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Mike T Minehan Nov 2012
Whatever you do, keep smiling.
Be nice to everyone and stand up for your rights.
There are many paths to the top of the mountain
but few of them are on the map.
Keep running, never give up,
and watch out for the seriously weird.
Avoid psychopaths, if you can recognize them,
be polite to witches and warlocks, eschew cannibals,
beware of the hippopotamus in heat,
don’t drink the second bottle when dancing the Funky Chicken,
and only massage someone without
pimples or hairy legs.
Never give up and keep smiling.
It's a hard life, it's a beautiful world, life's a *****,
it's great to be alive, life is nasty, brutish and short,
don’t give up and keep smiling.
Everyone is a guru but ignorance is everywhere,
and don't mix hallucinogens with depressants.
If someone tells you that they're honest,
treat them with the greatest suspicion.
Live to the limits, we're only alive once,
and that's just as well, because
imagine if people you didn't like were immortal.
Keep smiling, never give up,
always hawk to windward,
and never leave your underpants or ******* behind.
Everyone's equal but only the strong survive,
especially when they take from the weak
because what you seize is what you get.
The meek shall inherit the earth,
but the earth that they inherit will be of
poor quality with no mineral deposits.
Party lots, work hard, never give up, and keep smiling.
Don't work so hard you don't enjoy yourself,
remember that the bird is on the wing,
then it falls off its perch and becomes
a miserable pile of feathers and feet.
The fast lane is the best lane
but it's very smooth and slippery
and there are no road rules.
Watch out for lawyers. Seriously.
They put the devil in the details
while their hand is in your wallet.
Everything comes to you if only you can wait,
but this takes too long.
Clean your teeth, obey authority,
except for arrogant *******,
and don't forget that love and pleasure are
most important, despite what anybody else says.
When you panic, other people will panic,
which is good, because
in this confusion, you can make your escape.

Mike T Minehan
‘Nam Sibyllam quidem Cumis ego ipse oculis meis
vidi in ampulla pendere, et *** illi pueri dicerent:
Sibylla ti theleis; respondebat illa: apothanein thelo.’

                For Ezra Pound
                il miglior fabbro


I. The Burial of the Dead

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.
And when we were children, staying at the archduke’s,
My cousin’s, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.

What are the roots that clutch, what branches grow
Out of this stony *******? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.
            Frisch weht der Wind
            Der Heimat zu
            Mein Irisch Kind,
            Wo weilest du?
‘You gave me hyacinths first a year ago;
‘They called me the hyacinth girl.’
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Oed’ und leer das Meer.

Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.

Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying ‘Stetson!
‘You who were with me in the ships at Mylae!
‘That corpse you planted last year in your garden,
‘Has it begun to sprout? Will it bloom this year?
‘Or has the sudden frost disturbed its bed?
‘Oh keep the Dog far hence, that’s friend to men,
‘Or with his nails he’ll dig it up again!
‘You! hypocrite lecteur!—mon semblable,—mon frère!’

II. A Game of Chess

The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid—troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
‘Jug Jug’ to ***** ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.

‘My nerves are bad to-night. Yes, bad. Stay with me.
‘Speak to me. Why do you never speak. Speak.
‘What are you thinking of? What thinking? What?
‘I never know what you are thinking. Think.’

I think we are in rats’ alley
Where the dead men lost their bones.

‘What is that noise?
                          The wind under the door.
‘What is that noise now? What is the wind doing?’
                    Nothing again nothing.
                                                    ‘Do
‘You know nothing? Do you see nothing? Do you remember
‘Nothing?’

    I remember
Those are pearls that were his eyes.
‘Are you alive, or not? Is there nothing in your head?’
                                                     But
O O O O that Shakespeherian Rag—
It’s so elegant
So intelligent
‘What shall I do now? What shall I do?’
I shall rush out as I am, and walk the street
‘With my hair down, so. What shall we do to-morrow?
‘What shall we ever do?’
                             The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.

When Lil’s husband got demobbed, I said—
I didn’t mince my words, I said to her myself,
hurry up please its time
Now Albert’s coming back, make yourself a bit smart.
He’ll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can’t bear to look at you.
And no more can’t I, I said, and think of poor Albert,
He’s been in the army four years, he wants a good time,
And if you don’t give it him, there’s others will, I said.
Oh is there, she said. Something o’ that, I said.
Then I’ll know who to thank, she said, and give me a straight look.
hurry up please its time
If you don’t like it you can get on with it, I said.
Others can pick and choose if you can’t.
But if Albert makes off, it won’t be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.)
I can’t help it, she said, pulling a long face,
It’s them pills I took, to bring it off, she said.
(She’s had five already, and nearly died of young George.)
The chemist said it would be alright, but I’ve never been the same.
You are a proper fool, I said.
Well, if Albert won’t leave you alone, there it is, I said,
What you get married for if you don’t want children?
hurry up please its time
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
hurry up please its time
hurry up please its time
Goonight Bill. Goonight Lou. Goonight May. Goonight.
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.

III. The Fire Sermon

The river’s tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of city directors;
Departed, have left no addresses.
By the waters of Leman I sat down and wept . . .
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.

A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse
Musing upon the king my brother’s wreck
And on the king my father’s death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat’s foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter
They wash their feet in soda water
Et O ces voix d’enfants, chantant dans la coupole!

Twit twit twit
Jug jug jug jug jug jug
So rudely forc’d.
Tereu

Unreal City
Under the brown fog of a winter noon
Mr. Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants
C.i.f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.

At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female *******, can see
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun’s last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
He, the young man carbuncular, arrives,
A small house agent’s clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence;
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit . . .

She turns and looks a moment in the glass,
Hardly aware of her departed lover;
Her brain allows one half-formed thought to pass:
‘Well now that’s done: and I’m glad it’s over.’
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.

‘This music crept by me upon the waters’
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street,
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.

      The river sweats
      Oil and tar
      The barges drift
      With the turning tide
      Red sails
      Wide
      To leeward, swing on the heavy spar.
      The barges wash
      Drifting logs
      Down Greenwich reach
      Past the Isle of Dogs.
                  Weialala leia
                  Wallala leialala

      Elizabeth and Leicester
      Beating oars
      The stern was formed
      A gilded shell
      Red and gold
      The brisk swell
      Rippled both shores
      Southwest wind
      Carried down stream
      The peal of bells
      White towers
                  Weialala leia
                  Wallala leialala

‘Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe.’
‘My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised ‘a new start’.
I made no comment. What should I resent?’
‘On Margate Sands.
I can connect
Nothing with nothing.
The broken fingernails of ***** hands.
My people humble people who expect
Nothing.’
              la la

To Carthage then I came

Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest

burning

IV. Death by Water

Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
                                A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
                               Gentile or Jew
O you who turn the wheel and look to windward,
Consider Phlebas, who was once handsome and tall as you.

V. What the Thunder Said

After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience

Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock wi
An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

A Norman tower, with moss and lichen clothed,
Wherein old bells, on old worm-eaten frames
And rusty wheels, had swung for centuries,
Chiming the same soft chime—the lullaby
Of cradled rooks and blinking bats and owls;
Setting the same sweet tune, from year to year,
For generations of true hearts to sing.
A wide churchyard, with grassy slopes and nooks,
And shady corners and meandering paths;
With glimpses of dim windows and grey walls
Just caught at here and there amongst the green
Of flowering shrubs and sweet lime-avenues.
An old house standing near—a parsonage-house—
With broad thatched roof and overhanging eaves,
O'errun with banksia roses,—a low house,
With ivied windows and a latticed porch,
Shut in a tiny Paradise, all sweet
With hum of bees and scent of mignonette.

We lay our lazy length upon the grass
In that same Paradise, my friend and I.
And, as we lay, we talked of college days—
Wild, racing, hunting, steeple-chasing days;
Of river reaches, fishing-grounds, and weirs,
Bats, gloves, debates, and in-humanities:
And then of boon-companions of those days,
How lost and scattered, married, changed, and dead;
Until he flung his arm across his face,
And feigned to slumber.
He was changed, my friend;
Not like the man—the leader of his set—
The favourite of the college—that I knew.
And more than time had changed him. He had been
“A little wild,” the Lady Alice said;
“A little gay, as all young men will be
At first, before they settle down to life—
While they have money, health, and no restraint,
Nor any work to do,” Ah, yes! But this
Was mystery unexplained—that he was sad
And still and thoughtful, like an aged man;
And scarcely thirty. With a winsome flash,
The old bright heart would shine out here and there;
But aye to be o'ershadowed and hushed down,

As he had hushed it now.
His dog lay near,
With long, sharp muzzle resting on his paws,
And wistful eyes, half shut,—but watching him;
A deerhound of illustrious race, all grey
And grizzled, with soft, wrinkled, velvet ears;
A gaunt, gigantic, wolfish-looking brute,
And worth his weight in gold.
“There, there,” said he,
And raised him on his elbow, “you have looked
Enough at me; now look at some one else.”

“You could not see him, surely, with your arm
Across your face?”
“No, but I felt his eyes;
They are such sharp, wise eyes—persistent eyes—
Perpetually reproachful. Look at them;
Had ever dog such eyes?”
“Oh yes,” I thought;
But, wondering, turned my talk upon his breed.
And was he of the famed Glengarry stock?
And in what season was he entered? Where,
Pray, did he pick him up?
He moved himself
At that last question, with a little writhe
Of sudden pain or restlessness; and sighed.
And then he slowly rose, pushed back the hair
From his broad brows; and, whistling softly, said,
“Come here, old dog, and we will tell him. Come.”

“On such a day, and such a time, as this,
Old Tom and I were stalking on the hills,
Near seven years ago. Bad luck was ours;
For we had searched up corrie, glen, and burn,
From earliest daybreak—wading to the waist
Peat-rift and purple heather—all in vain!
We struck a track nigh every hour, to lose
A noble quarry by ignoble chance—
The crowing of a grouse-****, or the flight
Of startled mallards from a reedy pool,
Or subtle, hair's breadth veering of the wind.
And now 'twas waning sunset—rosy soft

On far grey peaks, and the green valley spread
Beneath us. We had climbed a ridge, and lay
Debating in low whispers of our plans
For night and morning. Golden eagles sailed
Above our heads; the wild ducks swam about

Amid the reeds and rushes of the pools;
A lonely heron stood on one long leg
In shallow water, watching for a meal;
And there, to windward, couching in the grass
That fringed the blue edge of a sleeping loch—
Waiting for dusk to feed and drink—there lay
A herd of deer.
“And as we looked and planned,
A mountain storm of sweeping mist and rain
Came down upon us. It passed by, and left
The burnies swollen that we had to cross;
And left us barely light enough to see
The broad, black, branching antlers, clustering still
Amid the long grass in the valley.

“‘Sir,’
Said Tom, ‘there is a shealing down below,
To leeward. We might bivouac there to-night,
And come again at dawn.’
“And so we crept
Adown the glen, and stumbled in the dark
Against the doorway of the keeper's home,
And over two big deerhounds—ancestors
Of this our old companion. There was light
And warmth, a welcome and a heather bed,
At Colin's cottage; with a meal of eggs
And fresh trout, broiled by dainty little hands,
And sweetest milk and oatcake. There were songs
And Gaelic legends, and long talk of deer—
Mixt with a sweet, low laughter, and the whir
Of spinning-wheel.
“The dogs lay at her feet—
The feet of Colin's daughter—with their soft
Dark velvet ears pricked up for every sound
And movement that she made. Right royal brutes,
Whereon I gazed with envy.
“ ‘What,’ I asked,
‘Would Colin take for these?’
“ ‘Eh, sir,’ said he,
And shook his head, ‘I cannot sell the dogs.
They're priceless, they, and—Jeanie's favourites.
But there's a litter in the shed—five pups,
As like as peas to this one. You may choose
Amongst them, sir—take any that you like.
Get us the lantern, Jeanie. You shall show
The gentleman.’
“Ah, she was fair, that girl!

Not like the other lassies—cottage folk;
For there was subtle trace of gentle blood
Through all her beauty and in all her ways.
(The mother's race was ‘poor and proud,’ they said).
Ay, she was fair, my darling! with her shy,
Brown, innocent face and delicate-shapen limbs.
She had the tenderest mouth you ever saw,
And grey, dark eyes, and broad, straight-pencill'd brows;
Dark hair, sun-dappled with a sheeny gold;
Dark chestnut braids that knotted up the light,
As soft as satin. You could scarcely hear
Her step, or hear the rustling of her gown,
Or the soft hovering motion of her hands
At household work. She seemed to bring a spell
Of tender calm and silence where she came.
You felt her presence—and not by its stir,
But by its restfulness. She was a sight
To be remembered—standing in the straw;
A sleepy pup soft-cradled in her arms
Like any Christian baby; standing still,
The while I handled his ungainly limbs.
And Colin blustered of the sport—of hounds,
Roe, ptarmigan, and trout, and ducal deer—
Ne'er lifting up that sweet, unconscious face,
To see why I was silent. Oh, I would
You could have seen her then. She was so fair,
And oh, so young!—scarce seventeen at most—
So ignorant and so young!
“Tell them, my friend—
Your flock—the restless-hearted—they who scorn
The ordered fashion fitted to our race,
And scoff at laws they may not understand—
Tell them that they are fools. They cannot mate
With other than their kind, but woe will come
In some shape—mostly shame, but always grief
And disappointment. Ah, my love! my love!
But she was different from the common sort;
A peasant, ignorant, simple, undefiled;
The child of rugged peasant-parents, taught
In all their thoughts and ways; yet with that touch
Of tender grace about her, softening all
The rougher evidence of her lowly state—
That undefined, unconscious dignity—
That delicate instinct for the reading right
The riddles of less simple minds than hers—
That sharper, finer, subtler sense of life—
That something which does not possess a name,

Which made her beauty beautiful to me—
The long-lost legacy of forgotten knights.

“I chose amongst the five fat creeping things
This rare old dog. And Jeanie promised kind
And gentle nurture for its infant days;
And promised she would keep it till I came
Another year. And so we went to rest.
And in the morning, ere the sun was up,
We left our rifles, and went out to run
The browsing red-deer with old Colin's hounds.
Through glen and bog, through brawling mountain streams,
Grey, lichened boulders, furze, and juniper,
And purple wilderness of moor, we toiled,
Ere yet the distant snow-peak was alight.
We chased a hart to water; saw him stand
At bay, with sweeping antlers, in the burn.
His large, wild, wistful eyes despairingly
Turned to the deeper eddies; and we saw
The choking struggle and the bitter end,
And cut his gallant throat upon the grass,
And left him. Then we followed a fresh track—
A dozen tracks—and hunted till the noon;
Shot cormorants and wild cats in the cliffs,
And snipe and blackcock on the ferny hills;
And set our floating night-lines at the loch;—
And then came back to Jeanie.
“Well, you know
What follows such commencement:—how I found
The woods and corries round about her home
Fruitful of roe and red-deer; how I found
The grouse lay thickest on adjacent moors;
Discovered ptarmigan on rocky peaks,
And rare small game on birch-besprinkled hills,
O'ershadowing that rude shealing; how the pools
Were full of wild-fowl, and the loch of trout;
How vermin harboured in the underwood,
And rocks, and reedy marshes; how I found
The sport aye best in this charmed neighbourhood.
And then I e'en must wander to the door,
To leave a bird for Colin, or to ask
A lodging for some stormy night, or see
How fared my infant deerhound.
“And I saw
The creeping dawn unfolding; saw the doubt,
And faith, and longing swaying her sweet heart;
And every flow just distancing the ebb.

I saw her try to bar the golden gates
Whence love demanded egress,—calm her eyes,
And still the tender, sensitive, tell-tale lips,
And steal away to corners; saw her face
Grow graver and more wistful, day by day;
And felt the gradual strengthening of my hold.
I did not stay to think of it—to ask
What I was doing!
“In the early time,
She used to slip away to household work
When I was there, and would not talk to me;
But when I came not, she would climb the glen
In secret, and look out, with shaded brow,
Across the valley. Ay, I caught her once—
Like some young helpless doe, amongst the fern—
I caught her, and I kissed her mouth and eyes;
And with those kisses signed and sealed our fate
For evermore. Then came our happy days—
The bright, brief, shining days without a cloud!
In ferny hollows and deep, rustling woods,
That shut us in and shut out all the world—
The far, forgotten world—we met, and kissed,
And parted, silent, in the balmy dusk.
We haunted still roe-coverts, hand in hand,
And murmured, under our breath, of love and faith,
And swore great oaths for one of us to keep.
We sat for hours, with sealèd lips, and heard
The crossbill chattering in the larches—heard
The sweet wind whispering as it passed us by—
And heard our own hearts' music in the hush.
Ah, blessed days! ah, happy, innocent days!—
I would I had them back.
“Then came the Duke,
And Lady Alice, with her worldly grace
And artificial beauty—with the gleam
Of jewels, and the dainty shine of silk,
And perfumed softness of white lace and lawn;
With all the glamour of her courtly ways,
Her talk of art and fashion, and the world
We both belonged to. Ah, she hardened me!
I lost the sweetness of the heathery moors
And hills and quiet woodlands, in that scent
Of London clubs and royal drawing-rooms;
I lost the tender chivalry of my love,
The keen sense of its sacredness, the clear
Perception of mine honour, by degrees,
Brought face to face with customs of my kind.

I was no more a “man;” nor she, my love,
A delicate lily of womanhood—ah, no!
I was the heir of an illustrious house,
And she a simple, homespun cottage-girl.

“And now I stole at rarer intervals
To those dim trysting woods; and when I came
I brought my cunning worldly wisdom—talked
Of empty forms and marriages in heaven—
To stain that simple soul, God pardon me!
And she would shiver in the stillness, scared
And shocked, with her pathetic eyes—aye proof
Against the fatal, false philosophy.
But my will was the strongest, and my love
The weakest; and she knew it.
“Well, well, well,
I need not talk of that. There came the day
Of our last parting in the ferny glen—
A bitter parting, parting from my life,
Its light and peace for ever! And I turned
To ***** and billiards, politics and wine;
Was wooed by Lady Alice, and half won;
And passed a feverous winter in the world.
Ah, do not frown! You do not understand.
You never knew that hopeless thirst for peace—
That gnawing hunger, gnawing at your life;
The passion, born too late! I tell you, friend,
The ruth, and love, and longing for my child,
It broke my heart at last.
“In the hot days
Of August, I went back; I went alone.
And on old garrulous Margery—relict she
Of some departed seneschal—I rained
My eager questions. ‘Had the poaching been
As ruinous and as audacious as of old?
Were the dogs well? and had she felt the heat?
And—I supposed the keeper, Colin, still
Was somewhere on the place?’
“ ‘Nay, sir,’; said she,
‘But he has left the neighbourhood. He ne'er
Has held his head up since he lost his child,
Poor soul, a month ago.’
“I heard—I heard!
His child—he had but one—my little one,
Whom I had meant to marry in a week!

“ ‘Ah, sir, she turned out badly after all,
The girl we thought a pattern for all girls.
We know not how it happened, for she named
No names. And, sir, it preyed upon her mind,
And weakened it; and she forgot us all,
And seemed as one aye walking in her sleep
She noticed no one—no one but the dog,
A young deerhound that followed her about;
Though him she hugged and kissed in a strange way
When none was by. And Colin, he was hard
Upon the girl; and when she sat so still,
And pale and passive, while he raved and stormed,
Looking beyond him, as it were, he grew
The harder and more harsh. He did not know
That she was not herself. Men are so blind!
But when he saw her floating in the loch,
The moonlight on her face, and her long hair
All tangled in the rushes; saw the hound
Whining and crying, tugging at her plaid—
Ah, sir, it was a death-stroke!’
“This was all.
This was the end of her sweet life—the end
Of all worth having of mine own! At night
I crept across the moors to find her grave,
And kiss the wet earth covering it—and found
The deerhound lying there asleep. Ay me!
It was the bitterest darkness,—nevermore
To break out into dawn and day again!

“And Lady Alice shakes her dainty head,
Lifts her arch eyebrows, smiles, and whispers, “Once
He was a little wild!’ ”
With that he laughed;
Then suddenly flung his face upon the grass,
Crying, “Leave me for a little—let me be!”
And in the dusky stillness hugged his woe,
And wept away his pas
Kendall Mallon Feb 2013
A man sat upon a pub stool stroking his
ginger beard while grasping a pint with his
other hand; an elderly gent sat down next to
him; this older man saw the ginger bearded
fellow’s pint was quite ne’r the bottom

A woman with eyes of amber and hair like
chestnut strolled through a vineyard amongst
the ripening grapes full of juice soon to become
wine she clutched a notebook—behind black
covers lay ideas and sketches on how to bring
the world to a more natural state; balancing
the wonders and benefits of technology with
the beauty and sanctity of the natural world

When the ginger bearded man finished
the last bit of his pint another appeared
before him—courtesy of the old man,
“Notice you got the mark of a man accustom
to the seas,” said the old man gesturing to
the black and blue compass rose inscribed
in a ship’s helm, imbedded into the back
of the ginger bearded man’s right hand.

“I have crewed and skippered a many fine
vessel, but I am giving up the sea. I have
one last voyage left in me—to my home.”

“Aye the sea can be cold and harsh,
but she captures me heart. To where
are ye headed for home, there son?”

“’tis not a where, ‘tis a who. Sets of events
have lead to separate from me my wife. I
have been traveling for  five years waiting
to be in her embrace. The force of the sea,
she, is a cruel one for at every tack, or gybe
I am thrown off my course to stranger and
stranger lands… I have gone to the rotunda
of hell and the gates of the so called heaven.
I have struck deals, and  made bets only a
gambling addict would accept. All to just be
with her. I am homesick—she is my home; it
doesn’t matter where—physically—we are
my home is with her. I was told to come to the
clove of Cork and wait, wait for a man, but I
was not told anything about this man only that
I must return him this,” the ginger bearded man
held out a silver pocket watch with a frigate
engraved on the front and two roses sharing a
stem swirling on the back upon themselves.

“Can it be? ‘tis my watch t’at me fat’er gave
me before he died… I lost t’is at sea many a
year ago; it left me heartbroken. For ‘twas me
only lasting memory of him… Come to t’ink
I was told by a beggar in the streets, I do not
remember how long ago, but it has been many
a years, t’at I would meet a man with something
very dear to me, and I would take this man on
a journey, and this man would have the mark
of a sailor. What is ye name? Can it be…?”

“My name is Lysseus dear old man—it seems
the Sea is holding up her bargain—though a
little late... do you have a ship that can fair to
Rome? All across this land, none a skipper will
uptake my plea; they fear the wrath of the sea.
If they have no fear, they claim my home ‘is not
on their routes…’ ‘tis a line I’ve heard too often;
I would purchase a boat, but the sea, she, has
robbed me identity and equity; I’m at her mercy.”

Penny with her rich chestnut hair sat on a fountain
in a piazza—her half empty heart longing to feel
the presence of the Lysseus and stroke his ginger
beard… everyday she would look out at the sea;
where she saw him leave port—five long years ago…

All said she should give up; that he
was dead by now—his ship (what
was left) was found amidst the rocks
of Cape Horn, but she knew there was
hope, she should feel deep inside her
soul he is alive somewhere fighting to
return home. Never would she leave;
never would she abandon her post.
She made that promise five years ago
as he set out on his ‘last’ sail off shore.
And she would be ****** before she
broke her promise—a promise of the
heart; a promise of love. He said, “You
are my lighthouse; your love will guide
me home—keep me from danger. As
long as you remain my lighthouse I will
forever be able to return home—to you.”

Off from Crosshaven the old man took
steadfast Lysseus en route to his home.
Grey Irish skies turned blue as they made
their way out on the Celtic Sea, southeast,
to the Straight of Gibraltar; gentle cold
spray moistened his ginger beard, his
tattooed hands grasped the helm—his
resolute stare kept the two on course.

It was a shame to the old man that this
would be Lysseus’ final voyage—he was
the best crew the man had known; he
was  not sure if it was just the character
of the  fellow or his personal desire to
return  home after five long, salty-cold,
years being a slave to the sea and her
changing whim—never had he seen his
ship sail as fast as he did when Lysseus
was his crew—each sail trimmed perfectly,
easing  the sheets fractions of an inch to
gain just the slightest gain in speed; the
sight warmed the heart of the old man.

The old man mused: maybe this is the
reason the sea has fought so hard and
lied to keep Lysseus from returning
home… she could not bear to lose such
fine a sailor from her expanses—she
is known to be a jealous mistress…

The old man, as he smoked his pipe, sat on
the back pulpit staring at Lysseus’ passion
to return home, as he calls her. But for all
his will and passion the, old man had to
insist for the fellow to rest; otherwise he
would go mad without sleep; reluctantly he
would retire below deck, but the old man
doubted the amount of rest he actually
acquired in those moments out of his sight.

The seas were calm as open water can be,
rolling swells rocked and pushed the vessel
forward. The Straight of Gibraltar opened
up on the horizon like a threshold—a major
land mark for the Lysseus; he was closer to
home than he had been in five long, salty,
years. His limbo was starting to fade, his
heart slowly—for the first time since he left
port—was beginning to feel whole again.
The Mediterranean Sea—his final sea—he
would not miss the gleam of his lighthouse…

The closer they sailed to Rome, he could sense a
change in the water, a change in the weather; clouds
grew darker and bellowed like gluttonous bulbs. As
he feared, the Sea was breaking her promise—she
was not done with him yet. She could not let him
return home—the jealous temptress who has ruined
many a fine men—the least honest of all the elements.

“I see she ain’t done wit’ ye yet,” said
the old man. Surveying the dark, grey,
clouded noon-day sky from the bow pulpit.

“Nothing will keep me from reaching home; even if I
have to swim the final nautical miles. I will not let the
Sea break her deal; I will make her keep at least one of
her deals. My love is stronger than her forces. That I
know for certain. That I know beyond doubt.” Such
cried Lysseus out to the darkening sea and old man.

As if on cue—waiting for Lysseus to finish
his soliloquy—the clouds let out a deafening
cacophony of thunder cracks rolling through
the heavens towards their vessel. Lighting
grounded on the horizon around them creating
a cage of light and electricity. The gentle rolling
swells grew in stature with every cracking
second. The bow smacked and dove into on
coming waves; drenching both Lysseus and
the old man; with each flood of water over
the deck. The swells grew to such heights the
horizon transformed into dark clouds and
white peaked waves merging with the sky.

A wave crashed over the windward side of
the ship, the force of it cracked the base at
which the compass stood fastened to the deck
of the cockpit a larger wave hit abeam further
loosening the compass from its purchase; with
the angle of the ship and the rise and fall in the
waves it was all Lysseus could to do hold on
and watch the Sea slowly take the ship’s
navigation instrument into Her dark cold depths…

“Oh why do you curse me you foul tempest?
Cannot you see all I desire is to return to my
home!? I have done all you asked; I have
played all your games and won! now it is my
turn now—time for you to play by my rules!”
Lysseuc beckoned the old man to seek refuge
below deck—he would sail them through the
storm, and assured him the ship would reach
port afloat; for, “I can feel my lighthouse in
the distance; do you hear me Sea? You can
take away our mariner’s compass, but you
cannot take away the compass in my heart;
and the light of my home on shore. Five long
years ago she made a promise to me to be
my lighthouse—to guide me home no matter
what—regardless what you do, Sea, you can
never break her promise—only your, promises.”

As a lighthouse she stood through the weather
of the night—risking pneumonia, for Penny’s
heart told her she could never abandon her
promise as the waters fell flat and the sun peaked
through the storm clouds, a silhouette stretched
in the sunrise light, pointing to her feet. Upon the
bow Lysseus stood, his eyes fixed at the dock
where his lighthouse stood, fixed. Upon the dock
he jumped into the warm, loving, arms of his
home both of their hearts became whole again.
In my head, this is the beginning of a longer epic, which I still have yet to write. Would any of you who read this like to have more to the story; or do you like it as it is?
Rob Rutledge May 2014
Rigging taught and water bilged,
Sails snap stubborn in the face
Of Gaia's force.
Sailors gripped in terror forlorn,
Sailing round Tierra del Fuego,
Cape Horn.

Limes are long since rotten
And the *** is watered down,
At least three men overboard
Shot to depths where all will drown.

The captain stands to lose his crown
Cursing into the storm.
Cursing at the ocean wall
And the day that God was born.
Tacking starboard long into the dawn,
He releases rudder and draws his Sword.
As if the world his steel had hindered
He grabs the wheel and turns to windward.
Forth into the forest straightway
All alone walked Hiawatha
Proudly, with his bow and arrows,
And the birds sang round him, o’er him,
“Do not shoot us, Hiawatha!”
Sang the robin, the Opechee,
Sang the blue bird, the Owaissa,
“Do not shoot us, Hiawatha!”

Up the oak tree, close beside him,
Sprang the squirrel, Adjidaumo,
In and out among the branches,
Coughed and chattered from the oak tree,
Laughed, and said between his laughing,
“Do not shoot me, Hiawatha!”

And the rabbit from his pathway
Leaped aside, and at a distance
Sat ***** upon his haunches,
Half in fear and half in frolic,
Saying to the little hunter,
“Do not shoot me, Hiawatha!”

But he heeded not, nor heard them,
For his thoughts were with the red deer;
On their tracks his eyes were fastened,
Leading downward to the river,
To the ford across the river,
And as one in slumber walked he,

Hidden in the alder bushes.
There he waited till the deer came,
Till he saw two antlers lifted,
Saw two eyes look from the thicket,
Saw two nostrils point to windward,
And a deer came down the pathway,
Flecked with leafy light and shadow.
And his heart within him fluttered,
Trembled like the leaves above him,
Like the birch-leaf palpitated,
As the deer came down the pathway.

Then, upon one knee uprising,
Hiawatha aimed an arrow;
Scarce a twig moved with his motion,
Scarce a leaf was stirred or rustled,
But the wary roebuck started,
Stamped with all his hoofs together,
Listened with one foot uplifted,
Leaped as if to meet the arrow;
Ah! the singing, fatal arrow,
Like a wasp it buzzed and stung him!

Dead he lay there in the forest,
By the ford across the river;
Beat his timid heart no longer,
But the heart of Hiawatha
Throbbed and shouted and exulted,
As he bore the red deer homeward,
And Iagoo and Nokomis
Hailed his coming with applauses.

From the red deer’s hide Nokomis
Made a cloak for Hiawatha,
From the red deer’s flesh Nokomis
Made a banquet in his honor.
All the village came and feasted,
All the guests praised Hiawatha,
Called him Strong-heart, Soan-ge-taha!
Called him Loon-Heart, Mahn-go-taysee!
He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
Kyle Kulseth Dec 2016
Rub these eyes.
What a misspent night.
I cast one die, tumbled through to light
               aimed away from
               where I left you
on a corner, towards a ******.
               ...You know...
Hung my hat
on these stupid hopes,
tried to steer us two on an icy road.
               Slid through stop signs,
               you stopped speaking.
Anyway, I'm flying out tomorrow.

Tired as Hell
switch planes in Minneapolis
On the way from Richmond to Montana
This far North,
     the snow is never far away.
               Last one through
                       the gate
               and still sleeping.


Slug this Fall
down in airport bars.
A snowbound move, but I got disarmed.
               so I aim to
         where I came from
Gift myself with what's familiar
               ...You know...
Out here there's
not a lot of noise.
A few pinned dots between the bullet points.
               Here it gets cold,
               just a few miles
from the real Continental Divide.

Head dipped down,
and shoulder leaned windward.
Take two steps, try calling in the morning.
This far North,
     some flights can get grounded.
               Not much
                between
          here and Seattle.


*Heavy coats
and fortified spirits
keep us warm between our vacations.
This far North
     no Saints to preserve us.
               Not much
                between
          here and Seattle.
Tom McCubbin Apr 2015
Tall round beams standing
in salty water, connecting
fishermen and star-fish gazers
with a moon-shaped bay
on the eastern Pacific.

They stand on land and step into sea,
as rolling barrels from Arctic grounds
tickle their lower legs.
A centipede of wood, this
outward- jutting wharf.

The fishermen sink expectant hooks;
the surfers haul shiny glass
banana-shaped boards of foam;
the weekenders come posing
baby strollers for picture shooting.

Each passing wall of blue
energy slows at reach of
shallow sand, deciding
whether to keep rolling or
transform into a steep stack

of snapping water. On big days
the sea legs shake all the
fishermen. They lock away
their sacrificial bait in rusty boxes
and collapse their fibered rods.

On calm days I step out to a
wooden bench and hang my
face between the rails. Running
people pass below, between the
knotted hips and creosoted thighs.

August buries this preserve
in such drizzle. Gulls go bundling
inside their sleek robes
of white feather, leaning
windward on worn bent knees.
Ben Brinkburn May 2014
There is no honour where
thieves are concerned
skidaddling along Old Compton Street
pretending to be rich
striving to drink anything before lunch anything
on
the hoof
just so long as it’s over 40% proof
that’s important
or
drunk on the beach at
Playa Manzanillo
tumbling dice
touch of Midas
maybe the gold will rub off onto me
like pollen on a bee stuck to the legs
stuck to the fur
cribbage pegs
croupier blur
dealt a hand
relax with a mojito
hands clawed in the sand
cursing the might-have-beens
wishing for the might bes
chips one square out
90 degrees north
45 degrees south
the painted boats pulled up on the shoreline
Venezuelan Coastguard Launches
scouring the Windward Island monied coke lines
louche and free and slightly depraved
devil you do devil you don’t

and maybe

I should have done the dealing
instead of playing with what is dealt
career crossroad choices
casino neon
instead of
hot strand paper
Chinese lanterns many
spectral colours
remember Brazil?
‘Praia do Diabo!’
memories of London days
Oxford nights
Brooklyn JFK haze
Sao Paulo frights
chewing Samurai pizzas
watching a thunderstorm spewing rain
over Granada
on a boardwalk mozzarella sticky teeth
swordfish and octopus ink throw on
some red capsicum peppers
sliced like dragons tails
now that’s some pizza
dreams of blackjack and ***
high tail and lucky spots
working out my next move
on Isla de Margarita
remembering

what was the name of that bar
in Bayswater?

With the gambling room beneath-
old school, East Enderesque
not all are run by Chinese you know and
not that one run by Laotians from Vientiane either
no no no the other….one
and you wore that dress
covered in red sequins the one you slinked off
to the summer ball in Oriel in
the one in which
you shimmered and crossed dimensions
polymorphed through parallel branes
with legs to lick
******* to ****
later limbs akimbo
in the good old days of propitious spots and slam ships
when the moon was less lonely
and the ocean had less reservation
and me, well
I had all the luck.
From the forthcoming collection 'Mythopoetic'
Hari Prasad R Aug 2016
Don’t you like a chocolate?*
A foggy morning jog; over the windward side of the snowing hill,
Accompanied by the silence of my lovely girl.
Suddenly a drop; falling from a sky high teak,
Soaking her rose-bud cheek.
Eyes on her cupid’s bow; Were thirsty ‘coz her lipstick frost,
Needing for a lip to moist.
That was the time; I lived up from the day I saw,
This angel, with a dropping jaw.
Came close we two; almost locking a tight lip kiss,
But what made that a chance to miss?!
Confused, my girl; Perplexed by my bizarre act;
Peeping places, I was looking at.
Why did I stop? *A Choco Donut
shop at left,
The reason for my eyes to shift.
Piercing the bread, I licked the sauces off the knife
What else do I want in life? :P
Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hill and woods, the river, and the heaven,
And veils the farmhouse at the garden's end.
The sled and traveller stopped, the courier's feet
Delated, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.
Come see the north wind's masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hiddden thorn;
Fills up the famer's lane from wall to wall,
Maugre the farmer's sighs; and at the gate
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind's night-work,
The frolic architecture of the snow.
Neon Robinson Apr 2017
For my muse, I choose the euphoric source
Of my most transcendent -

   Lovely
- Muddy
Memories.

Perceptual flashes ― slosh slushing
Approaching an untamed blue-green pond
Just your average amphibian gone blonde.
In sunshine or windward shower.

Loitering around the grassy brim,
On that one slick rock, I stood up
Catch a fish ― oooooh you swift ⁓
Let it back in?

Or you could...
Run screaming like the flaming river rumbling down the mountain.
To the lunulate lagoon?? in the front yard

Hop & stand
Fish in hand You. Have. To. Make. It.  

But     the        gargantuan          estate.  .     . it's too late.

That tiny t-rex gait ― might just seal
That golden guppies fait.

Cause you sprung like spring
And set that little sucker free.
Orchard Land Estate in Puna, HI childhood wonderland in the jungle
Tony Luxton Mar 2016
I leaned on the rail, stared through
my mental zoom and wondered.
Were ther footprints in the sand
of that island to the windward?

No sign of man. Startled cliff caves
gaped at us, seagulls dived at us,
while whales schooled us and led us away.
We passed by and the North Channel sighed.

Now it's just a floater in my eye,
a landscape's distant daub of grey-green,
a mystery mote that still returns,
but I pass by praising Gaia.
Nigel Morgan Jul 2013
I

here alone apart
I realise

we are marked by the tide’s turn

and that drawing back
long aching inhalations
intakes of more than breath:
the very filling of lungs
with white and various
sounds
of beach
of foreshore
floating
in the heavy air.

Its constantness,
everywhere  
together
its everywhere and together
oneness,
though with such difference
scoured into the sand
by weather’s hand
by the wind’s rough play.


II

Shield the eyes
against the glare
against the pressing wind
spinning down and past us
out of the light noon-distant high-sunned
light,
glancing the tips of bejewelled waves,
dancing, only to fall to translucent hollows,
   only to rise and follow
the wave before itself,
that, even now and finally,
breaks into a foamed lace,
a fragile flower spreading
across the sand and shore,
a coverlet for this bared flesh of land,
wet glossy shiny sun-lit wet,
yet drying beneath our gaze,
leaving the infinitely-tiny
grains of sand’s
dew to glisten,
to sparkle.


III**

No pathways here
after the entrance
of footprints splayed
down the slight dune
through the ammophila
down to the hard sand the littered stone.
Only up and down
across perhaps
to the sea - from the sea.

Otherwise it’s up:
to sunward windward,
out out along the jigged line
of surf meeting sand,
a self-similarity,
a symmetry breaking on the shore.
Light drizzles gently brushing on my cheeks
Misty pitter-patters
A butterfly flutters
A solitary stroll in the orchard of mystique
The dewy grass glitters
I am Mother Nature’s daughter

I saunter in the womb of the cherry orchard
Light-hearted tip taps
The squirrels take their catnaps
Gaily skipping under the falling blossoms
Spinning with laughter
Time is not a factor

From a distance, a pianist plays a chirpy tune
The jazzy anthem
A tune of welcome
Arm with passion, I caper windward
One with the flowers and trees
The birds and the bees

Mild winds gently combing my tresses
Soft, rhythmic strokes
My senses they provoke
Then reality came in a soothing ring
My baby calls
Oh, my busy, silly goofball!
Ayn Feb 2020
Like fluttering steel,
I moved toward
The windward,
Hoping to find
The stem of life,
And
The roots of death.

The stars guide
My fluttering steel,
Showing me the wonder
Of each precious sunrise,
And each fleeting sunset.
I’m deathly afraid
of these ocean nights
But the little starlights
Infuse my scampering soul
with unyielding courage,
Making my lonesome night
A sail with company,
And a hope-filled light.

Each fleeting day,
And each dragging night,
The water sweeps,
As if moved
By the deft stroke of a sword,
Or the silent lance’s jab.
I really enjoyed writing this one.
traces of being Jan 2017
Your poignant silence spoke
             with the voice
    a thousand unspoken lies,
       the kind of  little sins
    that wear away the soul

    An obscure grain of salt,
       awakening dissolved,
      in a vast saline ocean
   of life’s ever fugitive tides

       Chasing rogue waves
       across deepest oceans;
          carried away to be
willingly drown in a sea of love,
          a mystic blackness
far beyond the cresting breakers'
  fomenting meringue riptides

   From the headland cliffs above,
           a lone  shore pine
           leaned windward
       out over land and sea,
    tough skinned roots cling
        bared by prevailing
          winds' migration

        Smoothly calloused
       by the blowing sands
       eroding the sapwood
         atop the petrified
          heartwood rings
            of untold time

        Abiding on the cusp
      of falling farther down
          than any ordinary
               directionless
        semblance measured
              nor bona fide

   The nebulous distance back
     an unbridgeable breadth
           long since buried,
n'er to be forgotten milestones,
   abandoned without a trace,
 like footprints blowin' in sand
     erased by the prevailing
             westerly winds

     Illusions of fallen mileposts
          counted backwards,
        undone clicks beyond
       the abacus beads reach

    Was it the untrodden space
      between distant horizon's
   unreachable scope of reason ?

                No way back
               was etched on
         the last thrown stone

       The broken inland hills
   are neither mirage nor oasis
   bit by bit washing out to sea
  
             A turning point,
        compass drawn away
   with the arrows convention.
     Without magnetic north
       an arrowhead courses
    with the silence of a trees'
           uncounted rings
         of benign measure

        Felled by gale winds
         of tempest change,
       weather-beaten feeder roots
     no longer strong enough
   to grasp all that failed to be

       Old wood is not soluble
            like salted silence
        ebbs away unnoticed
      as life’s evanescent tides

           ...“love always
       was just chosen words
           I longed to realize …

                 timeworn
       smoldering intentions,
         a blown out candle's
    blackened wick remnants

   Another sobering salutation  
         to look the other way
      without saying goodbye ―

             A lump in throat
            swallowed silently
           abides deeply within  
              without choice;
       lost hope buried beneath
       enduring sneaker waves
                unsettledness

               The memories
          of her muted words
             drowning out all
         I could never become
    
            Sadly recognizing
           it was only a dream;
  convinced we were really doing
             something special
               Now knowing
     it's like crashing high surf
       that never left the shore ...

          Tonight in the throes
            this restless silence,
                 you can see
       it's still raining down hard

            There's no reason
           to even go outside;

            there's no shelter
             from the storm
           that washes over me

                       forever
         Chasing Rogue Waves
                           ...
             These shards of rain
   were never heaven's teardrops

       Tears are the heart's traces
     and,... I've got no time to cry


wild is the wind ... January 25th, 2017
Quite a child
she makes me one
mind windward wild
flies gazelle run!*

On the shore
she’s something more
than picking pearl

opens door
once more
she’s a little girl!

She picks seashells
of sea she smells
she looks alien

free she sails
in her spell
i’m child again!

On the sea
wild carefree
she paints me joy

make hills on sands
small grow my hands
i’m again a boy!
Marshal Gebbie Sep 2011
Sweet Sister,

I feel the sanguine-ness of age upon me.
I feel I understand the things which confused me in youth.
I have a sage satisfaction in being pleased to have reached this juncture,
In being able to look out the window and see the beauty of a desolate beach of dunes with the course grasses snapping to windward.

There is immense pleasure in seeing my children find their place in life, maturing with the years and the travails of work, love and responsibility.
I miss old friends...but such is life.. we all move on.
Colour and texture and sound mean a lot to me, they are the patterns of pleasure which paint each day.
And the steady warmth of love for an enduring wife who is the shining light in, my otherwise, subdued and essentially, muddy existence.

One thing which does **** me off is the penchant of the Inland Revenue Dept’, to lean on developing young businesses to pay for the sloth and layabouts
Of our society who have no endeavour. This is a travesty of social justice and an unnecessary retardant to the progression and advancement of our struggling young nation.
I think the Chinese have the right answer here...You don’t work.. you starve.... You bend your back and produce... you prosper!

As I grow older the shades of gray diminish, things are more definite, more black and white.

My work in construction, is constant and demanding...and ****** enjoyable!
Like a cat, I seem to have fallen on my feet once again??

The pleasure of the written word is my pastime and interest, I rejoice in the creativity of my fellow writers and bask in the glow of their company.

The Eagle’s Nest at distant Taranaki is looking green and tidy, landscaping is progressing and the rhododendrons are about to burst into flower.

Life is pretty ****** good!

Love to you and yours
M

Marshal Gebbie
Storeman
Jai Rho Mar 2010
Far off in the distance,
a thousand dreams or so,
a winged syren beckons
of land, of hope, of home 

An alluring vision rises,
between port bow and port beam,
above the windward gunwale,
above the Devil's seam 

The main and mizzen struggle
against the howling wind,
the staysails strain
against the sheets
hauled taut and closely in 

But the course we follow
cannot reach our destination true 

We must tack and then again,
until our bow is set dead on,
and find a steady
wind and fair  
to fly above
the pounding waves,
to free the maiden's hair 

Just beyond the bowsprit,
a thousand leagues at sea,
the flying jib will lead us where
our spirits find their peace
Marshal Gebbie Apr 2012
Tiny things that strike your fancy
Any verse which hits a note,
Messages from all and sundry
Extracts from your favourite quote.
Moments from a treasured movie
Recollections from the past,
Sunday roast from Grandma’s oven
Sights and sounds and smells that last.

Memories of moonlight saunter
Arm in arm with newfound love,
Barefoot where the sand meets water
Lost to all... but stars above.
Walking in the hills at daybreak
Crispness of the frosty verge,
Feel the pounding pulse of living
Feel the joy of being... surge.

Tomatoes from the garden plot
Rich and biting, acid red,
Delicious on hot buttered toast
With liberal salt and pepper, spread.
Gazing at your baby daughter
Softly pink in muscled arm,
Wondering what future holds
For her in love and wealth and harm.

See the grasses thrash to windward
Hear the pounding surf cascade,
Lines of gulls in steady hover
Thunder breaks at lightning fade.
Old friend’s letter, unexpected
Tells of hardship over time,
Loss and sadness unconnected
To good fortune, found in mine.

Tremor in her frail, white fingers
Dancing of her rheumy eyes,
Sharing yesterday’s good tales
To bring a joy to aged disguise.
Lavender in gentle velvet
Serves the honey bee her gold,
Nodding in the balmy breezes
Reminiscent perfume, old.

Cup of tea for all the Aunties
Dear old Fred has passed away,
Sadness... but we all agree
He made the most of every day.
Sun ball on the far horizon
Melting orange, richly gold,
Sinking to the seascape, gone
To let the moonlit night take hold.

Marshalg
Sitting on the Taranaki sand with my love, with nibbles and a glass of wine
Watching the enormous, Autumn sun melt into a flat, flat sea.
April 2012

© 2012 Marshal Gebbie
CA Guilfoyle Mar 2014
I could write messages to the sky
climbing to the top of this summer mountain
digitalis pink, swirling sweet with bees
this place, tangled all in green

At the overlook, I am with trees
windward hanging on, dream
to fly away, a seabird ocean soaring
my mind of paper kite, adrift
through clouds of sky

Smell of moss and cedar
release of incense
in the warming sun
footsteps, fragrance
soaking deep
within

This must be Eden's
color of azure water
glinting flecks of sun
transforming turquoise blue
that my reflections go
diving in
Onoma Jan 2016
You sat on your
perfect tree limb...
near white out snow
falling.
You leaned
windward, alighting
your form.
One hand clapping...
you unified sight
and sound, then there
was Zen.
Rob Rutledge Dec 2014
There was control and Excession
A master Use of Weapons.
Inversions without as well as within.
The Culture looking to windward
At the light of a dying war
Played to the tune of a Hydrogen Sonata
What mattered then Matters no more.
Phlebas played his games
All things considered
Yet played them far too well
Against a dark background
The Feersum Endjinn tells
Of better times.
As Algebraists count,
Passing time on the abaci of the mind.
They divine the nature of the heart,
Given up in offering
To the State of the Art.
A poor tribute to my favorite author the late great Iain Banks
TerryD'ArcyRyan Mar 2018
knots and weaves
windward gales quickly deceive
ever moving the undertow
constant curves dip in the winds and below
blowing off the waters deep
leaving a mist so sweet
hand to cheek
blue waters press further
possessed by the wind
willful turbines stay in sync completing the cycle
shaping and sculpting the swells
creating an undertow struggling to be free
choose to swallow in pleasure
choose to wallow with the pain
an answer returns with demand
beating fists upon the sand
the wind answers back with violent command
to the tides, to the swells, to the surges, hit the rip current
so powerful, so aggressive, she intimidates
all to catch the craze
ocean, she see's and waves
man is met
sized and weighed


Terry D’Arcy-Ryan
Marshal Gebbie Jun 2015
An ode to hospitality and the magnificence
of New Zealand’s majestic South Island.*


Pale Granite massif plummets down from snowline to Kaikoura coast
Where white waves seeth in ocean rage atop the green of dark abyss,
Below subducts Pacific plate to buckle mountain mantle’s boast
Titanic forces ****** beneath the wheeling flock of sea-tern’s hiss.

Cold winds blow from seaward swell of glaciation far to south
Where blue whales hunt the clouds of krill and ply this ocean’s constant roar
Through icy currents rich and deep resourced from white Antarctic mouth
Whence icebergs blue shall calve and drift, where seeking albatross do soar.

Frosty on this Winter morn, green rolling hills caress my eye
Deep shadows creasing valley clefts, round sunlit pastures highlit, mound.
From coastal dune transitioning to snowy mountain crags on high
The splendour of it all, my friend, entrancing me in sense-surround.

Blown red tussock streams to windward, ripples in concentric waves
Ripples in the mountain’s flank surmounting to the alpine pass.
Bastion of high country shepherd, striding forth with dog he braves,
The loneliness of isolate in isolation’s clawing grasp.

Tempest in the black beech forest thrashing leafage falls like rain
Rain in sheets cascades from clifftops, waterfalls in grand parade.
Hellish clouds embrace the fiords in hellish lightening flash refrain
Fiordland in majestic style in vaulting might of storm’s charade.

Grey light in the estuary, reflections in still water stand
Of fishing boats at wharfage in a timeless moment’s instant gaze,
Riverton in midday mode as fisherman’s coarse calloused hand
Prepares to launch beyond the spit to brave the sea, to snare the crays.

Comfort in a welcome smile, welcome in a warming fire
Luxury in the steaming sting of shower water piping hot.
Blue cod baked so perfectly with pinot noir to my desire
The sanctuary of “Land’s End”, quaintly, the very best New Zealand’s got.

Marshalg
“Foxglove”, Taranaki
25 June 2015

*“Land’s End”… An exquisite find, a very English bed and breakfast hotel located, remotely, at the very tip of southern lands end at Bluff.
A delightful discovery to complement, perfectly, the utter charm and grandeur of New Zealand’s wonderland....
The magnificent South Island.

M.
Andreas Simic Apr 2022
oscillating back and forth
head tilting from leeward and windward
an abstract puzzling my imperial gaze
a Van Gogh in waiting

      perchance a reflection illuminated
      in broad mesmerizing strokes
      some tantalizing insightfulness
      else a superficial escapade

do the color menageries
stray my mindfulness or hold attention
each vivid hue enlightenment
to soothe & provide enrichment

    is my inspiration desperation
    to find meaning in the simpleton
    gravitating and debating
    between beauty and gargoyles

does incredulous creativity scare me
or woo me into submissiveness
the artist plying servitude
into mine cavernous cavities

     Alan Scales’ exhibit of
     Turquoise Abstract Landscape II
     provides fodder for my mind
     to exponentially explode

Andreas Simic©
Geno Cattouse Oct 2013
The best laid plans of minuscule precision.
He did cast a giant shadow. To see the pores in pock marked faces  500 hundred yards or more.

To reach across vast fields.
to walk a man down. to take his measure.
the final word said.assured was he that this was the golden moment.

Cross hatches that never lie, to zero.
two clicks right and two clicks high.

never mind spin drift. there was no rift.
The reticle spoke the language of
an eye for an eye as the muzzle let it fly.

Scope relief and slow exhale. The reticle
was on your trail. Would walk you in or lead you out.
adjust for drop a half click skyward.

a click to ease the windward push. do all these things  and 'gently squeeze.
to never hear the tolling bell. to send a soul direct to hell.

The reticle knew his lines and spoke them well. Unblinking through the gates of hell.
Silence now darkness. nestled in repose. lost in foliage.
a hasty leave. No one will grieve the reticles loss.

Silently atop the knoll. sits the reticle.
left behind. forever. never to cast his chilling stare.
ten thousand suns will rise and fall as he looks down from his perch.
Oh how the might have fallen.

Cold steel. is all.
blink. and close an eye.
forever.
This is my take on the snipers. Scope. and the cross-hairs called the reticle. just another topic.
No love one way or the other.
Jesse stillwater Mar 2018
Lingering coastal fog
  climbed up the seaside cliff head
    The windward crest-edge
       sprawling  out
        the rolling waves
        misty breathe,
       shapeless as an ocean
      sigh betides;
    cloyingly crawling
  through the lush
hillside meadow verdure

The clinging mist dissipates
   like teardrops soon forgotten:
      the Dawning of the day
          caressing the evanescent dew;
             an ebbing tide
               remembered for a while...
               Dawn awakening
               newly sun kissed Daffodils
            animated with felicity and mirth;  
         lilting ballerinas
     gracefully swaying,
   contagious with the leavening
    serendipity of the westerly
      sea breeze ~

        Velvet bisque painted
            daybreak constellations,
              embossed by sunrise
               splendor ~
              each root bound bouquet,
            kismet choreographed ballerinas
         in Spring's  Rustic  Ballet


                        Jesse
.               11 March 2018

a favorite spring meadow trek just above the ocean off highway 101
Davina E Solomon Mar 2021
There it looms, a life like mountain/ sheathed in fynbos, all shades of green/ while the cape drags in reluctant seaweed/ and the wind makes contrails of my hair/

I ascend too with the heather, the rooibos and the hottentot/ We climb/ now a collective of exaggerated beauty/ defiant in wind, spray and fire/

There are leaves as prone as a flat lined heart/ reeds as resilient as a returning pulse/and we all watch the hope of yolk/ of a Sunday sun dipping into the ocean/promising to rise again/

We creep up the leeward and the windward/ ensconced in the spiral of a soul entropy/ determined to survive every rock and crevice/ to hoist ourselves up the flagpole of the cosmic plan/
I wove the Fynbos or the shrub vegetation of the Cape Floral Region (South Africa) in this poem dedicated to a resilient womanhood.
Joanne Heraghty Jan 2015
I was happy in our love cloud;
Just to know someone was there.
He didn't need to love me, trust me or adore me,
He simply just needed to care.

His arms were like a blanket,
A cushion to lay my heavy heart.
He made up every little puzzle piece.
He completed me, from the very start.

Our cloud continued floating,
Ascending in a windward way.
Our love had grown much stronger,
Growing a little more with every day.

I could find no other like him.
I wished to live forever at his side.
I'd never thought about the future,
Or ever wished to be someone's bride.

With him it was so much different;
I became oblivious to his petty lies.
But after I covered all his fake smiles,
I began to see his evil eyes.

Our cloud had gained pollution,
With contaminants that could have caused a storm.
And once we drifted too far to return,
Our cloud had taken a different form.

The pain came down in droplets.
Not a single thought was even spared.
Our love had bursted to pieces,
Scattering all that we once shared.

Now I'm looking from this angle.
With the clouds gone, the stars can now shine.
And, despite how much I loved him,
I realise.. he was never mine.
31st December 2014

© All Rights Reserved Joanne Heraghty
mark john junor Aug 2018
a storm rode up slow on the sea's horizon
filling our senses with its wild winds
we spent that night passing a bottle of crisp wine
by candlelight while the sea rocked us
like children in the cradle
but our laughter and words were
so alive with long roads
so rich with our full years

morning found us taking on water
so we turned to make haste
for some near uncharted island haven
and we beached her on untainted sands
with its stretch of palms and gentle *****
while sailing master worked mend sail, patch hull
we walked far up the shore and found a secluded spot
and there i lay with you
drinking in your taste and body
feasting with you on the sweetbreads of our love
till we were full and were left with only soft smiles

we sailed once again as dawn overtook the sky
sound once more and making good time
with a beautiful salt breeze in our sail
beating to windward
with a loving song to our hearts
these the days that my heart will cherish
these are the living dreams that
my worlds foundations are built upon
i knew i would marry you
you knew i would always be yours
from this day till time cease
Kyle Kulseth Apr 2016
Lines drawn.
               Erasers
kept tucked in back pockets.
I'm circled. I'm shaded.
Smudged out,
separated.
You'll redraw the floorplan
schematics are changing
and I've
               got the handbook.
     regulations tossed out windward.
               Wearing out
all the reasons for more sensible feelings.
The seasons change fast here,
I'm sure you'll be leaving again.

               And you'll go
any place
that the latest squall takes you,
expecting I'm waiting.
But I've got blueprints of my own.

"Go anywhere you choose.
I won't care about the news."
The headline that I'm writing
and I wish that it were true.

So roll me up with the rest
of the shabby, used up trash.
Emptied cups and smoked-out butts.
All that's good has been unwrapped.
               I'm cellophane.

Life spans.
               Placeholders.
Not even a memory.
It's notched up. It's useless.
Refused
and ablated.
I'll toss out these blueprints.
**** all these schematics.
And you
               wrote the last word
     scrawled out in constructed language.
               Wearing out
every patience for these senseless intentions.
I'm fenced off. You flatter
yourself and you're leaving again.

               And I'll go
right back home
to my tiny apartment
where four walls await me.
But I still don't want you to leave...

...'cuz it's easy to believe
that you're beautiful beneath
these buzzy, dimming bar lights,
squinting through this hazy scene.

I've seen
               this one before.

I know the script
like the way to my front door.

But, with constructed language,
our meaning will languish.
And I'll fade back to static.
                                   Again.
Max Hale May 2016
Windward side stands firm and proud
The sailing ship its sails a-straining
Clever sailors move around
Guiding hull through stormy waters
Masts are bending through the gales

Taking gusts within their shape
Canvas flapping then goes taught
Calmer waters seem so distant
Temper timings never fraught
Faces stung with salty sea spray
Leathered hands holding firm
Sheets are straining, weather raining
Noise of waves is deafening too

Sometimes when the ship is yawing
Pitching, rolling, deck like glass
It's no wonder cleats and blocks
Are creaking, matelots lives are holding fast
Barefoot and blue
Waiting for a waterbirds solemn return
Silently guided by a stiff windward call
to closure , my melancholy day in sunlit
exposure , from behind the clouds lie such
explosions , red eyes placed center stage ,
as would be thespians hide elephant red rage
Caramel colored , landlocked baptistry
Soak these tired feet , wash the salt from open
wounds , diluting memory and public affairs
Carry them to the bottom* ...
Copyright November 10 , 2016 by Randolph L Wilson * All Rights Reserved
bulletcookie Apr 2016
Those Orcas that just got out of frame
fame and fortune in that shot-glass 'Sound'
and focused; coke-bottle vision into depths
far deeper than their soundings, though
secondary in nature and posed as opposed
to that pod's posse of curving mammals
arched into each wave or trough
in that fluid home we call Puget
with the sound of ferry engines
breaking the silent sail boat's cut
and jib as it too arcs its slack in black/white
canvas waving to windward destinations,
as each click-shutter-whirl encapsulates
drops of sun, sea gull and horizon
ghosting as though mist were sky
semi-filled number painting panoramas
and water-color soaked landings
bringing us closer to docked domains
and they disappeared into a dimpled surface
evading this circular myopic lens

-cec

— The End —