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st64 Feb 2014
“I know you're tired but come, this is the way...

In your light, I learn how to love.
In your beauty, how to make poems.
You dance inside my chest where no-one sees you,
but sometimes I do, and that sight becomes this art.”*        ― Rumi


1.
“You and I have spoken all these words, but for the way we have to go, words are no preparation. I have one small drop of knowing in my soul.
Let it dissolve in your ocean.

A mountain keeps an echo deep inside. That's how I hold your voice.”
― Rumi


2.
“Do not feel lonely, the entire universe is inside you.
Stop acting so small. You are the universe in ecstatic motion.

Set your life on fire. Seek those who fan your flames.”   ― Rumi


3.
“The way of love is not
a subtle argument.

The door there
is devastation.

Birds make great sky-circles
of their freedom.
How do they learn it?

They fall, and falling,
they're given wings.”                          ― Rumi


4.
“The morning wind spreads its fresh smell. We must get up and take that in, that wind that lets us live. Breathe before it's gone.

Sorrow prepares you for joy.
It violently sweeps everything out of your house, so that new joy can find space to enter. It shakes the yellow leaves from the bough of your heart, so that fresh, green leaves can grow in their place. It pulls up the rotten roots, so that new roots hidden beneath have room to grow.
Whatever sorrow shakes from your heart, far better things will take their
place.”                                     ― Rumi


5.
“You are so weak. Give up to grace.
The ocean takes care of each wave till it gets to shore.
You need more help than you know.

Be a lamp, or a lifeboat, or a ladder. Help someone's soul heal.
Walk out of your house like a shepherd.”
― Rumi, The Essential Rumi


6.
“You think you are alive
because you breathe air?
Shame on you,
that you are alive in such a limited way.
Don't be without Love,
so you won't feel dead.
Die in Love
and stay alive forever.

I want to see you.
Know your voice.

Recognise you when you
first come 'round the corner.

Sense your scent when I come
into a room you've just left.

Know the lift of your heel,
the glide of your foot.

Become familiar with the way
you purse your lips
then let them part,
just the slightest bit,
when I lean in to your space
and kiss you.

I want to know the joy
of how you whisper
“more”...                                                       ­     ― Rumi


7.
“When you go through a hard period,
When everything seems to oppose you,
... When you feel you cannot even bear one more minute,
NEVER GIVE UP!
Because it is the time and place that the course will divert!

The cure for pain is in the pain.
In Silence, there is eloquence. Stop weaving and see how the pattern improves.

The truth was a mirror in the hands of God. It fell, and broke into pieces. Everybody took a piece of it, and they looked at it and thought they had the truth.”                                       ― Rumi


8.
“Study me as much as you like, you will not know me, for I differ in a hundred ways from what you see me to be. Put yourself behind my eyes and see me as I see myself, for I have chosen to dwell in a place you cannot see.

Moonlight floods the whole sky from horizon to horizon;
How much it can fill your room depends on its windows.”
― Rumi, The Essential Rumi


9.
“Keep walking, though there's no place to get to.
Don't try to see through the distances.
That's not for human beings. Move within,
But don't move the way fear makes you move.

If you are irritated by every rub, how will your mirror be polished?

Start a huge, foolish project, like Noah…it makes absolutely no difference what people think of you.”   ― Rumi


10.
“Do you know what you are?
You are a manuscript oƒ a divine letter.
You are a mirror reflecting a noble face.
This universe is not outside of you.
Look inside yourself;
everything that you want,
you are already that.”
― Rumi, Hush, Don't Say Anything to God: Passionate Poems of Rumi



11.
“Out beyond ideas of wrongdoing
and rightdoing, there is a field.
I'll meet you there.

When the soul lies down in that grass
the world is too full to talk about.

What you seek, is seeking you.”                             ― Rumi


12.
“The lion is most handsome when looking for food.

Pain is a treasure, for it contains mercies.
Love comes with a knife, not some shy question, and not with fears for its reputation!

I am your moon and your moonlight too
I am your flower garden and your water too
I have come all this way, eager for you
Without shoes or shawl
I want you to laugh
To **** all your worries
To love you
To nourish you.”                                          ― Rumi


13.
“I was dead, then alive.
Weeping, then laughing.

The power of love came into me,
and I became fierce like a lion,
then tender like the evening star.”                        ― Rumi


14.
“Suffering is a gift. In it is hidden mercy.

Come, come, whoever you are. Wanderer, worshiper, lover of leaving.
It doesn't matter. Ours is not a caravan of despair.. come, even if you have broken your vows a thousand times. Come, yet again, come, come.

But listen to me. For one moment - quit being sad. Hear blessings
dropping their blossoms
around you.

I closed my mouth and spoke to you in a hundred silent ways.”
― Rumi


15.
“The breeze at dawn has secrets to tell you. Don't go back to sleep!
You must ask for what you really want.
Don't go back to sleep!
People are going back and forth
across the doorsill where the two worlds touch,
The door is round and open
Don't go back to sleep!

These pains you feel are messengers. Listen to them.”
― Rumi, The Essential Rumi



16.
“Like a sculptor, if necessary,
carve a friend out of stone.
Realise that your inner sight is blind
and try to see a treasure in everyone.”                    ― Rumi


17.
“Let the lover be disgraceful, crazy, absent-minded. Someone sober will worry about things going badly. Let the lover be.

There are lovers content with longing.
I’m not one of them.”    ― Rumi, The Essential Rumi


18.
“There is a secret medicine given only to those who hurt so hard they can't hope.
The hopers would feel slighted if they knew.

You were born with potential.
You were born with goodness and trust. You were born with ideals and dreams. You were born with greatness.
You were born with wings.
You are not meant for crawling, so don't.
You have wings.
Learn to use them and fly.”          ― Rumi


19.
“Forget safety.
Live where you fear to live.
Destroy your reputation.
Be notorious.

Inside you, there’s an artist you don’t know about… say yes quickly, if you know, if you’ve known it from before the beginning of the universe.”
― Rumi


20.
“Let yourself be silently drawn by the stronger pull of what you really love. It will not lead you astray.”     ― Rumi





"On a day
when the wind is perfect,
the sail just needs to open and the world is full of beauty.
Today is such a day.”
                                               ― Rumi






S T – 25 feb 14
Rumi - born to native Persian speaking parents in 1207.
Died 1273 AD.
Rumi (an evolutionary thinker) believed passionately in the use of music, poetry and dance as a path for reaching God.
Robin Carretti Aug 2018
Here comes the sun little darling's
We all get burned
 Is it your turn
     "U-Turn"
Oh! Where I thou
"Green light Diner"
It's telling us to Go
    *       *       *
The Earth beauty faces
I will be your direct sunlight
In plain sight to the daylight
her blossom tree
All I ask come for me
Her face could eat
The divine flower laced

French brie
Tie a yellow ribbon on me
We have so much to see
Let it be sun-face Moms
apple pies
The Sun  "Watchtower"
Someone knocks you off
Your "Bill" on the Ice Queen

The Goddess rodeo waitress
She got you roped in between
The cigarette 1940 case hostess
             "Rose"
I suppose the sunflowers every booth
her smile sets in place

The stain-glass window Notre Dame
Rock and roll hall of fame
The earth kids rainbow chalk
Sun-fun treetops like a beanstalk
Napoleon Elementary Watson
New Jersey Diner capital admission
The Peking duck *** luck

European beauty hunter's menu
Any luck this will be awhile sip "Starbucks"

1-Antipasti cute Shiba Uni
2-Consomme Chicken soup
3-Sun-face to the soul fruit loop
4-Chicken pepper Salsa
Sun-face lights up Visa
5-Hearts of Artichokes Mona Lisa
6-Soy ginger salmon
My sun worshiper man

Fish tacos hummus
St Thomas
Rome was not build
In one day
The windpipes and
the tablecloths Oh! yikes
Full of dream pipes

Sun tan stripes and zebras
Couscous salad big star dipper
Egyptian Gods camels back
Sun-face diner no time
for the sun-chip snack
Diners from 1920-1940
Sun-face air force dresses

Medieval times two swords
Holy lords Easter parades
" Ice-cream Spumoni"
Dinner in the sky
Robin red breast fly
Italian artwork Coliseum
Look up in the sky
It's a bird shaped
Paper plane bad romance
going insane

Waffle House  jukebox rock and roll
Hall of fame whats in a food name
Cowboy steaks American Flags
Cajun chicken legs fruits and figs
At the caboose Ladybird jet lag
Valentine Diner chairs
got footloose homemade goose

Purple rain Prince maple
pancakes
Bananas and strawberry fields
lake sun in shape of a snowflake
Forest Gump changes to
Presidential Trump
Vitamin C  honey bunches of Oats

Yummy floats of egg cream
Open table Sun-face dream
Eggs light she's not finished
over easy
Pristine of carrots with
artful daisies
Thanksgiving turkey

Rings of napkins holding
A time well-bred marriage
Well known landmarks of
Carats
Long ago time she saw the light
Daylight Knight like a scale to weight

Whispers of wine and grapes
Sun face courtesan love escape
Sun Faces trillion times mansion
Sun-faces never go out of fashion
Sun faces and dinner places the best in the world eat heartily Drive in and Diners all over the world have a medieval touch with the Vikings and melodies from the heart  of the surface  her smile will always be there everywhere she goes the Diners place her with Rose
I tend to get stares... Looks... The occasional "are you gay?" With a quizzical look of disgust.
Well, to answer your question, no, I am not gay.
In a society built around judgment and stilted above common sense,
Being gay would mean that I'd have to find women utterly disgusting, flick my wrists, speak with funny and awkward inflections, right?
Do you think I speak with funny and awkward inflections?
Good! Because I'm so not gay.
Being gay would mean that I love to shop, well I hate it!
My fashion sense does not exceed that of a box of colorful crayola crayons melting away in the blistering Las Vegas sun because you see, I don't live in San Francisco, or New York,
or anywhere "gay" people live.
I am not gay.
Being gay would mean that I am immoral but I can assure you, moralistically speaking, that morals are what keep me routinely from listening to Lady Gaga, who I've heard, despite her catholic upbringing, is a devout devil worshiper and I sure as hell don't worship Satan!
Oh no, I am not gay.
My father once told me, in his manliest tone that if I ever became sweet
or my tank profusely filled with sugar
that he'd disown me and rid me of his home.
However last time I checked,
I don't have a tank
and one lick of my tanned brown skin would reveal that I am in fact quite salty!
Salty, as defined by Urban Dictionary, means to be ******.
Bitter. Angry.
Well father, there aint nothing sweet about my wrath.
I'm infuriated.
I'm angry not because I'm not able to fulfill the holistic criterion society has built in order to be gay,
No, I am more upset that there is actually a set of rules dictating whether or not someone is gay.
Now listen to me when I tell you,
I am not gay
I am not gay because I have yet to inject myself of substances with an unsterile needle for all purposes of getting high.
No, I have yet to discover my last ****** partner was diagnosed with *** and that I may very well have the virus.
No, I have yet to interiorly decorate my bedroom with the warm crimson fluid that is my blood because some punk at school thought it was cute to label me a queer.
I have yet to be gay because being gay in today's society means I am reckless. I am promiscuous. I am a *******.
Well, guess what society,
I am not gay.
I am, in fact, a man, who is not your personal show dog for your fashion approval that you can tote around in some cute Gucci bag.
I am a man, who can still appreciate the beautiful magnificence that is a curve when he sees one no matter the person's gender.
I am a man who, despite what you may be expecting,
is a man who, no matter how hard you try to box me in a confined image,
is a man who, will fight to freely be in love with who he wants to be in love with,
who is a man who is not gay
but a man who loves men.
I am not gay.
..
Totally gay.
Nick Strong Apr 2014
I am a worshiper of the moon.
A seeker of the darkness of night.
A creature that side steps light.
A keeper of the shadows .
Watcher of silver moon streaked meadows.
A subservient to the crepuscular goddess.


© Nick Strong 2014
Raj Arumugam Oct 2010
1
five moons for earth
sometimes I wish
dear moon
sometimes I wish
the earth had five moons
and all so positioned
we can see
one every night and then in twos and in threes
never four (just so for mystery’s sake)
and then all five
all in perfect alignment once a year
just three nights so
and then we’ll all here on earth
go ga ga ga
or moo moo moo looooney
those nights and go crazy
and climb up trees and enact our ape ancestry …

and don’t you be jealous
I asked for four others;
I just want more of you –
just never seem to get enough of you


2
I see you moon
I see you moon
this cool autumn morning
you sing over the river and trees
and you are supported
by your belly-dance troupe of stars




3
ah poor moon
ah poor moon
you're just hanging around
and through no fault of your own
you attract all these weirdos
these lunatics
and the vampires and the blood-******* bats
and the sleep-walkers and murderers
and the flesh-eaters
(the moon made me do it!)
and the lunatics
and the werewolves
and even stock-pickers
and wild women who want to **** Orpheus

O poor moon
you're just about your own radiant business
and all these freaks put it at your doorstep


4
dear moon, you will understand
darling moon
dear moon
do not be offended
we have stripped you
down to rock and a plain face
and we show pictures of you
in black, gray and white;
and though a writer of verse,
in this verse,
I strip you of your romance and aura;
be not angry
for after all,
you will understand,
we are children who come after
Galileo
and Neil Armstrong



5
Li Po, the moon and me
You know
lovely moon
Li Po
was drunk
and he paddled out to you
seeing your reflection
and he jumped in to the lake
embracing you in the waters
and so he drowned;
but,
you know
loving moon,
I will not come to you thus;
instead you know my time
and you will drown
in the lake shadows of my quiet


6
in praise of the moon
I will not sing you a song of praise
O gentle moon
there are too many modern people around
too many enlightened minds tonight
they reckon they don't need your light;
there are too many elect
and too many going to Heaven
and if I sang in praise of you
they will throw their Blessed Books at me
and they will say
'You moon-worshiper, you go to hell!'
(they fancy words like idolator)

O so most divine moon
O godly moon
O most sacred moon
I shall not sing in praise of you;
there are too many bloodthirsty wolves around


7
was it you, mooon?
cold moon
I am sad;
was it you,
distant moon,
who made me so
tonight?


8
you are there moon
you are there moon;
I thought you were not
and I went to sleep
and I sighed: "She will not come, not tonight;
she has some other lover";
and I went to sleep
and then much later now I wake up
and you've come, out there
and your light full within my room
and your fingers on every cell of my being



9
you witness my dying
you witness my dying
as you see my life, my hopes and desires
and all my embarrassments
and my achievements too,
dear moon;
O quiet presence,
O radiant presence all one's life;
and what do you look at these days
in my life
darling moon
what do you see?
you who have seen the child grow old
and you hang out beaming by the window
patiently
to see one more death
to add to the countless you witness
since the day you came

10
M for Man, Money and Moon
M for moon
M for Man
M for Money;
and at last Man has seen the moonlight
and now they know
Man can make Money out of the Moon

11
Moon, I hear you are moving away
Moon, I hear you are moving away
Why moon, are you moving away?
Don’t you like your neighbor
earth so blue and green
and earthlings so adorable?
Did you not come so near
to get to know your neighbor well?
why then are you moving, moon?
maybe you’ve come to know us well
I hear you’re moving slowly,
so slowly your neighbor doesn’t notice;
how considerate of you
Anyway, I’ll be gone before you
Joe Butler Dec 2010
O Great Goddess
I
Your true worshiper
Crawl before your altar
To beseech you
Grant this poor
Suffering soul
Even a moments relief
From the crushing weight
Of this great love
Its sweet agony
The crippling despair
All melded into one great mass of feeling
O merciful Olympian
Great passionate Goddess
Provide succor
To this lost and wand'ring devotee
A glimmer of hope
To tether my soul
And keep the Furies at bay
In the same way
You granted Pygmalion's request
And brought to life
His marvelous statue Galatea
Answer my desperate supplication
Goddess of Beauty
I offer my self to you
I shall strive to restore
Your true worship
In this cursed world
That has forsaken the true gods
I shall bring whatever sacrifices you require
If only you grant me this boon
Quench a dying man's thirst
Bring me up from Pluto's realm
And lay me in the Elysian fields
Great Goddess
Hear my plea
As a follower still of your descendant
Gaius Julius
A follower during his lifetime
And a follower ever to this day
I always serve your great name
O Great Goddess
Hear my plea
Great and wonderful Goddess
Venus.
Nat Lipstadt Jul 2013
I mashup me, myself, and thee: Part II

Excerpts from my poems about poets, poetry and the process of composition. In chronological order, from the earliest to the most recent.
---------------------------------------------------------­-----------------------------------------------------------------­----


The three poems went about their business,
Bringing heaven to earth,
FYI, even Angels can't be everywhere, so,
God invented poems to do his ***** work,
Cleansing souls.

They rode in~out of town on a prankster wave,
A cheering throng was not around,
But a singular poet saw, recorded the vision,
And thus, this nameless poet,
Below unmasked, unsealed,
Cleansed one more soul,
And that soul, this soul, as required,
Paid it forward.
~
Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed onto paper
And realized.

Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.

~
One day she intro'd me as her fav poet,
To which I acknowledged by addressing her as
My number one fan,
Which seems to have stuck,
so I acknowledge her as such,
And always add a polite, respectful, winking,
Yes ma'am!
~
Like this new day,
there are always
new poems

Like last night's sunset,
day's efforts reviewed,
a special light,
a yellowed marker,
highlighting a few deserving

Take them home,
kiss them goodnight,
rest them in the poetry file
that is no file,
but a large fabric box where
sewing tools once stored

How appropriate and
how happy that makes me.

~
Yo! Yo!
Remember your first real high,
That moment
No absolution, no return.
That moment
When you admitted, confessed,
to yourself:

I am
Forever forward,
A home-grown poet.
I am
Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both,
Addict and dealer
A ****** poet

Yo! Yo!
So you do recall,
The exact moment,
God-spark-within, ascendancy gained
You lost control,
Wept words instead of tears!
A ****** poet ******!

Yo! Yo!

Sophie's Choice.
You chose writing over breathing,
Worshiper of the purest pleaure,
******* in deep the smoke-high of
Head-nodding discontented contentment
Stealing anything you saw
For to satisfy the need, the craven
Craving.
****** poets!

Yo! Yo!

Don't you're ever sleep?
Hear that the city, the state,
Gonna methadone your kind
In a special program
Teach you only language to sign.
**** poets!

I am a ****** poet.

The first step taken.
Admission.
Poetry is my default rest position,

My drug of choice.
~
Have you noticed here

Each poet declaims his fellow
The better one, his teacher,
From whom they shall learn and gather up
Inspiration

Gonna run for Congress,
My first bill, Poetry-care,
Will make it a requirement that
All citizens must contribute,
Exchange once a day
To this peaceful place,
Even just a syllable, a single letter,

K?

~
Literally my eyes see words awaiting coordinating,
Poems flying by, needing plucking,
How a child eats his morning cereal,
His rituals informing, of the man yet to be,
How our bodies lay, hair unbrushed,
Tying us into a conjoined knot...

No matter that plain words are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say, about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?
~
The ice of poetry,
glassine smooth
but
charged hardness,
hits you, ****** you,
unexpected snowball in the face,

the fire of poetry,
cherished phrase, a patois,
comfort food when
whole winter skies
swallow you bleak

mutual contradictions of poetry
savaging the soothed ego,
revealing the raging id

what's in a word anyway?

~
Please Pop, pick wise,
the life and lies, the faces and disguises,
I will need employ to achieve success
in the eyes of my reading beholders,
who own the liens on my soul
because of the promises I believed,
when you sang me
glowing lullabies of my future days,
how everyone would love my stories,
my poems, someday...
~
Place your ****** hands upon thy chest.
Let them melt thru and come to rest,
Inside, the battle ongoing, under thy breast.
Watch, eyes open, knowing, fearful.
Swiftly, with no hesitation, from within,
Rip open your body, exhaling the best,
And the worst of what you got.

The cool air rushes in,
Stirring the inside stew of:
Infected grime, shameful desires,
Secrets that should not have been exposed,
The ***** stuff that you alone know exists.

Contact with the atmosphere makes
Self-pity dies, blue blood turn red,
The TNT tightness explodes,
Ashamed, you have only one escape hatch.

Now, you are ready to write.

~
My life is on the boring side,
So welcome gents to look inside,
The surfed sites, the emails, hardly slimy,
But stay the fk away from my poetry!

Tis obvious from your midnight editing,
That my wordily, working body has been discretely
Simonized,
My data,
Googlized,
My poems,
Scrutinized,
A comma, a colon, a verb, out of place, capsized,
Little threads kept in door jambs, their alteration,
Your snooping presence, a confirming revelation
~
Where I write, here, all comes so easy,
Every glance a poem formed,
Every phrase a title to a poem served,
Every conversation overheard and those wind-lifted brought,
A seed, a germ, a word~worm hooked to the pole crook of
My finger saying, see man, time to get more ink and paper,
Go and catch us a few poems for dinner

The snapper weakfish word colors are
Running past my-by the thousands,
We will need a basket to catch but a fraction
Of what you see, more than more enough to share,
Only Happy Poems for all

It is this rhyming way I view the wold,
That is my freedom, is my-present essence,
How the poems come, how thy flow,
Peaking, I cannot berate, rarely eat,
Sleep a thing of the past (as you be aware, beware)
There is poetry in simply everything.

~
But if my aura be a comfort insufficient,
Let this surprise poetic gift awaiting your arrival,
Give you rest, from crying surcease!

For when the who, the why of me interrogatory posed,
Describe me in a brevity I ne'er possessed, say:
He was just a poet, and I,
Just, his lover, number one fan.

This truth eternal, never to change.
~
But I am open to learning, the arduous task
Of raising a teenage daughter,
After I have my head examined

Though I am just a bunch of eclectic electrons,
I got powers a few, like making life's happiness
Hearted happier, encouraging your forays into
You-know-what,
And when tables turn, a hasty retreat you beat,
For imaginary cappuccinos and poems we will meet,
Comparing notes on who felt lousier when...

But what I can do 100% is assure you
There is no lone nor lonely daughter extant,
Your voice not just clear but soft-edged,
For I have poetically adopted you,
Here and now, assuming you sign on the
.............................................................­line

~
Take these words at plain face,
and look not askance
at this fair warning,
for I am but a tragic,
empty vessel for you to fill,
you are the raconteur,
me, just a  
poet poseur extraordinaire,
street urchin, word merchant,
all my verbally, wordly goods expropriated
from the wind,  where your scattered thoughts
lie about, carelessly,
unattended
~
Guiltless in life, we but survived,
Hurting no one, no thing,
Yet, here we lie, ignored, unattended,
Yet, you fail again to see our connection?
You do not recognize us?

We are the shells, the husks of you,
Your poems unread, you labors unpreserved,
All wasted, for unless they are read, they die,
As you will too.
Some fast, by water, some slower, time-eroded,
All, ended, by drowning in the Sea of Who Cares!

~
What sourced this elegiac distich,
Too many poets, fully disclosing their downbeat, aroma of defeat?

The world is in a **** mood, not one of us, got nothing
Good to say, seems that love storms ripping hearts
With no trace of mercy, the radio has elected nonstop
Taylor Swift and Jonas Bro's
Just to make the point!

It is so easy to feel ******,
When the sun is unshining, elegant distich, **** me.

Thinking back, getting a good idea,
Found some long necked Corona overlooked,
Turn on the tv, pretend I'm a real cowboy,
And for god's sake, shut down poetry,
Good Bye Poetry, for the rest of the day.
~
once upon a time,
a traffic light rainbow,
stopped n' go, was a word design,
demarcated visions of spun sugar,
bodegas sold me
magic beans by the pound,
masterminded into cups of delight,
treasury's bounty overflowed,
now, dregs drain, sink stained,
as are my writing utensils,
my ink stained, us-less, fingers

come visit me, unknown stranger,
let us exchange fluidity, barbs,
a contest of kissing, eye lashing
wit ands shared vision stashing,
and together, once more,
write with our feet,
while holding hands,
becoming once more
poets of the street.

Only, come quickly.

~

But reading thy cries, an exercise,
Teeth-gnashing frustration.
It brings no relief.

So sad girl,
Write till you are righted,
May be it will snow on July 4th,
And tho unnatural,
So is thy grief.

Nonetheless, write me write me all about it,
Right us,
For tho snow falls, its loveliness,
Makes the heart rise up in gladness!
~
She brings me coffee in bed.
I propose a violin accompaniment.
Some babka, with nice-crumbly-in-bed
Streusel topping,
A concerto we could make!

Her derision snorted so loud,
The mollusks on the beach
From their shells come out.

"Good luck with that,
Put that fantasy on
Your **** poetry site,
Cause that is the closest you will ever get!"

~
For she will be my heroine for all time,

These words to expand with rhyme and verse,
T'is a welcome task, one familiar, but anew,
Each dawn each dusk, a daily trust, a love poem diurnal-birthed,
As if god created the world, but left upon completion,
With a grievous thirst, a new notion, he did burst.

He created the Eighth Day, for celebration of his
Most cherished invention, the idea of love.
This is where, the secret writ Eleventh Commandment occurs,
Love thy Poetry Gods, Honor them with daily verbs.
~
Officer...you should see me gut a

Poem,

Slice its belly open,
Sometimes straight, sometimes Askew,
Feed the gulls them
****** insides on the dock, by-moonlight,
Can ya cut me some slack?

Mmm, I see here in your license,
You are a disabled guy,
A **** poet ******,
Who often does his best work
Legally all alone in the HOV lane,
So I'm gonna let you off this time
Just with a warning!

~
We can share words, we can grant tiny easements,
We can weep with you unseen tears,
We can etsy you little homemade gifts
Like this.

That you can take and keep, and break out in time of need knowing full well that these words will not spoil nor rancid turn, cannot be out grown,, or torn, or rent asunder in anyway for once they are shared
They are irrevocable.
~
When you write,
It as if you write upon our
One skin,
For I am your tablet,
Your sole/sol/soul composition.

So stop kissing me
and
Write upon us.

~
This will not be the hardest poem I e're wrote,
But if there is no inspiration
For you to smote,
And armpits refuse to provide perspiration,
To source juices for a new creation,
Try this trick,
I promise you
No one will lick your ice cream cone,
Nor mistake you for Leonard Cohen,
But when you are done,
You will be High Priest of
Hello Poetry for the rest of the day!
~
You think you can write?
Then employ  a word outside your comfort zone,
Go it alone,
And write four sentences that will make
The hopeful reader stand up and
you twice as much, and shout

Hallelujah
*******.

Work. Poetry is work. Hard work.
Don't fret. But, think on it. Have the sweetest dreams.
In the morning, when you but awake,
A poem will be aborning in thy mind,
And dare I say it, you will find a new freedom
In free verse.
(I know you will slip in a rhyme or two,
I can't help but do it too)

~
Had myself forgot,
That a poem needs a
Frame of jungle gym sounds,
An aural aura resonance unbound.
Purposed to make the heart lift
Your ears say:

Say what!

It needs a tune,
An internal music,
It needs a lilt!
A cadence, that both
Marches and swings,
Even when'd urgent dirge
grief pours forth.
~
This Sabbath day you fog-hide
Your gift of bay and beach
So quiet implore, beseech,
Keep the sailors safe,
And your poets saved.

I ask much.
But I ask for all of us,
There are so many such
That are booster-chair needy
That I am succumbed, overwhelmed,
Enormity fearsome needs help even from a deity.

Small words, big hopes.

If you cannot grant it,
Won't wait for intervention,
Do it myself, answer prayers one and all,
Best I can, starting now with this
Po-hymn.

~
I used to sleep
With pen and paper on my nighttime table.
Nowadays, my iPad tablet rests upon my chest,
Not only does it keep me warn,
It takes my poems from within, Fresh Direct,^
Edits, credits, and delivers them to your door,
While I'm still sleeping.

Which is why they come at all hours.
It is also why they call them,
Love's Labour's Lost saving devices.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
**So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse.

I am both: Addict and dealer, a ****** poet ******.
sajjad ali Apr 2015
From Muslim to seek God in all religions
to Sufism and spirituality to mysticism
to become a Goddess Worshiper
Truth needs no rhyme
TS Feb 2020
Trigger warning : aggressive ****** encounters, ****, violence

Walking down an empty street in London, I‌ was drawn to a crumbling, empty church. It's as if ‘decay’ was written on the walls. A sight unseen, I‌ just had to explore. It looks as though no one has been there for years, decades, or maybe even centuries. Wooden trim adorned the boarded up windows and an altar like a hidden stage lay in the very front. Layers of dust coated the floor. Two balconies towered over either side of the altar and what was left of the chairs sat facing the front of the church. The room was almost a half circle, drawing the attention to the front altar. The ceilings seemed to rise for miles and the windows cast haunted shadows on the floor. Everything is dingy and dull in color, as if it was a forgotten coloring book page that has faded overtime. As I tiptoed across the floor, I inspected each little thing almost in search of a lost treasure.

The energy is strange, almost as if it had been frozen in a paradox of time. Everything was left as if they fled in a hurry, untouched by the passing of years. What was it about this place that I was drawn to? What community used to worship here? What happened to them that left this church in this state. I‌ wasn’t sure I would find out the answer to any of these questions until I‌ spotted a dusty old book on a table by the door. Inside was a language I‌ did not know and notes scrawled on the page margins in pencil. “Gratias agimus tibi propter Princeps tenebris, princeps infernum.” it read. Was this latin? That might make sense as many of the Christian religions’ texts derived from the latin language. Since google is a thing now and we have an infinite access to so much information, I decided to give it a go.

‘We worship thee prince of the darkness, ruler of hell.’

I don’t think this was a Christian church…

As I‌ read these words aloud, a whisper seemed to escape from the walls around me. Carefully, I continued to explore, making sure to not disturb anything. Toward the back of the room was a wall trimmed in wainscoting dusted in a faded brown stain. A large hole was torn through a space on the bottom and a faint light flickered from inside. Was I not the only one here?

Next thing I‌ knew, I‌ was on my hands and knees, crawling through this hole. Why am I not able to control myself? I‌ should have left the instant I‌ read the inscription.‌ Something tells me that someone wants me to be here. Through cobwebs and rodent dung, I‌ reached an opening and stood up. It was a room with dirt walls and floor. There was a single oil lamp lit on a desk across the room. The furniture was skewed about and a questionable, almost luminescent red powder on the floor across the room. When I‌ got closer, I‌ also noticed the shards of glass spread on the ground around the powder. I reached down to touch the powder. I‌n the blink of an eye, I‌ was across the room, wondering what had happened. Before I‌ could even form a full thought, there was movement from the hole in the wall I‌ had just climbed through. A‌ little boy appeared, no older than 8, dressed in ***** wool trousers and a half tucked in, stained linen shirt. He wore a newsboy hat on his head that had certainly seen better days. On his shoulder was a worn bag which looked to be carrying something heavy.

“Hi there. My name is Anna. Are you lost?”

He walked by me as if I‌ were a ghost.

He was looking around, almost searching for something.

“Wh-what are you looking for?”

He made his way to the desk in the corner with the oil lamp and laid his bag down on the chair. He looked under and around with a near disappointed look. What was he trying to find? His eyes suddenly widened and he darted toward a nearby bookshelf, pulling down a crystal decanter from the top shelf. It was full of that same ghastly powder I saw before!‌ I‌ turned to look at that spot on the floor, only to find it clear and no broken glass scattered. To my surprise, the decanter came hurdling across the room, right passed my head, and smashed into the wall. I‌ turn quickly to see the little boy and he was gone. I blink and again am across the room where I‌ was before. I‌ shake my head and rub my eyes. What just happened? I‌ should really get out of here - I don’t think its safe to be here.

I‌ turned to leave but caught a glimpse of the little boy’s bag on the chair. Why was this still here? Why wouldn’t he take it with him? I‌ had to see what was inside. I picked up the bag and pulled each item out; a rock-hard loaf of bread nearly mummified, a small black book on elementary mathematics, a very old key, and sort of spherical item wrapped in a brown cloth.

I‌ removed the cloth to reveal a black clouded crystal ball. As soon as my hands touched its surface, I blinked and I‌ was out in the main room of the church with at least 30 people lingering around their chairs talking. I was no longer holding the ball, and everything had a bit brighter of a color to it. The room was still dark but the windows were not boarded up. There still lie some rubble on the ground but much less than before.

“Uhm, hello? Who are you? What is happening?”

I reached out to one of the people and they said nothing - they didn’t even acknowledge my existence. Everyone was dressed in very old clothing. Corsets, bustles, and shiny leather shoes. It was as if I stepped into a chapter of a victorian era book.
Despite the demeanor of the patrons, their clothes were still a little worn, torn, *****, and drab. Everyone carried on their conversations in a reasonable tone until a bell rang - everyone found a seat.

A lanky gentleman appeared at the altar in black clothing and spoke to the crowd.

“My fellow followers of Lucifer, I‌ beseech thee to bow down in worship to our almighty prince. He hath lead us to the depths of the fire and bestowed on us the power to destroy life itself.”

Each person knelt down and faced the ground in what I‌ would assume is reverence.

“For over a thousand years, this temple has held a dark mass for our dark lord, in which we show our dedication to his unholiness in the form of a sacrifice. Who among you has brought a gift to Satan himself?”

A petite, young, beautiful woman rose and approached the altar. Her head bowed in reverence and a veil over her head, she held out her arms. The man took a small item wrapped in a brown cloth from her and set it on the altar. They continued their ritual by spreading what I imagine was blood along the edge of the altar in a circle. As the man worked, the crowd of people mumbled in unison like a prayer. I watched from the side, trying to understand why I‌ was here and why no one would speak with me.

“Ma’am, what is this place?” I‌ asked a nearby worshiper. She said nothing.
“Excuse me,” I‌ nudge a young man to her left, “what is everyone doing?” He did not even look at me.

The mass continued in latin and I‌ watched quietly in confusion.

Nearly an hour passed and the mass seemed over. The people start chatting away as they had before and the gentleman at the front makes his way to the back wall where the hole was before. The young woman stopped him and asked to speak. I follow them to the back of the church. The gentleman quietly opens a door hidden in the wall right where the hole was and they walk in. I sneak in with them as the gentleman closes the door.

“Elizabeth, I am glad you came today. I was starting to worry that your faith was wavering. You haven’t seemed yourself lately since that human left.” the gentleman addressed the young woman as she sat in the chair by the desk. Everything was neater now and the furniture was placed in a purposeful way, much like a room in a house.

“Jonathan was the love of my life, Cain. I miss him every day. I don’t wish to go on in this world any longer.” Elizabeth squawked back with tears in her eyes.

Cain goes to comfort her, sits with her, and holds her in his arms as she sobs gently. He offers her his handkerchief and she accepts gracefully.
“Darling, you have so much more to give here. Lucifer needs your fortitude and dedication. But most of all, I need you.” He says, wiping a tear from her cheek.

As she rests her head on his shoulder, I look around the room. The powder is no longer on the floor and the decanter is on the table. I turn my attention back to the couple and I‌ see him kiss her softly. She turns away,
“Cain, please…” she whimpers, “I am not ready for this yet.” Cain nods and stands up. He walks across the room to a metal bowl with a pitcher and pours a glass of water.

“You should leave, Elizabeth.” he states without making eye contact. “You have no business being here if you will continue to cohort with humans. You have been given a dark gift that you are wasting away. You have been made beautiful to be a glorious gift to our community and you have disgraced us by your unfaithfulness.”

Shocked, Elizabeth stands and walks toward him with more tears in her eyes, “Cain, you know I‌ love you. I‌ want to stay with the community, to contribute and prove my worth. Please give me a chance.” she sobs.

He takes her in his arms and calmly says, “Elizabeth, you know what you must do. You know your purpose. You are the source of intimacy in this coven. You are our only hope to offer what we have to Lucifer.”

Elizabeth sighs and softly agrees. She looks defeated, tired, sad. I just want to wrap my arms around her and tell her it will be okay. I‌ blink back tears from my eyes. As I open them, I‌ am back in the main room surrounded by people. Cain is standing at the altar beside Elizabeth who is dressed in a beautiful black lace gown and veil. Cain lifts the veil from her face and kisses her neck. Her expression unchanged, still flooded with defeat. Cain starts to unbutton her gown. What is happening? Why are all these people watching this? She doesn’t look happy… why is no one stopping this? Cain starts to aggressively remove her clothing until she is standing bare and vulnerable in front of the crowd.

“What are you doing?!” I‌ scream.
“Leave her alone!” I‌ run to the front to try and stop them but I‌ am invisible.

As Cain removes his trousers, Elizabeth stands there calmly but with deep sadness in her eyes. He motions to the altar and Elizabeth lays down. Cain climbs on top of her and starts to penetrate. He begins aggressively … well there is no other word for it besides ****. He is ****** her. Her eyes fill with tears but she blinks them back. He gains speed until he finally ******* inside her. She blankly stares at the ceiling and a single tear rolls down the side of her face, landing in her now unkempt hair.
Why? Why did this happen? What is going on? Why did no one stop this?
A man in the crowd stands up and walks to the front. When he reaches the altar, he begins to undress.

No.

Not again. There is no way. Why would they be doing this? Why is no one stopping this?!

Man after man after man violates Elizabeth while she lays silently on the stone altar. I am sobbing now. Why am I‌ powerless? Why can’t I‌ stop this? Why is this happening?

What seems like hours pass of this horror and Elizabeth finally stands up. She puts her gown back on and replaces her veil. Cain stands beside her and grabs her hand. He recites something in latin then repeats in English, “The marriage of the many.” They begin a ceremony similar to a wedding but instead of a groom, on the altar lies the decanter of powder.
The ceremony continues and I can hear Elizabeth faintly sobbing, “Jonathan…” she whispers. She blinks back her tears and looks up. She sees him standing by the door, tears off her veil and runs to him. He was not there. Men from the crowd drag her back to the altar. She is screaming, “I‌ won’t marry him! Jonathan has my heart. I‌ would rather die than give myself over to Lucifer!” Cain hits her across the face leaving a throbbing red mark.

She cradles her face from the pain as Cain yells,
“Don’t you dare disgrace us! You are the ultimate sacrifice to our king and you must obey!”

Cain drags her back to the altar and chains her down. He pulls a knife from his belt and lifts it in the air yelling, “To thee I‌ offer, oh king of hell, this sacrifice of violated innocence. Come forth and bestow your gifts upon us as we offer her to you.” I‌ lunge forward to try and stop him. Just as he is about to plunge the knife in her chest, the decanter on the altar opens and the powder bursts into the air. A loud voice bellows through the church,

“You dare disgrace this innocence. An offer of such little worth hath no result for a coven such as yours.” A strong gust of wind throws Cain against the wall. The blow kills him instantly. The crowd bursts into chaos. Elizabeth, still chained to the altar, is hysterically sobbing and trying to break free. From the cloud of wind, a man walks toward her. He is tall with dark features. He has deep black eyes and a chiseled jaw line and body. He walks to her. Elizabeth looks up and is speechless. The man crouches down to unchain her and kindly helps her up.
“They hath defiled you, oh innocence. For this they shall burn.” He speaks in a deep voice. He extends his hand and half of the crowd turns to ash. He looks into her eyes and kisses her neck.

Elizabeth looks to the ceiling with tears in her eyes and mutters, “Please don’t hurt me…”
“Why would I hurt the most purest gifts my father has given the world?” He says as he holds her face. “I have removed the human from your life to clear your path to glory. In my father’s spite, we will be betrothed tonight. You shall rule hell beside me and bear my children.”
She sobs, “You … you killed him? I loved him!”
“Girl, you know nothing of love.” He says flatly. She looks at him in surprise, tears still falling down her cheeks. Chaos is still roaring around them as the crowd tried to escape the hellfire. “These filthy creatures are not worthy of your power. You belong to me now.” She tries to break free of his grip but he is far too strong for her. He lifts her up and lays her on the altar and begins to overtake her as she cries.
I stand to the side helplessly. Sobbing with her. I close my eyes and wish it over. I‌ want to leave now. I can’t take this.
Silence. I open my eyes to the sudden stillness and there sits a pregnant Elizabeth in a dark, empty church. Tears are gently running down her face and I realize that I‌ have not yet seen her with a smile on her face. Lucifer appears to her and holds her in his arms. I can’t hear anything. They are speaking but there is no sound. He lays her down and she yells - she is in labor. A small bundle wrapped in a cloth is delivered and the dark lord holds it in his hands and looks down calmly. Elizabeth stands up behind him with anger in her eyes. She pulls a knife from her cloak and plunges it in his neck. He drops the child but Elizabeth reaches to catch it just in time. She runs to the door with the cloth in her arms and slams the door behind her. A furious Satan rips the knife from his neck and runs to the door. He slams on it with his fists and yells. I‌ still cannot hear.
I blink and see Elizabeth on the steps of a church, crying softly. She gently lays the bundle on the door step and runs away. A woman appears at the door and picks it up, cradling it in her arms.
I‌ blink and see Elizabeth back in the church, holding the decanter and stealthy creeping around the corners. She turns around and Lucifer is standing there.
“You have betrayed me. All freedoms have been stripped from you. You will no longer sit beside me and rule hell. You will be caged and retained for only reproduction. You WILL bear my children and I‌ shall take them from you, never to be seen again. This will continue until I‌ have used the last of you and then you will be destroyed.” He exclaims angrily.
Elizabeth stands straight up, holds the decanter in her hand and yells, “I‌ banish thee, Satan, to the confines of this prison. You shall never again walk the face of this earth.”‌ As she opens the lid, the dark lord plunges the knife she used on him into her chest. A gust of wind engulfs him into the decanter. Elizabeth drops to the floor. A‌ knife in her chest, she struggles to put the top on the decanter. She crawls to the wall where the door once was. She begins to peel away the pieces of the wall weakly. She works in pain for what seems like hours until she makes it into the room. She drags herself over to the bookshelf and hoists herself up. She places the decanter up as far up as she can and tries to cover it with a cloth. As she reaches, she falls. Upon hitting the ground, she fades into dust.
I‌ stood there silently, shocked. This woman. I feel like I‌ know her. She is so strong and brave. I‌ am in awe and also in tears. I‌ collapse to the ground in the dust she left behind. I‌ mourn her, her hardships, her life. She deserved so much more.
I open my eyes and I‌ see a little girl, maybe 5 or 6 years old enter the room. She looks around. I yell, “Leave!‌ This place is dangerous!‌”
Bewildered by the things around her, she wanders to the bookshelf. She looks so much like Elizabeth. Could this be? Could it be her daughter? She is holding a small bag. She sits down at the desk and opens it. Its her lunch. She begins to eat and continue looking around. She sees the light from the oil lamp gleam off the crystal decanter. Excited, she pushes the chair up against the bookcase and climbs up. On her tippy toes, she manages to reach the decanter. She sits back down and twirls it around, moving the powder from one side to the other. A small amount of powder escapes in a puff. You can hear a whisper, “Victoria…” I‌ hear. She hears it too.
“Hello? Who’s there?” she squeaks. She puts the decanter down and walks around. She turns around to return to her lunch and is greeted by Lucifer himself, though she doesn’t know this. He is weak. The remainder of his strength lies in the decanter. He can’t speak. He grabs her and yells - she screams and breaks away from his grasp. She takes off in the other direction and crawls back through the hole. She looks behind her then darts toward the door. He is standing there in front of the door. He waves his hand and the large metal door bolts shut. She stops dead in her tracks, stares at him for a moment, then takes off.
Frantically running through the church, Victoria is trying to find any means of escape. Tears in her eyes, she evades Lucifer’s grasp several times. The windows are boarded up, the doors are bolted, and it seems there is no way out. Suddenly a little gleam of light comes from above. The balcony. She starts toward the wall and begins to climb up the trim as quickly as she can. Lucifer is close behind, yelling but unable to speak words to her. She reaches for the balcony and pulls herself up.
Suddenly I‌ am outside on the balcony and Victoria is reaching for the railing. She is reaching for the light. She is reaching for me. She looks into my eyes and yells, “Help me! Please!” and extends her hand. Surprised that she can see me, I reach out to grasp her hand but before I‌ can get her, she is pulled screaming back into the church. I‌ lunge forward to pull her back but land on the floor of the back hidden room breathing heavily. I stand up and dust myself off. I am in the middle of the powder and glass that was on the floor. I grab the book I‌ found and start to run for the door. I‌ can’t get caught by him, he will **** me. A thousand things are running through my mind. I crawl through the hole and head toward the door. Something compels me to look back as I pull open the door.
There he stood.
Staring at me.
“Daughter, fear not. I will find you and we will rule together with your sister.” He says.
Daughter? Sister? Who am I?
Trigger warning : aggressive ****** encounter, ****, violence
Love, though for this you riddle me with darts,
And drag me at your chariot till I die,—
Oh, heavy prince! O, panderer of hearts!—
Yet hear me tell how in their throats they lie
Who shout you mighty: thick about my hair,
Day in, day out, your ominous arrows purr,
Who still am free, unto no querulous care
A fool, and in no temple worshiper!
I, that have bared me to your quiver’s fire,
Lifted my face into its puny rain,
Do wreathe you Impotent to Evoke Desire
As you are Powerless to Elicit Pain!
(Now will the god, for blasphemy so brave,
Punish me, surely, with the shaft I crave!)
phalaenopsis Oct 2015
the sun.
a fiery yellow goddess;

and the moon,
her fervent lover,
her devout worshiper.

the moon is a silvery mystery,
with his brooding manner.

he only shines
because the sun graces him
with some of her confidence.

he only shines
because the sun
completes him.

these two lovers,
separated by space.
they worship from afar.

and the royal goddess,
weeps heat
down to us,
her unlucky prisoners.

she pours out her tears of heat
unto the world,
engulfing us,
in her anger and sorrow.

but the moon,*
the queer, shy, moon.
the moon,
her fervent lover,
her devout worshiper.

the moon hides behind dark clouds,
and only comes out to peak at the
             sad,
                                    mediocre,
                                                and stupid
                                                                             lives
we mortals live.

he peaks in wonder,
he peaks in curiosity.
but all eyes fall on him when he steps out.

he is a silver mirage of beauty.

the moon, unlike his fiery lover,
is shy.

he goes into hiding again
once all eyes fall
                                  on him.

sometimes,
the moon
goes out of character.
he gets jealous of earth.

earth,
     who takes all of the suns attention.

earth,
who's life revolves around energetic sun.

so sometimes,
the moon,
steps in front of the earth,
and receives all of the beautiful suns glory.
even if just for a moment,

the lovers are reunited.

but,*
space pulls them apart.

as the sun continues to lash down
heat unto mortals.

as the moon, the brooding moon,
continues to hide behind the cloaking clouds,
unseen to the world.
yeah so i was looking outside and... this happened.
Michael R Burch Apr 2020
Birdsong
by Rumi
loose translation/interpretation by Michael R. Burch

Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!

Jalāl ad-Dīn Muhammad Rūmī (1207–1273) was a 13th-century Persian poet, faqih, Islamic scholar, theologian and Sufi mystic. Rumi's influence transcends national borders and ethnic divisions. He is held in high regard by Iranians, Tajiks, Turks, Greeks, Pashtuns, and in the West and around the world. Rumi has been called the "most popular poet" and the "best selling poet" in the United States. Keywords/Tags: Rumi, translation, birdsong, bird, song, grief, ecstasy, joy, happiness, universe, poetry, birds, songs, singing, songbirds



The Field
by Rumi
loose translation/interpretation by Michael R. Burch

Far beyond sermons of right and wrong there's a sunlit field.
I'll meet you there.
When the soul lazes in such lush grass
the world is too full for discussion.



Beyond
by Rumi
loose translation/interpretation by Michael R. Burch

Don’t demand union:
there’s a closer closeness, beyond.
The instant love descends to rest in me,
many beings become One.
In a single grain of wheat ten thousand sheaves germinate.
Within the needle’s eye innumerable stars radiate.



Untitled Rumi Epigrams

Raise your words, not their volume.
Rain grows flowers, not thunder.
—Rumi, loose translation/interpretation by Michael R. Burch

Your heart’s candle is ready to be kindled.
Your soul’s void is ready to be filled.
You can feel it, can’t you?
—Rumi, loose translation/interpretation by Michael R. Burch

This is love: to fly toward a mysterious sky,
to cause ten thousand veils to fall.
First, to stop clinging to life,
then to step out without feet...
—Rumi, loose translation/interpretation by Michael R. Burch

I am not this hair,
nor this thin sheathe of skin;
I am the Soul that abides within.
—Rumi, loose translation/interpretation by Michael R. Burch

Let yourself be guided by the strange magnetism of what you really love:
It will not lead you astray.
The lion is most majestic when stalking prey.
—Rumi, loose translation/interpretation by Michael R. Burch

Forget security!
Live by the perilous sea.
Destroy your reputation, however glorious.
Become notorious.
—Rumi, loose translation/interpretation by Michael R. Burch



Two Insomnias (I)
by Rumi
loose translation/interpretation by Michael R. Burch

When I’m with you, we’re up all night;
when we're apart, I’m unable to sleep.
Thank God for both insomnias
and their inspiration.



Two Insomnias (II)
by Rumi
loose translation/interpretation by Michael R. Burch

When I’m with you, we’re up all night.
When we part, I’m unable to sleep.
I’m grateful for both insomnias
and the difference maker.



I choose to love you in silence
by Rumi
loose translation/interpretation by Michael R. Burch

I choose to love you in silence
where there is no rejection;

to possess you in loneliness
where you are mine alone;

to adore you from a distance
which diminishes pain;

to kiss you in the wind
stealthier than my lips;

to embrace you in my dreams
where you are limitless ...



I Prefer
by Rumi
loose translation/interpretation by Michael R. Burch

I prefer to love you in silence,
for in silence there is no rejection.

I prefer to possess you in loneliness,
for in loneliness you are mine alone.

I prefer to adore you from a distance,
because distance diminishes pain.

I prefer to kiss you in the wind,
because the wind is subtler than my lips.

I prefer to embrace you in my dreams,
because in my dreams you are limitless.



Untitled Rumi Epigrams

I am not this hair,
nor this thin sheathe of skin;
I am the Soul that abides within.
—Rumi, loose translation/interpretation by Michael R. Burch

We come whirling from nothingness, scattering stardust.—Rumi, loose translation/interpretation by Michael R. Burch
Why should I brood, with every petal of my being blossoming?—Rumi, loose translation/interpretation by Michael R. Burch
Why should I brood when every petal of my being is blossoming?—Rumi, loose translation/interpretation by Michael R. Burch
Elevate your words, not their volume. Rain grows flowers, not thunder.—Rumi, loose translation/interpretation by Michael R. Burch
Bare rock is barren. Be compost, so wildflowers spring up everywhere.—Rumi, loose translation/interpretation by Michael R. Burch
I want to sing as the birds sing, heedless of who hears or heckles.—Rumi, loose translation/interpretation by Michael R. Burch

Your heart’s candle is ready to be kindled.
Your soul’s void is waiting to be filled.
You can feel it, can’t you?
—Rumi, loose translation/interpretation by Michael R. Burch

Your heart’s an immense ocean. Go discover yourself in its depths.—Rumi, loose translation/interpretation by Michael R. Burch
The only prevailing beauty is the heart’s.—Rumi, loose translation/interpretation by Michael R. Burch

This is love: to fly toward a mysterious sky,
to cause ten thousand veils to fall.
First, to stop clinging to life,
then to step out, without feet ...
—Rumi, loose translation/interpretation by Michael R. Burch

What you seek also pursues you.—Rumi, loose translation/interpretation by Michael R. Burch
Love renders reason senseless.—Rumi, loose translation/interpretation by Michael R. Burch
Love is the bridge between your Heart and Infinity.—Rumi, loose translation/interpretation by Michael R. Burch
Your task is not to build love, but to bring down all the barriers you built against it.—Rumi, loose translation/interpretation by Michael R. Burch

Let yourself be guided by the strange magnetism of what you truly love:
It will not lead you astray.
The lion is most majestic when stalking prey.
—Rumi, loose translation/interpretation by Michael R. Burch

The moon shines most bright
when it embraces the night.
—Rumi, loose translation/interpretation by Michael R. Burch

The moon shines brightest
when the night is darkest.
—Rumi, loose translation/interpretation by Michael R. Burch

The moon is brightest when it embraces the night.—Rumi, loose translation/interpretation by Michael R. Burch
If your heart is light, it will light your way home.—Rumi, loose translation/interpretation by Michael R. Burch
Are you still in the dark that your light lights the worlds?—Rumi, loose translation/interpretation by Michael R. Burch
Why do you remain prisoner when the door's ajar?—Rumi, loose translation/interpretation by Michael R. Burch
Why do you remain prisoner when the door's wide open?—Rumi, loose translation/interpretation by Michael R. Burch
As you begin to follow the Way, the Way appears.—Rumi, loose translation/interpretation by Michael R. Burch
Come, come, fellow traveler. Wanderer, worshiper, itinerant: it makes no difference. Ours is no caravan of despair. Come, even if you have broken ten thousand vows. Come yet again, come, come.—Rumi, loose translation/interpretation by Michael R. Burch

Forget security!
Live by the perilous sea.
Destroy your reputation, however glorious.
Become notorious.
—Rumi, loose translation/interpretation by Michael R. Burch

Don’t be satisfied with stories of others’ accomplishments. Create your own legend.—Rumi, loose translation/interpretation by Michael R. Burch

I was so drunk my lips got lost requesting a kiss.—Rumi, loose translation/interpretation by Michael R. Burch
Eyes identify love. Feet pursue.—Rumi, loose translation/interpretation by Michael R. Burch
Everything beautiful was made for the beholder.—Rumi, loose translation/interpretation by Michael R. Burch
The essence of the rose abides not in the perfume but the thorns.—Rumi, loose translation/interpretation by Michael R. Burch
Ignite yourself, then seek those able to fan your flames.—Rumi, loose translation/interpretation by Michael R. Burch
When will you begin the long trek toward reconciliation with yourself?—Rumi, loose translation/interpretation by Michael R. Burch
There is eloquence in silence. Stop weaving and the pattern is perfected.—Rumi, loose translation/interpretation by Michael R. Burch
The universe lies within you, not without. Look within: everything you desire, you already are.—Rumi, loose translation/interpretation by Michael R. Burch

You must understand
“one” and “two”
because one and one make two.
But you
must also understand
“and.”
—Rumi, loose translation/interpretation by Michael R. Burch



The imbecile constructs cages for everyone he knows,
while the sage
(who has to duck his head whenever the moon glows)
keeps dispensing keys all night long
to the beautiful, rowdy, prison gang.
—Hafiz loose translation/interpretation by Michael R. Burch

An unbending tree
breaks easily.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Little sparks ignite great flames.—Dante, translation by Michael R. Burch

Once fanaticism has gangrened brains
the incurable malady invariably remains.
—Voltaire, loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.
—Thomas Campion, loose translation/interpretation by Michael R. Burch

No wind is favorable to the man who lacks direction.
—Seneca the Younger, loose translation/interpretation by Michael R. Burch

Hypocrisy may deceive the most perceptive adult, but the dullest child recognizes and is revolted by it, however ingeniously disguised.
—Leo Tolstoy translation by Michael R. Burch

Just as I select a ship when it's time to travel,
or a house when it's time to change residences,
even so I will choose when it's time to depart from life.
—Seneca, speaking about the right to euthanasia in the first century AD, translation by Michael R. Burch

Improve yourself through others' writings, attaining freely what they purchased at great expense.—Socrates, translation by Michael R. Burch

Fools call wisdom foolishness.
―Euripides, translation by Michael R. Burch

One true friend is worth ten thousand kin.
―Euripides, translation by Michael R. Burch

Not to speak one’s mind is slavery.
―Euripides, translation by Michael R. Burch

I would rather die standing than kneel, a slave.
―Euripides, translation by Michael R. Burch

Fresh tears are wasted on old griefs.
―Euripides, translation by Michael R. Burch
Tyler Cobain Jun 2014
I covet the hideous cult of fame. Spending my days in despondent cafés manically scribbling passionate love letters to recognition.

I'm not in love I'm insane.

Suffering from self-diagnosed misunderstood artist syndrome. My heart cries silent. I am a shadow in the distance. Warped, distorted and dark I scream alone; never to be touched.

I am a poser, a fame ****** and a hero worshiper. My vitriol view on the world hinders me. Constantly on the verge of crying in public. Staring at train tracks, they invite me away. Looking more comfortable then a bed.

I try to live in the now but the future petrifies me. I can't escape my own mind.

Y culture, My culture, Counter culture, **** culture, Love culture, Hate culture, Phonies.

I can’t see past the haze of disappointment I have designed myself. I smoke **** because it relaxes me, makes me feel like what I assume normality feels like. I drink because it makes me feel like how I assume those happy people feel. I take heroine because it makes me feel euphoric and takes me close enough to death that I want to live another day.

A brutal fear beats my anaemic mind. A peculiar fear grips my inner-self and I can’t bear to open my eyes and see that I had survived the night. I become saddened by the thought that I might also survive the day, living to see what I will be tomorrow.

Happy in the madness. Longing for that sick feeling. In love with the sadness. Searching in the dark recesses of the mind for inspiration. I can’t see past my fate, it’s too dark. I sit and source inspiration through the emotions and physical fits of *******. Self-abuse. Clawing for red gold in the catacombs that meander through my pale arms.

Beat myself out of sight beat me out of sight beat me beat me till I float. Beat me beat me till I float.

I am a poser, a fame ****** and a hero worshiper. My vitriol view on the world hinders me. Constantly on the verge of crying in public. Staring at train tracks, they invite me away. Looking more comfortable than a bed.

Relapse is fine by me. I want this. I want this. I want this. I want this. Not a tortured artist just tortured. Not a tortured soul just a cracked shell. In the name of art but in the corner of sickness.

Beat myself out of sight beat me out of sight beat me beat me till I float. Beat me beat me till I float.
N Dec 2019
The thing about
a sunflower and I

Is the sunflower would
wither if the sun stopped
kissing her every morning

And just like the sunflower
needs the sun to flourish,

I need you near me
for I bloom by your kisses

And just like the sunflower
worships the morning sun,

I worship your
cold almond eyes
I woke up from a dream and wrote this poem.
Sometimes life gets worse while you are a worshiper.
Some give up, is this the price of being a worshiper?
Imagine going to the east and find yourself on the west.
Imagine being born poor and things get worse.
Pastor, prophet, or evangelist, I am talking life as it is.
Pope, rabbi, or imam, I am telling the truth as it is.
Let me wear my glasses and go straight to the book of Job.
Let me ask again, was this the price of being a worshiper to Job.

Misunderstanding on us, our ambitions frustrates us.
Misunderstanding on us, our ambitions obstruct us.
Some wish to be there, while it will take their peace.
Sometimes we have to accept to regain our peace.
Look at me, I am happy here at the bottom of Africa.
Let me blow my trumpet, Yes North America it is made in Africa.

-Written By: The Senior 7 July 2020
- Single Realease
HRTsOnFyR Mar 2017
Love a man whose strength of character precedes him on his journey in life.

Love a man who’s not afraid to stumble and fall, only to pick himself up and face the wind once more.

Love a man who’s made mistakes and whose heart is etched with scars of long lost loves, lingering embraces and kisses that tore at the soul.

Love a man who listens to his inner guides, and not knowing exactly where they lead, picks up his sword and leads his horse into the dark of a forest from where he may never return.

Because he has faith in his dreams, even those that leave him broken and in need of a fresh start.


Because he is the wizard of his own destiny, weaving the strands of the unknown into a tapestry that he can cover himself with when times are hard.

Because he is a warrior and he is hungry for a life that is lived without regrets.

Love a man whose smile is honest and whose eyes fell you to your knees.

Love a man who will turn away from safety, trusting that his passions are a danger he cannot live without.

Love a man whose hands know how to explore your secrets and his body awakens every sin you’ve ever craved—he won’t judge you, he’s a worshiper of the Feminine.

Love a man whose tears are hot, who bathes in the ashes of his mistakes. Love him when his eyes are shadowed, when he walks the beach in search of his muse, when he stands naked in a soul consuming fire; because he’ll come out stronger than before. He’s promised you that and he keeps his word.

A man who understands the journey, will not apologize for where his mind leads him. He will seek wisdom from any place that it hides. This man is a visionary, and he seeks a woman whose life is her own.

He will own you if you ask it, but only when you allow him into your darkest requests. He will advise you if you need it, but give you space to follow your own truth. He will understand that your journey is a battlefield only you can lay yourself down on.

But ask him for protection and you’ll hear his sword rasp out of its shield.

Love a man who dreams of the future but never wastes today.

Love a man whose intensity keeps the wolves at bay.

Leave your door wide open, he will come to you when you need him – stranger, seeker, sinner; thinker.

Men on their journey push past the mists of the unknown and bare themselves to loss or gain, whichever will find him first, and trusting in the process, awaken stronger, more alive, gifting the world with their insights and inventions.

Men on their journey will enjoy your mind, will yearn to learn from you—will find their pleasure in discovering your truth.

Men on their journey are wild and sensual. Because their soul knows no boundaries, their thoughts are limitless, their voices can either soothe or excite.

Love a man who shakes loose the questions of the ages, who throws himself in to the sea, seeking salty respite from the ravages of his quests, who listens to the call of mermaids, and believes that the spirit world holds more wisdom than all the books in the world.

Love a man who’ll be on his journey until his dying day.

You’ll know him by his integrity. He’ll never tell you that he’s finished being the adventurer.

You'll know him by his vulnerable heart.
Nat Lipstadt Jun 2013
Yo! Yo! My Drug of Choice (**** Poets)



Yo! Yo!
Member of the troupe?
You up all nite?
You always hungry,
Making trouble, rite?
You one of those?

**** poets!

Exist on strict diet?
Pleasured-pain,
Constant-continual surges
Turn into urges,
Full-time suspense,
Juices always flowing.

**** Poets!

Yo! Yo!
You one of those?
Never knowing,
What? When?
The eyes gonna invert
Retina images into words
Brain signaling, semaphoring the fingers
Yo! Yo!
You don't get nine months,
Maybe nine seconds,
Then mother-birth another verse,
****** poets!

Yo! Yo!
Remember your first real high,
That moment
No absolution, no return.
That moment
When you admitted, confessed,
to yourself:

I am
Forever forward,
A home-grown poet.
I am
Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both,
Addict and dealer
A ****** poet


Yo! Yo!
So you do recall,
The exact moment,
God-spark-within, ascendancy gained
You lost control,
Wept words instead of tears!
A ****** poet ******!

Yo! Yo!

Sophie's Choice.
You chose writing over breathing,
Worshiper of the purest pleaure,
******* in deep the smoke-high of
Head-nodding discontented contentment
Stealing anything you saw
For to satisfy the need, the craven
Craving.
****** poets!

Yo! Yo!

Don't you're ever sleep?
Hear that the city, the state,
Gonna methadone your kind
In a special program
Teach you only language to sign.
**** poets!

I am a ****** poet.

The first step taken.
Admission.
Poetry is my default rest position,


My drug of choice.**

5:07am
June 12, 2013
cherish these flawed ones,
gentle these frail but gritty,
the Lord has tasked them
to be prophets in one tongue untied,
undo the strife of Babel's tongues
Mateuš Conrad Nov 2015
.ah here comes england with its eccentricities, ah hier kommt polen mit seine christentum: where anyone can be a messiah, as stressed by the byzantines.

my first love was the love of the english grey,
(in honesty mentioned it was
the double-decker first, since
i fancied myself the great bus-driver of
the no. 5 bus back home)
earl grey came and said: ‘i can’t look
at these skies without sunglasses!’
and so it was, mid-autumn with sunglasses
at loss the sun-worshiper
enter the moon idiot,
looking for accents, looking for anything.
in england they called him das deutsche -
for reasons believable enough;
the luftwaffe eagerly anticipating the tunnelling
centipede that is the euro-star train-tunnel:
the panzers are rolling in!
the panzers are rolling in!
strange he never minded the coal-miners as useful
as minded by edvard gierek von silesia -
to the dispute of silesians not ex-patriated to saxony
(oh wait... texan boy doesn't sound as
nationalistic as minnesota boy?).
ooh pokey poo... writing about germany
became so **** so recently, i forget that i started it:
here’s to the english language’s chirality of s and z,
actually being superimposable:

from words in the socratic sense as encoded by plato
i don't get a bunch of ideas... virtue
does not make me ponder it with meaning or definition,
i only see the kabbalistic sensibility
of anti-alphabetical sequencing as v
i                   r               t               u          e...
otherwise              e      i    u             r         t         v;
almost sounds like s.t.d.
As to some lovely temple, tenantless
Long since, that once was sweet with shivering brass,
Knowing well its altars ruined and the grass
Grown up between the stones, yet from excess
Of grief hard driven, or great loneliness,
The worshiper returns, and those who pass
Marvel him crying on a name that was,—
So is it now with me in my distress.
Your body was a temple to Delight;
Cold are its ashes whence the breath is fled,
Yet here one time your spirit was wont to move;
Here might I hope to find you day or night,
And here I come to look for you, my love,
Even now, foolishly, knowing you are dead.
Hank Helman Dec 2015
It was her father’s fault of course,
He had cared for her too much.

He’d tendered love as a comfort
A cure,
His affection an antidote,
And she believed him and came to  
Depend on its sway.

He, her father, was a generous man with no money.
Well-educated and unwilling,
He refused to convert
And enlist as a worshiper of things.

How can you spend your life alone in a car, he asked.
Days, weeks, months trapped in solitary confinement,
Commute used to mean benefiting from a lesser sentence, he told her,

A judge would give you credit for picking up litter,
Or apologizing to your primary school teachers
For all the terrible things you'd done,
Then a month off your jail time, he explained,
His palms up, his shoulders in a shrug.

Now look at our roads, he said,
Everyone round shouldered and condemned,
In a cage, stones for eyes, barely breathing.

On the tram I meet people, I love the public square,
We are meant to mingle he said,
We need each other to make a life.

And so when her mother died,
Unexpected and sudden, what death isn’t really,
He took on simple work close to home.
He wanted her to know he was near, that’s all.

He understood the comfort young children find in
The literal sense of things and so,
He sat with her through every lunch hour and,
They ate soup and sandwiches together each day.

This saved her mind.
She knew that  now.

He, her father, was a chronic enabler of love.
In the fall they would laze on a park bench,
Yellow birch leaves like fashion stickers all over her rain boots,
And chat quietly as they tossed unfrozen frozen peas on to the pigeons.

On these afternoons he retold her stories about her mother,
His childhood, her grandparents and
The hard times,
When even a nickel could ignite the most outlandish of dreams.
Can you imagine, he would say,
Only five cents and we all thought our luck had finally changed.

He was an explainer and a tolerant,
He told her the sun rose up each day
Only to search for one new idea and that
She had a magnificent brain and
One day it would be her idea the sun would shine bright on.

He told her the purpose of her life,
Everyone’s life,
Was to think pure thoughts,
Small decisions that would help save the world, he said,
Contributions often so small no one might notice,
But each one would make a difference.

He said science called this the butterfly effect,
She loved the name.

He was thoughtful and fair
And so everything he stood for was impossible to duplicate.

He never forgot her birthday,

The dolls came in battered boxes
With crumpled corners and broken plastic windows.
Weathered cardboard coffins,
With magic marker scribbled on the back,
Gruff autographs like ‘return to vendor’ or ‘write-off,’
Words she paid no attention to,
Even when she began to understand what words can mean.

Her birthday cake- always a single slice never a round,
She had never seen her name in icing,
But why would that matter,
When she could wake up early in late November
And see all three of her names in elaborate calligraphy,
Etched into the frost of the front room windows
For every passerby to see

His all saint’s grin,
He told her every day of her life
That he saved the first smile of each day for her,
A smile he hid in his pocket, or under her pillow, behind her ear.

Her kingdom for a year was two card board castles in the living room,
Where, with official pageantry, (her father had a scroll),
She was crowned the Grand Duchess of Washer and Dryer,
Her word was law for the day.

He surrounded her palace,
With brightly coloured bowls and
Casserole dishes filled with water,
A protective moat into which he placed plastic animals,
Whereby he proclaimed in a court room voice,
All would become flying horses and loyal dragons
If danger ever dared to mock and threaten.

So when he died she was ready.
She wasn’t,
But as an adult she told everyone she was.

After the funeral she dressed the same,
She ate, she worked,
She offered her ****** Mary smile generously to small children,
She said please and thank-you in a clear voice,
And gave a dollar to every street person she could find.

She was near him when he passed.
She understood the comfort old men find
In the literal sense of things,
And for weeks she slept shotgun
In the chair by his bed.
She wanted to be near, that's all, and
She fed him soup, no sandwich, every day.

We all die he told her only moments before his turn.
Our only calm is our end, he said in a whisper as weak as
Mormon tea.
Do not regret, he cautioned her,
My life was mad and complete, he promised,
You were my good idea and the sun rewarded me,
He said in a voice so soft
She wanted to lay her head on it and drift away.
Then he smiled his first smile of the day,
Pressed a plastic dragon into her hand,
And withdrew.
ConnectHook Mar 2017
A song crawls out of the sludge from the bottom of the Indus River, from beneath the ruins of Harappa and Mohenjo-Daro. The burning sun tries in vain to penetrate the thick foliage of the ancient fig tree beneath which she reclines: the thousand-faced mistress of the myriad temples, the dancer, the priestess, the worshiper, the idol, the eternally pregnant singer…
She who alone knows why no human remains were ever recovered from the excavated city, Mother of a thousand abortions, she who gave birth to the beats of the rhythm—and the space between each beat, the unnameable principle of dread… the slow flow of the river at sunset obscured by smoke of human flesh from the smoldering ghats…
based on this song:
https://www.youtube.com/watch?v=eubP0GZ6_3Q
Garrett Glenn Feb 2010
The glow of a midnight moon touches
The tears of night’s cold gaze.
The moor rolls heaven’s stars
On into the great forest.

Who will ride to the grove
During autumns chilly nights?
None other than the moon worshiper
His cloak loose and divine.

Knots of the Celts painted on his face
His eyes envy green.
To the grove he rides to meet them,
The druids of his own clan.

Their horses hushed at the grove’s edge
A circle formed with rocks.
Each flattened stone with a symbol,
Matching each of the worshiper’s cloaks.

Chanting begins slowly
Their arms raised to the sky.
To the moon they pray for life itself
Pray they never die.

The fire burns brightly
From the moon to the druid’s heart.
His soul one with the forest
With the fire he heals its pain.

The ivy begins to sprout
From the trees of the grove.
From his hand to his fingertips
The moon begins to glow.

The yellow glow swirls round,
The great plants begin to grow.
The runes pulse with ancient light
The elders raw power.

As their eyes burn bright
The trance still strong.
The worshipers chant slows slightly
His eyes still envy green.

The arms all fall.
Their heads swing low.
The runes stop their humming.
It has been done.

To his horse he walks,
On its back he mounts
From the grove he rides on autumns night,
The forest now full of life.
Fish The Pig Jul 2013
This is not a poem.
This is something I must say.
When struggling with anger,
When in a war with one's self,
fighting an endless, raging ocean of emotions,
one must find peace within.
I can go through the day and not be bothered,
I can gain the upper hand in any argument,
I am peaceful, happy, and healthy.
There are reasons for this,
reasons which are often mistaken
and I must beg you not to mistake them.
Just because I meditate,
does not mean I am a buddhist,
or am in a cult.
Because I eat much fruit
and smoothies
does not mean I'm an "L.A. snob"
Because my body is in shape and in tune with itself from Yoga,
again, does not have any connection to a religion
and does not make me an "L.A. snob"
Tai Chi,
Yoga,
Juicing,
Pilates,
Meditation,
Active in politics,
ecologically aware,
philosophical readings,
does not bind me to any one thing in particular.
You judge,
you sneer,
you make your silly little assumptions
and snort when I suggest you try it.
Caring about the world around me,
Knowing my body,
how to stay healthy and how to use it,
Understanding our impact on this Earth,
is not a crime.
Adults,
you laugh in my face and tell me I am silly,
that I am ignorant and easily manipulated
simply because I am opinionated when it comes to those who run our country.

I have become a better person and the world refuses to accept it
due to how I got here.
Meditation was my first step, and I implore you to do the same.
Not for religion, rebellion, attention, or because someone said so,
do it for yourself.
Meditation is clearing your mind, teaching yourself to be patient,
and focus. When having a bad day and someone bumps into you,
you can just as easily get angry and irritated,
or you could brush it off.
You see, meditation is a way to clear your mind.
I'm not saying it's the only way, or that it's the best,
but it's a way that helped me.
I'm not converting you,
I'm not pestering you,
I'm asking you,
because when I see that you're unhappy,
the kind of irritable, unhappy, aching person I used to be,
I want to see you be your best,
I mean no harm,
I simply want you to be happy.

This is not a poem.
This is a thing I must say.
To the adult upstairs who screams at me for being a religious, selfish, ignorant, horrible person,
simply because I found something that helps me, be a better me.
To the sneering strangers who think me odd for dressing in dark colors and conservatively, because the reason couldn't possibly be that I like the color, or that I prefer conservative clothes,
no, it's because I'm a satanic devil worshiper, and a *****.
To the snickering teenagers who run off to drink, smoke, and fill a void because they do not understand that.... that what?
I see these teenagers come to school with tears in their eyes and bruises on their heart,
I see them flinch in an instant from being vulnerable to vicious and vindictive, brushing it off and laughing at something that is not socially acceptable.

Do not do things for others.
Do them for yourself.
I cuss,
I have fun,
I act crazy,
but also poised,
knowledgable,
looked down upon as a degenerate,
but I simply don't care,
because I'm healthy, strong, opinionated,
driven, confident, understanding,
tactile,  and most importantly.
I'm happy.




Also Dapper,
Very dapper,
Dapper is a great word.
:)
My sweetheart my beloved my love my dear
When beauty celebrates love dominates fear
Sincerity makes every destination very clear
Your boundless beauty make my love so near

Let us be one and together to steer love ship
Open arms of green ocean to take me a dip
Let your beauty take my love in your grip
Take me in your ***** knot to talk lip to lip

My love I am your sole and only worshiper
You are my beautiful poetry and I am author
Your petals are sweet my beautiful rose flower
You are my past my present and glowing future

Col Muhammad Khalid Khan
Copyright 2016 Golden Glow
Àŧùl Apr 2013
Warning: This is not a nursery rhyme for the fainthearted.

The promise lit by life,
Was actually lit by your lies.
Owwwww!
My forehead is mine I am made to realize,
Realization comes painfully when I bang the wall.
Sssssssssss!
****** I am hurting myself but that's all,
Never stupidly brave enough to actually finish it.
FREE ME!
I request that entity to let me live my life,
Cursed wasn't how I wanted to survive.
Ouch!!
The misgivings are just that bit too much,
As though a beehive fell on my head as much.
BANG-BANG-BANG!!!
I bang my head to the tune which I play,
And I am unable to bang it on a wall.
Peace is what I get finally
Cursed is how I live my life every day,
Talking to walls like concentrated prisoners.
I dare you to swap it with me!
Yes! Swap your life with me right now,
If you can't walk with me for the mile.
Whispers
The mile I dreamt with you,
The smile you promised,
The mile of my life.

Forget about it

I'm just joking about the swap,
I'm no Devil,
You can't live how I live because,
It's my life,
And I'm happy with as much I got,
I've to breath alone,
There must be some serious curse on me,
I accept that curse.
Loving people and then losing them is a ritual,
I must live alone like a hermit.
But you can live on talking only with the darker,
Idol-worshiping him only.
Enjoy with his pictorial representations & idols,
Only one darker idol can you find.
This is why I averse myself from idol-worshiping,
Because it destroys relations.
I lost not only my telephonic-best friend,
But also my real life best friends started avoiding me.
Not an idol-worshiper is a blasphemous term,
In her religion, in Hinduism.
It destroys relations if you start loving your idols,
And if you even start living like your idols.
You never did quite understand what Ishwar/Bhagwan/Rabb/God actually meant.

All the best with your Kanhaiya,
I wish you all the happiness,
And hope that He gives you what I couldn't,
Let your imagination work wonders for you.
Note that this poem was the last among my sad series and now I'll mostly post happy poems.
My HP Poem #196
© Atul Kaushal
John F McCullagh Dec 2011
“The Mass is ended,
go in peace.”
the aged cleric said.
“Thanks be to God”
said some dozen odd
parishioners
who then fled.

The Priest dismissed
his server.
and had turned himself to
go
when he noticed still
one worshiper
kneeling in the seventh row.
She was an older woman,
her head swathed in
a blue scarf.
She was obviously in devotion
before the Sacred Heart.

He thought:
“There is no need to rush”
He shuffled towards the chair.
which is where the Bishop sits
when attending service there.

The aging cleric said a prayer
for the gracious soul’s repose
whose generosity provided
his vestments and his robes.

He next prayed for his friend,
a priest, who’d grown too fond of wine.
He’s consecrating grape juice now
the non alcoholic kind.

He thought:
“it now is getting well past time
I need to lock the doors.”
His urban church had been vandalized
a scant few months before.

He rose up on his arthritic hip
and didn’t cry in pain
He accepted this, his suffering,
in Jesus’ holy name.

As he approached the woman,
Her head bowed as before
He had a vague uneasiness
He experienced fear and awe
She looked up then and he said
“Mother!”
and fell, senseless, on the floor.


His housekeeper found his body
on the floor of fitted stone.
The police found no evidence of foul play,
The priest had died alone.
The M.E. said the heart had failed
Though not from shock or rage
The Lord had called his servant home
to grace a grander stage.
A short story rendered in narrative verse
TinaMarie Mar 2012
You

With your designer blinders on
Custom made
      Measured
             Fitted
Secured tightly in place
     With diamond studded screws in each temple.

Proud of your daily ignorance.
Worshiper of indifference.
                      Void
                 Vacant
Cold to the touch
     Revealing the constricted flow of life within.

How do you sleep?

While the rest of the world weeps.

© Tina Thompson
Jake Bentley Jun 2013
How could I ever know the thoughts in my head,
Pursuing for the sake of sanity, Vanity's own identity.
But I've never been one for superficiality,
An Honest Abe down to the top of my hat.

I keep fighting, making friends, making fears
After all, I feel better having just one than lost
Hiding from my loneliness, from solitude and anxiety
I keep seeking, searching for the man inside of me.

Just the King of Paranoia, afraid of his throne,
And the hounds bound to the courtyard floor.
Use those diaphragmatic breaths to calm your panic,
Therapist may teach you her magic when you seek medicine.

Sleepless nights alone with those thoughts,
The person in the mirror is ambiguous,
A fanatic for The Game, a Worshiper all the same
The twilight shade comes through the window
The King's cape catches the light of the dusk
The King's crown glistens in the dark of dawn.
I wrote this while listening to Eyedea & Abilities.
Content inspired by my own personal experiences, therapy sessions, psychological problems and concepts in IJ (written by David Foster Wallace)
Alex Jimenez Feb 2015
You are young when you realize that you know far more
than the wrinkles on their faces and the creases in their eyes
You are young when you realize that you will brave a winter stampede
with the stagnancy of a rock, with the precision of a hunter
Your heart will never falter
You are in control.

A time comes when the world is drenched
and dripping in blues and yellows—
Warmth beckons, your cheeks are turning flushed
from the bouts of heat and—an Apollo has
entered your realm:
he touches your hand with the loud but brief kiss of youth
(—a moon shatters in your line of sight, the shards spread
across the universe and he removes his hold and
the lunar sphere takes its spot back,
and then—)
You feel yourself again, although a moment ago you were made of porcelain fractions cracked with the force
that your eyes emitted when they widened;
Your heart asks to falter
You refuse its desire.

Lucifer has ravaged you:
Your revelation occurs when you are coated
in sheen sweat on a summer night’s wanton rendezvous
He, the renegade angel, has touched you: God’s Child
And you are condemned to dream of Utopia
(—Utopia, for you, is a neat arrangement of two bodies of flesh
poised together in a study against a window;
hair cut before it hits a chin, never below,
and the ambrosia musk of a—)
A cry builds in your throat, you swallow it down;
it is steaming soup taken too eagerly for the hunger building
in an empty stomach and then found very scathing;
Your heart whispers, “I will falter.”
You hush it.

Mother says something about your future
It is a comment regarding romance,
and settling,
uttered with a shrill giggle and batting eyelashes—
Anger swells in your chest, mimicking a hurricane on the seaside
and you declare, loud and clear, that you will never marry
She laughs again and ignores you, a familiar gesture on her part
but she turns ashen when you pitch the white teacup
to the ground and it breaks like your heart did a month ago
(—the Apollo looked away from you with a downward curl
of his chiseled pink lips and you realized that you
were never going to be the One for
any of your abundant Ones and—)
There is a lifetime to utter and no chance that she will listen;
Your heart does not falter
You are not in control.

Another deity arrives, albeit a minor one
He is made of rosy cheeks and a young boy’s sheepish grin
Nothing special, you decide—He is beautiful, cut from marble
but not gold; a sight to admire and not a mind to caress
You think little for a long time
until suddenly you think a lot
(—the inward curve of His back when He stands outside
in a white shirt, the leap that your innards do when
He stands with you,
the crater dimple when His mouth turns up,
the cadence of His lyrical voice
and—)
—and you’re in Love
Just like always,
except this time there is a chance and no Faith to rein you in;
Your heart finally falters
You do not take note.

The Greats tell the epitome of fairy tales in wisps of words,
adventure stories, love stories,
spinning and weaving the best of humanity
And all that hear are inclined to believe in their words
You shudder when He brushes your arm
and you shiver when He speaks
when He says something of importance
your soul inflates
so that you, yourself, are inclined to believe
the golden threads of your favorite novels:
Is love not the universal blessing? It is this! It is this!
This is the apogee of Being Alive,
this is the peak of Existence,
the ****** of your Entire Life
The culmination of a Heaven
you are suddenly willing to almost believe in
(—Hall, Hall, Hall, Hall, Hall, Hall—)
He kisses you and it is settled;
Your heart does is faltering every day
You welcome it.

And then you no longer sing about life and love
from the depths of your soul,
you no longer coax phrases of adoration
and admiration
from the back of your mouth,
where they used to sometimes dance
across your tongue

And then you can no longer reach a hand out
to touch a red cheek—red from desire,
red from anger, red from obsession—
and let it run across the holy surface,
a worshiper on a Sunday visit
bending down with a prayer

And then you no longer remember
the plague of your adolescence,
the monster underneath your bed
that you could never evict,
you cannot think about it for the life of you
and suddenly—
Queen Anne’s Lace looks adequate

(—you feel like your mother
with your falsities and manipulation of yourself;
you feel like your father
with the spontaneous death of your emotions;
you did, in the end, learn love for the first time
only because of Him
the sun that woke you up
and has now set;
Godforsaken! Eternal night—)

He is present on the day you commit to your passing,
placed somewhere nice but hardly special—
you cannot risk having Him believe
He still matters
All the same you think it would be very useful
if you were to articulate the ****** slop of pain
and guilt occupying your brain
You know you cannot, you know you do not know how,
you simply cannot fathom such a concept, and still—
(—sometimes you still dream of Utopia
and it has taken on a different form
and in this renewed variation of your Utopia,
the world is drenched and dripping in blues and yellows
and he, your former deity, is Yours again,
and you are able to say what is breaking your heart
because you cannot say it in actuality,
and He understands
and He forgives and—)
“I do," she says
Your heart does not falter
You no longer have one.
a. luceli
Kairee F Dec 2012
Tonight, I knew I was a hypocrite.
As I stood there with my callous stare,
Mind in a world that will never exist,
The urge to turn to every worshiper around me -
Warning them that they’ll lose it all,
That happiness doesn’t exist,
That love doesn’t exist,
That peace doesn’t exist -
Overflowed inside of me.
But what did I do?
I lay idly quiet, as always.
That’s what’s expected of me, right?
Because how dare I attempt to look for the truth!
How dare I expect honesty from any of you fools!
And how dare I tell you I care.

Where are you now, God?
Where the hell are you now?
Can you hear me, or do I need to scream at the sky some more?

Hypocrite.
That’s all I am.
These ink markings are a beautiful lie,
A beautiful attempt at a reminder of who I can be.
But I can’t be.
I won’t be.
Not in a place as cavalier as here.
This world is a ruthless place.
It’s **** or be killed,
And I’ve murdered what was left inside.

Silently.
Swiftly.
Matloob Bokhari Oct 2014
I LOVE YOU, I LOVE YOU ALL
Matloob Bokhari

After crossing a wilderness of ignorance,
I met a pure and an unimaginable beauty.
“Oh lover, where are you going?
Who are you looking for? I am here.”
Said she happily with her lovely smile.
Birds of valley sang a harmonious songs
And the sky was lit by her resplendent face.
Moon and stars joined this festival of love.
Every moment was frozen with her beauty.
I forgot all my learning, lost all my strength.
My pens and books rendered me speechless.
Words unable to capture splendour of  scene.
Blessed by love; illumined by beauty, I spoke:
“You are an idol and I am your worshiper,
Ready to leave the earthly life for you.
I live for you, I love you. I love you all!”
The moment I saw you I decided not to see
Whosoever and whatsoever beauty could be
I will take you along to world with me boldly
Let my beauty to take you on real love journey

My sweetheart you are in me and your in you
Decide for once you will help me thru and thru
Beauty carries excellence along and love is virtue
My beloved let us be fair in love promise to renew

Whatever I can I will do for you ever is desirable
I am fortunate that you are my fortune ,love angel
I am your appraiser and worshiper my love idol
My sweetheart you are so noble, I am your loyal

Col Muhammad Khalid Khan
Copyright 2016 Golden Glow
Nat Lipstadt Jun 2014
Yo! Yo! My Drug of Choice (**** Poets)**


Yo! Yo!
Member of the troupe?
You up all nite?
You always hungry,
Making trouble, rite?
You one of those?

**** poets!

Exist on strict diet?
Pleasured-pain,
Constant-continual surges
Turn into urges,
Full-time suspense,
Juices always flowing.

**** Poets!

Yo! Yo!
You one of those?
Never knowing,
What? When?
The eyes gonna invert
Retina images into words
Brain signaling, semaphoring the fingers
Yo! Yo!
You don't get nine months,
Maybe nine seconds,
Then mother-birth another verse,
****** poets!

Yo! Yo!
Remember your first real high,
That moment
No absolution, no return.
That moment
When you admitted, confessed,
to yourself:

I am
Forever forward,
A home-grown poet.
I am
Soul enslaved to words.
The alphabet - My oxygen molecules,
I am both,
Addict and dealer
A ****** poet

Yo! Yo!
So you do recall,
The exact moment,
God-spark-within, ascendancy gained
You lost control,
Wept words instead of tears!
A ****** poet ******!

Yo! Yo!

Sophie's Choice.
You chose writing over breathing,
Worshiper of the purest pleaure,
******* in deep the smoke-high of
Head-nodding discontented contentment
Stealing anything you saw
For to satisfy the need, the craven
Craving.
****** poets!

Yo! Yo!

Don't you're ever sleep?
Hear that the city, the state,
Gonna methadone your kind
In a special program
Teach you only language to sign.
**** poets!

I am a ****** poet.

The first step taken.
Admission.
Poetry is my default rest position,

My drug of choice.

5:07am
June 12, 2013


PostScript:

cherish these flawed ones,
gentle these frail but gritty,
the Lord has tasked them
to be prophets in one tongue untied,
undo the strife of Babel's division.
Happy First Anniversary to this poem, a favorite...
With axiomatic prominences, the God Spílaiaus hung from the Virola from Ibic Three in the elevations of the Kantillana at three thousand meters high in the Transversal valleys, individualized Pichi, Chile. Millions of flying masses of Chiropterans unfolded, anticipating Vernarth's visit to the Celestial Regency of these Deities by accidental and hybrid Hellenic prophecy; coming from the Protocol of Transylvania with the Eternity of the Submythological god of Vernarth Aiónius from Ibic 1. These deities came etherealized by the heights of the Nothofagus Obliqua that was bent at forty-five degrees by the lift singing the melisma of Antiphon Benedictus that this time made the bastion and garrison of the Mikhve or Kathartyrium of Vernarth possessing souls with scabrous megalomaniacs boiling internally through the Underworld bringing Hades Speleothemes, such a tow pulls the Kosmous and humanity into the bowels of the Kardiá of the purified Agoge and the Mikveh or Purification of Vernarth in later Hypnosis Existential hanging on the halberds of the Dorus, Áspis Koilé and Kantabroi waving in the intensity of the conifers before the hegira began at Tel Gómel. Vernarth approaches Spílaiaus and proffers: “My Lord, I had an illusion…, I said that I had to fly over the Palace of Arbela at the expense of the followed “Paraps or Othónes” or Parapsychology screens that took me to wastelands full of Ungulates that rested barren in calcined silica **** covered with Hoplites and Achaemenides cries imploring to escape from disastrous dawn of Dark Angels, safe from other Angels Shvil, Almas de Kalidona, Hellenika, Armas Christi and Almas de Trouvere. Essentially all of them would beg for the circumcision of the open field and also openings of thousands of soldiers when It was arranged by all this heavenly light to crack the heels of every Hoplite. Thus leaving the hollow opening of my soul Mikveh, Kassotides, and Lynothorax that invaded with satiety to get out of itself and become the destination of all oppressed compassion on the way to the Empyrium. The curtain persists that helps beatific concerns of submitology inherent in cultural realities where it subjugates the digressive persist of specimens that recover life from their own exhaustion exercising truthfulness in those that are strengthened by their own incapacity "Vernarth" is a product of Spílaiaus' concern , and this at the same time knowing and having everything given in its analogy and terminology protruding the same root, except that submitology is roots that subordinate the inorganic and inanimate for such an effect that legacies of myths take on a leading reality that does not consider true what is not or it is part of a myth rooted in mythology, but rather of what is subtracted from its own inertia or wear and tear that does not take on a reality present in all things that are not virtuous, much less express it from a Gnostic perspective; where everything is reborn and progresses in paradisiacal cycles and messages of the Merkabah..., They are of an infinite cohesion of that celestial if it had to appear in the astral journey without taking into account what the same time in question allows to appreciate how long it has to last or persist to know that you are rooted in this process itself!

The subsequent stage will be governed by fertile beings or deities. The Genre of Itheoi Deities arises from magnificent submithological gods since they are present in events of an immortal nature doomed to micro spaces that will be configured with Paraps or Othón forming multidimensional links in each episode. The scenographic movement is represented in this work, in such a way to personify a heterogeneous reality shared by some of these gods and others from Olympus. In the case of Spílaiaus, it is specifically an augmented reality nexus of ibicos that are instantiated in this Trilogy from confraternal words where Vernarth Says: “Give me a little Gála and I will be the son of Zeus, perhaps as a means in everything and not an everything I never thought of…!” Here is that Gála is dairy juice where a speleological factor intervenes from Chauvet, Valdaine - Nyons Region - France. This is more than saying that the triggering factor is Mikveh or Purification leads from the premiere of the journey to associate with the underworld of the Kathartyrium or stationary Purgation that will take him through sequences in chapters or Paraps to meet again with Virolas or Anillares composing Medrones, crimping and growth. Later Wonthelimar from the Boedromion would bring The Arrows that Zefian will bring in the Second Trilogy bringing sleeping bodies of winter to the lap of the spring Boedromion crossing lines from spring to winter in the cycle that went directly to the Cinnabar Mercurial Ambrosia. They were discreet detached arrows that he had launched into the sky and they did not return but in the rooms, and in stages of Animalia towards the duty of rejoicing at the ****** of the Telesterion. Wonthelimar, being once again relocated before starting the works on the temple of Megaron Áullos Kósmos, was returning to the Chauvet-Wonthelimar cavern. He distanced himself from the contravention of Apollo and Artemis towards an olive tree originating from Zefian's arrows, to mark the new cardinal points of the zenith starting with the first two arrows that are placed on the bowstring away from the Quiver, each one crossing north-south trajectories and another two that were violated again with the bow of the stormy East, to launch arrows from east-west with limits of southern magnetism. He carried in his belongings "Ibic Rings" that would be transmigration towards cardinals and points where the Megaron of Vernarth would be exactly, arguing that Zefian's phalanges would be ordered in Sintropia and organic chaos in Patmos, making Pythagorean proportions in essences of numbers that idly advanced in temporary passages of Wonthelimar that were movably made of religious Saetas and Mercurial Ambrosia of Cinnabar, to contribute with insightful points of the Constellation of Capricornus. Zefian's tendency was evident to delight after being pulled from the bowstring to ghostly existence; presuming that where they fell would be the beginning of the gales that would originate the Áullos Kósmos or Megarón, a late pro of some courts imposed from the Ouranos or Cielo that was going determined in his will seized by a dubious Vestal god advocating associating with hospitable Canephores as conjectured Virgins Vestals of Roman bilocation that were resting in their hands..., and quantum parapsychology of the feared live between-tale that boils over in the arrows that have not yet fallen, not knowing their whereabouts? As sheets or serial wafers that were evoked where the origin of the Universe was broken to open towards the organic, vigorous, and anti-burned contravened Duoverse including the divine celestial origin as a *****-ovular parameter, rather eons and instances in Hestia's chimney running in pertinacious towards vast volumes of light-years. The connectivity of the Itheoi gods will make the quantum mobility machination operable between seasonal dimensions that will have to pass through periods, stages, feats and famous moments since it is initialized from here in the stone of lance with its Etruscan horses in Tel Gómel, for later in the Eleusinian mysteries themselves co-participate in eras of connection, as it appears here after the saga of Judah composing their respective seven chapters until breaking down at the end of the Conclusive Meshuva. The Boedromión will be an essential part of Trilogy II, waking up in all the winters of the world as a shelter flowered directly to the component of the Mercurial Ambrosia, a valuable element of Cinnabar or high-grade Vernarthian Sulfur for the Vas Auric or Sacred Medallion of Limassol that overflows decanted at the end of the Mikveh growing in arid deserts.

Cardinal Spilaiaus

- North: Vóreios (Zefian Boreal)
- South: Nótos (Austral de Borker)
- West: Dyticá (Twilight of Leiak)
- East: Aftó (Kaitelka Equinoctial)

From Medrones that grow in massive ibix antlers in Nyons, Seven Ibics Rings were taking hold, a Viroliferous process was progressing, or exercise of rotation mechanics of Quantum Rings in the same thesis work that speaks further of a replacement Universe as the anticipatory Duoverse, and the gifted Codex Raedus as a complement or annexation baggage of the Profitis Ilias in Patmos thus generating that pre-Christian annal have a leading role in new construction by presenting a virtual situation or Genius Loci. The Semi Itheoi will have roles in leading each cardinal so that the Gestation of the Fourth Arrow of Zefian is finally re-established, reordering the universe predisposed to receive the one approaching the Duoverse. What happens in Tel Gomel and Persepolis is relevant to the Psiloi Phalanxes and crowds that would face militarized personalities, totally ignoring the origin of the Hoplite as a worshiper of Hera's Wastelands and eternal stables that supported Vernarth just like Etruscan horses and Steeds of Sudpichi summoned Alikanto or ALikantus. His mother Luccica and father Bernardólipo endorsed all contained belligerence if he were not a repentant warrior in the gloomy night of the Horcondising Castle where Spilaiaus would give warlike foreshortenings right there to abduct him at great speed to Gaugamela. Vernarth would go to these latitudes, and then he would be exposed to governorships of Aionius to consolidate and channel this hybrid submithology that would bring together the ancient Hellenic Mythology. The vertiginous passage of time will conceive harsh characterizations and qualitative Paraps or Parapsychologies, possessing the largest arsenal of quantum and historiographical data ever counted and interpreted by characterizations, more than personalized blocks in particular characters, being the support vehicle or generational stem of the summary of understanding more facts and qualities that own characteristics of interlocutors. The vast collection of Submythological gods will be strongly entrenched in identifications of Semi Itheoi or deities that are intertwined directly with the human fictional world. ! Successive Paraps are concealed and accompanied by connectivity screens called Othones, these are a fundamental part of the audio-graphic syntax, managing to structure gods and then decode the final concretion of the conclusive in each Paraps, which is nothing more than a consequence of this imperceptible quantum axon, which does not end or start!

Submythology is an etymological derivation of later stages of mythology that deprives of granting subsistence and comparative biology to cultural, urban, fabulous components or inheritance of great ancient and medieval epic periods. Contributing great accumulations of proposals to such a generation in channeling with original playwrights reinventing their theses, also giving a breath of expectation to mythical beings so that they come to life in a hybrid interpretive horizon, or with alternation of roles considering mysteries in the blink of an eye happening to postulated dissidence or vagueness, losing itself as a gendered practice but not of the real cultist who has been propagated in his gnosis to remote places of the infinite superior. In short, Submythology is an infinite tragedy where the characters represent the work in furtive omni canality, and three-dimensional presence in sharp contact with the thrones of deities that make it even more evident to relate past history through submithological exercises, which itself refers to the prefix Sub " from what precedes par excellence” and mythological suffix as a series of processes of experience where the active voice of the narrator counts, being rather an inspirational pre-constructive phase. What should be experienced when in front of us a Homeric god of Olympus is presented to us telling us that the Olympic archeology has secrets of the Myein revealing characters and successors Submythological Gods with histrionic deities looted in all ages of the Celestial Organic Subsistence.

Ibico 1: "The first was from the initiation of Wonthelimar and he brought purity, for all who needed him and went to visit him in the dark, then he would find the light when he came out of the cave alive if he was accepted." As the only presence of Wonthelimar is of Chauvet's present god ambivalence.

Ibico 2: ”He was guided by Vlad Strigoi in the center of the priesthood of his shelves with the chiropterans and in addition to the mercurial ambrosia for the purpose of energizing the Cinnabar of Tsambika. Having all the protocol of Transylvania and eternity with the vapors of the Antiphon Benedictus”.

Ibico 3: "From the Eygues, the waters evaporated to heal the tormented initiation processes of elevation of the four Arrows of Zefian, to indicate the zenith of the Megaron."

Ibico 4: "This ring was from the antler of Wonthelimar, here they wore the oikos or threads of Orphi Gold, for the Himation and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a Mycenaean complement- Valdaine”.

Ibico 5: "This piece of metal speaks of the fifth plasmatic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's hyper neurological and Duoversal brain twinned with the Mashiach."

Ibico 6: "It is the sixth piece of crowns from Kafersesuh, bringing pollination from the Lepidoptera, for the central stage of the investiture under the shadows of Hellenika and Theoskepasti."

Ibico 7: “It is the deep voice of Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the hoarse voices that inquire of the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will rise in synchrony through the final growth medium, up to the millimeter-sized shoulder of the square meters that will illustrate the Acrotera del Megaron”


                             Gender of the Duoverse Itheoi
                                     Horcondising Deities

Previously Vernarth takes his head resting on the ceramic that supported him between the Hydor photo duct, rather bringing his hand closer to the Klismós that Saint John the Evangelist had given him when he passed through Ephesus. In such a way that when he makes the first impulse to get up from the chair he was already beginning to leave the conventional Universe for the first time, then when he sits down again in the chair inaugurating the crystalline body that was looming over himself, he continues to be the Duoverse as if outside the Klismós with its curved legs resembling supporting pilasters of the Megaron diverging to the conical ones that projected concavely supporting the hollowness of its pectoral, which was already transparent like its Invisible Eclectic Portal. Meanwhile he gets up again holding onto the Mashiach who came to take him in his arms and place him in the klismoi that interpreted the elevation of Hellenism to the Greater Heavens and the Itheoi of the Duoverse; that is to say spiritual deities of Vernarth in the classification of the rank of beginning and projection of the abandonment of the Golden Himation. In such a way that the Astragalus was integrated; a floral company that was rooted in the hands and roots that cooperatively took root in those of Kashmar. So Vernarth with the Ibic Rings would begin to syncretize the imperceptible quantum and hyper-accelerated mobilization of physics of sub-atomic particulars that would later second it, unleashing from Alef to Tav to Astragalus and Aiónius, beginning his omnipotence. The sidereal distance began to unlink towards the Calypso air that was twinned with large portions of the sea in the same enamel, making Patmos the union of chain reaction speed with the Dodecanese Valleys and Transversal Valleys of Sudpichi unifying Vernarth with Apollo, Esminteo or ephebeia; that is, three sketches of Apollo himself for the theological genealogy chart of the deity Scarabaeidae with species that multiplied together with Vernarth to become the metalloid Azophar as the main knowable guideline to the unknowable, being Apollo himself in Vernarth's corporeality before rising to the iridescence of the Moshiach.

Astragalus: His primary Itheoi or theological picture would be composed and forming part of his feet and the surroundings of his ex-voto to take to all the summits of the world in the essence and the gift of eternal life represented by the root of the madrigal curdled by his feet, with the root of the Astragalus in flower when it represented the zero-hours by getting rid of his Himation and meeting the Mashiach.

Scarabaeidae: God of the subsoil modality of wandering souls destined for the physical and spiritual decline, Scabaraeidae Aphodiinae as subtractors of all the waste of souls that have boiled in malignancy, and the Scabaraeidae Dynastinae as the righteous larvae that rise from the imaginary soil to feed on the roots of the Astragalus and all the flowers and leaves of the Dynastiae. Increased the taxonomic genus of the species that would have to remain in the underworld to aspire to a better one like these Dynastines or Heracles beetles in honor of this hero carrying the peg that Vernarth would place on all the gardens once he was in Aurion, leaving him in a larval state, before being sponsored by Hera's family for the life cycle of the Horco-Olímpico.

Nothofagus: God's phoneme-photon of divine mass light to build the Áullos Kósmos. From here the purification will rise in synchrony through the final growth medron of the Ibex of Wonthelimar, to the millimetric assembly shoulder of the square meters that will illustrate the Acrotera of the Megaron, and the Iridescent Nimbus that percussed between the Áullos Kósmos and the Vas Auric ” in total synchrony with Patmos, at the same level of luminosity and growth revelation of the Scabaraeidae Dynastiae to transform inert matter into another fertile one compared to Poseidon.

Lepidoptera: Like The sixth piece of crowns by Kafersesuh bringing the fertilizations of the Lepidoptera in the Ibico Ring 6, for the central stage of investiture under the shadows of Hellenika and Theoskepasti, where everything will be endowed with the greater Ibix called Wonthelimar” that together with Leiak they would transmute to Horcondising.

Azofar: This metalloid god and support of the bed will take and bring Vernarth again when sailing through the cosmos towards the fifth element that would contract the universe and the Hyperdisis galaxy, to extol him from the neurological hyper brain of the Duoversal of Vernarth twinned with the Mashiach, exemplifying duplicity of Apollo as Azofar device of new interstellar ships beyond all that is knowable.

Ibicus: god of Wonthelimar's antlers, here they will carry the oikos or Orphi Gold threads for the Himation and investiture to anoint Vernarth's body bringing the aerial atmospheres of the Alps and Ida as a Mycenaean-Valdaine complement, thus they were inaugurating the solemnity and honorability. Here the quadrature will be the perfect Heliacal Ortho of the fourth Ibico with the quadrature of Aurion commanded by Leiak in the cardinal Dyticá.

Vélus: from Ibico 4, from where the goddess Artemis will evaporate in the waters for the healing of the tormented in initiation processes of elevation of the four Arrows of Zefian, to indicate the zenith of the Megaron as if they were surrounding a Castalia for such solemnity.

Spílaiaus: from Ibico 3 in the center of the ministry with the bats, and others from the mercurial ambrosia invoking the Cinnabar of Tsambika. Having all the protocol of Transylvania and eternity with the waters of the Antiphon Benedictus”. Here is one more bastion of Hades' underworld dressing for the Speleothemes that will take you to the heart of all the dens of the Faith.

Aiónius: from Ibico 1 Wonthelimar who brought purity to all who needed him and went to visit in the dark, then he would find the light when he came out of the cave alive” here Kaitelka and Borker, in total harmony with Demeter, Persephone, and Hestia. Bringing them from the labyrinths with the rusty chains of Prometheus and Vertnarth wandering through infinity.

                                       Semi  I theoi

Semi-deities and great autobiographies of the Itheoi world derived from the denotation that would be reformulated from the Apoinandros that would be displaced by spikes of the didactic Ego or teaching of the authentic apostles that crystallized with Zefian, Borker, Leiak, Kaitelka, and Ezpatkul. Zefian: Reformer of the Universe-Duoverse, possessor of the four Arrows that will illuminate Heaven and all of earthly Greece every time Vernarth circulates linearly through the seas of the Vóreios of the Aegean. Ruled North: Vóreios (Boreal of Zefian) Borker: Demiurge and guardian of the Duoverse. Warden of the Forests of the World and of the Transversal Valleys of Sudpichi. Ruled South by: Nótos (Austral de Borker) Leiak: Omnipresent demiurge, the vague spirit of the docile water dancer who lives on the water with his slimy Chin, his playful back is seen breaking lines of wells between flesh and silhouettes. Before the First station, the first of the three remaining nights before reaching the crater of Joshua de Pétra” ruled West: Dyticá (Twilight of Leiak) Kaitelka: Down Whale ruling the Psychic Trisomy of the Duoverse and seas surrounding Patmos of the Apokálypsis ruled to the East: Aftó (Kaitelka Equinoctial) Ezpatkul: Dóntiakul or Augrum teeth or prominent Gold will rotate through the Scarabaeidae demarcating the Vóreios Vóreios in the Horcondising region, bilocating it in Patmos Encinas borers, with such frenzy…!, that of Right there they would extract the strength of the Mapuche north winds from the Meli Witran Mapu, beginning with the Pikún-kürüf.

A great revolution was conceived with the imprint codified in stars that would begin to appear in Alto Kanthillana after the awakening semblance under the Nothofagus bottoms; being a god who would free Ninfuceanicus. This was a Sylph that millions of years had been inert in the space or radius of Spilaiaus very close to events of the new awakening. This Sylph would be the main stolon of the Nothofagus and would provide residual inactive matter from it so that Vernarth could secretly rebel from the stages of darkness and desolation of the species, having been dragged by decanted augers since time immemorial from what is currently on Patmos. This would consecrate extensive recycling, accelerating the characterizations of each organic personality and not, tending to an essential role in Vernarth's plot; because it will be this depression to make of its awakening a multicellular set that would grant the disappeared species of the behavioral axis to be restructured in all the ex-karstic zones of the subsoil of Patmos, up to the Transversal Valleys of Sudpichi endowed with a great mineralogical bijective mass to supply powers with signs of substance and later mineralogical dimensions. Ninfuceanicus will be its Exo muscular mineral part that will provide proteins to Vernarth directly from this Sylph, in addition to recreating with her the necromancy attached to Gods Itheoi with Tsambika, Kímolos, and Patmos.The Paraps are nothing more or less than depressions of these liberations of great old geological masses that were biasedly unified under the subsoil of Hades Speleothemes, not exemplifying the stationary world of the relay but rather the Omnipresent Sphere of Spílaiaus together with Aónius and Azofar in the rescue of this Sylph, then Vélus, Ibicus, Lepidoptera, Scarabaeidae, and Astragalus will assign them the predominant rule. In silent and prominent escalations of events, they would intrigue themselves in the Submythological Epic, recomposing themselves in recapitulations that would indicate that Ulysses, Heracles, Hector, Leonidas, and the Great Alexander the Great would come to life from this thermo-geological concoction that would manifest itself by Vernarth's upper pectoral hollow "Called Thunder Kassotides” of which the conversion into tremendous events franked by ancient Greek Mythology would be destined to Vernarth's own and expeditious Hellenic life. This assumes that the overloaded physiognomic muscular exoskeleton of the Hellenic environment will be redirected with the power of natural phenomena beginning in original symptoms of multi gnosis reborn from the sub sphere of thought that intermediates with the interior ones, after the incitement of Vernarth and being part of the gnosis that would lead him to clear everything that is with him and what will be. The Animalia as fierce representatives flow by attempts and at the same time are inhibited from a tacit presence with animals that would conform to Spílaiaus stereotypes; an out-of-phase ventral turbinate of the God of Speleothemes, who is Wonthelimar or ventral turbinate, would propitiate any incidence in manifestations of the noosphere, given the serial appendix of instantaneous analogical relation in the disturbing and super mobility of the Constellation Capricornus, the Belt of Aurion and Betelgeuse. Right there radiating particularity the ontogenesis of Vernarth, already resigning himself from the intimate existential point to focus on the complementarity of other existences on the way to the Empyrium or Resident Ouranos, brewing universals in all unlimitedly comparative when alluding to as being diligent among beings who are not, and reciprocally be revivers of those who will be. Here is the synonymy of Vlad Strigoi that could be supra-spiritual historical omnichannel considering that he is an integral part of a Mythology and a real liberating hero of Transylvania. It still is, but under the exclamatory context that is born of avidity that requires and must collect fungus vines from Canephore and Hellenic delicacies in the prompt presence of gods when it is not enough or there is no legacy of servants or servants under the hindrance of its metaphysics with its empty entrails. Here prevails what dictates a dogma that differs for those who are touched by the edge of the Speleothemes of Spilaiaus to survive in the Sphere of inorganic life of the same god and Ninfuceanicus. This legend narrates the real and non-fictional lived history of Vernarth, that time that in absolute darkness and solitude he met the deity of the Ibico three in the crowded population of the Nothofagus is a totally prehensile approving gesture of a vegetable that authorized him to address Him …, Spílaiaus was such a reference when he listened to him for long hours transforming himself into a real therapist who worthy would bilocate in the original from Piacenza-Italy, when in rare cases of parapsychology he declared himself ineffective to be able to continue the endless sessions. “Gaugamela is the great battle that must be wielded with iron temper as a stalking of a heart that did not scold for another that did not pulsate”

Great raids will be composed of others that will speak of a strong hero having committed superiors, of others that will be based on eloquent vivacity that nothing takes long when it is necessary to induce the cut of Una Xiphos; whose function is dissuasive if the blacksmith is not a god that shows no mercy, but if he is from a job that can be resistant to deliberate him in another that has nothing, nor will he sustain him. The goal is essential in all weakness if a hero is consumed by his stoic bravery, rather it could perfectly reside in his coat of arms as indicated by Hephaestus in the glitter of a forge when the seasoned worshiper of his forges spills liquid steel and not blessed blood of a royal warrior from Laodicea. What Vernarth forges of Hephaestus himself will sound on his lyre descended from precognition of the god Spilaiaus, affirming that blacksmiths of Athens would be decoys that adhere to carcinogenic generations of opprobrious fires, if it were not for one who could carry in his hands a sword certainly jammed by Hephaestus, and that the diluted steel that really falls would make future generations authentic sedated drops in them for the true Spartan or Greek that strengthens it with verve and abulence.
Preface
Annie Dec 2018
Now that you're here
We'ld like you to stay

In the church of wicked
Surrender, as you may

You can't feel the bliss
If you haven't had it in grey

Can't be a content worshiper
If you haven't ever disobeyed

Offering blood and words
Blaming it all on 'fate'

We gather here every night
In our own realm, outside Heaven's gate
A shudder in my chest,
Violence in my hands,
Clouds past my eyes,
A pain in my brain.

A Temple ruined,
Once for sacred worship,
Now only for memberance,
And maybe a lost follower.

"God, I know what you did."
Kneeling, he keeps praying,
"I know you're not perfect,
But you're perfect for me."

Hopeless turned hopeful,
A light turned black, then back,
A God losing faith.
A worshiper who didn't.

— The End —