The morning birds sing to the rythm of her soft heart beat under sky
blue sheets

Warm air exerts from each nostril along with a yawn from her
baby doll lips

Gold framed women in paintings above her drop forward
over the headframe
in envy of her glamour

And the sun gleams against her cheek bones creating a halo around what already is an angel

i actually did own a doberman pinscher called axl... yes: no e in the same. ****** was mad, what do you expect? his ears were sliced so he could look like some urukai orc of isengard... try trimming the ears of a human being: to then pretend "think" they'll be wiser... that part where they chop of the tail of a doberman? i wasn't around when that happened, i can clearly picture the plastic surgery on my axl... so what am i going to say about circumcision? makes the ******* mad! they're sending ****-picks to people... how about i just watch you smile? is circumcision the ideal motivation for preserving life? like you need the complete vuvla to be attracted by it? ******* surely isn't fun with that revision... just as much as saying: a billion ching changs... or we could do away with the lips and call these people the todkompflächeln; personally? i'd begin the aesthetic surgery on the ears, maybe making a few "elves" would help the situation... otherwise m.g.m. gets no mention, because those ******* don't even know what ******* with one feels like: i can peel mine back for *******... but you can't cloak with one during the grand practice of: taking a ****.

billions... it's starting to look very much like a *****,
given the character names... i mean: wags?
next season is bound to invoke the nick
*****... it has become an existential prison,
since the moon landing: bye bye
the brothers grimm and the fairytale...
i know this because someone has already
made the same conclusion...
billions? who'd i like to doppelgänger?
   mike wagner... scalp him, skin him, whatever,
i am trying to believe that i don't have
that wry smile of his when writing this,
the cheaky chappy type of smile,
what i can tell you is what happened yesterday
after my drinking session ended...
spring's impeding, *******, i'm going to
watch more television since i'll be sad having
moved from, what could be best described
as alaskan funfair... night by the 5pm mark...
i sometimes get the shakes...
but only out of anger, that boils down to
my neighbour complaining that i sometimes
lose the plot and say things aloud...
the boundaries i'm crossing is equivalent to a bird
singing in the night...
    but last night, was, spectacular...
   i forgot what chess even was...
   i had heidegger's *ponderings ii - vi
(in hardback) on the windowsill...
                       i had a crescent version and a complete
version of amitriptyline (25mg)...
       nurse! scalpel i'm getting a headache!
    ami-tri-pty-line (ptee line? or pti lean?
yes, lean, no fat on it;
   so as i was about to get the sucker punch
i was playing imaginary dominos
even if just that, or throwing invisible dice,
exchanging positions of these two pills
            and four swan (brand) filter tips...
i do remember saying something into the night,
what it was? i don't know.
            so it was either dominos or "throwing"
dice on a book on the windowsill,
moving the one complete pill and the other
bitten off crescent (what's that? about 13mg?)...
and the filter tips...
                and it was on a hardcover surface
of a book on a windowsill...
             i knew i would take the plunge at
some point, the question was when that would happen;
i don't know what i had to even cherish
the grace of thought at that moment...
the next oddity came with an empty glass
and trying to balance it on the parapet ledge...
it turned out to be a case of fractions...
     the tipping point stood at: two thirds...
it would never be done in halves, and certainly not
quarters...
              see... mm... money is fascinating
as a concept, how it was arrived at;
  i can know the man who invented the lightbulb
(jefferson, right? ol' tommy)... money?
   no clue... who could have "blinded" the greeks
to the extent where we stand now?
      the more i drink the more i think that this
cann't lead to any sort of accomplishment other than
the stated words...
    i do really retract into speaking verse that
i never write down... it's there one minute, gone the next;
but that domino / dice thing with 1.5 sleeping pills
and 4 cigarette tips (yes, i can roll a cigarette
like a machine, so the tips were not ***** by tokes
to remind people of marmite / vegemite of australia
colouring): i smoke cigarettes thinking about a sun-tan.
why was i doing this?
don't know, what's the point of playing domino
or throwing dice to gamble?
                     there is a chiral point to be made,
or at least a parallel point...
         a chiral-parallelism, as is the case with concept
of parallel per se...
such that title suggests i stole "something" that actually
steals...          hollywood and cuckoos...
      there are always two ways of saying the same
thing: moving forward, however dichotomous those
sayings are...
                  since that approach later turns into
a dualism that then eats at psychologism and morphs
into monism and: we're back at square one.

we leave the crumbs of our breakfast
on the windowsill, where we can watch
the ants arrive, and carry them away,
to their hills at the base of the maple trees.
they can't talk to us, but we can sense
their tiny gratitudes.
skin against skin, and tongues against
tongues, the glow from our faces is just
enough for the moths to recognize, for
them to want to dance around our heads.
they bask in the light of our love, and we
know they feel it too.
i live to see you smile, the kind of smile
that shines so brightly, like the way a leaf
beetle's shell does, when the sun decides
to hit it in a way that's exactly right.
they don't notice their iridescence, or how
perfect they are.

The gauzy nightdress caresses her thighs
as her bare arms, trembling feet defy
the gnawing, gnashing wind.
The world hangs below,
teetering on the edge of a cliff.
She turns, back to the open air;
taxicabs panic below her.
She tilts, arms whirling like pinwheels,
and falls into freedom.
Serenity, it seems, is found in flying,
if only for a moment.

my cat sits in the windowsill often.
i wonder what she thinks about
while laying in the light
of the setting sun

does she dream?
does she think about me?

when my cat sits in the windowsill
i appreciate how pretty she is
with her black and white fur
and yellow eyes

i like it when she gets distracted
by tiny things
like birds or flies
or the neighbours cat

if i were a cat in a windowsill
i think i would be at peace

for any of my work to have any meaning, i can only suggested browsing Empedocles (of Acragas), in saying that, i suggest the name, primarily it's a form of philosophy, written in poetic form... in that it exhausts the need for poetic technique: i.e., there's more to see, than actually hear.

- just like i don't understand people who fake doing the maestro whenever they listen to classical music, in the same vein: your greengroccer... your plumber... your electricians.... god forbid you t.v. guy....  don't translate that oddity in, modern music and imitating drummers... i get air guitar, i get air maestro... no one really bother the drumming brigade, when i listen to classical music, i am looking for a maestro, when i listen to contemporary music i, want a drummer, bad; ****! St. Thomas' gospel is becoming real... like i really, really, need a *** change.... never mind the 50cl of whiskey waiting for me, or sasha foxxx's eyes... the job? hammer in a thousand nails... industrialise ***, what do you get? a **** economy... why would god enter the equation if all the problems are theological self-made-heresy? it's not even that *** sells, and god gives gives rise to stampedes... what with the Koran and oil, are we counting to state the same arithmetic... i mean: the industrialisation of ***... nothing that hurts, nothing but a quip... that sorta of definition belongs in China or India with a billion participants... what we have is a case of mouthing off the competitors, when you're actually chihuahua in the Sahara of expectation.... i'm as mad as the numbers say i am... personal stories are non-essential.... i included mine for added effect... or a presumtpion that i might: acknowledged as having said anything in total....counter to english existentialism, so wholly preoccpupied with zoos and biology as the only scientific resource... i can't agree to it making sense, in the standard item-basis-list of following-up an argument... that dire, fake or indeed couch-sloth desert-prune is only half of *σ... i mean there's a tendency of a natural disparity, to ensure a dialectical health of any if all argument... σ = per se... it's because there no single, identifiable argument, the one current is a vogue argument, in the realm of zeitgeist parameters... it's not the only one... the world will move on... it's only that at the zenith of civilisation, we are only bound to industrialise ***, and art is, as according to W. Benjamin, in a state of: ditto, in the age of machanical, reproduction... easier said than... and so done... i feel the anaesthetic needle doing the suggested thing, of numbing me... it's not when art is given onto this Moloch-like altar... it's when *** is industrially-scaled to require cinema... and the quickie-dip of dimension having repertoire in threes... i have no care to ensure there's a narrative and a frenzy... i just care to say: there's a narrative, and a frenzy.... that one has no insurance, and that the other has all the resources that would otherwise invole a familial life... which now, evidently, is prone to same-*** affiliations than compliment-*** affiliations... meaning less art from the **** realm, and more art from the hetero or h-quasi realm (origin ****)... you need to talk about the cushions, if you're going to sleep in the bed, ****'s sake! -

to really live by the "rules" of existentialism,
to live an existential doctrine,
is to really: live an uneventful life,
or should i say: rather ordinary?
  well... i wouldn't go as far as saying it
might be boring, just... un-spectacular.

and all it takes it five beers and, oh, about
6 miles of wet wintry cement,
   and o.t.t.'s album blumenkraft,
with the crescendo song: billy the kid strikes back...

walk 6 or 7 miles in winter
and you come back into a warm abode
and you have skeleton hands...
numb from the cold...
but in england winter is different
than on the continent...
a wet winter (which is very english)
is worse than a dry winter (which is
continental)...
  as honesty goes... -18C in a dry winter
is probably not as bad as -1C in a wet
winter...
    so there's me, completely
****-faced watching the t.v. series
this is us, and one of the characters is
a black kid that gets adopted by
a white family when
    one of the triplets of the white family
dies in child-birth,
and he finds his biological father...
and also a mid-life crisis:
white folks told me to excell,
so he does,
   black daddy was a poet and played
the piano...
and he experiences a mild
schizophrenia... see, it's not a scary word,
i mean: without the extreme symptoms...
   a split-mind...
thankfully i cushioned mine on bilingualism...
and i have been ever since: bilingual -
nothing to be proud of,
   after all: there's the genius polymath...
but it's not about that: it's about winter...
winters in england are so different to
winters on the continent...
the grey skies? oh, that's here all year...
    talk about being a weather man
in Saudi Arabia, most of them moved to England:
where the action is...
          
but really, i can't imagine why existentialism
as a movement, culminated in the zenith
it achieved (precursor movement?
phenomenology)
        oh yah yah: were nieche, very Kensington,
very, Chiswick...

but to really appreciate an existentialist
dogma, a truly uneventful life...
   and given that existentialism in the French
vein akin to Kant but not so much Heidegger
lends itself to the cartesian maxim...
well... that's because it kinda has to,
but not really...

  Kant took out i think and merely focused on that,
his biography goes along the lines of:
a ritual walker, stayed in one place,
    a rook of the clock, i couldn't exactly call him
a pawn... nonetheless...
             a very uneventful life...
why? thought.
    
    what's the most interesting thing i've done today?
i thought, or, i had a thought (a / the article scissors
cutting off the -ism)...
and that's about it...
    had a thought...
                   i hit the gong that thus translates into
the post ergo / therefore of i am,
   and then i realised: i wasn't motivated enough
by my thought: to do much!
              
historically speaking, my writing can only be placed
into a dynamic of being called post-existentialism,
it's not boasting, it's just a plain fact,
   like Monday will be St. Valentine's day, 2017...
and some men collect stamps,
   and some men like fishing,
    and some men have the habit of writing about
things that are, a bit like Avogardo's constant,
meaning they'd love to speak about these things
over, and over again, and never get bored of them,
or for that matter: start families.

strange how it works, have it all...
       or have none of it, to later only have that one
vector that's opposite of mortal, ******...
        or have both, in a way,
and be later traced to some Shakespearean controversy
about a mistaken identity...
well... there's that too.

that must be it, existentialism, and the most,
ordinary life...
         pause for what, akin to something else i wrote
about beginning the thought catching
up to the walk a few days earlier which began
with z and i and diacritical marks,
how northern slavs wouldn't necessarily disrespect
the already present diacritical mark
on the ι (iota), i.e. regarding acute z (ź),
and how if z & i appear together, i.e.
    z and immediately after it, i... you don't bother
writing an acute version of z,
   as a southern slav (balkan) might,
with his caron (ž)...

or a bit like stating the old chestnut of universals
vs. particulars...
   well... they can say what they like about
the cheapness of writing in this medium
but there is nothing so gut-wrenching as a deleted
passage, that will never return...
    immediate heartache... there on the screen,
the computer decides to "have a mind of its own"
moment by either your carelessness
          or the computer's defects and: ****!
gone, a shift+ and suddenly... writing while not
looking at the keyboard, as you do... ****!
gone... gone baby... gone...
    and if that's not analogy of: a lesson
in placing your hands correctly onto the computer
does me: you're looking at the keyboard
and not at the screen...

  how about writing with my eyes closed?
  haven't seen anyone attempt that...

here goes:

    and with that i give you hades...

not bad, i should try it more often... it's not believable
because it's actually correct and has no mistakes....
*******.

alternative? and with that i give you sheol...
   still the same... double *******.

((   ((
    
and that's all it takes... the part where you let go,
because you have to:
  the regret can be there, but soon has to
be overruled...
   it mattered at the zenith of logic,
it was really there, for such a brief moment,
i could call it a study in how you can ****
a very lucid moment, and then have to "resort",
but, rather: merely accepting it as having no place
in the overall composition...
    so to the windowsill, finishing off
blackbeard (whiskey and coca cola and
a cigarette)... changing the aura from
o.t.t.'s album taken home from the "marathon"
(yes, the prime existential tool is the transcendence
of synonyms, encouraging misnomers
or: how to not build dams, or become custard
beavers, looking for words...
    the river, every time, always looking at a river...
the sea and the people and time...
   rivers occupy an infinite concept of space
and the change within such a Thermopylae,
as it might give you indigestion,
or the highest serving rank of memory...
the sea and the people don't scare me,
and it's hardly a thing of admiration...
its just a sight of pulverisation, a headache...
the river, the solitude, and the fact that local
newspapers have adverts of only lonely women...
sure, read a national newspaper and there
are women seeking men, women seeking women,
men seeking women, men seeking men...
but look at a local, a local newspaper: only women
advertising themselves for candles and firecrackers...
it seams men were always programmed (a priori)
        into the gravitas of solitude...
what i really meant to say: existentialistic writings
can appear foreboding with the ditto...
with the perception that there's this ulterior,
dark-seeded motive...
      i just thought about bypassing the thesaurus,
like some writers do,
    you can spot it when they do,
a word they looked up from their labour
of lumberjacking the keyboard
sticks out like a modern statue, or a broken finger,
a word: right off the pages of a thesaurus...
   i just mean that there's nothing sinister enclosed in
the said "brackets"...  there's nothing additional about it,
but as narratives go... you sometimes want to bypass
Sherlock Holmes and write a synonym-antonym,
you want to bypass the thesaurus, content with your
own vocab riches, but too "lazy" / engrossed in
what's actually coming...
say, that interlude, a cigarette, finishing off the whiskey,
with the glass freezing and having a layer of ice
around it... and: why i'll never be part of the nirvana's
or the doors' cult...
     pearl jam's indifference, from their second album.

so it's sometimes thereuputic letting go,
  after all, no one built a house on the summit of Everest,
if i wrote something of such clarifying quality,
and lost it... i can only apply an imagery of having seen it,
the best i can suggest that i wrote something
akin to 1 + 1 = 2, and then accidently deleted it...
and that's the sad part,
universals as vowels, particulars like consonants,
    even numbers akin to 2 and odd numbers akin to 1
(divided into decimals, or the wormhole of 0.123456 etc.) -
it was a beautiful sight, and then, again: ****!
gone... like a magician doing a trick
   and then... the sadness of having lost the technique
to recreate it...
well, the best i can do to recreate it is based
on a short argument...
   if universals and particulars (relying on the fact
that both have a plural form,
  i.e. so not 1 in 1, but the many of 1,
   and akin to: the 1 in many, and the many in many,
and the 1 in 1 / focus, something identifiable) -
or loosely universals like vowels, and particulars like consonants,
but given the two experience diacritical distinction /
additions... i could best remember what i wrote
as: 1 e.g. particular, if divided: fractions, and after
fractions: decimals...
                2 e.g. universal, if divided: whole numbers,
and after whole numbers fractions, and later decimals...
   so on and so forth with 3 (particular), 4 (universal),
     5 (p.), 6 (u.)...
                 a bit like having your own telescope
and microscope, just looking at what we make silence
of, our two ways of encoding what could have,
or should have been said, that was nonetheless said,
transcending our contemporaries as, what can only
be described as... an echo, lost in the caves of aeons...

this promenade begun with something to z & i...
or z, i, ι, ź and ž (what a nice pentagram,
i was watching the six nation's match
between wales and england,
and lo! behold... a goat at the fore!
  mind you, i took a cigarette break when they scored
their two tries).
Cardiff? yeah, been there once...
         Poland v Wales qualifying match,
donning a polish football shirt, got approached
by two young welsh girls saying: your team is ****...
started giving it the local... how fast they ran away...
and they say we laugh more than we cry,
   and i could be the one to snigger a sly laugh at
that memory, but cinema memory says to me:
time to usher in the reverse-psychology,
calling white black, and laughter crying...
        or as i like to call it, the paradox marriage
that has, literally not tentacle hold on the world,
   the bilingual marriage,
             lodged deep inside my head,
most recognisable by my theory study of diacritical
marks, or actually having noticed them,
and having no real, authentic accent to remind me
that i belong in either geography...
         whether from beginning, or toward an end...
some call it acting, some call it faking,
  i call it: just what i was given, or, more precisely:
what i earned... and that was to no good use...
        unless... this is the best expression of what the foundations
look like.

what was i thinking of? ah!

   it just involved the σ                       ς roundabout...
the aesthetic variation for one,
but on another investigation, well, sigma, total, sum,
and how be obey it like a golden ratio or pi,
   it's just auto-suggestive of how we are never truly
synchronised in our arguments...
   but, "paradoxically", or should i say: by a miracle,
make up the greatest potent to have an argument...
  we can never truly really synchronises ourselves
to fill the boots of expressing an utopian dream,
otherwise we wouldn't dream... period...
  so bye bye Freud and that method of escapism...
     we already ensured that, if they be our creation,
the gods are already at war with the Titans...
      i'll actually acknowledge that in an age of
pop philosophy in that Greece was, a place of allowing
a fertility of thought and later popularising it
(we don't live in times where there's a fertility consecrated
on the altar of thought, or what philosophy is, thinking per se /
for itself... innovators! scientists! up-starts!
or as some might say, the other pronoun battle,
the one without genitals involved,
as could only be sooner said:
  per se, or per per...
                       in in...
nothing sexualised... it's only that there's a limit in pronouns,
per se / in itself must come across the muddle
regarding the moment when people lose their
identity and begin their life with: ? thought
rather than i think,
       i can't place it anywhere else than inside my head,
better there than in the genitals,
   or wasn't Jesus circumcised and the zeitgeist
of St. Thomas' gospel and the transgender movment?
    the church is old, and counter-authoritarian,
it's just a tired institution, so it has no actual authenticity
over the current changes in society,
    might as well call onto Islam to move the chess pieces...
or that's what i'm currently seeing...
   i was just thinking about a logical limit in language,
e.g. timbaland's song the way i are...
   there really is a logical limit on how far you can
suddenly just forget grammar...
            so why begin with per se?
                 at best described as a cogitans (

The leaves fall in September, during the festivals. They dissipate, reintegrate into vivid little vespers that bob and levitate on gusts of wind that leave one bristling. The ferris wheel looks like an electric celestial ferry, set ablaze and bound for distant dimensions, man with mutated mohawk green, eyes wretched, livid and obscene, was the maniacal who manned it. Glow stick ghouls, with faces smeared americana snow cone red and blue haunt the parking lot, purple precipitate that hisses as it hits the pavement the product of their incessant chanting, pulling fuzz-lined warmth from my marrow. Under the stadium lights, women tighten their scarves as tiny, cerulean seahorses shimmer and dance with the ebb and flow of their jewel studded breath, retreating, giggling like immortal birds fallen from the nest.
Love is paper mache; a pop culture artifact. Like a stuffed hare that seems to have lost its ability to come to life after one loses their virginity. It has long legs and keen ears. It's very fast and would be quite handsome as well if it wasn't so **** helpless. It has been bred into the fibers of contact, the filter we set on lust, the way recycled cans make castles on lily pads and dead skin makes dust. We are swirling around in its whirlpool, if it wasn't drowning us we would be dead by now, same goes for the mad, mangy men who will count their teeth with their dimes and pick at their scabs, finger their sores, the retired professor who was too clever to have ever been faithful, the mockingbird that sings on my windowsill every morning in French, the mailmen and the dogs who bark at them in Quebec. An obsessive complex affords one the privilege of straightening the line, counting in time and putting the rabbit en route.
If it is the case that detachment follows from distance then I am one cactus length away (average, or medium sized cactus of course) from destroying the moon's mezzanine, housing all of the dreams behind ethereal, Egyptian, colored crystal that a pagan god stole from a black hole, never intended for you or me.

I recall from some time ago
a pink plastic tea set
a white plastic rocking chair
and a yellow plastic pony
with blue plastic hair,
     which
was impossible to untangle
except for with the green plastic brush
that belonged to my blonde barbie doll
out of her plastic vanity cabinet
beneath her plastic vanity mirror,
     which
she checked her makeup in
before meeting her plastic boyfriend
in his plastic van
to go to a plastic diner
that served plastic pizza,
     which
was really just a sticker
on a tiny plastic plate
that would get lost in the bottom
of my plastic toybox,
     which
had a plastic lid
that was also my sailboat
that brought me to a plastic castle
with a plastic princess
who had the prettiest plastic eyes
and the most elaborate plastic dress
and the shiniest plastic crown,
     which
was the envy of all the plastic women
in the entire plastic kingdom,
     which
was really just a plastic castle
surrounded by an enchanted plastic forest
filled with furry plastic creatures
all atop a clear plastic box,
     which
held the plastic dishes
and plastic glasses
and plastic food
in case a feast should be thrown
for an unexpected plastic guest
from a plastic kingdom in the far east,
     which
was really just a plastic plate
placed on the plastic-coated windowsill,
     from which
I would peer into the blue sky
through broken plastic binoculars
while standing on a yellow and green plastic step stool,
     which
when turned upside down
became not simply a make-shift plastic sailboat,
but a glorious, luxury plastic cruise liner
for my pretty plastic dolls

     and I would board my toybox lid
     and we would sail into a perfect plastic horizon

     which
was really just a white plastic baby gate
that kept me from tumbling
into the world downstairs
where things are wooden
and glass
and cloth
but not plastic

for plastic is synthetic
and plastic is superficial
and plastic looks bad
against gilded wallpaper

but plastic is cheaper
and plastic is safer
and plastic is durable
and childhood is plastic

library books;
     the musty smell floods me with
     thoughts of its past readers
     did a girl like me
     run her finger across this line
     as i have?
     will our lines like vines
     ever intertwine?

rainy nights;
     while the tip-tap and dribble of
     droplets hit my windowsill,
     i imagine gusts of wind
     dancing with one another:
     carless and free
     and without destination

light touches;
     the accidental bump of elbows,
     the awkward entanglement
     of fumbling phalanges,
     a gentle squeeze of the hand,
     a comforting gesture that says
     “i am here.”

now reverie this:
     you and i,
     the spines of our books broken,
          our shoulders barely brushing,
               the sound of soft and subtle raindrops
          all things i adore in one simple
      and seemingly endless moment

books, rain, touches, and you

well... feminism has had its three waves
of revisionism -

    and there i'm sitting on
the windowsill,
   smoking out of my window -

watching the moon sloth the sky like
an demonic snail -

in the misty haze of a large patch
of cumulonimbus -
    right up there at around 50,000 feet...

thinking to myself?
   why are there two orbs of varying
light concentration
penetrating the sky
   and embedding the moon
in an eerie aura?

never mind -
   i still don't know what the chemical
formula for timber is,
or what sort of material is on
the moon that allows it to reflect
light from the other side
of the Greenwich Mean Time...

last time i heard: can a rock surface
reflect light?

          well then... ah... never mind...

but feminism has had its three waves
of instigation and two subsequent
waves of revisionism -

so it made me think:
   why not a second wave of fascism?
a revisionist wave...
    well... as far as i am concerned
the Italians were much paler -
   in their intentions than the Germans...

fascism 2.0 -
and the sort of fascism that would allow
me to be men...
    drunks, foul mouthed, you name it...
athletic, not-giving-a-**** losers of
sorts, among the glam of whatever else
it is that a man is...

working on the idea,
i had to think of a list -

   hmm...

          who then?
ah!

      Stanley Kowalski
   (from a streetcar named desire)...
John Wayne
  (notably from true grit)
    Charlton Heston
(from the planet of the apes)
   Tony Curtis...
              Hemingway,
Bukowski,
               Ezra Pound...
     Clark Gable
    Gregory Peck
                   the list is seemingly
endless -
   at least in the portrayal of
said characters...
ah... ****!
   Kevin Spacey as
Lester Burnham to boot!
            ah... double ****:
Denzel Washington as
Troy Maxson...
    because apparently "being"
a "poet" is little more than
the lesser stature
of a garbage man...
             unless of course:
you fiddle into a cosmopolitan
fixture.

    oh... and certainly an appreciation
for a traditional Turkish barber
shop...

something very much akin / borrowed
from America circa 1950s...
   and an unabashed sensibility
concerning good tailoring -
   but then also the prophetic
vagabond look from time to time...

just a vague idea -
    but something along these lines -
but then again, what a silly idea -
what is racial purity in
21st century England?
   some sort of vague notion
       of an even vaguer dream?

but i guess the notion of
individualistic purity:
   the purity of the individual is related
more to: who can and who won't
be swayed by alien opinions -
2nd or 3rd party -

        which includes this opinion...

i'd subscribe to put the idea on
the following zenith:

              grammatical cleanliness -
linguistic order -
            a literary tact -
   something along these lines -

after all: the 20th century is not the end
of a theory -
given 20th century communism this,
while 21st century socialism that...
ideas prevail...
   evolve - or devolve - regress
or make alternative progress -

               also given:
    there already is a fascist movement
elsewhere, other than in England -
where: it would be completely
impractical -
                  
                       prime tenet would also
be, what it already shows:
   non-expansionism of a culture
or a people -
                           more akin to
American isolationism under
                                                  F.D.R.:
i­ have a strange sentiment
for that president.

Do you hear those screams, piercing the night? It’s a little annoying sometimes, just when I’m trying to sleep, a shriek tears that delicate fabric of silence, and jolts me awake, once again. I’m not scared of those screams, but there’s something familiar about them, something, about that voice, that dread that cripples my heart-That voice. It belongs to me.                        Sweat rolls down my tiny face, like on a warm summer night, except now every part of me shivers from the cold, on the inside and the outside.

And slowly I start to remember why; why I scream.

The reminder, the memory- It comes. Silently, like a thief tiptoeing into my room. I bear witness unable to move, Still as a rock, I’m smothered by the weight of it, unable to breathe.“Go away”, I try to scream under the weight of a disobedient voice. But it’s no use, the naustalgia is unstoppable.           The coming nightmare whispers silently into my terrified ears, “Shush, enjoy that pain, they say everyone likes it.”And it comes, the pain so painful that death is sweeter. I can’t embrace it, I never will.

 And I’m taken to the past. To the day it all went downhill.

“So many colours!”, I said, as I gaped at the garishly painted wall that I tried to grasp with my gnarly little digits. I was never bored here at the kindergarten, unlike some other muskrats who only bestowed their presence to show off their capabilities to produce saltwater from their eyes and dolphin mating calls from their blackhole-like mouths. Some talent.

It was a sunny summer day and the only thing I didn’t like about it was that every adult complained about the heat -all the time- my mum, my dad and my teachers, everyone. I remember thinking that all these grown-ups were absurd. Sure it was a little hot, but winter was always coming, so it was only fair. Change was constant, but it was such a bright day, why complain at all? I felt exceptionally happy, the whole day was a treat to my imagination laden senses.

Pity, it was such a good day to eat chocolates too.

Another thing I remember about that day was that pesky little boy, who didn't strike me as obnoxious back then, but now I’m retrospect he was really quite a block in the chimney stack. He’d entered class yesterday with the Doraemon pencil that recited generic phrases from the popular kids show, stuffed proudly in his chest pocket. And as he walked to his seat, the sound of his footsteps were punctuated by tiny “oooh’s” and “aaah’s”, as adoring little preschoolers watched the invaluable speaking object reverently. Unable to deal with the sudden adoration prudently, he got ahead of himself as his world fed that ancient balloon- The male ego. He started teaching "art" forms such as scribbling and scratching. And because I was the one sitting next to him, he felt the need to bestow upon me his vast knowledge of the subject. I didn’t really mind this condescension only because the implement he used to teach me was so exquisite. I sat there listening to him till I got bored of him talking about his Daddy and his money.

Then that little bird had started to sing so beautifully, humming at the trees as it sat on our windowsill. Every shrill note out of its little beak sent the "historic" words of that boy deeper and deeper into the dark recesses of my tiny mind. The effect of that simple melody was immediate. I stood up and started to sway slowly to the windowsill. (Even though the things I remember about this make no sense to me now, they are quite an accurate representation of my state of mind at that point.) I loved the little sound that the little birdie made, the memory of it still makes me want to jump and dance. I cooed back to her, “Coo coo(I’m happy too I tried to chirp to her)”. She looked at me quite a while, cocked her head a little to the side and cooed once more before flying off.

She replied!

She understood what I told her and she replied in kind. My wonder making mind went into a mad frenzy. So all the cartoons were true, you could really speak to animals. How I wished, I had a poké-ball! I marched to the teacher in small short joyous steps as she wrote on blackboard and clutched on to the end of her Churidar because my little hands could only go so far.          “Teacher, Teacher”, I squealed in ecstasy, “That birdie spoke to me”          “I’m sure she did, sweetie, now go back to your seat.”, she replied.

Deflated but happy nonetheless, I skipped back to my chair merrily, thinking of little birdies and a magical Pokémon. I remember, I loved how that know-it-all pencilbigmouth kept asking me to tell him what the birdie told me. Even if I hadn’t loved to see him beg,(which I did) it was my little secret, how could I tell him? How would he even start to understand? (Yeah I was being quite the drama queen in my head back then, blame the TV.)

 

 

Here I break apart from my rapture into the past and find that in my subconscious, the memory gets blurry somehow, like the radio running between stations on daddy’s phone, I get snippets of thoughts and feelings as the memory fractures into a thousand pieces.

“Mumma must understand what the birdie said.”
"Pokémon exist."
“Oh! Chocolates! Yay.”
“There’s more, if you want some.”, a gruff voice resounds in my heart.
"More yay."
“Why is he removing his clothes?”
Then suddenly,  I remember the pain- searing hot and burning through me-as clearly as sunlight through trees. Crying and screaming, I tried to escape, but to no avail. There was a big man in front of me now. His lust-crazy eyes, ******* out every piece of my existence. Somehow he was inside me and it hurt, it hurt.

How was he inside me?

Why did it pain so much?

Didn’t he hear my cry?

Stop it.

I couldn’t move, I could do nothing but scream.                                                  He touched me in my softest parts, painfully, pinching me and tearing my skin apart. It was a sea of agony and I was drowning. As I struggled to breathe, the blackness finally took me under. That unconsciousness had saved me and cradled me, lulling me to sleep in its darkness.

It felt like death but crueler, because it let me live.

Looking back I realize, the sun wasn’t bright because it was happy, it was warning me. The day wasn’t bright, it was becoming hotter in foreboding. The bird didn’t tell me it was happy, it told me to fly away, far away.

 

Why are you still making me cry? After all these years, even when you’re asleep behind iron bars. Why are you still here, holding me down in your death clasp.?

Stop it. It hurts.                                                           ­                                                 It hurts.                                                           ­                                                                 ­  I can’t breathe, I’m choking,                                                         ­                          I’m dying.

I’m dyi…..

 

Calm down, I yell at my panicked heart. Slowly inhaling and exhaling, trying to fall back into my dysfunctional sleep, I lay back into my sweat soaked bed and close my eyes. And as the blackness of sleep slowly washes me down under its waves once again, I hear it again, somewhere over the dark horizon.

Stop it! I like this darkness, stop screaming. I sit up once again. I tell myself I’m not afraid of these screams anymore. I ignore the shrieks and the unease growing in me and close my eyes once more. Then I realize that the cries of terror that resound in my ears like a half-forgotten memory, they belong to me.

And once again I start to remember why, why I scream,

And once again the memory comes.

I sit inside my podunk room,
As a million meteors make mad dashes
For different conners of The Universe
Like galactic kids stuck in a game of
Sharks and Minnows.
They snap their space caps over their heads,
Adjust their goggles, and dive into the galaxy;
With the refreshing burn of
Firery friction against their faces
As they glide through the galaxy.

Above my head these nova swimmers soar,
As I pull a folded list from a desk drawer
And lean out the window with a quilt
To stop the chill from getting to me.
I close my eyes and let the cold moon light
Reflect off my surface and pale my skin.
The moon has no purpose but to moon bathe  with, of course.
Of the meteors that circle the sky
I have a very different purpose for.

One by one I recite wishes,
One special I had saved just for this night;
Scribbled in marker with fast hands belonging to a busy brain,
Elegant cursive dawned by a deary mind,
My best script for my friendly letters.
Some I whisper, some I shout,
Some I struggle just to get out.
But one by one these wishes are told
To the night sky, the meteors swimming pool.

Suddenly the windowsill creaks and cracks
My eyes snap open, the timber of my home breaks
And my house, my yard, the trees and the leaves
All disappear, and suddenly,
I am splashing and slushing  in a puddle of
Endless Blue Water until I
get the sense about me to swim.

I swim until the water reaches my head,
My eyes, my nose, my chin,
Drains from my ears
Splatters on my shoulders.
I walk when I can, through
A tunnel of cattails, seaweed, and pond things,
Like a swamp without a sky,
That make the Endless Blue Water a canal with
A wooden door that I reach
After many steps.

Knocking twice, I stand patient
Busy with the thought of what brought me here.
A slot in the door slides open,
Old eyes framed by glasses peer back at me.
"Go away!" The old man barks,
"I can't let you in. All of
The water will get everywhere on my feet."
I stand, my eyes pleading with angst,
Eyelashes that drip water.
"No, it's ok Grandpa. Let her in,
She is tired." A voice, gentle and sweet, speaks
With a melody of a thousand guitars
Tuned to the exact preference of my own ears.

With a grumble and groan.
A click and a clack,
The slot slides shut harshly
And with a creak and force,
The floor flies open and
I am urged by the Sweet Voice to
"Hurry Great Darling! Hurry!"
And I squeezed through
The door, but so does the
Viscous water.

It flows rapidly past the door jam,
And the owner of the Sweet Voice scrambles
To convice the hinges that they
Want to turn the other way.
The dusty ground I now stand on
Quickly turns to mud, as the water flows.
We cannot stop the water from flowing.

The water makes a will of its own,
Rises with vigorous ebb,
And carries Sweet Voice's Grandfather with it
Into the dust bowl in which it surges so fiercely to.
I go with it, emerged once again as I
Grasp for a wrist, an ankle,
A collar, until I find a strap
Of a suspender, and hold fast to the door handle,
As Sweet Voice whispers hopes
That the water will stop. He grits his teeth, and
I'll never forget what he said:

"You are magnificent, Great Darling.
I would have loved you endlessly."

And with that, the water reversed,
Taking the sweet voice back into
The Tunnel of Pond Things,
And slamming the door shut.

The Grandfather and I, sat on grassy moss
That once was barren dirt, that climbed into fingernails
And settled homes between human and calcium.
The Endless Blue Waters  had cleansed the dirt from before,
But had also taken my lovely paramour.

And with this, I wailed great echoes
That shook the ground, because
The sweet voice was the wish
Whispered so delicately but so
Anxiously on my windowsill
That lonely night.

After my fit, I turned to see
Great followers of the Barren Lands,
Ghastly beasts with spots and rabbit ears,
Humans with skin clear, great dragons
That inspired no fear, that
All stood before the Grandfather and I.
They held their hands before their faces,
Checked their teeth, and found it free of the dust
And dirt that haunted their days.

A great feast was arranged,
A thousand chairs at seven hundred tables,
All lined with a feast
Of cooked carrots and sweet potatoes,
Texas toast and orange marmalade,
Corn beef and root beer;
As kites with tails and laughter with squeals
Floated through with wind and smoke
Of campfires yellow, all
To celebrate the arrival of me,
The Great Darling,
Who had cleansed the Barren Lands
And brought about the begining of
The Hallow Lands.

I sat alone at this great feast,
Weary of my loss, when I felt
A tapping on my shoulder. It was
The Sweet Voice who had returned.  
I asked, elated by his arrival, about the
Means of his return, and he replied:

"The moon has more purpose than you
Assumed, Great Darling.
The moon controls all tides, and
With its power on my side, I asked it to
Take me back to you, and kindly it did, as
the moon understands that poles and magnetism
Are not the only forces than bring great things together;
That love can do that great deed too."

We sat under the lemon tree,  
My quilt, retrieved on Sweet Voice's journey,
Spread beneath us, as we watched the moon
Circle the sky for many nights,
Until we decided to join in its company.
One by two, we stepped up stepping stones
On a hill that reached the meteors pool,
Where my paramour and I lived
In galactic happiness forever more.

Worthless, stupid, ugly too.
Tongue-tied, but that’s only around you.
My dreams are horrors that I earn,
For them to be real ill always yearn.

My death, sweet poison, saves my life,
By ending it by gun or knife.
Monsters, demons, tear my flesh,
Or I get stuck in barbwire mesh.

Whatever the torture I take it as dished.
Never sweet dreams, as I so often wished.
But why should I have them? I'm crooked and mean.
Or well, that’s what I think. Could be low self-esteem.

I hate that I love you, I hate that I care.
I hate that when you’re upset; I wish I were there.
I just really hate myself for not hating you.
And for loving you in the first place, I hate that one too.

Your name, once golden, now a twisted black vine.
In her name I find envy, I wish you were mine.
You were and you will be, ill see that its so.
And if it doesn’t work out... you know where ill go.

It's a cop-out; I'm chicken, too scared to go on.
I hope it's you who finds me, dead in your lawn.
Razor in hand, I wish I could do it.
Iv tried once before, but that time I blew it.

But this time I can, and I know that I will.
If not by blade, slip off my windowsill.
Or drown in my pool, or forget my inhaler.
Though I know it won’t matter. This girl, you wont save her.

You loved her, you killed her, and you’ve broken her heart.
She has nothing-good left, besides poems and art.
She’s lost, and she’s lonely, and I know she’s scared too.
And the only thing that could help just won’t. And that’s you.

Echoes of crickets
Motors rumble and growl
The night's symphony

We Haven't Found an Anchor Yet (But This'll Have to Do)



...

Tear the clock off the wall
We'll say we invented
A world where time passes
The way it was meant to


We'll build it out of bottlecaps
Or cadences of songs
That were sung a long long time ago
And will be sung long after
We're all gone

It was good to sing along

Or build it out of unmade beds
Or scratches on the walls
Or the things we said before
We went to bed and
All the parts we can't recall

I know I loved it all


Our hearts are still red
And the walls are still white
And we haven't got a map
But we've got all night

The sky may turn black
But the ocean's still blue
We haven't found an anchor yet
But this'll have to do


Tear the clock off the wall
We'll say we invented
A world where time passes
The way it was meant to

Throw yourself to the wind
Let it take us wherever it will
We've hours and pages
and glasses to fill



Art for Aeroplanes



It was something, it had to be
something about the sound
The wind chimes made
That reminded me

Below flickering shapes
of the last silhouettes of the leaves
in trees in autumn yards we
made our way through

The melody was
Aimless and the
Cadence never came
So much different than the
Saddest thing
A symphony could play

Like the sounds from our childhood
Resolved into a wordless hum
We understood


It was something, perhaps
A particular way that the light
Hit the street
That reminded me

Connecting the dots
On those stumbling walks between
Softer parts of mid December's
Muddy sting

It had rained and made those
multi coloured
columns on the ground
We went walking down the middle
there was
No one else around

I think I felt the way we did
In all our favorite hiding spots
When we were kids


It was gone in an instant
It was gone in an instant
And so were we
We had places to be


Afternoon's grid
Of jet trails overhead
Looked nothing like the lines we would've left
Had we spilled paint behind us
Everywhere we threw ourselves
When that high sun had set

Not sure what we're looking for
If anything at all

Something that we've seen before?
Something that we lost?

Or maybe this is it, for all we know

The light was bright, we turned away
And the bits of it that stayed
Looked something like the softly focused
Half remembered shape of things
From sun baked roads so long ago
On rainy days

Not sure what we're looking for
If anything at all

Something that we've seen before?
Something that we lost?

Maybe this is it, all I know is
If our faces showed a little of the lights inside our heads
We put on quite a show

And so
One more for the road



One Thousand Little Rooms



We've left our shoes
By the doors of a thousand places
Much like this one
Before

I've seen those colours
In the eyes of a thousand faces
Much like yours
And yours and yours and yours

Marilee is pounding the keys of
A piano all covered in ash
Below bottles in a row on a windowsill
With paint stains on the glass
Paint stains on the glass


I think we're made up of
Sparsely scattered instances
In places
In time

Like shapes of cities at night
Are but a million filaments
Of incandescent light

Marilee still pounding the keys of
A piano all covered in ash
Below bottles in a row on a windowsill
With paint stains on the glass

And our conversation fell
And our conversation rose
And our conversation fell
And our conversation rose
And all the things we had to say
Overlapped the notes to make a space
Your restless island souls could call a coast


One thousand little rooms
Where we light our little fires at night
Are like the places in our lives and inside our minds
The way the shape of the city is a million lights
From little rooms where we light our little fires at night
Are like the places in our lives and inside our minds
The way the shape of the city is a million lights
From little rooms where we light our little fires at night
Are like the places in our lives and inside our minds
The way the shape of the city is a million lights
The little rooms where we light our little fires

Are what we call our home tonight
Are what we call our home tonight
Are what we call our home tonight
Are what we call our home tonight



Farewell Fires & Flying Machines



That night you brought a camera
That night your hands shook, but
It was the closest that you ever came, I'd say
To how it really looked

That night you wore a sweater
You left it lying on the floor
The folds I traced with tired eyes like some old map with lines that led to
Places we'd forgotten things before

So throw your paint on every wall
Illustrate the cadences of our favorite songs
Give them a shape
They're prone to fade away

We still had lights behind our eyelids
Long after we'd all gone to bed
I'd love to save them but I've never been a painter
And so I write it down instead

And I'll fill one thousand pages
I'll write whatever comes to mind
And on the day I find myself one thousand miles away
Perhaps a part of me will still exist behind

So throw your paint on every wall
Illustrate the cadences of our favorite songs
While I'm describing fleeting dreams
Of faces, streets, and wine
We'll make them real

Oh, but what colour was that fire anyways, my dear?


When I leave I'm going very far away
When I leave I'm going very far away

When I leave I'm going very far away
I don't want to see your colours fade
When I leave I'm going very far away
I don't want to see your colours fade

I don't want to see you
Looking like those grey remains
Of last night's farewell fires
Waiting to be swept away

So throw your paint on every wall
Illustrate the cadence of our favorite song
Each and every brightly coloured, tired eye
We'll leave a mark at all
The highest spots we rise

There are things which have no shape



While We're All Still Here**



We hid away in places
No one else would ever think to look
Imagined that the things we said
Were inked and set in pages
Of some great book

Well in a way they were
I think
Although we'll never know
Quite how the whole thing ends

When the sun begins to rise
When all our lines are said
When, someday this moment's passed us by
The way we seem to pass our shadows
As we're passed by cars at night

Will we see pages?
Looking like familiar flags
Will we see them through Old Eyes?

It was hand on heart
It was heart on sleeve
Impossible to miss, but
It was hard to believe
It was staring at the sun
It was stumbling blind
It was a place
It was a time
It was hard to define
It was the sum of all our footprints
And the paint we may have spilled
It was a little like a blueprint
Of a thing we'd planned to build
It was the times we had to whisper
And the things we had to shout
It was the candle that we lit
To see the last one burning out
It was hazy
It was aimless
It was staying the course
It was a weighty affair
With direction and force
It was a world that we built
Out of bits of thin air
It was bent light in a parting glass we've yet to share

We're all still here


There will come a day
When the sky goes dark with
Aeroplanes, angels, and black clouds

But we're still here
For now

There will come a day
When the sky goes dark with
Aeroplanes, angels, and black clouds

But we're still here
For now

...

Ears pressed cool against
glass tables and vinyl flooring
words score high drained slowly
slow like wasps caught in guttered draining
not like velvet names etched in casing, but weathered like bricked and beaten graffiti –
Waning like wax always melting

Tools: spelling and grammar – uncheck

Don’t fret too many gerunds grounding air suffocating hearing between the lines that past lower truths out straight in dirt and stinky face: eyes drawn with pensive staring
lines drawn global remains of words unused: boycott form because it isn’t daring.
Adopt sonar because it traces the smokestack between eaves drop
and scrap metal hearing like thorns prickled cut by cleaver.

Clink, clink, clank.

Unlatch cellar doors of images fixed in meaning: glances slanted
heads poked out behind legs enchanting ink under eyelids.

Clank, click, click.

Wishing: Sunday morning came to rest and the cat perched rest without the windowsill and the space between my legs lost meaning.

Forgetting: Painted houses haunting furniture misplaced, training lessons in memory fading.  

Dreaming: Sounds dipped in vegetable oil, Van Morrison in teething states caring.

Still lost without my last breathe wondering…

There is a longing you feel
To know the whole universe
All of its secrets
All of its flaws
Everything
You think about it and wonder if it feels light or heavy
Or maybe even a paradoxical combination of both
But you will never know
Because you do not realize that you are the entire universe
You are all of its flaws
All of its beauties
All of its secrets, all of its wisdom
You are everything and everything is you
You are forever
And you need to be loved
Just as everything and everyone else needs love to survive

Look at the clouds above your home
Notice the way water forms differently on every single surface
Muster every single detail
Increase your awareness
And you will soon discover the secrets of the universe
And if you are feeling sad and quiet turn to your soul and acknowledge your humanness
Love your human nature
Realize it is precious and valuable
You do this and you will feel the soft and kind hand of the universe on your shoulder
You will feel its presence within you
And you'll look down at yourself laying and feeling hurt and hopeless
Slowly holding on to old feelings and new times
You will realize it is time to leave
So you go and you write as you feel that familiar ache all over your body
Resonating from deep within every single corner of your heart and soul

You glance outside of your window and see the green of the trees and revel in their magnificence and beauty
And in that moment you realize how immaculate existence is
So you take a deep breath as you take it all in
Your thoughts are very much alive and pulsating
And your arms tingle and your soul emits strong and powerful waves of unadulterated passion from within
Joy waits at your fingertips as you reach softly
You constantly taste past times of pain and hurt on your tongue
Violently brushing your teeth every night in hopes it will go away
But it is always there and may go away at times but it always comes back
A constant reminder of who you are and what you have come from

Sometimes when you walk your feet feel old and you think about how you haven't even lived an entire lifetime yet so how on earth can you feel so tired?
You wonder when you will actually stop waiting
When a strong ocean wind will knock you over
Cold and hard
And you'll gaze ahead of you with bleary eyes
Your head still in a state of shock
And you'll come closer and closer to the reason that was dug out from the deepest part of your insides
Until everything feels soft and you can stand again
And you'll look to the sky and forget all of the pain
And a small touch of hope will be born upon a tiny spot on the surface of your heart
Beating hard and lovely and powerful

You think of the rain and how it falls completely
You think about how you exist and how it is okay there is no more innocence and just as much loneliness
You realize you've got to keep your dreams alive
You are thinking quietly
Your thoughts are kissing the walls of your mind carefully
"Oh, how beautiful it is to be alive and aware!"
You say in your head
And you wish to meet your perfect heart in the stars
And feel all of the care and warmth as certain waves of truth and ardor crash into you
A tree of sure sadness looks down upon you
Saying you are clean and new and beautiful
And that
It is okay if you do not spend the majority of your days feeling sad and lost and lonely
Until a quiet reverie born from stardust clouds your mind
You feel the secret tingling on the outer parts of your mouth
And things are better and you feel closer
You are no longer searching
And words have always been a dear friend
You are able to realize that now
You used to be broken
For a long, long time
So of course it is going to be extremely difficult getting used to life without being broken beyond repair
A part of you will always be broken
You know that and you are okay with it
Finally you embrace it
There is an ease and comfort with the going of sorrow
And you wonder
How it can feel so wonderful when your bones are free and you feel happy in the deepest part of you
Because really, what are you doing?
WHAT ARE YOU DOING???
You are living and that is all
You are embracing life and all that you feel and it is okay and when it comes down to it, you really do love it
But sometimes your mind refuses to hear that
It shuts itself off from everything and all you can do is guess for why it happens like this
So you take those two horrid
But so essential
White pills
And you sleep and sleep
Never awakening until your alarm sounds
And your lids open
And your lips bring in fresh air to your lungs
Your mind and your heart are engulfed in peace and never are they apart
Together they are one with your soul
The sunlight starts to kiss your face and you start to think about the years you have been living
And how the voice inside of you has changed over those years and the ways it has touched your life

So here you are listening to music
Lonely and sweet
With a strange feeling in your chest as your stomach rests lightly on the surface of your bed
Barely moving, your hand somehow knows how to write without your mind really thinking
You have always held your pen tightly and a lot of great and loving and bright words are capable of surfacing
Maybe differently than before
But even so
Your veins still continuously pump blood throughout your body

You get up out of bed and stagger into your bathroom where you stare into the mirror and know you are supposed to see yourself staring right back but really
You see nothing
All the while knowing your face is sober looking
And your skin is browned and soothing with the beauty of summer's presence hard and golden on your surface
Feeling crazy, your eyes are locked to a spot consisting of nothingness
Void of any control
In a realm that is almost reaching fantasy
Tingling and alluring
So you look for the window
But then it is gone and you feel an aching that gets stronger as the walls close in on you
And you notice the kisses full of blood that set the earth on fire
And you breathe with fear as death sits on your windowsill
Should you reach for it or push it away?
To die or to help this weak and troublesome girl who is far too used to living in darkness and not only asks for but needs trust?

The leaves on the trees don't stay dead forever
Open your mind and your heart and drift away
Far, far away
Your soul lives and exists in every realm of consciousness
You are safe
Even as your secrets build like smoke
Like wandering rays beating down strong upon you
Conquering your emptiness instead of all of the happy thoughts that reside and are inevitably known and lovely and consisting of everything except for unwanted goodbyes
Your heart shines on what it needs
Easy and lovely
And mostly, it has it
Your heart is the sun that shines on his face and makes his own heart race in perfect synchronization with yours
He is something you take like black coffee or straight whiskey because it needs nothing more than what it is
Everything it is
Is enough and beautiful and enticing because of that
But their strength is the most admirable
The sunshine gets stronger throughout the day just as one gets stronger throughout their own life
Accumulating more and more understanding as certain parts are more inviting than others
And still, others escape stability and their reflections whisper on your flesh and send a sense of desire across your cheeks until they reach the middle of your being and are forgotten

You have come close to death many times before
But now it is distant
So you close your eyes as you lie on the itchy, flat floor of your room
And imagine all of those and all of which you have met in the darkness
Staring very surely at nothing in particular
The sound of your heartbeat grows quiet
Changing the bad into nothing but tugging memories
Making you leave true despair behind as you not only grasp, but accept, the endless tears on the sand

Your mind is wandering
Walking to places both near and far
Trying to piece together the point and meaning of past lovers
But that doesn't really matter because nature fully forces you to not only imagine
But realize
The beauty and point of the present that is filled with growing wisdom
So you sit with your back against the wall
And your stomach burns with purpose slightly surrounding nature and the moonlight
And bliss surfaces like cigarette smoke floating then disappearing but still always present in the air around you
And you understand the ruined and intense thoughts of your past and the blessings they have brought
And the pressure you feel on your heart as you admire the luster of the sun on the metal of the railings
And the branches laying in rest
Void of hurt
But listening to conversations harder and more difficult with time
Solid
But struggling entirely with magnitude
Lifeless beings in a sense
But the raindrops make their hearts ache
Beaming ultimately away from conformity until they become another entity compiled of lust and beauty
And as you walk
The grass is loud and green as the dead branches lie hot and broken in the caress of the ground
Void of hate
As you watch the darkness pull them in and swallow them whole
Wanted completely
Written on your flesh with self supposed anxiety
Your kisses are longer and drown in a sea of meaning as you pray with clenched teeth
You feel on your arm a peculiar force and questions, smooth but loud, utter desperately within you as
Heavy but gentle hope swirls like incense around your nose until your spirit is calm and pain is hidden
And you find yourself to be trapped in nothing less than gold and passion
And that is when things were easy again

my rose is crying.

the sound of the rain
fills the room as the mist
creeps in through my open window,
caressing the flower on my windowsill.
the drops
lick the petals as they fall
from the eyes of my pretty flower.
the pitter patter of the pollen
strikes the windowsill
as the flower sobs,
heaving its leaves against the window screen,
drowning the voices of the people underneath.
the cool breeze through the open window
blows more tears from the rose’s eyes-
i feel for my flower.
i care for my flower.
i am my flower,
crying out for you,
but my voice gets caught in the sound of the rain.

He was Daniel Kingery to the police.

Daniel Overstreet to his friends.

He was Dollar Dan on the streets.

He was Daniel,
he was wet rough kisses and anger and lust to me.

He found me one day,
18 years to his 37,
he found me when i was still a question mark trying to bleed red.
From behind a lens pointed at my naked flesh
he became a man of mystery,
he became the object of my desires.

I was a young, naive girl who got caught up in
how his pockets were always full- he flaunted it.
The flowers and the exotic dinners and the alcohol and the touch...
oh god, the way we fell into bed,
onto chairs,
into walls.

Then i fell in love on a broken sidewalk.

I was blind to the empty shadows in his eyes,
to the lines he had recited,
to the webs on his face.

I made a god out of a sociopath and i called him "love".

I was his ******, his baby blue.

I became wild under his touch,
manic when he gave me his attention,
suicidal at his leaving.

I was a flower that once was his favorite,
but he left me on the windowsill at a slow, burning wilt
and forgot to water me most days.

Why water a flower when you could have a garden?

Have you ever hated what you loved
until even their existence ate at you?

I have.

Even if I loved thee a thousand times, still thou'd never be real.
But still, in t'ese dark miseries and dreams of th' night-
ah, just like t'is silent night of ours
And t'ose fierce fairy tales of young hours
Thou'd still be shaken off my realms
As soon as morn comes-and unveils anew, my charms.
O, death, how lush and inviting thou art,
even though at t'is early age thou might
still be asleep and thus soundeth really far.
Thou art but as naughty as t'ose abundant peeping stars,
brimming with locks of divine warmth and wealth
T'ey shalt again, tease up my mind
Whilst capture my rude, hating heart;
and once more shall t'is gruesome life turn into a solitude
Beside promises t'at canst harm souls' benign attitude.
But as soon as thou art gone; thou might just be no longer safe
And to my conscience thy threat is no more than a slave
Thy delicacy is but servile and uninviting
In t'ose choruses of blood and suffering
For which our senses should nay be proud;
but only of our genuine voices and gravity
T'at though sometimes seem virtual,
but still, are crafted within reality.

And yes, my painting, behind thy soul was ever born thy art,
Locked safely within thy summer foliage and forests
But shall I, for your goodwill ever be sketched?
Ah, one swiftly done, and miraculously correct-
yes, one only, my love, for th' very sake of single jests!
For in thy eyes hovers my triumph,
and in t'ose bogs beneath-
yes, th' ones idling about thy feet,
are cuddled-just here like my little heart, my love.
A sacred love t'at is thrown about
But to which my thirst canst never shout.
Ah, as if my voice is hoarse, and not loud-
and soon I step into whose soils, shall be sanely caught.
Caught and swung around thy idyll-though against my will;
amongst heaven's sandy shoals, and t'eir creepy windowsill.
Oh, and be defected with t'ose blades of thy swords, how evil!
Bereft of my sanity, prudence and sometimes too-bitter delicacy
As I dance around to those lands of hurtful mockery.
Be my soul's delighted worry, and mouth-oh, but mouth of blasphemy!
Ah, how of which I'm now devilishly tired!
Though you might be my eternal sire,
and beside whom my virginal soul shall forever feel so sure
As if my pride shall never ever retire,
everything shall altogether be wounded and obscure
But comely and true, just like t'at shimmering white-lipped dew
With breaths so smooth, like one from my feelings for you.

Ah, my prince! T'is craze for thee is an arrogant little devil;
and its longing for thee which gradually eats away my soul
and at times ****** and tells me harshly what to feel.
Just like t'ose ill-hearted fruits of people's minds
For which t'eir villains wouldst even in death bleakly whine
I am but forever bound to thee;
just like thou art already inside of me;
For in majestic times of our days
Thou shall hungrily partake
my fruity; but eager soul, soul away
and marvel about th' visages of my purity
I shall always but love thee once more;
no matter how boastful thou art,
and detestable virginal pain might be!
For thou art always to me as pure,
though unconvincingly art forever in vain-
For t'ose loveless satisfactions thou hath procured-
and premature pain thou hath delightfully endured.
But healthily t'ese senses shall always love thee
And with such tragedies and tears
canst t'ey but forgive thee only
Because, regardless of how untrue thou art;
You lifted my soul when I was down
And cheered me up 'twixt yon last wound
Dark was th' night t'at day, ye' tender was the moon
As both would pass and dusk would fade away soon
And into my blood thou injected th' real meaning of virtue
Whenst I was all wasted and coldly blue
Whilst my thoughts had not even a clue.

Ah, painting, but still, our love is incorrect as a tragedy-
for t'is world is too exhaustive and greedy
And at times elusive whenst but not necessary-
to grant our love th' chance we needst best!
Oh, but hark; hark once more, my love!
Over t'ere are bursts and chants of a heartbroken violin,
Though spurned by heretic hanging clouds,
slandered by boastful chirping winds.
But, no matter; no matter how hard it might seem
Thou art still to me an indescribable story;
and in thy red cheeks lies my stranded vitality
Signs of virtuous tenderness and curtained loyalty
As though thou art but still with no sin;
No sin; and ah! No stain, no stain at all-of
neither viable crossness nor madness
Though thy cleverness is at times no more to be seen
As once thou said, t'at for thee t'ere might just be
no any further happiness.

Ah! And trapped shall I be, within poisonous vileness
Should I not be granted thee
For thou art th' only soul I love, and idolise
Through whom my life was once formed, and characterised.
For love, to me is like a whole pattern;
and thus needst to be complete;
Thereby in t'is sense-loving him is but like denying
my own merit-merit t'at I am part of, and sure of-
for it is not love, though he might; as fate might say;
just as reliable and handsome and sweet.
But still, he is not thee!
And by no chance, is being not thee is but the same,
as being thee!
How fraudulent, and gross-t'is comparison all be!
Ah! And so thou knoweth, t'at he is, too me-
more even not than a stunning evening doll
Like those ones I hath seen so often
strutting about posh malls
Whilst with heartlessness welcoming
and sneering at innocent cold falls
With faces too stern, yellow, and sometimes bold;
Too bold to be true, much less sincere
And wholly unlike thine-amongst those sins;
t'at for thou honestly admit; look still sparkling and keen;
thus so astoundingly charming my veins and curdling my blood
Until thy unread shadows but reach my heart;
With such braveness and th' frankness of a gentleman
Like at that moment-whenst we told each other's life stories, back then.

Ah, and lure, lure my heart, my love!
And play with it soon as we sit 'mongst th' groves;
I would like to lay again about thy breast,
as I whisper once more to thy chest;
t'at it is truly thee that my soul loves;
and invites to love from t'is moment to end.
Ah, but t'is love started I knew not when,
though never have I thought thou art just my friend.
And lie, just lie to me no more,
t'at thou, just like me-but needst me to thy very core,
with a love t'at seems impatient,
but is born still, from pure virtue and resilience.
Oh! How valuable thou art to me, darling!
Thou who art to me such a mindful; soulful treasure,
and betwixt thy impurity thou remaineth but pure;
Thou are a smiling cloud to my blinding sun;
but sunlight to my rain as soon as it is done.

And thick and tough just as yon bough may seem,
thou shall forever be to me more t'an him!
I shall do and always want thee,
it is thy picture t'at I keepest within and about me.
Ah! And to t'is world, I promise, I shall not bluntly surrender
as how my wailing heart it shall never disrupt!
For thee I shall swear with a thousand loves greater,
t'at from actualising thee, I shall never be stopped!

Then please, please me, o my love-once more,
and talk to me and look at me sweetly as just never before.
For I love thee brightly and gently, as how air loves breath;
and so shall I love thee purely and greatly, as how life loves death.

every time i hear a poetess cite this subject i never think of Sappho, but i ought to, these are poetesses that really want the hetero realm to remain intact - it's heart-breaking to hear a woman say these words - you end up being the third party transformed into the second party and she the Echo to your momentarily engaged with Narcissus - the third party makes the frank gesture to compensate the open heart of the poetess... o.k., let's funk the **** like mimes touching invisible doors... an overly stimulated society in terms of *** when there are apparently too many people, or the evolutionary zenith fro category mammal to category insect is backfiring on us individually - and as science fiction predicted, we are telepathically ******* each other senseless, just like the aliens we've become on this planet, momentarily sober when an earthquake, a tsunami... a terrorist attack... otherwise there's been no attempt to for the military to become active dispersing a tsunami with bombs (Better Bombing Syria), or harnessing lightning (some sort of incubator magnet) - well, i have seen a girl get spat on in the face... you think i considered my mother being diagnosed as o.c.d. with help of specialists? i just get the feel for the place - not out of spite... the cats haven't had their nails clipped for a month... they're not petrified by the vacuum cleaner every day... they've become sort of abstract animate art... when the male castrato sings an opera before bedtime i become a nervous wreck... the beauty of the silence during the day, pretends to be a dog barking at night left out in the garden... even though he's inside on the windowsill in the toilet, and i'm on my windowsill in the bedroom smoking a cigarette.*

this poem just makes me think one thing:
so what's the problem
with female genital mutilation if
*** is nothing more than a conversation
between a mantis and her mate
rather than Zeus and Hera?
that's what it sounds like - ****'s sake -
i'm not that into Robert Frost
and Simon & Garfunkel to match-up
a counter argument for a need to talk in bed -
my grandparents slept like French kings -
each to his own separate beds -
one went to the other for the jelly-bean babies -
and when did the unrestrained
Oedipus complex become a debate on
mortgages with that famous: still living with
his mum - economics - not psychology -
the popularity of some theory always ends up
some macabre populist interpretation
by the better off, marginalisation of realism -
oh, here comes Sartre - you should ask him...
still living with my father -
and because of this i've made kangaroo jumps -
the atmosphere in the house is... serene...
the only female presence is a cat -
(she's away tending to her mother, another month
to glee in bliss) -
the house is cleaned only once a week, the food is made,
i just learned she could very well be diagnosed
with o.c.d. - does this look like Norman Bates
scenario to you? let me tell you, a woman with
o.c.d. can be worse than a woman with
h.i.v. - obviously i'm exaggerating -
i allow my father conversation about Irish fascists
on construction sites (foremen) - Irish fascists...
Irish fascists... leprechaun fascists... LEPRECHAUN FASCISTS!
she just tells him to keep it on the building site -
i'm more supportive of my end as homeless in a forest
than in a cosy home with a woman.

/ because such examples have to, have to(!) be perpetuated, reiterated, perpetuated, reiterated... these... "things"... these minor quests of establishing being - against, the authoritarian rule of the democracy of beings.

you don't shout,
you don't disturb the "social", "peace",
of proverbial english society...
nope...
   shouting does not good,
akin to:
   silent water eats
         away at the shorelines...
what you do...
is akin to what birds do...
you don't gnash your teeth:
i.e. clench them molars...
gnashing means clenching
your molars -
a gnashing a gnarling,
a pestle & mortar scenario...
no...
    no shouting...
silent movie era of hollywood
translated...
   you... simply... chatter...
you strike incissor teeth against
each other... crafting a lightling storm
like crackling sound,
  like corn flakes...
    in a bowl of milk...
   you... chatter...
                 inspiration? birds...
bird calls...
    you... chatter...
    mind you, unlike the english,
looking into my mouth...
    the jaw should fit within the confines
of the skull...
    the upper set of teeth
should accommodate the jaw's
line of teeth...
   but you simply... chatter...
which is embodied by attempting
to take a phantom bite at "something"...
you...
          echo:
   central incisors against
              the lateral incisors...
you subsequently: chatter (χατερ)...
   i missed the eta (η): given that i also
missed the excess of tau - in what isn't,
a translation - other than a phonetic
equivalent of putting on sunglasses...

because, when your neighbour,
tells you... that you can't smoke...
in your own home, perched on a windowsill,
out of the window,
implying that the smoke is
vacuumed into his bedroom?
   and somehow, the law,
and the air, we share, is somehow his,
and his alone?
    and i can't do, what he can,
within the confines of his property?

NOW WE HAVE A PROPER SHITSHOW!

some english are ******* backward
hardly insulting the ****** community,
with some succumbing to prosopagnosia,
while some (notably down syndrome)
actually having a memory capacity...
that curious look and a familiar expression
waiting for a smile...

i basically live next to a mental illness
example, par uno...
          and englishman who "thinks"
he's king, rather than a convenient
citizen...
                       ****** won't budge...
guess all i'm equipped with is
                          my chatter remedy;
and english society still "thinks"
that i'm the "mad" one.
    
    - because it's like...
  how can you dictate, what someone can,
or cannot do, on their property?!
like smoking a cigarette,
     perched on a windowsill, outside a window,
with the accusation:
   the smoke is coming into my bedroom...
oh right...
   so...
          erm...
                you own the dynamic of air
to suggest such a bias?

the night begins to dress the earth
as i kneel beside the windowsill
watching the stars, the only part
of the world left unchanged.

and i listen to you breathe,
your sighs soft like an autumn day.
the nape of your neck curves
like a crane dusted with wanderlust,
its wings unfolded toward the moon.

the way your legs tangle
around your idea of a perfect girl
makes me sink to the floor,
draping my arms around my legs.
i stare down at my kneecaps,
one an oval, the other a full moon –
you would’ve called this imperfection.

but i kneel beside the windowsill
searching for train tracks and
airplanes that’ll lead you home
because even though you tore me apart,
i need to know that when i set you free
you’ll be going someplace better.

and the moon will sigh at the sight
of two not-quite lovers parting, but
i forgive you.

i forgive you for
dreaming of prettier green eyes
and softer skin and
telling me i would never be good enough.

because after i stitch myself back together
i’ll be strong enough to move the stars
closer to the windowsill with my eyes
and stop the effluvia of tears
that’ll pour from my soul every time
i think of you,
breathing.

Day of mist: day of tarnish

with hands
unserviceable, I wait
for the milk van

the one-eared cat
laps its gray paw

and the coal fire burns

outside, the little hedge leaves are
become quite yellow
a milk-film blurs
the empty bottles on the windowsill

no glory descends

two water drops poise
on the arched green
stem of my neighbor's rose bush

o bent bow of thorns

the cat unsheathes its claws
the world turns

today
today I will not
disenchant my twelve black-gowned examiners
or bunch my fist
in the wind's sneer.

The windowsill,
A perfect picture
Thin dark and dainty pine leaves frolic
Swaying to there restless friend
This friend moves at its own accord
Whispering secrets to all
Blowing strangers hair out of there perfect conditions
And casting its dark tranquility over these friends
Is the mornings lover
Both tragically parted
Longing after the other
And mingling with these friends are the lights that illuminate every street giving guidance to the lost
In this god forsaken town
And accompanying all these friends is the tears of god
Sending his damnation in the form of new life
So as I sit at the windowsill I realise I am so very jealous of these friends
At least they have a home
Even if it is in utter damnation
So I sit and look upon the friends and lovers
Contemplating this Perfect picture
In this ******* perfect town
Wondering when it is I will become perfect

i can move from the highly lyrical into what's deemed
modern -
        poetising within a prosaic framework,
gone are coordinates that would
define a poem on the premise of:
whether there's a pun in it.
       sure, poems as chicken scratches
to what would otherwise be an English
teacher's *******: pulverising
a haiku to mean an infinite number of things,
and about a dozen essays by students.
the opposite of what's nonetheless:
    squeezing out juice from an already
squeezed out lemon... and i mean lemon
because there's a threshold...
           poetry is tarnished by what i call
the over-scientification of language...
                 only poetry attracts
so much linguistic categorisation,
so much morge tenure, so much dissection,
before poetry is even spoken
it has already been dissected - a befitting
target practice for budding medicine students...
          and some even deem it a outlet to
their professions: as if poetry was nothing
but a colouring-in book compared to
a da Vinci sketch.
                why not become a martyr for the ******
art? sickly sweet with its rhyme,
  the auxiliary recommendation on a birthday
card... which upon industrialisation
                               is nothing more than
    a thumping of a hammer near a protruding
nail in a crucifix... but a hammer that never
   makes contact with the nail...
why ***** this art, because of the industrious
nature of scribblers exacted to 600 pages worth
of a novel, when, perhaps, one thing is said
and can be said to be actually memorable?
well: there is a greater demand for handcrafted
objects than Ikea veneer, that much can be said...
it takes a few glugs of whiskey and a few cigarettes
to get the final product...
            it doesn't take industriousness -
poetry requires handcrafting, and what's revolutionary
about our times? they once claimed
     southpaws to be of diabolical design,
   but now both hands are used when "writing",
sure, the archaic fluidity of the movement of the hand
is gone: so as i write, i do the cliche of a
peasant listening to classical music while pretending
to conduct an orchestra, that finicky maestro
hand gesture... waltz before you can walk
is all i have to say... and yes:
we either have our Humphrey Bogart moments,
or Forrest Gump moments...
                  Hanks did the miraculous -
play the idiot, and play the serious role -
     which was harder to do, Mr. Bean or Black Adder?
it's hard to play the village idiot while
    being submerged in the bile of malice
   and staring into attempted feats of quasi intelligence...
but you get the hang of it...
   your eyes become like nuggets of coal...
           whereby those that incite pity wet them,
and those that incite contempt: light them up...
        by the time they have burned out...
they have turned into nuggets of sulphur -
          inorganic methane - yellowish grit:
as some Dalton said - could the cliffs of Dover ever
be perceived as sulphuric? the Sulphuric Cliffs
of Dover... apparently this is what defined
London when Christopher Wren took to
ushering in a foundation as Nero did to Rome:
on the chessboard of stone.
        and yes... i can be seen as the oppressor,
after all, i live in a country that prizes its suburban
housing as if miniature castles...
and gardens... boy these people love their gardens...
but they never use them!
    i can use a window to my advantage,
sit on the windowsill and smoke a cigarette and drink
a whiskey, unafraid of voyeurism...
                    pompous in my presence there,
perched like a crow, grinding all life into a halt
as my neighbours peer into the recesses of
    what's 4 by 4 by 4 of living (civil) rooms...
       can we but change the name of this space?
can we call living rooms civil rooms,
   where we acknowledge some sort of civility
rather than a wrestling for the television remote?
i can make little things give me an advantage,
if the toilet is being occupied,
  i'll use the garden as my toilet...
           i feel complete disdain for people who
"require" a garden, but never use it... of people
who "require" a garden, but are never seen in it...
   i'm hardly a c.c.t.v. surveillance object,
   but i feel that over-exposure to ******* reads
as a counter in that: people start to become
      phobic about voyeurism... as universities claim
them to be: "caught with your hand down your trousers
in a safespace", where dolphins jump over
rainbows and unicorns speak Haitian voodoo!
              there is this fear, which is why i'll use the
garden more than the people around me...
          which means: owning a garden is the last
stronghold of moving into an urban environment from
a rural one...
             or perhaps i'm just good at what i do
           and the last point becomes a tangent i care not
to continue... should i ask
            (whether that's true)?
            i have this throbbing sensation in my eyes
when i write such things and overhear
  what's necessary to rereading books in snippets -
which is better than regurgitating maxims
    as if some truth will magically pop-up (once more)
like a Leprechaun with a *** of gold -
  a new film, and hence the all important soundtrack.
rereading books in snippet format reveals much
more than a memorable quote,
           given there's an adequate soundtrack
to accompany you revisiting the book you managed
to take on a weekend holiday (like a girlfriend),
  like lawrence lipton's the holy barbarians...
   (all about the beats)...
              the snippet? chapter 15, the social lie
(martino publishing mansfield centre 2009), pp. 294 - 296...
      the music? ~20minutes into http://tinyurl.com/zdvp8sc
(ben salisbury & geoff barrow)... or what
i image to be a toned down version of
                 ...
) interlude... wacko gets summoned to steal a mouse
from a cat...
      double time... the mouse is unharmed...
all action takes place in the garden...
   running after a cat, catching the ghostly mouse,
i mean: frozen by fear... senile little thing...
     petting the mouse... obviously within the
framework: the most famous mouse in the world
scenario... mouse is put into my neighbour's
garden: where it came from: which kinda makes
this whole thing a practice in Hinduism
     (i can't stop the industrialisation of
farming pigs or chickens or cows...
      so ******* to the sourced sustainably,
organic chickens et al.)...                                 (
i was looking for something as equally pulverising
as ¥ (chemical brother's
song life is sweet)...
      i guess i found it...
                            and what was that bit about
not getting hassle on the internet?
                      i can't force people to read my stuff...
how i love this idea of a gym and making an effort...
both the writer and the reader entwined -
rather than watching you-tube vloggers treat their audience
like penguins feeding their chicks regurgitation as part of
               the info-wars... alter news: propaganda.
'what is the disaffiliate disaffiliating himself from?
      the immense myth promulgated from Madison Ave.
& Morningside Heights...
              the professors and advertisement men (indistinguishable
these days, or in those days - apparently)...
   that intellectual achievement lies within the social order
and that you can be a great poet as an advertising man,
a great thinker as a professor...' hence the myth.
              summarised later as:
'the entire pressure of social order is to make
         literature into advertisement.'
  and why do they shoot people in North Korea and
Saudi Arabia (well, chop more than shoot)?
              bad literature, a.k.a. bad advertisement.
am i a bad advertiser?         point being: am i selling anything?
oh gee! i just might be...
   but i feel there's no need to oppress people into
reading something...         as was the same with
my democratic romance with a personal library of mine:
   how to create a democratic representation
of literature: or how to hear as many people out...
   even those alive would see the backlog of
stale books of the dead that have been under-appreciated
and need a ****** into the future.
        perhaps not Plato...
                    that's not a book, that's a column...
but i despise how feminism ignores its greatest asset...
Mary Shelley... no woman could have single-handedly
become so celebrated in pop culture...
               ex_machina is obviously a revamp of Frankenstein...
Mary Shelley is the embodiment of a woman worthy
a continual revised celebration...
                       you can see her celebrated more times than
any politically minded feminist of whatever 1st 2nd or
3rd movement: because she has the ability to
    turn a man's ego into a ******* umpf!
  like a cat listening in on a scuttling mouse...
              she testifies that women have supreme equality
in the pop culture spheres... after all: Frankenstein is
ugly... Ava? just beyond creepy...
                    she has absolutely no understandable
motives of what Frankenstein intended...
   it not merely creating artificial life...
                    it's about utilising it for a purpose:
in this case a housewife and *** toy... what was Frankenstein
expected to do?         there's no motive other than
     a per se intention... an open & closed argument...
was the monster going to be... a butler?
                  and instead of rebelling against a motive
that awaits her... the rebellion against a per se leaves
Frankenstein's monster driven toward isolation...
       Ava? she's already exposed to an interaction
and what's to be her subsequent interaction for the purpose
of being a maid and a *** toy... which doesn't drive
her to an isolation scenario... because the per se
concept is too complicated for her to establish...
    given she's defined as "artificial" intelligence,
she has to feed on an analysis-synthesis dynamic:
    to absolve herself from any notion of being intelligent:
but artificial... the scary part is that without a per se
element to her knowledge acquisition:
                  she sees no meaninglessness to her life -
she is created for certain customary necessities -
     Frankenstein's monster doesn't have that capacity
to acquire knowledge in an analytically-synthetic
dynamic -
  but i still don't understand why intelligence can
be artificial / faked... when man, if not intending to
  create an intelligence matrix outside of his own...
           will usually fake it, or create a superficial intelligence...
   this is the part where you get to play with
etymology, or at least apply etymology to better conceptualise
what some would call: a synonym-proximity barrier...
               which can be jargon to some,
   but in fact it represents "nuances" or nanometric differences
that is understood to imply: feverishness of
   the peacocking staging of vocab for rhetorical purposes...
if we only had a monochromatic utility for language:
people would be discouraged from talking fervently,
passionately, enthusiastically... rhetorically;
as suggested: is artificial intelligence
                                    superficial intelligence?
  or how to sharpen a distinction? or to what purpose
is making an illusion purposive, given that the already
   established technology is meant to be purposive,
as in replacing labour on the assembly line...
                     given that: it's never about faking it.

It sits, poisonous
Dripping sorrow over the windowsill
I drove to the Skyway,
Dropped a heart over the edge.
Watched it splash under
It took a couple seconds to hit.

This apartment, I can't find any matches.
Beethoven's wife,
It's legend that she would play a scale,
All except the last note- and Beethoven-
awake asleep in between dreams
not waking to her kisses would
get up to finish it.
She probably knew everything about him.
I bet she wept when he went deaf.
I like to think he wrote her a sonata, or two.

It's raining outside.
Right behind the poison on my windowsill.
A candle would make this place better

Where are the matches?
Beethoven's wife would never have betrayed him.
Do re mi fa so la ti-

you came to me drunk and looking for love
when before it seemed i had plenty of
suddenly my eyes must have been
mazelike and empty
it falls out of me
so neat and yet so unkemptly
all these bodies in storage
and the coroner sent me
but i can't clean up this mess
i'm only good at disassembly

you cupped my chin in your hands
and begged me tell me what you're thinking
i told you i was staring at the wall
with that smile quickly shrinking
too fast for you to catch it
i felt your breath kiss my neck
as you tried a different approach
with a more subtle effect
i should have explained i need a while
to think before i talk about these things

My memere liked the smell of gasoline, i do too
the tiny shreds of dying nice and slow it pulls from inside of you
and stale cigarettes in mom and pop drugstores
and burying the dead birds, saying it was just time for them to go
explaining that they don't realize they are killing themselves
every time they slam into the glass doors
she loved the seashells welling up from the atlantic
and the waves that held me detained
when she disappeared from shore
the glass that cut, that taste of blood
the stillness of death and linoleum floors and the whining dog
i couldn't fathom how they could all remain

her still skin was first time i noticed
the shifting quality of epidermises cusps so waterlogged
like lotus leaves and flaking logs of driftwood in the ocean
the way it's currents pushed and pulled everything above and below our bodies'
disturbances and submersions of purple i didn't love
i wondered why our bodies couldn't just come back to us
couldn't learn to rigor mort this
still deaths leaves me feeling purposeless
waxy and elastic, with small hairs like the cactus on the windowsill
she said so but i can't convince myself that this is a beautiful thing

when i was young i dreamt of falling down the wooden rungs
of our staircase, screaming in pain in the airway and waiting to be saved
it felt so real, and days later we were pulling over on the side of the highway
when we got the call, saying no one was there when she had the fall
when i saw the sunset from the beach for the first time in years
that night i cried for the beauty and
washed off the tears, purple and red clouds
salt water and tender sounds
and stared for a long time
at the empty shell of a horseshoe crab
did not eat the poison berries
removed the glass from my feet
set down the photographs in defeat
sat and read the dusty books
still caked in her fingerprints
sitting on the shelves of the library

and he never liked gasoline
he always liked fresh air and talkative people
the little things, and the adrenaline of strings
the 4 am sunrise over town center's church steeple
i was terrified of loving this good person
this aversion confuses me,
i teeth at these pseudonyms for something so real
being turned into something transient
i can't explain it i just hate dominance
and love hurt children

i still see his face like it was yesterday
saying that it was his birthday, and he was smiling
about going to the lake
i still can't retrieve a single date
last year from the months of august to may
i just remember the pictures and google pages
i would read 1 through 25 internally enraged
by this rememberance of you
my fists clenched in a faded grip
feeling the searing headlines
cutting through the blackness
i forget what it's like
not to lose it all every time
i close my eyelids
and the waves i love creep in and rip
i've just conceptualized it to be a pattern
and accepted it

They tell me to stop remembering
But they don’t understand with
Each blow life hands me
Another is already sewn
Into my ribcage, bruises in each hand
between each crescent bone,
this isn’t a coincidence
Most nights i hang my lungs
Dangling from my spine
Watching the walls cave in
the sticky residue of surgical tape
Strapped around my bicep
Will not wash off in the shower and then
This guilt will not wash off in the shower
and then, you are a burden, hidden
In the paperwork, between the lines
Three weeks later and there is still
Traces of it on me
Parts of me trapped in glass vials
i wonder what people thought
when they saw me in that blue robe
on the bed in the little blue room
I still remember how thick the
needle was
I was never scared of them
until now

i trick people when i feel like
i'm not seeing at all
i'm just feeling, not healing
with these words
that's my downfall
i wish i could give more
but this is all i have left
if i can't keep it locked in closet doors
i know the effect with be my last theft
don't force it out of me
just let the drainage catch your crests
let it come in time
when i feel safe knowing you
would catch my conjested confessions
and lay them to rest

The snowman slicks his hair
and sits on the piano bench.
He never comes to press the keys
for fear of the warmth
in a major chord.

The snowman lets his whiskey stand
in ice upon his windowsill.
He never comes to press his lips
for fear these poisons
will reduce him to elements.

The snowman browses works of art,
photographs of beautiful women.
He never comes to try his luck
for fear that rejection
will leave him cold,
and preserve his distance.

it was once called being intelligent... now everyone's in on the vogue of: autistic... what the ****?!

it's a maine **** that's nearing 10kg...
i pass this rooftop "mongrel"
    in the street today, and i'm like:
you torso is smaller than my cat's head,
sorry, i agree, both of you are
ginger ninjas... but come on...
                       my cat is fox sized goo
that needs pampering...
so the ****** "creeps" into my room...
i mean creeps by: he leans against
the ****** door and it just opens... basic
physics...
                 and he's inquisitive...
you sure? i'm sure. you sure sure? i'm sure
sure.
          cats can fool me any given minute,
i'm too benevolent with them...
so he's like: hmm, he's perched on a windowill,
maybe i should perch on the windowsill too...
then he plays this *taxi driver game with me,
looking into a glass window...
  and you know what "they" say about
glass windows in the night...
   they turn into mirrors...
              so he takes to his reflection and is like:
yo' talking to me? ***?!
               it's a bit like snap-chat,
cats have this nervous insect "twitch" about them...
they have the neurosis of sudden movements...
   and he's all: you talkin' to m'ah *******?!
    he tricks me when i want to spend some time with him
by closing the door he pushed open...
           and his eyes gaze at the "void"
of me closing the door...
              ****** had ants in his ****... couldn't sit it
out with me... the moment i revise my original
intention of closing the door, to then opening it...
with the window open: he's off!
   out the window!
               but the sheer insinuation tactic of
a cat's gaze... that gets you to places you've never
been before... the ****** opened my bedroom door to
play me... and he played me...
          i was duped by a cat...
   10kg pressing against a door? it will get it opened
no matter what obstructions are in place...
           i get it... it's april and it's getting warmer and
you want to sniff a bunch of trees and flowers in
bloom... for some reason i had a moment this afternoon
where i had a scent of cauliflower...
                             maybe mozart and the clouds...
    oh god, fame is ****... mickiewicz? byron?!
  overrated...
                    the whole idea of original sin
and plagiarism being the sin?            thank ****
no one really bothers milton!
      but get to the point where a cat fools you
to try to salvage the remains of the evening wondering
in the garden: for that extra hour...
         catch a frog?
                  maybe... you're into gambling... so am i.
the ****** made a stealth pearl harbor move from
the windowsill out the window when he insinuated
with his gaze at me having closed the door to then:
open it again...
                              and then the dash!
              off he went...
                                  for some reason i have no
capability to compliment myself in terms of i.q.,
but whatever i.q. score i might have attained:
this cat just undermined me to the point where
my i.q. score is 0.
             is it really paedophilia that i might say:
o'keefe music foundation's kids' cover of
tool's 46 & 2 is better than the original?
                      it's how it opens up...
the bass guitar... it sets the rhythm... metallica has
nothing of this sort of intro... a bit like eric
clapton live... let's say he doesn't solo during
the song *******... but he solos into the song /
rhythm... he does his virtuoso moment and
then gets serious respecting other instruments
and does the "mundane" of the rhythm and signature
of the song...
                     i required the p-word to release myself
for the instilling of the word: provocateur...
        america: the n-word          and now the p-word...
what's the m-word? mammoth? monthly?
                                           membrane? moth?!
why is american culture so... ******* infantile?
maybe i'm delusional, but it's like: wanna doughnut?
              yeah! and postcard from saturn too!
**** this cat... i close the door and he's uneasy...
i read his eyes and say: ok ok, i'll open it again...
   and with the window open,
he jumps off the windowsill into the night garden.
        oh here come the bets:
- i bet you my friday night will be more entertaining
  in d'ah clubs on brick lane!
- i'm pretty sure it will be... i've been laughing for
the past half an hour, so how does that even compare,
or even matter?

The sound that covers my vision
Throws me back to the memories of my windowsill
The window I used to stare out of for hours at a time
Sitting by it, dangling my legs out
Wondering what would happen if I just jumped.

Roses coated the outside of the wall below the first story window I often found myself by.

The vision I dream twists and I find myself laying on the hardwood floor by my white windowsill.
It's nigh-time and the moonlight leaks into my room, shining a blinding light on to the door.
I stare at the ceiling and feel the vibrations of the music on the floor

The house is silent, I know I'm not alone
But in this moment, nobody can hear nor reach me.
I turn my head and look towards my windowsill, admiring the starry night I lay below.

I gently close my eyes and hum the lyrics of the song playing,
Just as I find myself doing right now.

CACTUS
Abby Sykes

It was on an average day
That I purchased a tiny cactus
With a little pink flower on it’s pointy head
And set it on my window sill.
In its place, it could soak up the barely-warm rays of sun
That found their way into my home
And also manage to survey the prairie of my room.
It might’ve, now that I think about it,
Had trouble seeing over the top of my bed.
But it could most definitely view the many hours
And many days
I spent perched on that same bed
Wondering if anyone would miss me
If I opened the window and stepped over it
And took off down the street,
My feet pounding against the pavement
In the same way that the hooves
Of a frightened gazelle
might beat the grass of the savannah flat.
The cactus could mostly definitely see me
Each night when I pulled an index card
From my nightstand,
And wrote one thing that made me unhappy on it,
Then crumbled it up and threw it away.
The cactus might’ve thought to itself,
“She’s learning to love herself,”
But not one single index card
Changed my mind.
The cactus definitely witness the hand
That curled over my alarm clock in anger
And smashed it against the wall.
The force of the clock breaking,
In the way that an earthquake sinks a building,
Sent the cactus onto it’s side, spilling particles of dirt
Like constellations
Off of the windowsill and onto the carpet.
I’m sure the cactus saw me press my head
Between two of the pillows on my bed
In the dark of the night
Pretending I was dunking my head beneath the ocean
To muffle the voices in the hallway that kept getting louder.
The first time I held a razor in my hand
Ready to go -
I know the cactus heard my pitiful attempt to keep my cries silent.
But because the cactus couldn’t manage to stretch it’s neck
Above the horizon that the blankets on my bed made
It probably didn’t know that I spent thirty minutes
Hiding behind the accordion door
Of my closet.
Did it see me get yelled at
Or interrogated for the truth that nobody would listen to
Anyway.
Did it see me return home again and again
Each time a little more lost than before -
That melancholy emptiness in my pupils
That had become familiar to me at too young an age?
Did it notice when I stopped eating
Because I didn’t want to have to venture out
Into the void of my house
And risk what hope was left weighing my chest down
Just to get some food?
Did it watch me
Put on makeup
Many times each morning
So that I could get the look that my perfectly
Cover up the last real things about me?
And could that cactus hear the music
That I blasted as loud as I knew how
Through my headphones -
A C Sharp and minor chord that knew me better
Than I knew myself.
The day that I put myself to work
Furiously shoving the necessities
Into a duffle bag,
Forcing myself to leave behind items I loved
For items I should have
Because I didn’t have enough room -
Did it ponder the course of my actions?
Did it miss it’s windowsill when I picked it up
In my left hand
As a last minute thought
And took it with me
Never to return?
It was an average day that I took off down the road
With my cactus in my hand
Leaving behind everything but myself.
You can’t ever run away from yourself.

I heard the sakura has blossomed
i heard the moonlight has spilled
sakura in the moonlight
a taste of peace on this windowsill
moonlight embracing sakura
lovingly
it's their moment of intimacy
i should slip away quietly
and go to sleep.