“wordlessly watching, heartlessly helping “

an early morning insertion,
says writes a love poem of
necessity, no formal request,
but as I am quiet bound to
her chest rhyming rising, falling,
she, caught between eyes closed,
but ears open, in pretense of deep
sleeping,
leaves me treading words,
“wordlessly watching, heartlessly helping “
borrowed for reuse, as waves
that have been here moments ago,
but only now just splashing me
to a place of inspiration, I look
up at the jambalaya of verses,
and declare myself satisfied,
both in love and wish this:

a completed poem that satisfies a
noisy urging~surging to tell her I
love her without disturbing her
peaceful state of drowsy and
permitting me too
(thinking pause)
to
taste a piece
of peace, so
well completed

I heard faint noises downstairs, and I decided to investigate. I pulled on a pair of cut-off jeans and grabbed the old pump shotgun that had served me so well in Viet-Nam from under my bed and crept downstairs to check. My Ranger training came into play, and I moved soundlessly, down the stairs and into the living room. An air of vague shadowy figures were searching through the cabinet that housed my collection of antique silver. I announced my presence in a sudden and intimidating manner: I merely pumped the action of the shotgun, then immediately moved to the right so if anyone shot, he would shoot where I had been, not where I was now. That sound was a language that everyone understood, including the two figures before me. They froze, and were still motionless.

"Mr. Steve?" one of the figures quavered. "Please don't shoot!"

I recognized the voice as belonging to Lisa, the twenty-year-old daughter of my nearest neighbor. I didn't know who the other person was or who else may be in the house, so I kept the shotgun pointed in their direction and hit the light switch with my free hand. Immediately a car cranked up in my driveway, and tires squealing, raced out to the road and away. I looked at my midnight visitors. I recognized Lisa and Julie, who was a close friend of Lisa's and a frequent overnight visitor of hers. They were holding between them a laundry bag containing most of my silver collection. I lowered the muzzle of the cut down shotgun.

"You sure know how to get yourselves killed," I stated. "Mind telling me who was in the car? You don't want to take the rap all by yourselves."

"Please don't shoot! That was Mike, it was all his idea! He made us do it! He said he would put us out and make us walk home if we didn't do it! Are you going to call the Cops?"

Now I could understand why the girls tried to burglarize my home. It was a fifteen-mile walk home in pitch darkness on a moon-less night for the two frightened girls. It was just what a worthless **** like Mike would pull. Knowing what I did about Lisa's boyfriend, I knew what he probably needed the money for. He was nineteen; the only job he had ever had was selling drugs, and I don't mean at the pharmacy. He was a charmer though. Girls fell for his good looks and his charm, and would do anything for him, and he of course chose the best looking one of the bunch, Lisa. She never realized what a slime-ball he really was. The problem was that Lisa didn't have a father to threaten to put a bullet in Mike's behind, and her mother was just as deceived as she was.

"You broke into my house and attempted to steal my belongings. Why shouldn't I?" I said with false sternness. I wouldn't really turn them in, now that I knew the situation. I would give the girls a good scare, then a ride home. Maybe then Lisa would see through Mike's veneer.

"Because we'll do anything you want," Julie offered, speaking for the first time. "Anything at all!"

Julie stepped over and ran her hand up my leg, pausing to tweak the head of my ****, which was hanging out of the leg of my cutoffs. I hadn't bothered to pull on any underwear. Julie was almost as good looking as Lisa was. Both girls had fabulous bodies, large firm ****, and smooth well-rounded *****. Julie had a cute face, whereas Lisa was absolutely beautiful.

"Yes, anything you want to do!" Lisa agreed.

The girls weren't wanton *****, but scared out of their wits and taking the only way out that they could think of. Of course they weren't virgins. It hadn't occurred to me to take advantage of the girls like this, and I would have declined Julie's offer if she hadn't fooled with my **** like that. You see, I was developing an outrageous *******, and with my **** hanging down the leg of some fairly tight shorts, the situation was rapidly becoming painful and serious. I had to get those pants off fast! Also, I hadn't been laid in quite a while. I decided to lay my cards on the line.

"You kids know me. I never had any intention of calling the Cops. I was going to give you a scare to teach you a lesson, then drive you home. Does that mean the offer is withdrawn?"

The girls looked at each other and both breathed a sigh of relief, big smiles on their faces. Lisa winked at Julie. "Nope," Julie said, smiling, "It still stands. Lets go upstairs."

I escorted the girls to my bedroom, pressed the magazine block on the shotgun, pumped out the shell that was still in the chamber, then put it back in the magazine. I tossed it onto the dresser with a loud thump.

I turned around and both girls were stark naked. Lisa came over, dropped to her knees, and planted a wet kiss on the head of my painfully throbbing ****. My ******* became harder still. I had to get out of those cutoffs! Julie solved that problem. She unzipped and unbuttoned them and gently worked them down around my rock-hard ****, allowing it to spring up to freedom.

"Lets get on the bed first," I suggested, "Then we have fun."

"Lay down on your back," Lisa insisted. "Have we got something for you!"

I complied, and Lisa leaned over and put my **** in her hot mouth. Her tongue swirled over the head, ran up and down the shaft, and started over again. I looked over at Julie and she was watching avidly. Not having anything better to do with my hands, I reached between her legs and caressed her ****. Julie gasped with surprise, then spread her legs. Her **** was already hot and wet, so I slid my ******* in all the way, then started finger ******* her and massaging her **** with my thumb. Her **** hardened and grew. Julie had her eyes closed and was erotically tweaking her ***** *******. She was slowly lowering her body, deepening the ******* of my finger, and rocking her hips back and forth, intensifying the stroking of her ****. Julie's hot ***** juices ran down my hand while Lisa's mouth was still working on my throbbing ****.

I began to draw my hand from Julie's sopping wet ****, but she grabbed it and held it tightly to her crotch. I pulled my hand now, and she came with it. I grabbed her thigh and swung her leg over me, so she was now sitting on my chest. I pulled my finger from her hungry ****, grabbed her ***, and pulled her ****** right up to my face. As soon as I flicked her **** with the tip of my tongue, she went wild, ******* my face, filling my nostrils with the sweet aroma of her **** juices. I thought I would give her all the licking she could handle. I rammed my tongue into her ****-hole with all my might, then gently nibbled on her ****. Apparently she had a low threshold, as this was all she could stand.

"Oh God, I'm coming!" she screamed, ground her **** into my face one more time, quivered, then collapsed sideways onto the bed.

One down, one to go. I looked at Lisa, still ******* my **** for all she was worth. I was nearing the end of my endurance, and I still hadn't had my **** in any hot **** yet. I grabbed Lisa's shoulders and pulled her mouth from my ****. I turned her around and held her up, her blonde ***** triangle just inches over my waiting tool.

"Give it to her! Now!" Julie whispered.

Lisa's **** didn't look wet or ready to take anything in it yet, but my **** was ready to take some *****. Julie reached over and spread the lips to Lisa's still dry *****, and began tweaking her ****. Lisa gasped her surprise at her most private place being touched by another chick. Within seconds though, her **** and inner ***** lips began to swell, and her juices started flowing. I slowly lowered Lisa to my rod, admiring her glistening pinkness. Julie guided my throbbing rod into Lisa's wet love hole.

"Please, be careful! Ah-h-h-h! Go slow, I'm so tight!"

I lowered Lisa very carefully, for her hot ****-hole was indeed the tightest ***** I had ever felt. With that in mind, I fought the urge to slam her down on my eager ****. As soon as she was down, I grabbed her *** and began sliding her back and forth. Lisa bit her lip as a tear trickled down from one eye.

"Stop, Mr. Steve! It's hurting her!" Julie commanded. Then to Lisa, "You haven't done it much, have you?"

"Just once, with Mike, and he isn't this big. It hurt then, too!" Lisa sobbed. "I wanted so bad to do it with Mr. Steve because he's been so nice to me, and I was so scared when I saw how big he was. Oh, it hurts!"

"You'd better get up then." I reassured, "I don't want to do anything to you that you don't want me to do."

"I want to go on, really I do! But don't you have anything I could use to make it easier?"

"Yeah, any Vaseline, or KY jelly, or something like that?" Julie asked.

"I have some KY jelly in the bathroom." I answered.

Julie jumped up and padded into the bathroom. I watched her naked *** jiggle as she left.

"You're gonna have to get up." I told Lisa. I gently lifted her ***. She bit her lip again and moaned as my **** slowly withdrew from her tortured hole. With a pop from her *****, a shriek burst from her lips as my **** sprung from her nearly dry ****-hole. She knelt on the bed next to me, softly crying, clutching herself where it hurt. I realized that she had been wrong in pretending to be so eager. A more gentle approach was needed.

I reached over, pulled her to me, and kissed her lips passionately. She ****** once in surprise, then melted into my arms, returning my kiss, forgetting the pain in her ****. I ran my hand around to her firm **** and gently stroked her *******, feeling them harden under my touch. I pulled my mouth from hers and kissed the point of each hard ******. She moaned and gasped with each touch of my lips, but from pleasure this time, not from pain. While I had her aroused, I lightly traced circles on her tummy with my finger, each circle going lower and lower, until I finally reached the blonde **** of her ***** hair. Slowly, I reached down and cupped her ***** with my hand, being careful not to press too hard or insert my finger. I would know when she was ready for *******. She responded with a **** and a gasp. I pressed again, and she gasped again. I kissed each firm ****** one last time, then started kissing down her tummy to her love nest, which was now warming and starting to respond to my touch.

I spread her legs and gently ran the tip of my tongue the full length of her slit. When I reached the vicinity of her ****, she reacted as though she had been shocked. She arched her back, pressing her **** against my face. Maybe she was ready. I probed again with my tongue, harder this time, hard enough to separate her ****-lips and tickle her ****. She went mad again, jerking and twitching in response to the touch of my tongue, moaning and panting. Then I felt her **** harden, her inner lips swell and spread, and her delicious juices start to flow. Now she was definitely ready for more. I probed her ****-hole with my tongue, licked all the way up to her ****, swirled it around, bit it gently, and then probed her hole again. When I started doing all this, she went even wilder. She spread her legs, ****** and reared against my face, and pulled my head tight against her hot cooze.

"Oh-h-h-h-h, **** me," she moaned, "I can't stand it any more! I don't care if it does hurt! Please, please **** me!"

I put her throbbing **** between my lips and gave it one hard ****, drawing it completely into my mouth, and pulled my head back sharply, causing her **** to pop back. She screamed, ****** her hips at me, and grabbed her sweating *******.

When she had subsided, her legs still spread, I mounted her in the traditional position. I started to position my throbbing pole for a gentle entry, but Lisa released her **** and spread her ****-lips with one hand and guided my tool to her sopping wet ****-hole with the other. She was much wetter now than when Julie diddled her ****, wet enough to ****.

"Please do it now!" Lisa pleaded.

I began to insert my **** cautiously, and found that due to her juices, entry was no problem. Lisa groaned like a ****** as I slid into her hot wetness. When she had taken as much of my ten-inch tool as she could, I still wasn't all the way in. But she began pumping her hips, causing the swollen head of my **** to ram against the back of her *****. She was as deliciously tight as before, but she must have been stretching, for with just a few strokes, my ***** were slapping against her ***, and I was in to the hilt. My tenderness and foreplay had paid off.

"Oh-h-h-h, that's good!" she purred when I began pumping to meet her rhythm. She wrapped her legs around my waist, and was pumping as hard as I was. With each stroke, I would completely withdraw from her hot, tight wetness, then shove my eager tool back in to the hilt, never missing her voracious target, always sliding easily in, jamming against the back of her *****.

Her pumping increased in tempo, and I sped up to match. Each pump became harder and more frantic than the one before. Lisa's breathing became harder and faster. She was about to come, and I wanted to come with her. I raised her legs over my shoulders so that I had a better angle at the depths of her tight hole, and started ramming as hard as I could.

"Don't stop! I think I'm gonna come! Oh-h-h, its so good! Come in me! Oh, please, I want to feel your load in me!" Lisa screamed. She bucked and reared and screamed incoherently, then went limp. I continued to pump. In just a few seconds, she began to pump anew. For more times than I could count, she orgasmed.

Once I felt my ****** approaching, I gave her one last hard ram and drove my weapon in as far as I could. I came at this point, spurting her sweet, tender Steve **** full of my hot sticky come, like an erupting volcano. She gasped, trembled, and fell back to the bed. I pulled out my softening ****. Our ****** energies were spent for the moment.

I glanced down at the foot of the bed, and saw Julie, whom I had forgotten. She sat in the chair at the foot of the bed, her legs spread, working a coke bottle in and out of her *****. She had found the KY jelly, then found us ******* away. Feeling left out but excited by the ****** sight of her best friend getting a good *******, she slicked up the coke bottle and began using it as a *****.

I saw that Lisa also was seeing something she had never seen before, her best friend's ****, gaping open, a coke bottle almost disappearing inside it. "Look how far in she puts it! And see how big it is to go in her like that. How does she do it?" Lisa asked, amazed.

"Why don't you get a closer look," I suggested. "Ask her." Lisa crawled down to the foot of the bed and sat on the end, astounded, watching Julie *******.

Julie finally looked down, under heavy-lidded eyes and saw Lisa so close. "Why don't you do this for me?" Julie asked.

"How?" Lisa queried.

"Just do what I'm doing now," came Julie's reply. Lisa watched for a few seconds more, then pushed Julie's hand aside and grasped the slippery end of the bottle. "In and out, and twist it a little bit. Oh, yes-s-s, oh, yes-s-s. Do it good, oh, that's so good!" Julie purred.

My **** was hardening again at the sight of one female ******* another.

I had an idea. If Julie was as promiscuous as she seemed, she might not object to what I had in mind. While Lisa continued to work the bottle in Julie's stretched ****, I helped Julie out of the chair and down to the floor, her heaving **** on the floor, her *** up in the air. She stayed in the position, crooning wordlessly, **** juice dribbling down her thighs, Lisa still ******* her.

I picked up the tube of KY jelly that Julie had used, and liberally covered my ***** rod with it. Then I stood behind Julie, straddling Lisa.

"What are you going to do?" Lisa asked.

"Watch and see!" I responded. With that I grasped Julie's hips and aimed my **** at the delicate rosette of Julie's ***. Using my **** like a weapon, I suddenly shoved my tool in as far as I could. Julie let out a scream, tearing out fistfuls of carpet.

"Oh God, **** my ***! That hurts so good! **** me harder, give me all you've got! Make it hurt! Give me more of that bottle!"

"I'm ***-******* Julie!" I informed Lisa, who was now completely mind-blown.

I needed no invitation, and neither did Lisa. Both of us gave Julie all we could, Lisa with the bottle in Julie's ****, me with my **** far up Julie's clenching ***. Julie rocked back to take us both in, then forward, then back for more. I couldn't see

Yesterday was your birthday

All day, my hands weighed me down

With the itch to text you to wish you a good day
With the need to grip a steering wheel, navigating me to your house
With the idleness feeling sinful as I wasn’t baking you confetti cake
With the feeling of being misplaced against anything that wasn’t your skin

To keep my hands busy I piled memory into a grinder
And
Ground
Ground
Ground

Turned the parts as if I was winding up a music box
Because this sound was full
In comparison to
The pit of my stomach that was still waiting to
Share your birthday cupcakes with you

When the flashbacks filtered into my brain
The high was pulled lower still
By the weight of my hands
So that all I could do was cross them
And pray a prayer worth all of the birthday gifts I’ve ever given

“Please, God, on this day make him forget himself.

Please, God, let him find a sweet tooth for things other than the melancholic poison he puts in his coffee

Please, God, let him not remember the time when he broke open too wide and let me slip out of him

Please, God, allow him to feel something, on this birthday, even if it’s just his birthday candle blisters

Please, God, give him his heart back, as it is buried in the past that I was never gifted to know

Please, God, let me not weigh him down with a guilt seed that would root him to a chapter in his life that he wishes he could rewrite

Please, God, let me stop dreaming of him.
I know what it means when I dream of someone.
I know it’s your way of wordlessly telling me I’m being thought of.
Do not let him think of me.


Please, God, fill the parts of him that his worker’s hands have carved out of himself so cleanly.

Visit the wounds that sit in his posture
Will his veins to carry his soul back to his heart

Remind him that his sadness is his own special brew
That he continues to sip at his leisure

Help him understand that feeling lonely
Comes from his own brain that remembers isolation better than love

Please, God, give him
A better year.
A good year.
A year when his time won’t be stolen by someone so insignificant
That he has to translate her words into the language of gibberish,
Until they mean nothing at all anymore.

Please, let him find someone.
Please, let that person captivate him.
Please, let that person know him.
Please, let that person sit in bed with him and feel their good fortune in their bones.
Please, let that person see the moon in his fingertips and realize that they can control the tides, if he wants them too.
Please, let him smile at this person, in ways that would be ugly in pictures, but beautiful in my memory.

Please, God, let that person be HIM.

Please, God, if you won’t cut the ribbon to the start of his new life, at least give him the scissors.

He will say “No, Thank you.”
He will say he does not need your help, because he knows the power of his paint brush,
and that he is too busy washing color out of his brushes to take hold of the harsh metal,
And then he will make confetti of your offer.
He will shred every pleasant thought that comes his way.
He will cut himself open and gaze at every beautiful thing, insisting he sees the wonder.
He will not see the wonder.
He will say he understands the things that live inside himself.
But he will turn their volume down
And tune deeply into the metallic music of sorrowful hollowness
He will go to extreme efforts to ignore the starting line that sits just outside of his comfort zone.

But, God, Please,
Send the trees to trip him
Make the animals chase him
Let him
Throw tantrums that are disguised as the silent treatment

But wrap him up in his ribbon, so that the only way he can move
Is forward.
Remind him that the scissors are always in his hand,
And he needs to learn that
They need not destroy.

Make the clouds rain on his new life,
And remind him that he has a knack for watercolors.

Lure him with oils
Guide him with spraypaint

This Year, show him the paint that
Will reteach color to him.

This year, let him understand that colors are bright,
But not the enemy.

Let him not fear red from the times that he bled,
Let him not cast away yellow, because the sun got in his eyes,
Let him not hate blue, because he almost drowned.

Build in him a reservoir for happiness, that could sustain him through this life that has already been too tragic.

God, on his birthday, please indulge these heavy hands so that they may not cross the fingers for his return,

Because God, it was not I who was born today,
And it was not me who was stiffed on birthday cake.

And though this prayer is selfish,
It is the only thing I can give him,
That he cannot refuse.”

And as I looked down to see my clasped hands, I couldn’t help remember
When one of them was yours.

And for my final birthday wish to you ,
I hoped that only your sleep
Could be relieved of the white knuckle tensions of restlessness

So that you may sleep, and know the peace that I felt,
When I slept next to you.



Happy Birthday,
I miss you.
Happy Birthday,
I’m sorry.
Happy Birthday,
This is selfish,
But Happy Birthday,
So were you.

A tomboy, naturally barefoot, gingerly walks the white painted line because the asphalt is just too burning hot.  Scrubby tufts of weedy grass are welcome respites on the way, briefly cooling her steps even if they are stickery.  The ***** soles of her now calloused feet were intentionally toughened just before school got out, with mincing steps across the roughest gravel she could find.  Her mother accommodates her preference, leaving a pan of water outside for her to scrub her feet before going in.  Even then, a black path has gradually appeared leading from the front door in the old orangish carpet.  Two months of summer barefoot every day when she had the choice. Keyed roller skates clamped onto last year’s school shoes were the exception.  She can flat out run anywhere.
  
This particular expedition began like every other thing they did, which was anything to fend off boredom.  She had been sitting on a cement step shaded by an open carport, just three oil-stained parking stalls for three small apartments on the tired poor side of town.  There is a little more dirt on the street here, and grass is a little neglected.  Just like the children, but these kids prefer that anyway.  Two scruffy friends stomp on aluminum cans, brothers sporting matching buzz cuts and cut-off shorts.  They are flattening them for the recycling money by the pound, so the carport smells vaguely of stale beer.  Another boy attempts to shoot a wandering fly with a home-made rubber band gun; rings cut from a bicycle tube made the best ammo.  “What do you want to do?” …”I don’t know, what do you want to do?”  Thwack…  The only requisite for friendship here is vicinity, yet it is still true.  The idea of choosing friends is about as odd as the concept that one could chose where one lives... Strengths and shortcomings are completely accepted because it is just what it is.  

Their amazing three-story tree fort with a side look-out had been heartlessly taken down by the disgruntled property owner last week.  Two months of accumulating pilfered and scrap two-by-fours, nails, and even a stack of plywood (gasp!) from area construction sites had yielded supplies for a growing fort.  A gang-plank style entry had crossed the ditch to the first level.  Nailed ladder steps to the second offered a little more vertigo and a prime spot to hurl acorns.  Another ladder up led up to the third floor retreat, with a couch-like seating area and shoulder high walls.  A breeze reached the leaves up there.   The next tree over was the look-out, with nothing but ladder steps all the way up to where the view opened up out of the ravine.  When the wind blew, it gave merciless lessons in facing any fear of heights.  But now that was all over, discovered gone overnight.

Someone says again, “What do you want to do?” …”I don’t know, what do you want to do?”  “ 7-11? ”  Good enough, so they head out.   Distance measures time.  Ten minutes is the end of the street past the cracked basketball court in the church parking lot.  Fifteen minutes and the lawns end at the edge of the sub-division.  Half-built homes rising from bare dirt and scattered foundations could offer treasures of construction scraps, (where she suspects the stack of plywood came from.) but they keep walking.  Twenty minutes is where industry has scraped away nature, and railroad tracks form an elevated levee.  But time is meaningless if there’s a wealth of it, so there’s no going further until an informal ritual is completed.  Wordlessly they each dig around their pockets searching for equal amounts of pennies.  Each of them carefully arrange them lined up on the rounded-surface rail, and they settle in for the wait.  It could be five minutes or it could be thirty.  They all understand it’s a crap-shoot of patience waiting for the next train. It’s an unspoken test; quitting too early means losing your coins to the one who stays, so that’s not an option.

Heat presses down and the breezeless air smells like telephone-pole creosote.  She sits in a dusty patch of shade found next to an overgrown ****.  She knows it tastes like licorice and breaks off a stem to chew, but doesn’t know what it is.  The boys throw rocks randomly until she finally stands up to join in, tempted by the challenge of flight and distance.  Then she stands in the center of the tracks, looking one way then the other, searching for the first random distant glimmer of the engine’s light at the horizon.   A flash, so she places her ear to the metal Indian-style, and the imminent approach is confirmed.  She calls out, “its here!” and double checks her pennies’ alignment.  Heads up or tails, but always aligned so the building might be stretched tall or wide, or Lincoln’s face made broad or thin.  That happened only rarely, since it could only be rolled by one wheel then bounced off.  If it stuck longer, the next wheels would surely smash it into a thin, elliptical, smooth misshapen disc of shiny copper.  Its only value becomes validation of a hint of delinquency, Destroying-Government-Property.  Once she splurged with a quarter, which became smashed to just a gleaming silver, bent wafer discolored at the edge.  Curiosity wasn’t worth 25 cents again though, so she had only one of those in her collection.

The approaching engine silently builds impending size and power, so she dashes back down the rocky embankment to safety because after all, she is not a fool, tempting fate with stupid danger. She knows a couple of those fools, but she finds no thrill from that and is not impressed by them either.  Suddenly the train is here, generating astounding noise and wind, occasional wheels screaming protest on their axels.  She intently watches exactly where she placed her coins, hoping to see the moment they fly off the rails that are rhythmically bending under the weight rolling by.  It becomes another game of patience, with such a long line of cars, and she gives up counting them at 80-ish.  Then suddenly it is done and quickly the noise recedes back to heat and cicadas.  The rails are hot.  Diligently they search for the shiny wafers.  Slowly pacing each wood beam, they could have landed in the gravel, or pressed against the rail, or even lodged straight up against the square black wood yards down the tracks.  They find most of them, give up on the rest, then continue on.

She has thirty cents and at last they reach the afternoon’s destination.  7-11’s parking lot becomes a genuine game of “Lava”, burning blacktop encourages leaps from cooler white lines, to painted tire stops, to grass island oasis, then three hot steps across black lava to the sidewalk, and automatic doors swoosh open to air conditioning.  She rarely has enough money for a coke icey; she is here for the bottom shelf candy, a couple pennies or a nickel each.  Off flavors but sweet enough.  She remembered when her older brother was passing out lunchbags of candy to the neighborhood kids for free, practically littering the cul-de-sac.  She had wondered where he got enough money for all that popularity, or could he have saved that much from trick-or-treat? She wondered until he got busted shoplifting at the grocery store.  The security guard decreed that he was never allowed in there again, forever, and the disgrace of sitting on the curb waiting for the mortified ride home was enough to keep him from doing it again.

Today she picks out a few root beer barrels, some Tootsie-rolls (the smaller ones for two cents, not the large ones that divide into cubes) a candy necklace and tiny wax coke bottles, and of course a freeze-pop.   Sitting on the curb, she bites off small pieces of the freeze pop, careful not to get tooth-freeze or brain-freeze, until the last melty chunk is squeezed out the top of the thin plastic tube.

“What do you want to do now?” …”I don’t know, what do you want to do?”

Have you ever felt...
That feeling?
Where you're so empty you can actually fall inside the void which consumes you,
When you're so broken that whenever someone touches you they pull back hissing,
When you are so lonely you call out to the birds which paint the sky-in hope that they will sit on you shoulder,
Have you ever felt it? That feeling?
That horrible slimy whisper wordlessly chanting "You are useless"
Well I have.
And it is crap.
But one day you'll wake up and a small drop will fall Into that void
Day by day
Night by night
Hour by hour
Second by second
And it may not seem like much
                         But it amounts to a lot in the end
Until that feeling you feel
                                       Is nothing more
Than subtle laughter

               **Coming from you.

You don't grow up
You learn to
Lower your cap
Hide your face
Your expression
And
Walk away,
Wordlessly

Muted.
Tongue tied.
That was a clear fact, couldn't be disputed.
To make her voice heard. Countless times she'd tried.
So from now on, a new tactic she has applied.
Head hung low, as she walks in silent stride.
Emotional shutdown: access denied.

In a bedroom in small-town Pennsylvania,
you’ll find an unmade bed,
a pile of clothes on the floor—
clean but not folded,
open drawers and dusty shelves,
a desk in the corner of the room
with pictures laid across it.

When I caught my first fish at six.
I held it at arm’s length by the fishing line
to avoid the slimy scales,
a frown on my face from being forced
to sit silently in the cold.

When my family went to Marco Island,
my sister and I, sifting sand for the best seashells
in our matching swimsuits and hats.
Mom and dad’s fights forgotten in our fun.

High school graduation
posing with my best friend since first grade,
diplomas in one hand and an extra cap held between us
because not everyone survived all four years.

Move-in day at college,
sitting on my raised bed with a grey comforter
and two decorative pillows the color of cotton candy.
Sweat on my brow from southern humidity
and moving furniture without the help of a father.

The pictures are merely snapshots
that lack the full story.

How I learned what it meant for love to fall apart
when I was eight years old.
My sister warned me before it happened,
told me what a divorce was.
I mistook her for joking until they called us upstairs.
Dad cried when they told us, but mom held her tears
until the day he left. The sounds of her cries
escaping from behind a closed door.
“This doesn’t mean we don’t love each other.”
But that’s exactly what it meant.

How I was taught by my father that love is conditional,
and I repeatedly needed to prove myself
through good grades and unquestioning obedience.
Forced to stay home to spend time with the family,
sitting wordlessly on the couch while he watched TV.
Made guilty for wanting to spend time with friends
because that somehow meant that I was a bad daughter.
It’s funny—I never asked myself if he was a good father.

If you look harder at the bedroom,
you’ll find journals filled with bitter words,
screws from disassembled pencil sharpeners, loose razors, and Aquaphor,
food wrappers stuffed in hidden places,
a closet brimming with junk and pairs of shoes,
evidence of a story untold. Until you.

As I scale the *****
I note the melody of the wind
With its sweeping symphonic shifts
My nails grind against granite
Before flaking and falling into the abyss
Yet I persist
Upward along the lone path
Where the air recedes like tides
And frost forms fellowship upon my eyes
Before seeking to turn my sore limbs, frigid
Icily assuring each ache is anchored in anxiety
Which stems from the worn clothes of society
Yet as I climb, the fabric is discarded
Like old styles of yesteryear
Now basking in all my naturalness
I finally summit, my thoughts thankfully descend
My heart lifts up its scepter and then my chin
Beating with Brilliance it grins
Furls up it sleeves and wordlessly begins
The work of healing from within

There is always too much to say,
and never enough to say it.

The limits of language are blunt,
though nature is most eloquent.

Reality is ineffable,
though it speaks in every which way.

Wordlessly she moves,
her metaphors pervade.

Let me show you
All the words I cannot find.
Let me write them
On your neck in faded lipstick stains.
Close your eyes.
Listen to my shaking hands.
They have a code of their own,
One that only you can understand.
Listen to them rattle against your chest.
Feel the heat of my breath
Glide over your cheek.
Listen to what it’s telling you.
Feel my teeth tug at your bottom lip.
Let me get as close to you as I can
Without losing myself completely.
I can’t say this aloud.
Just listen to my body,
Decipher the language it speaks, wordlessly.
Somewhere in this mess,
The purest love I could ever muster.
A diamond
In all of our rough.

Trembling,
you said to me
“Put the potato down”.
I examined the raw tuber,
clenched tightly in my hand,
like the first man
on a distant continent
to discover
this strange and ugly meteor,
with earthen smell
and cold rough skin;
it’s dead eyes staring back at me.
“Please, put down the potato”
I glanced at you,
wordlessly,
unfurling my fingers
the potato fell to the ground
in an unceremonious
thud.

Regrets, they come in waves and break around his feet
And he begins to wonder who he might have been
Had roads diverged in different woods and fields
Not yellow or yet any colour still unseen
But clearer now by day than windless nights
Still nearer than the objects of his dreams

It'd rained late into the evening, and when the lights were shaded
Around the pool outside and with the windows shuttered
He'd thrown on loose clothes, flicked open an umbrella
While high outside the stars the lightning flashes muttered
Pulled open doors that led to the veranda
And moved outside once more with all his thoughts unuttered

The smoke, from fires on Java lies heavy on his senses
An omen of the time of year and of the past condition
He shrugs, ***** in the acidic nighttime odors
Reviving lives not lived but revealing his admission
That time beyond the present that mirrors every movement
Within, without, and yet again, the flicker of suspicion.

The pistol in his pocket, illegal not unloaded
A symbol of his state of mind and by  his sole discretion
He kneels beside the water, deep-set and in the shadows
Lips forming wordlessly around the last confession
Images of where and what and who and why and whether
A portent of that final action, sensing and impression

The smoke from fires on Java lies heavy on the water
The reek of cordite mixing with the smell of burning grasses
Indignant birds protest the crack of one small set expulsion
The echo round the swimming pool reverberates and passes
Nothing more and nothing less and time and space and matter
Slick red upon the treacherous tiles, the shattered bloodied glasses.

i

Then must I always bear your endless accusations?
They all prove false, but still I have to fight them.
If I happen to glance at the marble theater's topmost row,
you pick some girl in the crowd to moan about;
or if a beautiful woman looks at me wordlessly,
you charge she's using lovers' wordless signs.
If I compliment a girl, you try to tear out my hair;
if I criticize one, you think I've got something to hide.
If I look well, I love no one - not even you;
if I'm pale, you say that I'm pining for someone else.
I wish I really had committed some such sin:
punishment hurts less when you deserve it;
but as it is, your wild indictments at every turn
themselves forbid your wrath to have much weight.
Think of the little long-eared donkey's wretched lot:
continual beatings only make him stubborn.
Now look, here's another charge: Cypassis, your coiffeuse,
is cast at me for defiling her mistress's bed!
The gods forbid that I, even if I yearned to sin,
should find delight in a slave-girl's lowly lot!
What man, being free, would want a servile liaison,
or wish to embrace a body the whip has scarred?
And furthermore, the girl's your personal beautician,
and valued by you because of her skillful hands.
Is it likely that I'd approach such a trusted serving-maid?
What would I get, but rejection and exposure?
By Venus and by the bow of her swift boy I swear,
you'll never find me guilty of that crime.

ii

Cypassis, expert at dressing the hair in a thousand ways
(but you ought to arrange the tresses of goddesses only)
you that I've found quite polished in stolen ecstasy,
fit for your mistress's service, but fitter for mine,
whoever was it that told of our bodies joining together?
Where did Corinna learn of our affair?
Could I have blushed? Or slipped by a single word to give
some sign that has betrayed our furtive joys?
And what of it, if I argued that nobody could transgress
with a servant, except for a man who was out of his mind
The Thessalian burned with passion for lovely Briseis, a servant;
the Mycenean leader loved Apollo's slave.
I'm no greater man than Achilles, or the scion of Tantalus.
How can what's fine for kings be foul for me?
And yet, when your mistress turned her glowering eyes on you,
I saw a deep blush spread all over your face.
But how much more possessed I was, if you recall,
I swore my faith by Venus's great godhead!
(You, goddess, bid, I pray, the warm Southwind to blow
those innocent lies across the Carpathian sea.)
Now give me a sweet return for the favor I did you then,
by bedding with me, you dusky Cypassis, today.
Don't shake your head, you ingrate, pretending you're still afraid:
you can please one of your masters, and that's enough.
If you're silly enough to refuse, I'll confess all that we've done,
making myself the betrayer of my own crime,
and I'll tell your mistress how often we met, Cypassis, and where,
and how many times we did it, and how many ways!

Sliding into the water as I rise
She holds onto me, I stand steady
Feeling the hot, soapy suds slide down me
Her fingers on my legs, gently caressing

I look down to see what my leopard-girl's up to
Through the steam, I feel her roving eyes
Whose slinky slits belie what she intends
Not an inkling do I have ....of what she holds in store.

Then she's beside me....yes, her on bended knee
And with her lips planted carelessly along my belly
I quiver now in the shimmering heat of her arrows
On her haunches, darting lower now to thighs....

I flinch in disbelief as she reaches up, all coy
Does a befuddled thing I would never expect
She.....oh, holy smackerel in a barrel, baby!
What in blazes ARE you doing to me?

My senses fall to pieces, mind in utter disarray
Wordlessly, I try real hard to hold it together
As she scratches lightly, while purring oh-so deep
My feline fantasy coming oh-too-true!

Mumbling sweet-nothings in a haze of desire
Ramming shaft into her mouth, we make a different musical jam
Throttling up all the way to the hilt
Sure ain't nothing so sweet as her takin'-at!

She shifts the rolling gears,  I sway along
Clutching her hair for support, I humbly beg release
I see her ***** her eyes, makes ME ***** her harder
Makes me buck, drives me up that ***** wall!

I am in the driver's seat now, better believe
Feel a touch unsteady, but I hold her reins
I pull her maddeningly tight into me
Such delicious thrills course through my veins.

Pumping on vigorously, I'm-a  gonna spurt
But I know I have to pull the plug a bit
So her face and neck and **** rejoice
As not everyone can swallow what I give.

Ooh! Sweet heaven...now rinse off all-a that love-sap
Gingerly step out, wreathed in smiles
I let her soak on, as she's wont to do
She loves a delayed bath and I do need the time....

No room at all for doubt must be left
For her to earn folded returns for sated favour
She must be famished for some humble pie
How creative shall I prove to be, I wonder....

Swathed in terry cloth, her skin all pink-an-rosy
Oh, will she be just ripe-an-ready for this picking
Deftly will I lead her down, on downy floor
And mete out sweet and fitting penalty.

Growing exceeding restless, she will moan
But I shall will her to her knobby knees
Shame, wouldn't want her to be uncomfy
Give the lass a cushion....there, there.

I will rake my nails delightful 'cross her back
My leopard-girl will taste and be a crumpled mess
She will crave the whips across her ****
To match her lovely, striped, distorted mind!

And.... do I spy the goldfish bowl beside our bed?
Yes, methinks a wicked dip.... will do the trick
And her tower of resistance crumble, it must
Oh yeah, have I got a treat laid out for my pussycat!


Star Toucher, 30 March 2013

a storyteller's perspective, steppin' off the ordinary edge, into the unknown

An unsent letter lay on the rustic log cabin floor
A cold wind musta’ blown through the cracks the light comes in,
where it laid fallen, half *** crumbled, yet never a wadded ball;
never an unspoken thrown paper stone,  a befallen regret was all.
Silently atilt and leaning against the canted wall's slant
behind the gathered dust a squeaky hinged burl wood door

A timeworn tarnished copper wind up clock roosted,
an old lip smirched coffee cup time stood still;
an empty bottle of gin sat near the bed post headboard
where the ink stains and blotted spillings let the memories in.
Stained pages torn and bent like fallen paper wings
returned to the unread sender … postage due,   south a heaven sent ―

A sullied envelope, gnawed and mouse chewed,
for a nest of new beginnings ―     
                                                          just read:                   Lydia  ...  ♡
                                ... followed by a scribbled empty heart               

The time aged brown tattered tablet paper left behind
stifled like the unread heart it holds upon the threadbare pages
of smudged tear’s ache and spilled gin

The weathered rock hearth fireplace filled with spent ashes,
hand rolled cigarette butts, traces of an aching lament;
scratched up old vinyl records lay ***** and tired out,
from a time of sweeter fallen fences, a musical bliss, and
a lost angel's abandoned red slinky party dress,  
aside a busted off black velvet high-heel stuck sullied
in a hollow knothole in the ancient barn-wood floor
a sparkly pearl pink jewel entangled in a spider web

An unsent letter lay on the rustic cabin floor
A cold wind musta’ blown through the cracks the light gets in

The final unread words silently said:

                               "We lost our way,
                                  it all went wrong,
                                  it all turned bad"

                             ..."This is the outcome when someone you love  
                                  up and throws you away"

                             ...“I’ll reach out from the inside
                                  I’ll rise up again and do without”

                             ..."You went out into the world
                                  with an untamed hankerin’ ―
                                  like a carefree restless gypsy breeze
                                                                 and come back worlds apart"

The Unsent Letter,  
                          just whispered words to the dust in the wind
                                                            ­                        in quivering ink:

                             ..."how can I ever unremember you...?
                                  a thrown stone sinks wordlessly as a rock...,
                                  an old wood bucket with a rotten hole the heart,
                                  fallen forgotten, rock bottom as an empty well"

                                        just signed:   ...   ❤  August


                          *January 1st, 2017 ... august ... wild is the wind  ♡

I saw god today.
Sitting in the alleyway,
Head hung low on the subway.

I saw him wordlessly crying,
As all the world went flying,
Dying by.

I saw him homeless and asking for change on 54th
I saw the streetlight illuminate his graying, ragged beard.

I heard his name yelled--
Out of fear.

I didn't see God
In the white picket fences,
In the pristine churches with cushioned benches.

I didn't see Him
At fish fries,
Or in ostentatious Osteen's obnoxious cries.

I saw god kneeling on the splintered pews;
I saw him fleeing with the Jews.

I saw him in the south,
With the poor,
Lying naked on the floor.

I saw god and didn't recognize him.

For he was kind
And accepting,
With eyes that saw,
But were blind.

I saw him wash the feet of sinners.
I saw him cry and pray at dinner.

I saw god today,
And we talked,
Embarking on a casual foray--

he asked me to tell him my misgivings,
And my doubts about faithful living.

I did.

"god, there is so much hypocrisy in this world,
And often, in your name it's unfurled.

You weigh down the oppressed,
And lift up the oppressor.

Christians shame their daughters for abortion,
They cry murderer and throw your words at her.
They do not help.
They do not heal.

Christians turn away those who would seek refuge.
They forget that you were Prince of an exiled people.

I am told that if I do not accept you,
I will go to Hell,
And you know this to be true.

Or worse,
A better man than me might go to Hell.
Because he calls you Allah,
Or Buddha,
And no matter the good he might do;

Still he is doomed."

god heard me,
And his tears fell--
Free.

he paused a moment,
And then responded,

"My child,
Can you not see?
Here I am before you,
And look how my 'disciples' turn away from me."

he said that word with bitterness and disdain,
I'd like to note.
It dripped off his tongue,
Even as blood fell from his wrists, legs, and side.

he carried on:

"Look how many are afraid of me,
How many reject me--
Because they don't want to see.

Look how many seek their own gain.
See how many look away from my pain.

Still, on Sunday
They'll come out and sing--
Cacophonous droning,
Wailing and moaning.

They do not worship me.

You see me here before you.
I am not their God.

Their God is one of self-advocacy,
Of Selfishness--
Of sublime, self-serving servitude.

I am Selflessness.
I am Poverty.
I am Outcast.
I am Brokenness.

I know your concerns.
I know you spend long nights questioning your faith.
Questioning others' faith.

Blesséd are you,
My son.

Blesséd are all my children,
Who seek to serve those who do not know my name.
They are my children still;
And still others of my followers have strayed farther for fame.
Blesséd are they, too,
That they might know me--
And you.

You come here and speak your truth,
And I thank you."

god stood up,
Humbly bowed his head,
Ever subservient,
And walked away.

I sat in silence,
Contemplating our verbal parlance.

Then I too stood up,
Walked away.

I saw him sitting outside,
In his hands,
An empty styrofoam cup.

I saw god today.

And as I walked away,
I saw one man stop, give him a couple quarters, and a nervous, friendly smile.

I saw another walk past, dressed in her Sunday best, averting her gaze, using her body to block her child's line of sight.

I saw god today.


Did you?

Into the furnace let me go alone;
Stay you without in terror of the heat.
I will go naked in--for thus ''tis sweet--
Into the weird depths of the hottest zone.
I will not quiver in the frailest bone,
You will not note a flicker of defeat;
My heart shall tremble not its fate to meet,
My mouth give utterance to any moan.
The yawning oven spits forth fiery spears;
Red aspish tongues shout wordlessly my name.
Desire destroys, consumes my mortal fears,
Transforming me into a shape of flame.
I will come out, back to your world of tears,
A stronger soul within a finer frame.

put all the words
in the world
in my two hands,
each a microscopic dot
of near invisible,
teeming, heaping,
ricochet intersecting
colliding,
cell splendid splitting
leaping,
until they,
wordlessly forming
a sign inquiring,
in neon flashing:

“What did I demand of them?”

”New combinations,” my reply.

how we
laughed together...
as they procreated
My Happy Request

I came to a town on the road to you,
and by chance the day was Eid al Fitr.
The was much music and dancing and rejoicing in life's fullness;
I too was swept away in the simple ecstasies.

But the old Mullahs had heard of my travels
and bid come unto them to discuss heavy matters.
"How can one break the Law and remain beloved of Allah?"

"Because God created the Law out of Love,
thus the Love of Allah is above and beyond it's precepts.
God will Love whom He chooses."
Outrage. Insult. Blasphemy.

The music outside drew my soul away, and I joined
the common people, my brothers and sisters,
while the old men argued without us.

Wordlessly, we danced.

we stood in our scarlet, costco bought handmaiden costumes
wordlessly taking a stand
because words matter

it is a stoic thing
to make history

kamala harris
wisely having her moment
so far, the height of her career

then we re-enacted various episodes
of House of Cards
all in front of Judiciary Committee

afterwards, we were given some money.

before going home to watch netflix, we had to educate the world
on the language they are and are not allowed to use,
because we need to control the world's vocabulary
especially since so many people are ******-phobes
and we still think the term "hateful bigot" holds power.

thank god for the 25th amendment,
there is no way in hell that we will lose another election,
but if we do, we can always fall back on 25A.

The drops drip through the roof.
They’re just another reminder.
Of what might not be tomorrow.
Of what we might have to surrender.

Mother tells me not to go out in the rain.
I can’t play like the others.
I have to help her out,
Take care of my little brothers.

The twins’ fever is high,
And is refusing to fall.
Very unlike our cottage,
Our house, with no real walls.

My mother and I.
We dread the minute this abode will collapse.
I try to make the twins sleep,
But all they do is-point out in the door, huge gaps.

I wonder how long this will go on,
Rain, thunderstorms, lightning.
And most of all, worrying.
Honest to God, this is frightening.

The temperature outside falls,
And theirs’ rises.
And half the house crumbles.
Well, there’s a surprise.

Panicking, I turn to mother.
Who’s as dumbstruck as I.
What will happen to us four?
Will we…die?

I tug on her sleeve,
She looks at me helplessly.
I take one boy from her arms,
I can’t see her handling them so carelessly.

With no clue, Of what to do,
Of where to go.
I just have one thing to say.
Everything about the rain is not a rainbow.

* *

We knock on the doors,
The neighbours barely come out.
None of them takes us in,
Some apologize, some are indifferent, some even shout.

Our despair increases,
She’s bordering on hysterical.
We don’t know what to do,
Except…wait for a miracle?

The twins are burning,
I try to protect one under my arm.
I know it’s next to nothing,
But well, trying doesn’t harm.

The rain falls in sheets,
On my family it’s taking its toll.
Mother’s impractical, naive, and the twins oblivious.
I know then, I have to take control.

I make a steel resolve,
And start to move on.
I know we can’t afford,
For us both to be teary and torn.

Wordlessly, she follows my lead,
Maybe she thinks I know what to do.
But well, guess what?
I have not one clue.

I just march on,
To find a safe haven.
Just a roof for the night,
A shed, a garage, a warehouse, a tavern?

And preferably some medication, too.
For I can’t see the twins go down the same road,
As father did. No, not again.
Mother won’t be able to handle the load.

Tears pool in my eyes,
But I brush them away.
I cannot let emotions take control of me,
I have to after all, guide the way.

I silently pray to God.
To let me keep them safe and sound.
I wish the night would go by soon,
And by tomorrow, a shelter, we would’ve found.

And as I stride forward,
With no destination to go,
I again have just one thing to say.
Everything about the rain is not a rainbow.

*

I don’t know what time it is,
Two? Three? I know it's past midnight.
We’ve been trudging on and on,
And haven’t seen one welcoming light.

Yes. There were houses on the way.
Shelters.  Accommodations. Even hotels.
But we have no money, no food. No one let us in.
Even the tiniest little flicker of hope has gone to hell.

Mother asks me to wait up again,
She can’t keep pace with me.
Impulsively, I reach over and take the other twin, too.
And shout, “There you go! You’re free!”

She looks startled, like she didn’t see this coming.
Well, neither did I.
But, why can’t she understand?
We have to hurry. We might..die.

Life’s never been easy on us,
But this is one of its worst tricks.
And it’s only getting worse,
As the clock ticks.

On their sixteenth birthdays,
Most kids get dresses, watches, cars.
I got a broken home. Literally.
All I wanted was a bunch of wild flowers.

But well, it wasn’t meant to be.
This is my destiny, my fate.
I guess for my share of happiness,
I’ll have to wait.





In the distance, I see a flickering light.
Will this be..The One?
After what feels like centuries of darkness,
Will this be our Sun?

There’s something about it. Intuition?
My feet move faster, and so does my heart.
In my mind, there is conviction,
This will be a new start.

Vestigial fear grips me,
As I’m about to knock.
What if our last hope, last aspiration says no?
Not that it would be a colossal shock.

But I’d break down.
Emotionally, mentally, physically.
I’d pass the bridge of oblivion,
But it would hurt my family brutally.

I summon up strength,
And knock on the door.
Before she can access our condition,
We’re unconscious, and have dropped to the floor.


*


She healed us, took care of us,
Brought back the twins’ health, and smiles.
Gave us a new identity,
Away from the slums and garbage piles.

She says she’s a doctor,
But I think she’s more.
I reckon she’s an angel,
Who brought back life to us four.

She gave us health, freedom, life, hope.
She even gave me and Mother jobs.
For a change, Mother is happy too,
And no more in the night, do I hear her deep sobs.

We’re as happy as could be,
We got our version of a happy ending.
Every rain may not have a rainbow,
But every story has a miracle pending. :)

"Can't take my eyes off yours"
not withdrawing their gaze
wordlessly he and she muse
without batting an eyelid

"Ḧer eyes are a shade of blue  rarely seen ever"
he thinks, before words could charm her
she finds this" Ÿou've the eyes of a girl,
every girl that dates you, I am sure
would note it first" Isn't she right?
Öne girl knows another's heart better
then, do men stand a chance?" he wonders

"But there is a soft wave beating in the depth,
of those eyes" she softly confides
Ït arrests me,  can't take my eyes off
..is it kindness or love, or both?"
a welling within happens, he was debating just that,
but how, just how  does she know it?

"Ẅhat would you take first ?' he puts it back
  " If I offer you both?"
she smiles saying "I know what"
Close by they sit, heat permeates
from thigh to thigh, isn't it nice?" eyes probe
"Let that beam of light I see, fall straight
in to my eyes, let's burn together"

He shuts his eyes and remember
the camphor lights, soft on eyes
and oil lamps on temple walls,
flames that dance like hooded serpents
he feels the heat of her swelled up lips,
fitful bees hovering above his mouth.

a stripe of asphalt on the blanket of green

I stare wordlessly out into other people's lives
peeking past the violet-tinted windows of the freeway
as your chat-chatter spills from your coffee cup
filled to the brim with handshakes and impatience

You clutch your earpiece tighter, scowling
as I trace the horizon across the glass
smudgy fingertips that sigh boredom

and the Mexican workers in orange vests
peer back at me curious and wave
turn to their left and shout something in Spanish
tongues dancing, slick with dust

I smile as they crumple their lunch sacks and
pitch them down into the rubble then hoist
brick by brick, stone by stone
no natural-made boundary
into the chalky air and perch for a while
to mop the sweat from their brown
creased faces and sing rowdily to their neighbors
and the immobile in the SUVs

You lock the doors fast
and pat your hair into place
I've got no time for this construction
you say, can't they build this highway somewhere else?
as you drum your fingers along to the siren song
of CEOs and business connections

You're just the same as the rest of them.
Man forever building bridges
that will only topple down.

If I wrote you a love poem
would you clam up in choking modesty,
embarrassed by the still raw love that's been cooking but is yet to be served.

If I wrote you a poem of friendship,
would you retreat back into solidarity,
annoyed at the bluntness of my open soul.

If I wrote you a poem of mourning,
would you fill with resentment
at my supposed plea for pity

If I wrote you a poem of joy
would you counteract the skip in my step with a lag in yours
because enthusiasm is corny in large amounts

And if I wrote you a poem of desire
Would you avert all eyes back to the screen
because Romeo and Juliet is a bit outdated
and imagination has fled from the heart and away from its sensory outlets

Or…

If I wrote you a love poem
Would you beam with a smile that radiates from your eyes and cheeks and shoulders and knees
Because you need all the passerby to know of our love, wordlessly..shamelessly..

If I wrote you a poem of friendship
would you deliver me my favorite coffee,
pick me up to go on a road trip to anywhere

If I wrote you a poem of mourning,
would you hold me and give me the smiles and hugs
that I am temporarily and humanly void of..

If I wrote you a poem of joy,
Would you let my spirit set fire to yours
So we can dance around like idiots aimlessly

And if I wrote you a poem of desire,
would your body tingle and feel like its never felt before,
unsatisfied until our legs and tongues and hearts are entwined

Or am I too Disney?

Handsome shades of murk crackle the joints in your bony fingers while she drapes purple towels over a broken window no one has bothered to sort.  It's a quiet and moldy sort of night, with even a starry sky lying shamelessly over tranquil lakes under closed willows. There are no secrets though between her eyes and yours, who find joy in absently breaking the bleached porcelain cups your in laws bought, on this blood stained floor. With all this abstracted silence dying to burn your dog hearing thoughts, she finally manages a whisper.

'Dare not let the light in and wake you from this memory.
It might be putrid but it's the best you'll ever have'

   Leaning back, the chair you sit on sobs wordlessly about the strain of living and the piles of laundry no one has bothered to fold. The moon overlooks your surroundings, watching pine trees in the distance exhale their last breath and drop weights of hope omitted from the stars for this Earth. Perhaps ignorance is bliss or someone cut off her ears and yours because no one turned to notice while those same pasty fingers count back the pages ripped out of old journals, all meant for her. With all the trains missed and reminders dismissed,  you realize who's caught in a fog of sighs.

  She paints your portrait in distress because she'll never finish what once was. Termites are biting the wooden legs of this chair and rotting is the flesh on your arms. Reflecting back on your life is worth nothing more than a refrigerator note she scribbled on for last weeks groceries and now she sleeps in a place far more silent than in a coffin deep under roots where some proud oak trees once stood. Being found in the middle of a lost labyrinth with her hand no longer warm, you finally manage a sentence.

'Who cares about the dying trees, I'm running out of paper.
She might be dead but well alive in a writer's promise'

Tea is my consolation,
From anxiety and fears that strike
Like venomous slithering snakes,
Who have missions to poison my resolve.

The most recent attack occurred,
During the late evening,
With their voices in my head shrieking and lashing,
Their troublesome words coiling around my air supply.

I dashed to the cupboard panicked,
To ensue Tea’s warm embrace,
And waited for the kettle to boil,
While tears trickled wordlessly down my face.

Tea greeted me warmly that night,
With a pleasant aroma of spices swirling up my nose,
And became the only thing I wanted;
A comforting liquid cascading down my throat.

I drank my blend of love in silence,
While my protector drew its steadfast sword,
And lashed those demons and the sorrows,
Into the dismal despair from whence they came.

Not long after the battle,
My silent friend with the warmth of a thousand suns crooned,
And watched as I fell soundlessly asleep,
Until the renewal of the afternoon.

The troubadour planted his last name between
a she-vegan's legs in San Marcos;
rambled north to that country of love, Oklahoma City,
where he took hits of windowsill acid every three hours
for a week straight.

To escape, to begin.

He spent his nights in the St. Cloud Hotel, trying to
sleep on a carpeted floor. He saw a color between
lavender and orange, nameless and impossible to
recreate. He knew all, including he'd forget all.
He shared a room with two high fashion,
burgundy-lipped lesbians, Viv and Jean, and
one night, the last night the troubadour, our troubadour,
was allowed to stay, Jean went out for some fresh air,
code for a cigarette.

"She never smokes just one," Viv said, little Oprahs reflected in her eyes from the plasma screen. She lay on her stomach on the bed,
atop a jungle green comforter. For your discretion and for the discretion of those before you.

Viv brought him between her legs.

"Gentle. Gentle," she said.

The troubadour thought of those Pepsi Challenge commercials as he tongued her ****. A lesbian has an edge when it comes to oral pleasure. Across the nation more people prefer Pepsi. She's got the same parts, sure, but as the troubadour wordlessly recited the alphabet with his tongue to her, he felt confident Jean hadn't put in this kind of effort, not lately anyways. And so what if he's Coke? The troubadour preferred Coke. Viv snagged a handful of his hair, "Don't stop," she said. "Don't stop."

And it all ended, as drug-addled, hetero-on-**** escapades always do: abruptly and with an "I think you should leave before she comes back," a "But sweetheart, this, us, I think this means something," an "I like girls," a "But," an "I just needed an edge," and later that night as he marveled at the  brilliance of the common streetlight, tripping his *** off on his last hit of LSD, he empathized.

And I’ll swear by forty swords
If a sword is what will appease you
“SWORDS!” I’ll shout with mock obscenity, “Oh, swords!”
And you’ll wordlessly curse me through pinched eyes
And you’ll inform me that I am not a jester
And that you are not my mother, nor my caretaker.
But I swear, (swords!)
I swear that my mother has never hatefully condemned me for making light of a situation
Never folded her face into contorted revolt at my weak attempts to mend a fractured conversation.

And yet it seems as though I’ve prodded you with too many swords
You’ve plastered your negligible scars with bandages irrelevant–
Trivial, for though once wounds, they’ve since been healed.

Like a puppet master, like a ventriloquist
You’ve got me speaking in idioms

A foster home, I’ve adopted your character

And, doing so, determined your actions foolish
And you the fool and jester.

"Darling Guillaume, grace me with your presence for a quick moment?"

The man beckons, inviting warmly with a graceful tone you've come to recognize as a safe place. "Yes?" you speak before reaching him, the sound of your voice somewhat faint to him as you turn to enter the kitchen, your response lingering in the hallway.
The windows are open. The air is fresh, clean and cool. The breeze is swimming in, tugging ever so gently at a lock of the man's hair, golden strands hovering for a moment before falling back into place.

You are seventeen years young, your skin is tight around your neck and your wrists feel no pain. This is your apartment. There are fruits on the counter, some of them you don't remember buying. That's because you didn't.
The red grapes- next to your preferred white grapes- are his. There are also slices of watermelon in the fridge, along with some strawberries and a small jar of cherries that seems to never empty.
He hardly ever bakes anything and when he does, it's always something that can be eaten cool. Nothing too warm for him, though you've seen that hot chocolate is an exception to that rule. He loves fruit and cold drinks, has a terrible sweet tooth and is absolutely shameless about it. He smiles often and when he laughs, you feel he is the very embodiment of joy.

You brush a lock behind your ear before he turns from the counter quickly to face you. You both have similar hair; his is a few inches longer, curls less than yours, and is a visibly lighter shade than your dark mane. Yours is shorter, curling inwards as it rests on your shoulders.
The man gazes into you; he is never afraid of eye contact. You aren't either, but given that you consider him in many ways a stranger still, it's slightly unnerving, and gives you the impression that he has a certain power that he well knows cannot be subdued. Confidence some would call it.
As for ****** similarities, there are some, not that they're very pronounced. You both have light eyes, but yours are a deep blue with chestnut and chocolate overtones, often appearing emerald green under certain lighting; much more earthly than his- an almost unnatural, true green that shines harlequin under dim lighting, like a cat's eyes glowing under the moonlight.
He seems particularly happy right now, and you can't tell if his cheerful demeanor (though not unusual) is him being in an especially playful mood today or a hint of what's to come. That is to say, another lesson.

"Hold this egg for me, will you?"

You do as you're told, looking around in an attempt to distract yourself while you wait. You don't know what you're waiting for exactly, but you assume it will only take a minute. The kitchen is illuminated completely, very bright. It's a lovely day, sunny and perfect for a walk, you think. Maybe you'll go out later.
You hold the egg for exactly five seconds before realizing the man is staring at you- smiling beautifully with what some might mistake as bedroom eyes; but you know better.

"...What?" you ask, your voice small suddenly. A smile slowly tugs the corners of your lips and you resist, both out of embarrassment and stubbornness; you don't want to submit so easily. It's quite noticeable- you couldn't hide it well, but he isn't offended in the slightest. You are, after all, so very young. He expects you to have this kind of- rather charming- behavior, and accepts it fully.

"Feel it."

He speaks quietly but with sparkling, eager eyes, like he's about to let you in on some grand, fascinating secret, and you are reminded of a dear friend.
Being a memory you visit often, it takes half a second to remember it clearly- your best friend- running towards you, tie bouncing on his chest. He wears his school uniform, it's lunchtime, and he is eager to tell you how he's found the perfect spot to relax (or study, if needed) during this hour. "You both make for a funny sight, you know!" you'd have friends tell you often. You weren't very eager to admit it then, but it's true. You can picture it now- tall, lanky, grinning class president next to short, grumpy, quiet you. Ah, the memories.
You've both been busy, settling into lives completely independent from the help of your parents. You make a mental note to call him when you have the time.

You stroke the egg with your thumb, gazing at it intently. There's something the man wants you to know and he's not going to give you the answer on a silver platter- it's not that easy, you've learned that by now. He's played games like this before where he begins a conversation suddenly- often starting with an odd, seemingly-out-of-place question- with the intention of teaching you something.
He is strict in his belief that answers should not be given but found, and if one wishes to teach something, one should guide the other to help them understand, but never lead the way. Leading would result in the thought that lessons are a destination- and that isn't the case at all. To simply give you an answer is a sin to this man, and maybe this is why you've learned so much with him.
You want your answer to please him. Yes, and that may be difficult- because at this point, there is simply no way for you to know what the correct answer could possibly be.
No matter. You'll have to work with what you have at the moment. That being, not much.

"It's... smooth."

To that, he smiles with his eyes. You don't know it, but he's very happy with your answer. Partly because he never asked a question in the first place, and your attempt to answer something that has yet to be asked is, in his opinion, a sign of a good student- one willing to learn.

"Mm. It is." He takes the egg from your hands, holding it a few inches away from his chin and observing it for the entirety of two seconds before turning his gaze to you.
His face betrays the look of a father determined to put his son on the right path; a look that says "I will not let you go until you have understood".
But he's too gentle for that. You know he'd let you go if you ever spoke of wanting to stop a lesson. Not that that's happened before. He's always so tactful that you never have reason to feel uncomfortable around him. You appreciate it; you're not terribly tolerant of tactless people, even if you do feel quite guilty about it, especially when they do seem to be trying. C'est la vie.

He is silent for a short moment, his voice replaced by the distant laughter of children playing outside. It's then that you notice the cherry.
The single red fruit, small and unassuming, sat just behind him on the counter, closer to the window than him, and you wonder for a moment if he was planning to eat it before calling you to talk. You're vaguely alarmed at the thought, for cherries aren't something he will eat often, and you've noticed that they seem to be reserved for what appear to be private special occasions- he will sometimes eat a single cherry while deep in thought, staring out the window (you've caught him people-watching a few times like this), and you wonder if he was thinking about you this time, and dropped the cherry to have some sort of urgent talk with you.
However, that doesn't seem to be the case, so you push the thought aside, unconsciously replacing it with one of your favorite memories of the man-
"Cherries are dangerous," you recall him explaining one day, "they are toxic in their excessive sweetness. Eat no more than two a week, or you'll be taken by the cherry man!" You never forgot that conversation, although it’s whimsical charm wasn’t the reason why- it drilled itself into your memory the moment you realized two very interesting things.
The first being that by "cherry man", he meant the Devil, and the second being more of a doubt than anything else- cherries are not that sweet. His argument would make more sense if he was talking about cake, for example. Whenever this memory surfaces, there is always a vague sense of confusion and wariness hidden just under the more pleasant feelings you prefer having. Nevertheless, the general sentiment in his words is that excess can be detrimental to the soul. "Greed is a terrible sin, you know." And this is why the cherry jar never empties.

"Hellooo..."
Oh- goodness, he's waving his hand in front of you. You blink a few times, responding with a rather ungraceful 'Huh?', blushing slightly from the embarrassment.

"Where did you go?" He's chuckling as he asks, and you can feel the warmth on your cheeks.

"Ah, nowhere."

He smirks with a small "hmph", before giving you a proper smile, pausing to let you come back to him fully before continuing, egg held up in his hand:

"What is the egg now, Guillaume?"

You look at it, held between his middle, index finger and thumb. What is the egg now. What a strange question. Of course, it isn't as strange coming from him; you don't think you'll ever get used to his odd lessons, but his behavior when teaching you things nobody else would is something you've come to expect by now.
What is the egg? It isn't an elephant, it isn't square. There are many things it isn't, sure. You search in your head for a possible answer, one he'll deem correct, 'till you decide on-

"It's nothing."

-a dishonest one.
For someone who's not very tolerant of tactlessness, that sure was, well, tactless. Why did you say that? Insincere and blurted out without any thought. He takes notice immediately, and you wordlessly apologize profusely, combing your fingers through your hair and avoiding eye contact.

He's much older than you. He's also wise- wiser than most people his age, you think. Whatever the man wants to teach you, it's obviously something he already fully understands. The fact that he knows more than you however, does not mean you are below him; he never wants you to do anything for the sake of pleasing him and what you've done just now is exactly that. He can, however, sympathize- he's a perfectionist himself and understands the desire to do things right. There is a time and place for everything though; an order, and what you've shown now is good intention misplaced, which is a potentially dangerous thing.
He has no concerns regarding the acceptance of chaos when it is necessary,
that isn't the problem. The problem is that your dishonesty is chaos in a situation that warrants order.

"I don't want you to try to please me, Guillaume. I welcome incorrect answers so long as they are entirely honest."

There is a pause, and he sighs before remembering just how young you are. He realizes you might have accepted him as a parental figure or mentor of sorts by now, and it's an honor, really- you're a bright boy and he enjoys your company very much.
Your accepting him as a parental figure however, does not give him the right to scold you; no, that would horrible. If you will learn, it'll only be because you will allow him to teach you. He must never force his way into you.

"Look at me." His voice is firm but gentle.
You hesitate for a second, but whatever you were feeling is gone the moment you notice his expression- warm and inviting; "try again" it says. You are willing to now.

"You can see the egg, can you not? Surely it isn't nothing if it's still a part of your reality. You see an egg, and that still makes it one."
He hides it behind his back, and you are confused at the action but eager to understand. You give him a questioning look and he smiles before giving you an answer.

"What is the egg now?"

With a question, anyway.
You think long and hard, silently focusing all your attention on the creases of his shirt. You stare at the man's chest for a full minute and a half, determined not to make the same mistake again. You will answer honestly, yes; but you will also impress him- and possibly yourself- with a good answer.
The subject isn't exactly new or difficult for him, you're sure. He will sometimes leave the house and not return for a day or two and when questioned, responds with an inconclusive "Mm. Studying." You still aren't sure what that means and you feel it's best not to think too much about it, but surely it has something to do with these lessons of his, no?
He's obviously studied this before, you think; you are operating on a much lower level than him and have a vague awareness of this. It just isn't as pronounced because the man insists on treating you as his equal. As far as he's concerned, you are both students capable of learning from each other every day. You hope to one day teach him something, and not by accident, as it tends to happen. Soon, perhaps. Maybe now.
You look up at him with a determined look on your face, satisfied with your conclusion.

"An idea. The egg is an idea-"

"Why?"

You barely finish saying your answer when he's already questioning your reasoning. You'd be nervous if you didn't already know that his bluntness wasn't the result of annoyance, but of curiosity. He is eager to teach, yes, but he is more eager to learn. After all, a good teacher hasn't accomplished much if they haven't learned anything from their student.
New ideas need to exist. In conversation, one should always aim to walk away with new information, a new perspective. Sometimes this information is given to you, other times you must take it; something he's given you is the ability to think more critically. He's all but trained you to do so. It's much easier now to get into this mindset than it was when you first met the man. You're glad to have had the chance to practice this sort of thing at all; you don't think you could have done it with anyone else.

"Because there is ultimately no way for me to know if the egg still exists."

There really is no way to be sure.
The egg isn't a part of you any longer. You can no longer see it, or touch it. You can't hear it, either. It isn't there anymore and having seen it being hidden, all that there is now is the suggestion of it's existence.
Your answer was truthful and concise and you feel nothing else need be explained. When you search the man's face for any signs of contentment, you find none. No, what you find is something quite different. An absolutely luscious smile, and those bedroom eyes.
His voice turns low and he speaks clearer- a calm tone of voice that would make anyone submit if he asked them to.
He's challenging you. Both begging and demanding you to win.

"But I know the egg exists. I am telling you it does. Am I lying?"

His voice could be very seductive sometimes. Especially at times like this, when daring you to step further into his world.
His world. One that was always bright and pleasant and hid something underneath- a barely audible humming that you've managed to ignore until very recently. If there was such a thing as feeling a lack of light despite there physically being none, you felt it every time the man dared you to chase him into his labyrinth.
There was just something very visceral that would bleed through sometimes; in his eyes, his hand gestures, in his voice.

"It doesn't matter." you tell him, your words quick and blunt.
He is amused. Shocked, even. You push away the rising bravado before it fully shows; don't want to jinx it now.
Eyebrows raised, he gives you an impressed "Oh?" and you continue, clarifying to back up your risky (despite yielding good results) answer.

"Assuming you are holding it in your hand right now, it's still an egg to you. By the mere act of touching it, it becomes a part of your realm of understanding; it exists to you, right now, as what it is- an egg."

You can't see it of course, but he's mindlessly stroking it with his thumb now, much like how you did at the start of this conversation. Both his hands are behind his back, resting on the counter he leans on. He listens intently.

"...You tell me it still exists, but that doesn't change what it's become to me. It stopped being an egg the moment you hid it from me. No matter what you know to be true, that reality isn't always going to be a shared one.
You have an egg, I have an idea."

There can be many correct answers, he thinks. He doesn't believe in there being a single, ultimate truth about anything. If the self is all one can know, why is one's understanding of the universe not considered a reality in itself, one separated from what most consider the only reality? Your explanation follows this concept and he's thrilled tha

i am being aimlessly guided by a decrepit side street.
the smell of who-knows-what hangs in the still like an occupied noose
as i strain to ignore the unpleasant moisture on my brow,
the imperceptible perspiration of emotional exertion.

my heels can decipher the coded cracks in the concrete
and converse with muffled clackings that echo from alleyway walls.
they say, "our coordinates are flawless; this is the path to freedom."
i think, to reach it alone would be more bitter than any confinement.

‘cause i left some love in an empty room miles from here—
it’s collecting cobwebs instead of affections
while the idol of unrequited passion burns
and its ashes are faxed to four far corners of a hardhearted world.

i reach a dead end and feel the breath catch in my throat.
there is nothing here but the empty cocoons of the homeless
who have hopefully lifted themselves on dusty wings to a better place
leaving me searching for signs of life in the litter they've left behind.

there is a poster haphazardly taped to the bricks;
no lettering, no information, just the face of a man.
he stares blankly at me from his paper veranda
as if i were a television set, some mundane form of entertainment.

then, unexpectedly, a hole rips through the flyer
to compensate for the boot-clad leg freeing itself from dried pulp
and stepping heavily onto the pavement below.
i stumble back in mixed horror and disbelief as appendages creep lividly from the wall

until the man with the advertised face stands before me.
he pulls a pack of parliaments from his trenchcoat pocket
and wordlessly offers me one as his lighter births infant flame.
soon, the nicotine fog hangs like an opaque grey curtain between us.

then the silence is shattered, with shards of stillness breaking against the asphalt.
"i hope you weren't attempting to be stealthy. i could hear you for miles."
the voice emitted is raspy, the sound of a dull razorblade on the neck of a convict.
i shiver fiercely in response with a zero-kelvin cold.

a frankenstein hand fights through the smoke to grasp my ashen face.
his finger to my lips is a canker sore forming.
"a pretty lil' thing like you shouldn't be caught dead in this mess."
his forked tongue forms the words of nothing i don't already know.

i push him away. "just cut to the chase. we don't need to drag this out.
you know what i came here for, so let's get it over with."
my heart spasms in protest, but i suppress it with clenched fists.
as it dejectedly thuds in my chest, i can taste the bile rising in my throat.

he raises an eyebrow, then sniggers, showing off a yellow shark-toothed grin.
"the princess has a temper! well, you've come a long way for this, sweet cheeks."
he reaches into his coat, pulls out his leather gauntlets blackened with singe.
"say exactly what you need, doll, and your old pal lucifer will handle the rest."

my lungs deflate, punctured by pins and needles of stale air
and the blood dries in my veins like cruel sun blistering the desert.
half of me begs for lockjaw. the other half manipulates the corners of my mouth.
"erase him from my mind. i can't spend my life obsessing."

a glint of guilty pleasure in the devil's red eye seals the deal.
soul extraction's just like getting a tooth pulled, i tell myself regretfully.
it's just another part you don't need, a bland and disposable item.
but it doesn't quell the fear; i'm shaking hard enough to register on a richter scale.

the man in black embraces me, grasping my ribcage in his massive gloved hands.
a flash of doubt sears through me, yet i stand frozen, crucified.
i feel satan's minions pulling at memories like loose strings
and there is chanting in my ears; evolnilr igafognir effuseht eta ivellai sihth tiw.



i come to with dry heaves and a migraine sent from hell itself
to find that i am home in bed with the sheets around my ankles.
i rise and move to the mirror, see the dark circles traced around my eyes,
and dissolve into sobs without knowing why.

Silver-sided rattle,
a humble streak climbing
the hill in small doses.
Blue teardrop seats,
steel and yellow poles,
broad-eyed windows that offer
the view of things that the subway
will never give.

I've seen fistfights,
a baby born, overdoses,
old women falling asleep,
old men screaming wordlessly,
junkies scrambling for pills
dropped underfoot,
tourists grappling with the geometry
of this unknown language,
all of it.

Vibrating with a menacing stumble,
it attracts everyone. It promises
a view and a destination.
It's better to go through the world
than to sink below it.

there is no privacy anymore
tinker with your settings,
imaginary dragons, but to no true avail,
your scathing privacy has since sailed,
only to return for another sinking

what you forgot,
is very well remembered
in a some very overlooked place

see me in my summer camp class photo,
blonde crew cut and goofiest of grins,
find my poems of eons ago,
in living tricolor,
to my now better understood
"eternal" embarrassment,
they writ on, vainly looking
for a way to enjoy a
natural unnatural aging,
a wordlessly, self-destructing death
on a someday,
though the probability is that
someone's gigabytes
will cloud store them forevermore
because accumulation is
cheap and easy and
whatever

everything you need but didn't want,
the tangled webs, births and deaths,
multiple divorces and successes,
ancestors, progenitors,
children who no longer acknowledge
parenthood,
the detritus of lives writ even larger than the
original reality life show

confrontation tween my suppression
of long term memories that  
are dangling participles,
going gone being been,
confusion resultant in
the tenses of existence,
I was therefore I still must be
but no longer
the me
I pretended to be

there is no privacy anymore,
especially,
not even from thine own
prying eyes and faulty memories...

when they ask what is my name,
to better trace my leavings,
I will
like Jehovah to Moses respond,

I Am that I Am
(אֶהְיֶה אֲשֶׁר אֶהְיֶה,  ehyeh ašer ehyeh)