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"wells" poems
Out of lemon flowers loosed on the moonlight, love's lashed and insatiable essences, sodden with fragrance, the lemon tree's yellow emerges, the lemons move down from the tree's planetarium Delicate merchandise! The harbors are big with it- bazaars for the light and the barbarous gold. We open the halves of a miracle, and a clotting of acids brims into the starry divisions: creation's original juices, irreducible, changeless, alive: so the freshness lives on in a lemon, in the sweet-smelling house of the rind, the proportions, arcane and acerb. Cutting the lemon the knife leaves a little cathedral: alcoves unguessed by the eye that open acidulous glass to the light; topazes riding the droplets, altars, aromatic facades. So, while the hand holds the cut of the lemon, half a world on a trencher, the gold of the universe wells to your touch: a cup yellow with miracles, a breast and a ****** perfuming the earth; a flashing made fruitage, the diminutive fire of a planet.
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Ode To a Lemon
I love the sea fiercely, as I love the sand and mangoes, I love you fiercely, as many a poem of mine shows, You wove the two together, and I do not know whether, They shall ever, be separate again. Frustration wells within, As my thoughts begin, To turn towards the fact that you won’t ever love me, I can’t bear it for long, and push you aside, I won’t be depressed, or succumb to the tide, Frustration again! I can’t have it my way, That the first boy I’d fall for, would be mine to stay
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Oct 14, 2014
Oct 14, 2014 at 7:27 PM UTC
I cannot forget
Your limitless future brings great fear The future is less far and more near Glasses will replace cellphones next year Hundreds can share one's eyes People you replace will shed a tear Tech is human's demise You con with lights and buttons and bells Amplifying strength, you fit in cells We drown in technological wells You thrive and humans shrink The addiction will rot us in Hell People! Log off and think! When do we cease with this life carefree It's time people let well enough be Tech will soon replace humans for free Tractors and new machines Starved, by stealing the jobs of many Limitations obscene
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Mar 20, 2013
Mar 20, 2013 at 8:35 PM UTC
To Technology and Humans (Burns Stanza)
You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may **** me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.
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Still I Rise
We wear this city on our feet Planting our roots with each step Our shadows cast shapes of ancient oak trees stretching out over old squares at daybreak We grow here with the spirit of buildings past, present and rising like a staircase to heaven in the distance, the plumes of white smoke from their rooftops as burnt offerings for incense, spires for steeples, the bundled masses of people moving beneath as the calloused soles of our feet pounding the pavement, Our congregation seated in reverant silence on the R-Line hissing to a stop Their hushed prayers filing out from within to bring the reclaimed sidewalks of Fayetville Street back to life to join this pilgramage They march downtown toward Capitol holding signs for disarmament They bar-hop through Glenwood toasting to deliverance They move in a blur of faces that become us, Rush at all hours through our veins Cross our hearts and keep us breathing, Moving wearing the city on our minds like the greyest pieces of their winter sky and the way it caps the peaks of Mount PNC, BB&T and Wells Fargo like hoodies over our heads We assume monk-like appearances in robes color-coded by season- from blue collar sweaters to cold hard sweat We'll wear their city until we're worn out and wet, We'll wear their dreams at night like streetlamps flickering on beneath wired telephone poles carrying conversations about each one as far south as Florida, fears unspoken, made visible on iron park benches too cold to sit on at this hour We'll keep walking and wear this city like backpacks over our shoulders under the watch of their heavens, the skyline a glowing testament of every step taken toward someplace higher.
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Apr 9, 2018
Apr 9, 2018 at 7:27 PM UTC
Becoming Raleigh
We wear this city on our feet Planting our roots with each step Our shadows cast shapes of ancient oak trees stretching out over old squares at daybreak We grow here with the spirit of buildings past, present and rising like a staircase to heaven in the distance, the plumes of white smoke from their rooftops as burnt offerings for incense, spires for steeples, the bundled masses of people moving beneath as the calloused soles of our feet pounding the pavement, Our congregation seated in reverant silence on the R-Line hissing to a stop Their hushed prayers filing out from within to bring the reclaimed sidewalks of Fayetville Street back to life to join this pilgramage They march downtown toward Capitol holding signs for disarmament They bar-hop through Glenwood toasting to deliverance They move in a blur of faces that become us, Rush at all hours through our veins Cross our hearts and keep us breathing, Moving wearing the city on our minds like the greyest pieces of their winter sky and the way it caps the peaks of Mount PNC, BB&T and Wells Fargo like hoodies over our heads We assume monk-like appearances in robes color-coded by season- from blue collar sweaters to cold hard sweat We'll wear their city until we're worn out and wet, We'll wear their dreams at night like streetlamps flickering on beneath wired telephone poles carrying conversations about each one as far south as Florida, fears unspoken, made visible on iron park benches too cold to sit on at this hour We'll keep walking and wear this city like backpacks over our shoulders under the watch of their heavens, the skyline a glowing testament of every step taken toward someplace higher.
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1235 Like Rain it sounded till it curved And then I new ’twas Wind— It walked as wet as any Wave But swept as dry as sand— When it had pushed itself away To some remotest Plain A coming as of Hosts was heard It filled the Wells, it pleased the Pools It warbled in the Road— It pulled the spigot from the Hills And let the Floods abroad— It loosened acres, lifted seas The sites of Centres stirred Then like Elijah rode away Upon a Wheel of Cloud.
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Like Rain it sounded till it curved
Axes After whose stroke the wood rings, And the echoes! Echoes traveling Off from the center like horses. The sap Wells like tears, like the Water striving To re-establish its mirror Over the rock That drops and turns, A white skull, Eaten by weedy greens. Years later I Encounter them on the road---- Words dry and riderless, The indefatigable hoof-taps. While From the bottom of the pool, fixed stars Govern a life.
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Words
It's coming through a hole in the air, from those nights in Tiananmen Square. It's coming from the feel that it ain't exactly real, or it's real, but it ain't exactly there. From the wars against disorder, from the sirens night and day, from the fires of the homeless, from the ashes of the gay: Democracy is coming to the U.S.A. It's coming through a crack in the wall, on a visionary flood of alcohol; from the staggering account of the Sermon on the Mount which I don't pretend to understand at all. It's coming from the silence on the dock of the bay, from the brave, the bold, the battered heart of Chevrolet: Democracy is coming to the U.S.A. It's coming from the sorrow on the street the holy places where the races meet; from the homicidal bitchin' that goes down in every kitchen to determine who will serve and who will eat. From the wells of disappointment where the women kneel to pray for the grace of G-d in the desert here and the desert far away: Democracy is coming to the U.S.A. Sail on, sail on o mighty Ship of State! To the Shores of Need past the Reefs of Greed through the Squalls of Hate Sail on, sail on It's coming to America first, the cradle of the best and the worst. It's here they got the range and the machinery for change and it's here they got the spiritual thirst. It's here the family's broken and it's here the lonely say that the heart has got to open in a fundamental way: Democracy is coming to the U.S.A. It's coming from the women and the men. O baby, we'll be making love again. We'll be going down so deep that the river's going to weep, and the mountain's going to shout Amen! It's coming to the tidal flood beneath the lunar sway, imperial, mysterious in amorous array: Democracy is coming to the U.S.A. Sail on, sail on o mighty Ship of State! To the Shores of Need past the Reefs of Greed through the Squalls of Hate Sail on, sail on I'm sentimental if you know what I mean: I love the country but I can't stand the scene. And I'm neither left or right I'm just staying home tonight, getting lost in that hopeless little screen. But I'm stubborn as those garbage bags that Time cannot decay, I'm junk but I'm still holding up this little wild bouquet: Democracy is coming to the U.S.A.
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Democracy
It's coming through a hole in the air, from those nights in Tiananmen Square. It's coming from the feel that it ain't exactly real, or it's real, but it ain't exactly there. From the wars against disorder, from the sirens night and day, from the fires of the homeless, from the ashes of the gay: Democracy is coming to the U.S.A. It's coming through a crack in the wall, on a visionary flood of alcohol; from the staggering account of the Sermon on the Mount which I don't pretend to understand at all. It's coming from the silence on the dock of the bay, from the brave, the bold, the battered heart of Chevrolet: Democracy is coming to the U.S.A. It's coming from the sorrow on the street the holy places where the races meet; from the homicidal bitchin' that goes down in every kitchen to determine who will serve and who will eat. From the wells of disappointment where the women kneel to pray for the grace of G-d in the desert here and the desert far away: Democracy is coming to the U.S.A. Sail on, sail on o mighty Ship of State! To the Shores of Need past the Reefs of Greed through the Squalls of Hate Sail on, sail on It's coming to America first, the cradle of the best and the worst. It's here they got the range and the machinery for change and it's here they got the spiritual thirst. It's here the family's broken and it's here the lonely say that the heart has got to open in a fundamental way: Democracy is coming to the U.S.A. It's coming from the women and the men. O baby, we'll be making love again. We'll be going down so deep that the river's going to weep, and the mountain's going to shout Amen! It's coming to the tidal flood beneath the lunar sway, imperial, mysterious in amorous array: Democracy is coming to the U.S.A. Sail on, sail on o mighty Ship of State! To the Shores of Need past the Reefs of Greed through the Squalls of Hate Sail on, sail on I'm sentimental if you know what I mean: I love the country but I can't stand the scene. And I'm neither left or right I'm just staying home tonight, getting lost in that hopeless little screen. But I'm stubborn as those garbage bags that Time cannot decay, I'm junk but I'm still holding up this little wild bouquet: Democracy is coming to the U.S.A.
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72
There's more wine in the glass than ink in the pen. A truly conflicted narcissist upon obscured reflection. Beauty. Skin deep? I'll carve manifestos in flesh when the wells run dry. Trace each scar with shaking fingertips and blind eyes.
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Apr 1, 2014
Apr 1, 2014 at 7:22 PM UTC
Obscured Reflection.
If all scars were purple And all bruises red And we could pour out All the pain in our heads If people were rabbits And rabbits were dead And all scars were purple And all bruises red – Would people be purple? Would rabbits be dead? Is it bruises that **** us, Or scars to the head? What is it that tortures us, Leaves us all writhing? What makes us stop living And start just surviving? What monster pursues us – What ghastly condition? The one deep within us; The sick apparition. This torturous bubble From deep in our heart Wells up, overwhelms us And tears us apart.
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Jun 23, 2015
Jun 23, 2015 at 11:31 AM UTC
If all scars were purple
Out on the frozen Charles, alone but for the creak of the ice beneath, and the singing of the winter wind, and the glitt'ring of the city lights, more num'rous than the stars at night, life wells up inside of me. I am a river that's in flood; balloon at full capacity. The universe runs through my blood. At times like this I know why. I know why I am alive.
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Nov 30, 2011
Nov 30, 2011 at 9:27 PM UTC
Existentialism
I. Hear the sledges with the bells— Silver bells! What a world of merriment their melody foretells! How they ****** ****** ****** In their icy air of night! While the stars, that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells— From the jingling and the tinkling of the bells. II. Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten golden-notes, And all in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells, bells, Bells, bells, bells— To the rhyming and the chiming of the bells! III. Hear the loud alarum bells— Brazen bells! What a tale of terror now their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now—now to sit or never, By the side of the pale-faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the ***** of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells— Of the bells— Of the bells, bells, bells, bells, Bells, bells, bells— In the clamor and the clangor of the bells! IV. Hear the tolling of the bells— Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people—ah, the people— They that dwell up in the steeple. All alone, And who toiling, toiling, toiling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone— They are neither man nor woman— They are neither brute nor human— They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry ***** swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells— Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells— Of the bells, bells, bells— To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells— Of the bells, bells, bells— To the tolling of the bells, Of the bells, bells, bells, bells, Bells, bells, bells— To the moaning and the groaning of the bells.
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The Bells
I. Hear the sledges with the bells— Silver bells! What a world of merriment their melody foretells! How they ****** ****** ****** In their icy air of night! While the stars, that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells— From the jingling and the tinkling of the bells. II. Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten golden-notes, And all in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells, bells, Bells, bells, bells— To the rhyming and the chiming of the bells! III. Hear the loud alarum bells— Brazen bells! What a tale of terror now their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now—now to sit or never, By the side of the pale-faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the ***** of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells— Of the bells— Of the bells, bells, bells, bells, Bells, bells, bells— In the clamor and the clangor of the bells! IV. Hear the tolling of the bells— Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people—ah, the people— They that dwell up in the steeple. All alone, And who toiling, toiling, toiling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone— They are neither man nor woman— They are neither brute nor human— They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry ***** swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells— Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells— Of the bells, bells, bells— To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells— Of the bells, bells, bells— To the tolling of the bells, Of the bells, bells, bells, bells, Bells, bells, bells— To the moaning and the groaning of the bells.
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117
Your eyes are like deep wells I cannot see the bottom they hold many secrets which cannot be forgotten
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Feb 19, 2015
Feb 19, 2015 at 4:36 AM UTC
EYES
Your face, Tender, round and dimpled, Framed with gilded, carved, tawny curled Whirlpools of hair, long, lighted, and sparkling, Your face is the face— Of Ireland. Your lips, Full, moist and deathly deep, Are wells, not well for me, not safe, taboo, Tantric, tall told tales of brave Odysseus Under Circe's alchemies Of forgetfulness. Your ***** The zenith of blossom in fabled Elysium, gateway to the forbidden gardens Of sage and sinners, warrior-poets, Aphrodite's Envy, Poseidon's drowning And smoldering Zeus.
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Jul 16, 2012
Jul 16, 2012 at 10:58 PM UTC
The Face of Ireland
we hail from synonyms replicate those isles of dirt jagged colossal terrains of earth which sprouts to scrape the wisps of pearly clouds where marble and stone splintered scorches of gnarled bark where the soft paws of preying lions roam within the sea of swaying golden grass where each stroke of a feathered wing flourishes the air with its mighty swing and the threshold of mysterious beings idle in mischief of deep blue seas and those salty shores swallow the iron hulk of ships and ferocious savages of nature's call groaning in mourn for her body her crevasses and pools of spilling crystal cerulean water where the malachite moss sits in stone of endless time and trees groomed of wind and sun prideful beneath the drink of the setting morrow she yearns for the claim of her shape for the purity of her waters like blood her parched throat of sandy desert lands amputated into wells of gorging oil she suffocates from her very existence a poison to herself and as the days wan to a fast massacre to her own suicidal mission to feed our negligence we label: humanity
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Jul 20, 2015
Jul 20, 2015 at 7:14 PM UTC
Motherland
stay. four letters that can't take away the pain. i am nothing but a voice aside from the ones in your head, the ones telling you how small you are, whispers in your ear, they tell you you are worthless, i tell you you are beautiful. only you can choose who to believe. stay. the day you leave, your best friend will sit alone at the lunch table, turning to the spot you once sat, and their eyes will become wells of emptiness a quiet sadness filling the place that you once were. your best friend will start fading away, breaking into fragments, and you have the nerve to leave them alone? you say, the earth will keep turning, but your best friend's world is crumbling more every day, and soon it will fall apart completely. because of you.
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Oct 1, 2018
Oct 1, 2018 at 2:01 PM UTC
stay.
Songster, not as sinister as they say, she's no monster, just admittedly a bit lost in her way. she caves as I'm walking down the hall. I pick her up, off of that flooring, the rubbery kind, whatever it is, I guess it's rubber, but the kind that squeaks when you walk on it after coming in from the rain; to hell with poetry. And so anyways I pick her up and sit her on this bench next to me and give her about five minutes to come to terms with breathing and pick shimmering auburn hair out of the tears smeared across her face, two, mesmerizing, perfectly blue wells the source of the streams. And then I ask her what that was all about and she blurts out that she belongs in the Fine Arts Department, and her car broke down months ago but her father doesn't give a **** about it, because she can't lay up the basketball or steal the base and so he honorably lump summed her entire tuition and sent her to another state and how ****** she would be if she had to get a job for the first time at the age of twenty three so she wouldn't have to be dependent on her family and that she was sick of wondering why not a single guy had ever given her a ******* flower and that if she ever did end up liking one two weeks later she would find out that he was exactly the same as the others and she had a broken look in her eyes when she said she wondered why we were all here in the first place, and how we were made this way, and if people were actually ever meant to fit together or not; *what if there was nothing as certain as two halves making a whole?* She wanted to know how everyone's mind had a different game to play, she wanted to know why Jupiter had to be so far away and everything in between. We had strolled off of the school grounds by this time but I still looked twice before pulling out my flask. I  unscrewed the cap, handed it to her and said *follow me to Deadbeat Hollow, where we've already thrown our problems out of the window* and she said lets go.
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May 11, 2012
May 11, 2012 at 9:46 PM UTC
Follow Me to Deadbeat Hollow
Songster, not as sinister as they say, she's no monster, just admittedly a bit lost in her way. she caves as I'm walking down the hall. I pick her up, off of that flooring, the rubbery kind, whatever it is, I guess it's rubber, but the kind that squeaks when you walk on it after coming in from the rain; to hell with poetry. And so anyways I pick her up and sit her on this bench next to me and give her about five minutes to come to terms with breathing and pick shimmering auburn hair out of the tears smeared across her face, two, mesmerizing, perfectly blue wells the source of the streams. And then I ask her what that was all about and she blurts out that she belongs in the Fine Arts Department, and her car broke down months ago but her father doesn't give a **** about it, because she can't lay up the basketball or steal the base and so he honorably lump summed her entire tuition and sent her to another state and how ****** she would be if she had to get a job for the first time at the age of twenty three so she wouldn't have to be dependent on her family and that she was sick of wondering why not a single guy had ever given her a ******* flower and that if she ever did end up liking one two weeks later she would find out that he was exactly the same as the others and she had a broken look in her eyes when she said she wondered why we were all here in the first place, and how we were made this way, and if people were actually ever meant to fit together or not; *what if there was nothing as certain as two halves making a whole?* She wanted to know how everyone's mind had a different game to play, she wanted to know why Jupiter had to be so far away and everything in between. We had strolled off of the school grounds by this time but I still looked twice before pulling out my flask. I  unscrewed the cap, handed it to her and said *follow me to Deadbeat Hollow, where we've already thrown our problems out of the window* and she said lets go.
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58
Someday I'd like to wander free like butterfly, like bumblebee, perhaps to plant a willow tree beside the silent solemn sea, before these things exist no more, from mountain top to shifting shore, when, soon, bald eagles cease to soar and build their aeries nevermore, and fish forsake polluted streams (where sulfur swims and typhoid teems since no one really cares it seems) to die inside our toxic dreams while ice caps melt and winter steams, and all the air surrounding reeks as children choke, for no one speaks of fracking wells or oily leaks (Big Brother's silenced all critiques!), and rancid rains acidify so woods no longer multiply (for God so wills, we can't deny, which is, of course, our alibi). And as the deepest ocean fills with plastic bags, and garbage spills upon the plains, across the hills and turns to poison dust that kills wild dingo dogs and daffodils which sink in swamps’ forsaken swills, the mocking bird makes light and trills (midst waning wails of whippoorwills) "Behold the surreal scene that chills and greet the dread that death distills! You've had your day with all the frills that brought the flood and final ills that can't be cured with bitter pills nor yet undone with further thrills of profit gained that grinds and fills dead desert sands with dollar bills." EPILOGUE Though swaddled still in infancy, we feel we’ve reached our primacy (aloof, though preaching piously, disdaining deeds of decency) and have no need of augury. But in the pit of prophecy the crucial questions seem to be: “Is doom Earth’s fate, our destiny to twist in tides of agony destroying nature’s progeny with no return a certainty assured by death’s finality?” and ”Should we plant a willow tree to someday weep for you and me?”
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Jun 16, 2015
Jun 16, 2015 at 2:45 PM UTC
A Willow Tree
Someday I'd like to wander free like butterfly, like bumblebee, perhaps to plant a willow tree beside the silent solemn sea, before these things exist no more, from mountain top to shifting shore, when, soon, bald eagles cease to soar and build their aeries nevermore, and fish forsake polluted streams (where sulfur swims and typhoid teems since no one really cares it seems) to die inside our toxic dreams while ice caps melt and winter steams, and all the air surrounding reeks as children choke, for no one speaks of fracking wells or oily leaks (Big Brother's silenced all critiques!), and rancid rains acidify so woods no longer multiply (for God so wills, we can't deny, which is, of course, our alibi). And as the deepest ocean fills with plastic bags, and garbage spills upon the plains, across the hills and turns to poison dust that kills wild dingo dogs and daffodils which sink in swamps’ forsaken swills, the mocking bird makes light and trills (midst waning wails of whippoorwills) "Behold the surreal scene that chills and greet the dread that death distills! You've had your day with all the frills that brought the flood and final ills that can't be cured with bitter pills nor yet undone with further thrills of profit gained that grinds and fills dead desert sands with dollar bills." EPILOGUE Though swaddled still in infancy, we feel we’ve reached our primacy (aloof, though preaching piously, disdaining deeds of decency) and have no need of augury. But in the pit of prophecy the crucial questions seem to be: “Is doom Earth’s fate, our destiny to twist in tides of agony destroying nature’s progeny with no return a certainty assured by death’s finality?” and ”Should we plant a willow tree to someday weep for you and me?”
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53
The Peace Process I don’t know where I'm going with this but there is peace in Colombia, the Marxist rebels lost and their **** women soldiers in green fatigue and weapons in arms will hand it all in for fashion magazines Hair- dressing salons and babies in arms. For women, a change from war to peace is easy to make it will be worse for men who feel inferior without guns. If Texas as an example had been a gun free zone you would have ended up with tall queens as cowhands, or what do I know left their oil wells and gone to Montana So why did the Marxist lose, ******* I think more economical beneficial, cash in hands better than a Marxist bible on the roof 28 years of peace the political parties in Colombia will have no consensus as the blamed is car mechanics or ranchers Everything is possible from the first female president in Colombia or and openly gay governor in Texas. Festive dresses and bulls with flowers on horns will be marching down the Avenue in Houston.
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Sep 3, 2016
Sep 3, 2016 at 4:57 AM UTC
the peace process
*The village by the sea an homage to simplicity a rare treasure of true community a place paused in time Climbing coconut trees Wells song with water for drinking, cooking to bathe and be clean A corner of the coast let it all hang out a beach side hippy retreat where nightly bonfires burned in celebration yearning for a freedom not found in their former home The Masquerade called the US of A My god parents raised me true my Madrine and Padrine speaking Konkani being free loved nurtured so pure the essence surreal A child of Goa I will always be girl in the sands with her head in the clouds I will always be a child of India no matter where I find my earthly home I will always know from whence I truly came*
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Oct 19, 2014
Oct 19, 2014 at 9:33 AM UTC
Child of Goa
So many memories they tend to cloud my mind Smells of the food cooking in the kitchen Family gathered— ready and at attention So many memories they tend to cloud my mind I remember when we used to play in the park I remember when our Grandma told us to be in before dark So many memories they tend to cloud my mind Sounds of laughter at Christmas time I remember when we used to wait up for Santa We were threatened with pepper in the eyes Remember that? Scared into sleepiness because our young minds didn’t know any better With the morning sun, we rise and shine to open presents together So many memories they tend to cloud my mind I remember these memories represented our close knit bond People grow People change I guess it’s naivety to think it would forever stay the same It’s the memories we cherish and should hold them close Keeping the people near and dear that we love the most Because there will come a time when the reaper must stake his claim We never invite him, but it doesn’t matter because he already has the name He may come in quick or take his time, but when he comes it leaves us blind Blinded by hurt Blinded by pain Blinded by the fact we will never see our loved one again Blinded by the new memories of a new type of hurt—a new type of pain Then the memories overflow and fill the frontal lobe-the part of the brain where memories and speech are controlled You become speechless because you become filled and overwhelmed with the loss Family comes together to comfort each other You haven’t seen some in years—it’s been so long since you’ve seen them you want to burst out in tears. Kids have grown and don’t look the same So handsome and beautiful, but you don’t remember their names That’s how long—how long it’s been Again, it’s a shame. You ask, “Why does it take death to bring the family together again?” Then, in an instant, tears begin to form in the wells of your eyes You realize how things have really changed and you don’t quite understand why So many memories they tend to cloud my mind I remember that there is a need to change the timeline I remember when I decided to finally say Don’t let the family, your blood, fade away Embrace each other Love each other Motivate each other Cherish each other Protect each other Keep each other Continue to make memories—no matter how old we get Make sure the family remains close knit Yep, so many memories they just tend to cloud my mind Family should always be together—until the end of time.
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Apr 13, 2017
Apr 13, 2017 at 8:03 AM UTC
So Many Memories
So many memories they tend to cloud my mind Smells of the food cooking in the kitchen Family gathered— ready and at attention So many memories they tend to cloud my mind I remember when we used to play in the park I remember when our Grandma told us to be in before dark So many memories they tend to cloud my mind Sounds of laughter at Christmas time I remember when we used to wait up for Santa We were threatened with pepper in the eyes Remember that? Scared into sleepiness because our young minds didn’t know any better With the morning sun, we rise and shine to open presents together So many memories they tend to cloud my mind I remember these memories represented our close knit bond People grow People change I guess it’s naivety to think it would forever stay the same It’s the memories we cherish and should hold them close Keeping the people near and dear that we love the most Because there will come a time when the reaper must stake his claim We never invite him, but it doesn’t matter because he already has the name He may come in quick or take his time, but when he comes it leaves us blind Blinded by hurt Blinded by pain Blinded by the fact we will never see our loved one again Blinded by the new memories of a new type of hurt—a new type of pain Then the memories overflow and fill the frontal lobe-the part of the brain where memories and speech are controlled You become speechless because you become filled and overwhelmed with the loss Family comes together to comfort each other You haven’t seen some in years—it’s been so long since you’ve seen them you want to burst out in tears. Kids have grown and don’t look the same So handsome and beautiful, but you don’t remember their names That’s how long—how long it’s been Again, it’s a shame. You ask, “Why does it take death to bring the family together again?” Then, in an instant, tears begin to form in the wells of your eyes You realize how things have really changed and you don’t quite understand why So many memories they tend to cloud my mind I remember that there is a need to change the timeline I remember when I decided to finally say Don’t let the family, your blood, fade away Embrace each other Love each other Motivate each other Cherish each other Protect each other Keep each other Continue to make memories—no matter how old we get Make sure the family remains close knit Yep, so many memories they just tend to cloud my mind Family should always be together—until the end of time.
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Ten Tears that fell Nine Half hearted oh wells Eight Sleepless nights Seven Silent screams Six Simple scratches Five Days left Four Depressive thoughts Three Anxious ones Two Ugly options One Last chance Zero No more, she's gone
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Jun 5, 2015
Jun 5, 2015 at 7:28 AM UTC
Deadly Countdown
PROMETHEUS (alone) O holy Aether, and swift-winged Winds, And River-wells, and laughter innumerous Of yon Sea-waves! Earth, mother of us all, And all-viewing cyclic Sun, I cry on you,-- Behold me a god, what I endure from gods! Behold, with throe on throe, How, wasted by this woe, I wrestle down the myriad years of Time! Behold, how fast around me The new King of the happy ones sublime Has flung the chain he forged, has shamed and bound me! Woe, woe! to-day's woe and the coming morrow's I cover with one groan. And where is found me A limit to these sorrows? And yet what word do I say? I have foreknown Clearly all things that should be; nothing done Comes sudden to my soul--and I must bear What is ordained with patience, being aware Necessity doth front the universe With an invincible gesture. Yet this curse Which strikes me now, I find it hard to brave In silence or in speech. Because I gave Honor to mortals, I have yoked my soul To this compelling fate. Because I stole The secret fount of fire, whose bubbles went Over the ferrule's brim, and manward sent Art's mighty means and perfect rudiment, That sin I expiate in this agony, Hung here in fetters, 'neath the blanching sky. Ah, ah me! what a sound, What a fragrance sweeps up from a pinion unseen Of a god, or a mortal, or nature between, Sweeping up to this rock where the earth has her bound, To have sight of my pangs, or some guerdon obtain-- Lo, a god in the anguish, a god in the chain! The god Zeus hateth sore, And his gods hate again, As many as tread on his glorified floor, Because I loved mortals too much evermore. Alas me! what a murmur and motion I hear, As of birds flying near! And the air undersings The light stroke of their wings-- And all life that approaches I wait for in fear.
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5.5k
The Complaint Of Prometheus
PROMETHEUS (alone) O holy Aether, and swift-winged Winds, And River-wells, and laughter innumerous Of yon Sea-waves! Earth, mother of us all, And all-viewing cyclic Sun, I cry on you,-- Behold me a god, what I endure from gods! Behold, with throe on throe, How, wasted by this woe, I wrestle down the myriad years of Time! Behold, how fast around me The new King of the happy ones sublime Has flung the chain he forged, has shamed and bound me! Woe, woe! to-day's woe and the coming morrow's I cover with one groan. And where is found me A limit to these sorrows? And yet what word do I say? I have foreknown Clearly all things that should be; nothing done Comes sudden to my soul--and I must bear What is ordained with patience, being aware Necessity doth front the universe With an invincible gesture. Yet this curse Which strikes me now, I find it hard to brave In silence or in speech. Because I gave Honor to mortals, I have yoked my soul To this compelling fate. Because I stole The secret fount of fire, whose bubbles went Over the ferrule's brim, and manward sent Art's mighty means and perfect rudiment, That sin I expiate in this agony, Hung here in fetters, 'neath the blanching sky. Ah, ah me! what a sound, What a fragrance sweeps up from a pinion unseen Of a god, or a mortal, or nature between, Sweeping up to this rock where the earth has her bound, To have sight of my pangs, or some guerdon obtain-- Lo, a god in the anguish, a god in the chain! The god Zeus hateth sore, And his gods hate again, As many as tread on his glorified floor, Because I loved mortals too much evermore. Alas me! what a murmur and motion I hear, As of birds flying near! And the air undersings The light stroke of their wings-- And all life that approaches I wait for in fear.
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