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Paula Swanson Sep 2010
As the windmill turns with the wind,
the storm brings much needed rain.
With each drop, renewal begins,
relieving the parched land its pain.

Sweet water of the Earth, life's essence,
within the wind, the windmill drinks.
Storing the source within a pond,
bringing the desert from the brink.

Noses catching the scent of rain,
wild Burro's enjoy their play.
Turns the windmill as the wind blows,
clouds block the sun, blessing shade.

The land breathes a sigh of relief.
Life is given back once again.
The clouds empty themselves of rain,
as the windmill turns with the wind.
Windmill blades
turn in the sun

shredding air with ease.
The man
looks out

of the window
at the land ahead,
full of aspirations

he hopes to reach.
His wife nearby
sees the same view.

Wishes on display on
this balmy July morn.
London, far away

ticks along swathed in grey
as it did decades before.
The man hopes to return,

sit in cafés, chuckle
as men with briefcases
scuttle around like cockroaches.

Some things never change.
That's OK though
isn't it?

Here with his partner
looking out, content,
a smile appears on his wise face.

Thirty years in the past
he thinks of future times.
Still the same.
Still standing.
Written: March 2012.
Explanation: At the request of a friend, I wrote this poem. I'm sure many more poems about people I know will be written in the future.
Louella Apr 2015
They kissed there for the very first time.
Their hearts pounding as the storm lashed the trees.
They made love there furtively on the grass.
The first humans to ever make love.
Five decades later, their grand kids stood there, a faded b/w picture in hand.

The old windmill smiled.
She could make a cow grow sick and die,
She could sicken a healthy pig,
She could poison somebody’s cottage pie
But she couldn’t harm Tom Rigg.
For Tom wasn’t born of woman
He’d been plucked too soon from the womb,
When his mother lay there dying
From a concoction stirred with a broom.

So he’d grown up broad, and tall and strong
With a warlock cast to his eye,
Whatever the spell she tried on him
He would turn on her, ‘Just try!’
She conjured a flight of vampire bats
To follow him here and there,
But the bats were spurned, and then returned
And they tangled up in her hair.

She would lie in wait by the farmer’s gate
With the graveyard dog in a ditch,
So he’d open the sluice that was not in use,
And soak her, every stitch,
She’d scream, come tumbling after him,
‘You think you’re so fine and big,
I’ll spell that you fall in love with me,
Just see if I don’t, Tom Rigg.’

For deep down under her witch’s pride
Was the beat of a woman’s heart,
And the sight of Tom had sent it, quivering
Shaking itself apart,
But Tom had kept himself to himself
Immune to a woman’s wiles,
Determined to fix the old windmill
On the other side of the stile.

He lived in the ancient tower mill
That he’d bought, picked up for a song,
It hadn’t been used for a hundred years
Since part of the works went wrong,
The sails were seized, poked up at the sky
In a way that said, ‘We’re spent!’
But Tom believed that he knew just why;
The cog on the shaft was bent.

He cleaned it up and he scraped the rust
And he greased the copper sheath,
He checked it over and sideways, down
And he peered from underneath,
But the shaft was rigid, it wouldn’t turn
He was giving up in despair,
When late one night with a mighty crash
There was something amiss out there.

He peered up under a rising moon
There was something caught in the sail,
All he could see was a besom broom
But then came an awful wail,
The witch was caught in the topmost sail
Where she’d swooped in the night unseen,
And now she was clung to the old wood frame
And all she could do was scream.

There wasn’t a ladder that went so high
So all he could do was stare,
‘Now how do you think I could rescue you,
And how did you get up there?’
The mill was starting to creak and groan
As the wind came over the hill,
The sails were starting to slowly turn
With the witch stuck firmly still.

The weight of the witch had freed them up
And she shrieked as the sails whirled round,
While Tom was laughing, joyfully, merrily,
Rolling over the ground,
‘I’ll swear you’ve done me a favour, Jane,
I was going to call it quits,
But now, if ever you come back down,
I’m ready to kiss a witch!’

David Lewis Paget
Michael McLean Apr 2014
you used to come home loudly in the dark but

quietly in the day we’d be together

to compensate

we were only in love on Halloweens

you in those hundred dollar costumes worth two

in material and tiny fingers

**** rats and ER surgeons

to me with a pop-culturally relevant strap-on mask

Frankenstein (to the dumb dudes that go to these things)

that chisels me like a jell-o mold

that blurs her infinitely beautiful walking-away

the blooming glances pairing parting lips to talk *******

caking the ***** reeling in our heads

winding round the spindle hooked tight

pulling my hard-hat plastic-green face

to the windmill
Take me to the windmill
that revolves around the sun
let me feel the air move
as the music carries on
hold me as we turn and turn
and never let me go
take me to the windmill that you know.

Fastened to the gentle breeze with
filaments of fun
laughing 'til we cry as
we revolve around the sun
music playing moodily that just
goes on and on
turn and turn and
never let me go.

Take me to the windmill
let us spin in our desire
winding through the universe
we set our world on fire
hold me one more time and turn
the music lower still
take me to the windmill that you know.
theres a big old windmill standing on hill
standing very tall standing very still
with his great big sails spinning round and round
blowing in the wind as the grain is ground

turning in to flour all those years ago
even through the winter and the rain and snow
now the times have changed its just a memory
of the days gone by and how it used to be
cheryl love Sep 2014
At top of the hill
A fragrant hill
Stands the blue windmill.
It has bricks of gold
from the Cotswolds.
It stands lonely, cold and still.
No wind to blow here anymore.
Blood sweat and many tears
once lined the dusty, white floor.
Now ivy of green hugs the door.
No stones turn
no fire burns
grounding flour to make a pound.
Every hour, each second counted.
Hands of the brave
that made a mark to engrave
their time on the hill
where now time stands still.
A Raven who calls to the midnight air
His wings as blue as the blades
His body as deep as the ace of spades.
As old as this story has been told
new hope is about to unfold.
The Raven is about to learn
as once more the blue blades turn
Through the yellow window
a farmer's wife
begins her new life.
Her golden apron, her new dreams
the sparkle in her blue eyes
whips up a wind like never before.
The generator stirs, the life uncurls
like tail from a happy cat.
Except this is tale that is about to begin.
Megan L Oct 2015
Nothing compares
To shaking on top of an old
Broken down windmill
With you.

Nothing compares
To silent summers
Sweating in the sweltering heat
Of love.

Nothing compares
To bright blue brick walls
Bringing about a brightening of bleary bland feelings.

Nothing compares
To dark auburn dreams
Drifting down my darling's cheek.

Nothing compares
To radical rants
On ruined romances
raining rivulets of righteousness
Upon those rotten adolescents.

Nothing compares
To myriads of murals
Of most moved men
In the fields below.

Nothing compares
To falling flat to fear
Fretting and fanning
To finish off
This fantasy.
#t #k
James Jun 2018
Wind snaps through wild grain sprouted along the edge of the harbour
The aching creaks of the windmill over head orchestrate a haunting song
An appropriately ominous farewell to our weary sailors
Just beyond the port, we stand freshly alone and wait
We wait as they begin to vanish into the same fog from which they had appeared just a week ago
We watch as their vessel becomes a mere imperfection against a looming wall of clouds
And as they fade into the horizon, the sky darkens in anticipation of unavoidable ruin
Towering clouds shed foreshadowing tears
Weeks will pass, two months past when they should have returned will have come and gone
The same haunting cries of the windmill will soon be joined by echoing church hymns
Adorned in black veils and white flowers, we will be bathed by the same sorrowful clouds
Oppressive clouds will hang low above a candlelit procession
These fate burdened clouds will begin to weep, raindrops mingling with widows' tears
Painting: Windmill at Wijk bij Duurstede by Jacob van Ruisdael
Jonas Gonçalves May 2014
Words are enough
to love those who
have never loved

The time is enough
to heal who
the love never hurt

Hands are enough
to keep safe
those who
have never been
so scared.

The shoulder is enough
to give console
to whom never was
so sad.

The nature is enough
to surprise who
always lived far from the world
–  the real world.
collin May 2015
if i shiver
it's not from the brisk wind
if i twitch
its not from withdrawals
if i flinch
it's not from an abusive step parent
if i stutter
it's not from gynophobia
if i blush
it's not cause i was standing in the sun
Third Eye Candy Aug 2015
outside of the spirited delirium
of our quaint sabotage
and with all the moxie of a tick,
nestled in steel wool -
head down in the futility. beyond -
the aspirations of
a snowflake in an open

is the riddle of
our days


and we swallow
with our eyes
no moon.
Maxim Keyfman Jul 2018
I see a windmill in the distance
it's the sun in the wind
and Mars in the Sky
weighs like a string

I see the mill in a flash
and then black is nothing
and the water swims
and the water swims
by the flame

I'm going away
I take with me
the heart of
this world

King Panda Oct 2015
we are monsters
from the boutique to the
embroidered throw pillows the
pen dashed around the neck
stage 5 bone cut
sawing ossification to the
hollow core

we are monsters
hooting in tunnels lined
with bats coming out to feast
to scrape the streets
shimmy the walls
bust the coffin and

we are monsters
who can't enter under the
fearful of being burned by
the sun silver stake
rat poison holy water sickle
and windmill ash

we are monsters
sewed stapled dead meat
skin hair plugs ceramic
teeth tested and tasted by

we are monsters
jumping high over white
fences frenzied explosion
running through corn
angrily bled in a field shot and
hunted like embarrassing
waterfowl in the jaws of

we are monsters
of flaming brilliance flashing
in your inbox
read us and gnaw
grilled limbs
as we watch you
be scared and
I promise we don't die.
Mateuš Conrad Aug 2018
where was i? right, anywhere but here,
listening to some medieval music,
i sometimes sit in one place,
fade, and then find myself sitting
in the same place with a question
on the tip of my tongue: where am i?!

hard not to notice:
heaven reigns supreme with
a "st." michael coming down
with the sword...
depiction, please!
where's satan?
  coming from below armed only
with a tongue...
fair fight, by anyone's standard:
i'm dripping sweat from both
ridicule and sarcasm...

st. michael comes down with a sword...
satan rises up with a flaming tongue,
does satan lick michael's sword
to draw the blood required for
running the heart factory?

               medieval people and their
"nuanced" explanation...
so many images contra words
contra literacy of the people outside
the realm of monks...

   satan rises from the depths of
     hell saying: i wish a socratic dialectic
with god...
god replies: michael i will send armed
with swords...
who ever said: the quill is mightier than
than the sword,
implied: when the tongue has
to be necessarily silenced? then!

      das schwart,
          das feder,
    das zunge...

       how many definite articles are
there in deutsche? das, der, die?
too many or too few?

         always with "st." michael armed
with a sword...
and satan... armed with only his tongue!
i guess, the tongue becomes a tank,
while the sword becomes a feather's
tickling effect...

    angehoben das teufel von der
    tiefe: und gab sie namen...

  (raised the devils from the depths:
  and gave them names)...

why is satan only armed with a flaming tongue,
while "st." michael is armed with a sword?
is god, the god-dialectic / theology
so afraid that it has to remain topped
with unchallenged imagery
                         of sword contra tongue?

ich werden anfangen:
   ich werden treffen du hälfteweg...
            im schreiben...

                  satan rose to a depiction
with "st." michael: disarmed...
  tongue in mouth: which should have been
his hand, "st." michael descended with
a sword... come to think of it,
with satan's tongue cut off...
it still spoke to "st." michael within his
  the sword overcame the medium...
and so writing was born...
once upon a time when satan's tongue
in his hand began licking the sword
of michael...
            and? if the contemporaries
should hope to know:
writing is the res extensa medium
of res cogitans:
            writing is an extension of thinking:
it's not an invitation to speak...

writing cannot be speaking,
however much commentaries you leave
writing is an extension of thinking:
it's not an invitation to speak...

it's no disguise...
    in terms of the depiction...
enough of Milton and Dante and...
satan came to the summit
  without his armour without his weapons...
the summit of the plateau...
tongue in gob and joke in cheek...
while "st." michael descended
wit a sword and a missing tongue...
it would appear that god cut out
"st." michael's tongue before his descent
while arming him with a sword to
cut the conversation even shorter
than it was supposed to be, to take place...

the aspired to monotheistic monogamy
of king Solomon,
to imitate swans...
    Muhammad's lost enterprise of
the: greatest harem the world has ever
seen... sorry... Muo-Mo-Hammie:
the macedonian alexander beat you to
the count of 365 concubines...
as did genghis khan...
           so many pakistanis with khan
as a surname...
             your failed harem ambition?
compared to the otherwise world "greats"?
with the ******* promise of 72 virgins
post-mortem? that ship is sinking in my head...
muhammad failed in the ambition
of averaging a 100+ concunbine **** fest...
so he promised 72 for those that believed in
   and if he was ever competing with
king solomon? look at solomon...
         he chose monogamy in the end...
i guess it's a noble enterprise to come back
among the lizards...
to spawn from an egg: from an womb
made external by an egg in the form of a bird...
birds: half mammal half lizard...
            muhammad failed at having
an envious harem...
                which makes me a little bit envious
of him... compared to the others...
he's quiet honest...
        but if he was illiterate...
    who the **** wrote the Quran?
    what's that book, in praise of older women?
andrás vajda...
   who would have written the first
verses (if not the last) of the Quran if not
khadijah **** khuwaylid?

i'm sorry to say: the feeling of conversation
soon turns into a feeling of conversion,
me, beer in hand, park, bench,
an old pakistani walks up to me...
flips out a digital Quran,
tries to convert me...
     opens the book on surah al-baqarah...
i point at three words...
what are these, i ask?
he replies: oh... only allah knows...
really?! really?! i ask myself...

    the three words?
   alif. lam. meem.

           allah knows?!
guess i'm allah then...
given alif: أَلِف  (α, א) a-lif
                 lam: لاَم (λ, ל) l-am
   and meem: مِيم (μ, מ) m'eem...

so yeah, "god" knows...
   how was this old pakistani going to convert
me, supposing i was simply some european
"drunk" sitting on a bench, drinking beer,
assuming i was ease target for
isis propaganda?!

    "god knows"... when it comes
to old pakistanis trying to
             recruit young europeans...
god knows ****!

if this old pakistani was seeking an easy target
like some paedo, he was much mistaken,
what does a pumpernickle (has) to do with
a windmill?! zilch!
i'm not going to exactly crawl out
of my walther von der vogelweider:
that much easier...
i won't....
   i just think:
the yids have tight defences
against proselytes... they abhor converts...
islam, welcomes them,
at their own peril...
          and there i was thinking that
urdu was "superior" to sanskrit...
an old pakistani tells me "god knows"
in relation to alif. lam. meem.

             i guess the quran has an inbuilt
proselyte defence mechanism:
in reverse... ask a muslim what alif. lam. meem.
means... if they tell you: only god knows...
ha ha...
              hello stupid...
                            is the islamic world playing
a jewish game of gematria?
are the three letters supposed to represent
some sort of "covert" message?
        what, based on the hebrew alphabet
where "a" is not an an A but a consonant(s)
akin to ayin and aleph?!
the gay genesis?
                 we: the europeans were perhaps
the barbarians in the medieval years,
harrowed by the cold...
lucky us: lucky me: we did learn to read...
so ignorant of the pakis to presume
such and such...

             that we are still unable to read
and will fall for the next sort of *******...
look at us! we even began to question
christianity with the unearthing of
the nag hammadi library where
jesus played chinese whispers with
st. thomas!

   next time i'll be listening to a camel jockey
or a magic carpet ride aladdin
i'll ask them: you dehydrated, or something?!
oh forget h'america,
their evangelical ******* is worth
as much as a free microwave or a toaster...


hell man...
    i mean my neighbor smokes
16 8ths in a spare of the week...

   i remember i used to smoke
an 8th over the week...

yeah... an 1/8... of an ounce...
he smokes two ounces
in a week,
gets the **** on discount...
but still has to cough up
over 100 quid for the stash...

but... but... these organic
cigarettes you're pushing?

ha ha... **** me... holy basil
(tulsi leaves) -
and the peppermint and green
tea leaves?
   in ******, whatever you want
to call it, rolling paper...

i've seen the inner sleeve -
big fan of hunter s. thompson,
i suspect...
   otherwise you wouldn't
have used the second, plastic
   tell you what... don't put
that plastic filter on every cigarette -
halve it...
     or provide two or three...
it's reusable -
        i smoked one of your
placebo marijuana joints...
  and then i'm going to smoke
a red Indian cough-up...

   ah... these blue Indians...
Vishnu centrists -
   beyond blue blooded,
more blue skinned herbalists...

dunno... the effects are subtle...
you can only tell the difference
if you actually smoke tobacco...

but sure as hot **** on a street
in Calcutta -
    it beats the Arabic portable
hookah pipe...
         vapping - or vapourißing -

i'd say less a cure for tobacco smokers,
and more a cure for
the dope-heads...
    he (my neighbor) smokes
2 ounces a week,
   and somehow manages to stay
down on a job...

    no ******* way...
    he says it helps him to sleep...
like me...
   a liter of ***** and two
    or one naproxen (if i'm lucky),
or two paracetamols
  and one amitriptyline (25mg)...

sorry, what? sound of mind?
sound of mind to the point
where i'm mindful of grammar
and spelling?

            **** man...
  the content is transcendent
    of whatever the receiving end deems
it to be...

i might actually buy into
this... placebo marijuana -
given that i am a tobacco smoker...
  ha ha! holy basil:
  like Basil Fawlty...

   as you see...
there are people, and there are "people",
there are neighbors,
    and there are "neighbors",
i don't see how the natives
can dictate universal laws of
     private property ownership...
esp. over such... trivial...
          sitting down on a cactus
****-naked "problems"...

i hate being mean,
   i hate telling someone to *******...
i really do...
    i compromised -
i stopped smoking cigarettes
out of my window...
  but yesterday's confrontation?
over a ******* barbeque...
    oops... the compromise
has just been revoked...
   music blasting into my ears
through my earphones...
the next thing my cuntish neighbor
will "hear" is sign language...
oh yeah... that primary school

(a) WHY     (b) DON'T  
        (c) YOU    (d) ****    (e) OFF

(a) index + middle fingers
    slapped on the left palm knuckles up

(b) index + middle fingers
    slapped on the left palm knuckles down

(c) scissor index + *******
   into the side of the left hand

(d) fist, vertical slam onto the left

(e) thumb's up moving away from
  the palm of the left hand...

      i just can't be bothered trying
to reason with some people...
     they might as well be put in zoological
confinement, and put under observation...
but i'd feel sorry for the chimps
and other animals, have to share a close
Brady Apr 2014
Life is
About getting buckets.
How would Kobe live if he couldn't?
That's a mystery mankind will never truly comprehend.
A bucketless Kobe is a fake Kobe.
The sound of that string music is unmatchable.

The Kareem sky hook.
The Curry j.
The Kobe fadeaway.
The PG windmill.
These are all different forms,
They all get buckets.

Cherish these buckets like no other.
One day you will be old and grey.
Like bill Russell.
You won't be able to get buckets anymore except for in your dreams.
When your career is over. You will miss it.
You can't get buckets forever.
Dante Nov 2011
You should all be running
There clocks are singing
There cracks are screaming
The horizon one hundred yards away, So
you should be running
Firing your energies, feel the cannon fodder, straight from the Howl
Down past the credence
Up & over indulgence
In the bright earnest face we all so fear
My mother's eyes show me
My father's will teaches
Because his words go
Up, down and up and down and straight & die
& through and ground
Reaching time reach the audience
Reach out for bleachers where watch
tictoc right American preachers
Me junction, the merger, our mental *******
Me ******, me scared
Me changing like canon fire
Right! To the ocean, deep deep depths
To think think future
a clock there is singing
Showtunes for theme songs, church bells
Defcon 12 falling tanks off me shelf
See the mad red carnation
Shot at the pieces in eclipse of today
I keep going when I still have nothing to say
The drapery dying the godbirds still flying
I will never know what comes next
But I've got influence
& I'll need congruence
To empty a vault full of universal need
I want to be running
I'd wish you were running
The stitches, the fabric, sewn loving care
Like the landscaping, keep you warm
I've stolen from homeless
I've stolen from men
I break all the precepts
My breathing's from them
I steal all their oxygen
Whenever I breath Me harmony
Me stretching Me arm reach no peace
I see the world over
the oceans are strange
There's volcanic lightening
& men in white coats
I don't eat, I don’t sleep
I walk for them, should running
out there should running
We feel for the riches
We feel for the dying
Cancerous limp-ation, now windmill's orchestration
Shoes stuck in mud with laces together
Women see lightening when held through the weather
The war, land the peace is
The dynamic tension
The balance in pieces
With eyes up to heaven
Who cares if we're dying
We're all one
One what
I accuse you of calling the charlatan, ****
One bread piece obtuse cause
the sandwich is dying
Do you think that's normal?
Do you think that's abstract?
Boys crying because their teachers have fears
From the past make it last
What is wrong with your peers
Hold together mold together
Find out what's next
Feeling perplexed
Run run run you silly little girls
There's no sense in hiding the rest of the world
We've got one thing in common
And one thing is this
We've all got timing for HIGHER CONSCIOUSNESS
Hold together, mold together
Cry together scream
the bonding is no place
for a welcome machine
What do we do
What do we do
What do we do
What do we do?
End swimming, out running
Over fencing, out running, Break walling, out running
Down clouding, out running
Fall like jumpers, run like dying
Out through planetary & temporary adrenal-line
Sleep when men in white coats
Them start walking
They march, they country
They apple of eden & run when the men
in white coats, they lay sleepin
The world is a mountain
the people they range
Look at these weirdos, make them say change
Educate the many use mindscreen no strife
The point of the riddle
Eternal solvation
We are confused with the mental *******
I'm ******* I'm sorry I'm scared
There's isolation in landscape
Something sounds like prepared
Listen to wordplay
try to find the right light
there's air in the landscape...
Cool to the touch
(a few beats)
Say ******* with metaphor
(a few beats)
I've got words, I've got wisdom
I watch movies
There's motion, just grab it
Keep going
You should be running
You should all be running
The world is going to start at any second
You should be running
We come to a complete stop.
At a red light.
We wear our arms like seat-belts-
crossed for protecting our pilot lights.˚
I can't help but wonder how many airbags might deploy
if a meteor crashed headfirst and heavyset into the planet
and pancaked us eternally into this moment-
and how our fossils would look confused;
funeral flowers on a wedding cake.

None of this matters, we're both thinking it,
God is a foster child playing with his erector set.

You grin with as much conviction as a dented automobile,
breaking the months of silence to say,
"I miss you."

We can never fold these road maps back the way they came.

Somewhere existentially above this moment, there is an asterisk
that confirms
you- are here.

There was a younger version of me that you never got to meet,
he was here once,
stupid as a slinky.
Shaken like an Etch-A-Sketch.
Crooked as the question mark that punctuated his voice.
I looked good in hydroplane,
my eyes- bigger than my belly,
so I drank my weight in promises- I knew would be hard to keep within arms reach.
I also knew an encyclopedia's worth of how it felt to lie to myself.
I did it for twenty-three years
until I finally let go of stupid and held on to reason.

At some age I wrote letters to my favorite musicians,
using the sloppiest side of my penmanship, I'd ask for answers
and my mother, like a paperclip, used to tell me - she'd say,
"Kiddo, just because they don't respond
doesn't mean they didn't get the message."

She kept her chest of hope upstairs, away from the living room.
She only opened it on the hallow end of October;
that's where she kept the blankets.

Shy, I kept my hope chest covered in a T-shirt-
at the very least.
I never opened up.
I emptied my toy box of all its fiction, filled it with voices.
Deployed an army of rubber wrestlers, martial arts amphibians
and those inanimate toy soldiers with plastic parachutes attached
in search of the confidence I knew was supposed to belly-flop inside of me.

It hid, unfound for decades.
Until you entered.

Hawaiian domino effect, circus of chain reactions, avalanche of affirmation, chest-plate yielding gravity mouth speaking brightest anything forever night light, all apex and eyelash and cheekbone.
You -from big island- broke me.
I opened like the dry side of an umbrella, kept my back turned for shielding you.
I showed up for love on time, like a subway train in echelon city
wanting these arms to feel less like turnstiles.

All my sign languages were in waves.
All my ceilings turned to skies.
All my jitters packed into my hunger stomach.
Typing hyper with caffeinated hands
a swarm of nervous words bee-hiving in my butterfly chest.
Something like a hummingbird
when I finally drop your name like an alarm clock whisper
my lungs empty like cathedrals on the day after Christmas.

I brought the sermon to your Sundays,
you brought the choir to my masses.
We built a church around these esophagus bell towers.
Held ourselves up to the stained glass and showed off our light;

I swear I don't believe in a lot of things, God knows,
but there's always a but,
so much as I believe in the eternal depth of everything,
so much as I believe that we'd have plenty of water if it weren't for salt,
so much as I believe in eight marbles rolling around a gas lamp,
I believed we'd find a way.

'Cause in all the ways my sky could never hold you- and I mean this-
I believed in you- same way some people believe in Jesus.

Because you never judged my albatross mouth when I said things like,
"Self deprecation is the new love."
You kissed me-
less like doorstop,
more like lighthouse illuminating windmill.

You were a merry-go-round pivot decorated in Kona coffee beans, Christmas lights, cough syrup, paper mache pineapples, plastic dinosaur bones, a collection of worn-out Asics, board shorts and a dubstep remix broadcast through the static of a blown-out rotary phone.

You were everything I could get my hands on-

A full-tilt action-packed kaleidoscope jungle
with blender tongue and volcano heart.
I looked good in your sad panda coat tails,
teaspoon swallowing my doubts
while you Tarzaned my ability to breathe,
gave me ocean view and weak knees.
Is that sea breeze in your aftermath or are there already tears in my happiness?

You came camouflage out of my blind spot dressed in magnet armor,
diving board and drum set.
We passionbent cymbals into cannonballs.

I found comfort between your breastplate and your shoulder blades,
where you held me like a promise
when all my wishing was for want
and all your wanting was for wishes


I know that there were days when you couldn't help but wake up like gorilla speaking Pidgin
and I couldn't help but waking up like an abandoned highway with a chip on my shoulder-
some maps don't show this much detail, Google Earth-

Which is why I always came through for you like a well-lit citrus truck stop
pressed against the dusk in your moonlight life crisis.
We only saw stars.
From our moon base.
In bewilderment, in our hunger, we learned
that if you hold me to my vending machines you'll get what you pay for.

So here it is, the truth, as I have always known it,
delivered to you on the outskirts of an echo,
my voice, supporting my existence like a monolith.

I'm standing in the middle of a you-shaped hole.
It's as wide as a promise crater-
we built it together.
It's not my favorite place to stand
but the exit strategies are made in the shape of a me that I haven't constructed yet.
I had a lot of things planned.
I referred to things as "ours",
when I really meant "please".

Bury me in your time lapse.
When your emotional excavators discover me in your sediment
they'll find me all pterodactyl-
wings spread wide as potential, sky-diving toward forgiveness,

Truth is, I'm wingless.

We met at a stop sign.
Our paths crossed.

There's a lot of accidents at some intersections.
Maybe it's because that's not where those two roads were supposed to meet.

We can't time machine argue with the way things landed.

We weren't an avoidable accident.
We were just two cars that really wanted to dance.

I don't know what I'm trying to say but I know when I mean it.

There's a tyrannosaurus rex cradled head-to-tail just behind my curator heart-
all fossil spine, monster teeth, jaw head and piano hands.
His presence says a lot about the past.
There's an asterisk on the surface,
above this moment,
that confirms with absolute certainty,

˚something wicked awesome happened here.
The (˚) is supposed to be an (*)
You can hear me read this here:
Travis Green Aug 2018
An immense circle of thoughts was clouding
my brain in this room of reconfigured dimensions,
the spinning ceiling fan whirling into a windmill,
the ******* floors breaking into a wave of sharpened
metaphors, the expressionless curtains filled with fear
and crashing scenery, a dark hollow surface converging
in a rhythm of insane beats, imprisoned noted drumming,
disentangled sentences, shattering subjects, compressed
conjunctions and compounds accelerating into an eternity
of uncolored existences, as I stare at the isolated sky,
swollen stars diverging in a broken pattern of faded worlds,
the breathless moon sunken in a domain of interchangeable
languages, meaningless mazes, chopped consonants,
crumbling dreams, everything shifting in a sea of diminishing
whirlpools, while I drifted into a realm of uncaged thoughts,
a crushing cycle of unbalanced worlds, dizzy and senseless
paragraphs bleeding into timeless realities.  My eyes are
plummeting and shackled in drumbeating rhetoric, lost logos,
swallowed pathos, enveloped ethos, rainless cheeks, cloaked chests,
handcuffed arms, square root hips disassembling into deferred
depictions, distilled dreams, shadowed feet hardly more than a
poetic sound, a sore scrawled letter stretched in ragged angles,
stinging, helpless horizons.  I gazed at the shattered glass on
the kitchen floor, how its cracking vibration rumbled inside
my veins, how its impossible syllables blazed my soul,
the burning air around my inner being suffocating in Saturn,
vanishing in Venus, exploding on Earth, every ****** debris
splitting in horrid labyrinths, a screaming depth hidden in
disguise.  I glanced around at the broken wall where
my drunken dad fists where imprinted, the mangled wood
hanging in drugged vowels, the rotten symmetry disappearing
in chalky chambers, roughly lined hues declining without a trace,
as I reflected on the series of events that transpired, the way I
could hear the slamming door raging inside my vessel,
enflamed flaming verbs hovering in high rhymes,
hardened adjectives, destroyed derivatives, disintegrating
equations, the way his bladed feet dragged across the floor,
every reverberating step drowning the sunken space between us,
unwritten surroundings trapped in the atmosphere, confined in a
cloud of inconsolable galaxies, the raging fire stained ***** bottle
wedged between his grubby hands, as I could smell the reeking
breath sifting out of his mouth onto my monotonous flesh,
the same ruthless flow traveling in stuttering nouns, drowning
my heart in Neptune, while I listened to his blazing bloodshot
words, You are nothing without me!  You are worthless!  
You are just a filthy *****!  I wish you would die!  The rising
diction clenched every part of my frame, the way I could breathe
in the asphalt in his tasteless lips, a dying aroma that made me feel
like I was a featureless street seeping into underground dungeons, undone, a destroyed beauty shotgunned.
Restivo Jun 2010

          Clouds gather ominously. The creak of a decrepit windmill cuts through the howling wind. Still, crickets are chirping, until the rain starts. I stand at the screen door, watching the clouds swirl and the windmill turn slowly, listening to the light patter of rain changing into a pounding downpour, feeling the angry wind lashing me with spray, thinking that this could only be better with your chin on my shoulder and your arms around my waist, keeping me warm through the storm.

david badgerow Jan 2012
i have one foot in the grave
the other in an abandoned bathtub
i light a cigarette and
stare into the void

buddy holly is rolling lumpy black cigarettes
over the sound of grown men crying
five bunnies crawl out of his eyeglasses and
maggots are anchored to his chin

you cannot disturb the gypsy bathing
in her own river of tears
you cannot break the silent wonder

i have one arm in a sling
the other in a windmill
A Thomas Hawkins Jul 2010
I'm giving up the rat race
gonna quit my job
Gonna go live off the land
an organic enviro-snob

Gonna grow my own potatoes
carrots, peas and beans
Live off fruits and vegetable
eat lots of salad greens

My food will taste like proper food
not of wax or pesticides
And every day I will receive
a big thanks from my insides

I'll generate my power
form a windmill or two
then hydro bill and services
I'll say good bye to you

For work I'll tend my garden,
chop down trees for fire-wood
I'll be getting so much exercise
I'll never have felt so good

To relax I'll keep on writing
poems such as this
telling of the good life
sharing all my bliss
Ottar Mar 2015
I will not drop my drapes it is dark outside,
TV will wait, for
body weight is all I, or any of us, ever have to move,
whether one wins or lose your ...groove,
the next twenty minutes, too late tonight,
I will run on the spot
I will pushup, I will run on the spot again,
I will pull back heart attack
I will run, once one the more, on the spot, you getting bored?
I will do a windmill slide, while staying in the house,
I will run with my knees one at a time to my chest,
I will do a single Leg Hip Raise a whole bunch of times
I will have my legs become like pistons,
******* off the the neighbour downstairs,
Then reversing the urge, I mean Lunge, I will kick my toes to my hands
Then run some more, maybe my neighbour will be pounding on my door
Take a break for as many seconds as I want to grow old (ninety is nice)
Then repeat and hope that supper,
does not want a curtain call
On a Lark
Joel A Doetsch Feb 2012
We will walk through the Cherry blossoms
in Japan, hand in hand, meandering through
the falling petals.  Our winding path
will weave through the countryside  with
no goal in sight.  We will stop in front of a
particularly beautiful tree, whose branches
are just beginning to look naked.

I will look at you, brush a stray blossom
from your hair...and whisper

               .                                                                ­                   
                   .                                                                ­                
                     .   .                                                                ­            
                               .                                                                ­          
                                     .                                                                ­        
                             We trek the Arctic circle and witness
                             the absolute beauty of the Aurora Borealis.                       
                             We're be bundled tightly in our parkas,                                     
                    ­         but we are still be able to feel eachother's                                   
                  ­           warmth.  We laugh as we throw snowballs.
                             We lie in the snow and make angels.                                          
               ­              Well...they'll start out as angels, but in the                                 
                            ­ end, they'll just look like snow that two people                          
                             have just rolled around in.                                                  
           ­                                                                 ­                      
                                              We can't help it.  As we embrace,                             
                           ­                   I whisper
­                                                         .                                          
                     ­                                     .                           ­             
                                                          .     ­                                   
                     ­                                   .                             ­             
                   ­                              .                                                  
             ­                              .                                                        
       ­                                                                 ­                          
         We stroll the beaches of Hawaii, refreshing ocean                                    
         breezes cool us.  I picked you a flower,
         which you now wear in your hair.  Your cinnamon                               
         brown skin offsets your beautiful white smile.                                       
         We run through the breaking waves, our feet                                                
         leaving ephemeral indentations that are as                                             
         fleeting as our cares.  We fall over into                                                     
       ­  the surf and let the ocean wash over us.                                                     
        ­                                                                 ­                         
              I kiss your nose and tell you                                                          
   ­                   Aloha wau ia oi                                                               ­             
                              .                    ­                                                
                ­                  .                                      In China, we race eachother along   
                                     .                               .   the Great Wall to see who can get 
                                        .                   ­        .    to the end first.  We both end up   
                                           .                     .       dragging eachother across the         
                                             .               .           finish line...which happens to be      
                                                 .   .   .               a few hundred feet away.          
                                                 ­                        The locals shake their                
                                           ­                              heads disaprovingly, as we stifle      
                                                    ­                     a giggle.  I lean in and remind you  
                         ­                                                   Wo ai ni..                    
                                                             .  .                      .            
                         ­                                 .       .                     .          
                                                       .            .                   .          
                                                     .               .                 .            
                                                   .                  .   .   .   .  .            
               ­                In Soviet Russia, girl kiss you                                              
               ­                and I gladly let her, for she                                               
              ­                 and I have had one too many shots                                 
                          ­     of *****.  Our faces are rosy and                                       
                      ­         we lean into each other as our feet                                     
                       ­        make hard noises on the cobblestone                                       
              ­                 streets.  Saint Basil's Cathedral                                          
             ­                  looms over us, as our lips dance                                           
                ­               a familiar dance.                                                           ­       
                              ­            Ya tebya liubliu                                                        
 ­                                                .                                                
            .  .  .  .                          .               ­                                   
         .             .                      .                                         ­           
       .                .                   .                                                      
      .                    .  .  .  .  .  .                                                 ­       
    .                                                           ­                                   
We gaze at the Taj Mahal, a building                                                         ­   
built for a man's true love. I would                                                            ­      
build you a city.  we take in the                                                              ­          
mighty majesty of Everest.  I tell                                                             ­                
you I'd climb it for you.  You tell                                                             ­              
me to stop being silly, and say
you'd get bored waiting for me.
I give you a back rub instead.                                            

  Hum Tumhe Pyar Karte hae 
                                                            ­             We travel the dutch  countryside
                                              ­                            and kick off our wooden shoes to
                   .                                          ­            watch the tulips blooming.
                       .                                            .     I dedicate an entire field to you.
                          .                                 ­    .         You blush.
                              .                           ­   .         we fall asleep in front of a windmill,
                                 .     .                  .          watching the shapes of the clouds pass
                                         .      .      .             over us. I whisper in your ear
                                                             ­                                                                 ­      
                                                                ­       Ik hou van jou
                                                             ­             .                        
                                                                ­         .                          
                                     ­                                  .                            
                                   ­                                  .                              
                                 ­                                  .                                
                               ­                                  .                                  
                             ­            .  .  .  .  .  .  .  .                                           ­ 
    France has never been as beautiful as                                                               ­   
    it is now that you're here.  We skirt                                                            ­         
    the cities and explore the countryside,                                                     ­           
    Endless fields and clear skies bring                                                            ­     
    out our inner children, and spend the day
    romping and rolling until our clothes                                                          ­  
    are stained and our muscles ache.  I                                                         ­             
    lay beside you, panting.  In between                                                          ­       
    breaths, I manage to impart                                                           ­                
    ­                                                                 ­                                       
               Je t'aime                                                           ­                                 
                   .                                                                ­                        
                    .                                           ­                                             
                   ­   .                                                             ­                         
                        .              ­                                                                 ­     
                          .  .  .    .    .       .          .                                                    
                    ­                                            We explore Roman ruins and concoct      
                                                   ­             our own love story had we been born      
                                                      ­          in the Ancient city.  I would have        
                                                    ­            been a mighty General, who saved      
                                                     ­           you from a terrible dicator.  You            
                                       ­                         tell me to stop quoting Gladiator.       
                                               ­                 We share a kiss under the shadow           
                                               ­                 of the colleseum.  I brush your         
                                                   ­             hair from your face...                       
                                  ­                                                                 ­       
                                                         ­                  Ti Amo                              
                                                                ­               .                          
                      ­                                                        .        ­                    
  ­                                                                 ­        .                              
                      ­                                                                 ­                   
                                             ­                           .                                  
  ­                                                                 ­                                       
                         ­                                                                 ­                
                                                ­                    .                                      
     ­                                                                 ­                                    
                            ­                           You smile and reply                                   
                        ­                                                                 ­                 
                                               ­             I love you, too
Feeling hopelessly romantic today.
Shane Hunt Sep 2012
She held her project aloft,
so assured of her supremacy
that she would challenge
God himself
were he an 8th grader.

Eyes averted,
I slyly slid my box
beneath the table-
absconding with my dignity
to aid in assailing some distant windmill...
Sean Critchfield Jun 2013
Even now, as we lie here, heartbeats like a metronome for the coming storm, I write songs in my head for you. And though my voice will never sing them, they are the soundtrack of your kiss. Each record scratch on my heart like a pressed vinyl love letter. Shaping my sinking chest into drum skins that my pulse beats against.

If I were covered in magic dust, you would be my happy thought. And all my childish notions of what it means to be romantic would be written down the sides of Chianti bottles in melted wax, like an oak. And in that bottle we would keep our hungry mouths.

And still I find my heart adrift. Ripped sails and ropes leading skyward like veins. Split and tattered and stitched haphazardly together, waiting for the lightning to strike twice and bring it to life. My throat a bricked flue, leading to an open mouth, spitting smoke from the torches my heart fears but always seems to carry.

And I stretch my spine skyward. Trying to wedge my head back into the clouds but manage only to cast the shadow of an orchid that has begun to lose its color and wilt at the edges of its wingspan. Coming to terms with the idea that it may never be picked. Not even its petals, even numbered like a deck stacked against it that it might lose in a game of being loved and loved not.

We want for a little more time. Arm wrestling clock hands into submission with god like fury. Ticking tongues to dampen the prophecy of false mediums. We practice fighting so we may fight for each other. Fight for the greener grass on the other side of the pavement walls we draw our chalk hearts on.

The clock tower is a lighthouse. The lighthouse is a windmill. The windmill is a giant. The stories never end.

Even now as we lie here, heartbeats like a metronome for the coming storm, I write bed time stories in my head for you.
Matt Jursin Mar 2010
I got into an altercation over a little alliteration. I offended and cant amend it. It was more than an argument, I was almost arrested. I obviously ****** someone off with my honest offering. I wasn't teasing. See, all I said was pretty please...Will you **** my *****, while winding up my windmill and blowing between my *******?
I dunno what I was thinking, dont ask=-)
Solaces Aug 2014
When I got dropped off the first thing I noticed was the floating islands passing on by.. 
They all had this blue windmill that would spin with a beautiful light at its center..
The windmills were soundless..
They did not whisper a noise at all..
I then turned around and noticed I was on a floating island myself..
I then looked over the edge  of this sky island and saw the clouds below..
I wanted to see what was under them..
My sky island seem to read my mind and took me below the clouds..
There were millions upon millions of people everywhere..
They were running after all the sky islands with their hands to the sky..
They were all screaming out " TAKE ME"!!
Take to the skies in the near end..
David Bremner Sep 2017
In the shade of the sails
We heard a bird's song
Bring joy to a morning
With notes short and long

Perched high on the branches
Quite close to the path
Felicity saw him
And started to laugh

At red-breasted mischief
In England's fair land
As I began cupping
Her *** in my hand

So as robin sang out
We started to kiss
I groping the **** of
This prim English miss

'Cross the straw-stubble fields
My mind saw her run
I chasing, then throwing
Her down in the sun

Behind us the windmill
Above her, her frock
Bare thighs and hard *******
Poor robin in shock!
My early memory of farm,
Blackfella’s hill, banana sand,
exploring, chasing rabbits.
And riding round with grandpa,
in the white and well loved station wagon
checking sheep, windmill and chooks.

The lollies in the tin were there,
to help him stay awake at night;
but grandchildren were once allowed
to sample from the tin of treats,
in longer trips with grandparents,
while out on country roads.

The farm, a favourite place of mine,
away from school and normal life,
but Modb’ry North not quite the same.
With grandpa still out shearing though,
the farm-like feel not far away,
and granny kept a strawb’rry patch.

I went a-shearing with him once,
About six customers that day
and I can’t count the load of sheep.
I earned five dollars on that day,
while travelling around in ute
with shearing stuff all in the back.

His love of music satisfied,
the grandchildren are all gifted,
the music played from instruments
of cello, clarinet and bass
of flute, piano, violin,
and voice as well from Kate and Jo

Called grandpa day or dad or Doug
he’ll be remembered, days to come.
The stories will be told and told
of happenings while he was here,
from farm or Modb’ry North or else,
from other places he has been.
This is a poem that I wrote for my Grandpa when he passed away earlier this year.
(20 minute poetry)

Never more sure
than this,
a kiss.

Start if you mean to go on
don't bleed me and leave me.

If all's fair in love and in war
give me more.

In the tenement
they give the last sacrament
to the old city gent,
a testament to the living  
and to faith.

Knowing I'm going somewhere
be it straight
be it narrow
I fly like an arrow through
the thinness of air,
starting when I know
I'll get there.

Travelling light through
the night holds no terrors,
it's not like I'm looking
in mirrors.

And it's Friday
that's a good sign,
another week over and
the weekend to cling to
brings the week to
a satisfactory conclusion.
Mateuš Conrad Feb 2017
and all i ever wanted, was to work in a music shop, to compensate my fancy moving away from Stendhal's scarlet & noir, and into the domain of Nick Hornby's high fidelity... well... that died a very Belgian death, very much akin to euthanasia.

at least i don't
bleach people to mere
pronoun usage.

and yes,
i treat the tetragrammaton
as a superlative,
esp. given
i am akin of Atilla -
and the Visigoths...
such that i am:
of the invading "horde",
because of he
the so-called culture
i see no civilisation on the horizon...
i see no Baroque...
            i hear no Bach,
and will never hear a stance
such that the music be composed...

because what is happening
in no circus of nouns...
people are being bleached,
they are being leash bound
to walk into a pet barbers to get their
hair "done"....
         i am not the one
regarding them as sole
pronoun exhibitors...
   there they are: merely pronoun bound...
and should i call them black,
or care to call them copper skinned
akin to the Indus peninsula...
                       i have forgotten
the agitating "they"...
i don't have a cartesian dualism
to mind...
i simply have my own dichotomy
to attend to...
   as Voltaire said: each to his own
garden; and a pair of shoes.
once again...
  geometry will never scope beyond the orb...
there is no geometric study to
suggest a shape for the universe...
now we know: there's no thinking
outside the box,
  even if that might ease your "claustrophobia".

  and i rather call a person by their
self-identifying characterisation
that reduce myself to a liberal
censor clot of only managing other people
in the pronoun category, auto-suggestive
of a *we
vs. them...

       i don't see how that makes us
liberal, that having forsaken descriptive
approaches, we incorporated
the additive approach carte blanche
as a guide to treating everyone akin
to being dubbed albino.

   i like talking about ******* a brown-skinned
    i like talking about ******* a Thai girl...
i like putting cardamom in my curry,
or my cinnamon...
  or my everclear - heartspark dollarsign -
and thus about the time i
gave to flying the kite of full, manly,
****-refraining autonomy...
to the wind itself.

  just when we were about congested,
and lated constipated...
        i wrote this, like a clerk
might, in the bureucracy of the failing
Roman Empire, akin
to the reminiscent W. H. Auden...
      on pink'oh paper that turned boredom
into the origami of paper-aeroplanes...
  neat, folded, against the envelope
requirements... thrown right into
the lap of don quixote,
       recycled, shredded by a windmill...

as if about just apparent...
        at least this dream, this utopia
didn't originate with me...
    oh sure, i believed it...
that we could house the entire ethnically-diverse
populace under one roof...
   i believed it, the world told me to believe it...
i'd love to believe it thrice over...
   i mean, i'd love to have
    duo-ethnic children,
        who spoke four languages...
in the least three...
    but **** how that gets swept under
the rug and forgotten along
with Aladdin...
   it just gets boring, all that masochism
of being an anti-racist social warrior
but at the same time calling oneself
a white-trash stereotype transcendent.

that's me about to puke,
and write my name in diarrhea ink,
followed up by doing the same in
gonorrhea ink.

what happened at the end of the 20th century
was a very well believed
in dream, even though it was a butterfly...
and lasted no more than a few years...
it was worth it... it's when i had my childhood...
and i could have even been a roofer until now
should there be someone who said
they were overworked in a supermarket...

it was very nice for a bit,
great to believe in... how suddenly 2000 years
of history could be forgotten and
let us live in a togetherness...
    but like today, Syria and a civil war...
civil wars are unique...
  a Syrian barber tells a Syrian butcher
to *******...
     and would it be necessary for
     an English politician to get involved?

unless they're selling both
  Israeli uzis (the country where the ***
originated, yep, Israel)...
          i'm not a Syrian civilian...
so what the **** are all these tourists
talking about?! i don't care if they come
from Westminster, what are these tourists
talking about?!
                  i'd like to be a Syrian civilian
first, before i give my opinion...
        i'm not giving a single opinion
as a tourist that was ever in Syria,
or a one: waiting to visit it in the "near" future.
******* tourists...
     you have to use a blunt knife carving
this piece of history...
not point using a well sharpened knife
cutting with eloquence and absolutely
no profanity... given the excesses of ****...
   i say: oaths! oaths!
Brian O'blivion Jul 2013

of a ritual so
based on theories
the cause and effect
should not retain
it's simple logic...

...yet the formula
remains the same:

(starlight in a can
windmill blades
carved by hand)
Out on the marsh on a lonely night
The wind soughs through his rags,
The hat that’s pinned to his painted face,
Flutters and soars, then sags,
His eyes are wide and his mouth is grim
As an owl is put to flight,
And nothing but shadows will venture there
For the Scarecrow rules the night.

And back in the manse in a window seat
The Parson’s daughter sits,
She stares at the fluttering coat-tails, but
In truth, is scared to bits,
She watches the sails of the windmill turn
And creak and groan in the gloom,
As clouds come stuttering over the marsh
In the rays of a Harvest Moon.

The father is out in the donkey cart
To tend to his aging flock,
He’s left Elizabeth waiting there
By the tick of the hallway clock,
But out on the moors and beyond the marsh
There rides one Highway Jack,
A frock coat topped with a bunch of lace
And a gold trimmed tricorne hat.

He’s whipped the horse to a lather
In a retreat from a new affray,
For the magistrates have gathered
Vowing to ride him down that day,
The redcoats wait in the village Inn
For the sound that they know too well,
When the curate sees the approaching horse
He’s to toll the old church bell.

But the curate lies in a drunken fit
On the floor of the old church nave,
And soon, by matins his soul will flit
From life to an early grave,
Elizabeth sits in the window seat
And thinks of the coin and plate,
As the highwayman dismounts, and ties
His horse to the manse’s gate.

He beats on the door, ‘Please let me in,
I’m weary and faint, that’s all.
I wouldn’t abuse your person, but
I fear my back’s to the wall.’
She leaves the seat and she slides the bar
For bracing the oaken door,
‘I dare not, sir, I fear for my life,
You’re safer out on the moor!’

Their voices echo across the marsh
Like fear, distilled in the night,
And something shudders out in the gloom
And lurches to left and right,
It seems forever, but now a sound
Tolls out, like a final knell,
For something, out in the church tonight,
Is tolling the steeple bell.

He barely makes it back to his horse
When the redcoats stand in line,
Their muskets fire a volley of shot
And his coat turns red, like wine.
They go to the church when the deed is done
To say, ‘You have done well!’
But the curate lies on the cold stone floor,
The Scarecrow tolled the bell!

David Lewis Paget

— The End —