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"wilde" poems
I watch the prom Dance, In an awkward stance, my friends walk in with dates, and the excitement Abates. Alone in a corner, I mope like a mourner, With no partner to dance with, No gentleman to prance with. Amidst the mirth and cheers, My eyes fill up with tears. I rush out into the open air, And by Jove! I see Voltaire! With his satirical charms, He draws me in his arms. As I sway to the beats, I'm waltzing with Keats. Causing my funny bone to arouse, Enters P.G.  Wodehouse! Using nonchalant wittiness, He acknowledges my prettiness. And then walks in Shakespeare, Who  wipes away my tear, And my senses curdle like curds, As he showers me with words. While I repress the excited child, I'm swaying with Oscar Wilde. I'm rendered helplessly mute, With his phrases so astute. With a proposal so verse-y, I'm serenaded by Shelly  B. Percy. And before this fantasy can spoil, I fox trot with  Conan Doyle. And thus literally seduced, into putty I'm reduced. I am platonic-ally smitten, By the genius of what they've written. The dating circus can’t make me cry, because a host of paramours have I.
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Jul 3, 2014
Jul 3, 2014 at 3:20 AM UTC
Literary Seduction
Starbucks for the beach sleeper, cigarettes for the cruise ship worker, around the world a further three times more with a six-a-day job, one on shore. She smiled with Gatsby glare. She smiled with fair, tied back hair. She smiled. And how her love for Poe and Wilde found its way to my ear a mere three year veer around time itself. Turkish delight is not a food nor a sweet but a lady who gives a discreet smile to those she meets. My cafe in my street has you across from me and the books I read have you printed in an uppercase key, black on the white and bound by the spine for you are the cruise ship lady, the lover of mine.
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Oct 21, 2012
Oct 21, 2012 at 11:33 AM UTC
STARBUCKS ON THE ROCKS. WHISKY IN THE CUPS
I cried at the breakfast table this morning my father carefully explained, "wives must be submissive to their husbands" "housecleaning is the domain of the woman" "God created woman because man asked for a partner" This past semester I wrote two papers One, a fire and brimstone sermon           I quoted Anais Nin           sending the creators of sexist commercials to eternal suffering           **** them!" I said. "May they burn in hell."           For the women they portrayed were doormats           Misconceptions           Monsters The other, the role of women in the 1920s,            No longer confined to the kitchen            they dropped ballots with their new freedom            they wore short dresses and short tresses            fingers wrapped around cigs            they quoted Wilde instead of Alcott            they danced until their feet hurt         I read of Anais Nin's "new woman," her partnership, not submission to man, I craved a room of my own, neigh demanded it For sheep stayed in the kitchen, The Woolf had a study. I read poetry Sexton, Plath, I wept for their starved, depressed selves caged, suffocating inside the clasped hands of a man. Loved like rib-cage jails. Adrienne Rich made me angry, her daughter-in-law forever trying to fit into a box she was always too big for, spilling at the edges, her shaved legs like "white mammoth tusks" I was finally happy with my womanhood. ****** ****** ***** ******** they are mine. ******* free to move unrestrained, jiggling under my shirt. Wetness between my thighs. Menstrual blood, they are mine. mine. I am not ashamed of what I am because there is no shame. I am woman, I am girl, I am lady. I am a creature with a voice a mind. a creature who endured much abuse, continue to endure. I am woman and I don't have to be wife or mother unless I want to be. I was not created for man; I was created for the same reason he was, to serve the same great purpose on this tiny blue dot. I am not rib. I am ****** ****** ***** ******** ******* free, unrestrained, Wetness between my thighs. Menstrual blood, I am a per. I am a wo. I am a hu. Man and son need to back down, collaborate not dominate, speak not command, for when less are forced into silence, the maddening scream hidden inside skin and bones and muscle-meat becomes song. this world of car horns and tire screeches crying and wailing from raw throats angry protests of indignation could use a little music.
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Apr 8, 2013
Apr 8, 2013 at 6:59 PM UTC
Father broke my heart.
I cried at the breakfast table this morning my father carefully explained, "wives must be submissive to their husbands" "housecleaning is the domain of the woman" "God created woman because man asked for a partner" This past semester I wrote two papers One, a fire and brimstone sermon           I quoted Anais Nin           sending the creators of sexist commercials to eternal suffering           **** them!" I said. "May they burn in hell."           For the women they portrayed were doormats           Misconceptions           Monsters The other, the role of women in the 1920s,            No longer confined to the kitchen            they dropped ballots with their new freedom            they wore short dresses and short tresses            fingers wrapped around cigs            they quoted Wilde instead of Alcott            they danced until their feet hurt         I read of Anais Nin's "new woman," her partnership, not submission to man, I craved a room of my own, neigh demanded it For sheep stayed in the kitchen, The Woolf had a study. I read poetry Sexton, Plath, I wept for their starved, depressed selves caged, suffocating inside the clasped hands of a man. Loved like rib-cage jails. Adrienne Rich made me angry, her daughter-in-law forever trying to fit into a box she was always too big for, spilling at the edges, her shaved legs like "white mammoth tusks" I was finally happy with my womanhood. ****** ****** ***** ******** they are mine. ******* free to move unrestrained, jiggling under my shirt. Wetness between my thighs. Menstrual blood, they are mine. mine. I am not ashamed of what I am because there is no shame. I am woman, I am girl, I am lady. I am a creature with a voice a mind. a creature who endured much abuse, continue to endure. I am woman and I don't have to be wife or mother unless I want to be. I was not created for man; I was created for the same reason he was, to serve the same great purpose on this tiny blue dot. I am not rib. I am ****** ****** ***** ******** ******* free, unrestrained, Wetness between my thighs. Menstrual blood, I am a per. I am a wo. I am a hu. Man and son need to back down, collaborate not dominate, speak not command, for when less are forced into silence, the maddening scream hidden inside skin and bones and muscle-meat becomes song. this world of car horns and tire screeches crying and wailing from raw throats angry protests of indignation could use a little music.
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82
Golden Valleys, Growing Naturally <> This is a Logo in Ireland, Dairygold™ is the company. I would safely say, that there is hardly an acre in rural Ireland devoid of some form of artificial fertilisers, pesticides, herbicides or fungicides. (Ireland is riddled with consumer cancer) If the Logo was written as follows, a comma between Growing & Naturally plus an exclamation mark ! which should really be a question mark ? (in the absence of the comma between Valleys & Growing) i.e. Golden Valleys, Growing, Naturally! or ? Then it might pass. Let's see if we can force them to change it and by doing so, it will highlight the fraudulent practice of duping consumers with blatant grammatical omissions and the wordplay illusion by clever marketers. (Well, perhaps not as clever as they thought) ps. I spent all morning, wondering should they be a comma in the last paragraph, in the afternoon, I removed it. Oscar Wilde.
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Jan 8, 2019
Jan 8, 2019 at 3:27 AM UTC
Consumer Cancer
If, with the literate, I am Impelled to try an epigram, I never seek to take the credit; We all assume that Oscar said it.
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7.5k
Oscar Wilde
I sometimes take words that were first used by others (I'm About to admit I'm a bit of a crook) Re-hash and re-use them, and make my own covers- Stealing little known lines from an eloquent book. I've stolen from Shakespeare, yanked words off of Yeats, And pilfered from Plato and Brown; I've probably swiped stuff off all of the greats, And many of zero renown. There's more to be heard in the wise words of Wilde Or took from a Tennyson line Or the thinking out loud of an inquisitive child, Than could spill forth from this pen of mine. So if I've stolen from you, and perchance have offended, (Yes- I'm about to steal Shakespeare again) Just think but this, and all is mended; Nothing original came from my pen. Which means that, eventually, all that I've ever done Will be lost in the shadows of time, Skipped over, or lost, and simply outdone By your works original shine.
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Oct 27, 2018
Oct 27, 2018 at 6:05 AM UTC
Word Thief
If the "Twinflame", or what is better known as the "Soul Mate Theory" rings any truth, then I believe I have felt this, even within my own disarray of natural human emotion and connections. The "Love" emotion, in particular, defines the world "Soul Mate" to its truest definition, without question. I'm a true believer that I have/had or maybe still will encounter this sort of spirit and that any lifetime spent with such a kind soul was a lifetime of riches and happiness beyond what anything mad-made could deliver. I hope when we do find these people we let them them know and I hope they recognize this sort of bond as the most infinate form of respect and compliment. I never imagined my story being a love story, but if I prove to be, not as smart as I feel, that is a flaw I would endure in every lifetime, just for the benifit of Love and Friendship. When "THEY" say, you must love yourself, before you can love another, I like to quote Oscar Wilde, who said "To love thyself is the beginning of a lifelong romance." Take careful consideration to this. When you get to know yourself and I mean, REALLY get to know yourself. You learn not only your darkest fears, but you learn your most powerful comforts. You literally create a world that only exists from within. You are learning and loving yourself into an "inner beauty" so fascinating that modern "entertainments" become nothing more than mere distraction. You become your own best friend. This is the goal and perhaps the key to life. You can be homeless, unwanted, and completley alone in the world (or so it feels in dark hours) and still have a place to run to, when you close your eyes, you're already rich. Now add another person. Who can compete with yourself and know your every move. Every thought. Every intention. Every guilty pleasure. Imagine someone else, who knows you in such a way. What a concept. Its real. You just have to be patient. Take the time to love yourself. I'm not there, but I have an adventure of a lifetime awaiting me. How could I ever fear life, when life can be so beautiful. With this other person...you can see them, touch them. Conversate with them. Educate, learn and lean on them. You will never find that, until you know what you are looking for.
0
Jul 10, 2013
Jul 10, 2013 at 1:23 PM UTC
L▲VE
If the "Twinflame", or what is better known as the "Soul Mate Theory" rings any truth, then I believe I have felt this, even within my own disarray of natural human emotion and connections. The "Love" emotion, in particular, defines the world "Soul Mate" to its truest definition, without question. I'm a true believer that I have/had or maybe still will encounter this sort of spirit and that any lifetime spent with such a kind soul was a lifetime of riches and happiness beyond what anything mad-made could deliver. I hope when we do find these people we let them them know and I hope they recognize this sort of bond as the most infinate form of respect and compliment. I never imagined my story being a love story, but if I prove to be, not as smart as I feel, that is a flaw I would endure in every lifetime, just for the benifit of Love and Friendship. When "THEY" say, you must love yourself, before you can love another, I like to quote Oscar Wilde, who said "To love thyself is the beginning of a lifelong romance." Take careful consideration to this. When you get to know yourself and I mean, REALLY get to know yourself. You learn not only your darkest fears, but you learn your most powerful comforts. You literally create a world that only exists from within. You are learning and loving yourself into an "inner beauty" so fascinating that modern "entertainments" become nothing more than mere distraction. You become your own best friend. This is the goal and perhaps the key to life. You can be homeless, unwanted, and completley alone in the world (or so it feels in dark hours) and still have a place to run to, when you close your eyes, you're already rich. Now add another person. Who can compete with yourself and know your every move. Every thought. Every intention. Every guilty pleasure. Imagine someone else, who knows you in such a way. What a concept. Its real. You just have to be patient. Take the time to love yourself. I'm not there, but I have an adventure of a lifetime awaiting me. How could I ever fear life, when life can be so beautiful. With this other person...you can see them, touch them. Conversate with them. Educate, learn and lean on them. You will never find that, until you know what you are looking for.
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30
Her Voice by Oscar Wilde THE wild bee reels from bough to bough With his furry coat and his gauzy wing.
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Dec 23, 2014
Dec 23, 2014 at 12:51 AM UTC
Her Voice by Oscar Wilde
Tolstoy was a boy, Ibsen was Henrik's son Hardy had a father, And see how well they've done. Byron was a grandson, And Wordsworth had a wet nurse, Thoreau had a 2 to go, Shakespeare a bad marriage, Austen was a loner, Poor Sylvia was a goner, And see how well they've done. Joyce had a ***** mind, Fitzgerald liked to drink, Richler liked to smoke, And Wolfe enjoyed a **** And see how well they've done. Fielding was a misogynist, Wilde was a jailbird; Virginia a misandrist, And Kerouac a simple **** Yet see how well they've done. Still with all their drawbacks, Look how well they've done; Like our old friend John, We surely come un-done.
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Dec 20, 2018
Dec 20, 2018 at 10:39 AM UTC
Just Like Us
On the first day, he was pushed robust in his stance, the other forced, this boy down the spiral staircase of the Catholic church, the school had renovated, the Spring before Isaac had begun his studies, at the high school. Ballet was his passion, Latin was the language that so effortlessly, fluently was spoken from his lips in class as he smiled at his Professor, another victory accomplished in academia so proud were his parents, of their blue eyed boy. Jonah was the reject, the older brother he had been kicked out of school, not once, but twice, and was often found with a joint, his unshaven face wrapped around one of the girls, from the all girls school that ran alongside Isaacs all boys. Issac was hurt, a further blow to his stomach, rendered him broken as a waterfall of tears ran down his bruised and cut face, so ashamed as other pupils laughed, staring, pointing until the final bell rang as they fled from the high ceilings and narrow corridors. Wrapped in a ball, he waited for all halls and students to clear, and as he rolled over, picking himself up he took to the washroom, knowing he needed to be presentable for his mother waiting for him at the school gate brimming with pride, at her boys scholarship. All his dreams, mystical and serene, Romeo and Juliet fluid streams of poetry of Elliot, Poe, Hughes and of course Wilde and those love letters of Beethoven math, biology, all paled into insignificance he was born a writer, a dancer, a drawer, sketching and typing his heart to a page, prose a future love would read. Johan saw his mother's car pull up as he raced and giggled with Saskia leading her astray, he promised her all the things those boys always did, and of course not to break her sweet sixteen heart, unlike other boys as his mother smoked another Camel, the two lovers jumped into his truck, Johnny Cash blaring from speakers laughing hysterically, the world at their feet. By 4pm, Isaac was ready to leave school, tentatively walking out the main door, down concrete slabs as steps, no predators in sight he couldn't hide the dark circles under his eyes that formed as bruises, knowing he was fortunate to have not been damaged further by the haunting before last period. Walking to the gates, he listened through headphones; Tchaikovsky his release his home his saving grace. © Sia Jane
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Jan 10, 2014
Jan 10, 2014 at 6:53 PM UTC
a moral evil
On the first day, he was pushed robust in his stance, the other forced, this boy down the spiral staircase of the Catholic church, the school had renovated, the Spring before Isaac had begun his studies, at the high school. Ballet was his passion, Latin was the language that so effortlessly, fluently was spoken from his lips in class as he smiled at his Professor, another victory accomplished in academia so proud were his parents, of their blue eyed boy. Jonah was the reject, the older brother he had been kicked out of school, not once, but twice, and was often found with a joint, his unshaven face wrapped around one of the girls, from the all girls school that ran alongside Isaacs all boys. Issac was hurt, a further blow to his stomach, rendered him broken as a waterfall of tears ran down his bruised and cut face, so ashamed as other pupils laughed, staring, pointing until the final bell rang as they fled from the high ceilings and narrow corridors. Wrapped in a ball, he waited for all halls and students to clear, and as he rolled over, picking himself up he took to the washroom, knowing he needed to be presentable for his mother waiting for him at the school gate brimming with pride, at her boys scholarship. All his dreams, mystical and serene, Romeo and Juliet fluid streams of poetry of Elliot, Poe, Hughes and of course Wilde and those love letters of Beethoven math, biology, all paled into insignificance he was born a writer, a dancer, a drawer, sketching and typing his heart to a page, prose a future love would read. Johan saw his mother's car pull up as he raced and giggled with Saskia leading her astray, he promised her all the things those boys always did, and of course not to break her sweet sixteen heart, unlike other boys as his mother smoked another Camel, the two lovers jumped into his truck, Johnny Cash blaring from speakers laughing hysterically, the world at their feet. By 4pm, Isaac was ready to leave school, tentatively walking out the main door, down concrete slabs as steps, no predators in sight he couldn't hide the dark circles under his eyes that formed as bruises, knowing he was fortunate to have not been damaged further by the haunting before last period. Walking to the gates, he listened through headphones; Tchaikovsky his release his home his saving grace. © Sia Jane
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63
Women of the ROK [South Korea] unite to protest the rash of digital camera up-skirting, hidden toilet cams & dressing room holes by an avant-garde subculture whose sole aim is to redefine beauty from  the bottom up; tearing down the old order    of mere very pretty faces for the surprise   the unseen; online ******* poets who wax romantically;  over South Korean women who wear the shortest skirts of any westernized Asian country; therefore, where the average woman is expected to be above average, what could be better than a possible *** or period stain; [        ], Rupi Koar laid the foundation [her soiled garments stinking of Canadian Desi BO; dreaming wistfully of the blossoming cherry-trees in the hidden grove, streams of crystalline blood threading through the golden grass; (dead as if she was [Sleeping Beauty (on the toilet)]) & w/ healthy [or unhealthy] doses of Baudelaire, Swinburne, Poe, Sade & Wilde; this new school of poets celebrating female underwear & bottoms & beyond; what could future generations make of various Internet pseudo-intellectual movements all coalescing into a monolithic computer culture driven by the embarrassment & shame of its female members & their ***** backsides & underwear; essentially odes on her laundry basket, odes on her farts, odes on her leavings, odes on her mother's droppings & leavings, &        her grandmothers' mothers leavings; South Korean women are the original race,                their intestine driven by pure lust [a South Korean woman's soul  is in her belly]
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Aug 3, 2018
Aug 3, 2018 at 12:53 AM UTC
the new korean ******* poetry
Women of the ROK [South Korea] unite to protest the rash of digital camera up-skirting, hidden toilet cams & dressing room holes by an avant-garde subculture whose sole aim is to redefine beauty from  the bottom up; tearing down the old order    of mere very pretty faces for the surprise   the unseen; online ******* poets who wax romantically;  over South Korean women who wear the shortest skirts of any westernized Asian country; therefore, where the average woman is expected to be above average, what could be better than a possible *** or period stain; [        ], Rupi Koar laid the foundation [her soiled garments stinking of Canadian Desi BO; dreaming wistfully of the blossoming cherry-trees in the hidden grove, streams of crystalline blood threading through the golden grass; (dead as if she was [Sleeping Beauty (on the toilet)]) & w/ healthy [or unhealthy] doses of Baudelaire, Swinburne, Poe, Sade & Wilde; this new school of poets celebrating female underwear & bottoms & beyond; what could future generations make of various Internet pseudo-intellectual movements all coalescing into a monolithic computer culture driven by the embarrassment & shame of its female members & their ***** backsides & underwear; essentially odes on her laundry basket, odes on her farts, odes on her leavings, odes on her mother's droppings & leavings, &        her grandmothers' mothers leavings; South Korean women are the original race,                their intestine driven by pure lust [a South Korean woman's soul  is in her belly]
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32
i extract poetry from your facebook chats and tenderness from your skype calls this: the compromise of a romantic heart in the face of modern ephemera since i cannot scale your balcony like i memorize your wall (o sweet o lovely wall thanks courteous wall) nor can i woo you or ****** you without google as my cyrano i worry for the endurance of a love without tree-carved initials and sigh over perceived corruption caused by emoticons over emotion though i’m sure if mr wilde could text or byron could bbm they’d not forego their lovers’ notice for the sake of pure romance they’d embrace any fleeting mention with disregard for rose colored glasses not moon over the glare of history’s glance they’d kiss them with x’s and serenade them with youtube and covet any moment not spent with them on their mind so my conflict is resolved and my star-crossed thoughts soothed when they caution most ominously that anything on the internet can never truly disappear.
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Jul 17, 2013
Jul 17, 2013 at 7:54 AM UTC
love in the time of modernity/ ode on a facebook wall
I will keep pushing myself. Keep going. I will read Edmund Spenser, Shakespeare, Wilde, Shelley, Doyle, and CS Lewis By the end of the summer. You laugh. Two weeks, one book a day, it isn't hard. I only have four chapters of chemistry to finish, Two chapters of AP Physics, Four chapters of AP US history, My personal reading list, Four debate cases, And a little light reading (Judith Butler and Ayn Rand). I WILL finish everything I have to do. Refill the coffee *** I'll use more eyedrops. Two weeks. I will finish my summer homework.
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Aug 18, 2013
Aug 18, 2013 at 12:43 AM UTC
Procrastination
Black & Yellow                                              – for Wiz Khalifa  ✌                         *“Stay high like I’m supposed to do, that crown                         underneath them clouds, can’t get close to you.”* On the first day, he was pushed. Robust in stance, the other forced, this boy down the marble stairs of the Catholic church, the school renovated the Summer before Khalifa began his studies,                   in junior high. The ballet was his passion, Latin was the language that so fluently was spoken from his lips. The Professor smiled, another victory accomplished. Khalifa’s mom was so proud of             her blue eyed boy. Rapped in a ball, he waited for all students & halls to clear. Rolled over, picked himself up took to the washroom, knowing he needed to be presentable for his mom stood at the school gate,            brimming with pride. All of his dreams, mystical. Don Quixote & The Nutcracker, fluid streams of poetry; Elliot, Poe, Wilde. The love letters of Ludwig van Beethoven. Born to dance all Principal roles,                   a lovers’ prose. By four, he was ready to leave school. Tentatively walking, no predators in sight, out the main door. Leaving behind a haunting first day. Listening to Tchaikovsky; his release, his home,                  his saving grace. © Sia Jane
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Mar 14, 2015
Mar 14, 2015 at 10:38 PM UTC
Black & Yellow
Black & Yellow                                              – for Wiz Khalifa  ✌                         *“Stay high like I’m supposed to do, that crown                         underneath them clouds, can’t get close to you.”* On the first day, he was pushed. Robust in stance, the other forced, this boy down the marble stairs of the Catholic church, the school renovated the Summer before Khalifa began his studies,                   in junior high. The ballet was his passion, Latin was the language that so fluently was spoken from his lips. The Professor smiled, another victory accomplished. Khalifa’s mom was so proud of             her blue eyed boy. Rapped in a ball, he waited for all students & halls to clear. Rolled over, picked himself up took to the washroom, knowing he needed to be presentable for his mom stood at the school gate,            brimming with pride. All of his dreams, mystical. Don Quixote & The Nutcracker, fluid streams of poetry; Elliot, Poe, Wilde. The love letters of Ludwig van Beethoven. Born to dance all Principal roles,                   a lovers’ prose. By four, he was ready to leave school. Tentatively walking, no predators in sight, out the main door. Leaving behind a haunting first day. Listening to Tchaikovsky; his release, his home,                  his saving grace. © Sia Jane
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40
Van Gogh said he would rather die Of passion Than of boredom, And I wonder if that's why he shot himself. Because in a dark and mundane world, Where sometimes only dreamers See the light, It becomes a burden To live with passion. Oscar Wilde wrote, "A dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world." Maybe he understood Being a dreamer is a Blessing of a curse. Sometimes it doesn't seem fair From a dreamer's eyes, When I try to talk and say something But no one understands. And I breathe in- "They'll never understand"- Breathe out- "Could anyone understand?" And everyone's perplexed Because I cry When they say I should laugh, And I laugh When they say I should cry. Someone asked me "What's your favorite flower?" And when I said dandelions, They told me they were weeds. I said they are what you make them. If you allow them to flourish, They are flowers befitting a king. If you think of them as weeds, You won't see the beauty, You'll only see grass That won't grow, Not flowers to pick for mommy, Or what you need to make a flower crown, And sometimes, The more you try to rid yourself Of dandelions, The stronger they come back. Just like dreamers. If you see me As a **** You won't see the blessing In the curse. But if you see me As a flower, Delicate But stubborn, Ready to be nurtured, You'll see more of a blessing Than a curse.
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Jul 24, 2013
Jul 24, 2013 at 12:31 PM UTC
Blessing of a Curse
Where buses still elapse with Time Down straight Dame Street The Trees are satellites that allow Children to look up and let the pavement breath. Earthen Columns that gate the Boombox Clubhouse tint Flanked by the Yeoman Guards of Hollister but forget to pay the same compliment outside of American Apparel Where Teenagers dream out fantasies of lamp-lit, flash-shot worship-worthy objectification in a converted loft in the real New York Their headphones spring streams of bright optimism as they cradle knitted knee-high socks. Take the curve round Trinity College and laugh past the rumours that it may soon float on Dow Jones and dodge past the charity advertisers Strutting over campbags of sleeping homeless to Lemon Cafe for an overpriced Mocha Which regardless deflates the sheen-covered hollowness of green-comfy Starbucks and learn the subtleties of speaking lightly to dark-jaceketed Blonde girls Whose eyes seem to sparkle "Yes, we have sipped on Veuve Clicquot at reserved tables on Graduation nights at Cafe En Seine" -"Where Oscar Wilde might have drank" - "..Had he been alive." Then speculate on the best Festivals and whose Films and Books are over-hyped and under-appreciated and the after-College Gossip on who broke-up or stayed together or who hooked up even though they shouldn't have or regretted it and who's doing a paid internship and who's moving abroad and afterwards charmingly tease their superficial attitudes as meanwhile they secretly take photos to upload on Instagram and later you'll fake-admonish them for how they did this behind your back while you were staring into the lake in St. Stephen's Green. When the moon no longer glazed the water and had receded its contrast to the farthest grass and you decide to take the last bus home. Throughout Caution Glints The Vowels and Brands them too.
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May 16, 2014
May 16, 2014 at 10:11 AM UTC
Caution Glints The Vowels
Where buses still elapse with Time Down straight Dame Street The Trees are satellites that allow Children to look up and let the pavement breath. Earthen Columns that gate the Boombox Clubhouse tint Flanked by the Yeoman Guards of Hollister but forget to pay the same compliment outside of American Apparel Where Teenagers dream out fantasies of lamp-lit, flash-shot worship-worthy objectification in a converted loft in the real New York Their headphones spring streams of bright optimism as they cradle knitted knee-high socks. Take the curve round Trinity College and laugh past the rumours that it may soon float on Dow Jones and dodge past the charity advertisers Strutting over campbags of sleeping homeless to Lemon Cafe for an overpriced Mocha Which regardless deflates the sheen-covered hollowness of green-comfy Starbucks and learn the subtleties of speaking lightly to dark-jaceketed Blonde girls Whose eyes seem to sparkle "Yes, we have sipped on Veuve Clicquot at reserved tables on Graduation nights at Cafe En Seine" -"Where Oscar Wilde might have drank" - "..Had he been alive." Then speculate on the best Festivals and whose Films and Books are over-hyped and under-appreciated and the after-College Gossip on who broke-up or stayed together or who hooked up even though they shouldn't have or regretted it and who's doing a paid internship and who's moving abroad and afterwards charmingly tease their superficial attitudes as meanwhile they secretly take photos to upload on Instagram and later you'll fake-admonish them for how they did this behind your back while you were staring into the lake in St. Stephen's Green. When the moon no longer glazed the water and had receded its contrast to the farthest grass and you decide to take the last bus home. Throughout Caution Glints The Vowels and Brands them too.
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48
your electronic memory of Oscar Wilde collapses just then the sun the future like a gun afloat in cream bang film skin piano your memory hangs in my broken window like a saxaphone forty somethings smoke and flirt on a cruise ship floating toward a blissful retreat where time has lost command and the radio has blown out the morals of the age
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May 23, 2012
May 23, 2012 at 2:15 AM UTC
Cocktail hour
It’s true what they say, we always hurt the ones we love and love the ones who hurt us. We can quote Bukowski as much as we want, but we need to realize the severity of his words. “Find what you love and let it **** you.” Love is a death sentence. It is a sweet one, but in love’s very nature it is a death sentence nonetheless. You will search the world for someone whose favorite book is The Picture of Dorian Gray and who worships the same 1953 Hepburn film and inhales dark coffee in the way that you do. But you will end up settling for someone who has skimmed the back cover biography of Wilde and who remembers when and where Audrey was born and drinks java from a little coffee shop that you think is pretentious. Yet there will be a time when you will find someone that you can’t live without and you will be shell-shocked when you see that they can breathe air through their lungs and eat the spicy food that you don’t like and sleep with the window cracked just a little bit all without you. You will hate yourself more than anyone for letting yourself need someone as much as you need that one person, who doesn’t even know that when you say you only take two sugars in your coffee, you actually mean four, sometimes five. You will ignore their pleas and roll your eyes at their petty compromises. You will make them miserable because you love them more than they love you. And they will stick around because they feel guilty for that very reason. You will salt their wounds and ice their veins. They will leave you on the side of the road and try their best to hate you. You will both recognize that it is a valiant yet fruitless effort. The line between hate and love is so slight that a feeling can change like a compass. Love is hate and hate is love. So you will grow to tolerate their lack of literary prowess and enlighten them on what you actually mean when you say two sugars. Most times everything will feel off and never quite the way you had expected, and you’ll always wonder if you have ever really been happy, and if this is actually how love feels. When this happens, you must remind yourself that love is a complicated emotion. It is in the tide of the sea and the phases of the moon and sometimes found in a frightening trek down Memory Lane. You can find it in the face of every person that you have ever met and sometimes it does not grace those pretty faces for very long at all. The most truthful and sad part of it all is that it will eventually **** you. But it is a death sentence at it’s finest.
0
Oct 2, 2013
Oct 2, 2013 at 12:21 PM UTC
Two Sugars
It’s true what they say, we always hurt the ones we love and love the ones who hurt us. We can quote Bukowski as much as we want, but we need to realize the severity of his words. “Find what you love and let it **** you.” Love is a death sentence. It is a sweet one, but in love’s very nature it is a death sentence nonetheless. You will search the world for someone whose favorite book is The Picture of Dorian Gray and who worships the same 1953 Hepburn film and inhales dark coffee in the way that you do. But you will end up settling for someone who has skimmed the back cover biography of Wilde and who remembers when and where Audrey was born and drinks java from a little coffee shop that you think is pretentious. Yet there will be a time when you will find someone that you can’t live without and you will be shell-shocked when you see that they can breathe air through their lungs and eat the spicy food that you don’t like and sleep with the window cracked just a little bit all without you. You will hate yourself more than anyone for letting yourself need someone as much as you need that one person, who doesn’t even know that when you say you only take two sugars in your coffee, you actually mean four, sometimes five. You will ignore their pleas and roll your eyes at their petty compromises. You will make them miserable because you love them more than they love you. And they will stick around because they feel guilty for that very reason. You will salt their wounds and ice their veins. They will leave you on the side of the road and try their best to hate you. You will both recognize that it is a valiant yet fruitless effort. The line between hate and love is so slight that a feeling can change like a compass. Love is hate and hate is love. So you will grow to tolerate their lack of literary prowess and enlighten them on what you actually mean when you say two sugars. Most times everything will feel off and never quite the way you had expected, and you’ll always wonder if you have ever really been happy, and if this is actually how love feels. When this happens, you must remind yourself that love is a complicated emotion. It is in the tide of the sea and the phases of the moon and sometimes found in a frightening trek down Memory Lane. You can find it in the face of every person that you have ever met and sometimes it does not grace those pretty faces for very long at all. The most truthful and sad part of it all is that it will eventually **** you. But it is a death sentence at it’s finest.
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pretty girl with pretty flowers, do not be afraid to trace the soft curves of your body with your round, round eyes. your monsters hide not there— your guardian angels do. when your night feels longer than the day, breathe the smidgen of youth you have left in you into the birds swimming fluidly with the stars— their wings swiftly cutting smooth ripples into the sky, disturbing the grumbling twilight. you could be one of them, able to go nowhere and everywhere. like air. don’t you want to go home? sad girl with sad flowers, keep your leaves tucked inside your old books, in lacy sleeves, your peeling boots— hope He finds them all there. sing sweetly of the poets of all ages—siken, plath, wilde, whitman— shamelessly climb inside His chest, gently rip His ribs apart, the you that's serenading, softly seducing Him with songs unsung and dreams undreamt. let your baby blue skirt ride up, drip, drip, drip, let His calloused fingers brush your thighs made of syrupy milk, as you smile, and smile, and smile. fiery girl with stormy flowers, the best things in life cannot be confined to a physical shape, cannot be seen, or touched, or heard, or said— yet in your eyes set heavy by damp eyelashes, there is the primal, unconfined, raw thirst, desperately hoping and searching. is it a lost love? an unfounded love? what is it that you are looking for?
0
Sep 26, 2017
Sep 26, 2017 at 11:42 AM UTC
you, Him, and the flowers
A repost: A Roman poem written before The birth of Christ, inspired the title Gone With The wind with Scarlett and Rhett Butler But here you see only old confessions of a man's true love for his beloved who is all gone -Or- (Or a woman's true love for her beloved runner wishing she could have chased.) ~~~ CYNAR*A. ~~~~~ Last night yesternight, betwixt her lips and mine There fell thy shadow, Cynara! Thy breath was shed Upon my soul between the kisses and the wine; And I was desolate and sick of an old passion,   Yea, I was desolate and bowed my head: I have been faithful to thee, Cynara! in my fashion. All night upon mine heart I felt her warm heart beat, Night-long within mine arms in love and sleep she lay; Surely the kisses of her bought red mouth were sweet; But I was desolate and sick of an old passion,   When I awoke and found the dawn was grey: I have been faithful to thee, Cynara! in my fashion. I have forgot much, Cynara! Gone with the wind, Flung roses, roses riotously with the throng, Dancing, to put thy pale, lost lilies out of mind But I was desolate and sick of an old passion,   Yea, all the time, because the dance was long: I have been faithful to thee, Cynara! in my fashion. I cried for madder music and for stronger wine, But when the feast is finished and the lamps expire, Then falls thy shadow, Cynara! The night is thine; And I am desolate and sick of an old passion,   Yea, hungry for the lips of my desire: I have been faithful to thee, Cynara! in my fashion. ~~~~~~~ By:Ernest Dowson For:RhettlvScarlet. to honor Karijinbba in her great loss and healing of her memory chip. ~~~~~~ Copy Rights. ~~~~ Ernest Dowson (1867-1900) died of alcoholism at the age of 32. His downward spiral began at age 23 when he fell for an 11 year old girl who would spurn him at 14 when he proposed marriage. The following year, in 1894 his father died from an overdose. Dowson's mother hanged herself within a year of her husband's death. Soon after this dual tragedy Dowson left for France before returning back to England in 1897. Curiously he lived with the family of his unrequited love. Penniless, heartbroken and filling the empty voids in his life with alcohol, Dowson would spend the last six weeks of his life in the cottage of the Oscar Wilde biographer Robert Sherard who had found him drunk in a bar. Speaking of Oscar Wilde, he wrote after Dowson's death of a,"Poor wounded wonderful fellow that he was, a tragic reproduction of all tragic poetry, like a symbol, or a scene. I hope bay leaves will be laid on his tomb and rue and myrtle too for he knew what true love unrequieted love was." ~~~~~
0
Oct 22, 2018
Oct 22, 2018 at 12:44 AM UTC
Cynara
A repost: A Roman poem written before The birth of Christ, inspired the title Gone With The wind with Scarlett and Rhett Butler But here you see only old confessions of a man's true love for his beloved who is all gone -Or- (Or a woman's true love for her beloved runner wishing she could have chased.) ~~~ CYNAR*A. ~~~~~ Last night yesternight, betwixt her lips and mine There fell thy shadow, Cynara! Thy breath was shed Upon my soul between the kisses and the wine; And I was desolate and sick of an old passion,   Yea, I was desolate and bowed my head: I have been faithful to thee, Cynara! in my fashion. All night upon mine heart I felt her warm heart beat, Night-long within mine arms in love and sleep she lay; Surely the kisses of her bought red mouth were sweet; But I was desolate and sick of an old passion,   When I awoke and found the dawn was grey: I have been faithful to thee, Cynara! in my fashion. I have forgot much, Cynara! Gone with the wind, Flung roses, roses riotously with the throng, Dancing, to put thy pale, lost lilies out of mind But I was desolate and sick of an old passion,   Yea, all the time, because the dance was long: I have been faithful to thee, Cynara! in my fashion. I cried for madder music and for stronger wine, But when the feast is finished and the lamps expire, Then falls thy shadow, Cynara! The night is thine; And I am desolate and sick of an old passion,   Yea, hungry for the lips of my desire: I have been faithful to thee, Cynara! in my fashion. ~~~~~~~ By:Ernest Dowson For:RhettlvScarlet. to honor Karijinbba in her great loss and healing of her memory chip. ~~~~~~ Copy Rights. ~~~~ Ernest Dowson (1867-1900) died of alcoholism at the age of 32. His downward spiral began at age 23 when he fell for an 11 year old girl who would spurn him at 14 when he proposed marriage. The following year, in 1894 his father died from an overdose. Dowson's mother hanged herself within a year of her husband's death. Soon after this dual tragedy Dowson left for France before returning back to England in 1897. Curiously he lived with the family of his unrequited love. Penniless, heartbroken and filling the empty voids in his life with alcohol, Dowson would spend the last six weeks of his life in the cottage of the Oscar Wilde biographer Robert Sherard who had found him drunk in a bar. Speaking of Oscar Wilde, he wrote after Dowson's death of a,"Poor wounded wonderful fellow that he was, a tragic reproduction of all tragic poetry, like a symbol, or a scene. I hope bay leaves will be laid on his tomb and rue and myrtle too for he knew what true love unrequieted love was." ~~~~~
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she was reading haruki murakami and licking her lips of muffin crum bs - - i, placated via cellphone, calle d to leave a message for a friend ab out Oscar Wilde's De Profundis  a s i think i forgot it on his couch spea k-easy speak-fast distract myself wit h cigarette headrush rants and slow- mo's she moves close gazing as i c uriously whisper back with connect ed pupil and she comes so so close - - g arbage can next to me close - - she keep s peeking at me, pulls out norwegian w ood scans road i awkwardly pull out an thology of chinese poems from backpa ck to possibly impress! she keeps peek ing peeking peeking i almost start conve rsation but heart-beats race-track grand prix miss my bus and i know it almost re trieve cigarette from pocket (ghoulish goo dy) second-guess she may think it unattra ctive? no shiney faced race horse (*do u ev en lift, bro - - no dude i don't, i literally do n't lift*) cement truck clamours past and i n ot really paying attention to the ******* c hinese poems anyway begin to read the way the sun glances off the spinning barrel like c hinese poetry - - glancing always to newspea k my way into awkwardity so ******* he adrush** she walks away, turns on heel to loo k me in darting eyeballs (*are u coming? i sup pose so, jesus*) i clamour onto my feet and foll ow her pretend to be checking bus-times ya fu ckin goof 15X arrives and she departs without a smoke-signal we were close we were close we were close *and i missed my bus waiting for my self to brave-and-snake* so i walk away pretend- careless and finally retrieve cigarette from pocket read the smoke like chinese poetry (ghoulish goody)
0
Nov 27, 2013
Nov 27, 2013 at 5:49 PM UTC
mamihlapinatapei
she was reading haruki murakami and licking her lips of muffin crum bs - - i, placated via cellphone, calle d to leave a message for a friend ab out Oscar Wilde's De Profundis  a s i think i forgot it on his couch spea k-easy speak-fast distract myself wit h cigarette headrush rants and slow- mo's she moves close gazing as i c uriously whisper back with connect ed pupil and she comes so so close - - g arbage can next to me close - - she keep s peeking at me, pulls out norwegian w ood scans road i awkwardly pull out an thology of chinese poems from backpa ck to possibly impress! she keeps peek ing peeking peeking i almost start conve rsation but heart-beats race-track grand prix miss my bus and i know it almost re trieve cigarette from pocket (ghoulish goo dy) second-guess she may think it unattra ctive? no shiney faced race horse (*do u ev en lift, bro - - no dude i don't, i literally do n't lift*) cement truck clamours past and i n ot really paying attention to the ******* c hinese poems anyway begin to read the way the sun glances off the spinning barrel like c hinese poetry - - glancing always to newspea k my way into awkwardity so ******* he adrush** she walks away, turns on heel to loo k me in darting eyeballs (*are u coming? i sup pose so, jesus*) i clamour onto my feet and foll ow her pretend to be checking bus-times ya fu ckin goof 15X arrives and she departs without a smoke-signal we were close we were close we were close *and i missed my bus waiting for my self to brave-and-snake* so i walk away pretend- careless and finally retrieve cigarette from pocket read the smoke like chinese poetry (ghoulish goody)
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39
Every era that has ever been Has engaged in the auto-dissection Of their yellowing underbellys. Yes, every generation has predicted that the end is nigh, That god is on their side; But the devil has a crowbar And is busting out of the basement. Each decade is a mimicry of the last. Different fashions, same trends And always, with a fool on the hill. A lonely steel harmonica can pierce the airwaves Across space and time, Through the grooves and crackles To enthral an audience, And to beguile that every generation Into believing in their autonomy, Their solitude, With a fate independent of all those centuries past. Through every disembodied spew of Dylan lyrics, Or the corporeal and common alienation Sympathised in every Wilde reference, Comes the same fury at the chaos of a world That is no more than indifferent at the plight of the people it houses. Indeed, Every generation has sought to either Cure the ills of the Earth; Or else set lighter fluid to the lot. This stretches back to the first blood-spattered edition of the Bible, And further, much further. To all of the captains, The heroes, The anti-heroes, The road gritter, The malevolent dictator, The schoolteacher, The emancipated woman And the borderline feminist. To every young child who is reluctant to take the spotlight, Or look you in the eye, Ask questions, or speak out. For every one of those who at some point were labelled ‘maladjusted’. And so the Pharaohs and Caesars are all but gone now, Replaced by the big-wigs, The fat-cats, The purple hearted, The playboys - The men in suits. But they are all the same. The same behind the decadence of A solid gold sarcophagus Or an Armani pair of shades. They all built their empire on shifting sands. And so we will all kick and scream To our own tone and our own time At the indignity of the world. At our bespoke knowledge To deal with all inconvenience But that which privates the preclusion Of any and all major slaughters of justice. As for that young child, With the lack of eye contact - And all that he will become: He will sit. And he will type. He will type until his words fall beyond that Of the spiralling noises inside his mind And blossom into something pure and ugly and beautiful. He will sit and he will write To forget.
0
Dec 16, 2012
Dec 16, 2012 at 8:21 PM UTC
The Boy in the Corner
Every era that has ever been Has engaged in the auto-dissection Of their yellowing underbellys. Yes, every generation has predicted that the end is nigh, That god is on their side; But the devil has a crowbar And is busting out of the basement. Each decade is a mimicry of the last. Different fashions, same trends And always, with a fool on the hill. A lonely steel harmonica can pierce the airwaves Across space and time, Through the grooves and crackles To enthral an audience, And to beguile that every generation Into believing in their autonomy, Their solitude, With a fate independent of all those centuries past. Through every disembodied spew of Dylan lyrics, Or the corporeal and common alienation Sympathised in every Wilde reference, Comes the same fury at the chaos of a world That is no more than indifferent at the plight of the people it houses. Indeed, Every generation has sought to either Cure the ills of the Earth; Or else set lighter fluid to the lot. This stretches back to the first blood-spattered edition of the Bible, And further, much further. To all of the captains, The heroes, The anti-heroes, The road gritter, The malevolent dictator, The schoolteacher, The emancipated woman And the borderline feminist. To every young child who is reluctant to take the spotlight, Or look you in the eye, Ask questions, or speak out. For every one of those who at some point were labelled ‘maladjusted’. And so the Pharaohs and Caesars are all but gone now, Replaced by the big-wigs, The fat-cats, The purple hearted, The playboys - The men in suits. But they are all the same. The same behind the decadence of A solid gold sarcophagus Or an Armani pair of shades. They all built their empire on shifting sands. And so we will all kick and scream To our own tone and our own time At the indignity of the world. At our bespoke knowledge To deal with all inconvenience But that which privates the preclusion Of any and all major slaughters of justice. As for that young child, With the lack of eye contact - And all that he will become: He will sit. And he will type. He will type until his words fall beyond that Of the spiralling noises inside his mind And blossom into something pure and ugly and beautiful. He will sit and he will write To forget.
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70
Some people write, but rarely read, That seems to me most strange indeed, They've read less than a hundred books, Yet think they imitate the looks, Of Sassoon, Cummings, Keats and Pound, Or think they imitate the sound, Of Lennon, Dylan, or Shakur, And sometimes think they've offered more, Than Chaucer, Wilde or Shakespeare could, And claim they're more misunderstood, Than even Salman Rushdie was, Which really ticks me off because, After having read such wondrous works, A sense of failure always lurks, Inside me whenever I write, Yet they think they've done well tonight! I hate them all! That's it - I've said it! But they won't know until they've read it, Which is quite doubtful, I'd attest, Who'd read my work and skip the best?
0
Dec 29, 2015
Dec 29, 2015 at 1:55 AM UTC
Why Are You Even Reading This?
The walls cry-out as they burn. A tumult of roars wreathed in the crackle of blazing matter. Which is louder?   Perspective will tell. The one who assaults, Or the one assaulted? The roar, or the crackle? The giver, or the receiver? Pleasure in two forms, two-faced gratification. One hand for dispensation, One mouth for sublimation. And do we not all sublimate? Base impulses, rank ideas, On the surface, vindicate? The residue of consequence Brusquely scrub and expiate? Perspective will tell. We espy hedonism, unbridled delight, And may envy those who bathe in these muddied pools, Focusing our most ephemeral sense on dazzling cacophony, Ignoring the estranged husband of hedonism, Shunning the divorcée of delight. Which is truly louder?   Perspective will tell. In Oscar Wilde’s Salome the moon is thus described: “She is like a woman who is dead.  She moves very slowly.” Pandemonium in the hall, the howling of wild beasts, But she remains “a woman who is dead,” And “she moves very slowly.” The divorcée of delight, A pitiful coming-down. The remnant of misuse, The scarring of abuse. One reads on a stone: The hardly-lovéd daughter of overuse. And the one who gazes overlong is warned:   “You look at her too much.   It is dangerous to look at people in such fashion. Something terrible may happen.” The walls cry-out as they burn, And they cry in desperation. What we see is conflagration. The light:  A brilliant exultation. The crackle:  A herald of termination. But when ash is blown in silence, It is dangerous to look at what remains: Scar tissue. Slow death. Residue. The head of John. The bones of Salome. Broken glass. Wilted flowers. Cracked foundation on hollow cheeks. Red lips the stain of blood on ivory cloth. Festering flies. The beating of vultures’ wings. The snoring of satiated beasts. The stumbling home. Apologies. Sublimation. Conflation. Expiation. … One’s well-mannered pause until the other’s end, So that the one may pause… And begin again.
0
Mar 4, 2017
Mar 4, 2017 at 9:37 PM UTC
Even the walls cry-out as they are burning
The walls cry-out as they burn. A tumult of roars wreathed in the crackle of blazing matter. Which is louder?   Perspective will tell. The one who assaults, Or the one assaulted? The roar, or the crackle? The giver, or the receiver? Pleasure in two forms, two-faced gratification. One hand for dispensation, One mouth for sublimation. And do we not all sublimate? Base impulses, rank ideas, On the surface, vindicate? The residue of consequence Brusquely scrub and expiate? Perspective will tell. We espy hedonism, unbridled delight, And may envy those who bathe in these muddied pools, Focusing our most ephemeral sense on dazzling cacophony, Ignoring the estranged husband of hedonism, Shunning the divorcée of delight. Which is truly louder?   Perspective will tell. In Oscar Wilde’s Salome the moon is thus described: “She is like a woman who is dead.  She moves very slowly.” Pandemonium in the hall, the howling of wild beasts, But she remains “a woman who is dead,” And “she moves very slowly.” The divorcée of delight, A pitiful coming-down. The remnant of misuse, The scarring of abuse. One reads on a stone: The hardly-lovéd daughter of overuse. And the one who gazes overlong is warned:   “You look at her too much.   It is dangerous to look at people in such fashion. Something terrible may happen.” The walls cry-out as they burn, And they cry in desperation. What we see is conflagration. The light:  A brilliant exultation. The crackle:  A herald of termination. But when ash is blown in silence, It is dangerous to look at what remains: Scar tissue. Slow death. Residue. The head of John. The bones of Salome. Broken glass. Wilted flowers. Cracked foundation on hollow cheeks. Red lips the stain of blood on ivory cloth. Festering flies. The beating of vultures’ wings. The snoring of satiated beasts. The stumbling home. Apologies. Sublimation. Conflation. Expiation. … One’s well-mannered pause until the other’s end, So that the one may pause… And begin again.
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