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Akemi Nov 2018
Blanket city run along soaked in rain. Idiot Boy wastes his time visiting a passing crush at the other end of town. Slips between two houses and a metal sheet, communal refrigerator in the middle of the road filed with half-empty soy bottles.

Dead bell stop, mocking red blink of the operator. Father arrives, a mess of wiry muscles and hair.

“Hey. Is Coffin Cat here?”

“Who?” Father squints at Idiot Boy’s cap. Idiot Boy avoids eye contact.

“Um.”

Recessed in the blackness behind Father, a Figure says, “You looking for Coffin Cat?”

Idiot Boy nods.

The Recessed Figure turns. “I’ll go get her.”

Father returns to his parched body on the couch, content.

Indistinguishable forms move back and forth in the kitchen to the right. They stop their pacing and glance at Idiot Boy as he passes. Idiot Boy avoids eye contact and slips into the left-bound arterial vessel.

“So this is the heart chamber I’ve been living in,” Coffin Cat says as Idiot Boy enters her room. There is music gear. “It’s pretty comfy.”

“Oh, sick mic,” Idiot Boy says, pointing at the mic behind Coffin Cat’s head.

“I feel like a ghost,” Coffin Cat replies, falling on her bed.

Idiot Boy settles next to her. Animal distance. Intensely aware of his rain-soaked right shoe. “Same.”

Nothing comes out right, intersubjectivity a false God to mediate the impossible kernel of being, nobody can find nor express. Idiot Boy searches for connection. He glances around the heart chamber, at the music gear, but nothing grips. Four pears sit on a table by the window, their skins garish green in the harsh grey light.

Coffin Cat moves from the bed to the floor. She opens a virtual aquarium on her computer; fish eat pellets dropped from the sky to **** out coins to buy more fish to **** out coins to buy more fish. Capitalist investment and accumulation. Every few minutes a rocket-spewing robot teleports into the aquarium to attack the fish. Ruthless competition in the global marketplace.

“No! Why would you swim there, you ******* fish?” Coffin Cat yells as one if her fish is eaten by the nomadic war machine. “So dumb. ****. Why did it eat my fish?”

A knock at the door. The Recessed Figure from earlier enters the room. “Hey, mind if I join?” Their arms dangle like fine threads of hair.

“I like your music gear,” Idiot Boy says, pointing at nothing in particular.

“Idiot Boy also makes music,” Coffin Cat adds from the floor.

The Recessed Figure does not respond. They are enthralled by their phone, streak of dead pixels along a digital chessboard, minute reflection of their own gaunt face in the glass. After an extended period, they decide to move none of their pieces. A gaping coffee grinder rises out of the rubble at their feet. They begin filling it with tobacco from broken cigarettes.

“I’m surprised you’re still playing this,” Idiot Boy says to Coffin Cat. “I swear this is one of those games designed to ruin your life. Get addicted, stop going to work, become a hikik weaboo.”

“Already there, man,” Coffin Cat laughs. “Nah, this is my new job. I’m going to be a professional gamer.”

“Stream only PopCap games.”

Another knock at the door. Tired squander in an endless pacing of flesh. Strawman enters and nods at the Recessed Figure. “Hey bro.”

“Good to see you, man.” The Recessed Figure plugs the coffee grinder into the wall. “You got any ciggys?”

Idiot Boy points under the table and says “Ahh” with his mouth.

The Recessed Figure empties it into the coffee grinder. The device whirs into motion, creating a centrifugal blur, a mechanical and headless hypnotic repeat.

Idiot Boy and Coffin Cat look for horror movies to watch. The Recessed Figure empties the contents of the coffee grinder onto a metal tray. Strawman repacks it into a ****. White smoke fills the empty column, moves in slow motion like an oceanic rip a mile off coast, surface seething with quiet, impenetrable violence.

Idiot Boy refuses the first round. It’s never done him any good. Face turned to smoke and the wretched weight of a tongue that refuses to speak. Headless carry-on as time ticks through the clock face.

The door bursts open. Everybody turns as Manic Refusal or the Loud Person saunters in.

“I can’t believe it. I can’t ******* believe it. They’re selling me off!” the Loud Person says in exasperation. “First time back in New Zealand in five years and they do this to me!”

“What? What’s happened?” Strawman asks.

“Some rich ****** in Australia has bought me as his wife. I knew it, I knew if I came back, my parents wouldn’t let me leave again. Whole ******* thing arranged!” the Loud Person laughs bitterly, before hitting the ****.

“Oomph, that’s rough,” Coffin Cat quips from the side.

“No, you don’t even understand. This is the first time back, the first time back in five years, and I’m being sold to off some rich ****** who owns all the banks in Australia.”

“But like, who is this guy?” Strawman asks, pointing.

“And he’s been reading all my profiles. He has access to all my information. I don’t even have control over my Facebook profile. Grand Larson’s logged in as me, posting for me,” the Loud Person continues. “I met him once in Australia, clubbing, and now he’s tracked and bought me.”

“That’s creepy as ****,” Idiot Boy says.

“So he’s not a complete stranger?” Strawman asks.

“I can’t believe it. I can’t ******* believe it. First time back in five years and I’m being sold off!”

Idiot Boy decides one hit from the **** wouldn’t be so bad. He packs the cone with chop, lights and inhales. Smoke rushes through the glass channel, a swirl of white ether, more than he’d expected. He quickly passes the **** to Coffin Cat, before collapsing onto the bed, eyes closed. A suffocating sensation fills his body. He sinks into the chasm of himself, further and further into an impossible, infinite depth.

“Still working at . . . ?”

“Yeah, yeah. Management. Hospital. You?”

“Like, property. Motions.”

“Subcontracting? Intonements?”

“Yeah, yeah.”

“Mmm.”

Idiot Boy doesn’t know what’s going on. He feels sick and tries to get Coffin Cat’s attention, but cannot move his body.

“Come on. Sell me drugs, Strawman.”

“Nah. I don’t deal drugs. I don’t deal drugs.”

A strange silence stretches like an artificial dusk, a liminal duration, the hollow click of a tape set back into place in reverse. The Recessed Figure coughs and the Loud Person whirs back into motion.

“I can’t believe it. I can’t ******* believe it. They’re selling me off! First time back in New Zealand in five years and they do this to me!”

The Recessed Figure makes a noncommittal noise.

“I knew it, I knew if I came back, my parents wouldn’t let me leave again. Whole ******* thing arranged!”

Coffin Cat laughs quietly.

“No, you don’t even understand. This is the first time back, the first time back in five years, and I’m being sold off to some rich ****** who owns all the banks in Australia.”

“How about this fella? He doing okay?” Strawman asks, pointing. Everyone turns to Idiot Boy and laughs affectionately.

“Still working at . . . ?”

“Yeah, yeah. Management. Hospital. You?”

“Like, property. Motions.”

“Subcontracting? Intonements?”

“Yeah, yeah.”

“Mmm.”

“Sell me drugs, Strawman.”

“Nah. I don’t deal drugs. I don’t deal drugs.”

Idiot Boy slowly opens his eyes and stares out the window. The same grey light as before. He moves his arm further towards Coffin Cat, but is still too weak to get her attention. The same strange silence stretches. The Recessed Figure coughs and the Loud Person whirs back into motion.

“I can’t believe it. I can’t ******* believe it. . . .”

As the conversation repeats over and again, Idiot Boy begins to think he has become psychotic, or perhaps entered into a psychotic space. He thinks of computer algorithms, input-output, loops without variables, endless regurgitations of the same result. Human machines trapped in their own stupid loop. Drug-****** neuronal networks incapable of making new connections, forever traversing old ones. Short-term memory loss, every repeat a new conversation of what has already been. The same grey light painted upon four pears by the window.

He’s not sure if Coffin Cat’s laugh is getting weaker with each repeat.

Signal-response. The exterior world oversaturated with variables: roadways, rivers, forests, wildlife — an ever changing scene to respond to — the illusion of depth. Automatic response mechanisms reorient to new stimuli. The soul rises like surfactant, objectified fractal diffusion. A becoming without end.

But within the border of this interior world, the light stays grey. No input, no change; the same dead repeat, over and over, until sundown triggers a hunger response. Lined all along the street, a black box ceremony of repeating machines, trapped in their idiot cults, walls of clay and blood.

Idiot Boy finally gets Coffin Cat’s attention. She helps him through the house’s arteries to reach rain and wet stone, overcast skies. As he shakes in shock, Coffin Cat mumbles, “It’s cold.”

Idiot Boy sits silent on the ride home. Travels through himself. Tunnel through the body or Mariana Trench. Loses his footing before a traumatic void. Leaves the car and pukes.
Enchanted by spring’s
rustling whispers
     ... whistles swirl
in the pungent springtime breeze;
steeped with a bedazzling
        cadence
   heart dancing
to a hummingbird’s
         whirs

   waves of breath,
of little wings waft,
whooshing throughout
twining honeysuckle lattice
       a
tiny manger
beset of hidden gold
precious speckled eggs, 
silver lining of smallest hopes
   fruits of fruition
   continuum beheld prize,
concealed in interwoven rootlets;
   
potently perfumed flowers
       while away
the waning dark hours;
swollen full flower moon
           waxing yellow,..
         heavenly fragrance
sweetly-scented suckled nectar
  
the one with eyes of a child,
   wonder ― hidden inside,  
   marvel in the light of grateful eyes
imbibing an unholdable moment's
    spellbinding elixir 
    ... poetry alive

air  so poignantly perfumed
       with blossom
        moonstruck
by spring’s frolicking cadency
a reverent moment's
edifying intoxication

       a sobering beauty that just is...



someone ... May 2017
Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,--
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark.  Some few we know--
Or think we know. . .  Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
In powerful sweetness. . . Closing then the door
I heard it die behind me, fade to whisper,--
And walked in a quiet hallway as before.
Just such a glimpse, as through that opened door,
Is all we know of those we call our friends. . . .
We hear a sudden music, see a playing
Of ordered thoughts--and all again is silence.
The music, we suppose, (as in ourselves)
Goes on forever there, behind shut doors,--
As it continues after our departure,
So, we divine, it played before we came . . .
What do you know of me, or I of you? . . .
Little enough. . . We set these doors ajar
Only for chosen movements of the music:
This passage, (so I think--yet this is guesswork)
Will please him,--it is in a strain he fancies,--
More brilliant, though, than his; and while he likes it
He will be piqued . . . He looks at me bewildered
And thinks (to judge from self--this too is guesswork)

The music strangely subtle, deep in meaning,
Perplexed with implications; he suspects me
Of hidden riches, unexpected wisdom. . . .
Or else I let him hear a lyric passage,--
Simple and clear; and all the while he listens
I make pretence to think my doors are closed.
This too bewilders him.  He eyes me sidelong
Wondering 'Is he such a fool as this?
Or only mocking?'--There I let it end. . . .
Sometimes, of course, and when we least suspect it--
When we pursue our thoughts with too much passion,
Talking with too great zeal--our doors fly open
Without intention; and the hungry watcher
Stares at the feast, carries away our secrets,
And laughs. . . but this, for many counts, is seldom.
And for the most part we vouchsafe our friends,
Our lovers too, only such few clear notes
As we shall deem them likely to admire:
'Praise me for this' we say, or 'laugh at this,'
Or 'marvel at my candor'. . . all the while
Withholding what's most precious to ourselves,--
Some sinister depth of lust or fear or hatred,
The sombre note that gives the chord its power;
Or a white loveliness--if such we know--
Too much like fire to speak of without shame.

Well, this being so, and we who know it being
So curious about those well-locked houses,
The minds of those we know,--to enter softly,
And steal from floor to floor up shadowy stairways,
From room to quiet room, from wall to wall,
Breathing deliberately the very air,
Pressing our hands and nerves against warm darkness
To learn what ghosts are there,--
Suppose for once I set my doors wide open
And bid you in. . . Suppose I try to tell you
The secrets of this house, and how I live here;
Suppose I tell you who I am, in fact. . . .
Deceiving you--as far as I may know it--
Only so much as I deceive myself.

If you are clever you already see me
As one who moves forever in a cloud
Of warm bright vanity: a luminous cloud
Which falls on all things with a quivering magic,
Changing such outlines as a light may change,
Brightening what lies dark to me, concealing
Those things that will not change . . . I walk sustained
In a world of things that flatter me: a sky
Just as I would have had it; trees and grass
Just as I would have shaped and colored them;
Pigeons and clouds and sun and whirling shadows,
And stars that brightening climb through mist at nightfall,--
In some deep way I am aware these praise me:
Where they are beautiful, or hint of beauty,
They point, somehow, to me. . . This water says,--
Shimmering at the sky, or undulating
In broken gleaming parodies of clouds,
Rippled in blue, or sending from cool depths
To meet the falling leaf the leaf's clear image,--
This water says, there is some secret in you
Akin to my clear beauty, silently responsive
To all that circles you.  This bare tree says,--
Austere and stark and leafless, split with frost,
Resonant in the wind, with rigid branches
Flung out against the sky,--this tall tree says,
There is some cold austerity in you,
A frozen strength, with long roots gnarled on rocks,
Fertile and deep; you bide your time, are patient,
Serene in silence, bare to outward seeming,
Concealing what reserves of power and beauty!
What teeming Aprils!--chorus of leaves on leaves!
These houses say, such walls in walls as ours,
Such streets of walls, solid and smooth of surface,
Such hills and cities of walls, walls upon walls;
Motionless in the sun, or dark with rain;
Walls pierced with windows, where the light may enter;
Walls windowless where darkness is desired;
Towers and labyrinths and domes and chambers,--
Amazing deep recesses, dark on dark,--
All these are like the walls which shape your spirit:
You move, are warm, within them, laugh within them,
Proud of their depth and strength; or sally from them,
When you are bold, to blow great horns at the world
This deep cool room, with shadowed walls and ceiling,
Tranquil and cloistral, fragrant of my mind,
This cool room says,--just such a room have you,
It waits you always at the tops of stairways,
Withdrawn, remote, familiar to your uses,
Where you may cease pretence and be yourself. . . .
And this embroidery, hanging on this wall,
Hung there forever,--these so soundless glidings
Of dragons golden-scaled, sheer birds of azure,
Coilings of leaves in pale vermilion, griffins
Drawing their rainbow wings through involutions
Of mauve chrysanthemums and lotus flowers,--
This goblin wood where someone cries enchantment,--
This says, just such an involuted beauty
Of thought and coiling thought, dream linked with dream,
Image to image gliding, wreathing fires,
Soundlessly cries enchantment in your mind:
You need but sit and close your eyes a moment
To see these deep designs unfold themselves.

And so, all things discern me, name me, praise me--
I walk in a world of silent voices, praising;
And in this world you see me like a wraith
Blown softly here and there, on silent winds.
'Praise me'--I say; and look, not in a glass,
But in your eyes, to see my image there--
Or in your mind; you smile, I am contented;
You look at me, with interest unfeigned,
And listen--I am pleased; or else, alone,
I watch thin bubbles veering brightly upward
From unknown depths,--my silver thoughts ascending;
Saying now this, now that, hinting of all things,--
Dreams, and desires, velleities, regrets,
Faint ghosts of memory, strange recognitions,--
But all with one deep meaning: this is I,
This is the glistening secret holy I,
This silver-winged wonder, insubstantial,
This singing ghost. . . And hearing, I am warmed.

     *     *     *     *     *

You see me moving, then, as one who moves
Forever at the centre of his circle:
A circle filled with light.  And into it
Come bulging shapes from darkness, loom gigantic,
Or huddle in dark again. . . A clock ticks clearly,
A gas-jet steadily whirs, light streams across me;
Two church bells, with alternate beat, strike nine;
And through these things my pencil pushes softly
To weave grey webs of lines on this clear page.
Snow falls and melts; the eaves make liquid music;
Black wheel-tracks line the snow-touched street; I turn
And look one instant at the half-dark gardens,
Where skeleton elm-trees reach with frozen gesture
Above unsteady lamps,--with black boughs flung
Against a luminous snow-filled grey-gold sky.
'Beauty!' I cry. . . My feet move on, and take me
Between dark walls, with orange squares for windows.
Beauty; beheld like someone half-forgotten,
Remembered, with slow pang, as one neglected . . .
Well, I am frustrate; life has beaten me,
The thing I strongly seized has turned to darkness,
And darkness rides my heart. . . These skeleton elm-trees--
Leaning against that grey-gold snow filled sky--
Beauty! they say, and at the edge of darkness
Extend vain arms in a frozen gesture of protest . . .
A clock ticks softly; a gas-jet steadily whirs:
The pencil meets its shadow upon clear paper,
Voices are raised, a door is slammed.  The lovers,
Murmuring in an adjacent room, grow silent,
The eaves make liquid music. . . Hours have passed,
And nothing changes, and everything is changed.
Exultation is dead, Beauty is harlot,--
And walks the streets.  The thing I strongly seized
Has turned to darkness, and darkness rides my heart.

If you could solve this darkness you would have me.
This causeless melancholy that comes with rain,
Or on such days as this when large wet snowflakes
Drop heavily, with rain . . . whence rises this?
Well, so-and-so, this morning when I saw him,
Seemed much preoccupied, and would not smile;
And you, I saw too much; and you, too little;
And the word I chose for you, the golden word,
The word that should have struck so deep in purpose,
And set so many doors of wish wide open,
You let it fall, and would not stoop for it,
And smiled at me, and would not let me guess
Whether you saw it fall. . . These things, together,
With other things, still slighter, wove to music,
And this in time drew up dark memories;
And there I stand.  This music breaks and bleeds me,
Turning all frustrate dreams to chords and discords,
Faces and griefs, and words, and sunlit evenings,
And chains self-forged that will not break nor lengthen,
And cries that none can answer, few will hear.
Have these things meaning?  Or would you see more clearly
If I should say 'My second wife grows tedious,
Or, like gay tulip, keeps no perfumed secret'?

Or 'one day dies eventless as another,
Leaving the seeker still unsatisfied,
And more convinced life yields no satisfaction'?
Or 'seek too hard, the sight at length grows callous,
And beauty shines in vain'?--

                                These things you ask for,
These you shall have. . . So, talking with my first wife,
At the dark end of evening, when she leaned
And smiled at me, with blue eyes weaving webs
Of finest fire, revolving me in scarlet,--
Calling to mind remote and small successions
Of countless other evenings ending so,--
I smiled, and met her kiss, and wished her dead;
Dead of a sudden sickness, or by my hands
Savagely killed; I saw her in her coffin,
I saw her coffin borne downstairs with trouble,
I saw myself alone there, palely watching,
Wearing a masque of grief so deeply acted
That grief itself possessed me.  Time would pass,
And I should meet this girl,--my second wife--
And drop the masque of grief for one of passion.
Forward we move to meet, half hesitating,
We drown in each others' eyes, we laugh, we talk,
Looking now here, now there, faintly pretending
We do not hear the powerful pulsing prelude
Roaring beneath our words . . . The time approaches.
We lean unbalanced.  The mute last glance between us,
Profoundly searching, opening, asking, yielding,
Is steadily met: our two lives draw together . . .
. . . .'What are you thinking of?'. . . My first wife's voice
Scattered these ghosts.  'Oh nothing--nothing much--
Just wondering where we'd be two years from now,
And what we might be doing . . . ' And then remorse
Turned sharply in my mind to sudden pity,
And pity to echoed love.  And one more evening
Drew to the usual end of sleep and silence.

And, as it is with this, so too with all things.
The pages of our lives are blurred palimpsest:
New lines are wreathed on old lines half-erased,
And those on older still; and so forever.
The old shines through the new, and colors it.
What's new?  What's old?  All things have double meanings,--
All things return.  I write a line with passion
(Or touch a woman's hand, or plumb a doctrine)
Only to find the same thing, done before,--
Only to know the same thing comes to-morrow. . . .
This curious riddled dream I dreamed last night,--
Six years ago I dreamed it just as now;
The same man stooped to me; we rose from darkness,
And broke the accustomed order of our days,
And struck for the morning world, and warmth, and freedom. . . .
What does it mean?  Why is this hint repeated?
What darkness does it spring from, seek to end?

You see me, then, pass up and down these stairways,
Now through a beam of light, and now through shadow,--
Pursuing silent ends.  No rest there is,--
No more for me than you.  I move here always,
From quiet room to room, from wall to wall,
Searching and plotting, weaving a web of days.
This is my house, and now, perhaps, you know me. . .
Yet I confess, for all my best intentions,
Once more I have deceived you. . . I withhold
The one thing precious, the one dark thing that guides me;
And I have spread two snares for you, of lies.
Autumn Shayse Jul 2013
The heart flutters,
It's pulses intensifying,
magnifying
the state of frenzy it's in.

The mind whirs,
It's cogs turning in abandon,
and yet delicately
Searching for an essence of normalcy

Occurring,
and all the while;
I've uttered no two words
For I am lost in the
delicate frenzy,
of the mind,
the heart
my fragmented self.
Corey J Grace Nov 2013
The fans rattling again.
It's not the only thing shaking in the darkness.
But it's making such a loud racket.
I keep it on anyway.
I'm afraid the silence will **** me.
I fight sleep like it's tangible.
You're always waiting there.
Just past consciousness,
standing in the shadows.
It's always the same.
Your backs to me and it will stay that way.
We're standing in a light rain,
the sun just faded.
I know every second that's about to happen,
yet every time it's like a new cut, over and over.
I say all the same words.
I say all different ones.
It never matters.
This story has unfolded a thousand times.
But it's different every time.
Sometimes I chase you.
Sometimes I scream.
Sometimes I beg. And curse.
Sometimes it's you instead.
You won't look at me
because hope is a deadly thing to give.
You know I'll always tell myself its there.
We all see what we want.
Especially when we don't want what we see.
Back in the dream, it's coming.
The part that will sit in the bottom of my soul.
Gathering weight, gathering dust.
You're in front of me,
but you couldn't be further away.
I'm on my knees.
A promise on my lips.
A disaster in my heart.
You step away.
One step, two, four.
Someone has been hammering my chest.
I'm awake.
Stuttered whirs of a broken fan.
The long length of the night stretched out in front of me.
It's only been an hour.
Sarah Riordan Feb 2012
Delicate daisies ripped from the earth to create a beautiful bouquet.
An anonymous arrangement with no note; a wordless         love letter.
A  minor mystery is formed that sparks interest as people speak in         wondering whispers
Trivial time in the day elongates stretching into ongoing hours
Subtly searching the faces of boys, young men with hearts and hormones
Who hope for love and romance, too embarrassed to admit their           “feminine” fantasies
The sun sleeps,          the moon comes out, and I put the daisies in a vase    smelling their sweetness
A lamp lights        the room as I change clothes, removing the shirt that matches the     fragrant flowers
I slip off to sleep           as a fan whirs, my breathing slows, and worries turn into           deep dreams
I imagine a face, a person, to go along with those delicate daisies


My anonymous admirer
Akemi Sep 2013
Twice the fool is the runaway
Who hides his trail, as he hides his ache
All bottle and pills, temporary sleep
Insomniac daze and cheap dinner meals

Static lies on a stationary screen
Radio chatter can’t feed the famine in me
The world is aflame
With no one awake

Sunrise slumber
I fall unconscious to the restless on midnight pavement
Breaking bones or breaking bottles
Selling skin or dealing dust to lost souls
Hearts tucked and folded from the cold

Future oblique
I dare you, predict my dreams
Late riser / never bloomer

Packs a bag, a change of clothes
To deadbeat joints, and dead end posts
Been as many years gone as daily cigarettes smoked

Bloodshot symmetry eyes
I see in every passerby
Like the whole city gone up and left their troubles behind,
You and I

We’re cerebral projections
Locked into motor whirs, recursive disintegration
Status acknowledged, clean cut
Black and white since day one

Mould breaker, you’re told you’re out of line
Gutter graves or veins, stay your place or fall behind
The only constant is the throne
You sit upon or come to view as your body’s own
The red light stare, blue flicker flares
Blare on your skin, like prisms, colour wear
Better to fade to grey than know yourself
For what you truly are, just a shade of catch and tell

Dire straits
No deviation
Full advance
Or desolation
Empty eyes
Golden restraints
I don’t want wealth
I just want change
10:24pm, September 24th 2013 - 12:37 pm, September 26th 2013
I'll probably edit this for longer; don't delve into the protagonist enough, and the ending comes too sudden.

This is about how most people hide away from class gaps. They don't confront them, they don't acknowledge them. It's about the helplessness of people born into the lower class, how they're labelled by location, speech, dress and race. Prejudice and stereotyping.
How, despite all the change that happens in the world, there still seems to be space for cruelty, ignorance, political BS, controversial lies over truth.

Inspired by: http://birdsrobe.bandcamp.com/track/the-undertow
Jim Davis Aug 2019
hummingbird boy
seeking
hummingbird girl
(seeking only a long summertime of hum
sipping dark red flowers and then some)

summer hummingbird
hummingbird hummingbird
hummingbird unfurls
hummingbird whirs
hummingbird twirls
twirling hummingbird
twirl twirl hummingbird
hummingbird whirls
whirling hummingbird
whirl whirl hummingbird
hummingbird pearls
pearls of hummingbird
pearl hummingbird pearl
humming hummingbird
hum hum hummingbird
hummingbird hummingbird
humming hummingbird
hummingbird bird hums
hum hummingbird hum
fuming hummingbird
fume fume hummingbird
hummingbird fumes
watching... waiting
for any hummingbird girl
humming hummingbird
hummingbird summer

Heard hummingbird’s whir
Within a bright summer day
A whir... now... heart beats

©  2019 Jim Davis
An experiment now - posting the poem again!   I posted this poem yesterday / did not get any likes/loves/comments - nothing?  Didn’t think it was that bad... but beauty is in the eyes of the beholder!  Just sorta strange that my last few poems have trended... but this one - nothing!  Anybody out there??
Beloved, let us once more praise the rain.
Let us discover some new alphabet,
For this, the often praised; and be ourselves,
The rain, the chickweed, and the burdock leaf,
The green-white privet flower, the spotted stone,
And all that welcomes the rain; the sparrow too,-
Who watches with a hard eye from seclusion,
Beneath the elm-tree bough, till rain is done.
There is an oriole who, upside down,
Hangs at his nest, and flicks an orange wing,-
Under a tree as dead and still as lead;
There is a single leaf, in all this heaven
Of leaves, which rain has loosened from its twig:
The stem breaks, and it falls, but it is caught
Upon a sister leaf, and thus she hangs;
There is an acorn cup, beside a mushroom
Which catches three drops from the stooping cloud.
The timid bee goes back to the hive; the fly
Under the broad leaf of the hollyhock
Perpends stupid with cold; the raindark snail
Surveys the wet world from a watery stone...
And still the syllables of water whisper:
The wheel of cloud whirs slowly: while we wait
In the dark room; and in your heart I find
One silver raindrop,-on a hawthorn leaf,-
Orion in a cobweb, and the World.
Jason Cole Jun 2015
His shadowy brim tipped down and in
No face to place, no trace of chin
Revolver cradled loose and low
Cylinder whirs, chambers roll

Trench coat long, dark, and lean
Black boots gleam with choicest sheen
Right hand rested 'round bony grips
Left hand fans and never slips

Who are you?
What do you want from me?
Why are you here?

Your purpose is hidden
Your message unclear

Never a word muttered
Not even a sound
It's always the same
When you come around

Got to find my keys
Get out of this place
I'm weak in the knees
My heart losing pace

Jump in the car
Pedal meets metal
Check my rear-view
For signs of that devil

At the stoplight
A peripheral glance
A sideways glint
A figure askance

Shotgun rider
A figment with a plan
The devil may care
But my mind made the man
He, in the room above, grown old and tired,
She, in the room below--his floor her ceiling--
Pursue their separate dreams.  He turns his light,
And throws himself on the bed, face down, in laughter. . . .
She, by the window, smiles at a starlight night,

His watch--the same he has heard these cycles of ages--
Wearily chimes at seconds beneath his pillow.
The clock, upon her mantelpiece, strikes nine.
The night wears on.  She hears dull steps above her.
The world whirs on. . . New stars come up to shine.

His youth--far off--he sees it brightly walking
In a golden cloud. . . Wings flashing about it. . . . Darkness
Walls it around with dripping enormous walls.
Old age--far off--her death--what do they matter?
Down the smooth purple night a streaked star falls.

She hears slow steps in the street--they chime like music;
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn. . . .
He hears his own slow steps tread down to silence.
Far off they pass.  He knows they will never return.

Far off--on a smooth dark road--he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls.  A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him: or he to death.

What's death?--She smiles.  The cool stone hurts her elbows.
The last of the rain-drops gather and fall from elm-boughs,
She sees them glisten and break.  The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance.
A sparrow whirs to the eaves, and shakes his wings.

What's death--what's death?  The spring returns like music,
The trees are like dark lovers who dream in starlight,
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams. . . .
And death seems far away, a thing of roses,
A golden portal, where golden music closes,
Death seems far away:
And spring returns, the countless singing of lovers,
And spring returns to stay. . . .

He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,
And clenches his hands, and remembers, and desires to die.
And she, by the window, smiles at a night of starlight.
. . .  The soft grey clouds go slowly across the sky.
times like this, the plenary moon
  tonight wearing many faces,

the white-washed truant at bay
    white-hulled still, the brim of the sky
to a full, on such a bright night leaving a trace
   of say, prongs of fire on the kiln

the skin the soft breeze molests with a chill
flung from pinecone – the blackened spires of the
very heart of flame and the mullioned wood that understands
  what the heat of placeness mints underneath
  our skin – what silence remains a translation when the smoldering
  remains are bitten repeatedly, aureoled in the moment of vital meaning.

we hear its threat, retained in clock-whirs
like a primordial word or the fluting of  light’s bendable
   rondure harnessing a truth we let in.

I fail behind the walled-up lip of laughter
because the weight of passing
is heavy on my back – like a bough dragged
  by rainwater, or sound elected to drown:
the smell of poinsettia assaults,
lifting its slaughter against Kiltepan and Ambuklao,
  past mountains lulled to sleep: the moon sleuthing
  like a well-oiled machine.  what do you hear?

  we are aware of its full absence,
like that of our undulation after a fall,
  or the wild sibilance of breath trying  to  utter something,
  going back home with a song in between teeth,
    without words.
After Baguio.
The ceiling fan makes a comforting noise
As it whirs gently, with the premonition
That winter is near

She sits up hesitantly, somewhat afraid
That there might be something there
She just woke up from one of those nightmares
She could barely control her breathing
Fear and anxiety painted in her eyes

She's almost used to it, or so she thinks,
Till it happens again
She begins to shake just a bit
Almost subtly
She doesn't want- need- to think
Any more

She switches on another one of those gizmos
Whiles her night away
So she doesn't have to sleep
She doesn't need to go back
To those **** nightmares

A chill runs down her spine
But she turns up the music a little louder
She doesn't dare to cry
Scared of being heard,
Scared of acknowledging
That which lies silent, looming ahead
In the darkness

She doesn't want to because
Once she does, it would be tougher
To tell herself that they
Hardly matter

That they are not premonitions
Of the future
Comments?
girl diffused Nov 2023
I.

All I can say is that it is a hum
Reverberant, droning, consistent
Quiet thrumming along the surface
Stirs me awake and then it fills me with
Ichor and I sip, sip, and sip (until I'm drunk).

All I can say is that it is a hum,
Quiet droning, a hushed whisper,
Loud screaming inside the head,
A piercing headache, sometimes a discordant wail.

II.

You sit on the porcelain lip of the tub
Hooded eyes lowered, your fingertips
Pressed together like the steeple of a church

I think: Yes, this is what Renaissance painters modeled angels after. Your skin is like a rose-tinged alabaster, your cheeks Suffused with blood. The painter took a measured time with you.

"Do you honestly think you'll be okay on your own?" You ask.

Silence, she greets you.

III.

Hasn't my mother violently
Ejected me from the nest
I'm only a few months old, a nestling
Wings awkward and clumsy
Beak agape for masticated food
(I'm not ******* ready yet)
Ejects me
Her beak threatens to pierce my shell

This is dejà vu.
I've conversed before
Different room, different domain,
Different speaker, a sicker listener
I'm as sick, sick as **** now

Mind, she hums, crescendo
Crescendo high like a choral piece
Orchestral, and this is resplendent
Everything is gleaming
Your face encased in a soft glow
Halo of light
Your face, cherubic,
His face, Romanesque, was sculpted like a Bronze Age statue.

"Your mother didn't give you the right set of tools. My mother at least gave me–" he falters.

IV.

I remember calling the ex 28 times in the span of 2 hours.
The policeman, he counted.
Thrashing on the floor, weeping like Persephone must've in Hades, like a fallen Mortal reborn as a minor goddess
Stripped me, he did though, of my wings
Avian feathers streaked with years-old blood

My tears, why yes, they're bleeding rivulets.
My ****-brown eyes alight on the bleach
Yes, sweet death

"Stop calling me. I'm ******* another ***** right now," the ex says.

V.

Memory is so faded,
Plays like a scratched and worn cassette tape

Mind is a-humming, humming, my mind is
Orchestral choir, church choir, Pentecostal
Now, I eat ichor, ravenous, now I am Closer to God and she is a woman,  
Draped in funeral attire
She weeps, soundless, a Seer

"I don't know," I say.

"The med isn't working," you reply
Cherubic face shifts and morphs
Melts into soft glow light,
One with the halo, is the halo

Nothing makes sense, everything else does too. My mind races, cassette tapes
Whirs, skips, images flash, I weep
Weep like Sisyphus
Eyes spilling rivers of penny-tinged
Crimson, sanguine ichor

One day he'll taste it and hate me,
Loathe me, the jade-eyed serpent
Poison-fanged
I'll clutch his scales until my fingers are Cut, welts, mottled bruises, fading scars
I will be punished, am punished
The illness, the eternal Boulder on the eternal hill, it rolls and rolls, my mouth agape

I await my cyclic fate ordained by the Higher God

VI.

How many men have I lured into the chamber?
Drunk on sweet wine or mead?
Petrified into osseous
Their gazes failing to avert from my Penetrative stare?

He was an errant General, beautiful but stupid, his mind a one way road, his temper unpredictable and flighty
Oh, how I loved the duality of him
We philosophized
Theorized on the Gods
Laughed at their follies
Wondered at the mysteries of the universe, Her deep annals

Oh, how I loved the physicality of him
Tight, corded muscle, his back like a Wound spring, Bronze hand
Grasping a silver sword

Hark! His rounded shield is lifted, my hideous reflection stares back at me
My eyes, widened, the cup of manna Clatters, soundly in the chamber
Reverberates
Bounces off my throne of skulls

How many men have I–?

VII.

"Can you honestly say that you can take care of yourself?" You ask from the place atop the lip of the porcelain tub. Your hands, a steeple, a church spire
Perhaps, you are a lesser God, perhaps we are all falling Lucifers, wingless, blinded by vengefulness and betrayal
Perhaps, he too is–?

"Am I an infant to you?" I ask.
The headache splits
The pain demands, claws at the side of my skull, dances across my nerves, liquid iron on my tongue

Because when did I?

Oh, Sisyphus you weep! You, who slaughtered so many!

Oh, Medusa, you wept, you beautiful serpentine harlot, you *****, you–
The choir is a strong crescendo, Ascending, ascending, ascending
Lowers like a thrumting and heavy bellow
Deep, rich, and full, timbre

"Everyone, all your life has said you were crazy, but I don't think you are, I–"

VIII.

The tapes skip, voices garbled, muffled, Indiscernible and distorted
Mind shrieks, lower now, quieter now, Barely audible, a fading whisper, your halo Recedes, soft glow dims

Your hands separate, the steeple, no, the Spire collapses.
Held breath hitches,
Serpentine tendrils become wisps of hair, Cloudlike

We are lesser gods, not quite mortal, not quite divine

The itch demands to be felt, protests
And I, I scream endless into a dark chasm
My voice, it does not call back to me
It does not–

"I don't know."
A/n: It's been awhile. Hello. This is the unedited version of "medusa." This is the result of me reading T.S. Eliot and talking to my dear friend about older contemporary poets.

This is the result of dream and haze filled nights and stressful but languid mornings.

Enjoy.
Olivia McCann Jul 2014
Eyes averted
Guilt ridden eyebrows
Dominate expression.

I loved her so much
But now she's ****** everything up
There is remorse in her eyes,
Regret whirs through her body,

But there is also a portion
Steadfast in what she did,
Because something has taken her away
From me and the world,
Swept her off her feet
Leaving a fullness in
Those highs,
My lows could never fathom.

I stare at her once more
Seeing something different
In eyes I used to love
And still love.
There's a hunger for
That adventure
I can never compete with,
The addiction reliable
In the way it holds her close.

And I turn away,
Hoping she'll try
To stop me from leaving.
Hoping I still mean
Something to her
But other matters toy with her mind distractedly.
Her next fix
Suffocates the ounce of love
She has left
For me
And I'm gone.
Bill Schaller Jul 2011
The rusty car door creaks open.
Kicked it closed, but now we're trapped.
Up above, rain tauntingly quenches us;
Down below, a cliff brings sweet demise.

Two days since our food expired.
Our voices and bodies stretched thin
Tied to deflated clouds by silver lining.

The whirs of doubt tempt us to jump
And for a moment we invited death's warm embrace.
But a low growl, from stomachs and throats, and back we go.

Down our aimless journey
Frail as needles, we pierce every haystack,
Hoping above hope that we shall dine again.
Josh Koepp Dec 2014
Here
I made a video right here to help you understand
Well i mean, you technically made the video...
I just uh...
Borrowed it?
I can see that you're...mad
But you know now right?
Please
Sit back down, you can wag your finger after
This is important

This is a video your child took of you mowing the lawn in 1994
Her big strong  parent, fumbling with this heavy-as-hell-is contraption
That sputters, and whirs, and kicks back
But like some superhero you...start to shove it along, and conquer the beast
And it sprays curiously alluring smog, that like a well behaved child, she knows not to breathe in,
Knows not to touch because she's not old enough
Or strong enough to pull that chord to trigger the bells and whistles
That she, nor i, nor probably you understands.

But i digress...

So here you are, with your child on the stoop, taking might i add some
Fine, stable footage you should really enroll her in some classes,
And you traveling around your suburban front yard, chasing away a squirrel with the lawnmower, harmlessly of course
And laughing with your daughter
Talking to your neighbors over the roaring engine,
Emptying the bag of fresh cut grass into the bin...

And that's where the battery died
No! Don't leave yet
I want you to watch again, listen again
Here...
Listen closely...








Did you hear the grass screaming of their judgement day, beneath the lovers kissing each other goodbye, wrapped around each other, as we hold hands, still entangled in  the mass graves you made for them

Beneath the ants cowering in their homes, begging their laborers to come back inside before they are noticed, before they are eviscerated and the foreman is forced to pay settlements

Beneath the subtle sound of your daughter breathing deeply of the sweet smelling gas that you told her to stay away from, that we learned to be repulsed by, that she has been told to be repulsed by

Beneath the...
Here, i'll rewind again
Here
You see the label on the lawnmower?
That manufacturer? That bar code? That order number? That factory? That steel purchase? That mine?
Did you hear the songs of the forced laborers there, the modern slaves that bear striking resemblance to the songs you learned in high school history class, except softer, pushed under the magazines

Beneath the squirrel complaining to the squirrel police about dangerous and disrespectful conduct it's neighbors have been performing when he comes to say hello and finally meet someone in the neighborhood, that he's lived so long in, just to be told it's not "Illegal,"

Beneath the slightly offensive joke you made towards your black neighbor, who missed the punchline over the roar of the engine, when you asked him why he was so light skinned, and whether that was a "slavery thing,"

Beneath your child hearing everything

You didn't yet...
You made that happen, didn't you?
This isn't me judging your character
I don't blame you "O' causer of destruction"

You were not given the tools i was given
And similarly i... was not given the tools you were given

You were given a lawnmower, and a camera
A beautiful daughter, a home, a job
Gas! The ability to live where you want!

I...well...
i was given the opportunity to talk to the grass...

And well...

In 1994, that same year, in Rwanda an atrocity was committed, a genocide.

And the characteristic machetes used to massacre the Tutsi people
Contained the same steel blend, from the same producer
As the blades in many lawnmowers at the time.

This isn't a conviction
I did this because i wanted you to know and be okay with being complicit because you exist a certain way
Innocent because you never knew, and couldn't have known

Because we love you
Because we need you
Because we need you to know now
Sally A Bayan Apr 2016
The evening news goes on
anchorman's hurrying words and frenetic voice trail on
could there be another storm brewing?
is his hysterical voice a sign, a warning?
a spray of the evening shower lightly wets face and arm...
it is not enough, though,
to wash away the uneasiness of the moment,
the evening news goes on...

It doesn't want to end, this long evening,
for one confused soul..mind is wandering
through the night, it is aimlessly exploring
it doesn't want to end, this long evening...

A record plays...she quietly listens
crystal drops from her eyes glisten
she hums along, with Eydie Gorme's
"As a Love To You From Me"
blending, with the cool wind that whirs softly
while looking at a distant moon so creamy
recalling past yearnings that have grown intense
alone in her house, she can not pretend
while...
a record plays...she quietly listens

Repeatedly, she inhales...and exhales
for, breath smells of coffee gone stale...
this sleepless soul, with a mind still straying
will roam further, til sun comes out tomorrow morning,
when her whole being, finally would be surrendering...
but until then, she still would be trying
repeatedly, she inhales...and exhales

The evening news goes on
it doesn't want to end... this long evening
to some tunes, she quietly listens
repeatedly, she inhales...and exhales
the evening news goes on...

(an old, unposted poem)

  
Sally


Copyright September 21, 2014
Rosalia Rosario A. Bayan
***the first sentence of each of the four stanzas, put together,
became the fifth,,or last stanza...***
Miss Masque Apr 2010
Can't sleep
These dizzy thoughts
spinning ceaslessly
relentless
in a cup

Half empty,
Half full?

Who knows,
But in the end
the mad hatter will
still wish you had
never been born--
A very Merry Unbirthday to you
to me?

Indeed

Round and Round
they go
mixing colors, textures
emotions, thought
into this smear of humanity

A stain on the background of my mind
as it clicks and whirs and calculates
the options, the weighted possibilities
the electrical impulses zipping past
the smear of confused, muttled anguish

through it, around it,
but the shock cannot
seperate the colors
the textures, the emotions,
the thoughts

The colors melt into grey
various shades of unvarying
reluctant gestures

As the cheshire cat
smiles and laughs like
the cookie crisp mascot
cukoo for coooookie crisp
I hear its laughter

Chuckling madly
at the mad hatter and myself
the mad hatter sipping
out of the cup of grey
as he sings about my unborn nature

Unborn into the world of reality
of sensibility, of responsibility

WAKE UP

I snap back
I look around
and do not recognize
anything at all
Written: December 12, 2009
Owen Phillips Nov 2012
Swirling colors without names and sounds
What is this madness that we have found?
Feet barely touching the sky and the ground
Looks like I'm Philosopher's ****** all around

See that great saucer up in the sky
Hear how it whirs like an insects sigh
Signal them down so they'll give us a ride
And we can all finally see what's inside

What do you hear by the full moon's light?
The chanting of shamans on the solstice night
Follow the drumming and join in their rite
I'd say it's our destiny, alright

We're now Eleusinian women and men
The greatest adventure's about to begin
The galaxy's huge, and we're off to the ends
But the path isn't up and away, it's within!
acacia Aug 2020
let this view be for him: how it must—
the echo draws the lingering soul out of me
but it stays for it whirls and it makes me cry
but the hour of the day to impress you sings the joy
of the One —he stops and I come towards the rain,
and an impressionable glow of horn creeps into the sauna,
and it lowers my body, giving me the “immeasurable” chills:
but still these are words: god is in here, yes, god is in here—
god is way inside the violins and the dreams of these chords
he hits these notes and these horns play as if it was a cliched night
my aching god, my body falls in line with his movements on the drum roll; my neck moves, my hips sway, my waist penetrates the other day into the next morning for it is ephemeral :
the little windows of babes that twirl in these sounds in this rhymes in sight of his horns—filled with city nights

they sound like city nights like lurking blackness over trees and buildings lit up with windows of orange-yellow-opaque and she dances in the background—
this trumpet-woman: she dances, she does a spin she is trying to get her spin; she is trying to get her tap, she is trying to get in the door—she is stuck in the door
the key, she is fumbling with her key—little flails, a higher flail, she flails, she heightens—
she is close to opening the door
she sticks the key, jamming it in there— she turns she turns, she twists she twists: the keys
she takes a breath. — . she turns, she twists, she turns, she twists—
she walks away from the door, the key stuck in there
she staggers trying to learn how to walk again; drunken, she blares out, she blares out in the city coughing and her saxophone belting—she squeaks, she slurs, she blares, she whirs, she slurs, she blares, she sings, she screeches, she whistles through the day and the night

:four trees breeze by her, black skirt flow and taxis pass by her:

lame sounds into the wind, she keeps going. lame sounds into the world—she turns, she twists, she falls slightly, she skips and steps and she turns the key! she inhales [ ] ankle twist her arm trips,
her wrist squeezes into her pocket; clad all black—the stars join her and she sings lamely into the night, her voice reverberating throughout the leaves
a car yells as she repeats the night:
she sings out lamely, blares and twists and turns and she walks to the door—crickets pray, the car yells—she rests her head against the door—cars yell and honk, driving through her door: the door is open: the walls talk to her, the stars all watch her—she limps through the halls, the trumpet, the saxophone limps; the doors watch underneath: peering into the skirt of the trumpet: the hosiery adorned legs cramped and relaxed: tension jarred and stirred, wiggling free: peeking at the shiny bronze in between the bridge the way the air flexes around her

it changes shape towards her daily repeat nightly motion of monitoring the trapeze\

the sky gives atmosphere and volume into her hair—the realm
of being stuck, she is stuck and repeats: she is stuck and repeats
the lame song and blares into the ceiling: the empty missing ceiling—she blares and croaks and lamely walks to the steps of the day. it is night.
her eyes follow the trail up their Stare, and as she goes up each stair she feels despair pouring out of her porous eye’s pores that are open, and eyes closed to the velvet touching her uvula-*****. . . she drowns on these stairs and stains . .  .
cannot make it up—lame song— cannot —blaring —despair
exhale ][ inhale [] exhale ][ inhale [] prana ... lame .. . prana ... prana ... sati ... samadhi... liberate citta ... drop the poor chord: lame, lame song . . .

she limps up the stairs, each foot hitting each stair twice:
up down down down down up up up stagnant stagnate up down down stagnate — up down stagnate stagnate — blaring blare — loud: cranky! — she drunkenly sings, sways up the handrail, pours out her drink down the roof, and watches it fall:

the doors open, all simultaneously, whilst she looks down the stairwell pouring her drink down there for all to have: "Share joy, turn the key! Share, it is stuck! Get it out of the door! Open the door..." she shouts, she blares, she levels out. she yells.
lame song, limping . . . drunkenly dressed. Sloppy. utterance, muttering, low voice, trembling, yet now repeat the motion of the night. — realistic night days of the sophened mind, she blares, she cuts, she blares, she lowers— accelerationist accrucianado — "Dressing me out : the worst way to die go figure:! The constellation shows you!" lame song, blare, drift, loud lame limp. she walks further up the steps—the same song repeat, quivering now, more gusto, more braggadocio: "drawers long. inhale. prana. paroksha. indirectly." she opened once  again: concerto opus *****: quiver, blare, blossom: the stars shine now, and she sings while they fall around her—

she refrains, they fall, glidely, she refrains. she refrains. they fall, glidely, she refrains. she refrains. they fall, glidely, they drop, lively. swiftly. sprightly, brightly—she drinks in her own drinks of drown, she goes down the octave. down. there, the sky changes waving around: now over the highway, she blares loud, floating in the sky, floating above cars, and the traffic below her . . . she blares out croaks: she croons to them the same truth of the heavens they couldn’t see and she refrains loudly, glidely:
whizzling up there—her drool drizzles down there—inside and outside—pumping in, the throbbing joy: thrusting divine, thrusting angels—hayorically she moves dizzily over cities—oceans above her—traffic below her—she cramps up, the stars guide her

her more sing move; she waves more,
to the passerby, the clouds drift by for love/ no love /she drinks more love/ to the god where she blares, she croaks, she wheels out there, into the world cries of a never harmed One:
of a One never divided into Many: and she and the ones in a 50 foot radius are hit with atomic blasts the size: bruised and battered flesh, heart is black and body is blue, but the spirit is incorruptible and the spirit remains when the body burns when the sun dies lamely flying, limply stars guiding—
drool stuttering from each pore on her, she drives away in her no-more vehicle: this is the last body, and she knows this: and she accepts this is her last body, as she flies over New York City,
drifting with the race cars, absorbing each and every person and being: crossing roads that never existed, singing songs to nobody
city noir -
A P Taylor May 2016
Syncopated beat of bass
off beat to whirr
of conversation
bouncing around
xylophone ring
as cello claws

New tune, space, breathe
in autumns depth
drums rattle
military in sound
guitarist circling
hands implore

Long involved discourse
passionate corners
Pan pipe whirs
dances rebound
until bass sting
under scores

As Monday approaches
afternoon darkens
synth drags low
coffees ground
sky threatening
my cafe lore.
I have had enough of people  
Of life
I have had enough of the noises
We make on cue
The buttons pressed
The buzzes and whirs
That always fizzle
The righteous anger
And the bloodlust masquerading as fact
The hopeless treadmill of pleasure
And this glass of high proof alcohol
That disinfects my heart
Valsa George Jan 2021
The blue sky, dotted with white clouds
The sun, in its last lap of race
The slanting rays gleam in crystal glow
Their beauty to the earth they bestow

As I stand and watch this lovely evening
I experience an inner glow of a deific kind
Elegant colors flow and fade
As the sun paints a paradise before me

The river lies arched like a lunar crescent
In my ears falls the sound of lapping waves
As she winds her course through verdant banks,
She speaks a language I can hardly understand

Without pause, she moves on relentless
Eager to join the ocean’s devouring embrace
Scripting the songs of her arduous journey
And chiming her anklets in soundless rhythm

There is a divine sweetness in the air
My exhalation blends with the cool wind
That whirs softly humming a mild tune
Birds get ready for their evening symphony

The twilight smiles and sends the sun away,
Obscuring manifold vistas near and far
Night quickly spreads its dark wings
It's time to make a move, homeward....!
A real experience ...... !
The computer hums
while the mind hisses
with the words
being only the top
of the vastness
of the full unseen mind
which whirs
with activity
of an awake dream
which states
quite frankly
what is already known
and unknown.
Runaway Joe Sep 2012
Hey.
This is my end-song, no more
I shut the book and it'll work
Just listen.

You don't know that I know
Or I think I know that you don't know that I know
Or I thought that you were, and you weren't
Whatever
That's over

But still all this backstage coggery
Whirs and I—
Tick tick tick, you're every time of the day
All our small talk twists the arrow in my chest
You need a friend more than I need you
So I'll go and confess to a jury of unknowns
This half-story they'll never be half-told

I'm like Sisyphus
Every ;) sends my heart
Tumbling to the bottom
Gods be ******, though
Fires rage within, whatever
You need a friend.
The End
George Anthony Oct 2019
you are lying on your back in a bed 5,487 miles away from home.
there are geckos trilling from the corridors and the trees cast shadows in the room
above the door, the air con whirs and you shift, sticky, skin sweating against starched cotton sheets
too hot, too humid, too much

everything is too much, but at least it’s too much here instead of too much back there;
you visit temples, vast and golden in their glory, and white and intricate in their purity; ocher where the sun has kissed blessings upon their pillars,
and pretend that you too are subjected to the numinous nature of sanctums and their spirits
and pray they don’t notice that the awe in their eyes isn’t reflected in yours,
hope they don’t sense that you are not here to heal, only to stretch old wounds into splitting open anew

you are ruining your life

you are ruining your life somewhere beautiful that’s been the making of so many others’ lives
but you always strived to be different, never recognising
that agony, despair, self-deprecation, self-victimisation, suffering—they’re the most common connecting factors between all humans
you are the same as the other six billion people aching and crying and spitting anger in their sorrow,
blind to the one billion who’re trying to make the world a better place so the rest of you might smile a little more often.

one of the geckos scurries across the ceiling and you flinch,
a moment of fear for the unknown before you settle once more and simply watch his little legs fidget his body to freedom through the slats of your propped open window.
inside your chest there’s a moment of heavy silence as your heart grapples for a connection between you and that little creature
both small little things striving to survive in a world too large, too bright, too crowded yet too empty
chasing freedom like a child chases a dream.

the moment passes.
your heart regains pace and your mind whirs with the lonely static of too much me time

you are ruining your life
not realising you’re weaker to suffer than you’d be if you tried to heal
Caroline Jun 2013
Lying here beside you
Staring into the brush stroked abyss
My mind registers
And whirs
And composes
The words I'm overrun with
The stories that run down the sides of my consciousness
Like I ran down that hill in my white gown
Running from my past
Into our future
I ache with excitement and yearning to speak with you
Awakenings fresh on my ink stained fingertips
Bubbling on the tip of my canvas stretched tongue
Expanding and morphing their confines
Unrecognizable
Without meaning
Devoid of intelligence
Scrawls and scratches of a cave dweller
Somehow paired with a Greek god
Your smile
Lost in the hieroglyphic translations on the page before you
The conversations I long to have
Reduced to mere finger-painted pictographs
Where I lose your attention
Incapable of expressing your radiance
Mikaila Jan 2013
One morning I awoke, and the world was different.
It was too bright, too loud, too clear.
I wanted my soft lines back, my cocoon of muffled drowsiness,
But it was gone and I was exposed like a newborn kitten,
Mewling and weak and tender,
And it never faded after that.
Always I felt fragile, as if I were made of glass.
Inside I felt no strength against a fast, cold, hard world.
I reached for people, and they recoiled as I recoiled from them,
For each of us was repulsed by the other.
And so one day, I woke up, and I found my answer.
I took a bath in a swirl of red, and now I am here
In the muffled warm darkness,
And finally my head no longer whirs.
Do not weep for me, for I am finally able to feel safe again.
At night,
when silence echoes
when all is dark and the summer sky is filled
with stars,
I sit up in bed.
I am an owl of the night —
a curious bystander who carefully watches
hidden from sight,
silent and still —
lost —
as a million daydreams cascade
with whirs of light that faintly flash with the numbing
drone of the television in the background —
blocked out by blips of symphonies
whirring and crashing,
forever spinning like a carousel —
jumbled and chaotic.
Alone in the night,
a mad carnival within the mind
would surely drive anyone insane.
Bruce Adams Sep 2023
A text for five voices.

Note on text: For formatting reasons, this should be read on a full screen, or in landscape mode on a mobile.

i. Blank copy

I look out of the window at
the houses as they pass and they
don’t so much slide past
                                    or glide past
                                                the motion isn’t smooth.
They sort of click past.
They tick past, dit-dit-dit:
House after house after house after house
                                                dit-dit-dit­-dit-dit
My eyes don’t quite refresh the image fast enough
to keep up with all the houses
                                  as they pass.
It’s 10 o’clock when I arrive at my office
and no-one is there yet
and I turn on my computer.
I sort of just
                sit there
                for quite a long time. Then
at 10.37 I print a document I’ve been working on
and I pick up my mug and I go to the kitchen where the printer is
and I put the kettle on.
I log on to the printer but instead of pressing
                                                Print
  ­                                              I press
                                                        Cop­y
                                                        instead­.
The machine whirs
The light goes
                        across
And out comes this copy this
        Copy of
                nothing.
I pick it up from the cradle.
It’s warm.
And I hold it and I look at it and I think:
                                                This is a copy
                                                                ­of nothing.
And since it is no longer an empty piece of paper but now
                                                             ­   something more
                                                            ­    something
                                                   ­                                imbued
I don’t put it back in the paper tray
and I don’t put it in the bin.
I carry it carefully with my tea back
to my office and put it
                                Carefully
                    ­                            on my desk.
I close the door.
Usually when I arrive and no-one is there I keep the door open for a bit.
It’s my way of letting people know I’m here.
It also helps me get a sense of what’s going on in the building
which students are there and what they’re doing
and once I’ve got a decent enough idea
or if there’s someone around I don’t really feel like helping
                                                         ­                           I close the door.
Today it is quiet.
It is a Friday.
                     Fridays are quiet.
It is the seventh of March.
It is 2014.
              I’m looking out of the window as I recall
              without much interest
              that yesterday was my father’s sixty-first birthday.
The buses tick past the window.
Without really thinking I
roll down the blind
                            Until the window is as blank as my copy of
                                                              ­                                           nothing.
I look at it but I
don’t
              sit
                     down
                                   yet.
My computer makes a noise and a purple box
tells me I have a meeting in thirty minutes.
                                                        ­Oh shut up I tell it
                                                        out loud.
Now I realise that I never did print my document
so I go back to the printer and the file is still there waiting for me
and I press Print All
                     and out it comes
and the piece of paper looks
Obnoxious
                     scrawled over in heavy black print
                     and ****** coloured columns
                                                                ­      and smelling
                                                        ­              Smelling of toner.
For someone who claims to be conscious of the environment I
print excessively. But only at work.
It’s the combination of it being free
                                          (or at least, no cost to me)
and that feeling you get when you
swipe
your access card to log in to the printer
and tap the screen dit-dit-dit to choose this or that.
It feels
       to me
              like being a grown-up.
It’s intoxicating.
I don’t want to go to the meeting
and I’m suddenly annoyed by this ***** piece of paper
which
       I ***** up
                     and throw in the bin.
**** it.
Not even in the recycling.
**** it.
Who cares.
              What difference could it possibly make
              whether I throw this piece of paper
                                                 which I will now have to print again
              in the black part of the bin for waste
              or the green part of the bin for recycling.
I go back to my computer and press Print but
this time
I keep clicking my mouse
                                   ditditditditditditditditditditditditdit
                         ­          Yeah.
                                   ditditditditditditditditditditditditdit
                         ­          ditditditditditditditditditditditditdit
And I go back to the printer and the name of the document comes up on the built-in screen
dozens and dozens of times
the same name of the same document
and I tap
              Print All.
And as the machine spits out clone after clone I
mutter under my breath:
                                   **** it.
                                   Yeah.
Then out loud:
                                   **** it.
                                   Yeah.
And as I throw them in the bin and go back for more I think
I’m going to buy a car. Yeah.
And I’m going to drive my car to work and
when I finish work I’m going to drive it
to a big supermarket
                            a hypermarket
                            a super hyper mega market
where I will buy and buy and buy,
and on my way home I will buy petrol to put in my car
       And I will go on holiday
       I will book all those last minute deals on the internet
       And go to Turkey or Lanzarote or Corfu for a hundred
                                                         ­      or a couple of hundred
                                                         ­      pounds, every month maybe
And I’ll fly there on a big plane.
I’ll soar over the ocean on a big plane.
And when I come back
I’ll soar over all those people outside Stansted Airport
All those
people
With banners
Moaning and complaining and protesting
Banners saying things like
                                   I don’t know
                                                 “Down with planes”
And as the flight attendant smiles goodbye I’ll think
yeah.
       Down with planes.
                                   And I’ll drive my car home and I will
                                   stop
                                   worrying
                                   about
                                   everything.
I go back to my office.
I retrieve one copy of my document from the bin and I
put it on top of my copy of nothing.
Whereas before the document offended me
                            now I have difficulty
                            telling the difference between the two.
My colleague arrives and she tells me about the motorway.
She’s always telling me about the motorway.
I think about my car I’m going to buy and I
think about being on the motorway.
I think about being on that part of the M25
where the planes are so low you duck as they thunder over you
and they come
                     in rapid succession
                                          dit dit dit
                                                        rapid­ eye movement
                                                        ­radar.
I think about being stuck in traffic there and the air
thick with exhaust fumes
mixing with the air around Heathrow
and all those tons of jet fuel from the planes zooming over
Blink and you miss them
                                   but always another follows.
I go to my meeting.
I realise that I have picked up my blank copy
along with the document I printed for the meeting.
Someone says they wish I’d printed more than one copy
as it turns out it would be useful for everyone to have one
and I laugh in their face without explaining myself.
                                                         ­             I make notes on it.
                                                             ­         My copy of nothing.
                                                        ­              Without really realising
                                                       ­               I’ve scribbled notes on it
but as I look at my spidery black biro handwriting
and think with some real despair about how I have mindlessly
destroyed
something pure
the notes
              disappear
                                int­o the paper
and it is clean again.



ii. Ringing sea

My eyes don’t quite refresh the image fast enough.
What I’m looking at
my rational brain tells me
is a video of two people having ***.
I have seen that before.
But what I’m actually watching is a video of
my husband
                     having ***
                                          with another woman.
And my eyes don’t refresh the image fast enough
So I keep seeing his face.
The whole picture melts away and
I just see his face
                     Which belongs to me.
                                          It’s my face. I – own it.
                                                        It’s my- my- my-
                                                        And it freezes there
just his face is all I can see then the video continues for a
split second then freezes again
                                   His face
                                   His face
                                   His face       It’s him
                                                        It’s him
                                                        It’s him.
I stop the video and I put the phone down on the table
and I breathe very deeply and
every time I blink, between every saccade
there is his face
                            a face I know intimately
                                                      ­         and it’s looking away from me.
I turn on the television. It is Saturday.
He is flying back from Asia on Tuesday. I have until then to
                                                              ­        what?
The sound and light from the television
flicker over me
And I sort of just empty,
Quietly, like a balloon disappearing into the sky.
I don’t know what I’m going to do but
for now that’s
fine.
The brown armchair swallows me up
and I cry for two hours without really noticing.
The cookery programme I’m not watching finishes and I think
the news is about to come on so I turn off the TV
and I put on my shoes
and I go down the stairs and out of the house
and I get in my car.
It’s raining and I just sit there.
Without starting the engine I flick on the windscreen wipers:
                                                         ­      Dit / dit.
                                                            ­   Dit \ dit.
                                                            ­   Dit / dit.
It takes less than three seconds for them to pass
from one side of the windscreen to the other.
And I get this feeling this
unexplainable feeling
that I want to crawl inside that moment
when the wipers are moving from one side of the screen
                                                          ­                   to the other.
I flip down the sun shield and look at myself in the mirror.
There are two lipsticks in the glove compartment.
I pick the darker one
                            and apply it
                                                 carefully
                                                       ­          sensually.
I start the car.
West London ebbs away to the motorway
My car is silver and in the rain it feels invisible
I don’t know where I’m going
                                I follow words on signposts I recognise the shape of
                                without really reading them
and I keep driving
I let my eyes come away from the road and
watch the fields and trees tick past like cells of film
and I look at the cars on the other carriageway
and I notice they’re all silver like mine
                                                        (onl­y mine is invisible)
and I duck as a Boeing 777 soars over near the M4 interchange
and let myself scream soundlessly under the roar of its engines.
I wonder where it came from.
                                          I think about the people on board.
I think about their mobile phones and
all the ******* there must be on them
and I realise
how many videos there must be in the world
of people having ***.
I take the M23 past Gatwick Airport
                                          the motorway ends but I keep driving
until finally I come to the sea.
No-one is here because it’s March and it’s raining.
I have always loved the sea.
Not sailing or swimming or surfing
Just being near it, for me it’s
                                   a spiritual experience.
I’ll lie on the stones and gaze at the sky for hours
but not today.
                     There are some flowers tied to a railing
                     somebody has drowned.
Presumably they never found a body to bury.
The awfulness of that strikes me like a stone.
                                                        It­’s the not knowing.
                                                        ­The lack of 100% concrete total proof.
I take my phone out of my handbag.
                                                        ­But I know now.
The shingle crunches underneath my flat shoes.
                                                        No­w I know.
The cold burns my ears and the wind picks up as I get closer to the water
the tide slips serpentine up the stones
white-edged
                     beckoning me.
Without realising I’ve slipped
                                                 out of
                                                            my­ shoes
but the stones do not hurt my coarse feet
and the wind
                     howling now
                                          catches me behind my knees
quickening my stride.
The spit curls around my toes.
And then I catch myself wondering
                                          whether my husband will call me or
                                          text me when he lands
and I hurl
       my phone
              into the sea.
On the drive home I listen to the radio.
The news is dominated by the Crimean conflict
and the referendum that’s coming up there.
Florence Nightingale
                            is all I can think about when they talk about Crimea.
Until recently I never even knew where it was.
At school you only learn about Florence Nightingale
                                   not the geography
                                          not the conflicts
                                                 not Ukraine’s edges so charred by
                                                               invasion and,
                                                                ­             subsequently,
                                                                ­                                  explosion.
                    ­               We live in so many war zones.
and I’m wondering what else I never learned about when
the story changes and now they are talking about a plane.
A plane is missing
                                   between Kuala Lumpur and Beijing
                                          and the blood drains out of me.
It isn’t like floating away like a balloon this time
it’s like plunging off a cliff.
And at once I see
                            with brilliant, burning clarity
                                                        m­y phone, ringing, on the sea bed
The light from the screen illuminates the stormy water but
I can’t see the name:
                                   I can’t see who’s calling.
I need to know.
I need to know it’s him.
       I drive back at twice the speed limit.
In the dark the flowers look menacing and half-dead; my
shoes fall off in the same place
But the tide is in so the whole beach looks different.
I’m up to my waist but my
top half
       is as wet
              as my bottom half
                            because the rain
                                          is torrential
                                                      ­  and I can still hear the phone ringing
                                                        b­ut I can’t see the light in the sea.
and I howl
       his name
but the wind carries it away soundlessly
       and I can’t tell if I’m
              further out
              or if the tide’s further in
                            and the ringing grows louder
                            as the current takes me powerfully by the waist and
                                                             ­         the stars rush by overhead.



iii. Acid rain

Every time I blink, between every saccade I see
a brilliant but infinitesimally brief flash of colour.
       Purple
       or green
       I think.
                     One on top of the other.
It’s hard to tell for sure because they’re so brief.
It’s like when you look at a light bulb for too long
                                                            ­   or stare directly at the sun.
I see it sometimes when I’m on my bike
or on a really big rollercoaster
                                   going downhill at 100 miles an hour
                                   the wind blasting through me
                                   the screams whirling through the air.
But I’m not on a rollercoaster, I’m sat very still
it’s Monday afternoon and I’m at school.
I haven’t said a single word to a single person today.
I didn’t even answer my name in the register.
I feel a bit dizzy like
                                   everything is turning together
                                   but I’m on a different
                                                       ­                 axis?
I think the bell goes, I’m
not a hundred percent sure,
but I leave anyway and no-one stops me.
       Outside in the sunshine the flashes of colour are
       several thousand times brighter.
In the next lesson I slip in my earbuds and
it looks like the teacher is singing the words.
                                                 I put on the most obscene song I can find.
I must have it on too loud
because eventually she notices and
she forces me to give her the headphones. This is the first time
someone has spoken to me today
                                          it feels a bit surreal
                                                         ­      but the world stops spinning
                                                        ­       a bit.
After school I go into the supermarket on Wigmore Lane
the enormous white of it is tinged in green and purple
and all I want is to buy a drink
                            I have a feeling of exactly the kind of drink I want
                            but I can’t find the right one
                            even though the fridge must be longer than
                            the driveway of my house.
Racks of newspapers and magazines clamour for my attention
       the only real colour in this great white warehouse of a store
       red tops and blue spreads
       and green and purple and green and purple
              and green and purple…
They’re talking about that missing plane in the news
and they keep using the same phrase.
They’re talking about the people on board the missing plane
and they keep saying
                            Missing
                      ­      presumed dead.
Not dead dead. Presumed dead.
I start wondering what it’s like to be both dead and alive at the same time,
as if all the people on board that plane are like Schrödinger’s cat
              (cats)
and we won’t know whether they’re dead or alive until we find the plane
and pull it out of the sea
and look inside
                     so
                         until then
                     they’re both.
Out in the car park I count the planes as they descend onto
the runway less than a mile away.
       One, two, three, four, five, six, seven, eight,
       I figure about a hundred and eighty a plane maybe,
       which means fifteen hundred people just arrived in Luton.
Nobody comes to Luton for the scenery.
Soon they’ll be gone,
A town haunted by a ghost population of thousands an hour.
                                                 filtered onto the trains and buses
                                                 and out from the sprawling car parks
                                                 to the motorway, and
                                                 onto connecting flights back into Europe
              but none of them will stay in Luton
                                                           ­                  Missing
                                                         ­                    presumed dead.
As I bike through Luton I think it might not be so strange to be dead and alive at the same time.
I’ve lived here my whole life and the whole place
                                                           ­                         which is a *******
                                                 moves with the mundanity of machinery
                                                 like the big car factories by the airport
                                                 the lights on, the production lines rolling
                                                 but all a bit automatic and lifeless.
But in the airport, it’s different.
The air, with its artificial chill, hangs with a faint shimmer
and the people here move purposefully, and with charge
                                                          ­     excitedly
                                                       ­                      or dejectedly
                                                      ­         but not neutrally
heading for the gates where they are sealed two hundred a time into airtight tubes
like Schrödinger’s cat:
                            dead and alive in the air;
                            one or the other on the ground.
                                                         ­      My teachers say I have an
                                                              ­ “odd way of looking at things”.
I leave my bike outside without chaining it up and go into the terminal.
In a café in the check-in hall I find exactly the drink I want
and I pay £2.75 for it.
                            I look at the departure boards.
                            Edinburgh. Bonn. Marseilles.
                            A green light flashes next to each gate as it opens
                                                           ­                  green and purple
                                                          ­                   green and purple
                                                          ­                                 Missing
                                                         ­                                  presumed dead
The flashes of colour are growing brighter
every time I move my eyes a green and purple streak follows behind like a jet stream
but the bustle and activity of the airport is so much that I can’t keep my eyes still
       so they keep darting
                            this way and that
                                                 until my vision is painted over
                                                            ­                 green and purple.
The streaks roll over each other like clouds of acid rain.
       This is the final call for flight 370 to–
My bike is gone when I go back outside
The front of the terminal is a plateau of thousands upon thousands of cars
and it’s probably in one of them
                                          but I’ll never know which.
The car parks reach all the way back to the runway.
Green and purple acid rain from all the jet fuel mixed with the air
melts a hole in the fence and I slip through
moving purposefully
                            with charge
                                          across the green and purple grass
                                          scorched by a hundred thousand landings
                                          a hundred thousand people arriving in Luton
And there on the tarmac
                     glinting in the rain
                     surrounded by blinking amber
       there is my bike
       its black handlebars spread like the wings of a jet plane.
I duck as an Airbus screams in just a few feet over my head
the rush from the engine lifting the soles of my feet from the ground.
I pick up the bike and start pedalling
                                                 pedalling down the runway
                                                 pedalling towards the blinking amber.
It feels light, nimble, fast
the tyres take the asphalt with ease.
And the faster I go the lighter I feel
       the acid rain eats away at my clothes
       and they melt off my body and pool on the runway below,
                     Lighter
                            and lighter until…
                                                 The wheels lift away from the ground
                                                          ­     and in the air I am dead and alive
                                                 and maybe nobody will
                                                                ­                           ever
                                                            ­                               see me
                                                                ­                           again.



iv. Burning sky

The faster I go, the lighter I feel.
I’ve taken the night watch and the yacht
is cruising across the Indian Ocean
penetrating the black abyss like a white bullet
and the lights in the portholes send shimmering white bullet shapes
for miles across the endless ink.
                                                            ­                 What?
                     We’re not going very fast at all
                     But it feels like any minute
                                                 we might drop off the edge of the world.
I hope we do.
I feel light and dizzy and irrational
                                          and I feel aware of being
                                          light and dizzy and irrational
and I wonder if this is what going mad feels like.
Have you ever felt like you’re living in a corner of your own life?
I
       feel like that a lot lately.
Marc is sleeping.
We didn’t speak much today.
I can’t really remember how long it’s been
       since we left Victoria but the fight
       we had there
                            in a bistro by the port we
       said things we
       said things that
                            we can’t take back.
The Seychelles were stifling.
The heat was stifling.
He was stifling.
And the people were stifling
                                   the people kept talking about pirates.
                                   They kept warning us about pirates.
                                   You’re sailing where
                                                        the­y say
                                   You must be careful
                                                        t­hey say
                                   It’s notorious
                                                       ­ they say
I have fantasies about being kidnapped by pirates.
Not stupid Johnny Depp pirates with *** and parrots, no
       Real pirates.
                     Nasty pirates.
                     With dark snarls and AK-47s.
When we were at sea off the Horn I’d see things on the horizon
Dots or lights I couldn’t make out
And I’d imagine the rifle against my neck
Their hot breath
Chains and ransoms.
                          I’d wonder how much we’d be worth.
                          If we’d make national news.
                          Would it be David Cameron to announce,
                                                       ­        regrettably,
                                                    ­           we don’t negotiate with pirates,
                          or would it be someone less important?
                          Maybe just the foreign secretary.
                          What is the worth of my life at the end of a steel barrel?
But it would only be a buoy, or a plane on the horizon,
and I would get into bed with Marc
       disappearing under the covers like a different kind of hostage.
I
              oh
                                   I
                                                 Sorry
I’m crying.
                     I don’t know when I started crying.
The thing is I don’t know if it’s me breaking the marriage
or the marriage breaking me.
I’m watching everything literally fall to pieces and for all I know
it’s me with the detonator.
And then
              everything
literally falls to pieces
                            My mug of coffee falls from my hand
                            shatters on the deck
                                                            ­and the sea rears up nightmarishly.
Above me
a long orange **** of flame
is burned into the sky.
                            No, really.
                            That’s not a metaphor.
                                                       ­        There is fire in the sky.
It’s about a mile up and a mile away.
Look.
       There.
              ****.
                            **** **** ****.
What is that?
                                   Marc!
I call for Marc.
                                   Marc!
       There is fire in the sky.

–              Katherine.

       Fire in the sky.
       Fire in the
       Fire in

–              Katherine.

       Fire

–              Katherine.

       What
              Marc, what?

–              Are you awake?

       I think so.

–              You were calling out again.

       Calling

–              Calling out. You were shouting.

       What
       where
       What time is it?
                                   Where

–              Dubai. We’re in Dubai. It’s 7.
                They delayed again while you were sleeping.

       Dubai?

–              Katy I really think you should see a doctor.

       Don’t call me that.

–              Pardon?

       Katy.
       Don’t call me that.
                                          Like

–          ­                                       Like what?

       Everything’s okay.



       Everything’s not okay.

–               There’s
                 doctors. You’re not well. You’ve been confused since,
                 well actually since before it even happened.

       You think I’ve been confused.

–              Not right.
                Not you.

       You’re **** right.

–              Forget it.

       Thank you.

–              Go back to sleep. ****.



–              Are you still seeing it?
                The plane? On fire.
                                   You’re dreaming about it, aren’t you?

       Yes.

–              It’s affecting you?

       I’m
              just
                     unhappy,
       Marc.

–              That’s not just it though is it?

       What’s that supposed to mean?

–              Something about seeing that
                                                           ­   plane has scared you.

       We don’t know it was the plane.
       The one that –

–                            No. But, right place, right time.
              They said

       Maybe.

–              It’s still a coincidence.
                It’s not

                                   What

–                                   A sign.
                                     From god.
                                     Or
                                          whatever.

     ­                                     Whatever you think it means.



                            Katherine.

       The thing I don’t know, Marc
       is if I’m more scared that it was the plane
       or that it wasn’t.



       Imagine.
       Vanishing.
       Into thin air.

–              I know.

                            No, you don’t.
       Disappearing
                            into thin air
       Or falling
                            out of it.

–              Falling.

       You can’t imagine that.

–              I can.



–              I can, Katy.
                I ******* can
                                          Imagine.
       ­         Falling.
                Disappearing.
             ­   Into thin air.

                *******
                            i­nvisible.

                 I am
                           right
                          ­          ******* here,
                                                        K­atherine.

       I see you.
       I see you Marc.
       But you’re not
                            solid.

       I’m not
                            solid.
                          ­                              See?

                           ­                             It passes
                                                          ­     right through.

       Now you see me.
                                   Now yo–



v. 2015

Have you ever felt like you’re living in a corner of your own life?
The hotel room here in Singapore is almost identical
to the room I had in Mexico City.
The heat feels the same and it’s the same
nondescript decoration
which doesn’t really belong to any time or culture.
It gives me a headache. The neutrality of it.
As I check my messages I remember
                                                        ­       I’m not in Singapore.
I’m in Kuala Lumpur.
I haven’t been home for nearly three weeks now.
It’s ridiculously late
The IOC conference is at six thirty
              and I’ve been asleep all day.
                                   I get dressed and grab my camera
                                   and leave the hotel with a large, black coffee.
At the press call I see a man from Reuters I recognise.
       The coffee here is terrible.
I talk to him about his family
              his daughter is four now
              he’s shaved off his beard since I last saw him
              and he’s moving, he says,
                                                 near me apparently
                                                 to Southend.
                                                       ­               “London Southend” he jokes
                                                                ­      with a roll of his eye
                                                             ­         and inverted commas.
I say yeah that’s quite near me then move away to take a phone call.
Inside the press conference there are ten people at the table
       the women are all wearing identical powder blue suits which
       strikes me as idiosyncratically Asian for no good reason.
The men all wear simultaneous translation headphones
                                                      ­                but the women don’t.
I wonder if this is because they speak better English than the men
or if it just isn’t considered necessary to translate for them.
       They have given the Winter Olympics to Beijing.
              I wonder what is lost between the
              Mandarin spoken by the mayor of Beijing
              and the English spoken by the translator.
                                                     ­          The space between words.
                                                          ­     The space between looking left
                                                            ­                               and looking right.
It’s a nice atmosphere in the cool air-conditioned room.
I’m struck by how nice everyone is
       except for the British delegates
       including the man from Reuters who speculates
       that the voting was rigged.
A while later someone else calls it a “farce”.
              I get a photograph of the IOC President’s face
                                                            ­          as it falls
              and email it to my office from my seat.
Outside, the Petronas towers rise above the conference centre like
enormous empty silos.
This is my first time in Kuala Lumpur
                                          the last city I have to visit before I go home.
I get in a taxi and say the name of my hotel
                                          and the city flashes by.
I look out of the window at
the buildings as they pass and they
don’t so much slide past
                                   or glide past
                                                        the motion isn’t smooth.
They sort of click past.
They tick past, dit-dit-dit:
Building after building
                            dit-dit-dit-dit-dit
My eyes don’t quite refresh the image fast enough
to keep up with all the buildings
                            as they pass.
The taxi stops and I pay seventeen ringgit and get out:
it has gone by the time I realise this is not my hotel.
I don’t know where I am but I was in the taxi long enough to know that I
am some distance
                            from the centre of the city.
I look up at the name of the hotel the driver has taken me to
and the English transliteration is very similar to the name of the hotel I am staying in.
       I go inside.
There’s a nightclub in the hotel
I order Glenfiddich
                            double,
                 ­           cut with water.
              not because I like it but
              because there’s something about scotch that feels
                                                           ­                         moneyed
              heavy amber liquid in heavy-bottomed glasses
              it helps me buy into this idea of the travelling businessman
              even though that’s a lie.
                                                        I’m just a man who takes pictures.
                                                       ­ And I want to go home.
I sit at the bar which is as long as my driveway.
I swirl my glass and watch the amber legs trickle down the sides.
A moving light above it hits the gloss black surface
with an open white like the early morning sun on my gravel
                                                          ­                   as I get into my car.
A girl from here, young enough to be my daughter, is talking to me.
She points out her friends and I half-wave, uneasily
and she asks what I’m drinking.
                                          A news alert on my phone says a piece of
                                          plane wreckage
                                          washed up
                                                        on Réunion
                                                        i­n the Indian Ocean,
                                   east of Madagascar and south of the Seychelles.
The girl seems nice. She says her name is Dhia
                                                            ­                 it means “glowing”.
She doesn’t seem to want anything,
certainly not ***;
her friends have disappeared so
                                          I dance with her.
As we dance I see something in her eyes that is at once
both young and
                     endlessly wise.
She has deep brown eyes exactly the colour of earth
and a small mouth which smiles brilliantly.
In the half-light they open up to me like pools
                                                 and I imagine
                                                         ­             swimming
                                           ­      in them.
Even though she’s only nineteen, twenty-one at most,
there is something about her that’s
                                          maternal
       ­                                   spiritual
                    ­                      nourishing.
She asks me what I’m doing in Kuala Lumpur and I tell her
I don’t know.
She asks me what I did today and I tell her I
                                                               ­              slept
                                                           ­           then took some photographs.
You’re a photographer, she says, and I shrug
then she leans into my ear and says
                                                        don’­t tell anyone.
What
       I say
and she says
              I’m a princess.
And I look into her eyes and she isn’t lying.
She says no-one is going to recognise her
but
       just in case
                            she isn’t supposed to be seen drinking.
Who would I tell
I say to her.
She grins and finishes her beer and it’s true
                                   no-one is looking at her
                                   but she’s the most magnetic person in the room.
In the taxi I say the name of my hotel extremely slowly
and the driver replies in perfect English
                                                         ­      yes sir, I know where you mean.
Kuala Lumpur ticks by in electric darkness.
I flick through the news as we drive
                                                 I see the photo I took this evening about
                                                 a dozen times
                                                 or more.
There is something bitter about the tone in all the British press when they talk about the Olympics
as if:
Beijing get to do it twice?
                                   What about us?
I think about a country with a quarter of the world’s population
and I think about the tiny little island I’ve come from
                                                        and I feel smaller than I’ve ever felt.
The aircraft wing that washed up in Réunion is from a Boeing 777,
they say.
The same type of aircraft as the one that went down last year.
The one they never found.
                            It was going from here to Beijing.
                            Last communication at 1.19am.
And it’s at
                     that
                     time
                     precisely
                                   my phone rings.
It’s my boss in London
she says the Chinese Olympic Committee
are scheduling press conferences.
                                                    ­    It looks like I’m going to Beijing.
Written 2016-2020.

— The End —