"weft" poems
Like an alien in a spotlight
With her magnifying glasses on
My mother as she worked, up all night
Did invisible weaving till dawn
I would watch her when I couldn’t sleep
Honing in on that hole in the suit
Intently, her concentration deep
Weaving tiny threads enlarged like jute
In other-worldly light she labored
I was afraid she’d lose her eyesight
Watching her focus never wavered
Her face all aglow in the lamplight
Invisible weaving, I inquired
How tediously she plied her craft
Worked for the money that she required
Made the warp and weft of fabric last
Reconstruction, undetectable
No more burn, or tear, or fabric blight
Weaving magic so incredible
Its wound now perfect by morning’s light
She taught me much that I’m still making
From her life that now I’m grieving
Sewing, crocheting and great baking
But never invisible weaving
The picture of her life that mattered
I now see how she toiled so finely
And that the wrinkles in the fabric
Of my own life splayed out so blindly
The vision of my eyes, bedazzled
Incandescent, her face in the beam
Unaware how her mind unraveled
As Depression stole her ev’ry dream
The threads of DNA defining
Who I’ve become I’m now believing
My mother’s hand in that designing
Of my own Invisible Weaving*
*In honor of my mother, Edla Sylvia Fitzpatrick, on this International Women's Day
Mar 8, 2017
Mar 8, 2017 at 1:01 PM UTC
I. the smell of sad
odorless colorless like ***** similar familiar sidewinder effects,
musty invasive, it has no specificity, no locale centrale, well closeted,
saddling sadding, in place, plain sighted better to toy our lives,
pervades persists, worse lingers, impervious to sprays
and even everyone’s good literature (even Will S’s),
good wishes good intentions and mood prayers
to the nearest lay god
on duty at the spiritual emergency room on weekends,
still stink
don’t think that this poem is for you; solely for the writer,
your doppelgänger ****** your mirror’s inside hiding out place,
I,
who has your sadness smell into my skin cells creepily crept
waft woof and warp wet weft-woven
into the sad receptacles hidden in my
head’s cubbies and the palms of my tree hands-covering face
there are cures so wonderful and inexpensive but unavailable
at the local Rite Aid, though they are the right aid recoverable,
so closer than close, so close that the internist
cannot prescribe them because he must inject himself first
because the live bacteria in the antidote can **** all
this odor lays down bamboo-strong roots;
to eradicate you must dig down deep,
six feet perhaps more, with heavy earth moving equipment,
uproot at the source, follow sad always all-the-way down and the root
great god gone,
but the saddest truth
stench odor yet present***
Dec 1, 2018
Dec 1, 2018 at 10:54 AM UTC
when made a designated drinker
for a designated driver.
when stomaching stale pabst
and rationed sweet cider.
when frat boys fulfill
stereotypical homophobia.
when twenty grade A reds
can't last me longer than a dream.
when old man nightclub and triple kills
usurp the crown of moderation.
when you fall asleep
with so much in your blood to spill
like beans,
or milk not worthy of tears,
and i keep a loom in my heart
where i weave a string of everyone
[with myself]
and every fray in warp or weft
is mimicked by the splinters
shuttled to my hand.
Apr 30, 2013
Apr 30, 2013 at 10:06 PM UTC
Heartstone is a reflection in music on a ‘lost’ poem. The poem described in its two short verses a summer’s day, a landscape, a fossil found and placed in the palm of a child’s hand. The poem inspired a seven-movement work for wind, brass and percussion with solo piano. Here is its poetic programme note.
Chert
The piano draws an arc of rhythm
rising then falling.
Above
two choirs of wind and brass
exclaim, fanfare, mark out
shorter, determined
gestures of sound.
The procession, almost a march,
becomes a dance.
Alone
Two choirs of wind and brass
become four couples
whose music weaves
from complexity a simplicity:
Chromatic to Pentatonic
twelve becoming five.
Prase
Four stopped horns,
five extended tonalities.
Together they wander
a maze of Pentatonic paths;
alone, and in pairs, as a quartet
they discover within
a measured harmonic rhythm.
Tension: resolution
. . . and surrounding
their every move
the piano
insists an obligato,
a continuum of phrases,
absorbing into itself
the warp and weft of horn tone.
Sard
Oscillating
in perpetual motion
the full ensemble
occupies a frame
of time and space.
Flutes, reeds,
double-reeds
brass, piano,
percussion
mirror-fold on mirror-fold
layer upon layer
overlapping.
Yarns of threaded sound.
Tuff
Without a break
the mirrored oscillations
patter pentatonics
on tuned percussion
of marimba and vibraphone
whilst
a batterie of drums
lays down
shards of beaten rhythm
against this onward
folding of tonality change.
In the background
a choir of winds
flutes and single reeds
waymark this recursive journey
gathering together
cadential moments and the
necessary pause for breath.
Marl
Relentlessly, the motion is sustained,
piano-driven,
a syncopated continuo,
rhythm-sectioned
amidst layers of percussion.
Adding edge,
a choir of brass and double reeds
amplify the piano’s jagged rhythms
providing impetus for
phrases to become longer and longer,
ratching up the tension,
ever-denying closure
until the batterie
delivers
a conclusive flourish.
Paramoudra
Pulse-figures of winds.
Motific cells of brass.
Both
negotiate a stream of
fractal-shaped tonality
expanding: contracting.
A blossom of fanfares
folding into
pulsating layers
of tuned percussion,
flutes and reeds.
A dance-like episode
absorbs a chorale.
Four horns in close harmony
against the continuing dance.
A duet of differences
flows into a cascade of chords
in closed and open forms.
The piano supports
brass-flourishing figures
before a final stillness.
Heartstone
In gentle reflection
the solitary piano –
a figure in a landscape
of collapsed harmonic forms -
presents in slow procession
the essence of previous music.
Jan 27, 2013
Jan 27, 2013 at 12:41 PM UTC
As the gods began one world, and man another,
So the snakecharmer begins a snaky sphere
With moon-eye, mouth-pipe, He pipes. Pipes green. Pipes water.
Pipes water green until green waters waver
With reedy lengths and necks and undulatings.
And as his notes twine green, the green river
Shapes its images around his sons.
He pipes a place to stand on, but no rocks,
No floor: a wave of flickering grass tongues
Supports his foot. He pipes a world of snakes,
Of sways and coilings, from the snake-rooted bottom
Of his mind. And now nothing but snakes
Is visible. The snake-scales have become
Leaf, become eyelid; snake-bodies, bough, breast
Of tree and human. And he within this snakedom
Rules the writhings which make manifest
His snakehood and his might with pliant tunes
From his thin pipe. Out of this green nest
As out of Eden's navel twist the lines
Of snaky generations: let there be snakes!
And snakes there were, are, will be--till yawns
Consume this pipe and he tires of music
And pipes the world back to the simple fabric
Of snake-warp, snake-weft. Pipes the cloth of snakes
To a melting of green waters, till no snake
Shows its head, and those green waters back to
Water, to green, to nothing like a snake.
Puts up his pipe, and lids his moony eye.
3.8k
Another beloved strides out of my life.
Some smoker pauses
head bent over their cigarette
matchstick poised to flare and shimmy under
streetlight
but the waiting moment stretches
infinitely
With sweet shock I realise there is a breeze
playing around us both
made suddenly material
in the space/ the pause between
spark and fulfillment
Then can we wonder how things unseen
or only felt
become visible when
inconvenient
Yearning
for the moment
pressed somewhere into the weft of my childhood
Aslan smiling
-if lions can smile-
when three small British children find out
that they need never leave Narnia again.
Feb 8, 2015
Feb 8, 2015 at 10:07 AM UTC
Like an alien in a spotlight
With her magnifying glasses on
My mother as she worked, up all night
Did invisible weaving till dawn
I would watch her when I couldn’t sleep
Honing in on that hole in the suit
Intently, her concentration deep
Weaving tiny threads enlarged like jute
In other-worldly light she labored
I was afraid she’d lose her eyesight
Watching her focus never wavered
Her face all aglow in the lamplight
Invisible weaving, I inquired
How tediously she plied her craft
Worked for the money that she required
Made the warp and weft of fabric last
Reconstruction, undetectable
No more burn, or tear, or fabric blight
Weaving magic so incredible
Its wound now perfect by morning’s light
She taught me much that I'm still making
From her life that now I'm grieving
Sewing, crocheting and great baking
But never invisible weaving
The picture of her life that mattered
I now see how she toiled so finely
And that the wrinkles in the fabric
Of my own life splayed out so blindly
The vision of my eyes bedazzled
Incandescent, her face in the beam
Unaware how her mind unraveled
As depression stole her ev'ry dream
The threads of DNA defining
Who I’ve become I'm now believing
My mother’s hand in that designing
Of my own Invisible Weaving
Feb 25, 2016
Feb 25, 2016 at 12:24 PM UTC
What bonds bind my wrists
if not your words
that drip in heat of kiss
on naked flesh,
making of me a willing cohort
in your wicked game.
For once this rope
sang out in schoolyard rhyme
now echos screams in pleasures pain
as wooden handles held in sweating palms
now trace the heat of inner thigh.
The roughness
of well worn weft on silken skin
biting deep as bodies writhe
skipping to a new and frantic beat
Oct 7, 2012
Oct 7, 2012 at 3:42 PM UTC
"See! warp is stretched
For warriors' fall,
Lo! weft in loom
'Tis wet with blood;
Now fight foreboding,
'Neath friends' swift fingers,
Our grey woof waxeth
With war's alarms,
Our warp bloodred,
Our weft corseblue.
"This woof is y-woven
With entrails of men,
This warp is hardweighted
With heads of the slain,
Spears blood-besprinkled
For spindles we use,
Our loom ironbound,
And arrows our reels;
With swords for our shuttles
This war-woof we work;
So weave we, weird sisters,
Our warwinning woof.
"Now Warwinner walketh
To weave in her turn,
Now Swordswinger steppeth,
Now Swiftstroke, now Storm;
When they speed the shuttle
How spearheads shall flash!
Shields crash, and helmgnawer
On harness bite hard!
"Wind we, wind swiftly
Our warwinning woof
Woof erst for king youthful
Foredoomed as his own,
Forth now we will ride,
Then through the ranks rushing
Be busy where friends
Blows blithe give and take.
"Wind we, wind swiftly
Our warwinning woof,
After that let us steadfastly
Stand by the brave king;
Then men shall mark mournful
Their shields red with gore,
How Swordstroke and Spearthrust
Stood stout by the prince.
"Wind we, wind swiftly
Our warwinning woof.
When sword-bearing rovers
To banners rush on,
Mind, maidens, we spare not
One life in the fray!
We corse-choosing sisters
Have charge of the slain.
"Now new-coming nations
That island shall rule,
Who on outlying headlands
Abode ere the fight;
I say that King mighty
To death now is done,
Now low before spearpoint
That Earl bows his head.
"Soon over all Ersemen
Sharp sorrow shall fall,
That woe to those warriors
Shall wane nevermore;
Our woof now is woven.
Now battlefield waste,
O'er land and o'er water
War tidings shall leap.
"Now surely 'tis gruesome
To gaze all around.
When bloodred through heaven
Drives cloudrack o'er head;
Air soon shall be deep hued
With dying men's blood
When this our spaedom
Comes speedy to pass.
"So cheerily chant we
Charms for the young king,
Come maidens lift loudly
His warwinning lay;
Let him who now listens
Learn well with his ears
And gladden brave swordsmen
With bursts of war's song.
"Now mount we our horses,
Now bare we our brands,
Now haste we hard, maidens,
Hence far, far, away."
Apr 26, 2010
Apr 26, 2010 at 10:58 AM UTC
The pattern on the underside confused
By snarl and tangle, jumbled, twisting knot.
Its warp and woof constructed without thought
It seems: the flawless linen now infused
With spots of wreckage--perfect weave abused.
“A waste of thread,” I cry, upset, distraught,
And try to pluck the mess now sewn in taut,
Then see the Eye that watches me, amused--
Whose Hand now turns the underside to light.
Amazed, I view a matchless, pristine shawl,
Embroidered dosser, interlaced with shine
That stirs me as I contemplate the sight
Of faultless weft, undamaged after all.
Eternity alone discerns design.
Feb 17, 2017
Feb 17, 2017 at 8:56 PM UTC
In the old part of town
There are still cobbled streets
And at one time
These streets were surrounded
By living working mills
Marking the towns heartbeat
Twenty-four hours a day
Seven days a week
The machines hammered the air
As the flying shuttles were cracked
From side to side of the weft
On more than a hundred looms
It sounded like a battlefield
And some would say it was
But that was long ago
And now the mills are dead
The buildings still stand
But inside they are broken
Housing many more
Modern endeavours
And in one of these old buildings
Within the same crusty bricks
There's another world that lives
In the dark hours at least
There's a night club that throbs
To the sound of bands playing
Different rhythms for the town
And the neon lights outside
Shine on the same old cobble stones
By Phil Roberts
May 7, 2017
May 7, 2017 at 11:02 AM UTC
Now,
We are mellow.
Having spent the evening exploring the threads of friendship.
That had come adrift of warp, weft and weave.
Time and distance had
silks, snag-tagged-torn,
on the bustling-busy,
hectic-hustling of work
and family.
Teasing-taunt,
needle-gnawing,
small, gap-rip-rents
in the snug comforter
that is... the wonder of us.
Us, so many secrets woven. So many, nights of tissues and sobbing tears.
Darning in daring exploits. Cutting away knotted,
fear-angry-scream-fighting feuds.
Cutting work, for days of delight and nights of desperate yearning.
We used anything at hand, rough wools, pieces of string and twines.
To weave a blanket,
to hide us from life's storms.
We were,
so young, so strong, recklessly-brash,
stupidly-joyous
and braveheart-fools.
And now, time and age,
has softened our work. Felted and fuse-melded,
the fibres into a beautiful entity.
That we store-save in the heart's cupboard,
of special and precious things.
It is an heirloom of sorts.
We bring it out,with occasional, humble-grace,
to be dandled and stroked with reverence.
Caressed and cossetted are our memories held within the abstract weave.
We are the dwindling
of a youthful exuberance
flung-thrown-heaved
to the wild winds.
So now, we are grateful to be curator-custodians of the retrospective nature
as we augment-append
and reiterate-repair.
A new thread here,
now,
embellish-embroider,embed
and tatt-stitch.
My son and your twin girls, squeezed, splashing
into your tiny bathtub
big-grin-giggling in the gurgling water.
Our future, here and now,
is the brightest of silks,
Our past, mellow and yielding in,
the luminent opulence,
angelically-asleep in,
the other room.
May 31, 2014
May 31, 2014 at 6:30 AM UTC
To trust the rust wrought lemon husk
To edge the endeavour far beyond cussed
Weft warped kisses dress un-silken chest
Cleft clawed viscera separated not even
by breath.
Dust dredged surface beds descry all but
the separation of legs
our bodies dressed in skin and flesh
our eyes undress what was left
as feet fold right to our chest
Remembrance seeds your rosemary breath
An eternal path gained through worldly deft
As voids are filled like celestial nests
May 1, 2016
May 1, 2016 at 7:10 PM UTC
<Sun May 14 5:00 AM PST>
Let us be smart about this departure,
time unscheduled, yet leaving inevitable,
the sound of fabric torn, a rent performed,
a ripping, a release of the gripping, connecting
tissue of weft and weave tying parent and child
*(All of us poets, all of us comprehend,
there are two points, two buttonholes
that offer escape or farewell, when we
commence on something new, when we
pen our chest’s demands to exhale, cease the hammering*
*Perhaps, here, just after the third stanza,
the brick enormity of our selected task, on chest,
weighs heavy, boulder difficulties ahead, now fastened
and faster and faster realized, begs us, quit this essay,
return to placid, from an arrhythmia of imploding loss)*
So many fabrics, so many tears, wet and dried,
but upon commencement, the only finish line,
is another commencement, when the (mine-own) rendering
is finalized, beyond repair, when guilt gulfs overflows, flooding
plains of forever pain officiated by signed scar, “here was”
So many separations, varied and variegated,
surficial shallow surgical or plunges, widths of trickle,
depths of deadly plunges, records of inches, dates,
names, new heights inscribed, measured on a door jamb,
lost, erased, when child’s door closes permanently
Came today to the West, to Pacific Ocean entrance,
to celebrate a good boy’s ritualized threshold crossing
over into manhood, both symbolic and and realized,
but tear-up seeing the small child-man leaning in and on
his father’s larger frame, a coinciding giving & taking
no bonds are eternal, for such is life, the weft must be
warped, sundered and separated, so many reasons,
experience speaks, scars are like bandages,protecting
but deceiving, what they cover can never be excised,
a space created, that only oxygen can touch both sides
but never, ever be reperfected, mended,…or finalized
2023
San Francisco
May 14, 2023
May 14, 2023 at 10:07 AM UTC
comedy
clandestine couples
clamerous cosmetics
coughing guffaws
garrulous giggles
gratefully grinning
grotesque charlatans...
tragedy
torrid transgressions
tornado turnabout
tempestuous tradition
transcendent puberty
punishing parable
poignantly
pointless.
Shakespeare.
wove both into
his weft of
words.
SøułSurvivør
(C) 5/12/2017
May 12, 2017
May 12, 2017 at 11:18 PM UTC
I wonder how you feel to-day
As I have felt since, hand in hand,
We sat down on the grass, to stray
In spirit better through the land,
This morn of Rome and May?
For me, I touched a thought, I know,
Has tantalized me many times,
(Like turns of thread the spiders throw
Mocking across our path) for rhymes
To catch at and let go.
Help me to hold it! First it left
The yellow fennel, run to seed
There, branching from the brickwork’s cleft,
Some old tomb’s ruin: yonder ****
Took up the floating weft,
Where one small orange cup amassed
Five beetles,—blind and green they *****
Among the honey meal: and last,
Everywhere on the grassy slope
O traced it. Hold it fast!
The champaign with its endless fleece
Of feathery grasses everywhere!
Silence and passion, joy and peace,
An everlasting wash of air—
Rome’s ghost since her decease.
Such life here, through such lengths of hours,
Such miracles performed in play,
Such primal naked forms of flowers,
Such letting nature have her way
While heaven looks from its towers!
How say you? Let us, O my dove,
Let us be unashamed of soul,
As earth lies bare to heaven above!
How is it under our control
To love or not to love?
I would that you were all to me,
You that are just so much, no more.
Nor yours nor mine, nor slave nor free!
Where does the fault lie? What the core
O’ the wound, since wound must be?
I would I could adopt your will,
See with your eyes, and set my heart
Beating by yours, and drink my fill
At your soul’s springs,— your part my part
In life, for good and ill.
No. I yearn upward, touch you close,
Then stand away. I kiss your cheek,
Catch your soul’s warmth,— I pluck the rose
And love it more than tongue can speak—
Then the good minute goes.
Already how am I so far
Our of that minute? Must I go
Still like the thistle-ball, no bar,
Onward, whenever light winds blow,
Fixed by no friendly star?
Just when I seemed about to learn!
Where is the thread now? Off again!
The Old trick! Only I discern—
Infinite passion, and the pain
Of finite hearts that yearn.
1.9k
the people where work goes on,
have their faces strapped to their computers,
while the thumbs have texting down to a science,
gravity
speed of light
a thumb in motion tends to stay a thumb,
the people where the commute takes place,
get bus(ted), and are in the sky train(ing)
for hours every year while others have car(diac)
arrests for texting while driving or is it driving while
testing the limits of the laws of physics and hand eye
coordination a n d d i d y o u s ee a s l o w
down
in
the
reaction ...
................... crash,
the people that live in houses and so many paths
wear out the carpet, wear out the floor, hardwood
or laminate, but their thumbs never wear out,
they just grow new ones or more thumbs,
I saw a movie once recently about the end of the
world, and there were certain people who had no
thumbs,...before the world collapsed I am sure this
became the punishment for texting and operating
a vehicle stupidly.
crossing paths, crossing lives, each has at least one cross
to bear, it is bare, but all these lives, from a look,
from a lighted window, to a parked car, a man walking his dog,
to the person you meet in transit, on foot,
do you see their eyes,
is there pain in diguise?
do you even notice
or is it just another lotus
flower in the swamp
called life
called strife,
news said it was a knife,
cutting the strands attached
to each one of us,
not the fibre we are made of
but the life we weave with
all these fibres weft and warped
make society,
but all these unmarked footsteps,
tire tracks, electonic waves, invisible,
so when you wander,
make sure you wonder,
about all the people
on all these paths
and therefore sonder
in awe, go in peace
©DWE022014
Feb 23, 2014
Feb 23, 2014 at 12:19 AM UTC
By the edge of the moors
Occupied by shadows cast
Its once closed doors
Unhinged by times pass
Centered in a golden arch
Above the mantle it spies
Generations of burning embers
And Masquerading lies
Benign to the naked eye
It's weft masks well
It's blood stained warp
Yet it holds dear
Within every woven thread
Lies the tapestry of fear
Jul 11, 2014
Jul 11, 2014 at 6:09 PM UTC
My window has no seat, why would it? I wish it did.
There is just a glossy magnolia ledge, barely wide enough to
cater a slender bottom. Upon the ledge books and candles
rest, illuminating the murk outside. Directly opposite orchard
trees recede as I welcome autumn with a zealous smirk.
For now faintly visible between their visceral arms are the
all-seeing hillocks that in winter will dominate my view.
An impartial observer once stated they were mere freckles
on the landscapes recumbent spine, but to me their sight alone
is vertiginous. On balmy April days I would surmount them,
a personal expedition, up there where I’m the valleys curator, wearing
pristine white gloves I meticulously unravel the terrain: an ancient
manuscript, the vellum inked with meandering streams, occasional farms,
cursive hamlets and little else - a land of sobriety and dearth.
In November though there is a permanent mist and its source
inexplicable. Does it simply effervesce from the precipitous tors about?
Is it the villager’s enshrined collective sigh? No it is something
more. Sitting atop the villages head it’s the beloved satin bonnet you
wore religiously as a child. Wholly impractical for this season
its gossamer fabric offers little solace or insulation to those below
as its pleated extremities elope with the moss-brown hinterland.
Fervently stoking their hearths the villagers broaden the
ethereal cloth with a smoke not acrid but satisfying and nourishing:
with a terrifically edible, hardwood flavour. From my hillock
vantage, the sanguine stone of the manorial chimneys is all that
penetrates the film; casually they release torrents of smoke like
ivory doves that weft patterns instinctively into the sky’s pallid damask.
©Thomas Gabriel
Dec 9, 2011
Dec 9, 2011 at 6:00 PM UTC
the dream, the threads parted
a while. visitors came, the day
proceeded gently with stops
and dictation, who is this?
we worried over news, trembled
a while, gathered back the warp,
the weft. today we continue.
in the mill the loom
stands idle
sbm.
Sep 30, 2013
Sep 30, 2013 at 1:17 AM UTC
The rhythm should not come from the word.
The word is a key to unlock
the virtual library,
where our journeys begin.
The rhythm is elsewhere.
In the space between thought and imagination,
it is the crossing weft of ancient knowledge,
beaten tight against the fell.
What the ear registers, the brain acts upon,
the heart draws in to its own, or not.
What then becomes expressive,
is expressed variously,
in form.
And then, such delight in the connection of things!
*Now the sun sparkles
the still-morning garden.
Beyond, just fields away,
the curve of a silent hill.*
Just what are such moments?
Do they envelope time?
Can they be measured out in music?
As recollection calibrated
they are the essence of
seconds’ snapshot-made.
Sequence disappears.
It is just the blink of the mind’s camera.
Sep 2, 2012
Sep 2, 2012 at 3:00 AM UTC
I.
Ngozi yangu ni nyekundu
Choka wanaochukua kama mfuo
Bila ushunda na heshima
Waichezea kama kikapu cha samaki
I.
My exotic melenated skin is dark
Pasted with chalks that crease in mist
The world that sails with no justice and politeness
A sifted clan put in a basket like the unwanted fish
II.
Wainukia hii fedha, kwani sina mkopo
Hizi ndamu nyekundu zalia pilipili
Kwa uchungu umeomwangwa duniani
Haya si maneno ya sifa wala ya hatari
II.
Don’t smell at this treasure, for I have no debt
The bloods that pour in crimson and burn in hot pepper
The pain streamed from faces, a tainted worldly existence
Let these words not be seen as a praise and neither a threat
III.
Binadamu ulimwenguni wakifu
Kama mfalme mwenye hana taji
Umoja madada, pamoja makaka
Mkono tushikane kwa usawa, mdogo mdogo
III.
Humanity is a concept weft from the universal strains in cobalt abstracts
Lost in illusion like a king who is prided by invisible crowns
Together sisters, brothers, daughters and sons
Hold hands, spread the love in a united mesh, little by little
May 3, 2016
May 3, 2016 at 12:05 PM UTC
_You build your nest of pretty words,
Sly threads of verbiage,
Plucked from outworn phrases,
Secondhand sentiments and frayed metaphors.
A thorny simile, a faded pink ribbon,
Of rhetoric woven with silky streamers;
A warp and weft of fond and found,
Borrowed references and stolen verses.
You recycle the shining heart,
Of another’s penmanship,
Modelling it into a tarnished,
Uninspired and untitled composition
...OF YOUR OWN..._
Jul 6, 2019
Jul 6, 2019 at 8:41 PM UTC
Among the flowers of my Persian carpet
vines sprout curl twine me into fields of silk
and wool. Sliding through warp and weft,
I hear the rustle of thread grasses, and
my nostrils fill with the pungency of feral cats,
I taste the dryness of dust, and the dampness
of a blue silk river runs through my ears.
A blend and blur of color mark the horizon
spots of russet and black resolving into a hunt
undisturbed by my addition to the scene.
Arabian steeds damp dark with silken sweat,
silent as Attic shapes, prance and wheel
through date palms and trees of fiery-fruited
pomegranate. Turbaned caliphs, bows slung
across their backs, chase a leopard forever
peering over his shoulder. An arrow loosed never
hits its mark eternally suspended by woven
threads. Trees stand in an expectancy of silence
as I move within zig-zags of light and shadow.
My arms slide round the leopard's golden
ruff and I am bound by threads of color
to be hunted forever through fields of silk and
wool, chased by frozen horses, another
player in the weaving fields of Bokkhara.
Nov 3, 2010
Nov 3, 2010 at 6:21 AM UTC
My Brand New Ripped Jean
the one that make
My curves becomes a liability
my long slender legs moves forward against the wind
displaying the warp and weft throughout the fabric
~
Making my world look better
a wonderful appetizer for my admirers
until you said
"here comes my Queen",
Shucks!
Have you ever known the Queen to wear blue Jeans?
Shucks!
Jun 19, 2014
Jun 19, 2014 at 5:27 PM UTC