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"wherefore" poems
480 “Why do I love” You, Sir? Because— The Wind does not require the Grass To answer—Wherefore when He pass She cannot keep Her place. Because He knows—and Do not You— And We know not— Enough for Us The Wisdom it be so— The Lightning—never asked an Eye Wherefore it shut—when He was by— Because He knows it cannot speak— And reasons not contained— —Of Talk— There be—preferred by Daintier Folk— The Sunrise—Sire—compelleth Me— Because He’s Sunrise—and I see— Therefore—Then— I love Thee—
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Why do I love You, Sir?
you asked me to come:it was raining a little, and the spring;a clumsy brightness of air wonderfully stumbled above the square, little amorous-tadpole people wiggled battered by stuttering pearl, leaves jiggled to the jigging fragrance of newness —and then. My crazy fingers liked your dress ….your kiss,your kiss was a distinct brittle flower,and the flesh crisp set my love-tooth on edge. So until light each having each we promised to forget— wherefore is there nothing left to guess: the cheap intelligent thighs,the electric trite thighs;the hair stupidly priceless.
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You Asked Me To Come:It Was Raining A Little
why do you act like hamlet, all depressed and grieved, for your own heart shuts me out, and it's you who's deceived? when did you think like othello, murderous and violent, irrational with decisions, making me suffer with guilty silence? how did you turn into macbeth, from the silky words that grace your lips, to the venomous fangs you bit back at me, stinging like burning, sharp whips? because i thought you were romeo, with your adventurous soul and romantic antics. now you've faded away, with all your heroic tactics. wherefore art thou, romeo? don't call me juliet, if i'm just another rosaline.
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Nov 11, 2014
Nov 11, 2014 at 9:16 AM UTC
a Shakespearean tragedy
"sly wordplay, it glows, feels like a shimmering address, half warning and half blessing, really alive with cadence" read Kiki Dresden poetry^ once more into the sea trench divide, I dive to devise, Your provoking comment, demands my full attention, you divert me from struggling with ginger & clay, a contra concept that molds and enflames, yet strikes overtly sweet, it does not come so easy as this playful notion But your words deserve the attention immédiate atenção imediata that births this script, tumbling forth in an instantly instantaneously me student, you mistress~master, schooling me on sublimity subliminal, capturing the capering stylistic that bursts forth from within, that my fingertips provide, while my brain connives & connivers continuously you overlay analytics that never are to me revealed, the what and wherefore of the whom hiding within of the im~perpetuity impish essence of i m p ishness by charmingly doing me, not once, but many times better here a spillage: an observational ditty, dressed in a tux, most formally, to render the greatest wordplay ever invented t, the uniqueness of a simple thank you my favorite poem a forever for ever, the song that plys and plays me in the me so often, the linguists have banned the word repeatedly from my lexicon so in its stead, this all-in-one mighty steed (verb phrase, a noun, or an adjective depending on its usage) this phatic expression, here disguised in Portuguese, muito obrigado! muito obrigado! muito obrigado!                                                                     nml 5:39am nyc 10/4, 10/4
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Oct 4, 2025
Oct 4, 2025 at 5:44 AM UTC
Love of Wordplay for Kiki Dresden
"sly wordplay, it glows, feels like a shimmering address, half warning and half blessing, really alive with cadence" read Kiki Dresden poetry^ once more into the sea trench divide, I dive to devise, Your provoking comment, demands my full attention, you divert me from struggling with ginger & clay, a contra concept that molds and enflames, yet strikes overtly sweet, it does not come so easy as this playful notion But your words deserve the attention immédiate atenção imediata that births this script, tumbling forth in an instantly instantaneously me student, you mistress~master, schooling me on sublimity subliminal, capturing the capering stylistic that bursts forth from within, that my fingertips provide, while my brain connives & connivers continuously you overlay analytics that never are to me revealed, the what and wherefore of the whom hiding within of the im~perpetuity impish essence of i m p ishness by charmingly doing me, not once, but many times better here a spillage: an observational ditty, dressed in a tux, most formally, to render the greatest wordplay ever invented t, the uniqueness of a simple thank you my favorite poem a forever for ever, the song that plys and plays me in the me so often, the linguists have banned the word repeatedly from my lexicon so in its stead, this all-in-one mighty steed (verb phrase, a noun, or an adjective depending on its usage) this phatic expression, here disguised in Portuguese, muito obrigado! muito obrigado! muito obrigado!                                                                     nml 5:39am nyc 10/4, 10/4
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67
Overhead the tree-tops meet, Flowers and grass spring ’neath one’s feet; There was nought above me, and nought below, My childhood had not learned to know: For what are the voices of birds —Ay, and of beasts,—but words—our words, Only so much more sweet? The knowledge of that with my life begun! But I had so near made out the sun, And counted your stars, the Seven and One, Like the fingers of my hand: Nay, I could all but understand Wherefore through heaven the white moon ranges, And just when out of her soft fifty changes No unfamiliar face might overlook me— Suddenly God took me!
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Overhead The Tree-Tops Meet
Utopia Must Be An Invention of the Mind I have searched long and hard, trying to find that place where peace and serenity, in our world may yet grace a chance to meet a dream come true, if only for a few where pain and suffering are gone, and will never renew Then I realized, this Utopia I seek, on a map will not be found still an undiscovered world, whose contemplation will confound finding some comfort, the thought of my soul ascending on high no longer to be troubled, suffering on earth never again to decry A world exists but not for the living, to experience this garden of delight a place where the happiness of life's dreams, will satiate your appetite where fear and worries cease, hope and desire now become your reality trials and tribulations throughout life, ending with that long awaited finality Maybe Utopia really does exists, but only with extreme effort can you hope to say, it you have acquired but most people refuse to commit, unwilling to put in the time and effort that is unquestionably required how mistaken we often are, thinking we can still remain happy, giving up by settling for that much less only up to the point we are once again challenged, and our daily events again cause us all of our stress To understand why so many people never seem to be satisfied, no matter what they have, it is never enough first we must acknowledge the answer might be found in the lies people believe, but most of them are a bluff Utopia must be an invention of the mind, convincing itself that feelings of joy and happiness are close at hand seemingly it might then be prudent to maintain this self-deception, since this is what our egos really demand Although it has been stated time and again that Utopia does not and can not exist, yet we still continue to dream coming to teach us this great lesson in human psychology, how much for happiness' sake, we're willing to scheme yet we can take note to the fact that despite our varying differences, this human condition remains constant in us all our primary need for true happiness is why we can rest assured, invisible Utopia we will forever continue to recall
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Jul 30, 2015
Jul 30, 2015 at 2:30 PM UTC
O Utopia, Utopia, wherefore art thou Utopia?
Utopia Must Be An Invention of the Mind I have searched long and hard, trying to find that place where peace and serenity, in our world may yet grace a chance to meet a dream come true, if only for a few where pain and suffering are gone, and will never renew Then I realized, this Utopia I seek, on a map will not be found still an undiscovered world, whose contemplation will confound finding some comfort, the thought of my soul ascending on high no longer to be troubled, suffering on earth never again to decry A world exists but not for the living, to experience this garden of delight a place where the happiness of life's dreams, will satiate your appetite where fear and worries cease, hope and desire now become your reality trials and tribulations throughout life, ending with that long awaited finality Maybe Utopia really does exists, but only with extreme effort can you hope to say, it you have acquired but most people refuse to commit, unwilling to put in the time and effort that is unquestionably required how mistaken we often are, thinking we can still remain happy, giving up by settling for that much less only up to the point we are once again challenged, and our daily events again cause us all of our stress To understand why so many people never seem to be satisfied, no matter what they have, it is never enough first we must acknowledge the answer might be found in the lies people believe, but most of them are a bluff Utopia must be an invention of the mind, convincing itself that feelings of joy and happiness are close at hand seemingly it might then be prudent to maintain this self-deception, since this is what our egos really demand Although it has been stated time and again that Utopia does not and can not exist, yet we still continue to dream coming to teach us this great lesson in human psychology, how much for happiness' sake, we're willing to scheme yet we can take note to the fact that despite our varying differences, this human condition remains constant in us all our primary need for true happiness is why we can rest assured, invisible Utopia we will forever continue to recall
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25
"SISTER, sister, go to bed! Go and rest your weary head." Thus the prudent brother said. "Do you want a battered hide, Or scratches to your face applied?" Thus his sister calm replied. "Sister, do not raise my wrath. I'd make you into mutton broth As easily as **** a moth" The sister raised her beaming eye And looked on him indignantly And sternly answered, "Only try!" Off to the cook he quickly ran. "Dear Cook, please lend a frying-pan To me as quickly as you can." And wherefore should I lend it you?" "The reason, Cook, is plain to view. I wish to make an Irish stew." "What meat is in that stew to go?" "My sister'll be the contents!" "Oh" "You'll lend the pan to me, Cook?" "No!" Moral: Never stew your sister.
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Brother And Sister
[Dedicated to Austin Osman Spare] Have pity ! show no pity ! Those eyes that send such shivers Into my brain and spine : oh let them Flame like the ancient city Swallowed up by the sulphurous rivers When men let angels fret them ! Yea ! let the south wind blow, And the Turkish banner advance, And the word go out : No quarter ! But I shall hod thee -so ! While the boys and maidens dance About the shambles of slaughter ! I know thee who thou art, The inmost fiend that curlest Thy vampire tounge about Earth's corybantic heart, Hell's warrior that whirlest The darts of horror and doubt ! Thou knowest me who I am The inmost soul and saviour Of man ; what hieroglyph Of the dragon and the lamb Shall thou and I engrave here On Time's inscandescable cliff ? Look ! in the plished granite, Black as thy cartouche is with sins, I read the searing sentence That blasts the eyes that scan it : **** and SET be TWINS." A fico for repentance ! Ay ! O Son of my mother That snarled and clawed in her womb As now we rave in our rapture, I know thee, I love thee, brother ! Incestuous males that consumes The light and the life that we capture. Starve thou the soul of the world, Brother, as I the body ! Shall we not glut our lust On these wretches whom Fate hath hurled To a hell of jesus and shoddy, Dung and ethics and dust ? Thou as I art Fate. Coe then, conquer and kiss me ! Come ! what hinders? Believe me : This is the thought we await. The mark is fair ; can you miss me ? See, how subtly I writhe ! Strange runes and unknown sigils I trace in the trance that thrills us. Death ! how lithe, how blithe Are these male incestuous vigils ! Ah ! this is the spasm that kills us ! Wherefore I solemnly affirm This twofold Oneness at the term. Asar on Asi did beget Horus twin brother unto Set. Now Set and Horus kiss, to call The Soul of the Unnatural Forth from the dusk ; then nature slain Lets the Beyond be born again. This weird is of the tongue of Khem, The Conjuration used of them. Whoso shall speak it, let him die, His bowels rotting inwardly, Save he uncover and caress The God that lighteth his liesse.
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The Twins
[Dedicated to Austin Osman Spare] Have pity ! show no pity ! Those eyes that send such shivers Into my brain and spine : oh let them Flame like the ancient city Swallowed up by the sulphurous rivers When men let angels fret them ! Yea ! let the south wind blow, And the Turkish banner advance, And the word go out : No quarter ! But I shall hod thee -so ! While the boys and maidens dance About the shambles of slaughter ! I know thee who thou art, The inmost fiend that curlest Thy vampire tounge about Earth's corybantic heart, Hell's warrior that whirlest The darts of horror and doubt ! Thou knowest me who I am The inmost soul and saviour Of man ; what hieroglyph Of the dragon and the lamb Shall thou and I engrave here On Time's inscandescable cliff ? Look ! in the plished granite, Black as thy cartouche is with sins, I read the searing sentence That blasts the eyes that scan it : **** and SET be TWINS." A fico for repentance ! Ay ! O Son of my mother That snarled and clawed in her womb As now we rave in our rapture, I know thee, I love thee, brother ! Incestuous males that consumes The light and the life that we capture. Starve thou the soul of the world, Brother, as I the body ! Shall we not glut our lust On these wretches whom Fate hath hurled To a hell of jesus and shoddy, Dung and ethics and dust ? Thou as I art Fate. Coe then, conquer and kiss me ! Come ! what hinders? Believe me : This is the thought we await. The mark is fair ; can you miss me ? See, how subtly I writhe ! Strange runes and unknown sigils I trace in the trance that thrills us. Death ! how lithe, how blithe Are these male incestuous vigils ! Ah ! this is the spasm that kills us ! Wherefore I solemnly affirm This twofold Oneness at the term. Asar on Asi did beget Horus twin brother unto Set. Now Set and Horus kiss, to call The Soul of the Unnatural Forth from the dusk ; then nature slain Lets the Beyond be born again. This weird is of the tongue of Khem, The Conjuration used of them. Whoso shall speak it, let him die, His bowels rotting inwardly, Save he uncover and caress The God that lighteth his liesse.
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68
143 For every Bird a Nest— Wherefore in timid quest Some little Wren goes seeking round— Wherefore when boughs are free— Households in every tree— Pilgrim be found? Perhaps a home too high— Ah Aristocracy! The little Wren desires— Perhaps of twig so fine— Of twine e’en superfine, Her pride aspires— The Lark is not ashamed To build upon the ground Her modest house— Yet who of all the throng Dancing around the sun Does so rejoice?
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For every Bird a Nest
Oh who is that young sinner with the handcuffs on his wrists? And what has he been after, that they groan and shake their fists? And wherefore is he wearing such a conscience-stricken air? Oh they're taking him to prison for the colour of his hair. 'Tis a shame to human nature, such a head of hair as his; In the good old time 'twas hanging for the colour that it is; Though hanging isn't bad enough and flaying would be fair For the nameless and abominable colour of his hair. Oh a deal of pains he's taken and a pretty price he's paid To hide his poll or dye it of a mentionable shade; But they've pulled the beggar's hat off for the world to see and stare, And they're taking him to justice for the colour of his hair. Now 'tis oakum for his fingers and the treadmill for his feet, And the quarry-gang on portland in the cold and in the heat, And between his spells of labour in the time he has to spare He can curse the god that made him for the colour of his hair.
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The Colour of His Hair
Within this restless, hurried, modern world We took our hearts’ full pleasure—You and I, And now the white sails of our ship are furled, And spent the lading of our argosy. Wherefore my cheeks before their time are wan, For very weeping is my gladness fled, Sorrow has paled my young mouth’s vermilion, And Ruin draws the curtains of my bed. But all this crowded life has been to thee No more than lyre, or lute, or subtle spell Of viols, or the music of the sea That sleeps, a mimic echo, in the shell.
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My Voice
When my love swears that she is made of truth I do believe her, though I know she lies, That she might think me some untutored youth, Unlearnèd in the world’s false subtleties. Thus vainly thinking that she thinks me young, Although she knows my days are past the best, Simply I credit her false-speaking tongue; On both sides thus is simple truth suppressed. But wherefore says she not she is unjust? And wherefore say not I that I am old? O, love’s best habit is in seeming trust, And age in love, loves not to have years told. Therefore I lie with her, and she with me, And in our faults by lies we flattered be.
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Sonnet 138: When My Love Swears That She Is Made Of Truth
JOY ... weaving two violet petals for a coat lapel ... painting on a slab of night sky a Christ face ... slipping new brass keys into rusty iron locks and shouldering till at last the door gives and we are in a new room ... forever and ever violet petals, slabs, the Christ face, brass keys and new rooms. are we near or far?... is there anything else?... who comes back?... and why does love ask nothing and give all? and why is love rare as a tailed comet shaking guesses out of men at telescopes ten feet long? why does the mystery sit with its chin on the lean forearm of women in gray eyes and women in hazel eyes? are any of these less proud, less important, than a cross-examining lawyer? are any of these less perfect than the front page of a morning newspaper? the answers are not computed and attested in the back of an arithmetic for the verifications of the lazy there is no authority in the phone book for us to call and ask the why, the wherefore, and the howbeit it's ... a riddle ... by God.
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Brass Keys
The seasons send their ruin as they go, For in the spring the narciss shows its head Nor withers till the rose has flamed to red, And in the autumn purple violets blow, And the slim crocus stirs the winter snow; Wherefore yon leafless trees will bloom again And this grey land grow green with summer rain And send up cowslips for some boy to mow. But what of life whose bitter hungry sea Flows at our heels, and gloom of sunless night Covers the days which never more return? Ambition, love and all the thoughts that burn We lose too soon, and only find delight In withered husks of some dead memory.
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Desespoir
106 The Daisy follows soft the Sun— And when his golden walk is done— Sits shyly at his feet— He—waking—finds the flower there— Wherefore—Marauder—art thou here? Because, Sir, love is sweet! We are the Flower—Thou the Sun! Forgive us, if as days decline— We nearer steal to Thee! Enamored of the parting West— The peace—the flight—the Amethyst— Night’s possibility!
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The Daisy follows soft the Sun
Have we all become mere automata guided by the ring of pings and notifs? The spray of lather from a sea of data carrying with it wrung celebrity whiffs have stung us with a certain aphasia... The written thought was a lifetime ago long abandoned by the times and all-- where once there was soundness to follow nonsense amassed like a rising cymbal whose crash sent reason to the gallows. The news of the day presents a delectable entree of a hodgepodge of this, that, and nothing much. Wherefore we find our tongues compelled to say something about the aftertaste or to prejudge as if we were connoisseurs--it must've hid faraway. Are we perhaps amusing ourselves to death? I am by no means a Luddite to such a degree, but I believe we have bombarded and blessed ourselves a little too much to see... only time will tell us reason's final breath.
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Sep 19, 2023
Sep 19, 2023 at 10:38 PM UTC
Automata
Dim dawn behind the tamerisks—the sky is saffron-yellow— As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they’re making merry ’neath the white and scarlet berry— What part have India’s exiles in their mirth? Full day begind the tamarisks—the sky is blue and staring— As the cattle crawl afield beneath the yoke, And they bear One o’er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly— Call on Rama—he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid “good Christian men rejoice!” High noon behind the tamarisks—the sun is hot above us— As at Home the Christmas Day is breaking wan. They will drink our healths at dinner—those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap—wherefore we sold it. Gold was good—we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks—the parrots fly together— As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how’er so far we roam. Hard her service, poor her payment—she is ancient, tattered raiment— India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple’s shrine we enter, The door is hut—we may not look behind. Black night behind the tamarisks—the owls begin their chorus— As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors—let us feast with friends and neighbors, And be merry as the custom of our caste; For if “faint and forced the laughter,” and if sadness follow after, We are richer by one mocking Christmas past.
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Christmas In India
Dim dawn behind the tamerisks—the sky is saffron-yellow— As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they’re making merry ’neath the white and scarlet berry— What part have India’s exiles in their mirth? Full day begind the tamarisks—the sky is blue and staring— As the cattle crawl afield beneath the yoke, And they bear One o’er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly— Call on Rama—he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid “good Christian men rejoice!” High noon behind the tamarisks—the sun is hot above us— As at Home the Christmas Day is breaking wan. They will drink our healths at dinner—those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap—wherefore we sold it. Gold was good—we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks—the parrots fly together— As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how’er so far we roam. Hard her service, poor her payment—she is ancient, tattered raiment— India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple’s shrine we enter, The door is hut—we may not look behind. Black night behind the tamarisks—the owls begin their chorus— As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors—let us feast with friends and neighbors, And be merry as the custom of our caste; For if “faint and forced the laughter,” and if sadness follow after, We are richer by one mocking Christmas past.
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41
111 The Bee is not afraid of me. I know the Butterfly. The pretty people in the Woods Receive me cordially— The Brooks laugh louder when I come— The Breezes madder play; Wherefore mine eye thy silver mists, Wherefore, Oh Summer’s Day?
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The Bee is not afraid of me
What are these bands around your wrists These frayed stories that barely cling? And what are these enchantments held That cradle your touch between each ring? And what is this ancient writing here That’s inked from shops of yester-year? Is there a relic about you yet That makes your brackish past run clear? What is that place your eye seeks out When your steady gaze is aether-bound? And what steep truths have you traversed To gather poise as you have found? What shadows passing now have stayed And fears upon tanned shoulder weighed? Can mysteries be unraveled here That in your piercing focus played? Oh wandering mystery mountain man, Oh sweet conundrum of my dreams, Oh distant altruistic love, Oh ponderer of whispering streams, Wherefore do the stars yet speak So I can hear their secret calls, But ever in their praises keep Your hidden name in cosmic halls? Yes, to my ears they murmur deep The stain-ed truths of earth and sky But never leaks that hopeful peep; Verisimilitude is shy. Forever my enigma: you. The heavens sagely made it so. For I have solved the their secrets through, But so much in you left to know.
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Sep 10, 2012
Sep 10, 2012 at 6:56 PM UTC
Enigma
I see ten mountain peaks, Their beauty I seek, There they are clothed so fancy yet meek! I see hunter-green furs, I also see some larkspurs, There are trees on either side; Of the beautiful waterfall wide. I see boulders piled nearly as high, As high as the trees and peaks which almost touch the sky, Oh, how I would love to go there; To see the ten peaks and take in the lovely fresh mountain air! There are fluffy white clouds in the sky, And on one side a rippling hill doth lie, There on the mountains snow is scattered here and there; I see the light blue sky in the air! The mountains are carefully built close together in heaps, And in Spring all ten peaks a little peek, Wherefore they're called ten peaks!    **Marian**
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Nov 9, 2012
Nov 9, 2012 at 10:22 PM UTC
Ten Peaks
Oft I remember those I have known In other days, to whom my heart was lead As by a magnet, and who are not dead, But absent, and their memories overgrown With other thoughts and troubles of my own, As graves with grasses are, and at their head The stone with moss and lichens so o’er spread, Nothing is legible but the name alone. And is it so with them? After long years. Do they remember me in the same way, And is the memory pleasant as to me? I fear to ask; yet wherefore are my fears? Pleasures, like flowers, may wither and decay, And yet the root perennial may be.
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Memories
They hail me as one living, But don’t they know That I have died of late years, Untombed although? I am but a shape that stands here, A pulseless mould, A pale past picture, screening Ashes gone cold. Not at a minute’s warning, Not in a loud hour, For me ceased Time’s enchantments In hall and bower. There was no tragic transit, No catch of breath, When silent seasons inched me On to this death … —A Troubadour-youth I rambled With Life for lyre, The beats of being raging In me like fire. But when I practised eyeing The goal of men, It iced me, and I perished A little then. When passed my friend, my kinsfolk, Through the Last Door, And left me standing bleakly, I died yet more; And when my Love’s heart kindled In hate of me, Wherefore I knew not, died I One more degree. And if when I died fully I cannot say, And changed into the corpse-thing I am to-day, Yet is it that, though whiling The time somehow In walking, talking, smiling, I live not now.
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The Dead Man Walking
Oh who is that young sinner with the handcuffs on his wrists? And what has he been after that they groan and shake their fists? And wherefore is he wearing such a conscience-stricken air? Oh they're taking him to prison for the color of his hair. 'Tis a shame to human nature, such a head of hair as his; In the good old time 'twas hanging for the color that it is; Though hanging isn't bad enough and flaying would be fair For the nameless and abominable color of his hair. Oh a deal of pains he's taken and a pretty price he's paid To hide his poll or dye it of a mentionable shade; But they've pulled the beggar's hat off for the world to see and stare, And they're taking him to justice for the color of his hair. Now 'tis oakum for his fingers and the treadmill for his feet, And the quarry-gang on Portland in the cold and in the heat, And between his spells of labor in the time he has to spare He can curse the God that made him for the color of his hair.
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Oh Who Is That Young Sinner
Oh, think not I am faithful to a vow! Faithless am I save to love’s self alone. Were you not lovely I would leave you now: After the feet of beauty fly my own. Were you not still my hunger’s rarest food, And water ever to my wildest thirst, I would desert you—think not but I would!— And seek another as I sought you first. But you are mobile as the veering air, And all your charms more changeful than the tide, Wherefore to be inconstant is no care: I have but to continue at your side. So wanton, light and false, my love, are you, I am most faithless when I most am true.
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Four Sonnets: 03 (Oh, Think Not I Am Faithful To A Vow!)
I would I were a careless child, Still dwelling in my Highland cave, Or roaming through the dusky wild, Or bounding o’er the dark blue wave; The cumbrous pomp of Saxon pride, Accords not with the freeborn soul, Which loves the mountain’s craggy side, And seeks the rocks where billows roll. Fortune! take back these cultur’d lands, Take back this name of splendid sound! I hate the touch of servile hands, I hate the slaves that cringe around: Place me among the rocks I love, Which sound to Ocean’s wildest roar; I ask but this—again to rove Through scenes my youth hath known before. Few are my years, and yet I feel The World was ne’er design’d for me: Ah! why do dark’ning shades conceal The hour when man must cease to be? Once I beheld a splendid dream, A visionary scene of bliss: Truth!—wherefore did thy hated beam Awake me to a world like this? I lov’d—but those I lov’d are gone; Had friends—my early friends are fled: How cheerless feels the heart alone, When all its former hopes are dead! Though gay companions, o’er the bowl Dispel awhile the sense of ill; Though Pleasure stirs the maddening soul, The heart—the heart—is lonely still. How dull! to hear the voice of those Whom Rank or Chance, whom Wealth or Power, Have made, though neither friends nor foes, Associates of the festive hour. Give me again a faithful few, In years and feelings still the same, And I will fly the midnight crew, Where boist’rous Joy is but a name. And Woman, lovely Woman! thou, My hope, my comforter, my all! How cold must be my ***** now, When e’en thy smiles begin to pall! Without a sigh would I resign, This busy scene of splendid Woe, To make that calm contentment mine, Which Virtue knows, or seems to know. Fain would I fly the haunts of men— I seek to shun, not hate mankind; My breast requires the sullen glen, Whose gloom may suit a darken’d mind. Oh! that to me the wings were given, Which bear the turtle to her nest! Then would I cleave the vault of Heaven, To flee away, and be at rest.
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2.8k
I Would I Were A Careless Child
I would I were a careless child, Still dwelling in my Highland cave, Or roaming through the dusky wild, Or bounding o’er the dark blue wave; The cumbrous pomp of Saxon pride, Accords not with the freeborn soul, Which loves the mountain’s craggy side, And seeks the rocks where billows roll. Fortune! take back these cultur’d lands, Take back this name of splendid sound! I hate the touch of servile hands, I hate the slaves that cringe around: Place me among the rocks I love, Which sound to Ocean’s wildest roar; I ask but this—again to rove Through scenes my youth hath known before. Few are my years, and yet I feel The World was ne’er design’d for me: Ah! why do dark’ning shades conceal The hour when man must cease to be? Once I beheld a splendid dream, A visionary scene of bliss: Truth!—wherefore did thy hated beam Awake me to a world like this? I lov’d—but those I lov’d are gone; Had friends—my early friends are fled: How cheerless feels the heart alone, When all its former hopes are dead! Though gay companions, o’er the bowl Dispel awhile the sense of ill; Though Pleasure stirs the maddening soul, The heart—the heart—is lonely still. How dull! to hear the voice of those Whom Rank or Chance, whom Wealth or Power, Have made, though neither friends nor foes, Associates of the festive hour. Give me again a faithful few, In years and feelings still the same, And I will fly the midnight crew, Where boist’rous Joy is but a name. And Woman, lovely Woman! thou, My hope, my comforter, my all! How cold must be my ***** now, When e’en thy smiles begin to pall! Without a sigh would I resign, This busy scene of splendid Woe, To make that calm contentment mine, Which Virtue knows, or seems to know. Fain would I fly the haunts of men— I seek to shun, not hate mankind; My breast requires the sullen glen, Whose gloom may suit a darken’d mind. Oh! that to me the wings were given, Which bear the turtle to her nest! Then would I cleave the vault of Heaven, To flee away, and be at rest.
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