One need only look to the four winds
to find four frowns;
eight sad eyes
straining to see
through stained glass tears.
The man said "I die daily" but
he didn't have a constant stream of
status updates
to maintain.
I define myself daily.
Being special has
thus far
not protected me from
the unbearable weight
of today.
All of the analog cigarettes and
old fashioned daydreams
in the world
cannot save me now.
If I'm not seen
am I really here?
Heavy hearts and weary heads
reside respectively in the chests and on the necks
of everyone I encounter.
The gas station attendant
feels empty and
is bereft of a sense of irony.
The world ends
not with bang OR whimper,
but
with a deep and baleful sigh...
with a deep and baleful sigh...
with a deep and baleful...

It’s one of those nights
where I miss the way you breathe out the stars when you laugh,
freckling the sky’s velvet skin with drops of
gold.
Your lips were the sun
which I orbited myself around and
your eyes the moons which pulled my tides.
The Milky Way that was
your skin
felt just like Heaven beneath my touch
and your lips on mine ignited an incandescent
supernova.
And as I lay here now
I think back to the
black hole
that collapsed our celestial world.
All that we knew died.
Not with a whimper,
but with a
bang

Rage, relentless shackles tortuously restricting the beat of my sole drum
Wailing child, aged’s bell, muffled canine whimper beckon
Tempered resignation and guilt overwhelm anger, their bidding masters me
Unequivocal love, they want and need me, as I they

There's a chill in the air and wind 'neath your boots
There's clouds in the sky and trees with roots
If all were to fall onto your crying head,
Would you carry it home or lie down dead?
The strength you have defines your choice
Will you whimper and cry or show your voice?
Through sorrow and pain and happiness and joy
You either run and hide from all those you employ
Or show them what you're made of inside
For what you do becomes who you have to hide
Not what you say with fury or a gentle tone
But the actions you take when you're all alone
When you're down and out, almost recluse
And you feel as if you have no use
If you still get up and challenge yourself
You will become prisoner to no one else

There's a song in the air and dirt 'neath your boots
A song that carries on down to your roots
Back from the days of no chores or worry
When nothing was done in any sort of hurry
You can hear these words in the back of your mind
And it takes you back to a simpler time
These little moments, spontaneous and surreal
Show you how you can always feel
Feel good and joyous even through the worst
When tired and hungry, they give you thirst
These little moments are found throughout life
They can break you free from worldly strife
And these things define who you were before
And change who you are to forever something more
Harkening back to when you were innocent and clean
Can make you try your best to better your scene

Your moments in life are yours to keep
When daydreaming or your lost in sleep
The worst will come and so will the best
The dark before the dawn always sets to the west
You can succumb to the pain that comes with years
Or you can fight back the stress and fight back the tears
Through everything that comes your way
Only you can change how you live out your stay
Others will come and others will leave
But what holds together is what you believe
Strength is within and without you
Within is taken while without is beside you
Hold onto a grain of meaningless sand
And notice how it's light in your hand
Just for that moment it's harmless and vain
But if you hold on forever it builds into pain

She was the rain
when I was spring
but summer became I,
alas it was just a fling

Naked branches in a
dendritic pattern
fastening on to leaves
as Fall fell.

But drives away the soft snow
the blizzards unwanted
a stormy winter
unexpected

Skyward, the dark side of the moon
drawn to the faint traces of light -
continuously teased the edges
of the forgotten surface
obsession consumed I
to start a spin

I grow to become the
hunter only to see
the chamois conquering
my struggle

like an insect trapped
in the strings of
the eight legged
she beast
beating a
rhythmic tune
signalling a
tell
tale
heart

the end of me
no bang
only a cleaver
silently shushing
with an overdrawn
whimper

and
repeat.

I sat curled up in the closet, my knees tucked up into my chest and my arms wrapped tightly around them. The more pain I felt, the tighter I clutched my knees to my chest, my fingernails digging into my skin, breaking it, hoping, with my blood, to make the hole stop throbbing, stop hurting, if only for a few minutes, a few seconds. The throb subsided, dulled, but didn’t go away. Silent tears rolled down my cheeks as another aching sob built deep in my chest, threatening to explode any second. The pressure built, higher and higher in my throat, the pain pushing its way to the surface, looking for a way out. My stomach tightened and convulsed as the sob broke surface, screaming out of my chest like a freight train, allowing the whole world to be privy to my most private pain, privy to the anguish that comes from losing something so dear to you that, when it goes, it takes a piece of your soul, and all of your heart, with it. As the last of my air escaped, my sob turned into a soft, pathetic whimper, like that of a dog sitting at the door when his Master leaves. Depleted of that life-giving substance, oxygen, my body and mind did that automatic thing: breathing. Air ripped through my mouth and down to my lungs, digging its wicked claws into the walls of my throat its entire way. A soft inward whine echoed up from the abyss of my chest just before my lungs were again filled to capacity and another sob burst forth, screaming my agony to the dark walls of the closet I had sheltered myself in.

Eventually, like always, numbness came. It worked its way up through my limbs, a sweet coolness working its way through my burning body. It started in my toes and feet, the furthest and therefore already dullest part of me. Its icy fingers began to massage their way up my ankles and calves next, pausing at my knees to work through the weakness there. I began to feel it work its way up my fingers next, cooling the burn that had been left by her fingers. It followed the paths that she used to trace up my arms, feeling nothing like her fingers’ tender caress. It moved its way up my thighs, chasing the paths her lips used to pursue on their way to my tender core, icing the burns left there. The ice flowed past my elbows, up my biceps, to my shoulders, still following her lips. Up my stomach and abs, along my ribs, over my chest, it searched out the heart that was no longer there. Its icy fingers took a firm hold of my chest and continued their ascent, up my neck and along my chin, gently caressing my cheeks, my nose, playing gently through my hair. And finally, the face, her face, that had been haunting me since I’d stepped into that closet, was frosted over and replaced with the grey haze that meant that I was able to unwrap my arms from around my knees and stand again.

I stood, then, and let myself out. I went to stand in front of the sliding glass door. It was sunrise. I’d sat in there another full night, hiding from the memory of her, hiding from her face, from everything that reminded me of her. I sighed and returned my attention to the sunrise. It was ablaze with oranges and reds and yellows, fire working its way across the sky, flames dancing in the sunrise clouds, heralding a new day. The light was streaming in through the windows, the hopeful light of yet another day. A soft breeze was playing through the aspens that were planted in strategic locations in the sidewalk five stories below. A woman jogged past, dressed in the typical black spandex sweatpants with white stripes running down the sides, accompanied by a tight tank top that revealed far more of the silicone masses, that her stock-broker husband no doubt paid for with his far-too-large Christmas bonus, than was truly necessary for a morning jog. His bonus probably paid for that nose-job that she was sporting as well. I wondered briefly why she was running. I was sure that her husband could probably afford liposuction for her. She jogged around the corner, taking my brief distraction with her, and I was left to ponder the sun rising on yet another day.

I looked around my room, seeing and not seeing the faceless picture frames lining the walls, their emptiness a shadowy reflection of my soul. A soft rage suddenly erupted from somewhere deep inside of me and I found myself tearing the empty frames from their perches upon the wall. Her face stared up at me from the empty, shattered glass that littered the floor. Her eyes haunted me in my rage as I trampled the broken glass, pulling my hair and screaming at the top of my lungs, wordless screams of anguish. My unclad feet began to drip blood onto the glass, hiding the green that was staring up at me, making her flee from the pools of glass that lay strewn upon the floor.

I turned my attention back to the sunrise. Opening the door, I stepped out onto the balcony. A sunrise this beautiful might have once moved me to tears, but the numbness was as paralyzing as it was relieving. All and any emotion was gone. My life was devoid of meaning now. I climbed onto the railing and steadied myself. I waited for the nausea and vertigo that normally came with heights to come, but it didn’t. I looked down, gazing at the sidewalk five stories below. The wind swept up, catching my hair in its grasp, and making me wonder for the first time what it would be like to fly. I spread my arms, my wings, and allowed the warm morning breeze to wash over them. It had a warming effect on my numb body, breaking the ice that had just recently formed all over my body. Her face came back into focus, obscuring the view of the street and the sidewalk below.

My mind, so tattered and torn with grief, brought me back to our last morning together. We had been up most of the night before, making love, our bodies moving in perfect synchronicity throughout the night until they had finally arched in ****** together leaving us sleeping peacefully in each others’ arms. Somehow, we’d still woken up with the sunrise, a blazing red and orange one, much like the one that I was staring at now. She had looked at me with a passionate fire burning in her eyes, softened by a tenderness in her cheeks, and told me that she loved me, that she wanted to stay with me forever. Our fingers entwined, I looked in her eyes and told her that nothing would make me happier. Our lips met then, our tongues entwining and our pulses racing as our bodies moved as one.

I closed my eyes and took a deep breath, finally allowing myself to succumb to my memories, the happy ones she and I had made during our time together. I held onto them, allowing them to cushion me as only her love could.

In the audio recording you sent me
An hour of touching yourself
punishment for misbehavior

you giggled and cried at the same time

The "Oh, ****"'s
"dear, God"'s
They built up inside

screaming for the pain to stop
With a trembling whimper.
"This is fun, but I can't wait 'till it's over"

If only you had said this sooner
In the daylight
We could have known
Time was running out.

We were never so honest
as our ***
Not even to ourselves

Broken angel wings, burning in the sky.
Little angel don’t you cry,
though your wings will never fly.
Broken body hits the ground.
Not a whimper, not a sound.
Clouds gather, gray and dull.
Their rain is like a breathless lull.
You’ve fallen now, your grace you’ve lost.
You fell in love, you paid the cost.
For love, you said, I’ll give my grace!
The tears are streaming down your face.
But you will live, safe from harm,
a human life, in the embrace of
loving human arms.

Growing up, as a ten year old, was nothing new to me, for that’s all I felt I did at the time. I was, and still am, the oldest, but now of 5 and the two after me are now twelve turning thirteen within the next six months. Man, really makes me feel like an old hag… no offense to any elder I don’t literally think you and or any other elder is a so called “hag” its like the saying “old farts” your older but not really old and you don’t… really… well, you know… never mind, anyways, as a child or when I was ten or eleven years old to be exact, I use to have the same dream or more like nightmare every night, for years. It wasn’t something that happened spontaneously, it was every **** night for three maybe four years. And uh, it had its effects on me, for as young as I was I didn’t quite know how to take it other than horrific and again at the time didn’t know how to interpret the dream either. Well, it might sound a little goofy but if you read into it, it’s pretty dark. I remember lying in bed most nights contemplating whether or not to close my eyes, fearful of what came after once the dark curtain fell. On nights that I’d lose my endless battles I’d fall into a world, much like the one you and I live in, but with a twist… go figure. It was kind of trippy, like it was one of those dreams where like you don’t exactly know how and or why you got to the place your at or how and or why things got as bad as they did, you just sort of jumped into it. Which ***** may I add? I remember it was nice and sunny out and at the time my mother and I, along with my little brother David, baby sister Deanna, my step dad, my grandparents and my tia and tio all lived together in the same house… ha don’t hate, us ethnic people… well I don’t know why but that’s just how we do. Anyways the house we lived in was huge and actually really nice for a home being in the area that it was in… 48th and Southern, yup good old border line Tempe and Phoenix. We were all just chilling like on a normal Saturday at the house when we’re all home, some adults sleeping their hangovers away and some of us children playing in the Arizona room and my tio trying to, simultaneously, watch all of the ESPN programs all at once, you know normal stuff. There I am having a grand old time, when I suddenly get this off, cold, abnormal feeling of just somebody watching me with eyes that are filled with just pure evil. I sit frozen on the floor waiting for what’s to come next; everything around me is bright and sunny, warm and cozy then all of a sudden it warps and I see it before me just leaving… everything then feels dark and hopeless, cold and frightening. My brother is no longer sitting next to me on the floor and I no longer hear the TV screaming penalties on the previous play, the once simmering rice now smells burnt to a crisp and all curtains are now closed. I try to get up in a hurry to run to the door to see where everyone has gone, but time and space is not of existence, as I am now slowly running through the archway of the kitchen I find that I have again jumped but to another part of the house. I’m now standing at the very end of the hallway in front of the door to my room, I can now see the sunlight again and this time everybody is in their rooms, just sitting there waiting… for something. Suddenly, **** gets weird. All of the pirates from the Disney movie Peter Pan came barging through the front door, making their way down the hall, retrieving my family members as they walked past each room. My mind was quick to react, but again almost paralyzed, I couldn’t move a muscle. I could have sworn I screamed or said something, it just didn’t come out clearly or loud enough or maybe even at all. Before my little eyes I watched as these large, animated men took my family away from me, once they turned their backs to walk out the house, then was I able to run after them, but by the time I reached the door, they were already outside and the door was closing before me. I reached out as far as I could in hopes of maybe opening the door to pull all of them back in or going along with them, but instead helped slam the door shut as I was suddenly ****** or pushed forward by an angry force, with my fists pounding into the door I watched as they chained up my house and mocked me. It was weird, the house was then floating I was just chilling in the sky, the closest thing I could think of relating it to is when Dorothy is caught in a storm. The next few moments are kind of a blur, it slowly goes dark again and as tears roll down my cheeks, leaving a burning trail of confusion and a sense of abandonment, I am pushed back to the end of the hallway, curled up into a ball, with arms wrapped, hugging my knees closer to my chest, feeling helpless. I let out the most painful, gut wrenching sob that turned into a scream releasing every ounce of oxygen my body was capable of holding and back into a whimper once I was able to catch my breath. I then wake up to my mother standing over me shaking me profusely tears ran down my face and as my whimper turned into heavy breathing, I realize I’ve woken up everybody in the house and to see all of their faces, in one room… the same room I myself occupied, turned tears of absolute terror and confusion into immediate tears or relief and happiness.

In the moments before death my brain had flooded with DMT  
And I could see in my mind’s eye all of the best that had been between us.
From somewhere above my body I silently screamed that the DNR was a mistake
I was comforted then in knowing that you would soon follow me into the dark
-a willing victim of our shared cancer.
I had seen your hospice nurses and heard your death rattles for years.
Even still I longed so much for you to grab the paddles and force me back
but we had agreed not to resuscitate;
so paralyzed I watched my life leave.

It was first with a whimper and then with sobs
that I grasped wildly around the small pitch box
in search of you who had promised to die with me.
I found instead more darkness, the smell of dirt
and that not even the ghost of you had come to lay.

I can sometimes hear you eulogize my goodness from above
when you come to pick the flowers I’m growing with what is left of me.
I won’t reach for you anymore as I did last night.
I will lie very still.
Without a whimper.

I'm running 7:25 splits. Eight miles in. I haven't got stuck at an intersection. Not that I ever do. Runners got the right-of-way. And like my buddy Randy Run 'N Gun would say, I'm zen. Very ******* zen. Used to be a walker. Not no more. Not after the heart attack. No, siree, I'm a runner. A good runner. Lost 45 pounds. I did. I did. I stick to the left side of the road. So I can see the guilt in the drivers' eyes as they pass by. They're thinking, there's an old man out there taking care of hisself. I should be taking care of myself.

And they should. They really should.

But what's exercise to the people in this town? A walk down the block to Loaf 'N Jug for a Snickers, that's what. Or if you're a rich *****, it's twenty minutes on a Stairmaster three times a week. And I have to wonder if they're really doing it for them, you know?

I'm on the way back to the house. I peel off 30th, cutting across four lanes of traffic. Head into Garden of the Gods park. I do this so people get the right idea of the city. When I was a tourist here, I thought to myself, why's everybody all lumpy-assed and tied to children. Made a promise to myself. Told myself, when you move out there, you're going to be the trophy. So, I run through the red rocks and insert myself, mid-stride, into all those family photos. That way, when they get home, they'll point at their pictures and say, everyone in Colorado is so fit.

Now I'm getting close to the spot. It happened about a mile--mile and a half into the Snake Trail over by that 30-foot tall rock that looks a bit like Lyndon Johnson. I was a tourist and a walker then. Not no more. Not ever again.

There's a stretch of blacktop that cuts Snake Trail in two. I can't remember the name of the road. I think it's named after some preacher who got cholera, lost his faith, regained his faith in the end. One of those touching trajectories. Those stories always sound like a lot of fluffy *******, if you ask me.

Cars are backed up on Wishy-Washy Preacher Road. There's a crowd of people gathered in the middle. I look at my running watch. I don't like this. This is the kind of unplanned circumstance that skews your splits. Then your run time makes you feel like a lumpy-***, and that ain't me. Not no more.

I start pushing through the crowd. There's a lot of whispering and a lot of little kids all snotty and teary-eyed. And it's all just frustrating, because I feel like I'm cutting through molasses. I look at my running watch. I reach the center of the crowd.

A mule deer had been runover--well, halfway. The stupid beast still uses his front legs, dragging his crumpled and ****** backside along in a mad circle. A screechy whimper comes out in intervals like beeping hospital machinery. He's so scared, some middle-aged woman with a kid to each hip, says. A longbeard, beergut hippie starts into a prayer,

Gods of the natural world, gods of the sweet animal kingdom,
we ask that you wrap this wounded beacon of your light
into your warm embrace. May you replace his great pain
with the great comfort of your cool breezes, with the great
comfort of your warm sun, with the great comfort of fresh water.

I unzip my running belt. It's not a ***** pack. I pull out my NAA Guardian .32 automatic. It's not a woman's weapon. See, Randy Run 'N Gun, got his name because he invented this kind of running. I respect him for it. Got nothing but respect for that man. See, a fella has to be prepared at all times. There are mountain lions. There are bears. And perhaps worst of all are all these ******* mule deers. They ain't even scared of people. They stop and wait for you to feed them, blocking the sidewalk when I run, skewing my splits.

These hippies ain't going to do ****. They're taking photos with their cellulars and saying theologically vague prayers. And all these tourists are watching. So I walk right up to the mule deer. Someone behind me breathes in so hard, it's like she vacuumed all the sound. Pop. Pop. The beast stops its beeping. Legs twitch. Legs stop twitching. I'm the only one with courage enough to grant a mercy ****.

It's all about doing. Right? That's what the heart attack taught me. Before the heart attack, I thought about being a runner. The rhythm of it, the mechanical discipline appealed to me. Liked the idea of doing a marathon or the sound of it.  I was walking in Garden of the Gods. Noticed the LBJ rock, said to myself, Holy hell that looks like Lyndon Johnson. I heard these quick steps coming from behind me. I thought some potstentch, beergut hippie was going stab me. Felt like the gears at the center of me came off their handle. The right side of me just wasn't there anymore. As I fell I saw it was only a runner.

I reach the Lyndon Johnson rock. I'm eleven miles in. My splits have averaged to 7:43. ******* deer. The ground is lower at the spot where I had the heart attack. Why? Because I dug a hole there, that's why. The old me, the walking me, the tourist me lies dead in that hole. As I pass by, I spit it the ditch as I always do. Good riddance. Yep. Yep.

The trail finally turns downward. A little more oxygen in Ute Valley. Randy Run 'N Gun he calls moments like this, Runner's Reward. And I like that. Nature's okay. The cedars, the meadows, rivers -- all that **** -- is just fine. But what I like about running is the metaphor. See all the hippies, all the tourists they live their lives in a constant state of reward. They think, I'm alive, so I'll smoke this ***. They think, I'm alive, so I'll take ******* pictures of everything. But runners, runners know that you don't deserve life. It's a gift to be earned. So you work your *** off. Mile after mile. A reward for me is a valley. The reward doesn't last long, just long enough for me to catch my breath, you know?

I exit the valley. I pick up the pace. Try to make up for earlier delay. I cross Flying W Ranch Road. I hear metal-scraping-metal. And I'm hit.

I'm in the air. I'm sliding. I'm bouncing. My knees and elbows are hot. I blink.

A woman in a bright pink tank top and yoga pants stands over me. Stay in the car, Jacob, she shouts. Oh my god, oh my god.

I tell her runners have the right-of-way. But she doesn't respond. I say, Lady help me up, you're ******* up my splits. But she doesn't respond to that. She repeats over and over, You're going to be okay. Your'e going to be okay. Just keep looking at me.

I turn my head. The display on my watch is cracked. I can't read my splits average. My head is a ton of bricks. My elbows and knees are hot.

Jacob, stop, the woman says.

Her boy stands over me, taking pictures with his cellular.

cold night in palo fierro

they say the world is ending
and it's twenty past
at home on the east coast
but i'm tucked away on the pacific
taking a quick walk
down the street
afraid to stay in the cold
too long
too cold
while that clock keeps ticking
i see something in the brush
a cat perhaps
a coyote
lord death himself
but he's gone before
i will ever know
and the breath hangs
in front of my face
before it disappears
as well
and the brake lights
of some passing
nissan altima
disappear
and so it seems it
all disappears
the world is ending they say
hope it's by fire
could really use it
in this binding cold
out on the west coast
time tick ticking toward some
inevitability
always stepping forward
to meet us
whether tomorrow
or two million tomorrows
what does it matter
they say the world is ending
not with a bang but
with a whimper
not with a bang but
with a whimper
the devils sang while
the angels whispered
the bodies hang while
the souls flickered
not with a bang but
with a whimper

that end won't come
quick enough

As my cold air lungs collapse
My last frozen breath escapes my lips
I lay here dying all alone
Calling out to the falling snow

These winter woods are now my home
A bed of ice upon the ground
Myself a ghost to forever roam
Not a soul for miles around
I won't be found

The frigid frost is a blanket for my feelings
I've become numb to the bone
At first an uncomfortable chill
I've lost the ability to feel anything
This arctic atmosphere kills
I am coming toward comatose

My frame now rooted turned to stone
My hands are rigid and lifeless
My icy eyes are glazed and glaring
My being paralyzed by this piercing place

It's biting down and penetrating
Cutting with bitter precision
My condition desolate and dismal

A final shiver forbidding
One last winter whimper
As senses fail I fall
Buried by the blessed blizzard
A sacred silence ensues

We are polar opposites
You are West, I am East
Our views always contradict
You have a sweet tooth, I don't like sweets

You are white, I am black
Not literally, but just in life view
Sometimes you're ***** white and I'm clear black
It varies from half empty to half full

You are an extravert
While I am an introvert
You like being surrounded by people
I'm fine being secluded in the darkest corner

You're frank and always true
I lie so no one will have a clue
But you always know what I hide
While I am oblivious if you're really fine

You are a cat-lover, I am a dog-lover
It rain cats and dogs when we're together
You sing the sweetest meow at my whimper
I happily wag my tail at your purr

We both like music though
But we listen to different genres
We never even shared on one earphone
So sometimes we just endure the silence

You are a sadist, I am a *******
You leave bite marks on my skin
Whenever you're overwhelmed
But I'm really fine with it

You like Vampire Diaries and Victoria's Secret
While I like TVXQ and anime
We'll never agree on a TV show
Now who's gonna hold the remote control?

You are a clean freak
I am not that very clean
You're probably next to Godliness
While I'm second to the last in that list

You are very hardworking, I am lazy
While you are being busy
I'm being a potato on the couch
"Sweep the floor.", you said as the broom flew on my face, "Ouch!"

I like food trips
But you are on a diet
You like to eat healthy
I like to eat anything but veggies

True, we don't have anything in common
Except for the dislike of the black part of the fish's meat
But we are familiar of our demons
And the how-tos for its defeat

Yes, we must be polar opposites
And yes, we're like magnets
Positive plus negative
To each other, we are attracted

I am salt, you are pepper
And we complement each other
We are each others' puzzle pieces
Completing each others' emptiness

We are yin and yang
We cannot live without either one
And most importantly, you and I
We rhyme

All alone laying in wait, for your dreams to come true, the dreams of your Daddy, to come and take you to a new place.
As I enter your room, the darkness is erased, my power you feel as reach for your hand, bring you to your feet look at my face.

Quickly, I wrap my ropes around you, encasing my body in an elaborate web, criss crossing the rope no more mobility.
Arms tight behind you elbows together, I lay you gently down as I stand above you, admiring my work and my ability.

Laying on your back fully pinned down your legs spread wide exposing my very special kitty in all of its naked glory
I begin to finger you as I kiss and **** on my ****, ******* in you making you nice and wet, I look up with no worry.

My lips **** up your wetness, I come to you and share your taste, you lick my lips before I take you and kiss you deep.
Your lolli is hard, ready to pounce, but I will have to wait, your pleasure is my only concern, even though it starts to seep.

**** galore spread all in you, I press down gently on your ***** bone, as I enter a third finger which is nice and tight.
You gasp as you adjust to the size, dilation begins you are opening up. Wider for daddy as he makes you feel right.

Kissing you softly stroking my kitty, look in your eyes, blue on blue, lost and in your gaze, ready to give you some more.
Slide gently the last finger in, slowly my kitty begins to expand, I wait a bit longer as I give you all of my four.

Twist my hand, slightly to the side, as I tuck my thumb under my fingers and begin to slowly press up in to my hole.
I stop for a moment as you whimper for the discomfort, I ease your mind, your pleasure is my only true goal.

Relaxed you now become as I get my hand fully in you, My first is buried as I massage your spot, you try to buck.
Bucking against my hand you are bound too tight, my hands is in you, beyond my wrist, now baby girl I will ****.

I ******* hard in and out, you start to scream in pleasure and delight, as I re position myself to give you a salty treat.
My **** placed deep in your throat, ****** starts filling you full, don’t lose a drop, or suffer you will, no more defeat.

My kitty tightens down on my hand, I feel it pulsate, it clamps my hand, my hand aches, i pound harder, deeper inside.
You scream out wanting more, I push harder as you bite down on the pillow, you are for sure daddy’s pride.

Is it inappropriate
to stand half an inch closer
or have three to a booth?
Our thighs are touching.

I sometimes wonder
if you only speak for attention
whimper
bark only behind fences.

You are lonely
it is unbearable.

Let me swoon in your warmth
from half an inch away.
Our romantic ties
cease within siblings.

The room is painted green; a soft green, so subtle that it almost isn’t green. Everything about this room is subtle. As if it isn’t even there. There’s all of the necessary furniture. A dresser, filled with neatly folded jeans and t-shirts and every sock has a match. There’s a small desk, laden with paper and pens and notes and every item we just carelessly toss there because they have no proper place. There’s a bedside table, with a lamp, an alarm clock, a pair of useless reading glasses that neither of us ever need. There’s a bed, a large bed, maybe a queen sized, I’ve never noticed. The room is quite full, but everything is where it should be. There is no tension.

I sit beside the bedroom door. The paint on the frame is starting to chip and I want to peel it off. I want to slowly scrape my fingernails down it, watch it slip to the floor in little white sheets. The same way I want to rip the carpet up from its edges, the sheets of the bed, my skin from my body. Slowly, tantalizing, with great care, leaving a perfectly intact shell, as if nothing has changed and everything has changed all at once.

The seconds tick by, my heartrate leaving them in the dust, while the dust in the room is visible only by the beams of light streaming so cleanly through the gap in the curtain. I don’t dare look at the clock. It’ll only make the time slow further, a dull whisper, unheard beneath my racing thoughts.

My knees are sore and my legs are cramping, there is no draft in the room. I always endeavour to hear footsteps, but it’s just the foundation shifting beneath my tiny, kneeling frame. I think a lot when I’m in this position. I think about the past, avoid the present, and allow myself the briefest glimpse into the time that follows. Everything is calm, all noise is dulled. Cars passing on the street, speeding along to wherever they’re going, a siren in the distance, maybe there’s a bird chirping or a dog barking. They fall upon deaf ears. I allow myself the simple pleasure of relishing in the feeling of air in my lungs. Slowly and serenely, in and out, it’s the only way.

My internal monologue was louder than I thought, it took me by surprise when the door opened and he stood before me. I glanced up, quickly, in shock, before averting my eyes and dropping my chin. Just like that, the atmosphere changed. The room, subtle as ever, fell away from me. The dust molecules, held, suspended in the air by the palpable anticipation that comes with him. I focus on my breathing again and I feel his eyes on the top of my head, down my arms to my skyward palms resting on my thighs. I feel my ******* harden as the heat from his gaze reaches them. My breathing hitches slightly and he inhales so softly I can hear the words before they’ve been spoken.

“Little one.” A chill runs from my neck to the base of my spine. He reaches down to stroke my hair gently, instinctively, I shift towards his hand. He pulls it away, “stay still.” His voice is stern, but not hard, “and breathe.” I release the breath I didn’t know I was holding and shift back into position. He moves past me and I don’t dare to let my eyes follow. I stare at the floor, which is still in fact there, despite how vast this subtle room feels around me.

He removes his tie, his watch, and I hear him deposit them atop the desk. I know these things without seeing them, I know him without seeing him. His presence is a feeling, an electric current I feel run through every strand of hair, every eyelash, every single joint in my body. He approaches me from behind, with purpose he gathers my hair into his hand and fastens an elastic band around it, exposing the sides of my face, the back of my neck, allowing him to see my nervous swallowing and the breaths that hitch in my throat. He pulls my ponytail gently causing my head to tilt back and my eyes to lock on his.

I can feel him reading me, gauging where I am inside my own head. Eye contact restrictions were never a rule I had a problem with, especially with him. I feel almost guilty looking into his eyes; they give nothing away, like two book ends neatly holding everything in place. I can see myself reflected in them, thoughts and emotions fliting rapidly, back and forth; I turn my eyes towards the wall. Seeing nothing reflected back at me in the pale green paint.

“Look at me.” My eyes are back on his before he’s finished speaking. It’s incredible, the control this man has over my body. Like a second nature, just this visceral reaction to comply, to allow him complete control. We remain staring at one another for what feels like hours. His eyes boring into mine is another thing that affects the speed and passage of time, only in an entirely different way. In this place, this moment, every nerve ending in my body is on fire, like becoming paralyzed and injected with adrenaline all at once.

He releases my hair and moves around me, my eyes never leaving his. He crouches in front of me, “how are you feeling, little one?” My insides light up further with his use of my name, “Fine, Sir, thank you.” He strokes my face gently and I make a mental note to stay perfectly still. He stands up and makes his way to the bedside table, opening the drawer he produces a black leather collar. I glance at his back out the corner of my eye, and a pang of nervous excitement courses through me. Standing behind me again, he fastens the collar around my neck, tight enough to remind me that it’s there, and exactly who put it there.
He reaches down, wraps his fingers around it and pulls me to my feet. Dragging me quickly to the bed, he sits himself down and effortlessly pulls me across his lap. I gasp and kick my legs without thinking. The sting across my *** is instant and harsh. I gasp again, “Not a sound until I tell you to. Understand?”

     “Yes, Sir!” I gasp inwardly. His hand makes contact in the exact same spot as before, I cry out before I have the chance to bite my tongue. He pulls me off his lap by my hair so that I’m once again kneeling beside him. He grabs my face tightly with his other hand. “What part of ‘not a sound’ was confusing to you, ****?” I stare at him, keeping my mouth firmly shut, hardly even daring to breathe. “That’s better. Now, do you know why I’m punishing you?” I look down in shame and nod sullenly.

     “Tell me.” His tone is even, this is when he is his most menacing. No anger, no betrayal of any emotion besides purpose.

     “You’re punishing me because I disobeyed you, Sir.” My voice feels small and I can feel the flush in my cheeks.

      “I want specifics, ****. I need to know you understand or else this is pointless.” I breathe in deeply and let out a shaky breathe. “You’re punishing me because I deliberately disobeyed your orders. I went out after work when I was told to come right home. I didn’t call or text or let you know where I was, and I came home well after my curfew.” My voice began to falter, “I’m so, so sorry Sir, I’m sorry I disobeyed, I never should have gone out. It was wrong, and you know best, and I know you only want what’s best for me and it’ll never happen again, I promise Sir, I’m sorry, I’m sorry.” The words came out in a huge rush and probably would have continued if he had not silenced me with a sharp pull of my hair.

     “That’s enough. All I wanted to hear was if you knew why you were being punished. As you keep demonstrating, you’re not very good at following instructions.” The disapproval is evident in his voice and all I can do is hang my head. “Now, to aptly punish you, I’m going to count your misdemeanours. Firstly, you blatantly disobeyed me by going out after work. Second, you failed to let me know where you were or what you were doing, or at the very least, that you were safe. Third, you came home three hours past your week night curfew. And just now, you failed to follow simple instructions.”

     Disappointment in myself washes over me in waves. I hate letting him down, I know he cares, and wants what’s best for me, and even though it seems unfair, there’s always a reason. I’m cursing my own stubbornness when his voice brings me back to the here and now. “I am going to spank you 40 times, hard; Ten for each instance that you knowingly disobeyed me. Do you understand?”

     I nod my head rapidly, nearly giving myself whiplash trying to prove to him that I can listen, I’m a good listener. He says a soft okay before pulling me back across his lap. He places me across his left knee, using his right leg to hold my legs down, and with his left hand gripping my ponytail tightly, I feel the sting of his hand crashing against my right *** cheek. “What do you say, *****?” He growls at me.

     “One. Thank you, Sir.” I whimper. He hits me hard in the same spot before the words have finished leaving my mouth, I gasp, “Two. Thank you, Sir.” And again, four in quick succession, so quickly I can hardly keep up. I know he’s doing this on purpose. I know because he knows that I’m well attuned to the fact that if I lose count, he starts over.
The blows are merciless, and by number 23, it feels like he’s holding a welding torch to my ***. He’s switching, right and left, right and left, rhythmically striking me over and over.

     “Thirty-two. Thank you, Sir.” “Thirty-three. Thank you, Sir.” I cry out, sputtering the words out in one long breath, “Thirty-Four-Thank-You-Sir.” The last six are the hardest I’ve ever felt, and by the final one the tears are streaming down my face and I’m choking on my own sobs. At this point I can’t even tell which is worse, the sharp pain of his hand on reddened ***, or knowing that I’ve disappointed him and have done so by my own choice. I’m sobbing so hard I can’t even make out my own words. I begin to panic, trying to recall if I thanked him for the last one. His answering smack, though much lighter than the previous ones, confirm my fear.

     “Forty, forty, forty. Thank you Sir, Thank you, forty!” I sputter without thinking. I’m shaking and crying, bent across his knee, my stinging *** settling into a dull, warm, ache.

     Before I have time to take in the respite, he’s flipping me over and pulling me into his arms. Careful of my sore bottom, he holds me close and kisses my temple, “Are you okay, little one?”

     I nod my head quickly before burying it into the crook of his neck. The tears have stopped flowing so freely but the sobs still wrack my shaken frame. He kisses me gently and rubs tiny circles on my back, “Speak to me, I need to hear that you’re okay.” His voice is much softer, tinted with a gentle concern.

     “Yes,” my voice is hoarse and I clear my throat, “yes, I’m okay. I’m so sorry, I’m sorry.” I begin to cry again. He holds me tighter, nuzzling my hair with his nose and kissing me so softly. “Sh, sh, it’s okay, you did great, and you’re a very good girl.” I look up at him, and am instantly filled with a small sense of pride; pride at hearing those words, at making him happy, and being held, safe and cared for in his arms.

     He leans back slightly and uses his hand to tilt my chin up, forcing me to meet his eyes, “you’re sure that you’re okay?” I nod slightly, my eyes no doubt displaying my sincerity, “Yes, Sir, I’m okay, thank you.” He kisses my forehead and instructs me to lie on my stomach on the bed. I do so right away, albeit slowly in my current state. He stands and returns quickly with a bottle of lotion. He climbs on top of me, straddling my legs and uses the lotion to massage my stinging ***. As he does, he asks, “so, what have you learned today, little one?”

     “Forty is a lot higher of a number than I thought?” I can feel him smirking behind me but he gently flicks my bottom in response, Ouch! I cry out softly, and then giggle. “That you always know what’s best and though I may not agree with every rule, I belong to you and what you say, goes, and that I need to be a better listener, and most importantly, communicate.” He can sense my sincerity because he leans down to kiss the back of my head.  

     “Good girl.” The words are murmured into my hair and my skin prickles with goosebumps, I smile into the covers and dig my fingers into it. He notices immediately and grasps both of my hands firmly.  He’s still leaning down over me, his ******* inches away from my still aching ***. Before he can say anything, I’ve closed the distance and rubbed my behind against him. He tenses and I giggle in a very unlike-me way.

     Quickly he has flipped me over, his hands pinning my wrists above my head and his body keeping me firmly in place on the bed. “Oh? You’re a hungry little ****, are you?”

     I squirm beneath him, his words sending tingles through my body, causing me to drip with anticipation. I nod, biting my lip, moaning involuntarily at the thought of him entering me. I feel the heat between my legs, my heartbeat rising, my eyes darting between both of his, which, as usual, gave nothing away. “Please,” I whimper, the begging tone in my voice not lost on either of us.

     Quickly and suddenly he slaps me across the face, I hear the sound before I feel it. I meet his gaze, eyes blazing down at me; I can feel them burning my skin. I squirm again, desperately trying to break free of his hold on me, I need him to touch me, I want to launch myself at him. He slaps me again, harder this time, though it’s just a warning. I stop moving completely, and he gives me a look as if to stay, “stay ******* still.”  

     He’s up and back in the blink of an eye. Before I know what’s happening, he’s flipped me back over and is strapping leather cuffs around both of my wrists, binding them together behind my back. I open my mouth to moan and am silenced by the gag being forced into my mouth. He fastens it tightly behind my head, leaving me immobilized and helpless in a matter of seconds. I squirm, trying to rub my thighs together to offer myself some relief. It feels heavenly for a split second, but as if reading my mind, he grabs my ankles, putting cuffs on both and attaches a spreader bar between them. I have no hope for relieving myself and all I can do is give myself to him, and hope he’s merciful.

     The chuckle that escapes him is dark and sends a shiver down my spine. I’ve decided squirming is useless, and lie there, patiently waiting. I can feel his eyes on my body, hungrily taking in every inch of me; every inch of what belongs to him. “Now this is how I love to see you, worked up, *******, those lustful eyes. I don’t need to hear your voice to know that you’re begging, yearning to be touched.” His fingers lightly make their way up to back of my thigh, dancing, tantalizingly across my ***, and skipping, completely over where I want them. “I love the way your body tenses with anticipation,” I can feel his fingers hovering just over my *****. Not touching, not even thinking about touching. Just resting. “I own you, little one, you’re all mine. All of you.  Mine.” He slaps my ****, “who does this belong to?” I wince and jolt up, “yours, yours, all yours!” I cry through the gag.

     “Good girl,” he whispers gently as he begins to play with my *****, slowly, torturing me. I can feel myself getting wetter as he slides a single finger inside me. We gasp in synchronized time as he feels how wet I am, and I’m finally given something. He works his finger in and out in a torturous rhythm. I try to move my body to speed up his movement but it only results in a sharp smack on my ***.

     “Have patience, little one, I want to have my fun with you.” As I’m about to groan in protest he suddenly slides three fingers inside of me, causing me to cry out before giving into the sensation, giving my muffled thanks between moans. He’s still sliding his fingers in and out as I feel him shift his weight. I hear a zipper and the sound of pants sliding onto the floor. My insides

You're a flower-child,
spread on the bed with
flowers stuck to your little
head,

with Ginsberg & Whitman on
the shelf & feminine mystique
dripping from the
ceiling.

Moon-lady,
Venus,
tides rising & crushing
the shore,

while I snuggle
my flannel for warmth,
trying
not to be a bore.

Framed pictures as you
reminisce on when we
were younger &
untamed.

"We can still be untamed,
we've been framed
for uninsanity!"

But you call me a fool
& put your
porcelain head in my neck
& I feel foolish.

In the damp light of a cloudy day,
muscles aching, waves
crashing,
uncontrollable urges.

Stranded in the pregnant
belly of a ***** secret city
drawing
the red rose of secret union

& we are sheltered
in the ****** warmth of the
blankets,
cocooned like little monsters.

The calming ocean
& the calming whispers
& the tiny kisses
surround me, blot out my thoughts.

You sing me to
sleep &  run little
fingers
through my knotted hair.

Your tiny dollar store
Buddhas belch incense
over
the backdrop of your perfume.

The wind chimes
twinkle & whimper on the
porch where the swingset
rocks in the rain.

"I wish you weren't
engaged but I don't mind
breaking a few taboos."

You laugh like a soft mad fairy
& look down
at your phone & I turn over
on my naked side.

You laugh a funeral
giggle & I know I should have
worshipped you sooner
at the pillow-altar.

Show me Heaven without
death &
the Garden of Earthly Delights
devoid of sin,

show me your sharpened fox
grin &
the way sunset ripples
at your breath,

I will show you sacrifice
& the hidden light
of our lives
in the damp of the night.

I've given poetry readings where less than a handful of people were present. It's a humbling experience. It’s also a deeply familiar experience.

"Poetry is useless," poet Geoffrey ****** said in a 2013 interview, "but it is useless the way the soul is useless—it is unnecessary, but we would not be what we are without it."

I was raised a Roman Catholic, and though I don’t go to Mass regularly anymore, I still remember early mornings during Advent when I went to liturgies at my parochial school. It was part of my offering—the sacrifice I made to honor the impending birth of the Savior—along with giving up candy at Lent. So few people attended at that hour that the priest turned on only a few lights near the altar. Approaching the front of the church, my plastic book bag rustling against my winter coat, I felt as if I were nearing the seashore at sunrise: the silhouettes of old widows on their kneelers at low tide, waiting for the priest to come in, starting the ritual in plain, unsung vernacular. No organist to blast us into reverence. No procession.

Every day, all over the world, these sparsely attended ceremonies still happen. Masses are said. Poetry is read. Poems are written on screens and scraps of paper. When I retire for the day, I move into a meditative, solitary, poetic space. These are the central filaments burning through my life, and the longer I live, the more they seem to be fused together.

Poetry is marginal, thankless, untethered from fame and fortune; it's also gut level, urgent, private yet yearning for connection. In all these ways, it's like prayer for me. I’m a not-quite-lapsed Catholic with Zen leanings, but I’ll always pray—and I’ll always write poems. Writing hasn’t brought me the Poetry Jackpot I once pursued, but it draws on the same inner wiring that flickers when I pray.        

• • •

In the 2012 collection A God in the House: Poets Talk About Faith, nineteen contemporary American poets, from Buddhist to Wiccan to Christian, discuss how their artistic and spiritual lives inform one another. Kazim Ali, who was raised a Shia Muslim, observes in his essay “Doubt and Seeking”:

[Prayer is] speaking to someone you know is not going to be able to speak back, so you're allowed to be the most honest that you can be. In prayer you're allowed to be as purely selfish as you like. You can ask for something completely irrational. I have written that prayer is a form of panic, because in prayer you don't really think you're going to be answered. You'll either get what you want or you won't.

You could replace the word "prayer" with "poetry" with little or no loss of meaning. I'd even go so far as to say that submitting my work to a journal often feels like this, too. Sometimes, when I get an answer in the form of an acceptance, I'm stunned.

"I never think of a possible God reading my poems, although the gods used to love the arts,” writes ***** Howe in her essay "Footsteps over Ground." She adds:

Poetry could be spoken into a well, of course, and drop like a penny into the black water. Sometimes I think that there is a heaven for poems and novels and music and dance and paintings, but they might only be hard-worked sparks off a great mill, which may add up to a whole-cloth in the infinite.

And here, you could easily replace the word "poetry" with "prayer." The penny falling to the bottom of a well is more often what we experience. But both poetry and prayer are things humans have learned to do in order to go on. Doubt is a given, but we do get to choose what it is we doubt.

A God in the House Book Cover
Quite a few authors in A God in the House (Howe, Gerald Stern, Jane Hirschfield, Christian Wiman) invoke the spiritual writing of Simone Weil, including her assertion that "absolutely unmixed attention is prayer." This sounds like the Zen concept of mindfulness. And it broadens the possibility for poetry as prayer, regardless of content, since writing poetry is an act of acute mindfulness. We mostly use words in the practical world to persuade or communicate, but prayers in various religious traditions can be lamentations of great sorrow. Help me, save me, take this pain away—I am in agony. In a church or a temple or a mosque, such prayerful lamentation is viewed as a form of expression for its own good, even when it doesn't lead immediately to a change of emotional state.

Perhaps the unmixed attention Weil wrote of is a unity of intention and utterance that’s far too rare in our own lives. We seldom match what we think or feel with what we actually say. When it happens spontaneously in poetry or prayer—Allen Ginsberg's "First thought, best thought" ideal —it feels like a miracle, as do all the moments when I manage to get out of my own way as a poet.

Many people who pray don’t envision a clear image of whom or what they’re praying to. But poets often have some sense of their potential readers. There are authorities whose approval I've tried to win or simply people I've tried to please: teachers, fellow writers, editors, contest judges—even my uncle, who actually reads my poems when they appear in the Pittsburgh Post-Gazette, where he used to work.

And yet, my most immersed writing is not done with those real faces in mind. I write to the same general entity to which I pray. It's as if the dome of my skull extends to the ceiling of the room I'm in, then to the dome of the sky and outward. It’s like the musings I had as a child lying awake at night, when my imagination took me to the farthest reaches of the galaxy. But then I emerge from this wide-open state and begin thinking about possible readers—and the faces appear.

This might also be where the magic ends.

• • •

I write poetry because it’s what I do, just as frogs croak and mathematicians ponder numbers. Poetry draws on something in me that has persisted over time, even as I’ve distracted myself with other goals, demands, and purposes; even as I’ve been forced by circumstance to strip writing poetry of certain expectations.

"Life on a Lily Pad" © Michelle Tribe
"Life on a Lily Pad"
© Michelle Tribe
At 21, I was sure I’d publish my first book before I was 25. I’m past my forties now and have yet to find a publisher for a book-length collection, though I've published more than a hundred individual poems and two chapbooks. So, if a “real” book is the equivalent of receiving indisputable evidence that your prayers are being answered, I’m still waiting.

It hasn’t been easy to shed the bitter urgency I’ve felt on learning that one of my manuscripts was a finalist in this or that contest, but was not the winner. Writing in order to attain external success can be as tainted and brittle as saying a prayer that, in truth, is more like a command: (Please), God, let me get through this difficulty (or else)—

Or else what? It’s a false threat, if there’s little else left to do but pray. When my partner is in the ICU, his lungs full of fluid backed up from a defective aortic valve; when my nephew is deployed to Afghanistan; when an ex is drowning in his addiction; when I hit a dead end in my job and don’t think I can do it one more day—every effort to imagine that these things might be gotten through is a kind of prayer that helps me weather a life over which I have little control.

Repeated disappointment in my quest to hit the Poetry Jackpot has taught me to recast the jackpot in the lowercase—locating it not in the outcome but in the act of writing itself, sorting out the healthy from the unhealthy intentions for doing it. Of course, this shift in perspective was not as neat as the preceding sentence makes it seem. There were years of thrashing about, of turning over stones and even throwing them, then moments of exhaustion when I just barely heard the message from within:

This is too fragile and fraught to be something that guides your whole life.

I didn't hear those words, exactly—and this is important. For decades, I’ve made my living as a writer. But I can't manipulate or edit total gut realizations. I can throw words at them, but it would be like shaking a water bottle at a forest fire; at best, I can chase the feeling with metaphors: It's like this—no, like this—or like this.

So, odd as this sounds for a poet, I now seek wordlessness. When I meditate, I intercept hundreds of times the impulse to shape a perception into words. Reduced to basics, the challenge facing any writer is knowing what to say—and what not to.

• • •

To read or listen to poetry requires unmixed attention just as writing it does. And when a poem is read aloud, there's a communal, at times ritualistic, element that can make a reading feel like collective prayer, even if there are only a few listeners in the audience or I’m listening by myself.

"Allen Ginsberg" © MDCArchives
Allen Ginsberg
© MDCArchives
When I want to feel moved and enlarged, all I have to do is play Patti Smith's rendition of Ginsberg's "Footnote to Howl." His long list poem from 1955 gathers people, places, objects, and abstractions onto a single exuberant altar. It’s certainly a prayer, one that opens this way:

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!

The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and **** and hand and ******* holy!

Everything is holy! everybody’s holy! everywhere is holy! everyday is in eternity! Everyman’s an angel!

Some parts of Ginsberg's list ("forgiveness! charity! faith! bodies! suffering! magnanimity!") belong in any conventional catalogue of what a prayer celebrates as sacred. Other profane elements ("the ***** of the grandfathers of Kansas!") gain admission because they are swept up into his ritualistic roll call.

I can easily parody Ginsberg's litany: Holy the Dairy Queen, holy the barns of the Amish where cheese is releasing its ambitious stench, holy the Pittsburgh Pirates and the Internet. But reading the poem aloud feels to me the way putting on ritual garments must to a shaman or rabbi or priest. Watching Patti Smith perform the poem (various versions are available on YouTube), I get shivers seeing how it transforms her, and it's clear why she titled her treatment of the poem "Spell."

A parody can't do that. It can't manifest as the palpable unity of intention and utterance. It can't do what Emily Dickinson famously said that poetry did to her:

If I read a book [and] it makes my whole body so cold no fire ever can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only [ways] I know it. Is there any other way.

Like the process of prayer—to God, to a better and bigger self, to the atmosphere—writing can be a step toward unifying heart, mind, body, universe. Ginsberg's frenzied catalogue ends on "brilliant intelligent kindness of the soul"; Eliot's The Waste Land on "shantih," or "the peace that surpasseth understanding." Neither bang nor whimper, endings like these are at once humble and tenacious. They say "Amen" and step aside so that a greater wordlessness can work its magic.

"*******, you got ***** by the sun," Molly discovered
as she lifted my stained, white, awkward v-neck off.
She proceeded to kiss down my San Diegan,
sun-painted spine.
"Does it hurt?"

"Nah, do you want more wine, foxy?"

"Sure, just a little bit. I'm feelin' pretty good."

I snagged the bottle from the freezer,
tore the cork out with my teeth,
as I was grabbing her glass off the counter,
I heard her unbutton, unzip, and undress
her loose jeans and her cotton *******,
I heard her throw them to the floor,
as I finished pouring.

I turned,
she was pulling a blanket over
her milky legs, settling into the couch.
As I drew close to her exposed black toenails,
I smiled in pseudo-polite fashion,
"You know these 3-4 a.m. calls gotta stop.
You're going to ******' **** me."

She giggled in a high pitch,
like a perfect 10-year-old,
it made me even more on edge,
"Oh shut up," laugh, laugh, continued,
"you know you love it. We couldn't
do this any other time."

I handed over her glass,
sat in front of her curled toes
on the ridge of the couch.

Her black fingernails skidded
along my weather-beaten skin.
There was no empathy, no exhalation,
no rejuvenation in them.
I had hit a deep low.
Not even the coast could save my soul.

I didn't dance around it,
I skipped ahead to my favorite question,
"How are things with your fella?"
My inflection made the question seem painless
to answer, and maybe it was, but it was hard
to listen.

"Um, well, we broke up on Thursday."

"Yeah?"

"Yeah, anywayz, he called me last night,
asking if he could come chit-chat with me,
I said I guess so, and we stayed up like all
night, and we really worked everything out.
It felt so good to clear it up. So we are back
together, to normal, I suppose. What got me
was he told me he loved me and would-"

"Would do anything for you? Or some **** like that?"

"Well, yeah. God, what is your problem? You've
been acting like a **** all night."

I swallowed, with desert difficulty,
grabbed her glass, took a large drink,
she tried to take it out of my hand,
but I pushed her fingers away,
looked straight in her pretty, deceiving eyes,
they were getting antsy, I waited for the alcohol
to hit my head, and once it did,
I cleared my throat, and maintaining
the theme of cool detachment said,
"Molly," exhale, "you are a ******* idiot."

"Excuse me?"

"Oh, I'm sorry, I said you are a ******* idiot."

"You have no roo-"

"Hey, it isn't just you. ******' victim of your age.
Every girl I know is hung up on some *******,
that didn't really do anything special,
just timed dating with some holy moment in your life.
It all comes down to laying your claim at the right time.
When your head is still doped with that 'the one' crap."

"You have no ******* clue what you are talking about!
The first time I kissed him I felt like I would
be kissing only him for the rest of my life."

"You were 18."
I said barely above a whisper.
Molly was straining, tears were welling,
my mouth was spitting out everything,
that within a few hours' wisdom,
I would come to regret.

"Love isn't reserved for a certain age, *******!"

"That may be true, but let me just say this: if he is
'the one', then why are you here?
Your true love didn't come with a special rider
enabling the privilege of sporadic 4 a.m. *****
with people that are so beat down,
you assume them to never give a ****."
Every venomous word, stated calmly, collected,
with light cruelty.

"I....I..." her voice was cracking, spiraling,"I don't know
you just seemed interesting."
She buried her face in my arm,
I took another drink from her glass,
stared straight ahead.
She was muttering muffled things like, "I really do love him"
into my arm and torso.

She spat and moaned for 15 minutes are so.
Volumes rose and fell in cascades
of civil war. The roar dulled to a whimper,
the whimper dulled to silence.

She regained her composure,
she stood up, no nervousness,
she recovered her naked lower body,
she got the button in the loop and
the silence I tore,
"I didn't sign up to be an asterisk,
some ******* footnote in the history
of your love. I wanted to save you."

Molly laughed.
She ******* laughed.

Molly rolled her eyes.

She rested one hand on
hot skin,
grabbed my chin with the other,
and aimed my gaze toward her.

"Don't lie. You aren't allowed to.
We've been friends too long for that.
You needed a muse, a change of pace,
and I hate to say it, but you are
always going to be somebody's footnote
if you don't have any self-respect.
You never let yourself be happy.
You are too caught up in experiencing
all the lows to allow yourself to
feel high. You used to be so much
fun. You used to be so sweet.
Try to find that guy again."

With that,
Molly grabbed her purse,
kissed my forehead,
slid into her shoes,
strolled smooth and soft
out the door and into
the early morning air.
I took another drink.

I walked into the guitar store
simply desiring to change the strings
not knowing at all
what this lovely day would bring

I sat my acoustic on the counter
and picked out my string set
Martin Acoustics, always trusted
a purchase I never regret

I sat and played on my Christmas present
A baby blue Fender Strat
into the shop walked My lady
with a figure like an hourglass

She said she was in the mood for some excitement
I was always willing to provide
I said but darling were in public
she said I don't care, I want you with those deep blue eyes.

so I snuck her into the repair shop
surrounded by tools and parts
I kissed her deeply and traced
on her ample ******* a heart

I slid her pants down and drank from her womanly cup
I heard her moan and whimper
as deeper and deeper I supped

she decided to reciprocate
and slid down my jeans as well
I looked to make sure no one was coming
because this would be hot I could tell

She laid me on the table
kissed up and down my neck
I rolled her over
so I was on top of my lover
I stood proud like a soldier

After the first ******
I kissed her and said you ride next
she bounced on me so hard
I felt more and more of her soft heated flesh

So after our day in the guitar store was done
she held onto my tool like a loaded gun
she said this belongs to only one
woman on this earth
me and you better always be ready to fill me with your girth

;)

Night witches own the dark, as they sweep the skies on their knotted broomsticks. They take to flight, in pairs, under waxing or new moons, when the sky is darkest, the stars at their dimmest and gloom the deepest. They steal souls, drink warm blood, gather teeth and fresh, human meat.

They drift, smoke-like, with noir-intent, chewing their charcoal treats in that imperfect silence that prickles with all the sounds of the earth: growing plants, creeping insects, rustling leaves, and shivering birds.

Although their stygian laughter is frequently mistaken for cat fighting, they are soundless, becoming the shadows that disturb, that draw startled glances from the periphery of vision.

In their dark-passing, a mother will check her sleeping children one more time - dogs will whimper and fathers, the hair on their neck standing, will check already-locked windows.

Are you meandering out this night - to walk the dog or check the mail? If so, look to the sky. A little decision can be the worst mistake of your life.

you know what i find funny? the phrase: i could eat you. juxtaposing vide cor meum against... this is the part where punctuation marks are never collision prone diacritical marks... but then again, there's that dietary joke... i could eat you... dependence on your bones not being properly disavowed within a langoustine broth... and there you are: a grey area mindful of Stalin... *****! i'm trying to humanise ******, stop interrupting! where once a moths' flutter, later a rainbow in the nacht! mind that niqab... nicht would mean nothing. some insinuated cappuchino, some cackles... some said cutie-pies invoking rouge cheeks... every time i watch these culinary shows i get thinking about cannibalism to counter veganism... and then i laugh... i don't want to find stinking socks and political correctness as "my way, did it to suit Lascaux cavern graffiti"... i preferred wanking than keeping up with women... it's the song i heard before lambs stiffened and muslims became muslims, and falafel was mince... ******, get under the hosepipe and you're there, all freely gagging for the fizz... a touch of tinsel... vide cor meum... return of policy... as half-heartfelt kaleidoscope returning to define a rainbow... i love that phrase given the palette opportunity... i could eat you. it's the demonic encouragement that solidifies the stench into what's to be seasoned properly... i don't know.. the phrasing: i could eat you sounds more formidable in delayed practice than: i can **** you... plus the gazpacho... which means: Batman ate cold cauliflower soup and slurred to slurp the question: but it's cold? Baldwin replied: it's supposed to be! they said orthography as a rigidness of aesthetic, i said... that's questionable whether any is applicable, given we're talking about graffiti.

i got tired of sensing other people's jealousy,
and tried to love them,
which ended up to be as much as a matrimony
toward one woman, ambition-bound
to incarnate the matrimony of swans...
  and the poor old ******, left to fantasy in
his days as a widower...
   every time i look at a lonely swans
i try to duck-quack the thing into existence...
            but there are variation of marriage...
a west london accountant can speak terrible
crap against an ethnicity i try to not identify with...
but i am courageously borne from,
    and therefore have to express some affiliation...
as a matter of principle...
  i rather not, but iu must, even though i sprechen
a host tongue... and am, therefore,
embedded with claims of socialite elitism...
                 but then i compare...
and these these comparisons are the due phrase...
Marilyn Manson's *a minute of decay
is a chance to hear the bass guitar overpower
           the drums... a bit like a culinary pistachio
moment in a risotto...
   i want room to breathe in!
     i want vaughan williams' fantasia on a theme
by thomas tallis... i sanctify the need
   for prokofiev's lieutenant kíjé's suite...
(dots are optional, the syllables aren't,
a classical dot above the iota might revel in
being the defining moment of tonguing /
dissecting a word... but it doesn't have to be so)
i need air to breath in, a moment to whimper...
why do the **** love Chopin and not Liszt?
   a bid ******* odd... i don't like either Chopin
or Liszt... because as Kaiser Yoseph said
in amadeus... to many notes...
and i agree... vivaldi made violins into cherub
       pumpernickle sparrows -
you danced, you joyed, you came across St. Vitus' dance...
   you were doing arithmetic as concord speed
within a framework of even (white) and odd (black)
numbers... once you played the nocturnal Fabergé -
someone suggested you move the ******
  goose to the Hermitage, and frame it!
why are the Japanese are the only Europeans in Asia...
      never mind, they just are,
hence they compete for playing Chopin like they consider
sushi to be a culinary exception of the tartar -
minus the influence, obviously, hence the stress to
impose Chopin... but never Liszt... odd...
          template virtuoso and you think of Liszt
than you might conjure Chopin...
           better than that... conjure champagne
bottles blundering to the volcano's worth of fizz...
still... the Japanese are a curiosity...
first of all: they abide by Chopin and chopsticks
not being utilised when gobbling sushi...
   they have the ambassadors of kimono,
samurai, origami, karaoke, bonßai (zye, rye),
          Fukushima... Hiroshima... yep, that place
were stanley lee derived the concept of x-men...
          still, they have permanent ambassadors in
opur midsts... words that can't be "translated" due
to etymological puritanism...
       finally the Portuguese sailed away, and founded
Brazil on the promise of an infinite supply of toothpicks
from the Amazon -
or? hai sensei!           hatch that with the catchphrase:
     kajagoogoo: shy-shy, hush-hush, eye-to-eye.
          we're storming the labyrinth right not,
and i still can't believe that poetry revolves around
the rhythm of rhyme... play any ping-pong, lately?
     no wonder poetry is a peacocking dollop
of clogged-up cow dung... it's just asking
for a *****-slap in a playground.
           but why Chopin and not Liszt?
the **** are what Napoleon was to the Duchy of
Warsaw... they love that arithmetic of
a pebble-dasher's *******...
       wet dreams... some authentic curiosities of
civilisation still have them... i wouldn't recommend
listening to them recounting the fables, personally...
i'd listen in on the succubus jerking them off...
  and just recently i was walking the deaf streets at
night with a bottle of beer and felt the bottle
of beer almost being tugged from my hand...
  and some say that eating a woman's umbilical-chord
is what's necessary to live as a man to later
sing some aria; or like drinking a pregnant woman's
**** will ensure you don't become myopic...
             i don't like Chopin,
i don't like Liszt either... i want a room, and a chance
to breathe... at the end of the classical expression
summarising the wind, we had a return
to the rooting in Africa... earthly delights
and a grumbling stomach in need of feeding,
  jazz did the work for us, jazz still had
an orchestral element to add a Lacan of all things
worthy of deconstruction...
       but then the French came along and shoved
fondue into our ears... and we said
alight with an eureka moment... pop!
             n'ah... the moment when the bass overpowers
the drums... i really have this wild fascination
with the bass guitar...
                 because i don't get Mozart,
and i do think that Handel did much more than
even the sacrificial lamb that Beethoven is...
                  listen... poetry doesn't have to be
music... rhyming is ping-pong anyway...
but as long as you feel in debt concerning music,
the music will come on its own accord...
today i was rattled by a mix of dub (without a step)
and beck's odelay... cruise-missile dylan...
give or take...
      well, given the italicised pr.s. (pre scriptum) -
much later an aged blonde boasted about snorkeling
******* and young ****... and missing out
when she teased me coming back to her abode...
           moth steals from a butterfly,
butterfly never turns into a daisy...
                       you're still a **** and i'm about
half of the total worth of being a ****...
which makes as equal... or queue more.
           variably condoned to be synonym with
mosque...  but i said mannequin...
     it's this **** with the five a day....
Christendom mentioned fruit & veg...
Islam mentioned variations of a murmur...
   is prayer classified as fruit, or vegetable?
you're as bewildered as i am...
   i too thought tomato is a fruit...
turns out it's a vegetable...
primarily due to basil, feta, and the mediterranean.
               herring belong in the baltic,
******* attempting that sort of ballistics...
ask about the relationship between
              a. yan sobieski
         b. ******
                    c. window on arabia (vienna,
counter st. petersburg) -
     oh you'll get many thanks...
sure... you'll end up becoming assured
that dogs don't need petting, but training,
and that you have to make all friends bound
to be kenneled, because they won't learn otherwise;
it's a bit sad...
          for about a minute...
                   you tried being peace-abiding,
peace-mindful...
   you wanted to state compassion...
  in the end people need a slap... or as 2000 years of
history proved... a crucifix.

It was the December of '91,
and Larry asked me to come with
him and some ladies he knew
from Cameron Christian to
some **** yogurt shop on
Dead Dog Ave.

Three brunettes and a blonde;
at the time
I didn't care much for brunettes,
but god, god, god,
the blonde
with the crystal grey eyes,
the wrinkled floral print dress,
an optimistic ***,
and shaky feet
every single time
I made the eyes.

Sarah and Jennifer (two of the brunettes)
smelled of Glade-Feces-Blanket-Spray,
the third was far too young
to undress,
and I nearly strangled my beautiful blonde
when she mouthed, "Eliza."

I kept talking up the
fact my dad had just kicked me out.
I told Eliza I had the most magnificent
apartment
a bachelor could buy,
she kept averting her eyes,
shifting subjects like
playing cards,
my hands kept clinching,
clasping,
aching,
"Be right back, purty ladies."
I headed for the bathroom
leaving Larry to ******
Jennifer Glade.

I looked in the mirror,
I remember giving myself
a pep talk,
but I can't for the life of me
remember anything I said.

I remember pulling a dwindling
bottle of Black Label from my jacket.
I had taken it from my ******* dad,
the night he yelled, yelled, yelled,
until I was in some low-income complex
with a bunch of lowlife, ******
fuckups.

I ****** off the remnants.
Combed, recombed my greasy hair,
went back in,
just in time to hear
Jennifer Glade spout her stupid mouth,
"Larry, I told you I have a boyfriend."
"He's a ******* idiot."
She started to whimper,
said something like he was a regular sweetheart.
The regulars are so boring.

Larry stood up,
accused her of leading him on,
the acne cashier asked us to "pipe down",
I directed my stare into his acne-framed
irises.

I walked quietly toward him,
I could feel Larry and the girls
tracing my every feature.
"Just leave him alone,"
said my blonde little sweetie,
I turned back to her briefly.
Her skin looked like milk,
I wondered if it tasted like milk,
I kept my feet on track,
redirected the gaze,
back to my heavy-breathing cashier.

I got eight inches away from his face,
he fumbled some words,
that left a bad taste.
I could see my reflection in his retinas.
I looked clumsy and circular.
My milky, blonde Eliza would
never go for a circular **** like me.
This conclusion
coursed through my veins with
irrational speed.

I shot the acne cashier.
Right in his stupid, acne-framed iris.
The gun had been my grandfather's.
He had killed a black boy in the '30s with it.
Got to love legacies.

The brunettes were screaming.
I think Larry was trying to reason with me,
or maybe he was throwing up-
somebody threw up,
anyways,
I shot the young one first.
She had annoyed me most.

Then Sarah Glade.
Then Jennifer Glade.
Eliza began to run.

I jogged after her,
she frantically searched for a phone,
and my milky blonde
found one.

I stopped at the doorway,
rested my head on the frame,
listened to her cry into the handset,
begging for the police.
I opened my lids,
silently strolled up behind her,
with my left hand
I grabbed her optimistic ***,
with my right hand
I pulled the trigger.
She splattered onto me.
I felt successful.

I walked outside.
A silent,
still Austin night,
not even a dog on the street.
Larry was crying.
I told him to shut up.
They were *******.
Asked him for his lighter.
He opened his car door,
dug in his center console,
buried under 6-feet of cigarettes
was a lighter,
he popped the trunk,
I grabbed the gas can.

I erased Friday's mistakes,
and found Larry had driven off without me.
I walked to my low-income home.
I had a lazy Saturday.
Read an interesting story in the Guardian on Sunday.
By noon on Monday,
they were pointing cameras at me.

Bridle the night winds

The man walked into the cancer ward it spoke of him as a large man shoulder length hair distinguished crisp white shirt but the
Important thing was what he carried he set it down opened the case took out the bow and the violin this to me is the one instrument
That almost can match almost all dilemmas that befall man he stood in that ward and started to play these men were engulfed
In tragic and severe night winds the violin can mimic the wind it can go from sheer to broad deep sounds and then with the change of
A finger to a different string and depending on the amount of pressure a tune of pleasure emanates it goes through pain like a ship’s
Bow cuts through rough deep waters rolling to both sides and the sound goes deep within beyond the outer trunk of the body to
The reservoir of the spirit and soul let me describe it from a special story a young man of our faith was caught in the evil ways
Of a serial killer in Houston’s outskirts he was trust up like an animal for slaughter as he hang there and was being tortured though
The body was experiencing agony down in his soul he was with his savior in worship and it wasn’t the lowly Galilean of meekness we
Are so familiar with but this Jesus John said and I turned to see the voice that spake with me and being turned I saw seven golden
Candlesticks And in the midst of the seven candlesticks [one] like unto the Son of man, clothed
With a garment down to the foot, and girt about the pap’s with a golden girdle. His head and His hairs were
white like wool as white as snow and his eyes were as a flame of fire and his feet like unto fine brass as if they burned in a
Furnace and his voice as the sounds of many waters. And He had in his right hand seven stars and out of His mouth went a
Sharp twoedged sword and his countenance was as the sun shineth in strength the soul of this suffering tormented one
Was in a unique place of blessing although the outward man perish the spirit will be renewed he escaped and lived to
Praise and extol God and his power over evil the violin has the power to illuminate the soul in dark circumstances then
You are positioned to call for the master’s aid they say the bow string best for the deep more moving pieces are taken
From dark hairs from horse’s tail in my mind’s eye I see a great black stallion standing on a great protruding rock looking
Down on the valley below behind him is a sweep of more rocks holding much pine in dark silhouette as they sweep even
Higher the full moon shines through the pine he paws the ground he shakes his massive head shoulder and mane
Exhibiting His power the evidence of his dominance shows on his neck where plainly you can see bites and hoof marks
From battles fought and won that made him supreme monarch of this range thats where to get the hair for the bow
Especially in the next setting the prison cat walk is dimly lit the violin races fast and mean and deep there are times
When violent fists are the only measure available when you must bend another to your will and destroy his and at other
Times words gentle and kind disarm your opponent by wisdom he can be made to lay down his claim to his ill thought
Desires you pass the cell those piercing searching eyes fasten on you your movements annoy your free they live in
A cage with steel bars and they are not free the tempo rises as you pass on and out of site music has soul and on this
Occasion it dims convulses dies with a lonely whimper only walls of stone record.

There is another wall this one closes in the rich in his house filled to over flowing the man battled long and hard to reach
These rare heights and then finds it’s an empty world and back along the path of life a neglected family fell in disarray
There nothing like dysfunctional tied in a beautiful bow of materialism no one pities but the violinist in the cancer ward
Was asked to play a certain piece with French as the main theme the violin has a high sharp very thin note for the rich
But empty it would be the French Alps cold austere terribly distant a true hollow plaintive almost crying plea lost in the
Vast expanse but still a soul void of understanding things never go with or warm a heart only love is needed tonight I set in
Church I didn’t at first realize my bible was twenty years old it is just a little full bible although it’s the size of a new
Testament the black leather has taken a beating cracked split on each edge but as I turned it the over head light caught
The gold leaf edged paper I have never been big on gold but there can’t be any material like it how soft how rich the
Color It touched and moved me there was an auction an old violin like my bible had seen better days with indifference
The Auctioneer calls do I hear three dollars no response but after a little time an old gentlemen rose walked up picked up
The Violin started to play the sounds that drifted were as heaven cracked and the treasured sound was pouring in well
when The old man stopped and laid the violin down the auctioneer resumed but now he said who will give a thousand the
Bidding stopped at three thousand what happened was the question well it was the master who played it because he knows
Best and He put in the secrets to start with you look at yourself your pretty happy but your gold needs his light the silver bow
The diamond crusted frog and the great stallion’s contribution is lost in this world but not for much longer

Mercy is blowing in the night wind

In Yucatan, the Maya sonneteers
Of the Caribbean amphitheatre,
In spite of hawk and falcon, green toucan
And jay, still to the night-bird made their plea,
As if raspberry tanagers in palms,
High up in orange air, were barbarous.
But Crispin was too destitute to find
In any commonplace the sought-for aid.
He was a man made vivid by the sea,
A man come out of luminous traversing,
Much trumpeted, made desperately clear,
Fresh from discoveries of tidal skies,
To whom oracular rockings gave no rest.
Into a savage color he went on.

How greatly had he grown in his demesne,
This auditor of insects! He that saw
The stride of vanishing autumn in a park
By way of decorous melancholy; he
That wrote his couplet yearly to the spring,
As dissertation of profound delight,
Stopping, on voyage, in a land of snakes,
Found his vicissitudes had much enlarged
His apprehension, made him intricate
In moody rucks, and difficult and strange
In all desires, his destitution's mark.
He was in this as other freemen are,
Sonorous nutshells rattling inwardly.
His violence was for aggrandizement
And not for stupor, such as music makes
For sleepers halfway waking. He perceived
That coolness for his heat came suddenly,
And only, in the fables that he scrawled
With his own quill, in its indigenous dew,
Of an aesthetic tough, diverse, untamed,
Incredible to prudes, the mint of dirt,
Green barbarism turning paradigm.
Crispin foresaw a curious promenade
Or, nobler, sensed an elemental fate,
And elemental potencies and pangs,
And beautiful barenesses as yet unseen,
Making the most of savagery of palms,
Of moonlight on the thick, cadaverous bloom
That yuccas breed, and of the panther's tread.
The fabulous and its intrinsic verse
Came like two spirits parlaying, adorned
In radiance from the Atlantic coign,
For Crispin and his quill to catechize.
But they came parlaying of such an earth,
So thick with sides and jagged lops of green,
So intertwined with serpent-kin encoiled
Among the purple tufts, the scarlet crowns,
Scenting the jungle in their refuges,
So streaked with yellow, blue and green and red
In beak and bud and fruity gobbet-skins,
That earth was like a jostling festival
Of seeds grown fat, too juicily opulent,
Expanding in the gold's maternal warmth.
So much for that. The affectionate emigrant found
A new reality in parrot-squawks.
Yet let that trifle pass. Now, as this odd
Discoverer walked through the harbor streets
Inspecting the cabildo, the facade
Of the cathedral, making notes, he heard
A rumbling, west of Mexico, it seemed,
Approaching like a gasconade of drums.
The white cabildo darkened, the facade,
As sullen as the sky, was swallowed up
In swift, successive shadows, dolefully.
The rumbling broadened as it fell. The wind,
Tempestuous clarion, with heavy cry,
Came bluntly thundering, more terrible
Than the revenge of music on bassoons.
Gesticulating lightning, mystical,
Made pallid flitter. Crispin, here, took flight.
An annotator has his scruples, too.
He knelt in the cathedral with the rest,
This connoisseur of elemental fate,
Aware of exquisite thought. The storm was one
Of many proclamations of the kind,
Proclaiming something harsher than he learned
From hearing signboards whimper in cold nights
Or seeing the midsummer artifice
Of heat upon his pane. This was the span
Of force, the quintessential fact, the note
Of Vulcan, that a valet seeks to own,
The thing that makes him envious in phrase.

And while the torrent on the roof still droned
He felt the Andean breath. His mind was free
And more than free, elate, intent, profound
And studious of a self possessing him,
That was not in him in the crusty town
From which he sailed. Beyond him, westward, lay
The mountainous ridges, purple balustrades,
In which the thunder, lapsing in its clap,
Let down gigantic quavers of its voice,
For Crispin to vociferate again.

For Katharine R. Cole

If gormless is as gormless does unite
That past of him and present me, I’ll turn
His other cheek against his waning sight;
I’ll **** his Hamlet soul to cringe and burn.

But dripping cannot thick or think in depth.
Blobs like blackened bulbous beads of eyes
Persist on shrinking into transits swept,
And down through dullard pools of choking fire.
Yet treacle binds my bole wood vocal chords
In rapture from such silence to withdraw
From sand that quickens, thickens, and distorts.
Can earth and water’s union mask my flaws?
The answer dares to dream but I refrain.
My name is Mud. Dear God, that is my name.

The foot: an endlessly dull point
Breathing technique, perfected by Roman Bill,
And a tall, sinewy, fine china ***** heel,
Cheap to most and worthless when submerged, submerges.
The tough Elephant hide surface
Of a swamp-like state and state.

Q. How does one become embroiled in such a located province of mind?
A. Alcohol’s venomous beauty and cheap living costs.
     The South.
    
An Elephant on a scooter stares blindly
At its own reflection circling the limb,
Shrugging dew drop eyes at what man had forgotten.
Not once, but twice.
    
The foot becomes a divulging calf of information
Sputtering in this bubbling torment of beige,
And pulsating around like an African tunnel
Waiting to be filled – fulfilled – ******.

    
The knee complies,
                      Sinking,
                                 Slowly,
                                          Not painlessly,
                                                             Not quick.

     The mercy of a lethal injection’s lie becomes
Absurd when one’s limb is the needle;
One’s brain the plunger of acceptance.
His gasp, a roar of silent fruit ripening in a
Mode too fast, cutting life and laundering
Expectancy whilst hanged from a
Whined whimper of Penance.
Purgatory’s whistle blows for time.  

II

A small red car clenched tightly
In the hands of a tightly tiny black boy,
His eyes huge and deep, but white; untouched by
Time’s clock or the weight of granite black that
He leans upon. Plastic tires screech horizontally along the
Structure of a Library’s historic insight.
Below, the ground is dry.
Beneath him, the ground is solid.
    
        Meanwhile, molten muck pulsates around
Our swirling antipathy of soul crushing
Nullness, with a lack of guilt unimaginable.
It bubbles, it bubbles: it toils in boiling rubbles
Of the past’s present and All I Could Have Been.
And I have never, could never
Sink lower in reality;
Blow harder against punishment’s wind;
Cry for this other as a **** filled wound weeps down her face.
    
The swirl of liquefied dirt and sand bags me,
Drags me, as if some *** lover of Hades is not done
With what is left of me. Disease to spread: just a little, just
A little more, like the detrimental bottle that
Knew me.
    

      As the hip is engulfed, an angle of almost perfect
Ninety creates  itself against the horizontal extremity
And puny ballsacksquash entails. Useless yet overused;
Timeless yet impressionable, pensionable. Gone.
Nothing knows me but this thickness’ quickness.
          That wants too much
From nothing               but existence
And the scab that fastens with time.

III

Turn the bottle back and find strength to
Outpour the clock and grant eternity.
Non compliant strength paid a fiver
For a soul worth two at the most.
A penny for the worthless: For the sickened lame.
Empty time feeds rays of golden from the sun fuelled
Encrusted *******, mudfast on heat.
This somehow seems like action.
Firm firmness but cracked with ease and
Non-returnable once inflated;
Non-negotiable on the bloodorgans of salt.
Weakness and powerlessness: *****.
*** for tat, for ***, ***, ***. For tat.
    
     The Elephant rises.
You brought this upon yourself, this rain of mud;
This treacle that will dry when you are dirt.
You would not let it ******* lie.
All of your ******* life: this strife, that wife.
     Your second leg (the grasper) tries,
     At length, to shield your heart:
     The only thing that cries.
     That does not want to die.
     Cartoonish bubbles of brown pop to the tune
     Of Loonies; of your shoebox brain that screams in vain.
What is your name? What is your want?
There is no blame you ******* maniac.
Everyone knows. Sink awake. Sink.
     Rest: do not sleep. Freezetimeframe.
     There is one more timeless point to make.


The sun and moon meet brief: the seconds count,
But die shy of one minute. Clear the road.
‘Tis dusk, I fear they named it. Raise the mount
And sacrifice another drowned sot load.
The moment thence: Anonymous descent.
The digger meets the dead in buried time.
The wish is washed in mud, the liver spent.
The blood-stained hands of Glasgow dodge the crime.
Make speed my sick sad Miller, grind the grain
Of Galloway, Gibb, Neave, Dunlop and Cole.
Your ghost will haunt your tag if not your brain.
Your heart should part this city river’s soul.
The sunjoke frozen, captured, stumped, and framed.
My name is Mud. Dear God, that is my name.

you know, i’ve been thinking a lot about comets
because all stars are destined to explode
and the more light you give off
the faster you burn out
i guess this is why they say only the good die young,
i guess i’ll live forever
but immortality sounds lonely and most living legends tie their own nooses,
and the rest of us live just by making excuses
i'd count out all the stars in between us like miles
but you're half way round the world and i'm more than a few days behind
i'd count out all the stars between us, make promises and wishes on them
but i know they’d both be empty
but stars are always dead on arrival
but you’re too far away even if you're right next to me
we were looking at the same stars, just not the same constellations
and i'm so ******* sorry for all the things i let burn out,
all the things i let go ruined instead of dealing with them
i’m afraid of failure so sometimes i don’t try at all
i’m sorry you got the worst parts of me
i’m sorry you got my collisions instead of constellations

you know, i’ve been thinking a lot about comets
because you were afraid of commitment mostly because
you thought you were supposed to be and i said
i love you like a bomb going off too soon
my whole body is on fire,
you ignite me like lighter-fluid and bad decisions
and the best things burn out fast
the shortest lights burn the brightest
it’s science, it’s physics, we can’t fight this
we were doomed from the start, it’s inevitable
that we have to take things apart
somebody told me love is having the perfect opportunity
to hurt somebody and letting it go,
so i guess that’s how i know we’re not in love
because we hurt each other just to prove that the other one
still cared enough for it to sting
because i learned that you’re not real unless you make marks,
so i hope it ******* scars
i hope you can always see the bruises in the shape of my lips
i hope you never forget

you know, i’ve been thinking a lot about comets
i’ve been thinking about whether comets or craters are more important
whether it’s about the way you blaze out or just your ashes
whether it’s about what you do or what you leave behind
i’ve been thinking about why we treat
black holes and supernovas as opposites
when they’re really not that different at all
both catastrophes in their own right, yet one of them seems more poetic
but you don’t get to decide the amount of pain you’ve inflicted,
we are all afflicted with this thinking that we’re the only exception
i think we are all guilty of thinking
we’re supernovas instead of blackholes

you know, i’ve been thinking a lot about comets
i’m a mess and not just metaphorically,
sometimes i kind of think i’d be a lot happier without
all the things that make me myself
i am in a glass jar watching myself implode because
i kind of wish i was born with more serotonin and a different kind of motivation,
like i’m an observer to myself
and i’ve always viewed my own heart breaks
almost as the out-of-body experience, like a third party
investigating the remains of what was or what wasn’t
i am the medical examiner of my heart
and poetry is a lot like dissection
and love is a lot like hate
and living is a lot like dying
but regret is just a waste of emotion and love is just a waste of devotion
and going out with a bang
is much more glamorous than going out with a whimper
and nobody talks about slow burn, only the explosion
if you were a star then you were a shooting one,
and you’re always most popular the day after you die
but i’m done with that ****,
this is not a dead poet’s society
this is a society of poets who wanted to die but didn’t
because i think this might be a sad poem,
but i am not a sad person or at least i've been trying not to be
because we were all born to die, but we were also all born to live
measured by the blaze of our burnout, the trail behind us
i’ve been thinking a lot about comets
i’ve been thinking a lot about comets
i’ve been thinking a lot about comets

I plan on sleeping into oblivion into Armageddon into the end of the world.  
The earth shakes all around me as the sky falls in brimstone and rains sulfur and right now I think I see the angel of death in the distance.
I am not sure what it would look like though this vision is chilling me to the core.  
The molten core of this rock of life now death is rising up and overtaking the trees yet somehow I remain alive somehow I am not engulfed in the holy and divine flame of this apocalypse but I am sweating like a pig.  

I think I smell bacon.  

The sizzling of the flesh of those around me reminds me of bacon.
I think that’s why Hashem is ******.  
I know the smell of bacon.
I am not religious but the death and chaos around me and the angel of death above me and the burning sky and charred trees and buildings and bodies around me have given me a slight change of heart.  

Help me holy one!

I renounce my sins and blasphemy and beg forgiveness at Your all-powerful feet staring at Your omnipotent toenails and noticing a little fungus and thinking that we all have our flaws, even the Alpha and the Omega, the Almighty God that is prayed to day and night.  

If I could hear all the prayers in the world right now as we crumble into oblivion what
would they say?
I’m sorry Lord for what I have done Forgive me Lord for my indiscretions I was good, God, why have you done this to me what is Your plan Almighty tell me ******, why must I, your humble servant die at your hand because of the evils of others!  and I hear the reversal of fortunes.
The pious screaming at You for answers and the blasphemous like myself whimpering for forgiveness and the strong become weak and the weak become weaker and the terrible whine of hot steel bending and the crackling of flesh that reminds me of bacon and I remember now that I shouldn’t know that smell but forget among the cries of flesh and steel and concrete wood plastic explosions cacophony chaos bliss finality the end of days is on a
Tuesday

and I love it because I have always loathed
Tuesdays.  

Tuesdays
have always had a putrid green sky and a certain unpleasant odor lingering in the thick juicy air an odor not unlike fertilizer that has somehow gone bad and I wonder how **** goes bad because fertilizer is just that, ****, right?  
And that smell begins to flood my nose again as I hear the sizzle of flesh burning again this time
closer and louder and real and I begin to feel the heat all around me and my time for epiphany is now over.  
That fertilizer smell, that rancid **** demonic hellish smell is none other than my own burning flesh, none other than a warning sign that the end would come on a
Tuesday,
that most loathsome and evil of days, the worst of the week.
Tuesday.  
Insufferable intolerable
Tuesday
with your rancid **** burning flesh hell spawn demon smell, a smell only found in the bowels of the underworld and gym locker rooms, your rancid green brown sky, a color to match your smell in the thick sticky juicy air that never leaves.

Tuesday,
you evil being you devil you lost soul you destructor I hate you now more than ever as the sizzle crawls up my body and engulfs my nose and for that I am thankful because I can no longer smell that evil putrid narcotic smell of death but it stops before my eyes so I can bear witness to the end of days to the last whimper of the earth as it is consumed by fire and hear with what is left of my ears the eternal silence of this beautiful Apocalypse and begin only slightly as the bacon sizzle crawls up my forehead
in silent reverie
to love

Tuesday.

The Crickets cackle “crisp,”
With an only interruption, being I,
Atop dust, whisper and
Desert highway.
I’d tell you if I were running,
But I’m not quite sure, not yet,
Leaving the Coyote to eat,
Respite, and devoured,
The singing Crickets,
A’howl later,
To deliver answers unimpeded.

I have a faint memory –
A snake’s grip promised, via hand and
Crystal contingency,
“Wiser,” once bestowed, the mystic;
An epic complete, atop 17 years of thunder,
Steel stained crimson,
Street stained whimper
And forever remaining,
“Under-construction.”

Symbolic a more relevant scaffold,
½ bamboo and the other steel, the tower,
Note ‘fore me, it’s only purpose –
Elsewhere, and anonymous,
While I tap my belly to some
Melody we’d once enjoyed;
Maybe something by, “Coltrane,”
Or maybe not; but music we’d both
Recognize and reminisce too.

It’s an awkward alchemy of sorts,
As the Crickets, post-mortem,
Persist if only to chirp, and the Coyote mulls.
When the dust continues to cake.
When the whisper finds newer ears.
When interrupt’s abrupt, erupts,
Pacifies and interrupts again;
My precious distraction –
An amnesia loyal in away from, “then.”
Somewhere beyond, “there,”
And onward, “anew.”