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Joe Cole Dec 2014
We the men of the Sussex Weald
When winters nights are long
Sit beside the deep log fire
And sing the Sussex songs
We talk of crops and fertile soil
Of rich earth turned by the plough
Of fishing boats who from harbours small
Reap a harvest from the shoals
Strong ale shared by those who care
About the Sussex weald
Yes we, we who care we will be the shield
We the men of the Southern downs
Yes we of the Sussex weald
To no man will we go on bended knee
To no man will we yield
I am a man of the Sussex weald, a man of the southern hills
Joe Cole May 2014
Tall they stand,  browned by sun and wind
Heads held proudly high as they get the harvest in
Yes these are men of the Sussex Weald who proudly work the land
These are the men who plant and gather the food that feeds the land
For generations handed down the long held Wealden crafts
They still know how to coppice the hazel oak and ash
They can still use the tools their grandfather used those many years ago
The billhook and the scythe,  the hand axe and the ***
Now modern machines do the work but the old crafts will never die
Men of the Weald are a proud race until the day they die
Yes I'm a man of the Sussex Weald and know how to wield the axe
I know how to work the land but my pay wont make me fat
This was written fof a bit of fun but most of it holds true
Frederick Noakes Apr 2016
The forest is alive with Woods and timbers of Oak. Wild thickets and sheltered homes. Ivy growth's rise over coppice. Clumps of flowers and Clover bloom where light penetrates. The weald is our home.
Joe Cole Mar 2014
My south country that we call the Sussex Weald
A place of gentle landscapes of softly rolling hills.
My south country where I grew up and played as a child
Where I learned of nature as I studied life in the wild.
They stand in magestic glory between the land and the rolling sea
Those magestic hills we call the downs
we of the Sussex Weald
Yes, I'm a man of the Sussex Weald, of generations long gone bye
I'm a man of the South Country
And as a south country man I'll die
He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.
antony glaser Apr 2012
When I wander among the swathes of  Bluebells
I am minded of a  nascent  variety
creeping in amongst our beloved ones,
Spanish shifts of hue
in the Weald of traditional  Kent.
I swear some sad maid
riding on a basket bicycle
scattering new seed
how unpatriotic !
Joe Cole Jan 2015
We lined the ridge of Senlac hill
The shield wall stood five men deep
In the autumn chill
The came at us on horse and foot
But we were the men of the Sussex weald
Men who would not yealed
Our shields now hacked and broken
Bodies bloodied bruised and sore
But we the housecarles of the English King
Would stand and fight the war
Prince William came with his aray the English crown to take
But we the men of Sussex
Would many French bones break
Alas our shield wall has broken
Kentish men on the right have charged
They sought to cut the Norman line
And so the men of Kent did die
The French now archers did deploy
With bitter arows fired high
Harold, our king, our leige Lord
Took an arrow in his eye
We gathered round his body
We men of the Sussex Weald
Our king was dead, the battle lost
But Sussex men don't yeald
The shield wall now in disaray
Large gaps now opened up
Brave men now die before the spear
From the broadswords vicious cut
And so we died on Senlac ridge
But there were no wounds in our backs
We died for England's glory
Cut down by spear and axe
The battle of Hastings in 1066 when William of Normandy took the English crown. The battle on Senlac ridge is about an hours drive from my home and I have visited the site many times
A sportin' death! My word it was!
An' taken in a sportin' way.
Mind you, I wasn't there to see;
I only tell you what they say.

They found that day at Shillinglee,
An' ran 'im down to Chillinghurst;
The fox was goin' straight an' free
For ninety minutes at a burst.

They 'ad a check at Ebernoe
An' made a cast across the Down,
Until they got a view 'ullo
An' chased i'm up to Kirdford town.

From Kirdford 'e run Bramber way,
An' took 'em over 'alf the Weald.
If you 'ave tried the Sussex clay,
You'll guess it weeded out the field.

Until at last I don't suppose
As 'arf a dozen, at the most,
Came safe to where the grassland goes
Switchbackin' southwards to the coast.

Young Captain 'Eadley, 'e was there,
And Jim the whip an' Percy Day;
The Purcells an' Sir Charles Adair,
An' this 'ere gent from London way.

For 'e 'ad gone amazin' fine,
Two 'undred pounds between 'is knees;
Eight stone he was, an' rode at nine,
As light an' limber as you please.

'E was a stranger to the 'Unt,
There weren't a person as 'e knew there;
But 'e could ride, that London gent--
'E sat 'is mare as if 'e grew there.

They seed the 'ounds upon the scent,
But found a fence across their track,
And 'ad to fly it; else it meant
A turnin' and a 'arkin' back.

'E was the foremost at the fence,
And as 'is mare just cleared the rail
He turned to them that rode be'ind,
For three was at 'is very tail.

'Ware 'oles!' says 'e, an' with the word,
Still sittin' easy on his mare,
Down, down 'e went, an' down an' down,
Into the quarry yawnin' there.

Some say it was two 'undred foot;
The bottom lay as black as ink.
I guess they 'ad some ugly dreams,
Who reined their 'orses on the brink.

'E'd only time for that one cry;
''Ware 'oles!' says 'e, an' saves all three.
There may be better deaths to die,
But that one's good enough for me.

For mind you, 'twas a sportin' end,
Upon a right good sportin' day;
They think a deal of 'im down 'ere,
That gent what came from London way.
Joe Cole Mar 2014
This poem was witten by my godfather Hilair Beloc 1870-1953

When I am living in the midlands
That are sodden and unkind
I light my lamp in the evening
My work is left behind
And the great hills of the South Country
Come back into my mind

The great hills of the South Country
They stand along the sea
And its there walking in the high woods
That I could wish to be
And the men that were boys when I was a boy
Walking along with me

The men that live in North England
I saw them for a day
Their hearts are set upon the waste fells
Their skies are fast and grey
From their castle walls a man may see
The mountains far away

The men that live in West England
They see the Severn strong
A rolling on rough water brown
Light aspen leaves along
The have the secret of the rocks
And the oldest kind of song

But the men that live in the South Country
Are the kindest and most wise
They get their laughter from the loud surf
And the faith in their happy eyes
Comes surely from our sister the spring
When over the sea she flies
The violets suddenly bloom at her feet
She blesses us with surprise

I never get between the pines
But I smell the Sussex air
Nor I never come on a belt of sand
But my home is there
And along the skyline of the Downs
So noble and so bare

A lost thing I could never find
Nor a broken thing mend
And I fear I shall be all alone
When I get towards the end
Who will be there to comfort me
Or who will be my friend

I will gather and carefully make my friends
Of the men of the Sussex Weald
They watch the stars from the silent folds
They stiffly plough the fields
By them and the God of the South Country
My poor soul shall be healed

If ever I become a rich man
Or if ever I grow to be old
I will build a house with a deep thatch
To shelter me from the cold
And there shall the Sussex songs  be sung
And the story of Sussex told

I will hold my house in the high woods
Within a walk of the sea
And the men that were boys when I was a boy
Shall sit and drink with me
Joe Cole Nov 2014
I walk in splendid isolation along the tops of  
My south country hills
As usual the Mollie dog at my side
The lashing rain has kept  all but the most intrepid
Sitting in the  cosy warmth of their homes
They're happy to breath warm stale air
But what I'm breathing is cold and fresh
To my right the tourist traps of  Brighton and Worthing
To my left the beautiful expance of the Sussex Weald
Would I want to be somewhere else?
NO
Once in the wind of morning
  I ranged the thymy wold;
The world-wide air was azure
  And all the brooks ran gold.

There through the dews beside me
  Behold a youth that trod,
With feathered cap on forehead,
  And poised a golden rod.

With mien to match the morning
  And gay delightful guise
And friendly brows and laughter
  He looked me in the eyes.

Oh whence, I asked, and whither?
  He smiled and would not say,
And looked at me and beckoned
  And laughed and led the way.

And with kind looks and laughter
  And nought to say beside
We two went on together,
  I and my happy guide.

Across the glittering pastures
  And empty upland still
And solitude of shepherds
  High in the folded hill,

By hanging woods and hamlets
  That gaze through orchards down
On many a windmill turning
  And far-discovered town,

With gay regards of promise
  And sure unslackened stride
And smiles and nothing spoken
  Led on my merry guide.

By blowing realms of woodland
  With sunstruck vanes afield
And cloud-led shadows sailing
  About the windy weald,

By valley-guarded granges
  And silver waters wide,
Content at heart I followed
  With my delightful guide.

And like the cloudy shadows
  Across the country blown
We two fare on for ever,
  But not we two alone.

With the great gale we journey
  That breathes from gardens thinned,
Borne in the drift of blossoms
  Whose petals throng the wind;

Buoyed on the heaven-heard whisper
  Of dancing leaflets whirled
>From all the woods that autumn
  Bereaves in all the world.

And midst the fluttering legion
  Of all that ever died
I follow, and before us
  Goes the delightful guide,

With lips that brim with laughter
  But never once respond,
And feet that fly on feathers,
  And serpent-circled wand.
Joan Karcher Jul 2012
He gazes at the moon as its rays illuminate the glistening leaves
the caliginous night hiding the creatures of the forest
life clandestinely creeping in the shadows
eternally alone but never lonely
As he treads along the paths and leaves, wildlife trails behind him
birds circle him, and insects creep along his limbs
foliage parts for him, and vines reach for his love
The lucid forest speaks to him
guides him, treasures him
he who nurtures its essence
like a small sapling sprouting out of the soil
gently singing the sacred aria of the weald
calmly providing energy for these younglings
stretching ever higher, searching for the sun
they rise, rise up faster with his spirit,
ever growing into the sky the high branches spread
the cloudburst continues, quenching the lifeforce of thirst
new life emerges, unforeseen possibilities
the druid of the forest
the shaman of the earth
*the balm of life
Hayley Neininger Apr 2013
They say we have two halves of a whole brain.
Two sections that govern our actions
Like tyrants that ride horses with reigns made
Of nerves and weald weapons that shoot out sparks
Of neurons across our synapses
The lands of our minds that dips and rises like the Andes mountains
Amoung cerebellum fields
Where nervous horses hoofs trample
Nervous systems flowers and bend their stem
Into an L shaped pendulum that swings
Unevenly over corpus callosum oceans
That separate left and right.
Art and reason.
Two separate sets of war torn warriors fighting,
One with methodically measured maps
Marked with red flags between concurred lands of logic
And one with holistic metal armor that clinks and clanks
Around soldiers making music for them to march to
They fight over proper ways of reason
And creative formulations
Of treasons that ought not be crossed
Their trenches the rivens in our brains
That wet rot their feet with slimy blood and
Membrane juices
The left speaking in tongues
That right cannot hear when not
Set on staff lines
Or painted onto animal skin canvas
That once covered similar brain battles
Between right and left
Only to be cut and sectioned off
In improper fractions that yearn to be whole.
If only the sides would sign treaties of peace
With pens that pinch fibers together and bind
Halves into wholes.
Josh Murphy Apr 2014
The war rages on,
Lead by an Angel and a Demon,
The battle for his soul,
No option of freedom.

They scream and shout,
Smash each other's skulls in,
Spill each other's blood,
But neither of them will win.

Angels and Demons,
Make his heart their battlefield,
They chop off each others limbs,
With the swords that they weald.

People think Demons are worse,
But Angels are just as bad,
At least Demons know what they want,
Angels are just mad.

Demons want him to suffer,
In depression and despair,
He thought he could rely on the Angels,
But they simply do not care.

Yea sure they fight back,
But not with their hearts,
They're just taking advantage of this boy,
Until the apocalypse starts.

He walks through school hallways,
Everyone is oblivious,
To the war inside his heart,
Why him? This is ridiculous.

They use his life as fuel,
And he realised he can't mend it,
So to cut off they're fuel supply,
He decides to **end it.
For when you have very mixed emotions and they seem to conflict each other and upset you.
neth jones May 2020
the sand beneath time :
a scape of copping hopefuls
vandals feigning as Mages
talking up the coffers
and offering angry solutions
Trefild Dec 2023
a medieval blacksmith, insO̲—
—much as lyrical material of mine gets cast sim. to cold
weapons; I'd say, as anything mind-distracting, like dope
["destructing"]
lyric-writing acts in the role
of temp rise, 'cause it unshadows the mind
like da[ɛ]mn skies, dissipating clouds of lack of delight
which is whY̲ I clepe
it as "mind eclipse" (lack of the light)
hence all the grimness seen in mY̲ bar sheets (chernukha)
like someone having a flight, a bored, tragedy wight
["aboard"]
lashings of spite I add in my lines
a geek practicing harassment in rhymes
as a pastime; an antihero, like Frank Castle I side
with on going against baddies with vice (lesser evil)
'cause you can't battle a knight
or a savage canine, or seize a bastion by
means of any kind of chatting (good luck managing that, gandhists)
get real; chances of collapsing
a toughened up corrupt regime by tranquil, brawl-free rallies
are as high as a bA̲nged up substance addict
can be (highly unlikely); though I keep the anti-autocratic
subject matter frontline, for ones who half-a##edly indite
their lyrics, it's casket likewise; a wA̲ck sod with pine
boxes & nails for 'em; & thA̲t's something I'm
more than glad to provide
you with; tra[ɛ]nslation: you ain't sA̲fe, chumps
[a casket isn't a safe, hence "it's casket" means "it isn't/ain't safe"]
like an offer to have a sled ride
"dude, let's slay some"
["sleigh"]
said the voice of the Islamist radical-like rapper in my
bean (Shady); "let's bring a da[ɛ]ng mayhem"
["bin Shady": Osama bin Laden + Slim Shady, who's a lyrical terrorist]
it added with passion, then I'm
like: "sounds like a blast of a time" (kaboom)
but no[ɑ]t to you, be—cause I'm on my violent bullsh#t (again)
like a jihadi loony; with these lines I'm suited
up with, you'll be blasted like plants bY̲ a shrE̲wd wind
or like a head of state ordained to invade
a neighboring state
in this **** field, I feel
like Max Payne with a gauge
[shotgun]
in a prey-tE̲E̲ming weald
hunting as sport; slay just to main—
—tain some relish & killing skills
you're like misbehavior-free slaves
in this field; translation: you're tame (lyrically)
["tranSLAYtion"]
therefore, you're unwished-for
like anyone & anything with a high lack of approval
[by "high lack of approval" I mean "dissent"]
on politics of the regime of some dastardly ruler (dastardly ruler)
drunk by the power he keeps a tight grA̲sp on & moola (power & moola)
just like Vlad the mean puta (Vlad the mean puta)
code name's lavato[—]ry shooter (lavatory shooter)
you jacklegs remind
me of simple cases or the Batman that time
when he wound up with his bA̲ck damaged by
Bane, 'cause I get you cracked with no strife
just like trash, you would wi[aɪ]nd
up in the dumps if you set your crap next to mine
and let ones being into rap scrutinize
your level of lyrical threat's to splatter a high—
—ball glass or stuff like
that, punks; me? like an armor-clA̲d man, a night—
["knight"]
—mare; Dante strapped with a scythe
[Dante from the "Devil May Cry" video game series]
the way I whack, it's so tight
that I have my device playing some phA̲t beats as I
masterly slice you hacks into stripes
like the Senyera; rap di̲letta[ɑ]nti
and political oppressors are picked as targets
and I may be read as a vigila[ɑ]nte
'cause I go after you like
V; like 2 sawbones having a fight with their scalpel-like knives
[I go after the aforementiond figures in my lyrics]
["after U [which is followed by V]"; V from "V for Vendetta"]
a pa[ɛ]radox while A̲t it 'cause I go autocratic, despite
["pair of docs"]
the views thA̲t I stick by; other words, I kick A̲## as if I
were dealing a jA̲cka## foot strikes
[I'm against unjustified maltreatment of animals, that sentence is just for wordplay]
a rebel thinker with a wrA̲pped up in rhymes
sick, hazardous mind bringing lyrical disasters & crimes
oh, there's one I'm imagining right
now; a rap-writing dabbler, besides an autocratic *****, wi[aɪ]nds
up inside a hearse
with me being A̲t the wheel like
a town that's rife in terms
of poison-pushing; a psychopA̲th when I drive
["atterville"; "****** path"]
speed up to 150 miles per
hour on a track in Alpine
heights, pound a go[ɑ]ddamn curb
barrier breaching it & sending the wagon in flight
open out the driver door
and jump out with a 'chute backpA̲ck on my spine (bye-f#cking-bye!)
watching the car go down, just like a war
criminal busted, & whereafter burst, like
brain arteries of a nazissistic scoundrel; like reports
saying an autocratic piece of trash nullifies
the limit of his presiding terms
I'm bA̲d news when I'm
on my lyric-writing horse
[the "high horse" expression]
like cavalry; I'd like a dastardly, vice-ridden autocrat to reply
["riding horse"]
with lyrics to any of the crA̲p I've devised
in opposition to authoritarianism
should I send some to the office with galore of rE̲A̲r-licking minions
of that "it's all the nasty West" guy
or that's suicide?
"a hostile rhymefall" by TREF1LD (TRFLD) is licensed under CC BY-NC-SA 4.0 (to view a copy of this license, visit creativecommons.org/licenses/by-nc-sa/4.0)
Joe Cole Feb 2015
They brought to me the shattered bodies
Rent by shot and shell
Most I lost but some I saved
In that surgical corner of hell
I was not a god with magical skills
Rather a man, just like you
But they told me I could weald the knife
Maybe save a few
Hands were shaking lips a tremble
As the first boy was carried in
His face a shredded ****** mass
Devoid of lips and chin
Tears in my eyes, fear in my heart
The precision cuts were made
Eight sweat stained hours later
The young boy had his new face
Annie Aug 2018
While the purple martin
Sings his dawn song
The bush crickets
With their scraping chirps
Form a washboard percussion
Beneath an orchestra
Of crinkling goosefoot.

It is not the sobriety of
This great Weald
And the stately occlusal
Of her tall trees
That crowds your soul.

But the ordinariness
Of the things beneath it
That make you want
To find your own voice.
If I was a poet Jan 2018
Most of those poem are written at 4 AM
That's where all the unravished silences belong
When the paper and promises are both meant to burn
Flowing tears of written hopes and woes
As a butterfly’s fluttering coax the flows
Later, past the rapids, I paused to consider
Widening and filling
With a gentle lapping of inlets
And I behold once more
Quietly
There goes-
Again'

My battle with time

Most of those poem are written at 4 AM
It's when I dwell in my creations
My long lost world
In the dim weald of vanished summer
To meet the despair

I laughed in grief under haunted skies
Desolate I strayed
In my clumsy-noisy mind
Watching the dying embers
Amid the freezing night
My angry-tears are gone'
And I behold once more
Quietly
There goes-
Again'

My battle with time

I mourn over reasons
They will never figure out
They doesn't even know what I'm smiling about
My words burns within my lungs
These thoughts are deadly
And with each broken words
Shaking legs
Empty rhythms
I danced'

Most of those poem are written at 4 AM
It's when I take a sip from my devil's cup
It's when I learn to wait for the loneliest of feasts
Of worlds whereto this earth’s a hurled dream

And nothing leads to no happy home
So let me-
So let me mourn alone
Let my heart freezze
I'm an ancient ocean
I could survive anything
And everything
So I behold once more
Raw and raging
There goes-
I'm beyond'

I'm beyond time
Antony Glaser Jul 2022
I've been to many photography venues,
the equilibrium of exposure
the trade-off between exposed light,
can't say I have made  any friends
just recommended some classic cameras
like the OM1 and Canon EF SLR
with different exposures.

Seen Dungeness twice
the first time was like early  Christmas
with a certain light quality
caressing the wooden huts and boats
but we don't have a Mediterranean climate here

Herbaceous borders way lay me
stopping for a singular rose
in the Weald of Kent
the garden of England
the native bluebells
blend in the palm of my hand

Down the Greensand Way in Surrey Dorking by Juniper house
Field studies council
I solemnly believe the simple things are the best
as is High Beeches Garden  in Sussex
an independent woodland and water garden
Through tangled wight-lit
weald she wends, one hand
on veinous sword
For in this boscage
fiend does grow, in bile-
brimmed pustules nest.

Beware the night wood,
bladed lady, it’s paths
do twist and gambol
And hellions of the dim
do know its ev’ry
maze-cursed bent.


“Oh come to me!” she
sings out high, into
aphotic brake.
“My vein-sword fears no
devilry. No imp or
soul-baned blight.”

With ringing snick her
blade does flick, to warble
through the murk.
It’s long vein fills
with fiend-blood spilled
from conniving lurk.

Beware the night wood
bladed lady, though first
foe has fallen.
There are still miles
of treachery afore
you find your love.


The dim around her
quickly thickens, with
creatures best not named.
They have come squelching
from fetid pool, from
rotted bole and fen.

Too many for a
veinous sword swung by
skillful warrior,
though still she stands, her
shoulders square, to face
the squalling din.

“Halt!” Calls a voice of
crackling ice from grim
and toothy smile.
“I’ve come to proffer,
lady knight, a means
for your escape.

“Your maiden fair, within
my lair has pressed on
me a wager.
If in fair combat,
I take your life,
she’ll be mine forever.

“And if in turn I
am the one who falls
in ****** failure.
You’ll be hers till
end of time, your strength
ever greater.”

Beware the night wood,
bladed lady, and of
deals forged in the dark.
Though bound by word,
wise ones know, the Night King
can’t be trusted.


For quite a time the
lady hummed in careful
deliberation.
The night-king watched
motionless for her
tiny grim-faced nod.

Then with ringing snick
blades did flick, and warble
through the murk
and history’s greatest
battle was fought for
ghouls within the dark.

When the Night King fell
it was with
a subtle grin of triumph
As fiend applied a
black-thorn crown to
lady’s sweat-streaked brow.

The bladed lady
did achieve
her heart’s earnest goal.
She was wed, ‘neath
dripping bough to the
one she’d come to find.

But while in death, her
foe was free, she
could never leave.
From deepest copse
she still rules, Night Queen
of the night wood.
Antony Glaser Jul 2022
When I wander among the swathes of  Bluebells
I am minded of a  nascent  variety
creeping in amongst our beloved ones,
Spanish shifts of hue
in the Weald of traditional  Kent.
I swear some sad maid
riding on a basket bicycle
scattering new seed
how unpatriotic!

— The End —