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"wight" poems
I took the left path where hydrangeas grew and sleepy primroses under woods, edged shady trees. The empty stream ran quietly dry With grass cuttings piling high. If one peeped, one would find tiny creatures To cast a sparkle here and there, a delight. So on tip-toe, with sandels bent Up high I reached to take The plastic fairy as she twirled a pirouette In a theatre made by chance. Reflected in a silver mirror intwinned with ivy branch A mottled foal tends his dreams and Chrismas robin chirps. My brother took the right hand path where the trees grew fruit Ripe berries from the gooseberry bush bulged their prickles. Dangling from hawthorn now a cowboy with a hat Looking for his fellow Indian with the yellow back sack. Sheep gather in a hollow, dark, protected from the sun And Mr toad, now lost of paint, has turned a bit glum. And so we leave our woodland friends and travel up the slope Winding round the rose bed and goldfish where they float. Then up we climb, the middle route, to jump the pruned clipped Hedge. The lawn divided in two halves, a contemporary taste. Now we're nearly at that place where if one was to turn Could see down across the land To the sea and sand. Of all the beauties that I've known Nothing beats this Island home. Love Mary x My grandfather’s retirement bungalow was in Totland Isle of Wight. It was named Innisfail meaning ‘Isle of Ireland’. Behind, the garden led down to magical and delightful to children who came as visitors. My grandfather would prepare this woodland with some suitable surprises. The garden and woodland deserved its own name and in retrospect Is now named ‘Innislandia’ to suggest a separate, mysterious land. Beyond the real world. In the poem A Country Lane on page 8 the latched gate is the back gate to my grandparent’s garden and bungalow in Totland as above.
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Jun 23, 2018
Jun 23, 2018 at 7:57 AM UTC
‘NOPO@HEPO’.My Grandfather’s Garden: Innislandia, The imaginary world of my grandfather.
I took the left path where hydrangeas grew and sleepy primroses under woods, edged shady trees. The empty stream ran quietly dry With grass cuttings piling high. If one peeped, one would find tiny creatures To cast a sparkle here and there, a delight. So on tip-toe, with sandels bent Up high I reached to take The plastic fairy as she twirled a pirouette In a theatre made by chance. Reflected in a silver mirror intwinned with ivy branch A mottled foal tends his dreams and Chrismas robin chirps. My brother took the right hand path where the trees grew fruit Ripe berries from the gooseberry bush bulged their prickles. Dangling from hawthorn now a cowboy with a hat Looking for his fellow Indian with the yellow back sack. Sheep gather in a hollow, dark, protected from the sun And Mr toad, now lost of paint, has turned a bit glum. And so we leave our woodland friends and travel up the slope Winding round the rose bed and goldfish where they float. Then up we climb, the middle route, to jump the pruned clipped Hedge. The lawn divided in two halves, a contemporary taste. Now we're nearly at that place where if one was to turn Could see down across the land To the sea and sand. Of all the beauties that I've known Nothing beats this Island home. Love Mary x My grandfather’s retirement bungalow was in Totland Isle of Wight. It was named Innisfail meaning ‘Isle of Ireland’. Behind, the garden led down to magical and delightful to children who came as visitors. My grandfather would prepare this woodland with some suitable surprises. The garden and woodland deserved its own name and in retrospect Is now named ‘Innislandia’ to suggest a separate, mysterious land. Beyond the real world. In the poem A Country Lane on page 8 the latched gate is the back gate to my grandparent’s garden and bungalow in Totland as above.
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35
Once a dream did weave a shade, O’er my Angel-guarded bed. That an Emmet lost it’s way Where on grass methought I lay. Troubled wildered and forlorn Dark benighted travel-worn, Over many a tangled spray, All heart-broke I heard her say. O my children! do they cry, Do they hear their father sigh. Now they look abroad to see, Now return and weep for me. Pitying I dropp’d a tear; But I saw a glow-worm near: Who replied. What wailing wight Calls the watchman of the night. I am set to light the ground, While the beetle goes his round: Follow now the beetles hum, Little wanderer hie thee home.
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A Dream
Walking along on the shingle spit At Keyhaven near to Milford on Sea You can almost touch the Isle of Wight Less than a mile away o'er the lea. Crab-fishing next at Mudeford Quay With Lizzie and Sam on the nets When off flies my hat which then lands in the sea Chase is given but I’m taking no bets. Later, me new-hatted, we sit by a pub Enjoying our lunch and a chat And we laugh at the turn of events in the day Particularly at the flight of my hat. Wearily later to our lodgings we go Chicken Cacciatore for dinner, by me We then all collapse and nod off to sleep This just always will happen by the sea. ©Joe Wilson – A Windy Day by the Sea…2014
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Sep 3, 2014
Sep 3, 2014 at 10:50 AM UTC
A Windy Day by the Sea...
the newbie failure complex(ity) the poems come torrentially, hurricane, waterfall & tornado are working adjectives worthy of the task, yet unequal to the unlimited army of the written dead of unread poems and poets that occupy the nether of blog, podcast, and poetry sites, orphan stars in the un-salvaged junkyard galaxy of verbiage a faceless wight, once alive, now permanently dead, we shuffle march, chanting each our own newbie poem, onward soldiers to ignominy and glory so fleeting, we are forgot before we are remembered *this is life in poetry, or better yet, the worst of it, (sigh) this is the poetry of lives* all for nought, nought for all, at least we pass our prison time in the company of fellow strugglers*
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May 13, 2019
May 13, 2019 at 5:44 PM UTC
the newbie failure complex(ity)/the poetry of lives
+ A bed-sits high and dry,marooned on a sandbank of night. As radio 4-casts its nets to isolated ships like me that rudderless drift on into the light. Still dark outside,no sounds,save the distant echoing bark of a hungry fox ----streets away. Another dawn ripped blackbin bag of a day creeps and ouzes in Heavy unfocused lids fogged in the steamy smokeyness of tea and a first fag plenty of time plenty of time. Time before the world wakes to the morning pips and its flushing, brushing, rushing sounds A greyness gathers just beyound my pained curtains, as with a silent sigh a roosted blackbird clears its fasted throat. Then as if by magic I 'm carried, scimming high above and beyound this mooring set in a silvered sea,on a welcomed mantra known to all. As if a calling pray at day break,following each word in a moment subline Un angle vole un angle vole. Rockall - Malin - Hebrides Humber - Fisher - German bight Thames - Dover - Wight. Each single secert understood and noted only by a few as I glide over in paced, pausey surf rolling words North northeast - 994 - Falling slowly - Low pressure moving away - Gales 8 very poor - Backing 3-4 later - Mainly good - Becoming variable - Syclonic later - Increasing 6-7 mainly west - Swally showers for a time - Fair - Good. Oh so good, each pure English comforting sounds heard over lapping waves of air. The bushy wet nosed fox sulks and cowers away from the breaking sun, as the blackbird draws a dewdropped breath though golden nib and tapping gently, call a hidden choir into song just for me. Reminding me of the things I'd for gotten I care about. Sharp timed unwelcomed pips flood the ears to prise open sticky eyes from promised dreams and spoon-cuddles warm As I set forth on wetted pavements, ready to decline into my charted day. Yet smiling as if blessed and no longer alone But filled with early morning salty thoughts of strangers I have yet to meet
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Feb 24, 2011
Feb 24, 2011 at 7:47 AM UTC
Brighton Early
+ A bed-sits high and dry,marooned on a sandbank of night. As radio 4-casts its nets to isolated ships like me that rudderless drift on into the light. Still dark outside,no sounds,save the distant echoing bark of a hungry fox ----streets away. Another dawn ripped blackbin bag of a day creeps and ouzes in Heavy unfocused lids fogged in the steamy smokeyness of tea and a first fag plenty of time plenty of time. Time before the world wakes to the morning pips and its flushing, brushing, rushing sounds A greyness gathers just beyound my pained curtains, as with a silent sigh a roosted blackbird clears its fasted throat. Then as if by magic I 'm carried, scimming high above and beyound this mooring set in a silvered sea,on a welcomed mantra known to all. As if a calling pray at day break,following each word in a moment subline Un angle vole un angle vole. Rockall - Malin - Hebrides Humber - Fisher - German bight Thames - Dover - Wight. Each single secert understood and noted only by a few as I glide over in paced, pausey surf rolling words North northeast - 994 - Falling slowly - Low pressure moving away - Gales 8 very poor - Backing 3-4 later - Mainly good - Becoming variable - Syclonic later - Increasing 6-7 mainly west - Swally showers for a time - Fair - Good. Oh so good, each pure English comforting sounds heard over lapping waves of air. The bushy wet nosed fox sulks and cowers away from the breaking sun, as the blackbird draws a dewdropped breath though golden nib and tapping gently, call a hidden choir into song just for me. Reminding me of the things I'd for gotten I care about. Sharp timed unwelcomed pips flood the ears to prise open sticky eyes from promised dreams and spoon-cuddles warm As I set forth on wetted pavements, ready to decline into my charted day. Yet smiling as if blessed and no longer alone But filled with early morning salty thoughts of strangers I have yet to meet
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30
The bungalow in Isle of Wight brick Surrounded by concrete flag stones Was my perimeter playground Lifting tanned legs under smocked dress. Against the side walls bees suckled On those red berries amongst leaf I watched their pollenated wings buzz And thought of honey yet to be made. Round and round like a circus animal I danced the summer sunshine out Waiting as my shadow fell on ground Announcing cool sea air and home time. Love Mary **
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May 29, 2018
May 29, 2018 at 6:43 PM UTC
The Annual Visit
Ah, what can ail thee, wretched wight, Alone and palely loitering; The sedge is wither'd from the lake, And no birds sing. Ah, what can ail thee, wretched wight, So haggard and so woe-begone? The squirrel's granary is full, And the harvest's done. I see a lily on thy brow, With anguish moist and fever dew; And on thy cheek a fading rose Fast withereth too. I met a lady in the meads Full beautiful, a faery's child; Her hair was long, her foot was light, And her eyes were wild. I set her on my pacing steed, And nothing else saw all day long; For sideways would she lean, and sing A faery's song. I made a garland for her head, And bracelets too, and fragrant zone; She look'd at me as she did love, And made sweet moan. She found me roots of relish sweet, And honey wild, and manna dew; And sure in language strange she said, I love thee true. She took me to her elfin grot, And there she gaz'd and sighed deep, And there I shut her wild sad eyes-- So kiss'd to sleep. And there we slumber'd on the moss, And there I dream'd, ah woe betide, The latest dream I ever dream'd On the cold hill side. I saw pale kings, and princes too, Pale warriors, death-pale were they all; Who cry'd--"La belle Dame sans merci Hath thee in thrall!" I saw their starv'd lips in the gloam With horrid warning gaped wide, And I awoke, and found me here On the cold hill side. And this is why I sojourn here Alone and palely loitering, Though the sedge is wither'd from the lake, And no birds sing.
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La Belle Dame Sans Merci
Ah, what can ail thee, wretched wight, Alone and palely loitering; The sedge is wither'd from the lake, And no birds sing. Ah, what can ail thee, wretched wight, So haggard and so woe-begone? The squirrel's granary is full, And the harvest's done. I see a lily on thy brow, With anguish moist and fever dew; And on thy cheek a fading rose Fast withereth too. I met a lady in the meads Full beautiful, a faery's child; Her hair was long, her foot was light, And her eyes were wild. I set her on my pacing steed, And nothing else saw all day long; For sideways would she lean, and sing A faery's song. I made a garland for her head, And bracelets too, and fragrant zone; She look'd at me as she did love, And made sweet moan. She found me roots of relish sweet, And honey wild, and manna dew; And sure in language strange she said, I love thee true. She took me to her elfin grot, And there she gaz'd and sighed deep, And there I shut her wild sad eyes-- So kiss'd to sleep. And there we slumber'd on the moss, And there I dream'd, ah woe betide, The latest dream I ever dream'd On the cold hill side. I saw pale kings, and princes too, Pale warriors, death-pale were they all; Who cry'd--"La belle Dame sans merci Hath thee in thrall!" I saw their starv'd lips in the gloam With horrid warning gaped wide, And I awoke, and found me here On the cold hill side. And this is why I sojourn here Alone and palely loitering, Though the sedge is wither'd from the lake, And no birds sing.
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48
to a friend No! those days are gone away And their hours are old and gray, And their minutes buried all Under the down-trodden pall Of the leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grenè shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her--strange! that honey Can't be got without hard money! So it is: yet let us sing, Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood-clan! Though their days have hurried by Let us two a burden try.
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Robin Hood
to a friend No! those days are gone away And their hours are old and gray, And their minutes buried all Under the down-trodden pall Of the leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grenè shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her--strange! that honey Can't be got without hard money! So it is: yet let us sing, Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood-clan! Though their days have hurried by Let us two a burden try.
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63
The excitement built as I approached the station you could smell the smoke from the engine. Before you entered the stations enticing doors you could see the shunter's in the sidings. Black smoke and steam rising blending into one the joy of the impending journey had begun. Our memories are often all we have left of the days we were young as age creeps on. Bad thoughts fade as you only think of the good steam trains dominated when I was a lad. Boys then all wanted to be the driver of the train in the early days of Elizabeth's reign. Far less roads and motor vehicles to pollute the countryside was ****** more rural. An era when trains had more lines to travel a pleasure for everybody to go roving. A special treat to get people to the coast an adventure not something to boast. Looking at the chaos around us now my young days were glorious. Before the innocence was drained in the ether simplicity the key to sanity. A day train spotting was the weekend treat then was very hard to beat. The holiday to the Isle Of Wight by steam train then across on the ferry I remember. When my special mother was there very much alive the past is the past now my memory. Unique I learned I am not, millions feel the same staring at a faded picture in an old frame. Rekindles that long gone excitement. The Foureyed Poet.
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Apr 17, 2011
Apr 17, 2011 at 4:11 AM UTC
Excitement
Try this! Another site I rarely visit [long since extinct by 2017], had that weekly challenge and this time it read as follows: Using the poetic style of your choice, answer the question “Who am I?”, without using the pronoun “I”. Instead, write your “poetic biography” in 3rd person. Here was my submission....does it make sense? Yours Truly (sonnet # CCCCXLVII) No butterfly, perhaps a moth? just lent Some precious time to try to fly while night Reigns, ere the morning dawns. A reckless wight E'er chasing carefree; mayhap too, half bent Unwitting on a troubled course, intent On fun and happiness whilst grief its plight Imbues with sob'ring grey, as if t'indict? Where time's misspent in tracing romance' scent? "Forgiven" as a blessing daily sought, Its nameplate hangs for all the world to see. And if Truth's lessons seeming dearly bought May mercif'ly be granted taught, 'twill be A better ending than this vain life's wrought, If when time's up, it flies, O LORD, to Thee. 07Jan12 D66d By Jennifer S. Gordon aka Cheeky Missy
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May 10, 2017
May 10, 2017 at 6:04 PM UTC
Yours Truly
I pick up this book of Robert Burns poems As my great-grandfather picked it up a hundred years ago I put it down in exasperation As I guess he put it down Promising himself As I promise myself To give that sentimental Scot (getting teary-eyed over a mouse) One more chance maybe 1912 2012 The numbers swirl As numbers can do And I find myself Talking to this man I never met At a loss for small talk I just say, “Hey, did you know I googled your surname and my middle name And our roots are in the Isle of Wight.” He smirked Then took me out to his front yard (If they had front yards back then) Pressed his hand in the soil Grabbed something Hefted it Pulled on it And said to me, “They’re in Texas now.”
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Oct 5, 2012
Oct 5, 2012 at 10:44 AM UTC
Roots
I wrote you a poem Titled it gravity For your lack of it And how that made me want you more Called the scars in your eyes stability Those were the only things that remained I am looking for sand to set my anchor on This is how i just keep sinking But you You were fluidity in motion you were the Once a week reminder that Typhoons hit and people change When my moods were changing tides On the days my speech was so rapid and my eyes so clear it made everyone want me Atleast thats how it appeared to me But for the days when my arms drag me out to sea and you have a hand over these fists begging me to let go of these ******* bricks as you kick Afraid ill drown us both And i would If it werent for the flight in your smle keeping us up Afloat I pray you dont drop me for the wight of us both can be too much for you to carry
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Nov 25, 2013
Nov 25, 2013 at 5:20 AM UTC
Unmedicated
Unmanned, like a bull bereft of all; a flaccid decoration without use; at least if thee had what I have thou could be a woman; ****** hiding your treasure for marriage and hypocrisy. And leave me with empty decoration; rings without sense, dresses without purpose. Go about your business thou say I want nothing to do with thee now; yet not a month ago it was all Peggy this, Peggy that; such are the changes of the seasons. I do not want to give birth to an empty ache; wet nurse it; teach it its father's worth; I cannot tell the ache how we loved, how we met, how we joyed. I cannot sit round this mughouse days and months I must out into the world roll in the smell of Man again with a jug of ale in one hand and earning a stony crust from some wight with a jangling purse. And forget the bull that was castrated.
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Apr 29, 2016
Apr 29, 2016 at 1:23 PM UTC
The Quaker Bear
I Only a man harrowing clods In a slow silent walk With an old horse that stumbles and nods Half asleep as they stalk. II Only thin smoke without flame From the heaps of couch-grass; Yet this will go onwards the same Though Dynasties pass. III Yonder a maid and her wight Go whispering by: War’s annals will cloud into night Ere their story die.
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In Time Of “The Breaking Of Nations”
Beloved of the sultry ness, Half wight, fully light; dayspring of the morn. Heaven's spark at night; Mine rainbow in Fiersome storms. Bedight me with thy Comfort, quench me In the dusk, lancinate This anxious soul, Kiss me with a Hush. Quiet i'll stay, I'll sit quite still; To put mine soul Inside thee, struck By love so real. ©Brandon nagley ©lonesome poets poetry ©earl jane nagley dedication.
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Jan 17, 2017
Jan 17, 2017 at 2:59 PM UTC
Beloved of the sultry ness, kiss me with a hush
Your wikipedia page is as boring as you playing mage and adoring the exploring of maps and falling for traps without fighting the wight in the dungeon at night. Your life is climbing a hill with no path in sight, no one who will respond to you begging to bond so you're rubbing your wand while I'm clubbing with your blonde b*tch, which I ditch, leave behind, beyond cheeky I grind before the eyes you crave as you drop to your demise from the eye sore, pink in the stink, so vile, I smile because you didn't make a save file.
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Jun 19, 2019
Jun 19, 2019 at 5:39 PM UTC
SkyRIP
My glass is filled, my pipe is lit, My den is all a cosy glow; And snug before the fire I sit, And wait to feel the old year go. I dedicate to solemn thought Amid my too-unthinking days, This sober moment, sadly fraught With much of blame, with little praise. Old Year! upon the Stage of Time You stand to bow your last adieu; A moment, and the prompter's chime Will ring the curtain down on you. Your mien is sad, your step is slow; You falter as a Sage in pain; Yet turn, Old Year, before you go, And face your audience again. That sphinx-like face, remote, austere, Let us all read, whate'er the cost: O Maiden! why that bitter tear? Is it for dear one you have lost? Is it for fond illusion gone? For trusted lover proved untrue? O sweet girl-face, so sad, so wan What hath the Old Year meant to you? And you, O neighbour on my right So sleek, so prosperously clad! What see you in that aged wight That makes your smile so gay and glad? What opportunity unmissed? What golden gain, what pride of place? What splendid hope? O Optimist! What read you in that withered face? And You, deep shrinking in the gloom, What find you in that filmy gaze? What menace of a tragic doom? What dark, condemning yesterdays? What urge to crime, what evil done? What cold, confronting shape of fear? O haggard, haunted, hidden One What see you in the dying year? And so from face to face I flit, The countless eyes that stare and stare; Some are with approbation lit, And some are shadowed with despair. Some show a smile and some a frown; Some joy and hope, some pain and woe: Enough! Oh, ring the curtain down! Old weary year! it's time to go. My pipe is out, my glass is dry; My fire is almost ashes too; But once again, before you go, And I prepare to meet the New: Old Year! a parting word that's true, For we've been comrades, you and I -- I thank God for each day of you; There! bless you now! Old Year, good-bye!
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The Passing of the Year
My glass is filled, my pipe is lit, My den is all a cosy glow; And snug before the fire I sit, And wait to feel the old year go. I dedicate to solemn thought Amid my too-unthinking days, This sober moment, sadly fraught With much of blame, with little praise. Old Year! upon the Stage of Time You stand to bow your last adieu; A moment, and the prompter's chime Will ring the curtain down on you. Your mien is sad, your step is slow; You falter as a Sage in pain; Yet turn, Old Year, before you go, And face your audience again. That sphinx-like face, remote, austere, Let us all read, whate'er the cost: O Maiden! why that bitter tear? Is it for dear one you have lost? Is it for fond illusion gone? For trusted lover proved untrue? O sweet girl-face, so sad, so wan What hath the Old Year meant to you? And you, O neighbour on my right So sleek, so prosperously clad! What see you in that aged wight That makes your smile so gay and glad? What opportunity unmissed? What golden gain, what pride of place? What splendid hope? O Optimist! What read you in that withered face? And You, deep shrinking in the gloom, What find you in that filmy gaze? What menace of a tragic doom? What dark, condemning yesterdays? What urge to crime, what evil done? What cold, confronting shape of fear? O haggard, haunted, hidden One What see you in the dying year? And so from face to face I flit, The countless eyes that stare and stare; Some are with approbation lit, And some are shadowed with despair. Some show a smile and some a frown; Some joy and hope, some pain and woe: Enough! Oh, ring the curtain down! Old weary year! it's time to go. My pipe is out, my glass is dry; My fire is almost ashes too; But once again, before you go, And I prepare to meet the New: Old Year! a parting word that's true, For we've been comrades, you and I -- I thank God for each day of you; There! bless you now! Old Year, good-bye!
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56
“Poor Harry Gill” I will say never, Yet what a fate befell that wight: For dead and buried long, still ever He shivers morning, day, and night. And so long chattered all his teeth That not a tooth his sad mouth owns: Pass by his plot and hear beneath The clattering of frigid bones! O.O
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Oct 14, 2015
Oct 14, 2015 at 1:20 PM UTC
And Now...the Rest of the Story...of Goody Blake and Harry Gill*
The darkness will make you strong I promise you It won’t do you wrong Then why do you sleep with the lights on? They’ll all be gone Once the nights are long Darkness won’t do you wrong Curtains are drawn You are not asleep Wetting your bed and then staying up to weep So that is life Who knew growing up would offer such a mountain steep? Again, again, again Sleep Let go of the kitchen knife When the sun has set all eyes are black Now you see the night as a potential threat Wishing for the light to come back But wait – Dawn break is coming Meet your fate Don’t you hate – the memories, humming to a different song A song you once tried suppress Now you’re staring down at your life It’s all a mess Even so *Less and less* The glow I guess, Is not a shoe fit for your toe Panic Light covers everything; Unwashed drawn curtains; Midnight dances on the carpet; Broken bottles; Again, again, again The kitchen knife; Your broken bedside lamp; Blood drops; Wet cheeks; - Everything the night covered up is brought into the light Your wight can’t live in this sight Can you follow? So bright Shut your eyes You won’t have to fight Daylight is not meant for your lie "He's been dead for 48 hours," the police statement reads. 19.06.14
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Jun 18, 2014
Jun 18, 2014 at 7:29 PM UTC
DARKNESS
Image autumn womb sunset chant a feathered fog, isle of wight we all have places that we miss lie still, sleep long panoramic dream snippets bathed in seldomness lie still, sleep long the gentle hum of eunoia holding their absence like balloon days when delightful little occupants holding adventure in their very hands keep them from floating away
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Feb 23, 2024
Feb 23, 2024 at 11:20 AM UTC
Theory of an Empty Playground
I “Poor wanderer,” said the leaden sky, “I fain would lighten thee, But there are laws in force on high Which say it must not be.” II —”I would not freeze thee, shorn one,” cried The North, “knew I but how To warm my breath, to slack my stride; But I am ruled as thou.” III —”To-morrow I attack thee, wight,” Said Sickness. “Yet I swear I bear thy little ark no spite, But am bid enter there.” IV —”Come hither, Son,” I heard Death say; “I did not will a grave Should end thy pilgrimage to-day, But I, too, am a slave!” V We smiled upon each other then, And life to me had less Of that fell look it wore ere when They owned their passiveness.
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1.5k
The Subalterns
Flamboyancy and wit      Such things are of attribute But one can only imagine!      Imagine that there was this. Aphrodite has walked      On your toes But then to imagine      That life would grant Such fortune as to be      Graced with such misery But this Flamboyancy and wit--      Where can I find it?       Where must i go; but to      The ends of this world No-- You see, this Flamboyancy      Found in all it's buoyancy Among my mind, it      Found all it's Flamboyant wit Just treading by; and then      it sat at my side in All it's marvelous, buoyant      wight In all it's marvelous, buoyant      wit. So locks of perfection,      Crispy and brown Armored at the teeth      I wouldn't say more than Could be meant, but I meant well      As it was a fancy I've touched this crisp and      It is, but the softest-- Just the greatest of all      Things-- Setting the standard      And there It sat to my right... So there's this elaborate Charm      Such flamboyant carelessness This luxuriant eminence      Of pure intellect Sports-y and adequate      Not in my reach But this Flamboyancy and style!      Such wit in her words Such grace in her laugh      Such power in that mind And those witty words are      Sharper than paper For paper cuts hurt more than      The broken bone And paper cuts can hinder      more than crutches And Beelzebub does the devil       Set aside, For hers stare is innocence       That moves mountains As the hand of God did      And melted Hell's fire As the ice from Pluto might Yet no Asclepius is of help      At the sharp pound of her eye You'll land in a comma      You'd dream of more grace-- Like an angelic Succubus      That kills with innocence And this Flamboyancy,      This wit-- It sat right at my right      But my inept pliancy Will find itself in a buoyant      Force of a thousand Jedi and of a strength that      Only the proper charisma Could ever properly      Sustain-- And until such appears      I'll just worship that allure-- That accidental allure      Of Universal forces As that of which is found the second      Iron is formed in a Red Giant Nothing else would      Please me more...
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Jul 17, 2012
Jul 17, 2012 at 4:59 PM UTC
Flamboyancy and *wit*
Flamboyancy and wit      Such things are of attribute But one can only imagine!      Imagine that there was this. Aphrodite has walked      On your toes But then to imagine      That life would grant Such fortune as to be      Graced with such misery But this Flamboyancy and wit--      Where can I find it?       Where must i go; but to      The ends of this world No-- You see, this Flamboyancy      Found in all it's buoyancy Among my mind, it      Found all it's Flamboyant wit Just treading by; and then      it sat at my side in All it's marvelous, buoyant      wight In all it's marvelous, buoyant      wit. So locks of perfection,      Crispy and brown Armored at the teeth      I wouldn't say more than Could be meant, but I meant well      As it was a fancy I've touched this crisp and      It is, but the softest-- Just the greatest of all      Things-- Setting the standard      And there It sat to my right... So there's this elaborate Charm      Such flamboyant carelessness This luxuriant eminence      Of pure intellect Sports-y and adequate      Not in my reach But this Flamboyancy and style!      Such wit in her words Such grace in her laugh      Such power in that mind And those witty words are      Sharper than paper For paper cuts hurt more than      The broken bone And paper cuts can hinder      more than crutches And Beelzebub does the devil       Set aside, For hers stare is innocence       That moves mountains As the hand of God did      And melted Hell's fire As the ice from Pluto might Yet no Asclepius is of help      At the sharp pound of her eye You'll land in a comma      You'd dream of more grace-- Like an angelic Succubus      That kills with innocence And this Flamboyancy,      This wit-- It sat right at my right      But my inept pliancy Will find itself in a buoyant      Force of a thousand Jedi and of a strength that      Only the proper charisma Could ever properly      Sustain-- And until such appears      I'll just worship that allure-- That accidental allure      Of Universal forces As that of which is found the second      Iron is formed in a Red Giant Nothing else would      Please me more...
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she's a mess. a repugnant creature who doesn't know how to live a life, merely surviving. nods to everything she's told to do, a wretched sheep following herds of lost souls. how does one never thinks for herself? he's a mess. a human with no humanity, lost his every sense to feel. delusional wight blinded by power and wealth, his money-driven grandiose reveries full of portentous capitalism. big-mouthed, greedy mortal who **** after status quo, speaks in vanity but no truth ever comes out.
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Feb 19, 2015
Feb 19, 2015 at 9:17 AM UTC
Herds, Herdsman
Ohh,on the moonlight fair a ditty doth whispers thou straws embellish wooed with a plenty pomps Not a wight to claim thou Sleight to quench mine thirst abhored to thine crown and core whence a haggard smile jail My gracious, none can love thee disposed to flighty cadents jealous lame merchants that consumeth and benn Thine heart heavy, hardn'd mine virginity grabbed Possess'd by lade vultures Packthread for none hath mine love
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Jun 27, 2016
Jun 27, 2016 at 6:38 PM UTC
Moonlight fair