pervade pertinent portent elicit pursuance putrid quasi queasy quaver quarrel rampart ransack voracious rapport ratchet raucous ravenous reciprocal rectitude emanate imminent perdition erudite erogenous scarp lambent reticent vehement auspicious austere consternation construe contingent convection convolution convenient cocoon coerce collaboration collude vacuum vacillate vestibule vicarious recalcitrant repudiate resend resilient resonance purvey wreak writhe wreath fortuitous fulminate fuscous cudgel futurity gable gallivant gallant embellish gauntlet scavenge scandalous scarify scatter schlieren scholarly scoundrel scowl unmelodious scramble scrabble scraggly craggy cephalic fallacious fallible absurd cutaneous synthesis commission extreme  conscientious adherent proponent subtlety diligent receive interesting abhorred exorbitant arrangement intelligence surprisingly important encompass contributes asymmetrical excellent elliptical collaboration straddled collapsible spanned feasible oriented pervasive artistry instructor precursor innovate adrenergic adumbrate queasy acclimatize accommodate acceptive accordant accrue accusation acrimony actuarial acuity adduce adjective adjunct admonish adroit aerobic aesthetic prosaic affiliate affluence aggravate aggregate agnate agonize airy albeit alchemy allege allegiance allegorical alleviate allocution ambience ambivalence amenity amenable anaclitic analgesia anacrusis analeptic anathema subordinate ancillary anecdotist animism animosity annulet announce anomaly anonymity antagonize antecedent subsequent antefix antenna anterior pathos antipathy antithesis aperture appall adorn pertain appreciate aquifer arbiter arbitrage arboreal frantic pedantic febrile fanatic quixotic hegira to xanadu frenetic zealot zeal eucharistic oblation occipital ubiquitous omnipresence opulent effluent affluence larcenous overture orgiastic paroxysmal ornithology orthogenisis gleam sheen English bird treacherous lecherous asinine dumb foolish stupid inane ignoramus absurd idiotically imbecilic silly unintelligent dense dingy crazy insane quasi slow epos epitomize epochal era gemma schema lemma jargon idiom colloquialism vernaculars peer quay pier pair appearance insipid vapid insidiously insolent pompously bombastic blatant flagrant chaparral epopee pseudopodia actuator militantly mercenary covert adumbrate intimate obfuscate abet abeyance proxy fugue edict advocate détente anticipate angary amentia terse inabsentia expurgation imputation impugn exculpate eugenic euphenics incumbent incipient accidence acoustics acquittance amore malign asperse amok amuck allegorist pervert aspect aorist wrist expiate asylum epigynous anovulant antenatal antidote antiquity antitrust antithetical argufy apartheid apocalyptic apologist apothecary apomixis appreciate aposteriori apostrophe protractive analysis parabola avidity liberty concise tine albeit life still arrogance coherent abandon abate abash abase abdicate abduction abject abominable abominate abomination abound abrogation absolution absorption accentual accession accede accessible accommodate accomplice accomplish accrual accursed acerbity acrimony accredit accustomed actuality actuate addle adamant adjutant adventive adultery adulterate adventure adversity advertent adulteration venturesome advocacy eyrie aerie aerial affix affront aggressive agile acuity tactile nimble agnostic agog agonist aghast avid avarice agrarian curtilage Arian airhead peterbrain alacrity alchemize alibi allegation allegory gorge ally allocate aloof altercation ambition amatory prelude amaze amateur  ambidextrous ambient amble amiable amicable amorist amulet analeptic analgesia analytics anathema android amalgamated anemometry animism annals chronicles annex annul annoy anonymity antecedent arcade armature arson articulate ascension assiduity asperity asynchrony augmentation audible auger aural areola auspice austerity authenticate autonomic astronomical enumeration auxiliary avenge avert economist autonomist autonomy aviatrix axiom avow avouch bifurcate bigamy bend bind bent bisexual berate bereft hype due behave behaviorism ******* behest bereave beholden biologism bureaucratize circumvent conscribe bacchae backslide backswept badland baddy bagnio baize balky ball hawk balmy bambino bamboozle banal bandwagon baneful banishment bankruptcy banter bandy barbarism barbarous barratry base pay bang bash bastardy bawdry lewd obscene ***** bawl beamish beatitude ****** beat beautiful bedlam beggary begrudge befuddle perplex behalf beleaguer beneficiary benevolence benighted bequeath bequest berth betroth bevy birth bitchery bivouac blabber blandish coax blah blither blare blazon bleak blear blighter bliss bloomy blot blunder blotch blooper bludgeon gag blurt blush bluster bonkers bosh boulevard bout brat browse brunt brute buck passer buffet bungle bungalow bunk bunt buoyancy burglarize burnish burp belch burlesque bureaucratize sorrowful lamentation baleful caterwaul
true clench closet queen constitution provocative soap menagerie melee cirrus camorra caboodle cabotage cabriole cacophony
cadge cahoots cagey cairn calamitous calculate calibrate  caliginous caliper calyx callet cameo campestral canard candid candidacy candelabra candor canker can’t canter canteen canoe capitation captivate capture carapace caribous carnal carnival carny cartomancy casque castellated caste castle catacomb catatonic phonics caustic cavernous celibate censor centric centrifugal centripetal certify cervixes cestus chalet chalice chameleon changling chaperone charlatan chary chaste chastise chastity cheeky cherish chesty chide ***** chintzy chivalrous chinch chomp choose chortle chromatic chronic intrinsic chroma chump chutzpa chute cinch conciliatory ciliary ciliate citadel citation civility clank clammy clang clairaudience taciturn reticent classify inveterate claudication cloven cleft cliché click clinch clement clip clique ******* cloak & dagger clobber clog clone clonk cloth clothe clothier cloture redolent clout cluck clump clumsy clunk coadunate coalition coadjutor coaster brake coax cochlea chronology inundate **** coexist anachronism coercive coitus coincide collinear collateral collegiate collision collusion coma combinatorics comfy  commandeer  commensurate comensal commend commerce commence commodious commotion compatible compensatory competitive compile complexional complicity comply connotation compost composure compunction compulsory concatenate concoct catenary concubinage condolence condemn condescending conducive cavalcade confidant confession confirmatory confiscate conformity confrontation congruence congeal congenial conjure connection connivance connote conquest conscript consequence conservatism consistent console consolidate consort conspire contagium contention continuity controvert conveyor copulative cordial cordon cornucopia coup couth coy crag cranky craven cringe crud culminate cumulate cursive credulity credulous infidel gullible diatonic perturbed derogate edict delict rage tirade irate vehemence denouement denounce tire dervish dictatorial diction proof desolate deontology Kant indenture defray detinue douceur amuse disseminate eustachian daft dainty damnify dapper dastardly dauntless daymare dead heat dead horse debauch debacle decadent debauchee decamp declamatory declension decorticate deductive default defeasance defenestration defunct defrock deformacy degeneracy deft deforce hipster mesmeric deification deist deleterious delimit deltoid delve deluge delusion delirious demimonde demesne demiurge demoniac demonetize demonstrable denizen denegation denigration demur demure despot desperation destine despise detect determinative determinism detersive deterrent detest determinacy detectaphone devout devoid detract desultory detrimental detour deviate deviant devastate devotion devious devisee devolution devolve developer dialectic dharma diagnosis prognosis matriculate diacritical differentia diffraction digenesis dignitize dignitary dilly diligence ***** dilemma dilapidate diminution **** ding diphtheria diphthong dent dirge dirk disaffirm discontinuity disclaim discern discord disconsolate discourteous discredit discontinuance discretion discriminate distain disenfranchise disenchant disencumber disenthrall disembody disgorge disgrace dishonest disguise disengage disinfestant disjunct disillusion disinfectant dislodge dismal disloyal disoblige disobey disparity disparage dismantle dismay dispatch dispel dispersive disproof dispute disrupt dissertation disrepair dissipate distillate distort distract ditto ditty diverge divaricate divert divest divulge dominion doohickey dormer doss dowdy doughty dowry drastic douse drat dray dread drawl dreary drippy drifty drivel droll drown drowsy drudge plan dubious dude dudgeon dulcify duct ductile drakeness ducky duel dull dusky tawny dynamic dwelling dwindle derisive bombastic primordial integumence parenthetically pragmatically prosaically practically protractively portion premise portent pervasive perpitude phenomena hierarchy predicate metaphysique endoskeleton ectomorphic dour droll dismal dank dreary bleak stark Electra complex lore epigone epigraph epsilon epistaxis epilation earnest earthshaker earthward earwitness eclectic ebonize electroacoustics ciphony ebullience eccentricity echelon echoic eddy edgy edify edit educe edition eerie edacious effectuate effeminate effete efficient efflux effrontery effluent effusion ego defense eidetic ejecta elaborate elapse electioneer curtail elocution elucidate elegant eloquence Elysium emancipation manumission detinue osteopathy elucubrate emasculate emaciate embark embargo emanate emblazon emote embellish elusive enhance embracive embouchure emergent emendator embryology emit emissary emitine jacquerie empathy empennage emphasis emphatic emigrant empirical emulate emunctory encephalic enclitic yuck junk funky junkies enchant enchain enclosure encroach encrustation encumber endergonic endorse endowment enduro enfetter enforce energetic enemy enema enervate engender engage propensity preternatural proclivity prestidigitation gesticulation equilibrate equilibrium equilibrist preterite rendition retroactive engross engulf enhance enjoin enlightenment enlist impressed enormous ennoble enrich  ensheathe enshroud ensnare ensnarl entanglement enthrall enthusiasm entice entity enthuse entrap entreat entrance enunciate envoy envy envisage epigynous epigraphy cipher epilogue episodic epitaph epistolary epithet equate equestrian equity equivocal equivocate eradicate erosion eroticism errancy erratic erroneous ersatz erumpent erudition erythron epistemology espalier essentialism progressivism esprit espy estimator estrus estuary etcetera ethnic ethos ethic eternal ethereal eugenic euphenics eustachian tube salpinx euthenics euthanasia evacuate evaluate evasive eventuate evaporate evict evident evil evert evolve exact exaction exult exaggerate exasperate excel excerpt exception exclaim exclude exculpate excursion excuse execration execution exempt exhume exile exhaustive exhibitionism exhilarate exegesis exert exonerate expense expletive explicit exploitation exponent export exposition exserted exposure expound expurgate ubiquitous extemporize extenuate exterminate extensive externalize extinct extort extradition extrasensory extraordinary extol extract exuberate extrude foible fasciculation twitch flinch fenestra Fabian falchion falangist Phillip felly ferro falsie **** fess fink out festinate ***** bustle fourragrere fimbria feduciary fabricant fable fabulist façade facile facilitate facsimile facture faena fain fairing fallopian fallow fascinator fash fatalism fastidious fastuous fatidic fatigue Faustian fatuity faux pas feasible faze ******* facilitate feline feeler ferocity fertile fervid fervor fetor fetus fetology fetish feverish fester fetation fetch fiat fief fiasco feticide obnoxious fiacre figment fickle fictitious fiddling fidelity fidgety fierce fiesta  filch filly filthy finale finesse fingertip finicky fang finite firmament flabbergast fixation flak flashy flagitious ******
flashpoint paroxysmal retrograde flaunt flasher flask flat flap flaw fledge flee fleece fleet fleshy flighty flick flexible flimsy  
flimflam fling flinty florid flora ****** flourish flotsam  flub fluke flurry flush focalize foist footing foray forfeiture forgery foreign
forensic formalize format formica formulate fornication forsooth forswear perjurious fortify forte fortissimo fortuity forum abjure
abnegation fossil fosterling four flush frame up freaky frazzle frenulum fret frigidity frigate frill fringe fritter frontal fructify fruition frump frugal fuel fulcrum fulgurous fulham sable furor furring brazen furtive fustigate future perfect fuchsia find roan gauntlet gamut gatecrasher havoc glass jaw glare glass eye gabber gadzooks gaff gaga gage gaggle gag rule gainful gainsay gait gala gale gall gallery gallivant gallop galvanic gambrel roof gander gammon garb garish garble garnishment garrulous garter gasp **** gaudy gauge gaunt gavel gear fad gee haw gemma gender genealogist geotropism germinate gestation ghost writer ghoul gig gigantic gill gimmick gimp girlish gist gizzard glaive glamorize glance glaze glean glint glitch gloat globe gloomy glitter glom glob glop glorify gloss glower glutton glum slum glue hue gluteal gnash aphorism adage gnosticism gnome goggle gnomic gold digger psychic golem gore gorge gown gossipy gouge grasp greedy frigid gremlin greave grieve grin grime grim grind gripe ***** groom gross grit groin grove grout growl grumpy grunt guck gruntle guide guile guild guilty guise gull gulch gully gunk gushy gust gussy up gulp gusset gush gustatory gung ** gusto gutsy gyne gyre gynecocracy gyve guy  aceimnorsuvwx  bdfhklt  fgjpqyz atheist goblin Godiva grog hang up disinter gamet zygote hunks hunkers haunches black white life death lithe heart rending miserly greedy stingy frugal habitation propinquity habituate hackamore hagride hairbreadth halftrack hallucinosis hamstring handicapper handless hangin hand woven hanker hanky panky haphazardry hari kiri **** harangue harass harbinger harem oviparous residual harmonic harpy harsh hast hassle haggle hasty pudding haugh haunt haversack haversian canal hawk hazard heady heal headway heap hearing hearty heave heathen heavenly heavy duty heft heir heinous heifer heist helix enliven glue hellion helm hemlock hence heredity primitive anachronistic hangover heretical heritage hermit recluse heresy primordial integumence skull hernia hue hex heuristic hirsute hireling ally hint **** hoard hoax hitch hoist hokey hoot horizon hornswoggle horologist hostile hostage housebreak huckster hovel huff humeral hurtle hustle hutz pah homage homogeny exogamy hone honesty honkies hooky hutch hypercritical hypotaxis hysterics incoercible idiosyncrasy impugn idolatry ileum imagism idempotent ides ichor icky icon ics ictus ideational identity crisis matrix idea iffy ignescent illustrious immaterialize imitation inextremis immanentism immolation mollify impeach impedance impecunious impassion immutable retrograde recumbence inabsentia impious impenitence impinge implore impotent paroxysm impressment impute impromptu impoverish improvident imprudent improvise imputation inanely inanimate inauguration incorrigible inappreciative inconsequential irreverence inconsolably disconsolate irreparably irreconcilable incorporeity ideally ideogram inferential illicit incarnate incestuous inch incident converse incipient incite incognita incommodious incompliant incommunicado indagate incursion incus incumbent indecorous indecent exposure indecipherable indefeasible indenture indictable  indicative indignant indiscrete indite indolence indubitable induce indulgent industrious ineffectual inane inert inertia infamy infanticide infest infinitesimal inflect inflict infringe encroach infrastructure inflation influential informant inimical iniquitous innumerable innuendo inquisitor injunction injudicious inkling innocuous insolent insidious insipid inept phatic volatile instigate insinuate instinct intangible interdict intentional interject intimate intimidate intricacy intrigue intrinsic intrepid introspection introvert intrusive intuitive inviolate invade inundate invalid inventive inveigh inure defeasance foist isomorphic isthmus fistula jabber jackal jackleg jag jaunt jeer jerkin jest jetty jettison jiffy jig jilt jive job jack jolt josh jostle joust jovial judicious juggernaut jugglery jumble jumpy junctural jungle junk ****** jurisdiction justice justification jute jutty juvenile delinquency juxtaposition kale kalimba kangaroo court kaput karate karst kayo keel keep kempt kept keynesianism kick in **** kindle kinetic kink kist **** kleenex kismet kirtle kith kithe kitsch klaxon knack knavery **** knout kobold koan kneed king cogent adroit lollygag lummox languorous lanyard limbus lotic loquacious lesbian lam labial lambaste lampoon landmark bilk lang syne languish languid languor larder larky larvicide larynx lascivious lateral latent recumbent lapel laud lavish layette lecher leeward leer leech legacy legate lefty lest lewd avant-garde levant avaricious liaison libido libertarian lien ligature lilt list lisp liturgy livid loiter loom loophole lubricity lubric lucent lugubrious yuck lunkhead dolt lurk luscious luster luxury lynch lysis legerity lemma lickspittle limnetic ankh maverick mare liberum marabou machete machinate machiavelianism magniloquent macroevolution macrogamete Magdalene mantis mantra maniacal manubrium mare’s nest maenad majuscule maladjustive malfeasance maleficent malefactor malevolence mash malm malocclusion manipular manifesto mastectomy maw manacle manifest Manitou mana marrow pith manumission constitution marsupial mare nostrum masseur pervade perpitude quark master plan master race mastoid glitch exiguous skimpy scanty sparse masticate matriarchy matriculate escutcheon nombril mere mathematics matrix matinee impetus maxim axiom meatus minimax mediation mediocre medley metabolic meddle ménage a trios menagerie mendacity meroblastic menial meiosis meliorate memorandum memoir memento mori menace mesne menarche menorrhagia meninx mesh mesomerism mesne lord metal methodical meticulous mettle miasma microcosm militia mingy minion koan mirage mire misnomer modality mockery ****** mongrel monstrance morbid morose mortify mortise martingale motivity musky mushy murky muse mutuality muzzle myopia mystique mesomorphic nabob nadir narcosis nark native natty navaid necking pilaster neigh neuter neutrino nexus ****** nihilism nimbus nimiety nitty gritty noisome nominalism nonconformity non sequiter nooky noose nostalgia nostrum notch notion notorious noumenon nous nuance nubile nymph nympholepsy numinous ***** obliquity oblivion ubiquity eucharistic oblation obligee oasis oath obbligato obligatory obliterate obnoxious obscene obstreperously abstruse exude obviate ochlocracy odium odalisque ominous awesome omnivorous onerous onus opprobrium opprobrious optimal opulence orifice ornate orotund ostensible osteopathy oust outlier overawe overt **** ozone procurator pagan palingenetic pallid pallor paragon pagoda palpitate pander pandemic panhandling paraphrase paternoster pathetic paunch pavilion pawky peachy peculiar pedagog pedal pedantic peart peccant peeve perception intuition peremptory perdition perdurable detinue perfective
perfidy perforce periphery perjure perk permeate permute perorate perpetual perpetrate perpetuity perplexity persecute
perspicacious perspiration pertinent perturb ******* pesky perky pester pestilence petrify petrous phalanges juggernaut              
phenomenal phylogeny phobic phony photosensitize phrenic physicality ***** physicalism pick pictorial pious piety piffle pilgrimage pinion pithy placate placid plaint planetoid plasma platitude platonic plenipotentiary plucky plunderous poach plenary plummet polemic polyphonic postulate pouch polyandry polygamy populist pounce popsicle potentate pout practicable chatter prattle precarious precedence precess precious predetermined predicament preen prelusive premonition prefix preposterous prevail prevalent presumptuous **** prim priority depravation probity prodigious profane promulgate proffered prohibitive projective promiscuity propagandize propagate prophetic prosthetic propinquity prophylaxis protocol proprietous propitious haggard proxemics prosecutor prospectus protensive proximity pummel pundit prejudice piranha punitive purgatorial purificatory putschist kitsch quag quantum jump quarrelsome quarterstaff Quetzalcoatl quickie quirt quoit rescind reverb revile mnemonics retuse rabble rachis raconteur ratification radial radix raffish raft ragamuffin railroad raiment rake ramify ramet ramus rank rancid **** rapper rapt rapture rarefy rarified rave ravel raw raze razzle-dazzle razzmatazz realm ream reap rebuttal rebuff rebuke receptaculum recital recess reconcile recondite recourse recriminate rectilinear rectify rectitude recumbent recuperate recursive redeem redolent refer reek reeve reflective reflex refraction refulgence refuge refuse relativistic reliquiae remedy remorseless remnant repertory replicate reproach reptilian repugnant repulse repulsion rescissory residue resignation resolute restitution retraction restriction restraint resuscitate reticent retentive retinue retreat retribution revel reverberation reversal revert revulsion rhapsodic rhombus rhomboid rictus ridgy rifle riff rigorous ritzy rival roan roam roar rive robust rodent rodeo roguery rollick frolic romp rote rouge rout ******* rubble rubric rumpus rumor rural ruse rustle Ruth sitzkrieg superciliary supercilious surfeit suture bravo bravado seminal vesicle sacerdotalism sacroiliac sagacious saga safari saguaro salpinx salubrious salvo salve sanction sanctify sanguine sashay satchel satiate saucy savory scads scalpel scandalize scapula **** schmaltz schlep schnook scorn scour scoff scowl scow scram scrounge screak scud **** scuz seclude ****** seer selfish seminiferous senility sedition smear sycophant sensitize sensorium sentiment sequester sequential servile sham shindig shoddy singular screech situate skedaddle skew sketchy skittish skivvies slang slight slogan slovenly slouch sneaky snub soffit solvency sophistic spangle spar spawn spew squall squamous steeple logistical tactician strategy stupor subjunctive suborn subvert the clarity of criticism can create credibility comprehension can cause conducive consciousness supremacy surly burly squirrelly schema temporize tai pan tup trochlea ulna taboo taciturn tacit tacky tact talus tamper tang tamp tangible tangential tank tankard tassel tawny ****** telepathic temerity telos tenable tenet ternary terra-cotta testy topos tiercel theocracy tempting thew tizzy trite thirl throng thundering tantrum tonic torso topsy-turvy torus tour de force touristic **** tout tragus tractive trance tranquil traject transcend trample transducer transfix transgress transition transposition transude transpire treasure treason trek trenchant tremendous tributary trigeminal  trollop triumph tropic tropism troth trough tractable tract strumpet trove trump trustless tribunal twang tweeze twinge twirl twaddle tunic typecast tyrannical tyrannosaur traction padness tyrant tympanum twist ukase ultraism ultima ratio ultrastructure uglify umbilicus umbra umbrage unabridged unconditional unambiguous unanimity uncanny unceremonious uninucleat union unique unison unity farce sham unmannered unremitting unspeakable upsurge upstage urchin urbanist usherette usufruct travesty usury utensil ****** utmost ut uvea utter uvula utility uxorious usurp surreptitious vagabond vagarious vagile vagrant vagrancy vale valor validate vampire vanguard vas deferens vast vaunt vector venery venial veranda venture verbalist verboten verdant verdict verge vertebration verve vexatious fierce vigil vigorous vile vilify villainous vindicate violent virtue vitalist ***** vituperative vogue vomitus volunteer vouch vulcanization vulturous vulgarism weld **** volume decimate wahoo waive wangle wee weepy welch whammy war wharfage whereof whereupon wherein wherefore whereon wherewithal whine whopper wild goose chase wishy washy wisp woeful wrathy wrought wrong xenophile ******* fornication phantasmagoria fluent voluble yammer yelp yes man yummy zany zealotry zilch zing zombie zooidal zoom zounds zygomatic contiguous constituency confluence contiguity continuum concurrence conjunction conjugation métier quintessential
There was a motion on the floor for the nomination of a proxy to be my epigone.  I feared I didn't have enough votes to challenge so I filibustered.
S Oct 2011
wring your brains out
for your thoughts and opinions mean nothing.

wring them out and watch them drip, slowly inching towards the sewer drain
the masses want you compliant so wring them out.
your friends want you loyal, so wring them out.
your lovers want you subservient so squeeze and twist
until all of your notions, your antics, your opinions, your character
lay where the rest of the filth goes.
Alyssa Underwood Mar 2016
I

He did not wear his scarlet coat,
  For blood and wine are red,
And blood and wine were on his hands
  When they found him with the dead,
The poor dead woman whom he loved,
  And murdered in her bed.

He walked amongst the Trial Men
  In a suit of shabby grey;
A cricket cap was on his head,
  And his step seemed light and gay;
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every drifting cloud that went
  With sails of silver by.

I walked, with other souls in pain,
  Within another ring,
And was wondering if the man had done
  A great or little thing,
When a voice behind me whispered low,
  “That fellows got to swing.”

Dear Christ! the very prison walls
  Suddenly seemed to reel,
And the sky above my head became
  Like a casque of scorching steel;
And, though I was a soul in pain,
  My pain I could not feel.

I only knew what hunted thought
  Quickened his step, and why
He looked upon the garish day
  With such a wistful eye;
The man had killed the thing he loved
  And so he had to die.

Yet each man kills the thing he loves
  By each let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!

Some **** their love when they are young,
  And some when they are old;
Some strangle with the hands of Lust,
  Some with the hands of Gold:
The kindest use a knife, because
  The dead so soon grow cold.

Some love too little, some too long,
  Some sell, and others buy;
Some do the deed with many tears,
  And some without a sigh:
For each man kills the thing he loves,
  Yet each man does not die.

He does not die a death of shame
  On a day of dark disgrace,
Nor have a noose about his neck,
  Nor a cloth upon his face,
Nor drop feet foremost through the floor
  Into an empty place

He does not sit with silent men
  Who watch him night and day;
Who watch him when he tries to weep,
  And when he tries to pray;
Who watch him lest himself should rob
  The prison of its prey.

He does not wake at dawn to see
  Dread figures throng his room,
The shivering Chaplain robed in white,
  The Sheriff stern with gloom,
And the Governor all in shiny black,
  With the yellow face of Doom.

He does not rise in piteous haste
  To put on convict-clothes,
While some coarse-mouthed Doctor gloats, and notes
  Each new and nerve-twitched pose,
******* a watch whose little ticks
  Are like horrible hammer-blows.

He does not know that sickening thirst
  That sands one’s throat, before
The hangman with his gardener’s gloves
  Slips through the padded door,
And binds one with three leathern thongs,
  That the throat may thirst no more.

He does not bend his head to hear
  The Burial Office read,
Nor, while the terror of his soul
  Tells him he is not dead,
Cross his own coffin, as he moves
  Into the hideous shed.

He does not stare upon the air
  Through a little roof of glass;
He does not pray with lips of clay
  For his agony to pass;
Nor feel upon his shuddering cheek
  The kiss of Caiaphas.


II

Six weeks our guardsman walked the yard,
  In a suit of shabby grey:
His cricket cap was on his head,
  And his step seemed light and gay,
But I never saw a man who looked
  So wistfully at the day.

I never saw a man who looked
  With such a wistful eye
Upon that little tent of blue
  Which prisoners call the sky,
And at every wandering cloud that trailed
  Its raveled fleeces by.

He did not wring his hands, as do
  Those witless men who dare
To try to rear the changeling Hope
  In the cave of black Despair:
He only looked upon the sun,
  And drank the morning air.

He did not wring his hands nor weep,
  Nor did he peek or pine,
But he drank the air as though it held
  Some healthful anodyne;
With open mouth he drank the sun
  As though it had been wine!

And I and all the souls in pain,
  Who tramped the other ring,
Forgot if we ourselves had done
  A great or little thing,
And watched with gaze of dull amaze
  The man who had to swing.

And strange it was to see him pass
  With a step so light and gay,
And strange it was to see him look
  So wistfully at the day,
And strange it was to think that he
  Had such a debt to pay.

For oak and elm have pleasant leaves
  That in the spring-time shoot:
But grim to see is the gallows-tree,
  With its adder-bitten root,
And, green or dry, a man must die
  Before it bears its fruit!

The loftiest place is that seat of grace
  For which all worldlings try:
But who would stand in hempen band
  Upon a scaffold high,
And through a murderer’s collar take
  His last look at the sky?

It is sweet to dance to violins
  When Love and Life are fair:
To dance to flutes, to dance to lutes
  Is delicate and rare:
But it is not sweet with nimble feet
  To dance upon the air!

So with curious eyes and sick surmise
  We watched him day by day,
And wondered if each one of us
  Would end the self-same way,
For none can tell to what red Hell
  His sightless soul may stray.

At last the dead man walked no more
  Amongst the Trial Men,
And I knew that he was standing up
  In the black dock’s dreadful pen,
And that never would I see his face
  In God’s sweet world again.

Like two doomed ships that pass in storm
  We had crossed each other’s way:
But we made no sign, we said no word,
  We had no word to say;
For we did not meet in the holy night,
  But in the shameful day.

A prison wall was round us both,
  Two outcast men were we:
The world had ****** us from its heart,
  And God from out His care:
And the iron gin that waits for Sin
  Had caught us in its snare.


III

In Debtors’ Yard the stones are hard,
  And the dripping wall is high,
So it was there he took the air
  Beneath the leaden sky,
And by each side a Warder walked,
  For fear the man might die.

Or else he sat with those who watched
  His anguish night and day;
Who watched him when he rose to weep,
  And when he crouched to pray;
Who watched him lest himself should rob
  Their scaffold of its prey.

The Governor was strong upon
  The Regulations Act:
The Doctor said that Death was but
  A scientific fact:
And twice a day the Chaplain called
  And left a little tract.

And twice a day he smoked his pipe,
  And drank his quart of beer:
His soul was resolute, and held
  No hiding-place for fear;
He often said that he was glad
  The hangman’s hands were near.

But why he said so strange a thing
  No Warder dared to ask:
For he to whom a watcher’s doom
  Is given as his task,
Must set a lock upon his lips,
  And make his face a mask.

Or else he might be moved, and try
  To comfort or console:
And what should Human Pity do
  Pent up in Murderers’ Hole?
What word of grace in such a place
  Could help a brother’s soul?

With slouch and swing around the ring
  We trod the Fool’s Parade!
We did not care: we knew we were
  The Devil’s Own Brigade:
And shaven head and feet of lead
  Make a merry masquerade.

We tore the tarry rope to shreds
  With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
  And cleaned the shining rails:
And, rank by rank, we soaped the plank,
  And clattered with the pails.

We sewed the sacks, we broke the stones,
  We turned the dusty drill:
We banged the tins, and bawled the hymns,
  And sweated on the mill:
But in the heart of every man
  Terror was lying still.

So still it lay that every day
  Crawled like a ****-clogged wave:
And we forgot the bitter lot
  That waits for fool and knave,
Till once, as we tramped in from work,
  We passed an open grave.

With yawning mouth the yellow hole
  Gaped for a living thing;
The very mud cried out for blood
  To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
  Some prisoner had to swing.

Right in we went, with soul intent
  On Death and Dread and Doom:
The hangman, with his little bag,
  Went shuffling through the gloom
And each man trembled as he crept
  Into his numbered tomb.

That night the empty corridors
  Were full of forms of Fear,
And up and down the iron town
  Stole feet we could not hear,
And through the bars that hide the stars
  White faces seemed to peer.

He lay as one who lies and dreams
  In a pleasant meadow-land,
The watcher watched him as he slept,
  And could not understand
How one could sleep so sweet a sleep
  With a hangman close at hand?

But there is no sleep when men must weep
  Who never yet have wept:
So we—the fool, the fraud, the knave—
  That endless vigil kept,
And through each brain on hands of pain
  Another’s terror crept.

Alas! it is a fearful thing
  To feel another’s guilt!
For, right within, the sword of Sin
  Pierced to its poisoned hilt,
And as molten lead were the tears we shed
  For the blood we had not spilt.

The Warders with their shoes of felt
  Crept by each padlocked door,
And peeped and saw, with eyes of awe,
  Grey figures on the floor,
And wondered why men knelt to pray
  Who never prayed before.

All through the night we knelt and prayed,
  Mad mourners of a corpse!
The troubled plumes of midnight were
  The plumes upon a hearse:
And bitter wine upon a sponge
  Was the savior of Remorse.

The **** crew, the red **** crew,
  But never came the day:
And crooked shape of Terror crouched,
  In the corners where we lay:
And each evil sprite that walks by night
  Before us seemed to play.

They glided past, they glided fast,
  Like travelers through a mist:
They mocked the moon in a rigadoon
  Of delicate turn and twist,
And with formal pace and loathsome grace
  The phantoms kept their tryst.

With mop and mow, we saw them go,
  Slim shadows hand in hand:
About, about, in ghostly rout
  They trod a saraband:
And the ****** grotesques made arabesques,
  Like the wind upon the sand!

With the pirouettes of marionettes,
  They tripped on pointed tread:
But with flutes of Fear they filled the ear,
  As their grisly masque they led,
And loud they sang, and long they sang,
  For they sang to wake the dead.

“Oho!” they cried, “The world is wide,
  But fettered limbs go lame!
And once, or twice, to throw the dice
  Is a gentlemanly game,
But he does not win who plays with Sin
  In the secret House of Shame.”

No things of air these antics were
  That frolicked with such glee:
To men whose lives were held in gyves,
  And whose feet might not go free,
Ah! wounds of Christ! they were living things,
  Most terrible to see.

Around, around, they waltzed and wound;
  Some wheeled in smirking pairs:
With the mincing step of demirep
  Some sidled up the stairs:
And with subtle sneer, and fawning leer,
  Each helped us at our prayers.

The morning wind began to moan,
  But still the night went on:
Through its giant loom the web of gloom
  Crept till each thread was spun:
And, as we prayed, we grew afraid
  Of the Justice of the Sun.

The moaning wind went wandering round
  The weeping prison-wall:
Till like a wheel of turning-steel
  We felt the minutes crawl:
O moaning wind! what had we done
  To have such a seneschal?

At last I saw the shadowed bars
  Like a lattice wrought in lead,
Move right across the whitewashed wall
  That faced my three-plank bed,
And I knew that somewhere in the world
  God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
  At seven all was still,
But the sough and swing of a mighty wing
  The prison seemed to fill,
For the Lord of Death with icy breath
  Had entered in to ****.

He did not pass in purple pomp,
  Nor ride a moon-white steed.
Three yards of cord and a sliding board
  Are all the gallows’ need:
So with rope of shame the Herald came
  To do the secret deed.

We were as men who through a fen
  Of filthy darkness *****:
We did not dare to breathe a prayer,
  Or give our anguish scope:
Something was dead in each of us,
  And what was dead was Hope.

For Man’s grim Justice goes its way,
  And will not swerve aside:
It slays the weak, it slays the strong,
  It has a deadly stride:
With iron heel it slays the strong,
  The monstrous parricide!

We waited for the stroke of eight:
  Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
  That makes a man accursed,
And Fate will use a running noose
  For the best man and the worst.

We had no other thing to do,
  Save to wait for the sign to come:
So, like things of stone in a valley lone,
  Quiet we sat and dumb:
But each man’s heart beat thick and quick
  Like a madman on a drum!

With sudden shock the prison-clock
  Smote on the shivering air,
And from all the gaol rose up a wail
  Of impotent despair,
Like the sound that frightened marshes hear
  From a ***** in his lair.

And as one sees most fearful things
  In the crystal of a dream,
We saw the greasy hempen rope
  Hooked to the blackened beam,
And heard the prayer the hangman’s snare
  Strangled into a scream.

And all the woe that moved him so
  That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
  None knew so well as I:
For he who lives more lives than one
  More deaths than one must die.


IV

There is no chapel on the day
  On which they hang a man:
The Chaplain’s heart is far too sick,
  Or his face is far too wan,
Or there is that written in his eyes
  Which none should look upon.

So they kept us close till nigh on noon,
  And then they rang the bell,
And the Warders with their jingling keys
  Opened each listening cell,
And down the iron stair we tramped,
  Each from his separate Hell.

Out into God’s sweet air we went,
  But not in wonted way,
For this man’s face was white with fear,
  And that man’s face was grey,
And I never saw sad men who looked
  So wistfully at the day.

I never saw sad men who looked
  With such a wistful eye
Upon that little tent of blue
  We prisoners called the sky,
And at every careless cloud that passed
  In happy freedom by.

But there were those amongst us all
  Who walked with downcast head,
And knew that, had each got his due,
  They should have died instead:
He had but killed a thing that lived
  Whilst they had killed the dead.

For he who sins a second time
  Wakes a dead soul to pain,
And draws it from its spotted shroud,
  And makes it bleed again,
And makes it bleed great gouts of blood
  And makes it bleed in vain!

Like ape or clown, in monstrous garb
  With crooked arrows starred,
Silently we went round and round
  The slippery asphalte yard;
Silently we went round and round,
  And no man spoke a word.

Silently we went round and round,
  And through each hollow mind
The memory of dreadful things
  Rushed like a dreadful wind,
And Horror stalked before each man,
  And terror crept behind.

The Warders strutted up and down,
  And kept their herd of brutes,
Their uniforms were ***** and span,
  And they wore their Sunday suits,
But we knew the work they had been at
  By the quicklime on their boots.

For where a grave had opened wide,
  There was no grave at all:
Only a stretch of mud and sand
  By the hideous prison-wall,
And a little heap of burning lime,
  That the man should have his pall.

For he has a pall, this wretched man,
  Such as few men can claim:
Deep down below a prison-yard,
  Naked for greater shame,
He lies, with fetters on each foot,
  Wrapt in a sheet of flame!

And all the while the burning lime
  Eats flesh and bone away,
It eats the brittle bone by night,
  And the soft flesh by the day,
It eats the flesh and bones by turns,
  But it eats the heart alway.

For three long years they will not sow
  Or root or seedling there:
For three long years the unblessed spot
  Will sterile be and bare,
And look upon the wondering sky
  With unreproachful stare.

They think a murderer’s heart would taint
  Each simple seed they sow.
It is not true! God’s kindly earth
  Is kindlier than men know,
And the red rose would but blow more red,
  The white rose whiter blow.

Out of his mouth a red, red rose!
  Out of his heart a white!
For who can say by what strange way,
  Christ brings his will to light,
Since the barren staff the pilgrim bore
  Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
  May bloom in prison air;
The shard, the pebble, and the flint,
  Are what they give us there:
For flowers have been known to heal
  A common man’s despair.

So never will wine-red rose or white,
  Petal by petal, fall
On that stretch of mud and sand that lies
  By the hideous prison-wall,
To tell the men who ***** the yard
  That God’s Son died for all.

Yet though the hideous prison-wall
  Still hems him round and round,
And a spirit man not walk by night
  That is with fetters bound,
And a spirit may not weep that lies
  In such unholy ground,

He is at peace—this wretched man—
  At peace, or will be soon:
There is no thing to make him mad,
  Nor does Terror walk at noon,
For the lampless Earth in which he lies
  Has neither Sun nor Moon.

They hanged him as a beast is hanged:
  They did not even toll
A reguiem that might have brought
  Rest to his startled soul,
But hurriedly they took him out,
  And hid him in a hole.

They stripped him of his canvas clothes,
  And gave him to the flies;
They mocked the swollen purple throat
  And the stark and staring eyes:
And with laughter loud they heaped the shroud
  In which their convict lies.

The Chaplain would not kneel to pray
  By his dishonored grave:
Nor mark it with that blessed Cross
  That Christ for sinners gave,
Because the man was one of those
  Whom Christ came down to save.

Yet all is well; he has but passed
  To Life’s appointed bourne:
And alien tears will fill for him
  Pity’s long-broken urn,
For his mourner will be outcast men,
  And outcasts always mourn.


V

I know not whether Laws be right,
  Or whether Laws be wrong;
All that we know who lie in gaol
  Is that the wall is strong;
And that each day is like a year,
  A year whose days are long.

But this I know, that every Law
  That men have made for Man,
Since first Man took his brother’s life,
  And the sad world began,
But straws the wheat and saves the chaff
  With a most evil fan.

This too I know—and wise it were
  If each could know the same—
That every prison that men build
  Is built with bricks of shame,
And bound with bars lest Christ should see
  How men their brothers maim.

With bars they blur the gracious moon,
  And blind the goodly sun:
And they do well to hide their Hell,
  For in it things are done
That Son of God nor son of Man
  Ever should look upon!

The vilest deeds like poison weeds
  Bloom well in prison-air:
It is only what is good in Man
  That wastes and withers there:
Pale Anguish keeps the heavy gate,
  And the Warder is Despair

For they starve the little frightened child
  Till it weeps both night and day:
And they scourge the weak, and flog the fool,
  And gibe the old and grey,
And some grow mad, and all grow bad,
And none a word may say.

Each narrow cell in which we dwell
  Is foul and dark latrine,
And the fetid breath of living Death
  Chokes up each grated screen,
And all, but Lust, is turned to dust
  In Humanity’s machine.

The brackish water that we drink
  Creeps with a loathsome slime,
And the bitter bread they weigh in scales
  Is full of chalk and lime,
And Sleep will not lie down, but walks
  Wild-eyed and cries to Time.

But though lean Hunger and green Thirst
  Like asp with adder fight,
We have little care of prison fare,
  For what chills and kills outright
Is that every stone one lifts by day
  Becomes one’s heart by night.

With midnight always in one’s heart,
  And twilight in one’s cell,
We turn the crank, or tear the rope,
  Each in his separate Hell,
And the silence is more awful far
  Than the sound of a brazen bell.

And never a human voice comes near
  To speak a gentle word:
And the eye that watches through the door
  Is pitiless and hard:
And by all forgot, we rot and rot,
  With soul and body marred.

And thus we rust Life’s iron chain
  Degraded and alone:
And some men curse, and some men weep,
  And some men make no moan:
But God’s eternal Laws are kind
  And break the heart of stone.

And every human heart that breaks,
  In prison-cell or yard,
Is as that broken box that gave
  Its treasure to the Lord,
And filled the unclean *****’s house
  With the scent of costliest nard.

Ah! happy day they whose hearts can break
  And peace of pardon win!
How else may man make straight his plan
  And cleanse his soul from Sin?
How else but through a broken heart
  May Lord Christ enter in?

And he of the swollen purple throat.
  And the stark and staring eyes,
Waits for the holy hands that took
  The Thief to Paradise;
And a broken and a contrite heart
  The Lord will not despise.

The man in red who reads the Law
  Gave him three weeks of life,
Three little weeks in which to heal
  His soul of his soul’s strife,
And cleanse from every blot of blood
  The hand that held the knife.

And with tears of blood he cleansed the hand,
  The hand that held the steel:
For only blood can wipe out blood,
  And only tears can heal:
And the crimson stain that was of Cain
  Became Christ’s snow-white seal.


VI

In Reading gaol by Reading town
  There is a pit of shame,
And in it lies a wretched man
  Eaten by teeth of flame,
In burning winding-sheet he lies,
  And his grave has got no name.

And there, till Christ call forth the dead,
  In silence let him lie:
No need to waste the foolish tear,
  Or heave the windy sigh:
The man had killed the thing he loved,
  And so he had to die.

And all men **** the thing they love,
  By all let this be heard,
Some do it with a bitter look,
  Some with a flattering word,
The coward does it with a kiss,
  The brave man with a sword!
Slow sinks, more lovely ere his race be run,
Along Morea’s hills the setting Sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O’er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old ægina’s rock and Hydra’s isle
The God of gladness sheds his parting smile;
O’er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious Gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of Heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

  On such an eve his palest beam he cast
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered Sage’s latest day!
Not yet—not yet—Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonizing eyes,
And dark the mountain’s once delightful dyes;
Gloom o’er the lovely land he seemed to pour,
The land where Phoebus never frowned before;
But ere he sunk below Cithaeron’s head,
The cup of Woe was quaffed—the Spirit fled;
The soul of Him that scorned to fear or fly,
Who lived and died as none can live or die.

  But lo! from high Hymettus to the plain
The Queen of Night asserts her silent reign;
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form;
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o’er the Minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And sad and sombre ’mid the holy calm,
Near Theseus’ fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that passed them heedless by.
Again the ægean, heard no more afar,
Lulls his chafed breast from elemental war:
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mixed with the shades of many a distant isle
That frown, where gentler Ocean deigns to smile.

  As thus, within the walls of Pallas’ fane,
I marked the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets’ lore;
Oft as the matchless dome I turned to scan,
Sacred to Gods, but not secure from Man,
The Past returned, the Present seemed to cease,
And Glory knew no clime beyond her Greece!

  Hour rolled along, and Dian’******on high
Had gained the centre of her softest sky;
And yet unwearied still my footsteps trod
O’er the vain shrine of many a vanished God:
But chiefly, Pallas! thine, when Hecate’s glare
Checked by thy columns, fell more sadly fair
O’er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant-form before me strode,
And Pallas hailed me in her own Abode!

  Yes,’twas Minerva’s self; but, ah! how changed,
Since o’er the Dardan field in arms she ranged!
Not such as erst, by her divine command,
Her form appeared from Phidias’ plastic hand:
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seemed weak and shaftless e’en to mortal glance;
The Olive Branch, which still she deigned to clasp,
Shrunk from her touch, and withered in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimmed her large blue eye;
Round the rent casque her owlet circled slow,
And mourned his mistress with a shriek of woe!

  “Mortal!”—’twas thus she spake—”that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honoured ‘less’ by all, and ‘least’ by me:
Chief of thy foes shall Pallas still be found.
Seek’st thou the cause of loathing!—look around.
Lo! here, despite of war and wasting fire,
I saw successive Tyrannies expire;
‘Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain:
‘These’ Cecrops placed, ‘this’ Pericles adorned,
‘That’ Adrian reared when drooping Science mourned.
What more I owe let Gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name:
For Elgin’s fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds!
Be ever hailed with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the Lion quits his fell repast,
Next prowls the Wolf, the filthy Jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the Gods are just, and crimes are crossed:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian’s beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva’s shame.”

  She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
“Daughter of Jove! in Britain’s injured name,
A true-born Briton may the deed disclaim.
Frown not on England; England owns him not:
Athena, no! thy plunderer was a Scot.
Ask’st thou the difference? From fair Phyles’ towers
Survey Boeotia;—Caledonia’s ours.
And well I know within that ******* land
Hath Wisdom’s goddess never held command;
A barren soil, where Nature’s germs, confined
To stern sterility, can stint the mind;
Whose thistle well betrays the niggard earth,
Emblem of all to whom the Land gives birth;
Each genial influence nurtured to resist;
A land of meanness, sophistry, and mist.
Each breeze from foggy mount and marshy plain
Dilutes with drivel every drizzly brain,
Till, burst at length, each wat’ry head o’erflows,
Foul as their soil, and frigid as their snows:
Then thousand schemes of petulance and pride
Despatch her scheming children far and wide;
Some East, some West, some—everywhere but North!
In quest of lawless gain, they issue forth.
And thus—accursed be the day and year!
She sent a Pict to play the felon here.
Yet Caledonia claims some native worth,
As dull Boeotia gave a Pindar birth;
So may her few, the lettered and the brave,
Bound to no clime, and victors of the grave,
Shake off the sordid dust of such a land,
And shine like children of a happier strand;
As once, of yore, in some obnoxious place,
Ten names (if found) had saved a wretched race.”

  “Mortal!” the blue-eyed maid resumed, “once more
Bear back my mandate to thy native shore.
Though fallen, alas! this vengeance yet is mine,
To turn my counsels far from lands like thine.
Hear then in silence Pallas’ stern behest;
Hear and believe, for Time will tell the rest.

  “First on the head of him who did this deed
My curse shall light,—on him and all his seed:
Without one spark of intellectual fire,
Be all the sons as senseless as the sire:
If one with wit the parent brood disgrace,
Believe him ******* of a brighter race:
Still with his hireling artists let him prate,
And Folly’s praise repay for Wisdom’s hate;
Long of their Patron’s gusto let them tell,
Whose noblest, native gusto is—to sell:
To sell, and make—may shame record the day!—
The State—Receiver of his pilfered prey.
Meantime, the flattering, feeble dotard, West,
Europe’s worst dauber, and poor Britain’s best,
With palsied hand shall turn each model o’er,
And own himself an infant of fourscore.
Be all the Bruisers culled from all St. Giles’,
That Art and Nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his Lordship’s ’stone shop’ there.
Round the thronged gate shall sauntering coxcombs creep
To lounge and lucubrate, to prate and peep;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb;
Mourns o’er the difference of now and then;
Exclaims, ‘These Greeks indeed were proper men!’
Draws slight comparisons of ‘these’ with ‘those’,
And envies Laïs all her Attic beaux.
When shall a modern maid have swains like these?
Alas! Sir Harry is no Hercules!
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mixed with grief,
Admires the plunder, but abhors the thief.
Oh, loathed in life, nor pardoned in the dust,
May Hate pursue his sacrilegious lust!
Linked with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

  “So let him stand, through ages yet unborn,
Fixed statue on the pedestal of Scorn;
Though not for him alone revenge shall wait,
But fits thy country for her coming fate:
Hers were the deeds that taught her lawless son
To do what oft Britannia’s self had done.
Look to the Baltic—blazing from afar,
Your old Ally yet mourns perfidious war.
Not to such deeds did Pallas lend her aid,
Or break the compact which herself had made;
Far from such counsels, from the faithless field
She fled—but left behind her Gorgon shield;
A fatal gift that turned your friends to stone,
And left lost Albion hated and alone.

“Look to the East, where Ganges’ swarthy race
Shall shake your tyrant empire to its base;
Lo! there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish!—Pallas, when she gave
Your free-born rights, forbade ye to enslave.

  “Look on your Spain!—she clasps the hand she hates,
But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa! thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field! by Famine fiercely won,
The Gaul retires for once, and all is done!
But when did Pallas teach, that one retreat
Retrieved three long Olympiads of defeat?

  “Look last at home—ye love not to look there
On the grim smile of comfortless despair:
Your city saddens: loud though Revel howls,
Here Famine faints, and yonder Rapine prowls.
See all alike of more or less bereft;
No misers tremble when there’s nothing left.
‘Blest paper credit;’ who shall dare to sing?
It clogs like lead Corruption’s weary wing.
Yet Pallas pluck’d each Premier by the ear,
Who Gods and men alike disdained to hear;
But one, repentant o’er a bankrupt state,
On Pallas calls,—but calls, alas! too late:
Then raves for’——’; to that Mentor bends,
Though he and Pallas never yet were friends.
Him senates hear, whom never yet they heard,
Contemptuous once, and now no less absurd.
So, once of yore, each reasonable frog,
Swore faith and fealty to his sovereign ‘log.’
Thus hailed your rulers their patrician clod,
As Egypt chose an onion for a God.

  “Now fare ye well! enjoy your little hour;
Go, grasp the shadow of your vanished power;
Gloss o’er the failure of each fondest scheme;
Your strength a name, your bloated wealth a dream.
Gone is that Gold, the marvel of mankind.
And Pirates barter all that’s left behind.
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o’er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumbered shores:
The starved mechanic breaks his rusting loom,
And desperate mans him ‘gainst the coming doom.
Then in the Senates of your sinking state
Show me the man whose counsels may have weight.
Vain is each voice where tones could once command;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister Isle,
And light with maddening hands the mutual pile.

  “’Tis done, ’tis past—since Pallas warns in vain;
The Furies seize her abdicated reign:
Wide o’er the realm they wave their kindling brands,
And wring her vitals with their fiery hands.
But one convulsive struggle still remains,
And Gaul shall weep ere Albion wear her chains,
The bannered pomp of war, the glittering files,
O’er whose gay trappings stern Bellona smiles;
The brazen trump, the spirit-stirring drum,
That bid the foe defiance ere they come;
The hero bounding at his country’s call,
The glorious death that consecrates his fall,
Swell the young heart with visionary charms.
And bid it antedate the joys of arms.
But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought;
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drenched with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughtered peasant and the ravished dame,
The rifled mansion and the foe-reaped field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town?
How view the column of ascending flames
Shake his red shadow o’er the startled Thames?
Nay, frown not, Albion! for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy ***** who deserves them most?
The law of Heaven and Earth is life for life,
And she who raised, in vain regrets, the strife.”
Renee Apr 2018
I'm sure I look fine.

Days like today,
I want to strip the skin
From my forearms
Using only my fingernails.

Days like today,
I want to wring out
My legs like a washcloth,
Squeeze the rolls on my stomach
Until they're empty.

Days like this,
I want to walk away from my body
forever.

I'm sure I look fine.
By this, sad Hero, with love unacquainted,
Viewing Leander’s face, fell down and fainted.
He kissed her and breathed life into her lips,
Wherewith as one displeased away she trips.
Yet, as she went, full often looked behind,
And many poor excuses did she find
To linger by the way, and once she stayed,
And would have turned again, but was afraid,
In offering parley, to be counted light.
So on she goes and in her idle flight
Her painted fan of curled plumes let fall,
Thinking to train Leander therewithal.
He, being a novice, knew not what she meant
But stayed, and after her a letter sent,
Which joyful Hero answered in such sort,
As he had hope to scale the beauteous fort
Wherein the liberal Graces locked their wealth,
And therefore to her tower he got by stealth.
Wide open stood the door, he need not climb,
And she herself before the pointed time
Had spread the board, with roses strowed the room,
And oft looked out, and mused he did not come.
At last he came.

O who can tell the greeting
These greedy lovers had at their first meeting.
He asked, she gave, and nothing was denied.
Both to each other quickly were affied.
Look how their hands, so were their hearts united,
And what he did she willingly requited.
(Sweet are the kisses, the embracements sweet,
When like desires and affections meet,
For from the earth to heaven is Cupid raised,
Where fancy is in equal balance peised.)
Yet she this rashness suddenly repented
And turned aside, and to herself lamented
As if her name and honour had been wronged
By being possessed of him for whom she longed.
Ay, and she wished, albeit not from her heart
That he would leave her turret and depart.
The mirthful god of amorous pleasure smiled
To see how he this captive nymph beguiled.
For hitherto he did but fan the fire,
And kept it down that it might mount the higher.
Now waxed she jealous lest his love abated,
Fearing her own thoughts made her to be hated.
Therefore unto him hastily she goes
And, like light Salmacis, her body throws
Upon his ***** where with yielding eyes
She offers up herself a sacrifice
To slake his anger if he were displeased.
O, what god would not therewith be appeased?
Like Aesop’s **** this jewel he enjoyed
And as a brother with his sister toyed
Supposing nothing else was to be done,
Now he her favour and good will had won.
But know you not that creatures wanting sense
By nature have a mutual appetence,
And, wanting organs to advance a step,
Moved by love’s force unto each other lep?
Much more in subjects having intellect
Some hidden influence breeds like effect.
Albeit Leander rude in love and raw,
Long dallying with Hero, nothing saw
That might delight him more, yet he suspected
Some amorous rites or other were neglected.
Therefore unto his body hers he clung.
She, fearing on the rushes to be flung,
Strived with redoubled strength; the more she strived
The more a gentle pleasing heat revived,
Which taught him all that elder lovers know.
And now the same gan so to scorch and glow
As in plain terms (yet cunningly) he craved it.
Love always makes those eloquent that have it.
She, with a kind of granting, put him by it
And ever, as he thought himself most nigh it,
Like to the tree of Tantalus, she fled
And, seeming lavish, saved her maidenhead.
Ne’er king more sought to keep his diadem,
Than Hero this inestimable gem.
Above our life we love a steadfast friend,
Yet when a token of great worth we send,
We often kiss it, often look thereon,
And stay the messenger that would be gone.
No marvel then, though Hero would not yield
So soon to part from that she dearly held.
Jewels being lost are found again, this never;
’Tis lost but once, and once lost, lost forever.

Now had the morn espied her lover’s steeds,
Whereat she starts, puts on her purple weeds,
And red for anger that he stayed so long
All headlong throws herself the clouds among.
And now Leander, fearing to be missed,
Embraced her suddenly, took leave, and kissed.
Long was he taking leave, and loath to go,
And kissed again as lovers use to do.
Sad Hero wrung him by the hand and wept
Saying, “Let your vows and promises be kept.”
Then standing at the door she turned about
As loath to see Leander going out.
And now the sun that through th’ horizon peeps,
As pitying these lovers, downward creeps,
So that in silence of the cloudy night,
Though it was morning, did he take his flight.
But what the secret trusty night concealed
Leander’s amorous habit soon revealed.
With Cupid’s myrtle was his bonnet crowned,
About his arms the purple riband wound
Wherewith she wreathed her largely spreading hair.
Nor could the youth abstain, but he must wear
The sacred ring wherewith she was endowed
When first religious chastity she vowed.
Which made his love through Sestos to be known,
And thence unto Abydos sooner blown
Than he could sail; for incorporeal fame
Whose weight consists in nothing but her name,
Is swifter than the wind, whose tardy plumes
Are reeking water and dull earthly fumes.
Home when he came, he seemed not to be there,
But, like exiled air ****** from his sphere,
Set in a foreign place; and straight from thence,
Alcides like, by mighty violence
He would have chased away the swelling main
That him from her unjustly did detain.
Like as the sun in a diameter
Fires and inflames objects removed far,
And heateth kindly, shining laterally,
So beauty sweetly quickens when ’tis nigh,
But being separated and removed,
Burns where it cherished, murders where it loved.
Therefore even as an index to a book,
So to his mind was young Leander’s look.
O, none but gods have power their love to hide,
Affection by the countenance is descried.
The light of hidden fire itself discovers,
And love that is concealed betrays poor lovers,
His secret flame apparently was seen.
Leander’s father knew where he had been
And for the same mildly rebuked his son,
Thinking to quench the sparkles new begun.
But love resisted once grows passionate,
And nothing more than counsel lovers hate.
For as a hot proud horse highly disdains
To have his head controlled, but breaks the reins,
Spits forth the ringled bit, and with his hooves
Checks the submissive ground; so he that loves,
The more he is restrained, the worse he fares.
What is it now, but mad Leander dares?
“O Hero, Hero!” thus he cried full oft;
And then he got him to a rock aloft,
Where having spied her tower, long stared he on’t,
And prayed the narrow toiling Hellespont
To part in twain, that he might come and go;
But still the rising billows answered, “No.”
With that he stripped him to the ivory skin
And, crying “Love, I come,” leaped lively in.
Whereat the sapphire visaged god grew proud,
And made his capering Triton sound aloud,
Imagining that Ganymede, displeased,
Had left the heavens; therefore on him he seized.
Leander strived; the waves about him wound,
And pulled him to the bottom, where the ground
Was strewed with pearl, and in low coral groves
Sweet singing mermaids sported with their loves
On heaps of heavy gold, and took great pleasure
To spurn in careless sort the shipwrack treasure.
For here the stately azure palace stood
Where kingly Neptune and his train abode.
The ***** god embraced him, called him “Love,”
And swore he never should return to Jove.
But when he knew it was not Ganymede,
For under water he was almost dead,
He heaved him up and, looking on his face,
Beat down the bold waves with his triple mace,
Which mounted up, intending to have kissed him,
And fell in drops like tears because they missed him.
Leander, being up, began to swim
And, looking back, saw Neptune follow him,
Whereat aghast, the poor soul ‘gan to cry
“O, let me visit Hero ere I die!”
The god put Helle’s bracelet on his arm,
And swore the sea should never do him harm.
He clapped his plump cheeks, with his tresses played
And, smiling wantonly, his love bewrayed.
He watched his arms and, as they opened wide
At every stroke, betwixt them would he slide
And steal a kiss, and then run out and dance,
And, as he turned, cast many a lustful glance,
And threw him gaudy toys to please his eye,
And dive into the water, and there pry
Upon his breast, his thighs, and every limb,
And up again, and close beside him swim,
And talk of love.

Leander made reply,
“You are deceived; I am no woman, I.”
Thereat smiled Neptune, and then told a tale,
How that a shepherd, sitting in a vale,
Played with a boy so fair and kind,
As for his love both earth and heaven pined;
That of the cooling river durst not drink,
Lest water nymphs should pull him from the brink.
And when he sported in the fragrant lawns,
Goat footed satyrs and upstaring fauns
Would steal him thence. Ere half this tale was done,
“Ay me,” Leander cried, “th’ enamoured sun
That now should shine on Thetis’ glassy bower,
Descends upon my radiant Hero’s tower.
O, that these tardy arms of mine were wings!”
And, as he spake, upon the waves he springs.
Neptune was angry that he gave no ear,
And in his heart revenging malice bare.
He flung at him his mace but, as it went,
He called it in, for love made him repent.
The mace, returning back, his own hand hit
As meaning to be venged for darting it.
When this fresh bleeding wound Leander viewed,
His colour went and came, as if he rued
The grief which Neptune felt. In gentle *******
Relenting thoughts, remorse, and pity rests.
And who have hard hearts and obdurate minds,
But vicious, harebrained, and illiterate hinds?
The god, seeing him with pity to be moved,
Thereon concluded that he was beloved.
(Love is too full of faith, too credulous,
With folly and false hope deluding us.)
Wherefore, Leander’s fancy to surprise,
To the rich Ocean for gifts he flies.
’tis wisdom to give much; a gift prevails
When deep persuading oratory fails.

By this Leander, being near the land,
Cast down his weary feet and felt the sand.
Breathless albeit he were he rested not
Till to the solitary tower he got,
And knocked and called. At which celestial noise
The longing heart of Hero much more joys
Than nymphs and shepherds when the timbrel rings,
Or crooked dolphin when the sailor sings.
She stayed not for her robes but straight arose
And, drunk with gladness, to the door she goes,
Where seeing a naked man, she screeched for fear
(Such sights as this to tender maids are rare)
And ran into the dark herself to hide.
(Rich jewels in the dark are soonest spied).
Unto her was he led, or rather drawn
By those white limbs which sparkled through the lawn.
The nearer that he came, the more she fled,
And, seeking refuge, slipped into her bed.
Whereon Leander sitting thus began,
Through numbing cold, all feeble, faint, and wan.
“If not for love, yet, love, for pity sake,
Me in thy bed and maiden ***** take.
At least vouchsafe these arms some little room,
Who, hoping to embrace thee, cheerly swum.
This head was beat with many a churlish billow,
And therefore let it rest upon thy pillow.”
Herewith affrighted, Hero shrunk away,
And in her lukewarm place Leander lay,
Whose lively heat, like fire from heaven fet,
Would animate gross clay and higher set
The drooping thoughts of base declining souls
Than dreary Mars carousing nectar bowls.
His hands he cast upon her like a snare.
She, overcome with shame and sallow fear,
Like chaste Diana when Actaeon spied her,
Being suddenly betrayed, dived down to hide her.
And, as her silver body downward went,
With both her hands she made the bed a tent,
And in her own mind thought herself secure,
O’ercast with dim and darksome coverture.
And now she lets him whisper in her ear,
Flatter, entreat, promise, protest and swear;
Yet ever, as he greedily assayed
To touch those dainties, she the harpy played,
And every limb did, as a soldier stout,
Defend the fort, and keep the foeman out.
For though the rising ivory mount he scaled,
Which is with azure circling lines empaled,
Much like a globe (a globe may I term this,
By which love sails to regions full of bliss)
Yet there with Sisyphus he toiled in vain,
Till gentle parley did the truce obtain.
Wherein Leander on her quivering breast
Breathless spoke something, and sighed out the rest;
Which so prevailed, as he with small ado
Enclosed her in his arms and kissed her too.
And every kiss to her was as a charm,
And to Leander as a fresh alarm,
So that the truce was broke and she, alas,
(Poor silly maiden) at his mercy was.
Love is not full of pity (as men say)
But deaf and cruel where he means to prey.
Even as a bird, which in our hands we wring,
Forth plungeth and oft flutters with her wing,
She trembling strove.

This strife of hers (like that
Which made the world) another world begat
Of unknown joy. Treason was in her thought,
And cunningly to yield herself she sought.
Seeming not won, yet won she was at length.
In such wars women use but half their strength.
Leander now, like Theban Hercules,
Entered the orchard of th’ Hesperides;
Whose fruit none rightly can describe but he
That pulls or shakes it from the golden tree.
And now she wished this night were never done,
And sighed to think upon th’ approaching sun;
For much it grieved her that the bright daylight
Should know the pleasure of this blessed night,
And them, like Mars and Erycine, display
Both in each other’s arms chained as they lay.
Again, she knew not how to frame her look,
Or speak to him, who in a moment took
That which so long so charily she kept,
And fain by stealth away she would have crept,
And to some corner secretly have gone,
Leaving Leander in the bed alone.
But as her naked feet were whipping out,
He on the sudden clinged her so about,
That, mermaid-like, unto the floor she slid.
One half appeared, the other half was hid.
Thus near the bed she blushing stood upright,
And from her countenance behold ye might
A kind of twilight break, which through the hair,
As from an orient cloud, glimpsed here and there,
And round about the chamber this false morn
Brought forth the day before the day was born.
So Hero’s ruddy cheek Hero betrayed,
And her all naked to his sight displayed,
Whence his admiring eyes more pleasure took
Than Dis, on heaps of gold fixing his look.
By this, Apollo’s golden harp began
To sound forth music to the ocean,
Which watchful Hesperus no sooner heard
But he the bright day-bearing car prepared
And ran before, as harbinger of light,
And with his flaring beams mocked ugly night,
Till she, o’ercome with anguish, shame, and rage,
Danged down to hell her loathsome carriage.
In memoriam
C. T. W.
Sometime trooper of the Royal Horse Guards
obiit H.M. prison, Reading, Berkshire
July 7, 1896

I

He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

He walked amongst the Trial Men
In a suit of shabby grey;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.

I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
‘That fellow’s got to swing.’

Dear Christ! the very prison walls
Suddenly seemed to reel,
And the sky above my head became
Like a casque of scorching steel;
And, though I was a soul in pain,
My pain I could not feel.

I only knew what hunted thought
Quickened his step, and why
He looked upon the garish day
With such a wistful eye;
The man had killed the thing he loved,
And so he had to die.

Yet each man kills the thing he loves,
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!

Some **** their love when they are young,
And some when they are old;
Some strangle with the hands of Lust,
Some with the hands of Gold:
The kindest use a knife, because
The dead so soon grow cold.

Some love too little, some too long,
Some sell, and others buy;
Some do the deed with many tears,
And some without a sigh:
For each man kills the thing he loves,
Yet each man does not die.

He does not die a death of shame
On a day of dark disgrace,
Nor have a noose about his neck,
Nor a cloth upon his face,
Nor drop feet foremost through the floor
Into an empty space.

He does not sit with silent men
Who watch him night and day;
Who watch him when he tries to weep,
And when he tries to pray;
Who watch him lest himself should rob
The prison of its prey.

He does not wake at dawn to see
Dread figures throng his room,
The shivering Chaplain robed in white,
The Sheriff stern with gloom,
And the Governor all in shiny black,
With the yellow face of Doom.

He does not rise in piteous haste
To put on convict-clothes,
While some coarse-mouthed Doctor gloats,
and notes
Each new and nerve-twitched pose,
******* a watch whose little ticks
Are like horrible hammer-blows.

He does not know that sickening thirst
That sands one’s throat, before
The hangman with his gardener’s gloves
Slips through the padded door,
And binds one with three leathern thongs,
That the throat may thirst no more.

He does not bend his head to hear
The Burial Office read,
Nor, while the terror of his soul
Tells him he is not dead,
Cross his own coffin, as he moves
Into the hideous shed.

He does not stare upon the air
Through a little roof of glass:
He does not pray with lips of clay
For his agony to pass;
Nor feel upon his shuddering cheek
The kiss of Caiaphas.

II

Six weeks our guardsman walked the yard,
In the suit of shabby grey:
His cricket cap was on his head,
And his step seemed light and gay,
But I never saw a man who looked
So wistfully at the day.

I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every wandering cloud that trailed
Its ravelled fleeces by.

He did not wring his hands, as do
Those witless men who dare
To try to rear the changeling Hope
In the cave of black Despair:
He only looked upon the sun,
And drank the morning air.

He did not wring his hands nor weep,
Nor did he peek or pine,
But he drank the air as though it held
Some healthful anodyne;
With open mouth he drank the sun
As though it had been wine!

And I and all the souls in pain,
Who tramped the other ring,
Forgot if we ourselves had done
A great or little thing,
And watched with gaze of dull amaze
The man who had to swing.

And strange it was to see him pass
With a step so light and gay,
And strange it was to see him look
So wistfully at the day,
And strange it was to think that he
Had such a debt to pay.

For oak and elm have pleasant leaves
That in the springtime shoot:
But grim to see is the gallows-tree,
With its adder-bitten root,
And, green or dry, a man must die
Before it bears its fruit!

The loftiest place is that seat of grace
For which all worldlings try:
But who would stand in hempen band
Upon a scaffold high,
And through a murderer’s collar take
His last look at the sky?

It is sweet to dance to violins
When Love and Life are fair:
To dance to flutes, to dance to lutes
Is delicate and rare:
But it is not sweet with nimble feet
To dance upon the air!

So with curious eyes and sick surmise
We watched him day by day,
And wondered if each one of us
Would end the self-same way,
For none can tell to what red Hell
His sightless soul may stray.

At last the dead man walked no more
Amongst the Trial Men,
And I knew that he was standing up
In the black dock’s dreadful pen,
And that never would I see his face
In God’s sweet world again.

Like two doomed ships that pass in storm
We had crossed each other’s way:
But we made no sign, we said no word,
We had no word to say;
For we did not meet in the holy night,
But in the shameful day.

A prison wall was round us both,
Two outcast men we were:
The world had ****** us from its heart,
And God from out His care:
And the iron gin that waits for Sin
Had caught us in its snare.

III

In Debtors’ Yard the stones are hard,
And the dripping wall is high,
So it was there he took the air
Beneath the leaden sky,
And by each side a Warder walked,
For fear the man might die.

Or else he sat with those who watched
His anguish night and day;
Who watched him when he rose to weep,
And when he crouched to pray;
Who watched him lest himself should rob
Their scaffold of its prey.

The Governor was strong upon
The Regulations Act:
The Doctor said that Death was but
A scientific fact:
And twice a day the Chaplain called,
And left a little tract.

And twice a day he smoked his pipe,
And drank his quart of beer:
His soul was resolute, and held
No hiding-place for fear;
He often said that he was glad
The hangman’s hands were near.

But why he said so strange a thing
No Warder dared to ask:
For he to whom a watcher’s doom
Is given as his task,
Must set a lock upon his lips,
And make his face a mask.

Or else he might be moved, and try
To comfort or console:
And what should Human Pity do
Pent up in Murderers’ Hole?
What word of grace in such a place
Could help a brother’s soul?

With slouch and swing around the ring
We trod the Fools’ Parade!
We did not care:  we knew we were
The Devil’s Own Brigade:
And shaven head and feet of lead
Make a merry masquerade.

We tore the tarry rope to shreds
With blunt and bleeding nails;
We rubbed the doors, and scrubbed the floors,
And cleaned the shining rails:
And, rank by rank, we soaped the plank,
And clattered with the pails.

We sewed the sacks, we broke the stones,
We turned the dusty drill:
We banged the tins, and bawled the hymns,
And sweated on the mill:
But in the heart of every man
Terror was lying still.

So still it lay that every day
Crawled like a ****-clogged wave:
And we forgot the bitter lot
That waits for fool and knave,
Till once, as we tramped in from work,
We passed an open grave.

With yawning mouth the yellow hole
Gaped for a living thing;
The very mud cried out for blood
To the thirsty asphalte ring:
And we knew that ere one dawn grew fair
Some prisoner had to swing.

Right in we went, with soul intent
On Death and Dread and Doom:
The hangman, with his little bag,
Went shuffling through the gloom:
And each man trembled as he crept
Into his numbered tomb.

That night the empty corridors
Were full of forms of Fear,
And up and down the iron town
Stole feet we could not hear,
And through the bars that hide the stars
White faces seemed to peer.

He lay as one who lies and dreams
In a pleasant meadow-land,
The watchers watched him as he slept,
And could not understand
How one could sleep so sweet a sleep
With a hangman close at hand.

But there is no sleep when men must weep
Who never yet have wept:
So we—the fool, the fraud, the knave—
That endless vigil kept,
And through each brain on hands of pain
Another’s terror crept.

Alas! it is a fearful thing
To feel another’s guilt!
For, right within, the sword of Sin
Pierced to its poisoned hilt,
And as molten lead were the tears we shed
For the blood we had not spilt.

The Warders with their shoes of felt
Crept by each padlocked door,
And peeped and saw, with eyes of awe,
Grey figures on the floor,
And wondered why men knelt to pray
Who never prayed before.

All through the night we knelt and prayed,
Mad mourners of a corse!
The troubled plumes of midnight were
The plumes upon a hearse:
And bitter wine upon a sponge
Was the savour of Remorse.

The grey **** crew, the red **** crew,
But never came the day:
And crooked shapes of Terror crouched,
In the corners where we lay:
And each evil sprite that walks by night
Before us seemed to play.

They glided past, they glided fast,
Like travellers through a mist:
They mocked the moon in a rigadoon
Of delicate turn and twist,
And with formal pace and loathsome grace
The phantoms kept their tryst.

With mop and mow, we saw them go,
Slim shadows hand in hand:
About, about, in ghostly rout
They trod a saraband:
And the ****** grotesques made arabesques,
Like the wind upon the sand!

With the pirouettes of marionettes,
They tripped on pointed tread:
But with flutes of Fear they filled the ear,
As their grisly masque they led,
And loud they sang, and long they sang,
For they sang to wake the dead.

‘Oho!’ they cried, ‘The world is wide,
But fettered limbs go lame!
And once, or twice, to throw the dice
Is a gentlemanly game,
But he does not win who plays with Sin
In the secret House of Shame.’

No things of air these antics were,
That frolicked with such glee:
To men whose lives were held in gyves,
And whose feet might not go free,
Ah! wounds of Christ! they were living things,
Most terrible to see.

Around, around, they waltzed and wound;
Some wheeled in smirking pairs;
With the mincing step of a demirep
Some sidled up the stairs:
And with subtle sneer, and fawning leer,
Each helped us at our prayers.

The morning wind began to moan,
But still the night went on:
Through its giant loom the web of gloom
Crept till each thread was spun:
And, as we prayed, we grew afraid
Of the Justice of the Sun.

The moaning wind went wandering round
The weeping prison-wall:
Till like a wheel of turning steel
We felt the minutes crawl:
O moaning wind! what had we done
To have such a seneschal?

At last I saw the shadowed bars,
Like a lattice wrought in lead,
Move right across the whitewashed wall
That faced my three-plank bed,
And I knew that somewhere in the world
God’s dreadful dawn was red.

At six o’clock we cleaned our cells,
At seven all was still,
But the sough and swing of a mighty wing
The prison seemed to fill,
For the Lord of Death with icy breath
Had entered in to ****.

He did not pass in purple pomp,
Nor ride a moon-white steed.
Three yards of cord and a sliding board
Are all the gallows’ need:
So with rope of shame the Herald came
To do the secret deed.

We were as men who through a fen
Of filthy darkness *****:
We did not dare to breathe a prayer,
Or to give our anguish scope:
Something was dead in each of us,
And what was dead was Hope.

For Man’s grim Justice goes its way,
And will not swerve aside:
It slays the weak, it slays the strong,
It has a deadly stride:
With iron heel it slays the strong,
The monstrous parricide!

We waited for the stroke of eight:
Each tongue was thick with thirst:
For the stroke of eight is the stroke of Fate
That makes a man accursed,
And Fate will use a running noose
For the best man and the worst.

We had no other thing to do,
Save to wait for the sign to come:
So, like things of stone in a valley lone,
Quiet we sat and dumb:
But each man’s heart beat thick and quick,
Like a madman on a drum!

With sudden shock the prison-clock
Smote on the shivering air,
And from all the gaol rose up a wail
Of impotent despair,
Like the sound that frightened marshes hear
From some ***** in his lair.

And as one sees most fearful things
In the crystal of a dream,
We saw the greasy hempen rope
Hooked to the blackened beam,
And heard the prayer the hangman’s snare
Strangled into a scream.

And all the woe that moved him so
That he gave that bitter cry,
And the wild regrets, and the ****** sweats,
None knew so well as I:
For he who lives more lives than one
More deaths than one must die.

IV

There is no chapel on the day
On which they hang a man:
The Chaplain’s heart is far too sick,
Or his face is far too wan,
Or there is that written in his eyes
Which none should look upon.

So they kept us close till nigh on noon,
And then they rang the bell,
And the Warders with their jingling keys
Opened each listening cell,
And down the iron stair we tramped,
Each from his separate Hell.

Out into God’s sweet air we went,
But not in wonted way,
For this man’s face was white with fear,
And that man’s face was grey,
And I never saw sad men who looked
So wistfully at the day.

I never saw sad men who looked
With such a wistful eye
Upon that little tent of blue
We prisoners called the sky,
And at every careless cloud that passed
In happy freedom by.

But there were those amongst us all
Who walked with downcast head,
And knew that, had each got his due,
They should have died instead:
He had but killed a thing that lived,
Whilst they had killed the dead.

For he who sins a second time
Wakes a dead soul to pain,
And draws it from its spotted shroud,
And makes it bleed again,
And makes it bleed great gouts of blood,
And makes it bleed in vain!

Like ape or clown, in monstrous garb
With crooked arrows starred,
Silently we went round and round
The slippery asphalte yard;
Silently we went round and round,
And no man spoke a word.

Silently we went round and round,
And through each hollow mind
The Memory of dreadful things
Rushed like a dreadful wind,
And Horror stalked before each man,
And Terror crept behind.

The Warders strutted up and down,
And kept their herd of brutes,
Their uniforms were ***** and span,
And they wore their Sunday suits,
But we knew the work they had been at,
By the quicklime on their boots.

For where a grave had opened wide,
There was no grave at all:
Only a stretch of mud and sand
By the hideous prison-wall,
And a little heap of burning lime,
That the man should have his pall.

For he has a pall, this wretched man,
Such as few men can claim:
Deep down below a prison-yard,
Naked for greater shame,
He lies, with fetters on each foot,
Wrapt in a sheet of flame!

And all the while the burning lime
Eats flesh and bone away,
It eats the brittle bone by night,
And the soft flesh by day,
It eats the flesh and bone by turns,
But it eats the heart alway.

For three long years they will not sow
Or root or seedling there:
For three long years the unblessed spot
Will sterile be and bare,
And look upon the wondering sky
With unreproachful stare.

They think a murderer’s heart would taint
Each simple seed they sow.
It is not true!  God’s kindly earth
Is kindlier than men know,
And the red rose would but blow more red,
The white rose whiter blow.

Out of his mouth a red, red rose!
Out of his heart a white!
For who can say by what strange way,
Christ brings His will to light,
Since the barren staff the pilgrim bore
Bloomed in the great Pope’s sight?

But neither milk-white rose nor red
May bloom in prison-air;
The shard, the pebble, and the flint,
Are what they give us there:
For flowers have been known to heal
A common man’s despair.

So never will wine-red rose or white,
Petal by petal, fall
On that stretch of mud and sand that lies
By the hideous prison-wall,
To tell the men who ***** the yard
That God’s Son died for all.

Yet though the hideous prison-wall
Still hems him round and round,
And a spirit may not walk by night
That is with fetters bound,
And a spirit may but weep that lies
In such unholy ground,

He is at peace—this wretched man—
At peace, or will be soon:
There is no thing to m
A waif on this earth,
Sick, ugly and small,
Contemned from my birth
And rejected by all,
From my lips broke a cry,
Such as anguish may wring,
Sing, — said God in reply,
Chant poor little thing.


By Wealth's coach besmeared
With dirt in a shower,
Insulted and jeered
By the minions of power,
Where — oh where shall I fly?
Who comfort will bring?
Sing, — said God in reply,
Chant poor little thing.


Life struck me with fright —
Full of chances and pain,
So I hugged with delight
The drudge's hard chain;
One must eat, — yet I die,
Like a bird with clipped wing,
Sing — said God in reply,
Chant poor little thing.


Love cheered for a while
My morn with his ray,
But like a ripple or smile
My youth passed away.
Now near Beauty I sigh,
But fled is the spring!
Sing — said God in reply,
Chant poor little thing.


All men have a task,
And to sing is my lot —
No meed from men I ask
But one kindly thought.
My vocation is high —
'Mid the glasses that ring,
Still — still comes that reply,
Chant poor little thing.
My back is laced with scars
Given to me as a parting gift,
As a symbol of the love-that-never-was
Some have already been fully absorbed
Just their tips sticking out,
Forming a grotesque picture
Others, still fresh, still being taken in
Just their tips are slightly embedded

Another one would hardly make a difference
Might wring a cry of pain but nothing much afterwards
-
The glint of the tear as it slides down,
silently,
heedlessly,
into the black abyss,
threatening, wanting,
desperation lacing it's movements,

-

There's a silent 'plop!' sound as it touches
The floor so far below.
So far, so far that no one can see it.
So deep, so deep that no one can hear it

She hardly notices the spare, the extra
There have been too many for her to care
For one more.

A dozen more land in her back,
Angered by her impassiveness

She swivels around because she's still savouring
The ones that are there

For a minute, time stops, the blades stop
The girl's heart, or where it should've been...
That empty little space, occupied by three long
Swords stuck in it's place
They pierce right through her body,
So different from those knives that decorate her back.

Their tips face your eyes
The sword entered her through her back

It would've been a tragedy if only her eyes...
Oh, if only her eyes were something more
Than just endless holes
( - deeper, darker, blacker
more despairing than
the black abyss under her

very feet

-    )
Helpful critique welcomed. :)
JG Reposh Sep 2010
Two hands in solemn judgement wring,
Twisting so 'round solid thought
And bound in letter grades is law
All heaviness and lightness nought

Pleasantry found under guise
Of intentions thick and dead
Remembered then by prisoners gone
So slowly and so wrongly led

Leave now, leave
Before it's seen
With heat in air and soot in lung
In greyest sky a sun doth gleam
And in deepest wood, a trap is sprung

Begone you deepest premonitions
As leaves do fall and seas do break
Please now: guard my sacred heart
And never let your hands it take

Should eyes not see
Should breath not fall;
no longer I in purpose wait
With heart of gold, in purpose wait
With heart of gold and love of slate
Michael R Burch Mar 2020
Modern Charon
by Michael R. Burch

I, too, have stood―paralyzed at the helm
watching onrushing, inevitable disaster.
I too have felt sweat (or ecstatic tears) plaster
damp hair to my eyes, as a slug’s dense film
becomes mucous-insulate. Always, thereafter
living in darkness, bright things overwhelm.

Originally published by The Neovictorian/Cochlea. I wrote this poem in 2001 after the 911 terrorist attacks.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.



Burn
by Michael R. Burch

for Trump

Sunbathe,
ozone baby,
till your parched skin cracks
in the white-hot flash
of radiation.

Incantation
from your pale parched lips
shall not avail;
you made this hell.
Now burn.



Bikini
by Michael R. Burch

Undersea, by the shale and the coral forming,
by the shell’s pale rose and the pearl’s bright eye,
through the sea’s green bed of lank seaweed worming
like tangled hair where cold currents rise ...
something lurks where the riptides sigh,
something old, and odd, and wise.

Something old when the world was forming
now lifts its beak, its snail-blind eye,
and, with tentacles like Medusa's squirming,
it feels the cloud blot out the skies' ...
then shudders, settles with a sigh,
understanding man’s demise.



This poem has over 800,000 Google results for the eleventh line. That's a lot of cutting and pasting!

First They Came for the Muslims
by Michael R. Burch

after Martin Niemoller

First they came for the Muslims
and I did not speak out
because I was not a Muslim.

Then they came for the homosexuals
and I did not speak out
because I was not a homosexual.

Then they came for the feminists
and I did not speak out
because I was not a feminist.

Now when will they come for me
because I was too busy and too apathetic
to defend my sisters and brothers?

Published in Amnesty International’s Words That Burn anthology, and by Borderless Journal (India), The Hindu (India), Matters India, New Age Bangladesh, Convivium Journal, PressReader (India) and Kracktivist (India)

It is indeed an honor to have one of my poems published by an outstanding organization like Amnesty International. A stated goal for the "Words That Burn" anthology is to teach students about human rights through poetry.



Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls, her *******
gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



Safe Harbor
by Michael R. Burch

for Kevin N. Roberts

The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

Published by The Lyric, Grassroots Poetry, Romantics Quarterly, Angle, Poetry Life & Times



Distances
by Michael R. Burch

Moonbeams on water—
the reflected light
of a halcyon star
now drowning in night ...
So your memories are.

Footprints on beaches
now flooding with water;
the small, broken ribcage
of some primitive slaughter ...
So near, yet so far.

Originally published by The Poetry Porch/Sonnet Scroll



Fascination with Light
by Michael R. Burch

Desire glides in on calico wings,
a breath of a moth
seeking a companionable light,

where it hovers, unsure,
sullen, shy or demure,
in the margins of night,

a soft blur.

With a frantic dry rattle
of alien wings,
it rises and thrums one long breathless staccato

and flutters and drifts on in dark aimless flight.

And yet it returns
to the flame, its delight,
as long as it burns.

Originally published by The HyperTexts



Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty ...

what do we know of love,
or duty?



Water and Gold
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy's a wan illusion to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.

Published by The Lyric, Black Medina, The Eclectic Muse, Kritya (India), Shabestaneh (Iran), Anthology of Contemporary American Poetry, Captivating Poetry (Anthology), Strange Road, Freshet, Shot Glass Journal, Better Than Starbucks, Famous Poets and Poems, Sonnetto Poesia, Poetry Life & Times



escape!!!
by michael r. burch

for anaïs vionet

to live among the daffodil folk . . .
slip down the rainslickened drainpipe . . .
suddenly pop out
the GARGANTUAN SPOUT . . .
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.



Leave Taking
by Michael R. Burch

Brilliant leaves abandon battered limbs
to waltz upon ecstatic winds
until they die.

But the barren and embittered trees,
lament the frolic of the leaves
and curse the bleak November sky ...

Now, as I watch the leaves' high flight
before the fading autumn light,
I think that, perhaps, at last I may

have learned what it means to say—
goodbye.

This poem started out as a stanza in a much longer poem, "Jessamyn's Song," that dates to around age 14 or 15.



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.

Originally published by The Lyric



bachelorhoodwinked
by Michael R. Burch

u
are
charming
& disarming,
but mostly alarming
since all my resolve
dissolved!

u
are
chic
as a sheikh's
harem girl in the sheets
but my castle’s no longer my own
and my kingdom's been overthrown!



chrysalis
by Michael R. Burch

these are the days of doom
u seldom leave ur room
u live in perpetual gloom

yet also the days of hope
how to cope?
u pray and u *****

toward self illumination ...
becoming an angel
(pure love)

and yet You must love Your Self



Self Reflection
by Michael R. Burch

(for anyone struggling with self-image)

She has a comely form
and a smile that brightens her dorm ...
but she's grossly unthin
when seen from within;
soon a griefstricken campus will mourn.

Yet she'd never once criticize
a friend for the size of her thighs.
Do unto others—
sisters and brothers?
Yes, but also ourselves, likewise.



War is Obsolete
by Michael R. Burch

Trump’s war is on children and their mothers.
"An eye for an eye leaves the whole world blind." ― Gandhi

War is obsolete;
even the strange machinery of dread
weeps for the child in the street
who cannot lift her head
to reprimand the Man
who failed to countermand
her soft defeat.

But war is obsolete;
even the cold robotic drone
that flies far overhead
has sense enough to moan
and shudder at her plight
(only men bereft of Light
with hearts indurate stone
embrace war’s Siberian night.)

For war is obsolete;
man’s tribal “gods,” long dead,
have fled his awakening sight
while the true Sun, overhead,
has pity on her plight.
O sweet, precipitate Light!―
embrace her, reject the night
that leaves gentle fledglings dead.

For each brute ancestor lies
with his totems and his “gods”
in the slavehold of premature night
that awaited him in his tomb;
while Love, the ancestral womb,
still longs to give birth to the Light.
So which child shall we ****** tonight,
or which Ares condemn to the gloom?

Originally published by The Flea. While campaigning for president in 2016, Donald Trump said that, as commander-in-chief of the American military, he would order American soldiers to track down and ****** women and children as "retribution" for acts of terrorism. When aghast journalists asked Trump if he could possibly have meant what he said, he verified more than once that he did. Keywords/Tags: war, terrorism, retribution, violence, ******, children, Gandhi, Trump, drones



In My House
by Michael R. Burch

When you were in my house
you were not free―
in chains bound.

Manifest Destiny?

I was wrong;
my plantation burned to the ground.
I was wrong.
This is my song,
this is my plea:
I was wrong.

When you are in my house,
now, I am not free.
I feel the song
hurling itself back at me.
We were wrong.
This is my history.

I feel my tongue
stilting accordingly.

We were wrong;
brother, forgive me.

Published by Black Medina



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom―
that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.

I may have been reading too many gothic ghost stories when I wrote this one! I think it shows a good touch with meter for a young poet, since I wrote it in my early teens.



In Praise of Meter
by Michael R. Burch

The earth is full of rhythms so precise
the octave of the crystal can produce
a trillion oscillations, yet not lose
a second's beat. The ear needs no device
to hear the unsprung rhythms of the couch
drown out the mouth's; the lips can be debauched
by kisses, should the heart put back its watch
and find the pulse of love, and sing, devout.
If moons and tides in interlocking dance
obey their numbers, what's been left to chance?
Should poets be more lax―their circumstance
as humble as it is?―or readers wince
to see their ragged numbers thin, to hear
the moans of drones drown out the Chanticleer?

Originally published by The Eclectic Muse, then in The Best of the Eclectic Muse 1989-2003



Completing the Pattern
by Michael R. Burch

Walk with me now, among the transfixed dead
who kept life’s compact and who thus endure
harsh sentence here—among pink-petaled beds
and manicured green lawns. The sky’s azure,
pale blue once like their eyes, will gleam blood-red
at last when sunset staggers to the door
of each white mausoleum, to inquire—
What use, O things of erstwhile loveliness?



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
—feverish, wet—
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.

Published by Grassroots Poetry and Poetry Webring



The Harvest of Roses
by Michael R. Burch

for Harvey Stanbrough

I have not come for the harvest of roses—
the poets' mad visions,
their railing at rhyme ...
for I have discerned what their writing discloses:
weak words wanting meaning,
beat torsioning time.

Nor have I come for the reaping of gossamer—
images weak,
too forced not to fail;
gathered by poets who worship their luster,
they shimmer, impendent,
resplendently pale.

Originally published by The Raintown Review when Harvey Stanbrough was the editor



White in the Shadows
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell
Love it is commonplace;

tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.
Lost in darkness, I fear
the past is our resting place.

Published by Carnelian, The Chained Muse, Poetry Life & Times, A-Poem-A-Day and in a YouTube video by Aurora G. with the titles “Ghost,” “White Goddess” and “White in the Shadows”



The Octopi Jars
by Michael R. Burch

Long-vacant eyes
now lodged in clear glass,
a-swim with pale arms
as delicate as angels'...

you are beyond all hope
of salvage now...
and yet I would pause,
no fear!,
to once touch
your arcane beaks...

I, more alien than you
to this imprismed world,
notice, most of all,
the scratches on the inside surfaces
of your hermetic cells ...

and I remember documentaries
of albino Houdinis
slipping like wraiths
over the walls of shipboard aquariums,
slipping down decks'
brine-lubricated planks,
spilling jubilantly into the dark sea,
parachuting through clouds of pallid ammonia...

and I know now in life you were unlike me:
your imprisonment was never voluntary.



The Children of Gaza

Nine of my poems have been set to music by the composer Eduard de Boer and have been performed in Europe by the Palestinian soprano Dima Bawab. My poems that became “The Children of Gaza” were written from the perspective of Palestinian children and their mothers. On this page the poems come first, followed by the song lyrics, which have been adapted in places to fit the music …



Epitaph for a Child of Gaza
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



For a Child of Gaza, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow?

Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



I Pray Tonight
by Michael R. Burch

for the children of Gaza and their mothers

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Something
by Michael R. Burch

for the mothers and children of Gaza

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
and finality has swept into a corner where it lies
in dust and cobwebs and silence.



Mother’s Smile
by Michael R. Burch

for the mothers of Gaza and their children

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,

then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”



My nightmare ...

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



I, too, have a dream ...

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



Suffer the Little Children
by Nakba

I saw the carnage . . . saw girls' dreaming heads
blown to red atoms, and their dreams with them . . .

saw babies liquefied in burning beds
as, horrified, I heard their murderers’ phlegm . . .

I saw my mother stitch my shroud’s black hem,
for in that moment I was one of them . . .

I saw our Father’s eyes grow hard and bleak
to see frail roses severed at the stem . . .

How could I fail to speak?
―Nakba is an alias of Michael R. Burch



Here We Shall Remain
by Tawfiq Zayyad
loose translation/interpretation by Michael R. Burch

Like twenty impossibilities
in Lydda, Ramla and Galilee ...
here we shall remain.

Like brick walls braced against your chests;
lodged in your throats
like shards of glass
or prickly cactus thorns;
clouding your eyes
like sandstorms.

Here we shall remain,
like brick walls obstructing your chests,
washing dishes in your boisterous bars,
serving drinks to our overlords,
scouring your kitchens' filthy floors
in order to ****** morsels for our children
from between your poisonous fangs.

Here we shall remain,
like brick walls deflating your chests
as we face our deprivation clad in rags,
singing our defiant songs,
chanting our rebellious poems,
then swarming out into your unjust streets
to fill dungeons with our dignity.

Like twenty impossibilities
in Lydda, Ramla and Galilee,
here we shall remain,
guarding the shade of the fig and olive trees,
fermenting rebellion in our children
like yeast in dough.

Here we wring the rocks to relieve our thirst;
here we stave off starvation with dust;
but here we remain and shall not depart;
here we spill our expensive blood
and do not hoard it.

For here we have both a past and a future;
here we remain, the Unconquerable;
so strike fast, penetrate deep,
O, my roots!



Labor Pains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight the wind wafts pollen through ruined fields and homes.
The earth shivers with love, with the agony of giving birth,
while the Invader spreads stories of submission and surrender.

O, Arab Aurora!

Tell the Usurper: childbirth’s a force beyond his ken
because a mother’s wracked body reveals a rent that inaugurates life,
a crack through which light dawns in an instant
as the blood’s rose blooms in the wound.



Hamza
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Hamza was one of my hometown’s ordinary men
who did manual labor for bread.

When I saw him recently,
the land still wore its mourning dress in the solemn windless silence
and I felt defeated.

But Hamza-the-unextraordinary said:
“Sister, our land’s throbbing heart never ceases to pound,
and it perseveres, enduring the unendurable, keeping the secrets of mounds and wombs.
This land sprouting cactus spikes and palms also births freedom-fighters.
Thus our land, my sister, is our mother!”

Days passed and Hamza was nowhere to be seen,
but I felt the land’s belly heaving in pain.
At sixty-five Hamza’s a heavy burden on her back.

“Burn down his house!”
some commandant screamed,
“and slap his son in a prison cell!”

As our town’s military ruler later explained
this was necessary for law and order,
that is, an act of love, for peace!

Armed soldiers surrounded Hamza’s house;
the coiled serpent completed its circle.

The bang at his door came with an ultimatum:
“Evacuate, **** it!'
So generous with their time, they said:
“You can have an hour, yes!”

Hamza threw open a window.
Face-to-face with the blazing sun, he yelled defiantly:
“Here in this house I and my children will live and die, for Palestine!”
Hamza's voice echoed over the hemorrhaging silence.

An hour later, with impeccable timing, Hanza’s house came crashing down
as its rooms were blown sky-high and its bricks and mortar burst,
till everything settled, burying a lifetime’s memories of labor, tears, and happier times.

Yesterday I saw Hamza
walking down one of our town’s streets ...
Hamza-the-unextraordinary man who remained as he always was:
unshakable in his determination.



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



Palestine
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

This land gives us
all that makes life worthwhile:
April's blushing advances,
the aroma of bread warming at dawn,
a woman haranguing men,
the poetry of Aeschylus,
love's trembling beginnings,
a boulder covered with moss,
mothers who dance to the flute's sighs,
and the invaders' fear of memories.

This land gives us
all that makes life worthwhile:
September's rustling end,
a woman leaving forty behind, still full of grace, still blossoming,
an hour of sunlight in prison,
clouds taking the shapes of unusual creatures,
the people's applause for those who mock their assassins,
and the tyrant's fear of songs.

This land gives us
all that makes life worthwhile:
Lady Earth, mother of all beginnings and endings!
In the past she was called Palestine
and tomorrow she will still be called Palestine.
My Lady, because you are my Lady, I deserve life!



Distant light
by Walid Khazindar
loose translation/interpretation by Michael R. Burch

Bitterly cold,
winter clings to the naked trees.
If only you would free
the bright sparrows
from the tips of your fingers
and release a smile—that shy, tentative smile—
from the imprisoned anguish I see.
Sing! Can we not sing
as if we were warm, hand-in-hand,
shielded by shade from a glaring sun?
Can you not always remain this way,
stoking the fire, more beautiful than necessary, and silent?
Darkness increases; we must remain vigilant
and this distant light is our only consolation—
this imperiled flame, which from the beginning
has been flickering,
in danger of going out.
Come to me, closer and closer.
I don't want to be able to tell my hand from yours.
And let's stay awake, lest the snow smother us.

Walid Khazindar was born in 1950 in Gaza City. He is considered one of the best Palestinian poets; his poetry has been said to be "characterized by metaphoric originality and a novel thematic approach unprecedented in Arabic poetry." He was awarded the first Palestine Prize for Poetry in 1997.



Excerpt from “Speech of the Red Indian”
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Let's give the earth sufficient time to recite
the whole truth ...
The whole truth about us.
The whole truth about you.

In tombs you build
the dead lie sleeping.
Over bridges you *****
file the newly slain.

There are spirits who light up the night like fireflies.
There are spirits who come at dawn to sip tea with you,
as peaceful as the day your guns mowed them down.

O, you who are guests in our land,
please leave a few chairs empty
for your hosts to sit and ponder
the conditions for peace
in your treaty with the dead.



Existence
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice —
until I perceived
your unique radiance.

Then the bleak blackness broke
and in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate, yet distant!
Don't you remember the coalescence
Of our spirits in the flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me again,
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know ...
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal our happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth absorbs the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—when nothing remains.



Identity Card
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Record!
I am an Arab!
And my identity card is number fifty thousand.
I have eight children;
the ninth arrives this autumn.
Will you be furious?

Record!
I am an Arab!
Employed at the quarry,
I have eight children.
I provide them with bread,
clothes and books
from the bare rocks.
I do not supplicate charity at your gates,
nor do I demean myself at your chambers' doors.
Will you be furious?

Record!
I am an Arab!
I have a name without a title.
I am patient in a country
where people are easily enraged.
My roots
were established long before the onset of time,
before the unfolding of the flora and fauna,
before the pines and the olive trees,
before the first grass grew.
My father descended from plowmen,
not from the privileged classes.
My grandfather was a lowly farmer
neither well-bred, nor well-born!
Still, they taught me the pride of the sun
before teaching me how to read;
now my house is a watchman's hut
made of branches and cane.
Are you satisfied with my status?
I have a name, but no title!

Record!
I am an Arab!
You have stolen my ancestors' orchards
and the land I cultivated
along with my children.
You left us nothing
but these bare rocks.
Now will the State claim them
as it has been declared?

Therefore!
Record on the first page:
I do not hate people
nor do I encroach,
but if I become hungry
I will feast on the usurper's flesh!
Beware!
Beware my hunger
and my anger!

NOTE: Darwish was married twice, but had no children. In the poem above, he is apparently speaking for his people, not for himself personally.



Passport
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

They left me unrecognizable in the shadows
that bled all colors from this passport.
To them, my wounds were novelties—
curious photos for tourists to collect.
They failed to recognize me. No, don't leave
the palm of my hand bereft of sun
when all the trees recognize me
and every song of the rain honors me.
Don't set a wan moon over me!

All the birds that flocked to my welcoming wave
as far as the distant airport gates,
all the wheatfields,
all the prisons,
all the albescent tombstones,
all the barbwired boundaries,
all the fluttering handkerchiefs,
all the eyes—
they all accompanied me.
But they were stricken from my passport
shredding my identity!

How was I stripped of my name and identity
on soil I tended with my own hands?
Today, Job's lamentations
re-filled the heavens:
Don't make an example of me, not again!
Prophets! Gentlemen!—
Don't require the trees to name themselves!
Don't ask the valleys who mothered them!
My forehead glistens with lancing light.
From my hand the riverwater springs.
My identity can be found in my people's hearts,
so invalidate this passport!



Autumn Conundrum
by Michael R. Burch

for the mothers and children of Gaza

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Piercing the Shell

for the mothers and children of Gaza

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.



gimME that ol’ time religion!
by michael r. burch

fiddle-dee-dum, fiddle-dee-dee,
jesus loves and understands ME!
safe in his grace, I’LL **** them to hell—
the strumpet, the harlot, the wild jezebel,
the alky, the druggie, all queers short and tall!
let them drink ashes and wormwood and gall,
’cause fiddle-dee-DUMB, fiddle-dee-WEEEEEEEEEee ...
jesus loves and understands
ME!



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.



Bittersight
by Michael R. Burch

for Abu al-Ala Al-Ma'arri, an ancient antinatalist poet

To be plagued with sight
in the Land of the Blind,
—to know birth is death
and that Death is kind—
is to be flogged like Eve
(stripped, sentenced and fined)
because evil is “good”
as some “god” has defined.



In His Kingdom of Corpses
by Michael R. Burch

In His kingdom of corpses,
God has been heard to speak
in many enraged discourses,
high, high from some mountain peak
where He’s lectured man on compassion
while the sparrows around Him fell,
and babes, for His meager ration
of rain, died and went to hell,
unbaptized, for that’s His fashion.

In His kingdom of corpses,
God has been heard to vent
in many obscure discourses
on the need for man to repent,
to admit that he’s a sinner;
give up ***, and riches, and fame;
be disciplined at his dinner
though always he dies the same,
whether fatter or thinner.

In his kingdom of corpses,
God has been heard to speak
in many absurd discourses
of man’s Ego, precipitous Peak!,
while demanding praise and worship,
and the bending of every knee.
And though He sounds like the Devil,
all religious men now agree
He loves them indubitably.



Uyghur Poetry Translations

With my translations I am trying to build awareness of the plight of Uyghur poets and their people, who are being sent in large numbers to Chinese "reeducation" concentration camps.

Perhat Tursun (1969-????) is one of the foremost living Uyghur language poets, if he is still alive. Unfortunately, Tursun was "disappeared" into a Chinese "reeducation" concentration camp where extreme psychological torture is the norm. According to a disturbing report he was later "hospitalized." Apparently no one knows his present whereabouts or condition, if he has one. According to John Bolton, when Donald Trump learned of these "reeducation" concentration camps, he told Chinese President Xi Jinping it was "exactly the right thing to do." Trump’s excuse? "Well, we were in the middle of a major trade deal."

Elegy
by Perhat Tursun
loose translation/interpretation by Michael R. Burch

"Your soul is the entire world."
―Hermann Hesse, Siddhartha

Asylum seekers, will you recognize me among the mountain passes' frozen corpses?
Can you identify me here among our Exodus's exiled brothers?
We begged for shelter but they lashed us bare; consider our naked corpses.
When they compel us to accept their massacres, do you know that I am with you?

Three centuries later they resurrect, not recognizing each other,
Their former greatness forgotten.
I happily ingested poison, like a fine wine.
When they search the streets and cannot locate our corpses, do you know that I am with you?

In that tower constructed of skulls you will find my dome as well:
They removed my head to more accurately test their swords' temper.
When before their swords our relationship flees like a flighty lover,
Do you know that I am with you?

When men in fur hats are used for target practice in the marketplace
Where a dying man's face expresses his agony as a bullet cleaves his brain
While the executioner's eyes fail to comprehend why his victim vanishes, ...
Seeing my form reflected in that bullet-pierced brain's erratic thoughts,
Do you know that I am with you?

In those days when drinking wine was considered worse than drinking blood,
did you taste the flour ground out in that blood-turned churning mill?
Now, when you sip the wine Ali-Shir Nava'i imagined to be my blood
In that mystical tavern's dark abyssal chambers,
Do you know that I am with you?

TRANSLATOR NOTES: This is my interpretation (not necessarily correct) of the poem's frozen corpses left 300 years in the past. For the Uyghur people the Mongol period ended around 1760 when the Qing dynasty invaded their homeland, then called Dzungaria. Around a million people were slaughtered during the Qing takeover, and the Dzungaria territory was renamed Xinjiang. I imagine many Uyghurs fleeing the slaughters would have attempted to navigate treacherous mountain passes. Many of them may have died from starvation and/or exposure, while others may have been caught and murdered by their pursuers. If anyone has a better explanation, they are welcome to email me at mikerburch@gmail.com (there is an "r" between my first and last names).



The Fog and the Shadows
adapted from a novel by Perhat Tursun
loose translation/interpretation by Michael R. Burch

“I began to realize the fog was similar to the shadows.”

I began to realize that, just as the exact shape of darkness is a shadow,
even so the exact shape of fog is disappearance
and the exact shape of a human being is also disappearance.
At this moment it seemed my body was vanishing into the human form’s final state.

After I arrived here,
it was as if the danger of getting lost
and the desire to lose myself
were merging strangely inside me.

While everything in that distant, gargantuan city where I spent my five college years felt strange to me; and even though the skyscrapers, highways, ditches and canals were built according to a single standard and shape, so that it wasn’t easy to differentiate them, still I never had the feeling of being lost. Everyone there felt like one person and they were all folded into each other. It was as if their faces, voices and figures had been gathered together like a shaman’s jumbled-up hair.

Even the men and women seemed identical.
You could only tell them apart by stripping off their clothes and examining them.
The men’s faces were beardless like women’s and their skin was very delicate and unadorned.
I was always surprised that they could tell each other apart.
Later I realized it wasn’t just me: many others were also confused.

For instance, when we went to watch the campus’s only TV in a corridor of a building where the seniors stayed when they came to improve their knowledge. Those elderly Uyghurs always argued about whether someone who had done something unusual in an earlier episode was the same person they were seeing now. They would argue from the beginning of the show to the end. Other people, who couldn’t stand such endless nonsense, would leave the TV to us and stalk off.

Then, when the classes began, we couldn’t tell the teachers apart.
Gradually we became able to tell the men from the women
and eventually we able to recognize individuals.
But other people remained identical for us.

The most surprising thing for me was that the natives couldn’t differentiate us either.
For instance, two police came looking for someone who had broken windows during a fight at a restaurant and had then run away.
They ordered us line up, then asked the restaurant owner to identify the culprit.
He couldn’t tell us apart even though he inspected us very carefully.
He said we all looked so much alike that it was impossible to tell us apart.
Sighing heavily, he left.



The Encounter
by Abdurehim Otkur
loose translation/interpretation by Michael R. Burch

I asked her, why aren’t you afraid? She said her God.
I asked her, anything else? She said her People.
I asked her, anything more? She said her Soul.
I asked her if she was content? She said, I am Not.



The Distance
by Tahir Hamut
loose translation/interpretation by Michael R. Burch

We can’t exclude the cicadas’ serenades.
Behind the convex glass of the distant hospital building
the nurses watch our outlandish party
with their absurdly distorted faces.

Drinking watered-down liquor,
half-****, descanting through the open window,
we speak sneeringly of life, love, girls.
The cicadas’ serenades keep breaking in,
wrecking critical parts of our dissertations.

The others dream up excuses to ditch me
and I’m left here alone.

The cosmopolitan pyramid
of drained bottles
makes me feel
like I’m in a Turkish bath.

I lock the door:
Time to get back to work!

I feel like doing cartwheels.
I feel like self-annihilation.



Refuge of a Refugee
by Ablet Abdurishit Berqi aka Tarim
loose translation/interpretation by Michael R. Burch

I lack a passport,
so I can’t leave legally.
All that’s left is for me to smuggle myself to safety,
but I’m afraid I’ll be beaten black and blue at the border
and I can’t afford the trafficker.

I’m a smuggler of love,
though love has no national identity.
Poetry is my refuge,
where a refugee is most free.

The following excerpts, translated by Anne Henochowicz, come from an essay written by Tang Danhong about her final meeting with Dr. Ablet Abdurishit Berqi, aka Tarim. Tarim is a reference to the Tarim Basin and its Uyghur inhabitants...

I’m convinced that the poet Tarim Ablet Berqi the associate professor at the Xinjiang Education Institute, has been sent to a “concentration camp for educational transformation.” This scholar of Uyghur literature who conducted postdoctoral research at Israel’s top university, what kind of “educational transformation” is he being put through?

Chen Quanguo, the Communist Party secretary of Xinjiang, has said it’s “like the instruction at school, the order of the military, and the security of prison. We have to break their blood relations, their networks, and their roots.”

On a scorching summer day, Tarim came to Tel Aviv from Haifa. In a few days he would go back to Urumqi. I invited him to come say goodbye and once again prepared Sichuan cold noodles for him. He had already unfriended me on Facebook. He said he couldn’t eat, he was busy, and had to hurry back to Haifa. He didn’t even stay for twenty minutes. I can’t even remember, did he sit down? Did he have a glass of water? Yet this farewell shook me to my bones.

He said, “Maybe when I get off the plane, before I enter the airport, they’ll take me to a separate room and beat me up, and I’ll disappear.”

Looking at my shocked face, he then said, “And maybe nothing will happen …”

His expression was sincere. To be honest, the Tarim I saw rarely smiled. Still, layer upon layer blocked my powers of comprehension: he’s a poet, a writer, and a scholar. He’s an associate professor at the Xinjiang Education Institute. He can get a passport and come to Israel for advanced studies. When he goes back he’ll have an offer from Sichuan University to be a professor of literature … I asked, “Beat you up at the airport? Disappear? On what grounds?”

“That’s how Xinjiang is,” he said without any surprise in his voice. “When a Uyghur comes back from being abroad, that can happen.”…



This poem helps us understand the nomadic lifestyle of many Uyghurs, the hardships they endure, and the character it builds...

Iz (“Traces”)
by Abdurehim Otkur
loose translation/interpretation by Michael R. Burch

We were children when we set out on this journey;
Now our grandchildren ride horses.

We were just a few when we set out on this arduous journey;
Now we're a large caravan leaving traces in the desert.

We leave our traces scattered in desert dunes' valleys
Where many of our heroes lie buried in sandy graves.

But don't say they were abandoned: amid the cedars
their resting places are decorated by springtime flowers!

We left the tracks, the station... the crowds recede in the distance;
The wind blows, the sand swirls, but here our indelible trace remains.

The caravan continues, we and our horses become thin,
But our great-grand-children will one day rediscover those traces.



My Feelings
by Dolqun Yasin
loose translation/interpretation by Michael R. Burch

The light sinking through the ice and snow,
The hollyhock blossoms reddening the hills like blood,
The proud peaks revealing their ******* to the stars,
The morning-glories embroidering the earth’s greenery,
Are not light,
Not hollyhocks,
Not peaks,
Not morning-glories;
They are my feelings.

The tears washing the mothers’ wizened faces,
The flower-like smiles suddenly brightening the girls’ visages,
The hair turning white before age thirty,
The night which longs for light despite the sun’s laughter,
Are not tears,
Not smiles,
Not hair,
Not night;
They are my nomadic feelings.

Now turning all my sorrow to passion,
Bequeathing to my people all my griefs and joys,
Scattering my excitement like flowers festooning fields,
I harvest all these, then tenderly glean my poem.

Therefore the world is this poem of mine,
And my poem is the world itself.



To My Brother the Warrior
by Téyipjan Éliyow
loose translation/interpretation by Michael R. Burch

When I accompanied you,
the commissioners called me a child.
If only I had been a bit taller
I might have proved myself in battle!

The commission could not have known
my commitment, despite my youth.
If only they had overlooked my age and enlisted me,
I'd have given that enemy rabble hell!

Now, brother, I’m an adult.
Doubtless, I’ll join the service soon.
Soon enough, I’ll be by your side,
battling the enemy: I’ll never surrender!

Keywords/Tags: Uyghur, translation, Uighur, Xinjiang, elegy, Kafka, China, Chinese, reeducation, prison, concentration camp, desert, nomad, nomadic, race, racism, discrimination, Islam, Islamic, Muslim, mrbuyghur



Free Fall to Liftoff
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
                                 and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to ...



The One True Poem
by Michael R. Burch

Love was not meaningless ...
nor your embrace, nor your kiss.

And though every god proved a phantom,
still you were divine to your last dying atom ...

So that when you are gone
and, yea, not a word remains of this poem,

even so,
We were One.



The Poem of Poems
by Michael R. Burch

This is my Poem of Poems, for you.
Every word ineluctably true:
I love you.



Peace Prayer
by Michael R. Burch

Be calm.
Be still.
Be silent, content.

Be one with the buffalo cropping the grass to a safer height.

Seek the composure of the great depths, barely moved by exterior storms.

Lift your face to the dawning light; feel how it warms.

And be calm.
Be still.
Be silent, content.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes—
the pale dead.
After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale gray fog, they drift
unencumbered, yet lumbrously,
as if over the sea
there was the lightest vapor even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
only half-remembered.
Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
blood-engorged, but never sated
since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must ...



What the Poet Sees
by Michael R. Burch

What the poet sees,
he sees as a swimmer
~~~underwater~~~
watching the shoreline blur
sees through his breath’s weightless bubbles ...
Both worlds grow obscure.

Published by ByLine, Mandrake Poetry Review, Poetically Speaking, E Mobius Pi, Underground Poets, Little Brown Poetry, Little Brown Poetry, Triplopia, Poetic Ponderings, Poem Kingdom, PW Review, Neovictorian/Cochlea, Muse Apprentice Guild, Mindful of Poetry, Poetry on Demand, Poet’s Haven, Famous Poets and Poems, and Bewildering Stories



Finally to Burn
(the Fall and Resurrection of Icarus)
by Michael R. Burch

Athena takes me
sometimes by the hand

and we go levitating
through strange Dreamlands

where Apollo sleeps
in his dark forgetting

and Passion seems
like a wise bloodletting

and all I remember
,upon awaking,

is: to Love sometimes
is like forsaking

one’s Being―to glide
heroically beyond thought,

forsaking the here
for the There and the Not.



O, finally to Burn,
gravity beyond escaping!

To plummet is Bliss
when the blisters breaking

rain down red scabs
on the earth’s mudpuddle ...

Feathers and wax
and the watchers huddle ...

Flocculent sheep,
O, and innocent lambs!,

I will rock me to sleep
on the waves’ iambs.



To sleep's sweet relief
from Love’s exhausting Dream,

for the Night has Wings
gentler than moonbeams―

they will flit me to Life
like a huge-eyed Phoenix

fluttering off
to quarry the Sphinx.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Quixotic, I seek Love
amid the tarnished

rusted-out steel
when to live is varnish.

To Dream―that’s the thing!
Aye, that Genie I’ll rub,

soak by the candle,
aflame in the tub.



Riddlemethis,
riddlemethat,

Rynosseross,
throw out the Welcome Mat.

Somewhither, somewhither
aglitter and strange,

we must moult off all knowledge
or perish caged.

*

I am reconciled to Life
somewhere beyond thought―

I’ll Live the Elsewhere,
I’ll Dream of the Naught.

Methinks it no journey;
to tarry’s a waste,

so fatten the oxen;
make a nice baste.

I’m coming, Fool Tom,
we have Somewhere to Go,

though we injure noone,
ourselves wildaglow.

Published by The Lyric and The Ekphrastic Review



Chit Chat: In the Poetry Chat Room
by Michael R. Burch

WHY SHULD I LERN TO SPELL?
HELL,
NO ONE REEDS WHAT I SAY
ANYWAY!!! :(

Sing for the cool night,
whispers of constellations.
Sing for the supple grass,
the tall grass, gently whispering.
Sing of infinities, multitudes,
of all that lies beyond us now,
whispers begetting whispers.
And i am glad to also whisper . . .

I WUS HURT IN LUV I’M DYIN’
FER TH’ TEARS I BEEN A-CRYIN’!!!

i abide beyond serenities
and realms of grace,
above love’s misdirected earth,
i lift my face.
i am beyond finding now . . .

I WAS IN, LOVE, AND HE ******* ME!!!
THE ****!!! TOTALLY!!!

i loved her once, before, when i
was mortal too, and sometimes i
would listen and distinctly hear
her laughter from the juniper,
but did not go . . .

I JUST DON’T GET POETRY, SOMETIMES.
IT’S OKAY, I GUESS.
I REALLY DON’T READ THAT MUCH AT ALL,
I MUST CONFESS!!! ;-)

Travail, inherent to all flesh,
i do not know, nor how to feel.
Although i sing them nighttimes still:
the bitter woes, that do not heal . . .

POETRY IS BORING.
SEE, IT *****!!!, I’M SNORING!!! ZZZZZZZ!!!

The words like breath, i find them here,
among the fragrant juniper,
and conifers amid the snow,
old loves imagined long ago . . .

WHY DON’T YOU LIKE MY PERFICKT WORDS
YOU USELESS UN-AMERIC’N TURDS?!!!

What use is love, to me, or Thou?
O Words, my awe, to fly so smooth
above the anguished hearts of men
to heights unknown, Thy bare remove . . .



Each Color a Scar
by Michael R. Burch

What she left here,
upon my cheek,
is a tear.

She did not speak,
but her intention
was clear,

and I was meek,
far too meek, and, I fear,
too sincere.

What she can never take
from my heart
is its ache;

for now we, apart,
are like leaves
without weight,

scattered afar
by love, or by hate,
each color a scar.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly ...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleaming
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to ...



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons . . .
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears . . .
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

"My father!"
"My son!"

NOTE: “Sanctuary at Dawn” was written either in high school or during my first two years of college.



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star

gleamed down

and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor . . .



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men’s feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



The Composition of Shadows
by Michael R. Burch

for poets who write late at night

We breathe and so we write; the night
hums softly its accompaniment.
Pale phosphors burn; the page we turn
leads onward, and we smile, content.

And what we mean we write to learn:
the vowels of love, the consonants’
strange golden weight, each plosive’s shape—
curved like the heart. Here, resonant,

sounds’ shadows mass beneath bright glass
like singing voles curled in a maze
of blank white space. We touch a face—
long-frozen words trapped in a glaze

that insulates our hearts. Nowhere
can love be found. Just shrieking air.

Published by The Lyric, Contemporary Rhyme, Candelabrum, Iambs & Trochees (Poem of the Week), Triplopia, Romantics Quarterly, Hidden Treasures (Selected Poem), ImageNation (United Kingdom), Yellow Bat Review, Poetry Life & Times, Vallance Review, Poetica Victorian



First Steps
by Michael R. Burch

for Caitlin Shea Murphy

To her a year is like infinity,
each day—an adventure never-ending.
She has no concept of time,
but already has begun the climb—
from childhood to womanhood recklessly ascending.

I would caution her, "No! Wait!
There will be time enough another day ...
time to learn the Truth
and to slowly shed your youth,
but for now, sweet child, go carefully on your way! ..."

But her time is not a time for cautious words,
nor a time for measured, careful understanding.
She is just certain
that, by grabbing the curtain,
in a moment she will finally be standing!

Little does she know that her first few steps
will hurtle her on her way
through childhood to adolescence,
and then, finally, pubescence . . .
while, just as swiftly, I’ll be going gray!



brrExit
by Michael R. Burch

what would u give
to simply not exist—
for a painless exit?
he asked himself, uncertain.

then from behind
the hospital room curtain
a patient screamed—
"my life!"



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn:
for whatever is left, we are unable to discern.

There’s nothing left of us; it’s time to go.



Spring
by Charles d'Orleans (c.1394-1465)
loose translation/modernization by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c.1394-1465)
loose translation/modernization by Michael R. Burch

So often in my busy mind I sought,
Around the advent of the fledgling year,
For something pretty that I really ought
To give my lady dear;
But that sweet thought's been wrested from me, clear,
Since death, alas, has sealed her under clay
And robbed the world of all that's precious here―
God keep her soul, I can no better say.

For me to keep my manner and my thought
Acceptable, as suits my age's hour?
While proving that I never once forgot
Her worth? It tests my power!
I serve her now with masses and with prayer;
For it would be a shame for me to stray
Far from my faith, when my time's drawing near—
God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
Take my good deeds, as many as there are,
And crown her, Lord, above in your bright sphere,
As heaven's truest maid! And may I say:
Most good, most fair, most likely to bring cheer—
God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
God keep her soul, I can no better say.



Confession of a Stolen Kiss
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

My ghostly father, I confess,
First to God and then to you,
That at a window (you know how)
I stole a kiss of great sweetness,
Which was done out of avidness—
But it is done, not undone, now.

My ghostly father, I confess,
First to God and then to you.

But I shall restore it, doubtless,
Again, if it may be that I know how;
And thus to God I make a vow,
And always I ask forgiveness.

My ghostly father, I confess,
First to God and then to you.

Translator note: By "ghostly father" I take Charles d'Orleans to be confessing to a priest. If so, it's ironic that the kiss was "stolen" at a window and the confession is being made at the window of a confession booth. But it also seems possible that Charles could be confessing to his human father, murdered in his youth and now a ghost. There is wicked humor in the poem, as Charles is apparently vowing to keep asking for forgiveness because he intends to keep stealing kisses at every opportunity!



Charles d'Orleans translations of Rondels/Roundels/Rondeaux

Note: While there is some confusion about the names and definitions of poetic forms such as the rondel, roundel, rondelle and rondeau, these are all rhyming poems with refrains.

Rondel: Your Smiling Mouth
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms' twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you're far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms' twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?

I'll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms' twin chains!



The season has cast its coat aside
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

The season has cast its coat aside
of wind and cold and rain,
to dress in embroidered light again:
bright sunlight, fit for a bride!

There isn't a bird or beast astride
that fails to sing this sweet refrain:
"The season has cast its coat aside! "

Now rivers, fountains, springs and tides
dressed in their summer best
with silver beads impressed
in a fine display now glide:
the season has cast its coat aside!



The year lays down his mantle cold
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold! "
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Winter has cast his cloak away
by Charles d'Orleans (c.1394-1465)
loose translation/interpretation by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away! "
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

Note: This rondeau was set to music by Debussy in his "Trois chansons de France."



Caedmon's Hymn (circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Humbly now we honour heaven-kingdom's Guardian,
the Measurer's might and his mind-plans,
the goals of the Glory-Father. First he, the Everlasting Lord,
established earth's fearful foundations.
Then he, the First Scop, hoisted heaven as a roof
for the sons of men: Holy Creator,
mankind's great Maker! Then he, the Ever-Living Lord,
afterwards made men middle-earth: Master Almighty!



Les Bijoux (The Jewels)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins—
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair—
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea—
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out.
Mute firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



Duellem (The Duel)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

Two combatants charged! Their fearsome swords
brightened the air with fiery sparks and blood.
Their clashing blades clinked odd serenades,
reminding us: youth's inspired by overloud love.

But now their blades lie broken, like our hearts!
Still, our savage teeth and talon-like fingernails
can do more damage than the deadliest sword
when lovers lash about with such natural flails.

In a deep ravine haunted by lynxes and panthers,
our heroes roll around in a cozy embrace,
leaving their blood to redden the colorless branches.
This abyss is pure hell; our friends occupy the place.

Come, let us roll here too, cruel Amazon;
let our hatred’s ardor never be over and done!



Le Balcon (The Balcony)
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings―
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!



Il pleure dans mon coeur (“It rains in my heart”)
by Paul Verlaine
loose translation/interpretation by Michael R. Burch

It rains in my heart
As it rains on the town;
Heavy languor and dark
Drenches my heart.

Oh, the sweet-sounding rain
Cleansing pavements and roofs!
For my listless heart's pain
The pure song of the rain!

Still it rains without reason
In my overcast heart.
Can it be there's no treason?
That this grief's without reason?

As my heart floods with pain,
Lacking hatred, or love,
I've no way to explain
Such bewildering pain!



Spleen
by Paul Verlaine
loose translation/interpretation by Michael R. Burch

The roses were so very red;
The ivy, impossibly black.
Dear, with a mere a turn of your head,
My despair’s flooded back!

The sky was too gentle, too blue;
The sea, far too windswept and green.
Yet I always imagined―or knew―
I’d again feel your spleen.

Now I'm tired of the glossy waxed holly,
Of the shimmering boxwood too,
Of the meadowland’s endless folly,
When all things, alas, lead to you!



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze ...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.



Dispensing Keys
by Hafiz aka Hafez
loose translation/interpretation by Michael R. Burch

The imbecile
constructs cages
for everyone he knows,
while the sage
(who has to duck his head
whenever the moon glows)
keeps dispensing keys
all night long
to the beautiful, rowdy,
prison gang.



Infectious!
by Hafiz aka Hafez
loose translation/interpretation by Michael R. Burch

I became infected with happiness tonight
as I wandered idly, singing in the starlight.
Now I'm wonderfully contagious ...
so kiss me!



The Tally
by Hafiz aka Hafez
loose translation/interpretation by Michael R. Burch

Lovers
don't reveal
all
their Secrets;
under the covers
they
may
count each other's Moles
(that reside
and hide
in the shy regions
by forbidden holes),
then keep the final tally
strictly
from Aunt Sally!

This is admittedly a VERY loose translation of the original Hafiz poem!



Mirror
by Kajal Ahmad, a Kurdish poet
loose translation/interpretation by Michael R. Burch

My era's obscuring mirror
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



The Lonely Earth
by Kajal Ahmad
loose translation/interpretation by Michael R. Burch

The pale celestial bodies
never bid her “Good morning!”
nor do the creative stars
kiss her.
Earth, where so many tender persuasions and roses lie interred,
might expire for the lack of a glance, or an odor.
She’s a lonely dusty orb,
so very lonely!, as she observes the moon's patchwork attire
knowing the sun's an imposter
who sears with rays he has stolen for himself
and who looks down on the moon and earth like lodgers.



Kurds are Birds
by Kajal Ahmad
loose translation/interpretation by Michael R. Burch

Per the latest scientific classification, Kurds
now belong to a species of bird!
This is why,
traveling across the torn, fraying pages of history,
they are nomads recognized by their caravans.
Yes, Kurds are birds! And,
even worse, when
there’s nowhere left to nest, no refuge from their pain,
they turn to the illusion of traveling again
between the warm and arctic sectors of their homeland.
So I don’t think it strange Kurds can fly but not land.
They wander from region to region
never realizing their dreams
of settling,
of forming a colony, of nesting.
No, they never settle down long enough
to visit Rumi and inquire about his health,
or to bow down deeply in the gust-
stirred dust,
like Nali.



Birdsong
by Rumi
loose translation by Michael R. Burch

Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!



After the Deluge
by Michael R. Burch

She was kinder than light
to an up-reaching flower
and sweeter than rain
to the bees in their bower
where anemones blush
at the affections they shower,
and love’s shocking power.

She shocked me to life,
but soon left me to wither.
I was listless without her,
nor could I be with her.
I fell under the spell
of her absence’s power.
in that calamitous hour.

Like blithe showers that fled
repealing spring’s sweetness;
like suns’ warming rays sped
away, with such fleetness ...
she has taken my heart—
alas, our completeness!
I now wilt in pale beams
of her occult remembrance.



grave request
by michael r. burch

come to ur doom
in Tombstone;

the stars stark and chill
over Boot Hill

care nothing for ur desire;

still,

imagine they wish u no ill,
that u burn with the same antique fire;

for there’s nothing to life but the thrill
of living until u expire;

so come, spend ur last hardearned bill
on Tombstone.



Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Pool's Prince Charming
by Michael R. Burch

(this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts)

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.



The Aery Faery Princess
by Michael R. Burch

for Keira

There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies’ wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, strands of bright hair ...
I think she’s just you when you’re floating on air!



pretty pickle
by Michael R. Burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur just a lowly ant
(or so u were told by a Hierophant).



and then i was made whole
by Michael R. Burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies ...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never changed, remaining two ...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on feral claws
as It scratched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws ...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Beckoning
by Michael R. Burch

Yesterday the wind whispered my name
while the blazing locks
of her rampant mane
lay heavy on mine.

And yesterday
I saw the way
the wind caressed tall pines
in forests laced by glinting streams
and thick with tangled vines.

And though she reached
for me in her sleep,
the touch I felt was Time's.

I believe I wrote the first version of this poem around age 18, wasn't happy with it, put it aside, then revised it six years later.



Besieged
by Michael R. Burch

Life—the disintegration of the flesh
before the fitful elevation of the soul
upon improbable wings?

Life—is this all we know,
the travail one bright season brings? ...

Now the fruit hangs,
impendent, pregnant with death,
as the hurricane builds and flings
its white columns and banners of snow

and the rout begins.



****** or Heroine?
by Michael R. Burch

(for mothers battling addiction)

serve the Addiction;
worship the Beast;
feed the foul Pythons
your flesh, their fair feast ...

or rise up, resist
the huge many-headed hydra;
for the sake of your Loved Ones
decapitate medusa.



Loose Knit
by Michael R. Burch

She blesses the needle,
fetches fine red stitches,
criss-crossing, embroidering dreams
in the delicate fabric.

And if her hand jerks and twitches in puppet-like fits,
she tells herself
reality is not as threadbare as it seems ...
that a little more darning may gather loose seams.

She weaves an unraveling tapestry
of fatigue and remorse and pain; ...
only the nervously pecking needle
****** her to motion, again and again.



I Have Labored Sore
anonymous medieval lyric (circa the fifteenth century)
loose translation/interpretation by Michael R. Burch

I have labored sore / and suffered death,
so now I rest / and catch my breath.
But I shall come / and call right soon
heaven and earth / and hell to doom.
Then all shall know / both devil and man
just who I was / and what I am.

NOTE: This poem has a pronounced caesura (pause) in the middle of each line: a hallmark of Old English poetry. While this poem is closer to Middle English, it preserves the older tradition. I have represented the caesura with a slash.



A Lyke-Wake Dirge
anonymous medieval lyric (circa the sixteenth century)
loose translation/interpretation by Michael R. Burch

The Lie-Awake Dirge is "the night watch kept over a corpse."

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.

When from this earthly life you pass
every night and all,
to confront your past you must come at last,
and Christ receive thy soul.

If you ever donated socks and shoes,
every night and all,
sit right down and put pull yours on,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk barefoot through the flames of hell,
and Christ receive thy soul.

If ever you shared your food and drink,
every night and all,
the fire will never make you shrink,
and Christ receive thy soul.

But if you never helped your brother,
every night and all,
walk starving through the black abyss,
and Christ receive thy soul.

This one night, this one night,
every night and all;
fire and sleet and candlelight,
and Christ receive thy soul.



This World's Joy
(anonymous Middle English lyric, circa early 14th century AD)
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



How Long the Night
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast:
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Adam Lay Ybounden
(anonymous Medieval English lyric, circa early 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen and matron.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious! "

The poem has also been rendered as "Adam lay i-bounden" and "Adam lay i-bowndyn."



Excerpt from "Ubi Sunt Qui Ante Nos Fuerunt? "
anonymous Middle English poem, circa 1275
loose translation/interpretation by Michael R. Burch

Where are the men who came before us,
who led hounds and hawks to the hunt,
who commanded fields and woods?
Where are the elegant ladies in their boudoirs
who braided gold through their hair
and had such fair complexions?

Once eating and drinking made their hearts glad;
they enjoyed their games;
men bowed before them;
they bore themselves loftily...
But then, in an eye's twinkling,
their hearts were forlorn.

Where are their laughter and their songs,
the trains of their dresses,
the arrogance of their entrances and exits,
their hawks and their hounds?
All their joy is departed;
their "well" has come to "oh, well"
and to many dark days...



Westron Wynde
(anonymous Middle English lyric, found in a partbook circa 1530 AD, but perhaps written much earlier)
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!

NOTE: The original poem has "the smalle rayne down can rayne" which suggests a drizzle or mist, either of which would suggest a dismal day.



Pity Mary
(anonymous Middle English lyric, circa early 13th century AD)
loose translation/interpretation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face: fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.

In the poem above, note how "wood" and "tree" invoke the cross while "sun" and "son" seem to invoke each other. Sun-day is also Son-day, to Christians. The anonymous poet who wrote the poem above may have been been punning the words "sun" and "son." The poem is also known as "Now Goeth Sun Under Wood" and "Now Go'th Sun Under Wood."



Fowles in the Frith
(anonymous Middle English lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing... is the poet saying that his walks in the wood drive him mad because he is also a "beast of bone and blood, " facing a similar fate?



I am of Ireland
(anonymous Medieval Irish lyric, circa 13th-14th century AD)
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



If I am Syrian, what of it?
Stranger, we all dwell in one world, not its portals.
The same original Chaos gave birth to all mortals.
—Meleager, loose translation/interpretation by Michael R. Burch

Love, how can I call on you:
does Desire dwell with the dead?
Cupid, that bold boy, never bowed his head
to wail.
—Meleager, loose translation/interpretation by Michael R. Burch

Cupid, I swear,
your quiver holds only empty air:
for all your winged arrows, set free,
are now lodged in me.
—Meleager, loose translation/interpretation by Michael R. Burch

Cupid, if you incinerate my soul, touché!
For she too has wings and can fly away!
—Meleager, loose translation/interpretation by Michael R. Burch

Cupid, the cuddly baby
safe in his mother's lap,
chucking the dice one day,
gambled my heart away.
—Meleager, loose translation/interpretation by Michael R. Burch

I lie defeated. Set your foot on my neck. Checkmate.
I recognize you by your weight;
yes, and by the gods, you’re a load to bear.
I am also well aware
of your fiery darts.
But if you seek to ignite human hearts,
******* with your tinders;
mine’s already in cinders.
—Meleager, loose translation/interpretation by Michael R. Burch

When I see Theron everything’s revealed.
When he’s gone all’s concealed.
—Meleager, loose translation/interpretation by Michael R. Burch

When I see Theron everything’s defined;
When he’s gone I’m blind.
—Meleager, loose translation/interpretation by Michael R. Burch

When I see Theron my eyes bug out;
When he’s gone even sight is in doubt.
—Meleager, loose translation/interpretation by Michael R. Burch

Mother-Earth, to all men dear,
Aesigenes was never a burden to you,
so please rest lightly on him here.
—Meleager, loose translation/interpretation by Michael R. Burch

Meleager dedicates this lamp to you, dear Cypris, as a plaything,
since it has been initiated into the mysteries of your nocturnal ceremonies.
—Meleager, loose translation/interpretation by Michael R. Burch

I know you lied, because these ringlets
still dripping scented essences
betray your wantonness.
These also betray you—
your eyes sagging with the lack of sleep,
stray tendrils of your unchaste hair escaping its garlands,
your limbs uncoordinated by the wine.
Away, trollop, they summon you—
the reveling lyre and the clattering castanets rattled by lewd fingers!
—Meleager, loose translation/interpretation by Michael R. Burch

Moon and Stars,
lighting the way for lovers,
and Night,
and you, my mournful Mandolin, my ***** companion ...
when will we see her, the little wanton one, lying awake and moaning to her lamp?
Or does she embrace some other companion?
Then let me hang conciliatory garlands on her door,
wilted by my tears,
and let me inscribe thereupon these words:
"For you, Cypris,
the one to whom you revealed the mysteries of your revels,
Meleager,
offers these spoiled tokens of his love."
—Meleager, loose translation/interpretation by Michael R. Burch

Silence!
They must have carried her off!
Who could be so barbaric,
to act with such violence,
to wage war against Love himself?
Quick, prepare the torches!
But wait!
A footfall, Heliodora's!
Get back in my *****, heart!
—Meleager, loose translation/interpretation by Michael R. Burch

Tears, the last gifts of my love,
I send drenching down to you, Heliodora.
Here on your puddling tomb I pour them out—
soul-wrenching tears
in memory of affliction and affection.
Piteously, so piteously Meleager mourns you,
you still so precious, so dear to him in death,
paying vain tributes to Acheron.
Alas! Alas! Where is my beautiful one,
my heart's desire?
Death has taken her from me, has robbed me of her,
and the lustrous blossom lies trampled in dust.
But Earth-Mother, nurturer of us all ...
Mother, I beseech you, hold her gently to your *****,
the one we all bewail.
—Meleager, loose translation/interpretation by Michael R. Burch



You ask me why I've sent you no new verses?
There might be reverses.
―Martial, loose translation/interpretation by Michael R. Burch

You ask me to recite my poems to you?
I know how you'll "recite" them, if I do.
―Martial, loose translation/interpretation by Michael R. Burch

NOTE: The irascible Martial is suggesting that if he shares his poems, they will be plagiarized.

You ask me why I choose to live elsewhere?
You're not there.
―Martial, loose translation/interpretation by Michael R. Burch

You ask me why I love the fresh country air?
You're not befouling it there.
―Martial, loose translation/interpretation by Michael R. Burch

You never wrote a poem,
yet criticize mine?
Stop abusing me or write something fine
of your own!
―Martial, loose translation by Michael R. Burch

He starts everything but finishes nothing;
thus I suspect there's no end to his stuffing.
―Martial, loose translation by Michael R. Burch

NOTE: Martial concluded his epigram with a variation of the f-word; please substitute it if you prefer it.

You alone own prime land, dandy!
Gold, money, the finest porcelain―you alone!
The best wines of the most famous vintages―you alone!
Discrimination and wit―you alone!
You have it all―who can deny that you alone are set for life?
But everyone has had your wife―she is never alone!
―Martial, loose translation by Michael R. Burch

You dine in great magnificence
while offering guests a pittance.
Sextus, did you invite
friends to dinner tonight
to impress us with your enormous appetite?
―Martial, loose translation/interpretation by Michael R. Burch

To you, my departed parents, dear mother and father,
I commend my little lost angel, Erotion, love’s daughter.
She fell a mere six days short of outliving her sixth frigid winter.
Protect her now, I pray, should the chilling dark shades appear;
muzzle hell’s three-headed hound, less her heart be dismayed!
Lead her to romp in some sunny Elysian glade,
her devoted patrons. Watch her play childish games
as she excitedly babbles and lisps my name.
Let no hard turf smother her softening bones; and do
rest lightly upon her, earth, she was surely no burden to you!
―Martial, loose translation/interpretation by Michael R. Burch



Alien Nation
by Michael R. Burch

for a Christian poet who believes in “hell”

On a lonely outpost on Mars
the astronaut practices “speech”
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro —
far colder than Jesus’s words
over the “fortunate” sparrow.

And I understand how gentle Emily
must have felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.



Burn, Ovid
by Michael R. Burch

“Burn Ovid”—Austin Clarke

Sunday School,
Faith Free Will Baptist, 1973:
I sat imaging watery folds
of pale silk encircling her waist.
Explicit *** was the day’s “hot” topic
(how breathlessly I imagined hers)
as she taught us the perils of lust
fraught with inhibition.

I found her unaccountably beautiful,
rolling implausible nouns off the edge of her tongue:
adultery, fornication, *******, ******.
Acts made suddenly plausible by the faint blush
of her unrouged cheeks,
by her pale lips
accented only by a slight quiver,
a trepidation.

What did those lustrous folds foretell
of our uncommon desire?
Why did she cross and uncross her legs
lovely and long in their taupe sheaths?
Why did her ******* rise pointedly,
as if indicating a direction?

“Come unto me,
(unto me),”
together, we sang,

cheek to breast,
lips on lips,
devout, afire,

my hands
up her skirt,
her pants at her knees:

all night long,
all night long,
in the heavenly choir.

This poem is set at Faith Christian Academy, which I attended for a year during the ninth grade, in 1972-1973. While the poem definitely had its genesis there, I believe I revised it more than once and didn't finish it till 2001, nearly 28 years later, according to my notes on the poem. Another poem, "*** 101," was also written about my experiences at FCA that year.



*** 101
by Michael R. Burch

That day the late spring heat
steamed through the windows of a Crayola-yellow schoolbus
crawling its way up the backwards slopes
of Nowheresville, North Carolina ...

Where we sat exhausted
from the day’s skulldrudgery
and the unexpected waves of muggy,
summer-like humidity ...

Giggly first graders sat two abreast
behind senior high students
sprouting their first sparse beards,
their implausible bosoms, their stranger affections ...

The most unlikely coupling—

Lambert, 18, the only college prospect
on the varsity basketball team,
the proverbial talldarkhandsome
swashbuckling cocksman, grinning ...

Beside him, Wanda, 13,
bespectacled, in her primproper attire
and pigtails, staring up at him,
fawneyed, disbelieving ...

And as the bus filled with the improbable musk of her,
as she twitched impaled on his finger
like a dead frog jarred to life by electrodes,
I knew ...

that love is a forlorn enterprise,
that I would never understand it.

This companion poem to "Burn, Ovid" is also set at Faith Christian Academy, in 1972-1973.



honeybee
by michael r. burch

love was a little treble thing—
prone to sing
and (sometimes) to sting



honeydew
by michael r. burch

i sampled honeysuckle
and it made my taste buds buckle!



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’
the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Huntress
Michael R. Burch

Lynx-eyed cat-like and cruel you creep
across a crevice dropping deep
into a dark and doomed domain
Your claws are sheathed. You smile, insane
Rain falls upon your path and pain
pours down. Your paws are pierced. You pause
and heed the oft-lamented laws
which bid you not begin again
till night returns. You wail like wind,
the sighing of a soul for sin,
and give up hunting for a heart.
Till sunset falls again, depart,
though hate and hunger urge you—"On!"
Heed, hearts, your hope—the break of dawn.



Ibykos Fragment 286 (III)
loose translation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;

the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.

Originally published by The Chained Muse



Ince St. Child
by Michael R. Burch

When she was a child
in a dark forest of fear,
imagination cast its strange light
into secret places,
scattering traces
of illumination so bright,
years later, she could still find them there,
their light undefiled.

When she was young,
the shafted light of her dreams
shone on her uplifted face
as she prayed ...
though she strayed
into a night fallen like woven lace
shrouding the forest of screams,
her faith led her home.

Now she is old
and the light that was flame
is a slow-dying ember ...
what she felt then
she would explain;
she would if she could only remember
that forest of shame,
faith beaten like gold.

This was an unusual poem, and it took me some time to figure out who the old woman was. She was a victim of childhood ******, hence the title I eventually came up with.



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life’s not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.



Kin
by Michael R. Burch

O pale, austere moon,
haughty beauty ...

what do we know of love,
or duty?



Kindred
by Michael R. Burch

Rise, pale disastrous moon!
What is love, but a heightened effect
of time, light and distance?

Did you burn once,
before you became
so remote, so detached,

so coldly, inhumanly lustrous,
before you were able to assume
the very pallor of love itself?

What is the dawn now, to you or to me?

We are as one,
out of favor with the sun.

We would exhume
the white corpse of love
for a last dance,

and yet we will not.
We will let her be,
let her abide,

for she is nothing now,
to you
or to me.



Reflections
by Michael R. Burch

I am her mirror.
I say she is kind,
lovely, breathtaking.
She screams that I’m blind.

I show her her beauty,
her brilliance and compassion.
She refuses to believe me,
for that’s the latest fashion.

She storms and she rages;
she dissolves into tears
while envious Angels
are, by God, her only Peers.



Excerpts from “Travels with Einstein”
by Michael R. Burch

for Trump

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



Remembrance
by Michael R. Burch

Remembrance like a river rises;
the rain of recollection falls;
frail memories, like vines, entangled,
cling to Time's collapsing walls.

The past is like a distant mist,
the future like a far-off haze,
the present half-distinct an hour
before it blurs with unseen days.



Resurrecting Passion
by Michael R. Burch

Last night, while dawn was far away
and rain streaked gray, tumescent skies,
as thunder boomed and lightning railed,
I conjured words, where passion failed ...

But, oh, that you were mine tonight,
sprawled in this bed, held in these arms,
your ******* pale baubles in my hands,
our bodies bent to old demands ...

Such passions we might resurrect,
if only time and distance waned
and brought us back together; now
I pray that this might be, somehow.

But time has left us twisted, torn,
and we are more apart than miles.
How have you come to be so far—
as distant as an unseen star?

So that, while dawn is far away,
my thoughts might not return to you,
I feed your portrait to the flames,
but as they feast, I burn for you.

Published in Songs of Innocence and The Chained Muse.



Currents
by Michael R. Burch

How can I write and not be true
to the rhythm that wells within?
How can the ocean not be blue,
not buck with the clapboard slap of tide,
the clockwork shock of wave on rock,
the motion creation stirs within?

Originally published by The Lyric



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of bright stars revolving above us
revel tonight, the most ardent of lovers.

Published by Writer’s Gazette, Tucumcari Literary Review and The Chained Muse



R.I.P.
by Michael R. Burch

When I am lain to rest
and my soul is no longer intact,
but dissolving, like a sunset
diminishing to the west ...

and when at last
before His throne my past
is put to test
and the demons and the Beast

await to feast
on any morsel downward cast,
while the vapors of impermanence
cling, smelling of damask ...

then let me go, and do not weep
if I am left to sleep,
to sleep and never dream, or dream, perhaps,
only a little longer and more deep.

Originally published by Romantics Quarterly



The Shape of Mourning
by Michael R. Burch

The shape of mourning
is an oiled creel
shining with unuse,

the bolt of cold steel
on a locker
shielding memory,

the monthly penance
of flowers,
the annual wake,

the face in the photograph
no longer dissolving under scrutiny,
becoming a keepsake,

the useless mower
lying forgotten
in weeds,

rings and crosses and
all the paraphernalia
the soul no longer needs.



Tillage
by Michael R. Burch

What stirs within me
is no great welling
straining to flood forth,
but an emptiness
waiting to be filled.

I am not an orchard
ready to be harvested,
but a field
rough and barren
waiting to be tilled.



For All That I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.

Originally published by The Raintown Review



Hearthside
by Michael R. Burch

“When you are old and grey and full of sleep...” ― W. B. Yeats

For all that we professed of love, we knew
this night would come, that we would bend alone
to tend wan fires’ dimming bars―the moan
of wind cruel as the Trumpet, gelid dew
an eerie presence on encrusted logs
we hoard like jewels, embrittled so ourselves.

The books that line these close, familiar shelves
loom down like dreary chaperones. Wild dogs,
too old for mates, cringe furtive in the park,
as, toothless now, I frame this parchment kiss.

I do not know the words for easy bliss
and so my shriveled fingers clutch this stark,
long-unenamored pen and will it: Move.
I loved you more than words, so let words prove.

This sonnet is written from the perspective of the great Irish poet William Butler Yeats in his loose translation or interpretation of the Pierre de Ronsard sonnet “When You Are Old.” The aging Yeats thinks of his Muse and the love of his life, the fiery Irish revolutionary Maude Gonne. As he seeks to warm himself by a fire conjured from ice-encrusted logs, he imagines her doing the same. Although Yeats had insisted that he wasn’t happy without Gonne, she said otherwise: “Oh yes, you are, because you make beautiful poetry out of what you call your unhappiness and are happy in that. Marriage would be such a dull affair. Poets should never marry. The world should thank me for not marrying you!”



I Know The Truth
by Marina Tsvetaeva
loose translation by Michael R. Burch

I know the truth―abandon lesser truths!

There's no need for anyone living to struggle!
See? Evening falls, night quickly descends!
So why the useless disputes―generals, poets, lovers?

The wind is calming now; the earth is bathed in dew;
the stars' infernos will soon freeze in the heavens.
And soon we'll sleep together, under the earth,
we who never gave each other a moment's rest above it.



I Know The Truth (Alternate Ending)
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

I know the truth―abandon lesser truths!

There's no need for anyone living to struggle!
See? Evening falls, night quickly descends!
So why the useless disputes―generals, poets, lovers?

The wind caresses the grasses; the earth gleams, damp with dew;
the stars' infernos will soon freeze in the heavens.
And soon we'll lie together under the earth,
we who were never united above it.



Poems about Moscow
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

5
Above the city Saint Peter once remanded to hell
now rolls the delirious thunder of the bells.

As the thundering high tide eventually reverses,
so, too, the woman who once bore your curses.

To you, O Great Peter, and you, O Great Tsar, I kneel!
And yet the bells above me continually peal.

And while they keep ringing out of the pure blue sky,
Moscow's eminence is something I can't deny ...

though sixteen hundred churches, nearby and afar,
all gaily laugh at the hubris of the Tsars.

8
Moscow, what a vast
uncouth hostel of a home!
In Russia all are homeless
so all to you must come.

A knife stuck in each boot-top,
each back with its shameful brand,
we heard you from far away.
You called us: here we stand.

Because you branded us criminals
for every known kind of ill,
we seek the all-compassionate Saint,
the haloed one who heals.

And there behind that narrow door
where the uncouth rabble pour,
we seek the red-gold radiant heart
of Iver, who loved the poor.

Now, as "Halleluiah" floods
bright fields that blaze to the west,
O sacred Russian soil,
I kneel here to kiss your breast!



Insomnia
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

2
In my enormous city it is night
as from my house I step beyond the light;
some people think I'm daughter, mistress, wife ...
but I am like the blackest thought of night.

July's wind sweeps a way for me to stray
toward soft music faintly blowing, somewhere.
The wind may blow until bright dawn, new day,
but will my heart in its rib-cage really care?

Black poplars brushing windows filled with light ...
strange leaves in hand ... faint music from distant towers ...
retracing my steps, there's nobody lagging behind ...
This shadow called me? There's nobody here to find.

The lights are like golden beads on invisible threads ...
the taste of dark night in my mouth is a bitter leaf ...
O, free me from shackles of being myself by day!
Friends, please understand: I'm only a dreamlike belief.



Poems for Akhmatova
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

4
You outshine everything, even the sun
at its zenith. The stars are yours!
If only I could sweep like the wind
through some unbarred door,
gratefully, to where you are ...

to hesitantly stammer, suddenly shy,
lowering my eyes before you, my lovely mistress,
petulant, chastened, overcome by tears,
as a child sobs to receive forgiveness ...



This gypsy passion of parting!
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

This gypsy passion of parting!
We meet, and are ready for flight!
I rest my dazed head in my hands,
and think, staring into the night ...

that no one, perusing our letters,
will ever understand the real depth
of just how sacrilegious we were,
which is to say we had faith,

in ourselves.



The Appointment
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

I will be late for the appointed meeting.
When I arrive, my hair will be gray,
because I abused spring.
And your expectations were much too high!

I shall feel the effects of the bitter mercury for years.
(Ophelia tasted, but didn't spit out, the rue.)
I will trudge across mountains and deserts,
trampling souls and hands without flinching,

living on, as the earth continues
with blood in every thicket and creek.
But always Ophelia's pallid face will peer out
from between the grasses bordering each stream.

She took a swig of passion, only to fill her mouth
with silt. Like a shaft of light on metal,
I set my sights on you, highly. Much too high
in the sky, where I have appointed my dust its burial.



Rails
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

The railway bed's steel-blue parallel tracks
are ruled out, neatly as musical staves.

Over them, people are transported
like possessed Pushkin creatures
whose song has been silenced.
See them: arriving, departing?

And yet they still linger,
the note of their pain remaining ...
always rising higher than love, as the poles freeze
to the embankment, like Lot's wife transformed to salt, forever.

Despair has arranged my fate
as someone arranges a wedding;
then, like a voiceless Sappho
I must weep like a pain-wracked seamstress

with the mute lament of a marsh heron!
Then the departing train
will hoot above the sleepers
as its wheels slice them to ribbons.

In my eye the colors blur
to a glowing but meaningless red.
All young women, at times,
are tempted by such a bed!



Every Poem is a Child of Love
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

Every poem is a child of love,
A destitute ******* chick
A fledgling blown down from the heights above―
Left of its nest? Not a stick.
Each heart has its gulf and its bridge.
Each heart has its blessings and griefs.
Who is the father? A liege?
Maybe a liege, or a thief.



Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Haunted
by Michael R. Burch

Now I am here
and thoughts of my past mistakes are my brethren.
I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
for the ache in my heart is its hollowness
and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
I have nothing left.
And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
My heart cannot bear the night, or these dreams.
Your face is a ghost, though paler, it seems
when you smile.

Published by Romantics Quarterly



Have I been too long at the fair?
by Michael R. Burch

Have I been too long at the fair?
The summer has faded,
the leaves have turned brown;
the Ferris wheel teeters ...
not up, yet not down.
Have I been too long at the fair?

This is one of my earliest poems, written around age 15 when we were living with my grandfather in his house on Chilton Street, within walking distance of the Nashville fairgrounds. I remember walking to the fairgrounds, stopping at a Dairy Queen along the way, and swimming at a public pool. But I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again.



Her Preference
by Michael R. Burch

Not for her the pale incandescence of dreams,
the warm glow of imagination,
the hushed whispers of possibility,
or frail, blossoming hope.

No, she prefers the anguish and screams
of bitter condemnation,
the hissing of hostility,
damnation's rope.



hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.

When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar."



Nevermore!
by Michael R. Burch

Nevermore! O, nevermore
shall the haunts of the sea―
the swollen tide pools
and the dark, deserted shore―
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure ...
She sleeps forevermore.

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely covered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way!
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea ...

their skeletal love―impossibility!

This is one of my Poe-like creations, written around age 19. I think the poem has an interesting ending, since the male skeleton is missing an important "member."



Mehmet Akif Ersoy: Modern English Translations of Turkish Poems

Mehmet Âkif Ersoy (1873-1936) was a Turkish poet, author, writer, academic, member of parliament, and the composer of the Turkish National Anthem.



Snapshot
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows,
how long will the darkness remember you?



Zulmü Alkislayamam
"I Can’t Applaud Tyranny"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

I can't condone cruelty; I will never applaud the oppressor;
Yet I can't renounce the past for the sake of deluded newcomers.
When someone curses my ancestors, I want to strangle them,
Even if you don’t.
But while I harbor my elders,
I refuse to praise their injustices.
Above all, I will never glorify evil, by calling injustice “justice.”
From the day of my birth, I've loved freedom;
The golden tulip never deceived me.
If I am nonviolent, does that make me a docile sheep?
The blade may slice, but my neck resists!
When I see someone else's wound, I suffer a great hardship;
To end it, I'll be whipped, I'll be beaten.
I can't say, “Never mind, just forget it!” I'll mind,
I'll crush, I'll be crushed, I'll uphold justice.
I'm the foe of the oppressor, the friend of the oppressed.
What the hell do you mean, with your backwardness?



Çanakkale Sehitlerine
"For the Çanakkale Martyrs"
by Mehmet Akif Ersoy
loose English translation/interpretation by Michael R. Burch

Was there ever anything like the Bosphorus war?―
The earth’s mightiest armies pressing Marmara,
Forcing entry between her mountain passes
To a triangle of land besieged by countless vessels.
Oh, what dishonorable assemblages!
Who are these Europeans, come as rapists?
Who, these braying hyenas, released from their reeking cages?
Why do the Old World, the New World, and all the nations of men
now storm her beaches? Is it Armageddon? Truly, the whole world rages!
Seven nations marching in unison!
Australia goose-stepping with Canada!
Different faces, languages, skin tones!
Everything so different, but the mindless bludgeons!
Some warriors Hindu, some African, some nameless, unknown!
This disgraceful invasion, baser than the Black Death!
Ah, the 20th century, so noble in its own estimation,
But all its favored ones nothing but a parade of worthless wretches!
For months now Turkish soldiers have been vomited up
Like stomachs’ retched contents regarded with shame.
If the masks had not been torn away, the faces would still be admired,
But the ***** called civilization is far from blameless.
Now the ****** demand the destruction of the doomed
And thus bring destruction down on their own heads.
Lightning severs horizons!
Earthquakes regurgitate the bodies of the dead!
Bombs’ thunderbolts explode brains,
rupture the ******* of brave soldiers.
Underground tunnels writhe like hell
Full of the bodies of burn victims.
The sky rains down death, the earth swallows the living.
A terrible blizzard heaves men violently into the air.
Heads, eyes, torsos, legs, arms, chins, fingers, hands, feet...
Body parts rain down everywhere.
Coward hands encased in armor callously scatter
Floods of thunderbolts, torrents of fire.
Men’s chests gape open,
Beneath the high, circling vulture-like packs of the air.
Cannonballs fly as frequently as bullets
Yet the heroic army laughs at the hail.
Who needs steel fortresses? Who fears the enemy?
How can the shield of faith not prevail?
What power can make religious men bow down to their oppressors
When their stronghold is established by God?
The mountains and the rocks are the bodies of martyrs!...
For the sake of a crescent, oh God, many suns set, undone!
Dear soldier, who fell for the sake of this land,
How great you are, your blood saves the Muslims!
Only the lions of Bedr rival your glory!
Who then can dig the grave wide enough to hold you. and your story?
If we try to consign you to history, you will not fit!
No book can contain the eras you shook!
Only eternities can encompass you!...
Oh martyr, son of the martyr, do not ask me about the grave:
The prophet awaits you now, his arms flung wide open, to save!



W. S. Rendra translations

Willibrordus Surendra Broto Rendra (1935-2009), better known as W. S. Rendra or simply Rendra, was an Indonesian dramatist and poet. He said, “I learned meditation and the disciplines of the traditional Javanese poet from my mother, who was a palace dancer. The idea of the Javanese poet is to be a guardian of the spirit of the nation.” The press gave him the nickname Burung Merak (“The Peacock”) for his flamboyant poetry readings and stage performances.

SONNET
by W. S. Rendra
loose translation/interpretation by Michael R. Burch

Best wishes for an impending deflowering.

Yes, I understand: you will never be mine.
I am resigned to my undeserved fate.
I contemplate
irrational numbers―complex & undefined.

And yet I wish love might ... ameliorate ...
such negative numbers, dark and unsigned.
But at least I can’t be held responsible
for disappointing you. No cause to elate.
Still, I am resigned to my undeserved fate.
The gods have spoken. I can relate.

How can this be, when all it makes no sense?
I was born too soon―such was my fate.
You must choose another, not half of who I AM.
Be happy with him when you consummate.

THE WORLD'S FIRST FACE
by W. S. Rendra
loose translation/interpretation by Michael R. Burch

Illuminated by the pale moonlight
the groom carries his bride
up the hill―
both of them naked,
both consisting of nothing but themselves.

As in all beginnings
the world is naked,
empty, free of deception,
dark with unspoken explanations―
a silence that extends
to the limits of time.

Then comes light,
life, the animals and man.

As in all beginnings
everything is naked,
empty, open.

They're both young,
yet both have already come a long way,
passing through the illusions of brilliant dawns,
of skies illuminated by hope,
of rivers intimating contentment.

They have experienced the sun's warmth,
drenched in each other's sweat.

Here, standing by barren reefs,
they watch evening fall
bringing strange dreams
to a bed arrayed with resplendent coral necklaces.

They lift their heads to view
trillions of stars arrayed in the sky.
The universe is their inheritance:
stars upon stars upon stars,
more than could ever be extinguished.

Illuminated by the pale moonlight
the groom carries his bride
up the hill―
both of them naked,
to recreate the world's first face.

Keywords/Tags: Rendra, Indonesian, Javanese, translation, love, fate, god, gods, goddess, groom, bride, world, time, life, sun, hill, hills, moon, moonlight, stars, life, animals?, international, travel, voyage, wedding, relationship, mrbtran



Shadows
by Michael R. Burch

Alone again as evening falls,
I join gaunt shadows and we crawl
up and down my room's dark walls.

Up and down and up and down,
against starlight―strange, mirthless clowns―
we merge, emerge, submerge . . . then drown.

We drown in shadows starker still,
shadows of the somber hills,
shadows of sad selves we spill,

tumbling, to the ground below.
There, caked in grimy, clinging snow,
we flutter feebly, moaning low

for days dreamed once an age ago
when we weren't shadows, but were men . . .
when we were men, or almost so.



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



THE RUIN
an Old English/Anglo-Saxon poem
loose translation/interpretation by Michael R. Burch

well-hewn was this wall-stone, till Wyrdes wrecked it
and the Colossus sagged inward ...

broad battlements broken;
the Builders' work battered;

the high ramparts toppled;
tall towers collapsed;

the great roof-beams shattered;
gates groaning, agape ...

mortar mottled and marred by scarring ****-frosts ...
the Giants’ dauntless strongholds decaying with age ...

shattered, the shieldwalls,
the turrets in tatters ...

where now are those mighty Masons, those Wielders and Wrights,
those Samson-like Stonesmiths?

the grasp of the earth, the firm grip of the ground
holds fast those fearless Fathers
men might have forgotten
except that this slow-rotting siege-wall still stands
after countless generations!

for always this edifice, grey-lichened, blood-stained,
stands facing fierce storms with their wild-whipping winds
because those master Builders bound its wall-base together
so cunningly with iron!

it outlasted mighty kings and their claims!

how high rose those regal rooftops!
how kingly their castle-keeps!
how homely their homesteads!
how boisterous their bath-houses and their merry mead-halls!
how heavenward flew their high-flung pinnacles!
how tremendous the tumult of those famous War-Wagers ...
till mighty Fate overturned it all, and with it, them.

then the wide walls fell;
then the bulwarks were broken;
then the dark days of disease descended ...

as death swept the battlements of brave Brawlers;
as their palaces became waste places;
as ruin rained down on their grand Acropolis;
as their great cities and castles collapsed
while those who might have rebuilt them lay gelded in the ground:
those marvelous Men, those mighty master Builders!

therefore these once-decorous courts court decay;
therefore these once-lofty gates gape open;
therefore these roofs' curved arches lie stripped of their shingles;
therefore these streets have sunk into ruin and corroded rubble ...

when in times past light-hearted Titans flushed with wine
strode strutting in gleaming armor, adorned with splendid ladies’ favors,
through this brilliant city of the audacious famous Builders
to compete for bright treasure: gold, silver, amber, gemstones.

here the cobblestoned courts clattered;
here the streams gushed forth their abundant waters;
here the baths steamed, hot at their fiery hearts;
here this wondrous wall embraced it all, with its broad *****.

... that was spacious ...



Victor Hugo "Love Stronger Than Time"
loose translation/interpretation by Michael Burch

Since I first set my lips to your full cup,
Since my pallid face first nested in your hands,
Since I sensed your soul and every bloom lit up—
Till those rare perfumes were lost to deepening sands;

Since I was once allowed those pleasures deep—
To hear your heart speak mysteries, divine;
Since I have seen you smile, have watched you weep,
Your lips pressed to my lips, your eyes on mine;

Since I have sensed above my thoughts the gleam
Of a ray, a single ray, of your bright star
(If sometimes veiled), and felt light falling stream,
Like one rose petal plucked from high, afar;

I now can say to time's swift-changing hours:
Pass, pass upon your way, for you grow old;
Flee to the dark abyss with your drear flowers,
but one unmarred within my heart I hold.

Your flapping wings may jar but cannot spill
The cup fulfilled of love, from which I drink;
My heart has fires your frosts can never chill,
My soul more love to fly than you can sink.



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died―
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...

If you look above,
you will see a bright Sign―
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know―
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star...
how beautiful,
how wonderful
we are!



Published as the collection "Modern Charon"

Keywords/Tags: Charon, Styx, death, ferry, boat, ship, captain, steering, helm, wheel, rudder, shipwreck, disaster, night, darkness, 911, 9-11, mrbch
I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
Heather Moon Jul 2014
"We have come to be danced
not the pretty dance
not the pretty pretty, pick me, pick me dance
but the claw our way back into the belly
of the sacred, sensual animal dance
the unhinged, unplugged, cat is out of its box dance
the holding the precious moment in the palms
of our hands and feet dance

We have come to be danced
not the jiffy *****, shake your ***** for him dance
but the wring the sadness from our skin dance
the blow the chip off our shoulder dance
the slap the apology from our posture dance

We have come to be danced
not the monkey see, monkey do dance
one, two dance like you
one two three, dance like me dance
but the grave robber, tomb stalker
tearing scabs & scars open dance
the rub the rhythm raw against our souls dance

WE have come to be danced
not the nice invisible, self conscious shuffle
but the matted hair flying, voodoo mama
shaman shakin’ ancient bones dance
the strip us from our casings, return our wings
sharpen our claws & tongues dance
the shed dead cells and slip into
the luminous skin of love dance

We have come to be danced
not the hold our breath and wallow in the shallow end of the floor dance
but the meeting of the trinity: the body, breath & beat dance
the shout hallelujah from the top of our thighs dance
the mother may I?
yes you may take 10 giant leaps dance
the Olly Olly Oxen Free Free Free dance
the everyone can come to our heaven dance

We have come to be danced
where the kingdom’s collide
in the cathedral of flesh
to burn back into the light
to unravel, to play, to fly, to pray
to root in skin sanctuary
We have come to be danced
WE HAVE COME"
Do not know the author, don't normally post others work but this spoke to me.
Two good friends had Hiawatha,
Singled out from all the others,
Bound to him in closest union,
And to whom he gave the right hand
Of his heart, in joy and sorrow;
Chibiabos, the musician,
And the very strong man, Kwasind.

Straight between them ran the pathway,
Never grew the grass upon it;
Singing birds, that utter falsehoods,
Story-tellers, mischief-makers,
Found no eager ear to listen,
Could not breed ill-will between them,
For they kept each other’s counsel,
Spake with naked hearts together,
Pondering much and much contriving
How the tribes of men might prosper.

Most beloved by Hiawatha
Was the gentle Chibiabos,
He the best of all musicians,
He the sweetest of all singers.
Beautiful and childlike was he,
Brave as man is, soft as woman,
Pliant as a wand of willow,
Stately as a deer with antlers.

When he sang, the village listened;
All the warriors gathered round him,
All the women came to hear him;
Now he stirred their souls to passion,
Now he melted them to pity.

From the hollow reeds he fashioned
Flutes so musical and mellow,
That the brook, the Sebowisha,
Ceased to murmur in the woodland,
That the wood-birds ceased from singing,
And the squirrel, Adjidaumo,
Ceased his chatter in the oak-tree,
And the rabbit, the Wabasso,
Sat upright to look and listen,

Yes, the brook, the Sebowisha,
Pausing, said, “O Chibiabos,
Teach my waves to flow in music,
Softly as your words in singing!”

Yes, the bluebird, the Owaissa,
Envious, said, “O Chibiabos,
Teach me tones as wild and wayward,
Teach me songs as full of frenzy!”

Yes, the robin, the Opechee,
Joyous, said, “O Chibiabos,
Teach me tones as sweet and tender,
Teach me songs as full of gladness!”
And the whippoorwill, Wawonaissa,
Sobbing, said, “O Chibiabos,
Teach me tones as melancholy,
Teach me songs as full of sadness!”

All the many sounds of nature
Borrowed sweetness from his singing;
All the hearts of men were softened
By the pathos of his music;
For he sang of peace and freedom,
Sang of beauty, love, and longing;
Sang of death, and life undying
In the Islands of the Blessed,
In the kingdom of Ponemah,
In the land of the Hereafter.

Very dear to Hiawatha
Was the gentle Chibiabos,
He the best of all musicians,
He the sweetest of all singers;
For his gentleness he loved him,
And the magic of his singing.

Dear, too, unto Hiawatha
Was the very strong man, Kwasind,
He the strongest of all mortals,
He the mightiest among many;
For his very strength he loved him,
For his strength allied to goodness.

Idle in his youth was Kwasind,
Very listless, dull, and dreamy,
Never played with other children,
Never fished and never hunted,
Not like other children was he;
But they saw that much he fasted,
Much his Manito entreated,
Much besought his Guardian Spirit.

“Lazy Kwasind!” said his mother,
“In my work you never help me!
In the Summer you are roaming
Idly in the fields and forests;
In the Winter you are cowering
O’er the firebrands in the wigwam!
In the coldest days of Winter
I must break the ice for fishing;
With my nets you never help me!
At the door my nets are hanging,
Dripping, freezing with the water;
Go and wring them, Yenadizze!
Go and dry them in the sunshine!”

Slowly, from the ashes, Kwasind
Rose, but made no angry answer;
From the lodge went forth in silence,
Took the nets, that hung together,
Dripping, freezing at the doorway,
Like a wisp of straw he wrung them,
Like a wisp of straw he broke them,
Could not wring them without breaking,
Such the strength was in his fingers.

“Lazy Kwasind!” said his father,
“In the hunt you never help me;
Every bow you touch is broken,
Snapped asunder every arrow;
Yet come with me to the forest,
You shall bring the hunting homeward.”

Down a narrow pass they wandered,
Where a brooklet led them onward,
Where the trail of deer and bison
Marked the soft mud on the margin,
Till they found all further passage
Shut against them, barred securely
By the trunks of trees uprooted,
Lying lengthwise, lying crosswise,
And forbidding further passage.

“We must go back,” said the old man,
“O’er these logs we cannot clamber;
Not a woodchuck could get through them,
Not a squirrel clamber o’er them!”
And straightway his pipe he lighted,
And sat down to smoke and ponder.
But before his pipe was finished,
Lo! the path was cleared before him;
All the trunks had Kwasind lifted,
To the right hand, to the left hand,
Shot the pine-trees swift as arrows,
Hurled the cedars light as lances.

“Lazy Kwasind!” said the young men,
As they sported in the meadow:
“Why stand idly looking at us,
Leaning on the rock behind you?
Come and wrestle with the others,
Let us pitch the quoit together!”

Lazy Kwasind made no answer,
To their challenge made no answer,
Only rose, and, slowly turning,
Seized the huge rock in his fingers,
Tore it from its deep foundation,
Poised it in the air a moment,
Pitched it sheer into the river,
Sheer into the swift Pauwating,
Where it still is seen in Summer.

Once as down that foaming river,
Down the rapids of Pauwating,
Kwasind sailed with his companions,
In the stream he saw a ******,
Saw Ahmeek, the King of Beavers,
Struggling with the rushing currents,
Rising, sinking in the water.

Without speaking, without pausing,
Kwasind leaped into the river,
Plunged beneath the bubbling surface,
Through the whirlpools chased the ******,
Followed him among the islands,
Stayed so long beneath the water,
That his terrified companions
Cried, “Alas! good-bye to Kwasind!
We shall never more see Kwasind!”
But he reappeared triumphant,
And upon his shining shoulders
Brought the ******, dead and dripping,
Brought the King of all the Beavers.

And these two, as I have told you,
Were the friends of Hiawatha,
Chibiabos, the musician,
And the very strong man, Kwasind.
Long they lived in peace together,
Spake with naked hearts together,
Pondering much and much contriving
How the tribes of men might prosper.
Terra Lopez May 2014
last love's shadow,
exhausting
my mind is a rat race
shook and breaks
and i am not withholding
arms upon arms
wring your regrets around my neck
my darling
i'd still kiss every finger
until you've nothing left
we'll overthink this to death
and then it's up to you
where you'll stand
what's next
Waverly Apr 2012
I think about my death.

The seed of life
is so
profuse,
and that
is
my demise.

I might live,
but I will die.

When I dream,
I dream
of Judy Greer.

She's been there
talking
about
love and *******
and death
and hurting.

So what can I say now,
when bulletholes
of lightning
people my dreams.

When a couple
shots of whiskey
have put me on the edge
of missing you
over memories.

I moan
and dream,
because dreaming
is a moan
for hope.

And being in for a bid,
is the same
as your lips
to
my
lips.

So I evade promises
and dribble
into traps
of
depression.

I've had this problem
for so long,
it seems inconsequential
that I might
wring my neck
by an electrical cord,
or by the chords
of your heart..

Because i miss you
and that
type
of
thing
never lets go
to much.

I stare at humans with an anchor in my hands.

I don't know if I should break
their noses,
or
tell them how it got there.

Don't hate me,
just be grateful;
that I told you I'm so sad
and worn out.
Drew Diligence Jul 2010
As the stormy weather passes;
Shadowed waves along the bay.
The wind sweeps through the headland grasses,
And we breathe the violent day.

And violent days abound,
Where the sea and land collide.
And in every fishing town,
Lay the marks of those who’ve died.

They lay as stark white crosses;
Set within, green and grassy field.
And we that breathe tote the losses,
… And keep our thoughts concealed.

For what can man or woman say,
That will calm the hurt within?
For some that braved the sea today;
…. Have yet to come back in.

Ten souls are held in thrall,
By the dark and brooding seas.
And stark are the faces, one and all,
As we make our silent pleas.

Oh! Sailor set your canvas tight,
And make your actions sound.
See that the tiller is rigged alright,
And get ye homeward bound.

The church bell tolls a heavy toll,
And candles light, pane on pane.
Whilst desperate eyes search the rocky knoll,
Through high seas, and cur-sed rain.

Worried hands, wring worried hands,
And they wring out misery.
Wives fidget and spin their golden bands,
And make their silent plea.

Oh! Sailor set your canvas tight,
And make your actions sound.
See that the tiller is rigged alright,
And get ye homeward bound.

The rain sheets in across the bay,
It writhes in violent spree,
And we look anon in grim dismay
At the ferment of the sea.

And terrible it is to see that sight,
That holds fathers, sons, and lovers.
And hold the fear, that the sea just might,
Bear new crosses, ‘midst the others.

And in the silence of the rain,
As it dashes hopes upon the sea.
I walk with other souls in pain,
As we make our silent plea.

Oh, Sailor set your canvas tight,
And make your actions sound.
See that the tiller is rigged alright,
And get ye homeward bound.

The raging storm wreaks its worst,
Shadowed waves along the bay.
Our thoughts become bleak and cursed,
As we breathe the violent day.

And then a voice crisp and clear,
Shouts “Look ye to the lee”!
And there we spy the crew, so dear;
Of the good ship Karalee.

Oh, Sailor set your canvas tight,
And make your actions sound.
See that the tiller is rigged alright,
And get ye…


Homeward bound.
zoie marie lynn Nov 2017
what's the proper etiquette for falling in love?
is it hushing lips and tripping over lungs?
is it squinting eyes and falling falling falling in mud?
because here we go down and down again,
but everyone's doing it, My Lovely Flowery Friend.
if i dive in between your legs,
and find other bodies there,
does that mean i should run in toxic fear?
are we supposed to dry out from licking up all these tears?
if i fall into your arms,
while they were open for someone else,
does that mean we're in love?
are we supposed to spit on the floor and call it ***?
you said you've done this before,
you said it would be fun,
but when you've got me trying to wring my head dry,
of all my pretty girl lies,
i become less and less sure if this is love.
tell me, please tell me,
is this proper etiquette?
should i be building mountains out of my bones so you can touch the moon?
should i constantly carry around these pillows in case someone else makes you swoon?
i don't know what i'm doing,
but you say you do,
so i guess i'll bury my heart so it doesn't get broken by you you you.
there's this tune i found that makes me think of you somehow
steven Jul 2014
I didn’t speak in fear of saying the wrong things,
Letting my insecurities build layered rings
To protect me from the vagrant eyes of society;
For years I grew up a silent and impervious tree
That feared the men who wouldn’t love me.

But then no, no, then you suddenly came along,
Full of mystery and conversation
In those Watergate lips and eyes like Nixon;
I should never have trusted your boyish conviction
When we met in September and you said ‘Hi Steven”
Like I was the most important person to you,
And how I downloaded a texting app just to
Write “Hi” back to you everyday and how you eventually told me
To change my last name to yours—you made a deep incision
Through every shell of skin I provisioned
For ordinary men like you.

But this is not a love story because
You were just an ordinary man
And I was just an extraordinary fool.
I thought we could drift forever lost
In the desert winds of my dearest dreams—
But love was a mirage and you were an oasis;
I took a sip from the shadowed pool at every cost
And ended up with a mouth full of sand.

This is not a love story because I didn’t know
Two guys could just be friends if they talked to each other like brothers
Because whenever I did, I was called a ***
For trying to pick up where my father left off,
For ignoring me my whole entire life because he cared more about his drug deal
Than his own family.

This is not a love story because you were a guy
And I was too obsessed with being what I wanted other people to see;
I didn’t want to be happy if it meant
Giving up the sweet internal peace that came with being
One hundred percent normal in America’s eyes.

This is not a love story because
It wasn’t written in the Bible.

This is not a love story because we live in a nation
Where having a crush on a guy labels me with damnation,
Where we teach our boys that love is only beautiful if it is in a woman
And that those who see otherwise are sin-ridden;
So many tongues tied to the tips of our teeth
Our nation’s sons and daughters beaten til the love runs red in a river of their tears;
These gender roles wring us out dry and drown us in a shadowed pool of fears.

I can proudly say I was in love with a guy,
But I won’t say it was for the right reasons.
I was blinded by the reality that maybe, just maybe,
Having intimate conversations with a man wouldn’t label me.
And it never will, not now, not ever,
Because I am not an ordinary man—
I am peculiar.
I am not yesterday
Because I am tomorrow night.
I am not a vagrant hiding in a black wood behind the skull
Because I am a redwood, rooted and full
With my outstretched arms soaring high into the sky
Because love is a blind sun that shines over us all,
Making our walls look as small
As the rubble when they fall and fall.
I wrote this poem as a response to "Conversation" by Louis MacNeice when I was competing in slam poetry in high school. Unfortunately, I wasn't able to perform it :-\
Cats and Sushi Oct 2013
This sheet is so light,
Yet it feels so heavy.

Life calls,
but this sheet lets it ring and ring.
and wring and wring.

It chokes me with comfort and warmth,
and fills my head with excuses.

Why leave something so secure and wander in that jungle we call life?

This sheet is so light ,
but its the devil on my shoulder.
and truly is as heavy as a boulder.
1716

Death is like the insect
Menacing the tree,
Competent to **** it,
But decoyed may be.

Bait it with the balsam,
Seek it with the saw,
Baffle, if it cost you
Everything you are.

Then, if it have burrowed
Out of reach of skill—
Wring the tree and leave it,
’Tis the vermin’s will.
Kenny Brown Mar 2012
Ominous notes are spewed from the *****,
Shaking the chandelier.
“It’s a syndrome he suffers from, one of being half-reared.”
The monotonous metronome ticks at allegro
While the all too sure foot taps andante.

Entrancing sweet air surrounds that ever-thinning hair
While I chew on half of a pear.
Wear and tear quickly begins to take place
While I erase the ink on my page to make space.
To make space for answers to these overwhelming questions.
I’ve never been much of a winner in this race.
And I’ve heard pace is the key,
But I have no such interest in locks.

Oh yes I’ve got golden goals,
But not the type of gold the count uses for bitter revenge,
Gold more likened to The Idiot’s investments.

Thetis by what mind did you dip only my fingers?
At sunrise my left side malingers.

Hello Mr. and Mrs. Jones I’m a sales representative from corporate united
Can I interested you in a genuine grin this evening.
Oh…that’s fine, I get paid just to ask.
But regardless, I could really use some conversation at the moment.
Would you mind ministering me with melodies?

I scrape the insole of a misfit pair…
Staring and staring at the ground waiting for it to shake.
Trembles are a sort of comforting contagion.

Oh it’s long been cold enough to build fires,
But I’ve only just collected the wood,
And I see no value in conversing alone outside,
Splitting the options with a razor, the sheets are more comfortable.
Lonely days bring still shivers multiplying,
My skin’s grown thin, all my warmth radiates out.
Oh I should have been a pair of scuttling claws…
The salt water is purely a majority,
My spirit is displaced into phytoplankton riding waves.
There there are no graves,
No cremation or consolation.
Just rest.

My I’m tired, I’ve toiled and tilled till morning
And still haven’t seen sprouts.
The bull in my chest shouts and I’ll I want
Is to wring it’s neck.
I’m tired of walking amongst bloodsuckers and
Angry hordes of minotaur’s.
I’m tired of constantly treading over manmade floors,
And walking down the hall
Only to find my destination…a steel locked door,
Then having to implore upon the janitor.
I’m tired of dancing all the time,
Just let me stand in silence.
MereCat Dec 2014
If the sky itself could break
And the moon could fall out of it
I would hold it on my palms
And wring the colour out of it
Never for a moment believing
That it could not make its own light
Donald Guy Nov 2012
MIT
There's a fire hose:
You drink it.


Well, you try to drink it.


You playfully examine it
For a few moments, then
You wrap your lips around the nozzle,
And pump up the pressure:


It blows you back
And pins you to a wall.


The spray stings your eyes,
But if it brings tears to them,
They are washed away by the flow,
Before you, or anyone else,
Can be sure they were there.


Your limbs ache,
You think that if only
You could rest them,
You could hold them stronger
But the time for rest rarely comes.


Some people, washed in despair
Or simply sanity, step out of the way
Never to look back and never to regret.


Some collapse or simply drown.


Others stand the force.
The mass of the waters accelerates,
But still they stand strong.
Wavering at times,
But never giving up.


And one day the flow slows
To a stream, to a trickle, to a drip
Then it stops.


You stand there:
Sudden and Sullen,
Dripping and Deflated,
Percolated, but Proud,
Wet, but Wise.


And you reach out,
Brass Rat rusted to your knuckle:
You grab a beaker and into it
You wring the waters of knowledge
From the clothes of your experience.


You take this drought and distill it.
You bottle it, you market it, or you give it away,
But, with luck, it takes the world by storm.


From the fire hose flow rises the rarefied results
Filtered through your hands,
Tested in your trials, Fortified in your failures,
Vivified in your victories.


You look back with mixed emotions:
Wondering if it was all really worth it.
Your prospective my grow,
It may never be clear,
But the fire hose flows on...


~D.B. Guy (March 6-12, 2010)
Fae Sep 2016
raise the ice around your heart or I won't want it anymore
drive a wedge between our arms until I'm clawing at the door
I'm not in pain, I don't need your bandaids, I don't
feel anything without a knife
dragging down the center
want me in an awful way, go on until I'm not ashamed
but my shoulders are shaking
wring out my heart, don't question what is pouring from it
collect a cup of poison with my name already on it
let it spill, cascades of glass making light dance like it's Christmas
for the love of god don't let your love soften your spine
don't look at me with those eyes
like you're about to lock the doors
please stop explaining what these rules are for, why this isn't right
you're a subway train and I'm rolling the dice
I'm out of my mind, love, I'm out of my mind
I am not the type of person that can easily hide
And I am not the type of person that can hold their tongue tightly
But for you i shall wring it like a wet towel
so all the dark cropped up secrets drip out
And I will put them in a tiny box with a lock
And I will throw the key away in the ocean of trust
I shall live in the goldness of remaining silent
Your terrifying dreams and your secret stories are safe with me
And I won't ever share them with any other person but you



&                           
I hope you do the same with me.
I have  f a i t h  in you, just like you have  f a i t h  in me.

July  7th  2014
WAJ
If I should learn, in some quite casual way,
  That you were gone, not to return again—
Read from the back-page of a paper, say,
  Held by a neighbor in a subway train,
How at the corner of this avenue
  And such a street (so are the papers filled)
A hurrying man—who happened to be you—
  At noon to-day had happened to be killed,
I should not cry aloud—I could not cry
  Aloud, or wring my hands in such a place—
I should but watch the station lights rush by
  With a more careful interest on my face,
Or raise my eyes and read with greater care
Where to store furs and how to treat the hair.
     Queen of my tub, I merrily sing,
While the white foam raises high,
And sturdily wash, and rinse, and wring,
And fasten the clothes to dry;
Then out in the free fresh air they swing,
Under the sunny sky.

I wish we could wash from our hearts and our souls
The stains of the week away,
And let water and air by their magic make
Ourselves as pure as they;
Then on the earth there would be indeed
A glorious washing day!

Along the path of a useful life
Will heart's-ease ever bloom;
The busy mind has no time to think
Of sorrow, or care, or gloom;
And anxious thoughts may be swept away
As we busily wield a broom.

I am glad a task to me is given
To labor at day by day;
For it brings me health, and strength, and hope,
And I cheerfully learn to say-
'Head, you may think; heart, you may feel;
But hand, you shall work always!'
Shaw Hovsk Dec 2016
Not a day in your life, war have your eyes witnessed
You lay safe, secure, in your ignorant pocket of peace
But their memories play before your eyes and their nightmare dance on your eyelids
The chop of the fan blades remind you of the planes, menacing overhead and dropping fire from the sky
The popping of kernels from the microwave wring forth panic-- Duck! They’re shooting! Duck for cover, you fool!
The book, it merely fell, but was it truly a book? Or was it the boom of an artillery cannon?
Screams of glee mingle into screams of pain. Your best friend, why don’t you reach out and save him? He’s only a few yards away. He’s in such pain, don’t let him die alone. Don’t let him die like this. Don’t let him die.
Stepping in the puddles makes your skin crawl. You remember their blackened skin, rotted flesh. You step out of the water quickly.
The open water is calm. Peaceful. Under the surface you can see them, the submarines. You move away from the shoreline.
Your friend, hugging you from behind-- it’s their hand, just their hand. There was never a knife. They are your friend. Or are they?
The memories. They’re not yours. Whose are they? Why do they tremble like tenor in your mind, ingrained in your DNA?
The blood on your hands is not there, open your eyes!
The jungle, the desert, the forest, the wasteland. You’re not there, you were never there.
The blood on your hands is not there, open your eyes!
Now the dark, it's suffocating. This is not your world of cracking rawhide and dirt. You were not there, this is not your reality. That white jacket should not make your breath hitch! That burning cross should not terrorize you so!
Now the dark, it's suffocating. This is not your world of fabric stars and canvas trucks. You were not there, this is not your reality. That red armband should not make your breath hitch! That fire should not terrorize you so!
Not a day in your life has this world brought its ugly head to look you dead in the eye and breath upon you, noxious breath liquefying your lungs and dissolving your eyes.
You are safe-- that blood on your hands is not real-- you are safe-- this is not your reality-- how it terrorizes you so!
These memories are not your own.
These memories are not your own.
These memories are not your own.
They are theirs, their memories, and you see them every time you close your eyes.
These memories are not your own.
These memories are not your own.
These memories are not your own.
They are not yours and they never will be.
jeremy wyatt Feb 2011
Sir Gregory I pledge to serve
my loyal heart it will not swerve
so as I give my vow to you
I promise always to be true

Well, lad I'll take you as my man
we'll go to fight for the Englishman
Berwick north we stand and fight
facing Scotland's rage and might

But tell me first why do you come
to follow Richard's savage drum
A Welshman stong and fair as day
now fights beside some he should slay?

Owain set his mind to tell
his secrets this man would keep well
and as a Welshman of renown
would never cast a fellow down

My heart is full of dreams to roam
before I return to my home
and as this world does change and swing
I dream of Wales set fair to sing

By fighting for the English flag
though in my heart the merest rag
my service and loyalty will save
my people from some English Knave

For powys Fadog is beset
by guile and deceit like a net
to persevere and keep it free
is the task that God has given me

So serve he did the crown indeed
shed blood in lands above the Tweed
his steel was shap his eyes afire
his glance could light a funeral pyre

Thus serving Richard out in France
he led the French a merry dance
bore the shield for Englands King
whilst harpers in his heart did sing

Fitzalan's fleet acknowledged him
he made one hundred Frenchmen swim
defending all the southern ports
all admired him as he fought

Then squire to Henry son of Gaunt
his strength and fire he did not flaunt
at last a knight he travelled west
to the hills and fields he loved the best

But Ruthin Grey was still nearby
a neighbor evil dark and sly
always waiting in the mist
to strike out with his English fist

Now Owain was still Richards man
usurped by Henry's secret plan
but loyalty goes deep in Wales
just read the true and ancient tales

Cronies of the dread new King
conspired to soil his name and wring
out all the misery and lies
to hurt this Welshman they will try

Proclaimed a traitor by the court
their plans were quickly turned to naught
men whose names forgotten since
named fair Owain Wales' Prince

Hotspur rode into the north
striking blows for all his worth
Owain like men of ancient yore
struck  all he faced down to the floor

Castles fell rebellion spread
to Owain's flag a nation led
**** of Strata Florida's shrine
made mad-men of the Welshmen's line

You strike our stones you strike our hearts
but though to you our days seem dark
the blaze you light within our breast
will stand forever any test

The evil Grey they captured him
a ransome paid his dark life grim
faded away and left so weak
no more of Grey this tale will speak

As quick years drew and fleeted by
all Welshmen came they drew anigh
from farms and universities
to battle through adversity

Veterans of Englands savage wars
Welshmen flocked back to settle scores
the blood of Llewellyn still does stain
but Ap Iorwerth's legacy will remain

Back to the laws of Hywel Da
the wise and kind king known afar
so good a man our Hywel was that
He'd punish a man who harmed a cat

Court at Harlech strong and fair
Machynlleth Cynulliad held there
Scots and French men sent their aid
many a fiery fighting raid

But  French kings change their regal minds
and Avignon fooled with their designs
no hope from them was due to come
England's blockades were hitting home

Sat in the darkness of doubt alone
Owain dreams of his wife and home
fair things that he is fighting for
the reasons that he went to war

Now with the sight of ancient days
the future fell before his gaze
his Marred fair locked in the tower
dying slowly his poor bright flower

His castles fell his men were slain
the power of England strong again
a hunted man loose in the wild
though loved and sheltered like a child

Despite rewards of riches vast
his people hid him to the last
he faded slowly into the stones
that make up Wales' strong old bones

He died an old defiant man
clear in eyes and heart
the time was not for a free Wales
a land to stand apart
but freedoms song and fair blood spilled
for causes that you love
still carry on the mountain air
as Owain stands above
Thus then did they fight as it were a flaming fire. Meanwhile the
fleet runner Antilochus, who had been sent as messenger, reached
Achilles, and found him sitting by his tall ships and boding that
which was indeed too surely true. “Alas,” said he to himself in the
heaviness of his heart, “why are the Achaeans again scouring the plain
and flocking towards the ships? Heaven grant the gods be not now
bringing that sorrow upon me of which my mother Thetis spoke, saying
that while I was yet alive the bravest of the Myrmidons should fall
before the Trojans, and see the light of the sun no longer. I fear the
brave son of Menoetius has fallen through his own daring and yet I
bade him return to the ships as soon as he had driven back those
that were bringing fire against them, and not join battle with
Hector.”
  As he was thus pondering, the son of Nestor came up to him and
told his sad tale, weeping bitterly the while. “Alas,” he cried,
“son of noble Peleus, I bring you bad tidings, would indeed that
they were untrue. Patroclus has fallen, and a fight is raging about
his naked body—for Hector holds his armour.”
  A dark cloud of grief fell upon Achilles as he listened. He filled
both hands with dust from off the ground, and poured it over his head,
disfiguring his comely face, and letting the refuse settle over his
shirt so fair and new. He flung himself down all huge and hugely at
full length, and tore his hair with his hands. The bondswomen whom
Achilles and Patroclus had taken captive screamed aloud for grief,
beating their *******, and with their limbs failing them for sorrow.
Antilochus bent over him the while, weeping and holding both his hands
as he lay groaning for he feared that he might plunge a knife into his
own throat. Then Achilles gave a loud cry and his mother heard him
as she was sitting in the depths of the sea by the old man her father,
whereon she screamed, and all the goddesses daughters of Nereus that
dwelt at the bottom of the sea, came gathering round her. There were
Glauce, Thalia and Cymodoce, Nesaia, Speo, thoe and dark-eyed Halie,
Cymothoe, Actaea and Limnorea, Melite, Iaera, Amphithoe and Agave,
Doto and Proto, Pherusa and Dynamene, Dexamene, Amphinome and
Callianeira, Doris, Panope, and the famous sea-nymph Galatea,
Nemertes, Apseudes and Callianassa. There were also Clymene, Ianeira
and Ianassa, Maera, Oreithuia and Amatheia of the lovely locks, with
other Nereids who dwell in the depths of the sea. The crystal cave was
filled with their multitude and they all beat their ******* while
Thetis led them in their lament.
  “Listen,” she cried, “sisters, daughters of Nereus, that you may
hear the burden of my sorrows. Alas, woe is me, woe in that I have
borne the most glorious of offspring. I bore him fair and strong, hero
among heroes, and he shot up as a sapling; I tended him as a plant
in a goodly garden, and sent him with his ships to Ilius to fight
the Trojans, but never shall I welcome him back to the house of
Peleus. So long as he lives to look upon the light of the sun he is in
heaviness, and though I go to him I cannot help him. Nevertheless I
will go, that I may see my dear son and learn what sorrow has befallen
him though he is still holding aloof from battle.”
  She left the cave as she spoke, while the others followed weeping
after, and the waves opened a path before them. When they reached
the rich plain of Troy, they came up out of the sea in a long line
on to the sands, at the place where the ships of the Myrmidons were
drawn up in close order round the tents of Achilles. His mother went
up to him as he lay groaning; she laid her hand upon his head and
spoke piteously, saying, “My son, why are you thus weeping? What
sorrow has now befallen you? Tell me; hide it not from me. Surely Jove
has granted you the prayer you made him, when you lifted up your hands
and besought him that the Achaeans might all of them be pent up at
their ships, and rue it bitterly in that you were no longer with
them.”
  Achilles groaned and answered, “Mother, Olympian Jove has indeed
vouchsafed me the fulfilment of my prayer, but what boots it to me,
seeing that my dear comrade Patroclus has fallen—he whom I valued
more than all others, and loved as dearly as my own life? I have
lost him; aye, and Hector when he had killed him stripped the wondrous
armour, so glorious to behold, which the gods gave to Peleus when they
laid you in the couch of a mortal man. Would that you were still
dwelling among the immortal sea-nymphs, and that Peleus had taken to
himself some mortal bride. For now you shall have grief infinite by
reason of the death of that son whom you can never welcome home-
nay, I will not live nor go about among mankind unless Hector fall
by my spear, and thus pay me for having slain Patroclus son of
Menoetius.”
  Thetis wept and answered, “Then, my son, is your end near at hand-
for your own death awaits you full soon after that of Hector.”
  Then said Achilles in his great grief, “I would die here and now, in
that I could not save my comrade. He has fallen far from home, and
in his hour of need my hand was not there to help him. What is there
for me? Return to my own land I shall not, and I have brought no
saving neither to Patroclus nor to my other comrades of whom so many
have been slain by mighty Hector; I stay here by my ships a bootless
burden upon the earth, I, who in fight have no peer among the
Achaeans, though in council there are better than I. Therefore, perish
strife both from among gods and men, and anger, wherein even a
righteous man will harden his heart—which rises up in the soul of a
man like smoke, and the taste thereof is sweeter than drops of
honey. Even so has Agamemnon angered me. And yet—so be it, for it
is over; I will force my soul into subjection as I needs must; I
will go; I will pursue Hector who has slain him whom I loved so
dearly, and will then abide my doom when it may please Jove and the
other gods to send it. Even Hercules, the best beloved of Jove—even
he could not escape the hand of death, but fate and Juno’s fierce
anger laid him low, as I too shall lie when I am dead if a like doom
awaits me. Till then I will win fame, and will bid Trojan and
Dardanian women wring tears from their tender cheeks with both their
hands in the grievousness of their great sorrow; thus shall they
know that he who has held aloof so long will hold aloof no longer.
Hold me not back, therefore, in the love you bear me, for you shall
not move me.”
  Then silver-footed Thetis answered, “My son, what you have said is
true. It is well to save your comrades from destruction, but your
armour is in the hands of the Trojans; Hector bears it in triumph upon
his own shoulders. Full well I know that his vaunt shall not be
lasting, for his end is close at hand; go not, however, into the press
of battle till you see me return hither; to-morrow at break of day I
shall be here, and will bring you goodly armour from King Vulcan.”
  On this she left her brave son, and as she turned away she said to
the sea-nymphs her sisters, “Dive into the ***** of the sea and go
to the house of the old sea-god my father. Tell him everything; as for
me, I will go to the cunning workman Vulcan on high Olympus, and ask
him to provide my son with a suit of splendid armour.”
  When she had so said, they dived forthwith beneath the waves,
while silver-footed Thetis went her way that she might bring the
armour for her son.
  Thus, then, did her feet bear the goddess to Olympus, and
meanwhile the Achaeans were flying with loud cries before murderous
Hector till they reached the ships and the Hellespont, and they
could not draw the body of Mars’s servant Patroclus out of reach of
the weapons that were showered upon him, for Hector son of Priam
with his host and horsemen had again caught up to him like the flame
of a fiery furnace; thrice did brave Hector seize him by the feet,
striving with might and main to draw him away and calling loudly on
the Trojans, and thrice did the two Ajaxes, clothed in valour as
with a garment, beat him from off the body; but all undaunted he would
now charge into the thick of the fight, and now again he would stand
still and cry aloud, but he would give no ground. As upland
shepherds that cannot chase some famished lion from a carcase, even so
could not the two Ajaxes scare Hector son of Priam from the body of
Patroclus.
  And now he would even have dragged it off and have won
imperishable glory, had not Iris fleet as the wind, winged her way
as messenger from Olympus to the son of Peleus and bidden him arm. She
came secretly without the knowledge of Jove and of the other gods, for
Juno sent her, and when she had got close to him she said, “Up, son of
Peleus, mightiest of all mankind; rescue Patroclus about whom this
fearful fight is now raging by the ships. Men are killing one another,
the Danaans in defence of the dead body, while the Trojans are
trying to hale it away, and take it to wind Ilius: Hector is the
most furious of them all; he is for cutting the head from the body and
fixing it on the stakes of the wall. Up, then, and bide here no
longer; shrink from the thought that Patroclus may become meat for the
dogs of Troy. Shame on you, should his body suffer any kind of
outrage.”
  And Achilles said, “Iris, which of the gods was it that sent you
to me?”
  Iris answered, “It was Juno the royal spouse of Jove, but the son of
Saturn does not know of my coming, nor yet does any other of the
immortals who dwell on the snowy summits of Olympus.”
  Then fleet Achilles answered her saying, “How can I go up into the
battle? They have my armour. My mother forbade me to arm till I should
see her come, for she promised to bring me goodly armour from
Vulcan; I know no man whose arms I can put on, save only the shield of
Ajax son of Telamon, and he surely must be fighting in the front
rank and wielding his spear about the body of dead Patroclus.”
  Iris said, ‘We know that your armour has been taken, but go as you
are; go to the deep trench and show yourelf before the Trojans, that
they may fear you and cease fighting. Thus will the fainting sons of
the Achaeans gain some brief breathing-time, which in battle may
hardly be.”
  Iris left him when she had so spoken. But Achilles dear to Jove
arose, and Minerva flung her tasselled aegis round his strong
shoulders; she crowned his head with a halo of golden cloud from which
she kindled a glow of gleaming fire. As the smoke that goes up into
heaven from some city that is being beleaguered on an island far out
at sea—all day long do men sally from the city and fight their
hardest, and at the going down of the sun the line of beacon-fires
blazes forth, flaring high for those that dwell near them to behold,
if so be that they may come with their ships and succour them—even so
did the light flare from the head of Achilles, as he stood by the
trench, going beyond the wall—but he aid not join the Achaeans for he
heeded the charge which his mother laid upon him.
  There did he stand and shout aloud. Minerva also raised her voice
from afar, and spread terror unspeakable among the Trojans. Ringing as
the note of a trumpet that sounds alarm then the foe is at the gates
of a city, even so brazen was the voice of the son of Aeacus, and when
the Trojans heard its clarion tones they were dismayed; the horses
turned back with their chariots for they boded mischief, and their
drivers were awe-struck by the steady flame which the grey-eyed
goddess had kindled above the head of the great son of Peleus.
  Thrice did Achilles raise his loud cry as he stood by the trench,
and thrice were the Trojans and their brave allies thrown into
confusion; whereon twelve of their noblest champions fell beneath
the wheels of their chariots and perished by their own spears. The
Achaeans to their great joy then drew Patroclus out of reach of the
weapons, and laid him on a litter: his comrades stood mourning round
him, and among them fleet Achilles who wept bitterly as he saw his
true comrade lying dead upon his bier. He had sent him out with horses
and chariots into battle, but his return he was not to welcome.
  Then Juno sent the busy sun, loth though he was, into the waters
of Oceanus; so he set, and the Achaeans had rest from the tug and
turmoil of war.
  Now the Trojans when they had come out of the fight, unyoked their
horses and gathered in assembly before preparing their supper. They
kept their feet, nor would any dare to sit down, for fear had fallen
upon them all because Achilles had shown himself after having held
aloof so long from battle. Polydamas son of Panthous was first to
speak, a man of judgement, who alone among them could look both before
and after. He was comrade to Hector, and they had been born upon the
same night; with all sincerity and goodwill, therefore, he addressed
them thus:-
  “Look to it well, my friends; I would urge you to go back now to
your city and not wait here by the ships till morning, for we are
far from our walls. So long as this man was at enmity with Agamemnon
the Achaeans were easier to deal with, and I would have gladly
camped by the ships in the hope of taking them; but now I go in
great fear of the fleet son of Peleus; he is so daring that he will
never bide here on the plain whereon the Trojans and Achaeans fight
with equal valour, but he will try to storm our city and carry off our
women. Do then as I say, and let us retreat. For this is what will
happen. The darkness of night will for a time stay the son of
Peleus, but if he find us here in the morning when he sallies forth in
full armour, we shall have knowledge of him in good earnest. Glad
indeed will he be who can escape and get back to Ilius, and many a
Trojan will become meat for dogs and vultures may I never live to hear
it. If we do as I say, little though we may like it, we shall have
strength in counsel during the night, and the great gates with the
doors that close them will protect the city. At dawn we can arm and
take our stand on the walls; he will then rue it if he sallies from
the ships to fight us. He will go back when he has given his horses
their fill of being driven all whithers under our walls, and will be
in no mind to try and force his way into the city. Neither will he
ever sack it, dogs shall devour him ere he do so.”
  Hector looked fiercely at him and answered, “Polydamas, your words
are not to my liking in that you bid us go back and be pent within the
city. Have you not had enough of being cooped up behind walls? In
the old-days the city of Priam was famous the whole world over for its
wealth of gold and bronze, but our treasures are wasted out of our
houses, and much goods have been sold away to Phrygia and fair Meonia,
for the hand of Jove has been laid heavily upon us. Now, therefore,
that the son of scheming Saturn has vouchsafed me to win glory here
and to hem the Achaeans in at their ships, prate no more in this
fool’s wise among the people. You will have no man with you; it
shall not be; do all of you as I now say;—take your suppers in your
companies throughout the host, and keep your watches and be wakeful
every man of you. If any Trojan is uneasy about his possessions, let
him gather them and give them out among the people. Better let
these, rather than the Achaeans, have them. At daybreak we will arm
and fight about the ships; granted that Achilles has again come
forward to defend them, let it be as he will, but it shall go hard
with him. I shall not shun him, but will fight him, to fall or
conquer. The god of war deals out like measure to all, and the
slayer may yet be slain.”
  Thus spoke Hector; and the Trojans, fools that they were, shouted in
applause, for Pallas Minerva had robbed them of their understanding.
They gave ear to Hector with his evil counsel, but the wise words of
Polydamas no man would heed. They took their supper throughout the
host, and meanwhile through the whole night the Achaeans mourned
Patroclus, and the son of Peleus led them in their lament. He laid his
murderous hands upon the breast of his comrade, groaning again and
again as a bearded lion when
'Good evening, residents of Joker Asylum! Some of our...crazier guests have crashed the party early, and when I say crazy, I mean REAL ******. Word of warning, if anyone sees a dribbling fool barking at the moon or maybe just purring like a kitten, do your civic duty. Walk up to them, put your arm around them, show them that you care...before you wring their necks!"

"Plans, plans, plans. They always have their plans. But the problem with their plan... is that when you take an insane person to the asylum, you're just taking him home - the very place he knows best."

"Welcome to the madhouse, Batman! I set a trap and you sprang it gloriously! Now let's get this party started."
~batman arkham asylum
dont we all wish we could be like joker some days
Coop Lee Mar 2015
there in the wilderness
all things go to live
and all things go to die.

she stole my shirt and hatchet
and took to the woods.
                           hacked out the heart.

traded one wilderness for another. city into
trees.
she needed to breathe
and wring wet socks, relax, and study the mycelium songs underfoot.

she she she, like a marvelous
new love.
the grass and green stuff woven.
canteen replete with wheat nectar
         or half-batch whiskey.

needs nutrient,
the seed so new.
needs space,
the daughter as she grew.

what tempest breaks the trees and old heads
of mother timber?
         perhaps deep-winter,
         to test the fiber of a florescent forest fleek.

she built a chikee from fallen arms of a sprucewood soul,
drank water from a clay-thrown bowl
and granola to heat her bones.

new fish.
the river is cold on glacier blood.
new day,
driven beyond the random access roads & cobalt blast-holes stretching
gulches bloomed in chaparral.
up they crawl along monumental spine and shoulder,
giants sleeping.

she she she, live a marvelous new love.

the wonder is seen.
the wilderness lived and remembered
by girl or elk bugling their high-decibel poems
when ready.
HB Oct 2010
Let me lean into your hair and breathe in your warm, clean scent.
Tackle me with tickling fingers, knock me over, make me squirm.
I'll nibble on your neck a bit, and make a ***** joke.
You'll drag me up and down the block, till we've searched out every coffee shop, and reading nook, and weird demented new-age store,
With scary guys with scary hair leaning over the counter offering you 'Fairy Dust' for good luck, or maybe this book about trolls?
Then I'll drag you back down a different block, and through the city and all the buildings.
Looking up and up and up.
Falling over our own four feet as we race the dusky-shadowed building monsters from one end of the bay to the other.
Exhausted by our chase, we stumble into yet another hole-in-the-wall to steal some warm recuperation.
You wrap me up in arms and drink, while telling me all about your life.
Then you **** me for details of things I never talk about, and make it seem like no big deal. I mean, hey, it's only you after all.
Next you grab your camera in one hand, and my hand in the other, dragging me back out the door, already clicking fast the shutter.
But it's night! So what? It's the city, there's light.
So you keep right on clicking and posing and grasping at figments, air where you think you might best find a shot, that would hold me to you on the screen later on.
You keep clicking and clicking, till I finally get tired. Then you, sensing me, make up for my sudden lack of enthuse, and drag me further to a club strobing with lights.
We dance there for hours, till the club's shutting down, catch a yellow-topped cab, rumbling and slow. You hang up your camera, I hang up my coat.
Time for a movie and popcorn, hot chocolate in bed. I'll fall asleep, wrapped in comforter, my pillow still breathing. You might wake me up, after the movie is finished, just in time for a few pre-dawn kisses.
A few hours sleep, my head tucked under your chin. Dreaming separate dreams, together.
Our limp-tangled limbs greet the shade-prying strips of sunlight with unconscious aplomb.
Ayaba Babe Dec 2012
I don't want to be in your bed sheets.
And I don't want you tangled up in mine,
I made my bed this morning.
I don't want you in my bed sheets,
Tangled up in them
Entwined
As if they were the vines of lust,
Binding you to the mirage of Us
The vines of love are coated with dust,
It's dangerous.
It's slippery.
Wet like the ocean as soon as you dip in me.
They say the ocean is deep and within it lie secrets...
Kiss me farewell and dive to the bottom of the seven seas just to keep it.
I don't want to go swimming in my bed sheets.
Then they'd be drenched from the high tides of expired desire
I don't want to wring out the deception that you perspire
I don't want to make my bed again.
My laundry is clean.
Marshal Gebbie Mar 2011
As a maddened beast it charges
Emanating with expanse
Brute techtonic plate reaction
From the epicentre’s stance.
Huge concentric rings diverge
Expanding at horrific rate
Black, titanic, towering waters
Ploughing to a deadly fate.

Kneeling in her bed of roses
Pollinating bees abound,
Morning sunbeams kiss her shoulders
Peaceful garden bliss surrounds.


Surging to the coastal shelf
The black gigantis rears on high
Claws toward the placid beach
Seabirds scatter to the sky.
Tide receds to bare the reef
Stranded mackerel whitely leap,
Enormously the massive wave
Attacks the land and they who sleep.

Death comes fast to they who loiter
Violence in the tangled purge,
Massive pressures, crushing debris
Broken buildings in the surge.
Ships and cars are tossed asunder
Inexorably it slams
Far inland to slay those fleeing
Locked in highway traffic jams.

Strange roar at the garden wall
Terrified, she finds her feet,
Roses, bees, sweet girl engulfed
As black entombedment swamps the street.


Far inland the chaos flows
Wreaking death's destructive bands,
Halted now by highland hills
Where souls in horror, wring their hands.
Slow retraction leaving ruin
Desolation far and wide,
The smell of new death in the air,
Heartbreak in the countryside.


Marshalg
For Nippon
18 March 2011

— The End —