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"wheeling" poems
Searching my heart for its true sorrow, This is the thing I find to be: That I am weary of words and people, Sick of the city, wanting the sea; Wanting the sticky, salty sweetness Of the strong wind and shattered spray; Wanting the loud sound and the soft sound Of the big surf that breaks all day. Always before about my dooryard, Marking the reach of the winter sea, Rooted in sand and dragging drift-wood, Straggled the purple wild sweet-pea; Always I climbed the wave at morning, Shook the sand from my shoes at night, That now am caught beneath great buildings, Stricken with noise, confused with light. If I could hear the green piles groaning Under the windy wooden piers, See once again the bobbing barrels, And the black sticks that fence the weirs, If I could see the weedy mussels Crusting the wrecked and rotting hulls, Hear once again the hungry crying Overhead, of the wheeling gulls, Feel once again the shanty straining Under the turning of the tide, Fear once again the rising freshet, Dread the bell in the fog outside,— I should be happy,—that was happy All day long on the coast of Maine! I have a need to hold and handle Shells and anchors and ships again! I should be happy, that am happy Never at all since I came here. I am too long away from water. I have a need of water near.
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31.5k
Exiled
Up, O ye lovers, and away! 'Tis time to leave the world for aye. Hark, loud and clear from heaven the from of parting calls-let none delay! The cameleer hat risen amain, made ready all the camel-train, And quittance now desires to gain: why sleep ye, travellers, I pray? Behind us and before there swells the din of parting and of bells; To shoreless space each moment sails a disembodied spirit away. From yonder starry lights, and through those curtain-awnings darkly blue, Mysterious figures float in view, all strange and secret things display. From this orb, wheeling round its pole, a wondrous slumber o'er thee stole: O weary life that weighest naught, O sleep that on my soul dost weigh! O heart, toward they heart's love wend, and O friend, fly toward the Friend, Be wakeful, watchman, to the end: drowse seemingly no watchman may.
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10.8k
Departure
Even after you move, your muscles still turn the steering wheeling to your old house and you tell your brain that the movements are wrong but still you do it, in case you drive back to what used to be and find that it is still yours
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Apr 3, 2015
Apr 3, 2015 at 9:16 PM UTC
Home Sweet Home
. Each morning I rise unto hours, Wheeling in sun, with wee wild flowers. An hearty wish, on hills by the sea Each day I skip about live stones, In winds I run, deep dancing my bones. I am made of each, cairn on hillocky Each sweep of air a breathy kiss, On skyline by the sea, one mighty bliss. Dancing my bones, in winds I run Each hour a new turning of page, Each heap on hill, of these I am made. Wild wee flowers, wheeling in the sun
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May 20, 2016
May 20, 2016 at 12:52 AM UTC
Mighty
I see a ****** of crows parting the sky with a ********** V it hawks and blecks down as if to say good afternoon to the child wheeling across federal on her pink bicycle— a travel that rots and witches the sweet, grey air sailing into clouds of pounding tide— jewels colorless and divorced drifting across the blue-domed pearl of missing you
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Nov 27, 2017
Nov 27, 2017 at 5:58 PM UTC
11/27/17
A touch is enough for a rush to send me reeling. I've been wheeling and dealing my way through chaos only to have found Myself knee-deep in it. I'm dying to get out, Lying to try to save myself, And fighting to get to you. A touch is enough of a rush to send me to Heaven, Enough of a rush to render me utterly speechless.
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Nov 3, 2010
Nov 3, 2010 at 5:49 PM UTC
Touching.
Nobody in the lane, and nothing, nothing but blackberries, Blackberries on either side, though on the right mainly, A blackberry alley, going down in hooks, and a sea Somewhere at the end of it, heaving. Blackberries Big as the ball of my thumb, and dumb as eyes Ebon in the hedges, fat With blue-red juices. These they squander on my fingers. I had not asked for such a blood sisterhood; they must love me. They accommodate themselves to my milkbottle, flattening their sides. Overhead go the choughs in black, cacophonous flocks -- Bits of burnt paper wheeling in a blown sky. Theirs is the only voice, protesting, protesting. I do not think the sea will appear at all. The high, green meadows are glowing, as if lit from within. I come to one bush of berries so ripe it is a bush of flies, Hanging their bluegreen bellies and their wing panes in a Chinese screen. The honey-feast of the berries has stunned them; they believe in heaven. One more hook, and the berries and bushes end. The only thing to come now is the sea. From between two hills a sudden wind funnels at me, Slapping its phantom laundry in my face. These hills are too green and sweet to have tasted salt. I follow the sheep path between them. A last hook brings me To the hills' northern face, and the face is orange rock That looks out on nothing, nothing but a great space Of white and pewter lights, and a din like silversmiths Beating and beating at an intractable metal.
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5.4k
Blackberrying
A sigh is a barebacked rider, soundless along a sandy coast, A candle tipped with starlight, wheeling in a cosmos of smoke, A firefly floating on the ruins of the wind like a winged gyroscope, A skull in the stomach whose teeth are my own and breathes With Babel’s thousand tongues telling fragrant untruths.
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Feb 6, 2022
Feb 6, 2022 at 8:44 PM UTC
Babel Sighs in Ruin
When first I saw you, you were lying on a green bank laughing at the sky as you watched the clouds scud by and you saw all kinds of shapes in those clouds and gasped in awe as the myriad of birds soared and wheeled through the clouds. Your laugh skipped across the distance between us like magical notes from a faery harp. The sunlight lit up your golden hair making diamonds out of the shafts of sunlight as you turned your head to and fro making the sunbeams dance to your tune. And about your head was a halo of white lilies … When next I saw you you were hand in hand with your love walking into the sunlight from the grey stone church. Your brocade of white entwined with golden thread sparkled like a million gems. Your face was bright and alive with smiling eyes and your golden hair fell down around your face catching the sunbeams. And ringing out their joy, the church bells pealed for you. And in your hand was a bouquet of white lilies … I saw you again on that same green bank laughing with joy as your golden child frolicked in the warm summer sun, her childish laugh mingling with your own in angelic harmony. You grasped her up and, wheeling her skyward, faces upturned, letting the sunbeams play around you and then, holding her close, you sank to your knees cradling the babe, letting the love flow out and around you both. And in the child’s small hand was grasped a single white lily … The next time I saw you you were quietly sitting in the late summer sun comfortable in your chair watching the golden sun flame red as it sank below the distant horizon. Your golden hair now not so vibrant and your face etched with the many years of your long life yet when you smiled at the glory of the setting sun, the sparkle of your eyes was not dimmed at all. And around your feet grew a field of white lilies … The last time I saw you I gave you my hand and, with fingers entwined, we walked away from the sombre crowd whose tears flowed like pearls as the stark white coffin was lowered into the ground. And looking into your face I saw you again as you were that first time, your golden hair that fell as rivulets around your now pale, sad face. I took that face in my hands and gently kissed your lips, no more than a whisper, like a gentle spring breeze teasing the blossoms. Still hand in hand, we looked back at the sad scene and then turned and walked into the light. And all about your grave lay white lilies.
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Sep 10, 2012
Sep 10, 2012 at 5:12 PM UTC
White Lilies – a gothic love story
When first I saw you, you were lying on a green bank laughing at the sky as you watched the clouds scud by and you saw all kinds of shapes in those clouds and gasped in awe as the myriad of birds soared and wheeled through the clouds. Your laugh skipped across the distance between us like magical notes from a faery harp. The sunlight lit up your golden hair making diamonds out of the shafts of sunlight as you turned your head to and fro making the sunbeams dance to your tune. And about your head was a halo of white lilies … When next I saw you you were hand in hand with your love walking into the sunlight from the grey stone church. Your brocade of white entwined with golden thread sparkled like a million gems. Your face was bright and alive with smiling eyes and your golden hair fell down around your face catching the sunbeams. And ringing out their joy, the church bells pealed for you. And in your hand was a bouquet of white lilies … I saw you again on that same green bank laughing with joy as your golden child frolicked in the warm summer sun, her childish laugh mingling with your own in angelic harmony. You grasped her up and, wheeling her skyward, faces upturned, letting the sunbeams play around you and then, holding her close, you sank to your knees cradling the babe, letting the love flow out and around you both. And in the child’s small hand was grasped a single white lily … The next time I saw you you were quietly sitting in the late summer sun comfortable in your chair watching the golden sun flame red as it sank below the distant horizon. Your golden hair now not so vibrant and your face etched with the many years of your long life yet when you smiled at the glory of the setting sun, the sparkle of your eyes was not dimmed at all. And around your feet grew a field of white lilies … The last time I saw you I gave you my hand and, with fingers entwined, we walked away from the sombre crowd whose tears flowed like pearls as the stark white coffin was lowered into the ground. And looking into your face I saw you again as you were that first time, your golden hair that fell as rivulets around your now pale, sad face. I took that face in my hands and gently kissed your lips, no more than a whisper, like a gentle spring breeze teasing the blossoms. Still hand in hand, we looked back at the sad scene and then turned and walked into the light. And all about your grave lay white lilies.
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53
I did not restrain myself. I let go entirely and went. To the pleasures that were half real and half wheeling in my brain, I went into the lit night. And I drank of potent wines, such as the valiant of voluptuousness drink.
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4.8k
I Went
O what is that sound which so thrills the ear Down in the valley drumming, drumming? Only the scarlet soldiers, dear, The soldiers coming. O what is that light I see flashing so clear Over the distance brightly, brightly? Only the sun on their weapons, dear, As they step lightly. O what are they doing with all that gear, What are they doing this morning, morning? Only their usual manoeuvres, dear, Or perhaps a warning. O why have they left the road down there, Why are they suddenly wheeling, wheeling? Perhaps a change in their orders, dear, Why are you kneeling? O haven't they stopped for the doctor's care, Haven't they reined their horses, horses? Why, they are none of them wounded, dear, None of these forces. O is it the parson they want, with white hair, Is it the parson, is it, is it? No, they are passing his gateway, dear, Without a visit. O it must be the farmer that lives so near. It must be the farmer so cunning, so cunning? They have passed the farmyard already, dear, And now they are running. O where are you going? Stay with me here! Were the vows you swore deceiving, deceiving? No, I promised to love you, dear, But I must be leaving. O it's broken the lock and splintered the door, O it's the gate where they're turning, turning; Their boots are heavy on the floor And their eyes are burning.
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4.2k
O What Is That Sound
Child, the current of your breath is six days long. You lie, a small knuckle on my white bed; lie, ****** like a snail, so small and strong at my breast. Your lips are animals; you are fed with love. At first hunger is not wrong. The nurses nod their caps; you are shepherded down starch halls with the other unnested throng in wheeling baskets. You tip like a cup; your head moving to my touch. You sense the way we belong. But this is an institution bed. You will not know me very long. The doctors are enamel. They want to know the facts. They guess about the man who left me, some pendulum soul, going the way men go and leave you full of child. But our case history stays blank. All I did was let you grow. Now we are here for all the ward to see. They thought I was strange, although I never spoke a word. I burst empty of you, letting you see how the air is so. The doctors chart the riddle they ask of me and I turn my head away. I do not know. Yours is the only face I recognize. Bone at my bone, you drink my answers in. Six times a day I prize your need, the animals of your lips, your skin growing warm and plump. I see your eyes lifting their tents. They are blue stones, they begin to outgrow their moss. You blink in surprise and I wonder what you can see, my funny kin, as you trouble my silence. I am a shelter of lies. Should I learn to speak again, or hopeless in such sanity will I touch some face I recognize? Down the hall the baskets start back. My arms fit you like a sleeve, they hold catkins of your willows, the wild bee farms of your nerves, each muscle and fold of your first days. Your old man's face disarms the nurses. But the doctors return to scold me. I speak. It is you my silence harms. I should have known; I should have told them something to write down. My voice alarms my throat. "Name of father-none." I hold you and name you ******* in my arms. And now that's that. There is nothing more that I can say or lose. Others have traded life before and could not speak. I tighten to refuse your owling eyes, my fragile visitor. I touch your cheeks, like flowers. You bruise against me. We unlearn. I am a shore rocking off you. You break from me. I choose your only way, my small inheritor and hand you off, trembling the selves we lose. Go child, who is my sin and nothing more.
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4k
Unknown Girl In A Maternity Ward
Child, the current of your breath is six days long. You lie, a small knuckle on my white bed; lie, ****** like a snail, so small and strong at my breast. Your lips are animals; you are fed with love. At first hunger is not wrong. The nurses nod their caps; you are shepherded down starch halls with the other unnested throng in wheeling baskets. You tip like a cup; your head moving to my touch. You sense the way we belong. But this is an institution bed. You will not know me very long. The doctors are enamel. They want to know the facts. They guess about the man who left me, some pendulum soul, going the way men go and leave you full of child. But our case history stays blank. All I did was let you grow. Now we are here for all the ward to see. They thought I was strange, although I never spoke a word. I burst empty of you, letting you see how the air is so. The doctors chart the riddle they ask of me and I turn my head away. I do not know. Yours is the only face I recognize. Bone at my bone, you drink my answers in. Six times a day I prize your need, the animals of your lips, your skin growing warm and plump. I see your eyes lifting their tents. They are blue stones, they begin to outgrow their moss. You blink in surprise and I wonder what you can see, my funny kin, as you trouble my silence. I am a shelter of lies. Should I learn to speak again, or hopeless in such sanity will I touch some face I recognize? Down the hall the baskets start back. My arms fit you like a sleeve, they hold catkins of your willows, the wild bee farms of your nerves, each muscle and fold of your first days. Your old man's face disarms the nurses. But the doctors return to scold me. I speak. It is you my silence harms. I should have known; I should have told them something to write down. My voice alarms my throat. "Name of father-none." I hold you and name you ******* in my arms. And now that's that. There is nothing more that I can say or lose. Others have traded life before and could not speak. I tighten to refuse your owling eyes, my fragile visitor. I touch your cheeks, like flowers. You bruise against me. We unlearn. I am a shore rocking off you. You break from me. I choose your only way, my small inheritor and hand you off, trembling the selves we lose. Go child, who is my sin and nothing more.
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55
I took my ****** sister Marigold to the cinema, she had asked specifically and eventually (she doesn't speak a lot on account of her awful stammer and amazing cleft palate which has won prizes) so I knew that this was something she really wanted, and I teased for her bad taste when she told me that she wanted to see "Ch-Ch-Ch-Ch-Ch-Ch-Ch-Ch-Ch-Charlie and the Ch-Ch-Ch-Ch-Ch-Chocolate Factory". It was a Saturday evening and the local picture house was showing a re-run of the classic starring Gene Wilder as the enigmatically stylish ***** Wonka, and not that steaming great pictorial **** served up by Tim Burton and I knew that town would be busy with oiks so as a treat I dressed her up better than usual, and even gave her a hosedown to get rid of the poopy pong. She had stopped crying by the time the feature started and I think the Ooompa Loompa costume grew on her but that maybe the orange paint was a bit of a bad idea as people had stared as it was Day-Glo and she stood out like a bulldog's ******* but I stand by my decision to dye her hair green, it had taken thought and planning; it was meant to add to her excitement of the day, so I meant well, even if I was ineffectual in the end. I sat her on my lap in the picture house but still paid for two seats but I do get one ticket half price though because of her disabilities, so it wasn'€™t all bad, every cloud and all that, you know what I mean? She tends to get a little down every now and then but a £1 cinema ticket partly makes up for being born legless. I knew from past experience that the cinema staff prefer me to carry my stunted sis rather than wheeling her in (I do recall that the time I taped her to her skateboard proved somewhat a disaster - but really, the fat usher had a torch and should have watched her step or otherwise she wouldn't have bust her neck). The Ooompa Loompa costume allowed Marigold to amuse herself during the screening (as there were no leggings to the costume). She barely noticed when the fat little hero got blown up on screen except to dribble "chocolate" from her own little chocolate factory. It was, all in all, quite an eventful outing and one I might consider repeating but probably in a different cinema next time, mainly because we got banned for life when the manager saw the condition of the seat.
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Dec 16, 2014
Dec 16, 2014 at 8:06 AM UTC
Marigold Goes To The Cinema
I took my ****** sister Marigold to the cinema, she had asked specifically and eventually (she doesn't speak a lot on account of her awful stammer and amazing cleft palate which has won prizes) so I knew that this was something she really wanted, and I teased for her bad taste when she told me that she wanted to see "Ch-Ch-Ch-Ch-Ch-Ch-Ch-Ch-Ch-Charlie and the Ch-Ch-Ch-Ch-Ch-Chocolate Factory". It was a Saturday evening and the local picture house was showing a re-run of the classic starring Gene Wilder as the enigmatically stylish ***** Wonka, and not that steaming great pictorial **** served up by Tim Burton and I knew that town would be busy with oiks so as a treat I dressed her up better than usual, and even gave her a hosedown to get rid of the poopy pong. She had stopped crying by the time the feature started and I think the Ooompa Loompa costume grew on her but that maybe the orange paint was a bit of a bad idea as people had stared as it was Day-Glo and she stood out like a bulldog's ******* but I stand by my decision to dye her hair green, it had taken thought and planning; it was meant to add to her excitement of the day, so I meant well, even if I was ineffectual in the end. I sat her on my lap in the picture house but still paid for two seats but I do get one ticket half price though because of her disabilities, so it wasn'€™t all bad, every cloud and all that, you know what I mean? She tends to get a little down every now and then but a £1 cinema ticket partly makes up for being born legless. I knew from past experience that the cinema staff prefer me to carry my stunted sis rather than wheeling her in (I do recall that the time I taped her to her skateboard proved somewhat a disaster - but really, the fat usher had a torch and should have watched her step or otherwise she wouldn't have bust her neck). The Ooompa Loompa costume allowed Marigold to amuse herself during the screening (as there were no leggings to the costume). She barely noticed when the fat little hero got blown up on screen except to dribble "chocolate" from her own little chocolate factory. It was, all in all, quite an eventful outing and one I might consider repeating but probably in a different cinema next time, mainly because we got banned for life when the manager saw the condition of the seat.
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47
I see a pattern Everywhere: Circles and globes (three dimensional circles); Shiny rings of fire. Countless manifestations of this same shape. Star-spangled galaxies wheeling through the sky: That half-globe dome. Earth, in circular orbit (more or less) around the Sun, Escorted by the Moon. Days give way to seasons, Repeating every year. Groundhog Days becoming Groundhog Creations Perhaps. The list seems endless: Hopkins’ dapples, Planets, craters, cyclones, anti-cyclones, sea currents, ***** apples, oranges, nuts, potatoes, Teardrops, heads, faces, eyes, mouths, Holes! Coins, bin lids, and plates; Sunflowers, daisies, pansies, Rings of mushrooms, Circling birds of prey, A cat curled in a circle, Like a foetus. Life as we know it Is a circle And a cycle too. Birth, Death, Blossom, Wilt. Reincarnation? Renewal? Clock-faced Time itself. Eternity might be a circle, Infinity the same. Maybe even God, Some way. Perhaps we still are building God, For Him or Her to travel back through time Like Doctor Who To Create The Big Bang, And form this expanding Universe, Thus taking us full circle. Or maybe the Universe will fold back in upon itself, Producing yet one more Big Bang, In an endless cycle, Of Big Bangs, Amongst this ever circling Multiverse. Paul Butters © PB, 14th February, 2011 at 14.00, in Humberside.
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Mar 29, 2011
Mar 29, 2011 at 4:14 AM UTC
Circles
inside an early morning the sky flipped around cart wheeling above lightning bolt flashes big thunder boomers some clouds fostered the rain which leaps onto the earth just as Zeus flushes the toilet and the entire world stops to listen for him to zip.
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Sep 29, 2016
Sep 29, 2016 at 5:13 PM UTC
Zeus plucks his chin hairs on a Sunday
procuring lexical polymorphism synthesizing atypical signifier playing blue album awaiting tomorrow's celebrations adding complex plugins altering element content watching office mascot wheeling hue-named albums undulating forest growth pricing those yankees finding layman's chaos enjoying another victory reviewing markup concepts ditching error messages enjoying relative obscurity
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Sep 27, 2015
Sep 27, 2015 at 1:17 PM UTC
201509-w3
75. 85. 90. windows down. open road. scene stark night, moonlight contrast. stars: the watchers: no passing cars to block the path to oblivion.                                                                                     /fly/ arms spread wide, wind whipping ripsrustlesslipsslidesslices unfurled fingers cutting ribbons in the fabric of the atmosphere. acrid scents of city pollution fuse with mown grass and night dew and waking trees: a cocktail served through the nose over the breeze--                                                          fresh air in a dead man's lungs. here is life lived on high giddy wheeling 85 and 90 not a soul in sight enveloped in the music dazzled by the starlight drunk on speed delighted dizzy to die. this is release
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Sep 4, 2015
Sep 4, 2015 at 12:12 PM UTC
speed
Clem, the rodeo clown wears a bold painted smile, a bright plaid shirt and bib overalls with cuffs too short for his legs. Between the rides and roping - Clem banters with the emcee, wheeling off groaners and scrambling in and out of his barrel- playing the air-headed bumpkin. But Clem is nobody's fool; when that gate opens, his real work begins. Bull and rider explode from the chute and the game is on. The cowboy weaves and writhes to stay on top for that eight golden seconds that will earn him his pay against a half ton of feral energy stomping and lurching to fling him to the earth. With eyes as keen as a hungry hawk, Clem tracks every buck and lurch for any peril sign - and then it happens: the rider is hurled airborne, landing inches from the driving hooves. Clem seizes the cowboy with a linebacker's grip and swings him safely over the fence as wranglers speed the bull from the ring. The show goes on and Clem has plenty more jokes for the crowd who knows he's never a barrel of laughs when a rider's life is on the line.
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Sep 1, 2016
Sep 1, 2016 at 8:14 AM UTC
Brave Rodeo Clown
Child, the current of your breath is six days long. You lie, a small knuckle on my white bed; lie, ****** like a snail, so small and strong at my breast. Your lips are animals; you are fed with love. At first hunger is not wrong. The nurses nod their caps; you are shepherded down starch halls with the other unnested throng in wheeling baskets. You tip like a cup; your head moving to my touch. You sense the way we belong. But this is an institution bed. You will not know me very long. The doctors are enamel. They want to know the facts. They guess about the man who left me, some pendulum soul, going the way men go and leave you full of child. But our case history stays blank. All I did was let you grow. Now we are here for all the ward to see. They thought I was strange, although I never spoke a word. I burst empty of you, letting you learn how the air is so. The doctors chart the riddle they ask of me and I turn my head away. I do not know. Yours is the only face I recognize. Bone at my bone, you drink my answers in. Six times a day I prize your need, the animals of your lips, your skin growing warm and plump. I see your eyes lifting their tents. They are blue stones, they begin to outgrow their moss. You blink in surprise and I wonder what you can see, my funny kin, as you trouble my silence. I am a shelter of lies. Should I learn to speak again, or hopeless in such sanity will I touch some face I recognize? Down the hall the baskets start back. My arms fit you like a sleeve, they hold catkins of your willows, the wild bee farms of your nerves, each muscle and fold of your first days. Your old man's face disarms the nurses. But the doctors return to scold me. I speak. It is you my silence harms. I should have known; I should have told them something to write down. My voice alarms my throat. "Name of father-none." I hold you and name you ******* in my arms. And now that's that. There is nothing more that I can say or lose. Others have traded life before and could not speak. I tighten to refuse your owling eyes, my fragile visitor. I touch your cheeks, like flowers. You bruise against me. We unlearn. I am a shore rocking you off. You break from me. I choose your only way, my small inheritor and hand you off, trembling the selves we lose. Go child, who is my sin and nothing more.
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3.1k
Unknown Girl in the Maternity Ward
Child, the current of your breath is six days long. You lie, a small knuckle on my white bed; lie, ****** like a snail, so small and strong at my breast. Your lips are animals; you are fed with love. At first hunger is not wrong. The nurses nod their caps; you are shepherded down starch halls with the other unnested throng in wheeling baskets. You tip like a cup; your head moving to my touch. You sense the way we belong. But this is an institution bed. You will not know me very long. The doctors are enamel. They want to know the facts. They guess about the man who left me, some pendulum soul, going the way men go and leave you full of child. But our case history stays blank. All I did was let you grow. Now we are here for all the ward to see. They thought I was strange, although I never spoke a word. I burst empty of you, letting you learn how the air is so. The doctors chart the riddle they ask of me and I turn my head away. I do not know. Yours is the only face I recognize. Bone at my bone, you drink my answers in. Six times a day I prize your need, the animals of your lips, your skin growing warm and plump. I see your eyes lifting their tents. They are blue stones, they begin to outgrow their moss. You blink in surprise and I wonder what you can see, my funny kin, as you trouble my silence. I am a shelter of lies. Should I learn to speak again, or hopeless in such sanity will I touch some face I recognize? Down the hall the baskets start back. My arms fit you like a sleeve, they hold catkins of your willows, the wild bee farms of your nerves, each muscle and fold of your first days. Your old man's face disarms the nurses. But the doctors return to scold me. I speak. It is you my silence harms. I should have known; I should have told them something to write down. My voice alarms my throat. "Name of father-none." I hold you and name you ******* in my arms. And now that's that. There is nothing more that I can say or lose. Others have traded life before and could not speak. I tighten to refuse your owling eyes, my fragile visitor. I touch your cheeks, like flowers. You bruise against me. We unlearn. I am a shore rocking you off. You break from me. I choose your only way, my small inheritor and hand you off, trembling the selves we lose. Go child, who is my sin and nothing more.
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55
Passing through huddled and ugly walls By doorways where women Looked from their hunger-deep eyes, Haunted with shadows of hunger-hands, Out from the huddled and ugly walls, I came sudden, at the city's edge, On a blue burst of lake, Long lake waves breaking under the sun On a spray-flung curve of shore; And a fluttering storm of gulls, Masses of great gray wings And flying white bellies Veering and wheeling free in the open
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2.9k
The Harbor
of beautiful things willowy warbler's wax'n wings silvery strumming singing sands languid lagoons in luxurious lands carvings of creosote cacti create fulcrum of flame thru frivolous fate volcanic vestibule vestments and vestiges historical hypothesis harmonious heritage melanin melange mellifuous mild woodduck waters wheeling and wild crystal caverns creating light nocturnal nymphs announcing the night sumptuous sunsets scintillation's scream dramatic dawn drawn from a dream SoulSurvivor (C) 12/2/2015
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Dec 2, 2015
Dec 2, 2015 at 6:23 PM UTC
appreciation
We used to be so uncompromised, Our words didn't have some double meaning, Something deeming, That we were more than we were willing to admit. I could look you in the eyes without that feeling, Without my thoughts wheeling, Away from the possibility of having to commit. You and I were not some cliched affair, But now we are something I thought I could not bare, And I fear, I fear that we have been compromised, By those double meanings, Those feelings, Deeming, That we are more than we are willing to admit.
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Aug 13, 2013
Aug 13, 2013 at 2:59 AM UTC
Compromised
Hey Danny, I droped it twice but this one is just as nice On the fly a small hummingbird on flittering wings just dusting the room With dann dust and goodwill. A quiver filled with curative pin point healing She is wheeling and dealing Danielle I presume is the full story. Acufeel good. Feelgood ancient curative Sent from the far east. Miniature Magic whipping about in sea blue scrubs All good news . Never gave me the bluesy tude. Cool runnings miss danny. Nuff respect. A short poem for a big spirit. In. Small spirit Country. Seek and ye shall find I am inclined to believe She has a good vibe. Cool runnings hummingbird. See you at the water cooler
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Jan 16, 2013
Jan 16, 2013 at 5:56 PM UTC
Danny
Where is death today? Busily hiding the bodies, Or hunched beside a car loosening wheel bolts, Placing a dark hand over a traffic light, Squeezing the shotgun trigger, Or strapped in a wheelchair Disguised as a patient and wheeling rapidly around the hospital wards, Removing the soap. Or maybe cycling down the motorway The large black cloak neatly bundled into the waistband Right trouser leg tucked into a black sock A bone poking out the toe The Reaper strapped to the bicycle crossbar Blade hanging to the rear   But not obscuring the red reflector Wearing Kevlar gloves when handling the scythe And Vis a Vest neatly tied with a bow At the very least a reflective armband. Or possibly fixing a puncture on his way to my home...Bad form then On arrival should I greet with “Come in, you look perished! ” Discuss the weather as a distraction I could offer new socks Like every interview this might not go well.
0
Jun 4, 2017
Jun 4, 2017 at 7:50 PM UTC
Locating Death
My percussion teacher, fresh out of surgery: Going down the line of kids at attention - Checking the attention - my percussion teacher In a wheelchair gliding down the line - Fresh out of surgery - sliding down the line Of kids at attention with heads bowed. My percussion teacher with the aching back; My percussion teacher, fresh out of surgery (With the pill keeper on her keychain) Wheeling down the line of insecure children - Checking the attention - my percussion teacher Calling "Chin up, chest out, back straight," (Fresh out of back surgery) going down the line, "Don't lock your knees, be proud." My percussion teacher weeks after surgery With the back pain and the brave face, At a Christmas parade My percussion teacher gliding beside the drums Chair whirring between beats, my teacher Whispering, "roll step, back straight, chin up, Be proud." My teacher in her home at New Year's, Recovered and childish, months after surgery "Look, I'm taller now? Wanna see my scar?" Yes I want to see it, yes of course - that scar, That pride twisting pink across your chest, yes. Yes, because your chin is up, And your back is straight.
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Apr 3, 2012
Apr 3, 2012 at 10:01 PM UTC
Posture