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"wiry" poems
It's elementary, my dear This bittersweet affection that I feel From one boy to the next I grew Ladder rungs of broken hearts First grade Blonde hair and disarming smile Recess games and hallway passes A note in a diary and minutes spent giggling Never talking, always watching Fourth grade Glasses frame of brown hair and thin shoulders Curious enigma to come and go A bit more literate diary entrees One year of crossed legs and shy smiles Fifth grade A growing tree of lean muscle and blue eyes Short brown hair and a charming grin Side by side on a rubber track Gray skies and sweet goodbyes A bright dance floor and a shattered heart Miserable nights and heartbreak songs Seventh grade Long dark hair and chocolate eyes This spring has brought a strange surprise Wiry muscle and soft cheeks Once admired, then adored An ongoing thrum of sweet affection Sidelong glances and gym class stares New discoveries and quiet realization Girl can love girl Tenth grade A firecracker packed with mysterious boys And an enigmatic girl A bomb in the summer sky Spelling new names, new faces, new hearts A whisper of 'I love you' at long last returned Names carved on my ribs and pulling my lips A tightened chest never felt so good
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Sep 11, 2014
Sep 11, 2014 at 9:53 PM UTC
Crush
Im a calm, cool collected cucumber underneath this fandangled, wiry, wrinkled visage. Ive escaped the clutches of the tangled snare of my image. Where and when I belong and to whom is no matter. I pass by groups and clans and grimace inquisitively at thier chatter. To my ears its an alien clamour of clashing egos and look at me's. They'd all be happier in a lonesome cross legged position enjoying the breeze beneath the trees. With ease I float through my day passionately. Expanding and contracting with the waves of existence. I sway indefinitely. Yield to and renounce the question arisen from the back of the mind "what does it mean to be me"
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Apr 24, 2014
Apr 24, 2014 at 12:32 PM UTC
identity
Saturday Sounds like the pattering Of bare feet On a dusty concrete yard, Smells of chimney smoke And jagged coal heath, Sheep-scent and Wiry wool on a barbed fence, Saturday Is a jangly guitar In a rickety truck On a gravel road, With a gravel voice Rough as grit, Deep as the caverns Between the peaks, Saturday Is sunlight on an enamel *** A tin kettle And its blood metal tea, It is blackberry-bitten legs and iodine streams, A canopy of heady bracken Below penny-marked trees, Then Sunday, Slantwise Against the setting sun Away again.
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Jan 12, 2018
Jan 12, 2018 at 6:09 PM UTC
Saturday
I cannot recall you gentle yet through your heavy love I have become an image of your once delicate flesh split with deceitful longings. When strangers come and compliment me your aged spirit takes a bow jingling with pride but once you hid that secret in the center of furies hanging me with deep ******* and wiry hair with your own split flesh and long suffering eyes buried in myths of little worth. But I have peeled away your anger down to the core of love and look mother I Am a dark temple where your true spirit rises beautiful and tough as chestnut stanchion against your nightmare of weakness and if eyes conceal a squadron of conflicting rebellions I learned from you to define myself through your denials audre lorde
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Apr 28, 2018
Apr 28, 2018 at 8:33 PM UTC
Black Mother Woman
I am in levels. Past levels. This deep, intrinsic wonderful lost, the lawlessness of its fascinating expenditure of excite. Pushing through the wild and feral snow-dusted plains and timber ridges. Like red-spotted dots breathing through the cylinders called the spine. This descends into a narrow channel of scantly clad greenish scenery in a time-soaked visionary wilderness of snow, Our crab legs dancing down wiry purple highways, our heads could not even look backwards if we had wanted. Furious, love-latitudes, stalking breaths thwacking fork-ended tongues into a pinkish knot buried into the first layer of organic membrane on this railway of miniature canals, showing. And their pride snuck into the elbows, shooting down each vertebrae as it stepped with great precision every ledge that the currency emphasized. The raw accumulation of stolen heart-beats rattling between the interstices of new fuel careering these red engines. Crashing with exquisite pleasure into one another.
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Apr 26, 2014
Apr 26, 2014 at 4:41 AM UTC
I am in levels. Past levels. this deep intrinsic wonderful lost, the lawlessness of its fascinating expenditure of excite.
THE BABY moon, a canoe, a silver papoose canoe, sails and sails in the Indian west. A ring of silver foxes, a mist of silver foxes, sit and sit around the Indian moon. One yellow star for a runner, and rows of blue stars for more runners, keep a line of watchers. O foxes, baby moon, runners, you are the panel of memory, fire-white writing to-night of the Red Man's dreams. Who squats, legs crossed and arms folded, matching its look against the moon-face, the star-faces, of the West? Who are the Mississippi Valley ghosts, of copper foreheads, riding wiry ponies in the night?-no bridles, love-arms on the pony necks, riding in the night a long old trail? Why do they always come back when the silver foxes sit around the early moon, a silver papoose, in the Indian west?
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6.4k
Early Moon
blood curdles sour milk in a pale blue carton pushing out of wiry veins rotten . the vena cava was never meant to hold ruined plasma just like the world was never meant to hold me.
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Apr 21, 2016
Apr 21, 2016 at 9:58 PM UTC
day 47 of biology
One day Woke up feeling randy No one else was handy What's to do? Get dressed Satisfy the horn With badly acted **** On pay per view Hopes sink Cable's on the blink But twitter lends a helping hand Bang, bang, come and have a gang bang Gain entrance on demand Have a gang bang Come and have a gang bang It's a gang bang Come and have a gang bang Went out Followed the directions Battling erections All the while Red cheeks Granny at the bus stop Let her vision drop Then cracked a smile Half four Knocking at the door It opens and a voice proclaims "Bang, bang, come and have a gang bang We've far too many dames" The host was a sight to see Not far over seventy And wrapped in a silk dressing gown I thought I would walk away But saw that the sky was grey And it star- -ted ******* It down Stepped in Blinded by a deep gloom Ushered to a dark room Curtains shut Deep breath Air is old and musty Carpet feeling crusty Underfoot Sprawled there Women lying bare And fellas with their organs free Bang, bang, cover up your **** **** Regain your decency Pretty gang bang Pretty ****** gang bang ****** gang bang Pretty ****** gang bang Look round Writhing on the ground With squishy little sounds But something's odd Fat lass Itching at her *** crack Isn't that a ball sack? Oh my god! Jaw drops Granny from the bus stop Wearing nothing but a grin Bang, bang, pretty ****** gang bang What ******* let her in? She's nothing but skin and bone With ribs like a xylophone At least several decades too old To use the vernacular It's like bumming Dracula She's wiry She's wizened She's cold Oh (pretty) no ****** Rasping on my **** With fingers like a sock Filled up with ice No (scary) chance (hairy) Giving her the slip My todger's in a grip Just like a vice It (saggy) seems (baggy) Like she's in a dream While scraping with her ancient hand Bang, bang, ****** ****** gang bang My sore and swollen gland Granny bang bang Granny granny gang bang Granny gang bang Granny ***** gang bang Knock, knock Coppers at the door Go crawling on the floor And off at speed What fun Looking at the punters Myriad of munters As they flee'd Cold, wet Drowning in regret With trousers round my knees I stand Bang bang ****** ****** gang bang Next time I'll use my hand Bang bang ****** ****** gang bang Next time I'll use my haaaaaaaaaaaaaaand!
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Feb 22, 2013
Feb 22, 2013 at 3:00 AM UTC
Pretty ****** Gang Bang
One day Woke up feeling randy No one else was handy What's to do? Get dressed Satisfy the horn With badly acted **** On pay per view Hopes sink Cable's on the blink But twitter lends a helping hand Bang, bang, come and have a gang bang Gain entrance on demand Have a gang bang Come and have a gang bang It's a gang bang Come and have a gang bang Went out Followed the directions Battling erections All the while Red cheeks Granny at the bus stop Let her vision drop Then cracked a smile Half four Knocking at the door It opens and a voice proclaims "Bang, bang, come and have a gang bang We've far too many dames" The host was a sight to see Not far over seventy And wrapped in a silk dressing gown I thought I would walk away But saw that the sky was grey And it star- -ted ******* It down Stepped in Blinded by a deep gloom Ushered to a dark room Curtains shut Deep breath Air is old and musty Carpet feeling crusty Underfoot Sprawled there Women lying bare And fellas with their organs free Bang, bang, cover up your **** **** Regain your decency Pretty gang bang Pretty ****** gang bang ****** gang bang Pretty ****** gang bang Look round Writhing on the ground With squishy little sounds But something's odd Fat lass Itching at her *** crack Isn't that a ball sack? Oh my god! Jaw drops Granny from the bus stop Wearing nothing but a grin Bang, bang, pretty ****** gang bang What ******* let her in? She's nothing but skin and bone With ribs like a xylophone At least several decades too old To use the vernacular It's like bumming Dracula She's wiry She's wizened She's cold Oh (pretty) no ****** Rasping on my **** With fingers like a sock Filled up with ice No (scary) chance (hairy) Giving her the slip My todger's in a grip Just like a vice It (saggy) seems (baggy) Like she's in a dream While scraping with her ancient hand Bang, bang, ****** ****** gang bang My sore and swollen gland Granny bang bang Granny granny gang bang Granny gang bang Granny ***** gang bang Knock, knock Coppers at the door Go crawling on the floor And off at speed What fun Looking at the punters Myriad of munters As they flee'd Cold, wet Drowning in regret With trousers round my knees I stand Bang bang ****** ****** gang bang Next time I'll use my hand Bang bang ****** ****** gang bang Next time I'll use my haaaaaaaaaaaaaaand!
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108
o halogen light with CD and cassette holder how your ribs they envelop a promise of symphony as you stand tall and straight like a guard at the gate you relieve all my troubles with your blinding light bubbles you brighten my day keep the shadows away though your color is lightless you make me so nightless your a wiry lifeline steals perception of time how quick the hours fly by i'll never know top of your glow to the tip of my toe your electric insides could frizzle the tides and your mental effect... well... it gives me good rides
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May 6, 2015
May 6, 2015 at 9:11 AM UTC
ODE TO HALOGEN LIGHT WITH CD AND CASETTE HOLDER
Oh cute little thing I like your contour you look pretty funny when you're cold you get these lovely wrinkles especially in the middle region nearly dendritic more like the cracks in the earth and your satchel breathes on its own like a brain if it had lungs for itself but more like an amoebic celestial body squirming around in some primordial goop I think that's pretty cool you're a pink and brown mushroom emerging from a forest of black wiry moss concentrated around you and all growing in your direction almost lifting you up and out and then further away fading the way the water gets clearer above a sand bar and then a great convergence a crashing of two great waves against each other forming a wall of spindly tendrils before the whirlpool
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Oct 7, 2015
Oct 7, 2015 at 8:39 PM UTC
a poem about a wiener and some *****
The poem of the mind in the act of finding What will suffice. It has not always had To find: the scene was set; it repeated what Was in the script. Then the theatre was changed To something else. Its past was a souvenir. It has to be living, to learn the speech of the place. It has to face the men of the time and to meet The women of the time. It has to think about war And it has to find what will suffice. It has To construct a new stage. It has to be on that stage, And, like an insatiable actor, slowly and With meditation, speak words that in the ear, In the delicatest ear of the mind, repeat, Exactly, that which it wants to hear, at the sound Of which, an invisible audience listens, Not to the play, but to itself, expressed In an emotion as of two people, as of two Emotions becoming one. The actor is A metaphysician in the dark, twanging An instrument, twanging a wiry string that gives Sounds passing through sudden rightnesses, wholly Containing the mind, below which it cannot descend, Beyond which it has no will to rise. It must Be the finding of a satisfaction, and may Be of a man skating, a woman dancing, a woman Combing. The poem of the act of the mind.
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3.3k
Of Modern Poetry
From where I'd watched the roses blown Their bodies bent and brightly doused Their forms aroused in wiry crowds Petals pink upon a breeze are thrown about the golden eve Such a fabulous flock, how I envy their flight! How I covet their course, sailing into the night
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Jan 10, 2022
Jan 10, 2022 at 7:00 AM UTC
Roses in the Rain
I kiss you as if to confirm you are here. With me. Not going anywhere. To confirm your presence. I kiss you as I kiss your hands, as I rub your hands, massaging them to make sure they are real. In disbelief, perhaps that it is your hand in mine and that I have the pleasure of holding it. I run my fingers down your back, soft, your arms, sturdy. I clutch a wiry coil of hair, yours, in my fist. I smooth your face. I kiss your face. It is soft. It is safe. It is kind. It is right.
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Nov 20, 2023
Nov 20, 2023 at 8:16 AM UTC
As I lie in bed with you
Twentysomething Emo looks at teenage Emo and laughs. It was something purely aesthetic, with brain chemicals churning and wiry bodies yearning under the guise of straightened bangs and perched beanies, skin tight black outfits parading the dusty grounds of Warped Tour. Twentysomething Emo is the real deal-- lamenting over high school salad days because real life is so unsure, college degrees and full-time jobs, watching friends and lovers come and go in our lives. After a long day of responsibility and groveling, we drive home (or somewhere just as distant) with our emo anthems blaring through the speakers. We scream the songs back at them, truly feeling the words for the first time. I'm the same age as William Beckett, Adam Lazzara, and Pete Wentz when they wrote these songs-- and though the bangs have receded and the jeans have slackened, I am perpetually Emo. The unrequited love and the nearing distant future-- it's come too soon. I hope thirtysomething Emo looks back on my meandering twentysomething Emo and laughs-- as he plays the melancholy tunes pouring out of the speakers with some more of life fading away in his rearview mirror. This town gets smaller every day.
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Jun 12, 2016
Jun 12, 2016 at 12:45 AM UTC
Decennary Emo (A Decade under the Influence)
I go dark Blood pulsing Foot falls fast Furiously Pounding the ground Swimming before me The night beckons As it always does I am not the wolf But I howl With centuries of fury Angry Lost My tribe eons apart My people My truth Bare skin broken Like chords of history Musical and painful Thin and wiry Spirit fiery My ears thud The wheat bends Beneath my pace I am the wind Will not win Nature’s race But the chaff Rises once more Not separated But part of the whole I can fly With no wings I can soar I am the drums So I run The poet The child The native Burnt skin To the edge of the world Around then back again Running And running Always running
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Apr 24, 2015
Apr 24, 2015 at 4:27 PM UTC
Running
Mr McParland; our Primary 4 teacher lived in Newry, Northern Ireland. Not a City in those days, but a dangerous border town. He had wiry hair like a blonde Afro. Pat Jennings; world class goalkeeper for his country, was also born in Newry. Our man claimed to know him, and went to school with the green giant. We believed without reproach. Yours truly; age 6 & 7, in the years of the Hunger Strikes, born in Belfast. I was enthralled because Pat was of another world to kids reared in our divided times. A symbol of hope on an island of doubt.
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May 25, 2015
May 25, 2015 at 6:13 PM UTC
Mr McParland, Pat Jennings and Me
Come, Madam, come, all rest my powers defy, Until I labour, I in labour lie. The foe oft-times having the foe in sight, Is tired with standing though they never fight. Off with that girdle, like heaven's zone glistering, But a far fairer world encompassing. Unpin that spangled breastplate which you wear, That th' eyes of busy fools may be stopped there. Unlace yourself, for that harmonious chime Tells me from you, that now 'tis your bed time. Off with that happy busk, which I envy, That still can be, and still can stand so nigh. Your gown going off, such beauteous state reveals, As when from flowery meads th' hill's shadow steals. Off with that wiry coronet and show The hairy diadem which on you doth grow; Now off with those shoes, and then safely tread In this love's hallowed temple, this soft bed. In such white robes heaven's angels used to be Received by men; thou angel bring'st with thee A heaven like Mahomet's paradise; and though Ill spirits walk in white, we easily know By this these angels from an evil sprite, Those set our hairs, but these our flesh upright. License my roving hands, and let them go Before, behind, between, above, below. O my America, my new found land, My kingdom, safeliest when with one man manned, My mine of precious stones, my empery, How blessed am I in this discovering thee! To enter in these bonds, is to be free; Then where my hand is set, my seal shall be. Full nakedness, all joys are due to thee As souls unbodied, bodies unclothed must be, To taste whole joys. Gems which you women use Are like Atlanta's ***** cast in men's views, That when a fool's eye lighteth on a gem, His earthly soul may covet theirs, not them. Like pictures, or like books' gay coverings made For laymen, are all women thus arrayed; Themselves are mystic books, which only we Whom their imputed grace will dignify Must see revealed. Then since I may know, As liberally, as to a midwife, show Thyself: cast all, yea, this white linen hence, Here is no penance, much less innocence. To teach thee, I am naked first, why then What needst thou have more covering than a man.
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2.2k
To His Mistress Going to Bed
Come, Madam, come, all rest my powers defy, Until I labour, I in labour lie. The foe oft-times having the foe in sight, Is tired with standing though they never fight. Off with that girdle, like heaven's zone glistering, But a far fairer world encompassing. Unpin that spangled breastplate which you wear, That th' eyes of busy fools may be stopped there. Unlace yourself, for that harmonious chime Tells me from you, that now 'tis your bed time. Off with that happy busk, which I envy, That still can be, and still can stand so nigh. Your gown going off, such beauteous state reveals, As when from flowery meads th' hill's shadow steals. Off with that wiry coronet and show The hairy diadem which on you doth grow; Now off with those shoes, and then safely tread In this love's hallowed temple, this soft bed. In such white robes heaven's angels used to be Received by men; thou angel bring'st with thee A heaven like Mahomet's paradise; and though Ill spirits walk in white, we easily know By this these angels from an evil sprite, Those set our hairs, but these our flesh upright. License my roving hands, and let them go Before, behind, between, above, below. O my America, my new found land, My kingdom, safeliest when with one man manned, My mine of precious stones, my empery, How blessed am I in this discovering thee! To enter in these bonds, is to be free; Then where my hand is set, my seal shall be. Full nakedness, all joys are due to thee As souls unbodied, bodies unclothed must be, To taste whole joys. Gems which you women use Are like Atlanta's ***** cast in men's views, That when a fool's eye lighteth on a gem, His earthly soul may covet theirs, not them. Like pictures, or like books' gay coverings made For laymen, are all women thus arrayed; Themselves are mystic books, which only we Whom their imputed grace will dignify Must see revealed. Then since I may know, As liberally, as to a midwife, show Thyself: cast all, yea, this white linen hence, Here is no penance, much less innocence. To teach thee, I am naked first, why then What needst thou have more covering than a man.
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48
I've been told that I'm built like a fencepost Kind of wiry A few knobs here and there A knot or two for character I make a pretty good fence Good at keeping things inside Not letting things out But now my shadow seems leaner Not quite as tall in the morning sun The soil around my feet eroding Drying out isn't all it's cracked up to be Staying straight ain't easy The herd is getting restless And the barbed wire on my back is tearing me up inside. r ~ 7/25/14
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Jul 25, 2014
Jul 25, 2014 at 11:12 PM UTC
Fencepost
It starts like a beige tuft of fibre Protruding from a large burlap sack. As we pull it from the hidden source It gradually reveals itself. Simple and unassuming, A uniform, coloured strand Which we gather up into a tidy ball. Sometimes another strand is tied Onto the one we pull. A different colour? A change of texture? And so we pull that one anew, We build another coil, While the original strand awaits. The interesting new thread, Reveals itself from the hidden reservoir. The fibre slides through our fingers. Slowly, when there is resistance. Quicker, when it comes loosely. Now coarse and wiry Now soft and slippery, Now thick and tufted. Tough Scottish highlands perhaps? Or rural Ontario? Sometimes the hidden source seems like it may be A hand-knit sweater that we are pulling apart. The strands are still kinked and twisted in places, Echoing a memory of a shape it has held for years. We recognize bits here and there too. Colours and textures from our own story. "I had a pair of socks like that." "Remember our scarves from those cold childhood winters?" The collection of small skeins increases. From a sheep's fleece, yes, but now too From Alpaca, camel and rabbit. Cashmere from Pashmina goats in Nepal? But at last the final strand comes free. You feel the weight of the coiled wool, And see the diversity of the colours. And for each coil We remember again how it appeared How it felt. How the strands Came together And apart.
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Aug 12, 2013
Aug 12, 2013 at 10:13 AM UTC
Of Alice Munro's Short Stories
How does the panda become so blue? Electric like the wiry hairs at the base of my spine, you know, my tail. And that man, her father, just wouldn’t leave her alone. What a great job he had done, to usher such a wonderful child into the age of darkness. The red-eye rush fully in effect, buns in the oven, hearts open, and dreams wide awake. Your tail was moving with focus, as your delicate hands shaped a pie, of lovely proportions, which hit all the right spots. When will you be off? Just in time to miss mourning traffic, on your way home (to my mind). Those rings under your eyes are beautiful under these fluorescent lights, and i can’t keep my eyes off your slender panda-tude, wishing i would awake underneath your electric covers. You and i aren’t so different, but tonight, and the next we won’t ever know that.
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Jun 24, 2014
Jun 24, 2014 at 10:59 AM UTC
Electric Bleu Panda Love
It's easy to write about warm people. It's simple to just let their love and compassion flow effortlessly out into the world. They stumble upon the perfect one, THE one, and fall in love even if they don't know it. And for a while they don't, because that's the beauty of it. They don't know, and then suddenly they do and they realize that they're complete and whole now, that they've found someone who fills the cracks in their soul. It would not be so easy to write about someone who flat out refuses to admit that they are not already complete. Then he appeared. I couldn't see him, but I knew he was there. Oh, this is a game then, I thought. I'll see what I can figure out about you. I'm Isaac. I heard it so loud and clear. Shivering, I whispered, nice to meet you, Isaac. I let images flash through my mind as though I was trying to settle on the one that fit the personality walking at my heels. He's blonde. Which is odd. My characters aren't usually blonde. But he's blonde in a way that he can hide. At first I thought he'd walk slowly, shuffling his feet as though he was so focused on what was inside his mind that outside of it his coordination was all off. But then I realized he was keeping up with me, and I am quite a brisk walker. Isaac is one of those people who builds walls. He doesn't know it, but he does it. Everyone else notices. They notice, but they don't care. The only time people run into his walls are when they try to complement him on his playing. Oh, did I mention he's a musician? That's why he's built the walls. As of now, I'm pretty sure he's a violinist. But anyway, when people compliment him, try to tell him how the ways he plays that violin opened a well of feelings within them that they didn't know existed, he stares blankly. They blink, thank him again, and hurry off, wondering if the reason his blue eyes were so confused was that they'd lost their ocean of feeling to the music. I wanted him to be chubby, perched somewhere on the border of adorable baby fat and visibly out of shape. But his shadow behind me is tall and bony. Not athletic, not chiseled or lean, just wiry. All sinew and nerves. Like when he plays, he might rip. Then I'm home. Mom calls down stairs and asks how my day was. It was fine. Boring. I know I left Isaac outside, but he doesn't want to come in. So it's okay.
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Jun 20, 2013
Jun 20, 2013 at 12:25 AM UTC
Out of Character
It's easy to write about warm people. It's simple to just let their love and compassion flow effortlessly out into the world. They stumble upon the perfect one, THE one, and fall in love even if they don't know it. And for a while they don't, because that's the beauty of it. They don't know, and then suddenly they do and they realize that they're complete and whole now, that they've found someone who fills the cracks in their soul. It would not be so easy to write about someone who flat out refuses to admit that they are not already complete. Then he appeared. I couldn't see him, but I knew he was there. Oh, this is a game then, I thought. I'll see what I can figure out about you. I'm Isaac. I heard it so loud and clear. Shivering, I whispered, nice to meet you, Isaac. I let images flash through my mind as though I was trying to settle on the one that fit the personality walking at my heels. He's blonde. Which is odd. My characters aren't usually blonde. But he's blonde in a way that he can hide. At first I thought he'd walk slowly, shuffling his feet as though he was so focused on what was inside his mind that outside of it his coordination was all off. But then I realized he was keeping up with me, and I am quite a brisk walker. Isaac is one of those people who builds walls. He doesn't know it, but he does it. Everyone else notices. They notice, but they don't care. The only time people run into his walls are when they try to complement him on his playing. Oh, did I mention he's a musician? That's why he's built the walls. As of now, I'm pretty sure he's a violinist. But anyway, when people compliment him, try to tell him how the ways he plays that violin opened a well of feelings within them that they didn't know existed, he stares blankly. They blink, thank him again, and hurry off, wondering if the reason his blue eyes were so confused was that they'd lost their ocean of feeling to the music. I wanted him to be chubby, perched somewhere on the border of adorable baby fat and visibly out of shape. But his shadow behind me is tall and bony. Not athletic, not chiseled or lean, just wiry. All sinew and nerves. Like when he plays, he might rip. Then I'm home. Mom calls down stairs and asks how my day was. It was fine. Boring. I know I left Isaac outside, but he doesn't want to come in. So it's okay.
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9
How oft, when thou, my music, music play’st, Upon that blessèd wood whose motion sounds With thy sweet fingers when thou gently sway’st The wiry concord that mine ear confounds, Do I envy those jacks that nimble leap To kiss the tender inward of thy hand, Whilst my poor lips, which should that harvest reap, At the wood’s boldness by thee blushing stand! To be so tickled, they would change their state And situation with those dancing chips O’er whom thy fingers walk with gentle gait, Making dead wood more blest than living lips. Since saucy jacks so happy are in this, Give them thy fingers, me thy lips to kiss.
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1.9k
Sonnet 128: How Oft, When Thou, My Music, Music Play’st
Risen sensibility when it came to living life Wiry tendencies to fall before a savior appears in the split second of your head coinciding with the concrete to catch you You live too fast, you cannot die A case of immortality floating through the blue and black veins pumping blood to your weary heart Turbulent tremors beat the pallor right out of your personality Trying to turn back time and see who's fault lies within the deficiencies of your relationship Could it have been the haughty reactions to every novel he wept at? Though inside he was deeply troubled by death and it's casualties in his life? Could it have been the musk that owned his scent, one you used to crave but now repulsed? Pine needles spiked within your perfume drove him off the cliff And mood-congruent memory proves it's theories You are gravely broken inside your chest All you feel is anger for the boy that clipped the wings off of the butterflies that carried you And replaced them with ****** tears sewn together with cheating and dishonesty Irritable noises clamor inside your ears Reverberating throughout your whole body Shaking, like an earthquake, involuntary Clangorous echoing of negativity is constant Unshakable, ineffable, suffocating Your disheartened recollections resonating with your adverse quality of letting go Could it be, a silly girl like you fell for a manic depressive like him? Or did the silly boy fall for the manic depressive girl? Mood-congruent memory, flowing back in streams of discontent and remorse Ambiguous reasonings and faulty evidence collide with your incoming tears He was not, the problem (You were)
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Jan 28, 2014
Jan 28, 2014 at 12:24 AM UTC
Mood-Congruent Memory
Risen sensibility when it came to living life Wiry tendencies to fall before a savior appears in the split second of your head coinciding with the concrete to catch you You live too fast, you cannot die A case of immortality floating through the blue and black veins pumping blood to your weary heart Turbulent tremors beat the pallor right out of your personality Trying to turn back time and see who's fault lies within the deficiencies of your relationship Could it have been the haughty reactions to every novel he wept at? Though inside he was deeply troubled by death and it's casualties in his life? Could it have been the musk that owned his scent, one you used to crave but now repulsed? Pine needles spiked within your perfume drove him off the cliff And mood-congruent memory proves it's theories You are gravely broken inside your chest All you feel is anger for the boy that clipped the wings off of the butterflies that carried you And replaced them with ****** tears sewn together with cheating and dishonesty Irritable noises clamor inside your ears Reverberating throughout your whole body Shaking, like an earthquake, involuntary Clangorous echoing of negativity is constant Unshakable, ineffable, suffocating Your disheartened recollections resonating with your adverse quality of letting go Could it be, a silly girl like you fell for a manic depressive like him? Or did the silly boy fall for the manic depressive girl? Mood-congruent memory, flowing back in streams of discontent and remorse Ambiguous reasonings and faulty evidence collide with your incoming tears He was not, the problem (You were)
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26
Bohemian goddesses stalking the coffeehouse All wiry hair and flowing skirts Points of view and opinions and self worth How her soul craved to join them Don headbands and sandals and learn to be like them To play the bongos and be part of natures and kove what’s real She wanted to feel her soul in the mass joining of the human spirit She envisioned it, and it was beautiful.
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May 19, 2010
May 19, 2010 at 7:11 PM UTC
surrounding momma cedar
Solar flares, deep space chambermaid stabbing her molten mop in contempt. There are so many squares that field her space, sifted afire. Tearing out rays of her hair to be, and be beautiful...to see her strands descending lit, the stress level of an unforgettable goddess. She yearns head-over-heels, burns out her core with blinding reason. Not once was she afforded a mirror to know her space. Wiry stick figures subsist under her--fatalistically emotive. Summed up, as water broken, transparent as the life seen through. What pagan rite has shimmied out her soul, what serpent slid her warmth sane? Do not site dawn or dusk, mistake her outer life for an inner one! Do not presume the burden of her focal point, her light hangs overhead swaying interrogation. Caught perfectly for Platonic cave or other... in utero, her light a stillborn beauty--as alive as ever once away from her. She's up, burning...console her, her blood is boiling-- she wants to be accounted for, to outgrow that coo. Only to surprise once and for all a stone's underbelly.
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Nov 9, 2013
Nov 9, 2013 at 10:57 AM UTC
Unforgettable Goddess