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Shofi Ahmed Jul 2018
Dancing the billow in the sea
the cool one will show up
in no time with love.
Deep down from the deep
with the flute on the lips.

Listen to the flute!
The chorus clouds bang out
floating by the river blue,
they sing down the sky as they move.

The sun draws in
from the secret valley
ambling with the wonder light
as if it, the punter sun, in the sky
knew it, knows the flutist arty
rose from down the sea!

Every planet is a flying bee
twirling around the inner music
nothing ever stops in the solar disc.

The waning and waxing Moon
in silhouette and at half-light
swings over the sea full of life.

It all starts from the ground;
it was from our sea waterfront
Him the creative sweetheart in the midst
floated the leading light the bumblebee.
All the stars bubble in the galaxy
they know this ancient story!

Since then the brightest bulb
the sun in the solar ring  
leads the bunch’s mindful
butterfly dance on the way home.
Following the enduring haunting melody
of the pre-design command ‘qun’ be!
A poem from my upcoming book Qun: Love is Unconditional
Shofi Ahmed May 2017
Art, a smile like the one
on the face of Mona Lisa.
Curved like the waxing moon
above the sea.
Light a flame before a face
yet to be seen.
What will it prevail,
will it show once for all
a slow tilt on the smiling lips
—a curve softly locks on
a rose from the sun,
or a shadow beneath the moon?
This is a poem from my book Zero and One available on Amazon.
PERSONIFICATIONS.

Boys.            Girls.
  January.                February.
  March.                  April.
  July.                   May.
  August.                 June.
  October.                September.
  December.               November.

  Robin Redbreasts; Lambs and Sheep; Nightingale and
  Nestlings.

  Various Flowers, Fruits, etc.

  Scene: A Cottage with its Grounds.


[A room in a large comfortable cottage; a fire burning on
the hearth; a table on which the breakfast things have
been left standing. January discovered seated by the
fire.]


          January.

Cold the day and cold the drifted snow,
Dim the day until the cold dark night.

                    [Stirs the fire.

Crackle, sparkle, *****; embers glow:
Some one may be plodding through the snow
Longing for a light,
For the light that you and I can show.
If no one else should come,
Here Robin Redbreast's welcome to a crumb,
And never troublesome:
Robin, why don't you come and fetch your crumb?


  Here's butter for my hunch of bread,
    And sugar for your crumb;
  Here's room upon the hearthrug,
    If you'll only come.

  In your scarlet waistcoat,
    With your keen bright eye,
  Where are you loitering?
    Wings were made to fly!

  Make haste to breakfast,
    Come and fetch your crumb,
  For I'm as glad to see you
    As you are glad to come.


[Two Robin Redbreasts are seen tapping with their beaks at
the lattice, which January opens. The birds flutter in,
hop about the floor, and peck up the crumbs and sugar
thrown to them. They have scarcely finished their meal,
when a knock is heard at the door. January hangs a
guard in front of the fire, and opens to February, who
appears with a bunch of snowdrops in her hand.]

          January.

Good-morrow, sister.

          February.

            Brother, joy to you!
I've brought some snowdrops; only just a few,
But quite enough to prove the world awake,
Cheerful and hopeful in the frosty dew
And for the pale sun's sake.

[She hands a few of her snowdrops to January, who retires
into the background. While February stands arranging
the remaining snowdrops in a glass of water on the
window-sill, a soft butting and bleating are heard outside.
She opens the door, and sees one foremost lamb, with
other sheep and lambs bleating and crowding towards
her.]

          February.

O you, you little wonder, come--come in,
You wonderful, you woolly soft white lamb:
You panting mother ewe, come too,
And lead that tottering twin
Safe in:
Bring all your bleating kith and kin,
Except the ***** ram.

[February opens a second door in the background, and the
little flock files through into a warm and sheltered compartment
out of sight.]

  The lambkin tottering in its walk
    With just a fleece to wear;
  The snowdrop drooping on its stalk
      So slender,--
  Snowdrop and lamb, a pretty pair,
  Braving the cold for our delight,
      Both white,
      Both tender.

[A rattling of doors and windows; branches seen without,
tossing violently to and fro.]

How the doors rattle, and the branches sway!
Here's brother March comes whirling on his way
With winds that eddy and sing.

[She turns the handle of the door, which bursts open, and
discloses March hastening up, both hands full of violets
and anemones.]

          February.

Come, show me what you bring;
For I have said my say, fulfilled my day,
And must away.

          March.

[Stopping short on the threshold.]

    I blow an arouse
    Through the world's wide house
  To quicken the torpid earth:
    Grappling I fling
    Each feeble thing,
  But bring strong life to the birth.
    I wrestle and frown,
    And topple down;
  I wrench, I rend, I uproot;
    Yet the violet
    Is born where I set
  The sole of my flying foot,

[Hands violets and anemones to February, who retires into
the background.]

    And in my wake
    Frail wind-flowers quake,
  And the catkins promise fruit.
    I drive ocean ashore
    With rush and roar,
  And he cannot say me nay:
    My harpstrings all
    Are the forests tall,
  Making music when I play.
    And as others perforce,
    So I on my course
  Run and needs must run,
    With sap on the mount
    And buds past count
  And rivers and clouds and sun,
    With seasons and breath
    And time and death
  And all that has yet begun.

[Before March has done speaking, a voice is heard approaching
accompanied by a twittering of birds. April comes
along singing, and stands outside and out of sight to finish
her song.]

          April.

[Outside.]

  Pretty little three
  Sparrows in a tree,
    Light upon the wing;
    Though you cannot sing
    You can chirp of Spring:
  Chirp of Spring to me,
  Sparrows, from your tree.

  Never mind the showers,
  Chirp about the flowers
    While you build a nest:
    Straws from east and west,
    Feathers from your breast,
  Make the snuggest bowers
  In a world of flowers.

  You must dart away
  From the chosen spray,
    You intrusive third
    Extra little bird;
    Join the unwedded herd!
  These have done with play,
  And must work to-day.

          April.

[Appearing at the open door.]

Good-morrow and good-bye: if others fly,
Of all the flying months you're the most flying.

          March.

You're hope and sweetness, April.

          April.

            Birth means dying,
As wings and wind mean flying;
So you and I and all things fly or die;
And sometimes I sit sighing to think of dying.
But meanwhile I've a rainbow in my showers,
And a lapful of flowers,
And these dear nestlings aged three hours;
And here's their mother sitting,
Their father's merely flitting
To find their breakfast somewhere in my bowers.

[As she speaks April shows March her apron full of flowers
and nest full of birds. March wanders away into the
grounds. April, without entering the cottage, hangs over
the hungry nestlings watching them.]

          April.

  What beaks you have, you funny things,
    What voices shrill and weak;
  Who'd think that anything that sings
    Could sing through such a beak?
  Yet you'll be nightingales one day,
    And charm the country-side,
  When I'm away and far away
    And May is queen and bride.

[May arrives unperceived by April, and gives her a kiss.
April starts and looks round.]

          April.

Ah May, good-morrow May, and so good-bye.

          May.

That's just your way, sweet April, smile and sigh:
Your sorrow's half in fun,
Begun and done
And turned to joy while twenty seconds run.
I've gathered flowers all as I came along,
At every step a flower
Fed by your last bright shower,--

[She divides an armful of all sorts of flowers with April, who
strolls away through the garden.]

          May.

And gathering flowers I listened to the song
Of every bird in bower.
    The world and I are far too full of bliss
    To think or plan or toil or care;
      The sun is waxing strong,
      The days are waxing long,
        And all that is,
          Is fair.

    Here are my buds of lily and of rose,
    And here's my namesake-blossom, may;
      And from a watery spot
      See here forget-me-not,
        With all that blows
          To-day.

    Hark to my linnets from the hedges green,
    Blackbird and lark and thrush and dove,
      And every nightingale
      And cuckoo tells its tale,
        And all they mean
          Is love.

[June appears at the further end of the garden, coming slowly
towards May, who, seeing her, exclaims]

          May.

Surely you're come too early, sister June.

          June.

Indeed I feel as if I came too soon
To round your young May moon
And set the world a-gasping at my noon.
Yet come I must. So here are strawberries
Sun-flushed and sweet, as many as you please;
And here are full-blown roses by the score,
More roses, and yet more.

[May, eating strawberries, withdraws among the flower beds.]

          June.

The sun does all my long day's work for me,
  Raises and ripens everything;
I need but sit beneath a leafy tree
    And watch and sing.

[Seats herself in the shadow of a laburnum.

Or if I'm lulled by note of bird and bee,
  Or lulled by noontide's silence deep,
I need but nestle down beneath my tree
    And drop asleep.

[June falls asleep; and is not awakened by the voice of July,
who behind the scenes is heard half singing, half calling.]

          July.

     [Behind the scenes.]

Blue flags, yellow flags, flags all freckled,
Which will you take? yellow, blue, speckled!
Take which you will, speckled, blue, yellow,
Each in its way has not a fellow.

[Enter July, a basket of many-colored irises slung upon his
shoulders, a bunch of ripe grass in one hand, and a plate
piled full of peaches balanced upon the other. He steals
up to June, and tickles her with the grass. She wakes.]

          June.

What, here already?

          July.

                  Nay, my tryst is kept;
The longest day slipped by you while you slept.
I've brought you one curved pyramid of bloom,

                        [Hands her the plate.

Not flowers, but peaches, gathered where the bees,
As downy, bask and boom
In sunshine and in gloom of trees.
But get you in, a storm is at my heels;
The whirlwind whistles and wheels,
Lightning flashes and thunder peals,
Flying and following hard upon my heels.

[June takes shelter in a thickly-woven arbor.]

          July.

  The roar of a storm sweeps up
    From the east to the lurid west,
  The darkening sky, like a cup,
    Is filled with rain to the brink;

  The sky is purple and fire,
    Blackness and noise and unrest;
  The earth, parched with desire,
      Opens her mouth to drink.

  Send forth thy thunder and fire,
    Turn over thy brimming cup,
  O sky, appease the desire
    Of earth in her parched unrest;
  Pour out drink to her thirst,
    Her famishing life lift up;
  Make thyself fair as at first,
      With a rainbow for thy crest.

  Have done with thunder and fire,
    O sky with the rainbow crest;
  O earth, have done with desire,
    Drink, and drink deep, and rest.

[Enter August, carrying a sheaf made up of different kinds of
grain.]

          July.

Hail, brother August, flushed and warm
And scatheless from my storm.
Your hands are full of corn, I see,
As full as hands can be:

And earth and air both smell as sweet as balm
In their recovered calm,
And that they owe to me.

[July retires into a shrubbery.]

          August.

  Wheat sways heavy, oats are airy,
    Barley bows a graceful head,
  Short and small shoots up canary,
    Each of these is some one's bread;
  Bread for man or bread for beast,
      Or at very least
      A bird's savory feast.

  Men are brethren of each other,
    One in flesh and one in food;
  And a sort of foster brother
    Is the litter, or the brood,
  Of that folk in fur or feather,
      Who, with men together,
      Breast the wind and weather.

[August descries September toiling across the lawn.]

          August.

My harvest home is ended; and I spy
September drawing nigh
With the first thought of Autumn in her eye,
And the first sigh
Of Autumn wind among her locks that fly.

[September arrives, carrying upon her head a basket heaped
high with fruit]


          September.

Unload me, brother. I have brought a few
Plums and these pears for you,
A dozen kinds of apples, one or two
Melons, some figs all bursting through
Their skins, and pearled with dew
These damsons violet-blue.

[While September is speaking, August lifts the basket to the
ground, selects various fruits, and withdraws slowly along
the gravel walk, eating a pear as he goes.]

      
Shofi Ahmed Mar 2018
The material body was yet in the making
The first and foremost luminary feminine
ebb and flow heartily pans out
flawless flow to the finest angle.
Across the nadir to the zenith
Fathima eyes on upon it like it
shapes and forms are waxing lyrical:
The pure masterpiece without a mirror!

Arts on the go Fathima moves on.
Praise be to the Lord she being made
to measure inborn mathematical the pi is her!
(For the perfect circle the circumference is masculine
The pi tends to circle the blank space within is feminine)
She can budge equally in the shadow
in patternless pi decimals and in the open,
in integer into a whole full number!

Hops up her first step she looks for ‘the all’
the complete whole the absolute one Allah.
Time and again she steps up but finds no floor
Her measured step by default lays on 360-degree circle
Scans all things at the first go still finds no bottom!

The first luminary masculine peace be upon him
first looks in the open she takes the veiled angle.
Through the evermore pi decimal micro-hole
She looks on and witnesses the first water drop
surfaces up without a base without a roof on top!
It follows through truly the copy of the original
softly springing around the serene water paints  
of all the maters to be created from this first drop.
Fathima looks at it and veils withdraws her reflection.

It’s still remembered in the sky that follows suit.  
First, a star was born stepping in Fathima’s shoe.
It tried so did the full set of the galaxy only to disperse
into a profound constellation never finds a bottom.
Because amidst this water circle floats the first soil.
Allah called it His house that He first created from it.
Every planetary orb pilgrimage around it in the core
known as Ka’abah up to the heart of the earth it rose.

In the pre-designed world after the first masculine
the first feminine Fathima thus did the first pilgrimage.
She walked the walk did so in the patternless pi veil.

Nature is never uneven on the hidden hand of the pi.
Every little fraction, the small decimal does it count
connects to the dot without showing up a pattern
Long live, long live the digital charisma is on the rise!

Retracing time and again the sun rises in the median lane,
yet the black box scores it's only a dark chart at the end of the day!
The Moon is yet to moon over an unturned sublunary-dip
It pulls all, the mighty sea that the earth can't
and sync in the feminine water cycle but save only one
with Fathima floating out of the box it can’t link up!

Like millions, ever wonder where Fathima’s grave is?
The earth strived too to the death bite to print her footprint!
Most of the mass visiting Medina look too see the grave of the holy lady Fathima. It has been a tradition since her death some fourteen hundred years ago. There are two graves where she is buried but which one is her is still unknown. Reportedly she wanted her grave to remain unidentified.
Shofi Ahmed Dec 2017
Every star across the seven skies
wishes to kiss it is a gold dust.

Not to mention the Moon in the centre
waning and waxing in the open and in secret
keeps unleashing longing to rub
this non-sublunary piece on its forehead.

She knows only then the rough seas beneath
her will calm down in the soft raining moonlight
rubbing off such a lucky blossomed forehead.

Oh, if only scarcely they could ever see it
the galaxies since their inceptions longing for it.
The bliss of the eyes tucked away from the scene
Paradise lies beneath the mother’s feet!

The mother is fast is for all and is down to earth
She, the mother Fathima descended down
from up above the heaven that pivotal frontier
only all the prophets’ Prophet has seen.
Then was no Adam nor Eve or Jibreel!

Paradise finds its core with its resonant lore
in the shadow of the original feminine Fathima
the immortal hotspot the original matter explored.
Paradise lived and breathe beneath her
but she touched down at the heart of the earth
without stepping or touching on paradise
only to give away her stake to others!
No land she would take on her way back indeed
Not in her name, know where Fathima’s grave is?
When people visit Islamic holy city Medina they look for the grave of the holy lady Fathima. It has been the tradition since her death some fourteen hundred years ago. There are two graves where she is buried but which one is her is still unknown. It's been said that she preferred her grave to remain unidentified.
Saint Audrey Jul 2018
Casualty: my interest fading
Once waxing moon now seen waning
And I did concede your irksome warning
And watched as the rest played out

So let bygones be gone, fallen out by the side
Of this road, worn down, still restless, keeping straight
Eyes glinting off token little bits of hospitality
Mother nature being so inclined at times

The stress so unnerving, I hardly doubt it
But tension is eased once it comes to acceptance
And I accept in full, finding time to unwind
Winding stretch of lonely road, dotted here and there by
An occasional landmark
Or a lonely tractor pulling behind it
Iron bars, old and rusted
Found in their hold
Bales of hay or
A small little pond
With a bench beside it
Holding initials carved against the grain

With a heart surrounding

As mine beats slower

At last, the sun begins going down

And the moon grows brighter
Even in its state
And my feet move faster
Though my body is withering
I feel this separation growing
As my mind takes flight and leaves me

Behind, in the twisting twilight
And alone, I walk along
Zeeb Jul 2018
The Lake Pontchartrain Causeway… man that’s one long bridge
I drive it every day for my pay - here’s what I see along the way

Here comes:
Corvette Kary, setting pace, he thinks he’s in a race
When Kary’s not waxing his ride, for your safety you'd best pull aside

Petrified Patty, she’s over water and has never learned how to swim
She’s driving a white Lexus, so scared she has no reflexus

Miata Mike, chasing Kary's Vette, not gonna get too far
Trying to convince himself, he didn’t buy a girly car

Watch out for:

Makeup Mary, on cruise-control, wow she’s one of the worst
She loves her new Camry, but her next car might just be a hearse

Yes, that Causeway, can be a long and boring ride
And if you get a flat… there’s no place to pull aside
Oh but that Causeway has its points, take time to see
24 miles of entertainment, and the Northbound way is free

Here comes:

Road Rage Randy, always ****** and he doesn't know why
Today he’s running late, but finds time to escalate

Doughnut Danny, rolling breakfast and a tea
Such mechanized efficiency, has a newspaper on his knee

Wackin Wayne, you're kidding me, you thought I couldn't see?  Vibrating Virginia close behind, now we have equality

We've got:

Maypop Marty, thinks tires last forever
Does he even check the air?.... never

Mark The Spark needs a muffler shop, something heavy about to drop.  Comes Innocent Mike on his motorbike too bad he just couldn't stop.

Headphone Harry and his Pandora, he's hear but also... he's not.  He likes his music best, you see, after a few long tokes of his ***.

Fugitive Fred on the go, at 65 point ooo.  Not a mile to fast or to slow, got to blend in on this bridge don't you know.

Yes that old Causeway, can be a long and boring ride
And if you get a flat… there’s no place to pull aside
Oh but that Causeway, has its points, take time to see
The mechanized circus on parade, our hilarious humanity

Don’t forget:

Frozen Frita, every rainstorm stops her dead in her track
Then here comes Ramin’ Ron, goin 60, aint too good for her back

No Tie-down Tim, **** flyin’ out of his truck
For everyone behind him, Tim doesn’t give a ****

NPR Nancy, she must be in a “Driveway Moment”
Only problem is, she’s on a god-**** bridge

Texting Theresa, I’ve saved the best for last
The last thing in life she did see, was an idiotic emoji

Lookin’ Lee, that’s me, pretty sad that I’m just as bad
Come join us nuts on the Causeway, might be the most fun you ever had
claire Mar 2016
[new moon]
Moon girl is breath and curve. She catches light and throws it back to the universe. You see her and tremble, falling, as she once must have done from some heavenly place.

[waxing crescent]
Moon girl is wild. You follow her into the forest where she steps barefoot into a stream and takes your hand, water swirling over her feet and hers. She talks about roots and branches and flight. You are in love.

[first quarter]
Moon girl is dancing. Moving her body, dynamic, unpracticed elegance, shaping space, graceful, unafraid of audience, unafraid of pause, unafraid to bend and swish and rise, flying, electric, boundless. She gets everywhere. In your morning tea, clouds, April storms, wrapped in sparkling strung-out melodies, and especially in your head. You dream of waist, skin, movement holding her and warmth, closeness, desire kissing her and your heart burns soft inside your chest, a lantern lit by lunar beams.

[waxing gibbous]
Moon girl gives you violets. You give her your hands, open; your heart, open; your soul, open. You give her everything, or you try.

[full moon]
Moon girl is with you, always, this silver fire here in the filth and blood and terror, head on your shoulder, palm on your skin, speaking to you in ways language cannot, grounding you, saving you, saying your name, holy, lifting you up, repeated tenderness, voice low, eyes deep, glorious, and she is steel, she is iron, she is endless.

[waning gibbous]
Moon girl smiling. Moon girl watching. Moon girl brave. Moon girl rough and sweet. Moon girl creating. Moon girl radiating. Moon girl moving, toward you.

Moon girl.
Moon girl.
Moon girl.
Tiarnán Murphy Jan 2017
My heart shines as the moon does
At times quiet and peaceful
Reliable and for granted taken
Silent and beautiful and ignored

A waxing and waning cycle
Once, full bodied and glowing
Light to find love and other hapinesses
Too brief a joy it brings

For waning must always come
Twice, dark, black as deepest night
Unseen in the backdrop of sharp stars
Leaving a world wrapped in shadow

But not so constant are cardiac turnings
Not regular as lunar comings and goings
Glowing for a day and shadowed for a month
Black for a week and shinning for a year

Yet just as the moon at times changes
Glowing big bright and red in the sky
So to does the heart at times change
A most wondrous change it is

Thrice, bursting bright from my chest
Burning bright and fierce to beat the sun
Just as the coming fall of giant Betelgeuse
Nothing could dim the radiant glory

Once more, dim past dark
Blacker than black and blacker again
Drawing light from all like a singularity
What could hope to live with such darkness

I sit now on the waxing
Or is it waning?
Anticipation for the glow on my right
Dread for the darkness on my left
Which comes? Which comes?
Jesse stillwater May 2018


I wish I were the Moon
Bequeathing an enchanting night
A mystical celestial sphere
Bewitching lover’s hearts


A practical magic spell
C a s t
In a lonely hollow shell
      An ardent musical echo ―
Released in an irrepressible
Impassioned moan
A twilight sigh
escaping in untamed
Blissful breath


A Sky without Moonbeams
Is like a world without song
It takes a certain darkness
To heed a Sky full of Stars alone


I wish I were Moonstruck
A fate I crave to behold
Waxing and Waning
Rising ― Changing
A distant ocean’s ebbing tide


A captivating enchantment
In the twilight beauty
Of your eyes
Dreaming of drowning
Deep within
Their deepest water’s Wild


I don't want to wake up
    and become ―
More fading
Barefoot traces left behind
On some faded memory's
Deserted shore


Right now is all
There ever is ―
and
I wish I were
The Moon tonight



Jesse Stillwater ... May  2018
The moon peeking through the trees to the east of the window as I lay awake last night at 3 am ... it was simply mesmerizing ― kidnapping illusive sleep, making a daydream out of a wistful night dream
Shofi Ahmed Jan 2020
Fly perfectly straight high and shew the fly
out of the fly-bottle on your way.
Rise to victory far above the blue sky
ripping the reward is the opening of paradise!

The road ahead is all clear eye wide open space
up this way, the end is all vast open to reach
things small and big can grow and disappear in it.
You will see sunrises and sunsets on the way
waxing and waning moon flickering stars in the dark
be mindful though as you sway it got to be laser-sharp.
There is no hard shoulder on this highway
miss it by an inch and risk loosing forever!

There is hope there is light up in the high
pick your paintbrush as does the sun.
Goodness knows how it sneaks in right on the black
canvas of the night painting the first light
lo, it shows up in heaven the candle of the daylight.
So long there are a man and a woman
never give up our canary bird can fly  
rosy or not the nest in every morn nets a sunrise!

(1)
A woman indeed plucks up the courage
she never had to look up to the stars
be it for the guide or the light in the night.
Fathima herself was the full Moon every night
is thanks to her Godsent innate light.

With it, she can bask in the full spread of the pi
on top of its short decimals mounting high
constantly as if countless stars in the sky.

The time and space down the sun
and that under Fathima's light
is a far cry from each other
but can live side by side.

Like she points out:
'A circle is masculine
while the pi is feminine'.

Pi forms the circle while it's fine prints
decimal dots continue to spring.
Sprawling trillions of new digits
the bandwagon is still increasing.
Connecting the dots is an untouched dream.
The full moon pi picture is in veil
unseen at large, yet in short 3.145 it can live!  

(2)
Fathima can fly her lock of hair
in the lurking air of the transcended pi.
Because she is the primitive feminine
God's secret feminine opus!
An immeasurable black hole in between
the short and transcended pi runs like a river
and dances new on every riverbank
in the many curls of Fathima's jet black hair!

She lent out a hair to the planet earth
and crossed over here like a silhouette
without spilling out the colour
of the transcended end of the pi.
The earth takes it in the core of her heart
as if it would keepsake it forever.
Weaving the pi in Fathima instils the hair
tied it as a perfect circle the first and the front one
of the only ideal circle duo in the universe.

The motion inside the hair is the earth's finest fluid core
none is as deep as high as proportionate a perfect flow.
No time is as revealing no music is as sweet in this orb
no force is as mighty nor as a prevailing giant to explore
it's the cause of gravity and the heat at the earth's core.
the play of spirit and matter in the mix first and foremost
thanks to the pure resonance of 'Qun' be the word of God!

(3)
The way to the earth's core is exposed to none other
save the Angel of Death the lucky one.

See both sides of the one lofty sky swathed in countless stars  
but the day and night render through still remains an unseen one  
Terra is shalet zeroed in Fathima is heaven on earth!  
Up in the sky-high bank turning the starry bowl upside down
Fathima took no star nor a pearl diving deep down the Arab water,
the brightest luminary came after Muhammad (PBUH),
in veil from the Night of Measures and into the flipside in the night
she's gone without lifting the veil but left her penetrating mark.

Few could find the shortcut contemplating on this blank canvas
till to date, the Moon looks down into the abyss down the sea
looking for a mirror in the bottom in the as above so below matter
since God Sent Fathima touched on the all-inclusive primitive water.

She just raised a drop up, and the sun got caught up in the sky
the ancient fold of time still unfurls with the sun-kissed flowers
for the new hands yet the fingerprint on the sun remains only her!

Azrael heads to Fathima around the year 632 after death
touches down in Medina on his usual thin earth he steps.  
But this time a little mundane dust couldn't be thicker
he keeps descending deep down to the earth's centre
following from Medina there the angel locates her
inside the perfect circle a closed geometric figure.

(4)
Fathima is the female headline her secret is not all known
when she used to visit the Prophet Muhammad (PBUH)
he would stand up for her hold her hand and kiss it
and seat her on his seat, she would do the same to the prophet
when he would visit her like they did know each other
in and outside the spheres of heaven and earth!

She is the embodiment of the infinite feminine variations
the first spiritual woman created following God's word Qun.
Her is the mother tongue of the ever diversified feminine lingua
no one woman on her own can rhyme with her alone
she has no peer her rhetoric is unique like none other.
The galactic run from planet to planet up on the starry ladder
climbing high up the mountain heaven yet streams out like oval
off their rock bottom stone until that unleashes the final run
in perfect circle delving into the rhythm of the loop at the centre
made of Fathima's hair charged by 'Qun' God's uncreated word.  

Prophet David can sing on the bank of the river
and can see the fish are jumping to him out of the water.
The masculine is open form, eye on everywhere,
but not her the woman is in juxtaposition her
all-inclusive schema supplanting the details rest only on her.
She is the unseen world within the world at best imagine her!
Guess through this inwardly open door who might disappear?
It's nature before the scientist on ultimate discovery of the matter!  

Aligning with her down the rainbow up high the land absorbs
the grooming sky looking on the running rivers within her.
Her words spread through like the smart cloud that flies far
over the lands and valleys but not even the wind none other
gets a sniff of the potion and melody it caries until that rain down
without a hurdle without a visual she moves on at the target
such a soul needs no after death lift from the angel of death.

Before Azrael Fathima loses the arc of the circle then and there
so not the earth but giant Azrael can take the pressure!
Marked by a fluid discharge since then she is cooling this fire
In Shaa Allah God willing when she ajars it will be elixir!  

(5)
Draw a straight line, but it won't be perfect
it keeps bending, fly straight touching the sky
the flight path won't look like a straight line
it would be like the crest of a crescent moon
like curve touched the sky, like climbing up
atop the pyramid is not going high straight on
it goes up from the widespread seked slopes.

Like the stock market chart moves never
in straight lines but in a zigzag pattern.
Move big but start small, the golden ratio
is always 1.618 something is never the full 2
but gives the formula to design flawlessly on the go
from micro to macro level all the way to the true north!    

Fathima being the original feminine eyeing at her
she can tap in the knowhow of naturally feminine nature.
And discovers the immanent pattern - the world
is pre-designed and measured is never a coincidence.
The creatures' creativity, scientist's science
is to follow, discover working formulas like phi and pi.

Play along it works until an unknown hour strikes
comes with accurate knowledge dead on time
numerically correct never miss taking life away
as if it was calculated beforehand before the birth.
A newborn is born for a limited time
already set but no one knows when it goes up  
is a deadlock clock but it isn't so shrouded
in the blueprint of the creatures' grand design
there the clock ticks safe and sounds it never dies!  

(6)
Fathima hailing from the other side of the pool
eyes on the ever live pre-design side of the creation!
Then its corporeal face was only a water drop,
the primitive one looks see-through but dead zero
knowledge of its lively other side of the pool.
She comes closer and perfectly mirrors both sides
that shines through on her reflected face on the water.
An absolute new image that livens up the dead part
Bang - Big Bang! It gets the spark for the corporeal world
to explode out from the very first drop of the water!

The appearance of Fathima was miraculously instrumental
by the grace of God, it showed up the finite and infinite, 0 and 1,
future in the present and the death and life on the play!
Nature tends to follow suit it just saw the perfect role model
it moved big bang, but banged out only to its corporeal set!
A far cry from being at par symmetrical with its infinite reality
like the precursor image of it's Big Bang that it aspires to be!

Fathima leaves the door open elevating a perfect circle,
not a straight line, follows the pattern to take the variations
into account in the very first matter, the water drop.
She zooms in more into the abyss irrational portion
and aces the circle with her hair leaving a muslin fine
empty open zero at the starting point at the bottom.
The ocean of the pi digits, the DNA of all things material
banged out of it, still, the zero is numberless irrational!

(7)
All things, within oneself and in a set constantly vibrate,
strive to align with the enduring reality of itself.
The atom vibrates to reach out to its immortal portion
that doesn't die and is in the know of its lower base.
The planets are in a defined circular orbit, accurately measured
just the apex on top of their dynamic pyramid the pyramidon
is tucked away; they too have an irrational portion in the circle.

With the finest spin, they zoom in the spacious universe,
in part and like the sun outside the constellations round they go
never miss a target line yet to re-discover Fathima's perfect circle
the origin of their digital essences' breakthrough
the door to their transcended destination de jour.
Lo the matter turns the last stone pulsing across the cosmos
the mortal horizontal spread, the spirit returns home.

The earth has a line in its swansong it has a place in paradise
it's not here to stay for good neither to perish forever!

Matters form and break without losing the rope,
it's not to paint the shades of the eternal blue.
There is just an irrational portion in the circle
at the heart of the earth, as above, so below.  
The deep the high the perfect circle
up and down the centre of gravitation for all!

At even and at odd the vibration within the matter is fluid
somewhere is parched there the arch matter must make a splash.
Far away on that dark beach, the full-fledged sea of the matters
outpours its billowy potion with the Moon on the frontline
the physical world's most glowed up firefly!

(8)
The seven seas swell up smoothly into the moonlight-dip
oh, the waterless Moon at the core is still fasting.
Led by the time the sweet swan punting along the waves
streams down the watery inner circle of the planets.
In the Moon, it's stuck no water in the last waterfront
where paradise is on the other side of the pool!  

The sun dips away into the night
bathing the horizon in shades of pink and gold,
the dazzling hues soon turn to taupe.
Drawing down painting the picture in full colour
only to find the time is up on the halfway,
yet to print a colour copy of the night!
The other unseen half is passed down to the Moon
tiptoeing in slow motion in the depths of the night
barely keeping the head afloat in a fathomless ocean
of shades of black hails from where knows none.  

The sun enkindles the moon half-lit keeping itself away
in the shadow as if comparing the shades now it knows
a mehrem a veiled female is ahead not to look on or
compared to that the sun has no light or true are both.

Wrapt in the eternal night beneath its black mole
once the moon on the front approaching most close
directly down to the centre of the earth eyes on
over that inlaid string hairy black perfect circle
never did it turn back the same gaze is still on
orbiting around the earth in synchronous rotation.

(9)
The never-ending night, becoming a night indeed
it's coming to an end so soon in our time.
In Shaa Allah I will see it with my eyes before I die
in the Night of Measures in an odd night in Ramadan
Fathima from the transcendental end of irrational heart
will turn on top of the curve opening for the first time
a 9-degree angle in the circle at the centre of the earth.

Instantly the leading force, time will get the first sniff
of the other world, so peaceful heart-melting serene.
Rapturous time feeling an ounce of the enduring peace
for the first time cutting all the corners with ease
will be propelled into its yet uncharted golden mean.
Scurrying to the peaceful abode time will be on its wings
across the globe, people will be stunned seeing
how first the times pass from then on incredibly quick!

Fathima, the first spiritual woman on duty, will start
pulling her hair back off the circle at the centre
Juxtaposed in between the worlds of here and hereafter.
She will take back every inch of it, the heavenly bodies
will feel the pinch of her every little subtle pull
that too will be a boon helping them perfect their circle.

(10)
Soon she opens it just 9-degree wide at first
the Moon will see a glimpse of the first drop of water.
Without it, it's living perched without the water of life
that's destined to rain down soon and the Moon
back into its original pond shall revive!
Mapping the pi's whole infinitesimals playground
finally, Fathima will turn the circle upside down
before the stunning sun rising in the western sky!

By now under Fathima's hair's shaded closed circle
it must have sailed far over the blue sky in the other world.
Billowing with the breeze over the sea of uncharted water
and stacking to the brim with all that it could discover
humbly stood like a cloud in that corner of the sky.

The time is finally ticking fast to rain down with love
paradise's welcoming schema rendering in waterpaint drops
on the Moon over the sea of matters, that's most glowed up firefly
ah, finally can break the fast sipping in a drop of elixir!
It's their heavenly adopted, Miʿrāj performed, primitive water.
The Moon with the seven seas will leave off the corporeal shell
gliding gracefully with this stately water nymph as if it never dies
and will make a splash plopping into the pond of paradise!  

For the matter ultimately is water and its extent is sound
Fathima will fetch it the water of life and take it to the next life!
Oh, the matter shall do both die and revive with Israfil's sound
the cloud will fly out of the dead water on the ground,
like the earth with chorus songs of the rain revives.
When that a melodious nymph in the water makes waves
see paradise is here the Moon over the sea can't take off its eyes.

(11)
Hang on though they all set ready on their horizontal span  
to pull in such a fluid yet colourful descending like a rainbow swan.
First chaste Fathima will evaporate her hair's perfume away
that's yet lingering in the water warming it up to its premium
no crowd then can see where this heady, fragrant cloud will fly!
There are the momentum and delights where that will alight.

Israfil might then blow his trumpet swooning the world away
the secret will remain secret exception is noted in the Qur'an.
A strange sound will silence the chorus of the innate digits
collapsing the floating cosmos bubbling on their music.  
The corporeal circle will collapse as if there is no base no pi
the melody of the first word Qun means Be will still be loud
supercalifragilisticexpialidocious so how can we all expire?

Israfil too will play his reviving trumpet pure mellifluous
and In Shaa Allah numerically perfect Fathima will rise
amidst the resonant Qun as like she did in the beginning
when except prophet Muhammad (PBUH) there was nothing!
Now the earth once zeroed in beneath her hair will follow her
the stunned terra will discover Fathima took her hair away
only to shift the constellation up onto the upper world!

The old songs of the planets the chorus of the digits will revive
from the zero bases in the core the digital panache that dance
planet upon the planet as if they are always at the perfect hertz.

Indeed that is yet to come, the arts of the fine layers
opening from the irrational pi, the finest one is to flower
when Fathima will unloop her circled hair at the centre
piercing the very immanent irrational cut
that no creation can fathom only the loving creator Allah
will turn odd to even in between the here and hereafter
then the ocean stuck in deep salt shall turn to enduring potion!
The As-Sirat shall turn to be the bridge to paradise
the body shall revive with the enduring soul forever
and with ah Fathima couple shall enter paradise In Shaa Allah
with the rhapsody 'all praise is for Allah' Alhamdulillah!
Shofi Ahmed Jan 2019
Every atom is lenient towards the human being
streaming up from the deep root they spur
laying down the perfect descending of the stars.

They can take on the stellar in their deep club
that shows up opening the windows up in the sky
and down on to the earth cast their eyes!

The slim fit sharp atom knows all the shortcuts
constantly vibrating not a single star can catch nor will it ever
thin out – it has the extraordinary stroke of luck.
But the eyes are on the humans not over the amber. 
Dreaming to be physically absorbed within the human being
to be in the human’s divine proportion ever transcendental
a far cry from the sun and the moon but with it both gel together! 

Once they came so close almost touched the dream
they rose to the occasion, squaring the circle,
laser scanning through, as above so below, so humble.
Submitted them without waxing lyrical took the brush off
the colour bowl of the day then blindfolding the moon
in the night reached out to the paragon of the phi mania,
flawlessly made to measure, numerically perfect Fathima!

Presented themselves before her as pure blank
whereon she can jot like her chalkboard
or do as she please like she could show up
taking it as her shadow in silhouette, she exactly did that.
Touched down on the earth, in the veil
and revealed her as above so below.
The ocean moved stirred the water but none saw the sunshine
behind the full moon in bloom that steals the starry night.

Day in day out Fathima did all in a veil she lived and gone.
Keeping the atom on its toe ever honing tracing the footprint
in its own shadow as once a human being without a mark
crept in it lived in pi magic and leaped out!
Elijah Corbeau Aug 2014
Waxing Eloquent: Life, Death, and Everything in Between

Sessions:
I: Birth of a Song
II: Experience of All
III: Loving and Longing
IV: Life
V: Adventures at the Edge
VI: Transition
VII: What Comes After
VIII: Another Brick in the Wall


Old age hath yet his honor and his toil,
Death closes all: But something ere the end,
Some work of noble note, may yet be done.
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: The slow moon climbs: the Deep
Moans round with many voices, Come my Friend!

I:

I beat away several pounds of unneeded and unwanted flora. The brush was becoming increasingly thick. Sad, but I had no choice. The fruit that had sustained me had shriveled, disappeared! My choices were few. Either stay in the oasis where now only water remained, or take my chances with whatever lay beyond, outside of my paradise.
How loathe I was to leave the oasis!
I looked around, distraught with my efforts. It was getting hotter and hotter. It was sweltering outside, and it felt as if my entire body was being compressed and beaten down by the heat. The cool breeze and the rippling water were far behind me now. The jungle held no care. I pushed on.
The path narrowed. I tried several times to push my way forward, but something held me back. The jungle tried to stop me but I continued pushing the greenery away. I could feel it! There was a clearing up ahead. I can even see it now!
But it was so far away! I couldn’t go on… there was no relief, the jungle was relentless!
But with a sudden, final, desperate heave, I was through!
What is this? The entire land is white! I squint and peer a bit harder; The world comes into focus.

……

Dear God,
The Beauty!

II:

The top of the mountain is a lonely place. Overlooking the crystal peaks from my frozen sanctuary, it’s as if everything seems like nothing really matters. The problems of the earth are no longer my concern. I must be content with being the watcher. I have no true power however; no true reason for my haughty airs. It is simply an illusion granted by the monolith.
The cold is near unbearable. The skies don’t show it though. There is no sign of all the freezing rain, and all the snow that lies below. All that exists is a single moment of perfect clarity and reflection, untainted by anything.
The sun hangs at the lower edge of the eastern sky, partially obscured by the crystal peaks. Such power! Even the sun cannot move them, Its rays blocked by their forms. A lightshow emerges, terrific hues play over the scene, giving the entire skyscape a pastel aura; Orange near the horizon, and red, then purple, and finally a dark, dark blue as the sky reveals itself. A single bold star defies the sun, refusing to give up it’s light just yet. The moon is the stars consort, and they stand together in inevitable rebellion.
It is a time of compromise however; The sun and the moon can coexist. They agree for that a few moments, they can share the sky. The harmony remains unbroken for the moment.
Poetry? Prose? No. It is simply an experience. A discovery for the curious and bold; The ones of wit and cunning. The sun paints no picture, there is no armistice in the heavens. The sun and the moon hold no compacts, and I?

I start back down the mountain.


III.


A winter’s day came through with eyes for me,
And it gave to my person a lovely gift,
One of sweet charm and a passionate wit
Who would come with me to the Azure Sea.
True, unworthy I was of her, indeed-
But even her longing look was a lift!-
Given to me by one of perfect lips,
And a stout heart beside her perfumed breeze.
Her smile would give Queen Helen envy,
And her gaze could melt a man’s icy heart,
Her laugh would give pleasure never-ending,
And a frown could give a titan a start.
I simply cannot be without this light,
And I will fight forever for the right.

Will you join me for forever, and go to the Azure Sea together?

IV.

The man looked over the edge of the cliff, contemplating his fate. Thoughts raged through his mind; the doom at the bottom of the ravine, the loss of his Lady, the end of the world. Well, his world at least.
It was a terribly folly he had made the autumn day, as the leaves were burning. After everything he had done, seeing the Cascading Falls, watching the Pandorian Sunrise, climbing Mount Gaze, it was as if everything was a dream. Could his misfortune be real? Surely there was no such injustice in this world! No kind God would allow such things to occur. She didn’t deserve such a fate that befell her! The Azure Sea would have to wait, there was no reason for him to pursue it any longer.
He threw her ruby brooch off of the cliff.
“I am only a man! Do I deserve no sympathy?” The wind wailed, but not for him.
He stepped over the edge of the abyss.

........

“Wake up! You shouldn’t have drunk so much!” The man lifted his head slightly off the table to meet his wife’s gaze. Looking into her eyes, even through his alcohol-induced delirium he could see the loving look in her eyes. A tear slipped down his cheek.
“Love, you’ll never lose me. I may go away, but in the end….” He looked at her.
“Nothing but nothing could keep us apart. Let’s get ready, our ship leaves soon. The Azure Sea waits.” The man grinned, and he sat up. Together they exited the inn’s bar.

.........

The world will never wait for those who tread it’s path slowly, for those the Azure Sea is the end. The ones who travel the Sea have had their fill of the surface life and seek to forge a new path into the great unknown, unrestricted by the laws of the world. They seek something, something out there in its waves.
The story goes that people who travel the Azure Sea must relive every moment of their life, and at the end, they will realize the truth; The reason for their existence.
And so, Life continues, and the Azure Sea will reveal all. The ship awaits, and forever will not be left alone.



V.

Bronzed waves reconcile with my bow.
Liars, they rescind and form a new front.
Doldrums are occurring now,
Foretelling travel for at least another month.
The season? I cannot truly know,
However the sea holds no such compunction.
Unforgivingly my ship is lashed with rain and snow,
And I clear it, only to find another junction.
Where? Where am I headed?
You ask - Well I can honestly say:
My purpose is to go where even God hasn’t tread,
And find my unknown self along the way.
The destination, Good Lady! Is the end of the world-
The base of the endless falls.
To find the step where Cerebrus lays curled,
To hear the trumpet echo in the Great Hall.
Hark! Over the horizon is the end!
Haste! We’re almost finished with the Azure Sea!
Keep tight! We’re almost of the great bend,
The amber light has ended, now arrives the Eve!
A hall of divinity promises a hallowed tryst,
I.. I can finally see!
Friend, I am truly sorry for this,
But I cannot let forever be.


VI.

Blazing stars will give
Themselves to a heart’s lone aria
Shining with crystal.



VII.

Pastels flow and curve in all directions, rivers
filled
With….
Wondrous!
Creeping - slowly now, over the hill….
What is this! The converse of love-
Blasted landscape, cross the line-
Involved with an eternal struggle?
Absurd!
Beauty and the Beast, An obvious choice!
But why does the light feel so cold
And the dark just the same?
A disguise to hide the truth!
A trick for those uninformed!
A world for the ignorant,
I won’t stay here-
I won’t!
Love! --…
Back to the sand, Back to nowhere land I go…


Salvation was in a single grain of sand,
The end a mist-cover rift.
(I cannot live by omnipotent hand)
I will gladly return to no-where land,
If it means I won’t accept the gift.

Angels, do you hear me?


VII.


The woman sits on the boat, her husband in her arms. Waves beat against the side of the boat, and the night sky shrouds everything. Land is just ahead of her, at most a day away.
The other end of the Azure Sea.
She cradles her husbands head and holds him close. Tears stream out of her eyes and she thinks of all the things that they went through together. Sharp pain racks her, and she sobs even more.
She looks up into the sky, her eyes blurred by her tears. She sees something….something streaming through the sky. She rubs her face and gets a better look.
A series of stars arrange themselves into glowing arches, a single ray of light dividing them. They glow with the magnificence of the divine, a chorus for the ages. Then, suddenly, the image explodes into a series of shooting stars, sending a shower of brilliant luminescence everywhere, and revealing the new sunrise. The light illuminates her husband’s face, showing the smile that she couldn’t have seen in the darkness.
“Love, did you find what you were looking for?” She asks softly.
She already knew the answer and the world faded-

Just another brick in the wall.


-

‘Tis not to late to seek a newer world!
Push off, and being well in order smite
the sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, Until I die.

Tennyson, Ulysses
One of my early epics! Several parts, took me a long time to write. There's meaning in there - can you find it?!
Corset Oct 2015
The Moon

We are the waxen crescent feast of star shine
the poetic moon groom,
the romantic echo of sun
while it murmurs in swishing tide of peaceful sleep
each half of the heart drawn by the moonlit *****
strolling the Titanic proportionate
a two headed bobbing horizon lost at sea
could you dream of me in dune songs
whispering tomorrow dawning in summer sonnets
could you think of me possibly
when ever you gaze up at a waxing Moon.
Shofi Ahmed Aug 2018
The world is small even heaven isn't big
but an uncreated Word is,
an expression of love and promise!

The tale of the beginning
the tale of the end without the ending.
Soon God said it 'Qun' be
bang it couldn't be bigger indeed.

Everything small and big the complete
creations panache came to be so big!
The body is small the soul came in the front
and every soul big banged in one go.
All heard the same Word it was only one
that sets the tone for the first to the last
so sweet it took everyone’s heart!

The death wouldn’t touch the soul
that already died but couldn’t die.
Revived there and then instantly,
hearing the 'Qun' the uncreated melody!
Crooned up even through the dead-end
surged up to the other side of the black hole.
Like a waxing Moon passed over, crossing
the asleep body in the shadow, yet in the making!

Unable to resist it, the first big bang
didn’t happen amidst the material entity
not in the star, milky way or in the galaxy.
Adam was yet to be in the body
the physical ear was yet to hear it!
Unlike the tuned in abyss soul there
that harks and the clouds rise and rain
only to revert back to the sea
showering the shallow terraqueous body.

He said ‘Qun’ again and the first physical big bang
on the matter takes place in Fathima’s joint
interlacing her live soul and pre-design body.
It cuts through the irrational pi in between
the soul and body so that gel in melody!
With pure love without a condition
that shall keep up perpetuating the body!

Nature that was yet to be, gets a mirror in its entirety
and bangs big hearing an echo of ‘Qun’ be, says the Almighty
it comes to be and shall perish only to be an eternal body!
Published in The Quill on November 19, 2014:

http://www.amazon.com/Quill-Fall-2014-ebook/dp/B00PNVT6PG

...

On being overweight (whatever that means)

Even if you were the moon, they would complain about how much space you took up in the sky, how you were too bright, wanted too much from the stars, demanded more light than the others.

And when you shifted, from waning to full to waxing to waning, they would remind you of how instable you were, how much of a hassle it was to keep track of your instability, your need for attention. Have you tried to be a vegan yet? All the stars are doing it.

You have tried. In fact, last week was your third try – an attempt, they call it – not enough, they emphasize, try again, they say this as if it is encouragement.

That’s when you found them - the celestial crescent, the earthshine, the perilune, how the lacus are lakes without lakes, why the Gibbous is brighter either way, especially during conjunction – all strung together in pearls.  

You are a full the night you return.

As you reflect off the lake, you see Selene, Hecate, Mani, Tsukuyomi, Iah, and Thoth. You tell the stars to look, to breathe your reflection, to succumb to the glow and the beauty of it all, that you are not alone—

They laugh.

Say how historical that is, how out-of-touch you are, how myths aren’t mirrors, how you -  you are not a mystery at all.

But when you died – if you died – (we still do not know) - they do not wonder where you went. They spin, spin, spin the entire night home, only once confessing to how empty the sky is without your shine.

But every night they burn.
Shofi Ahmed Sep 2018
Ambling in a full-moon night
let alone the Moon
I only asked for a star.
Because I wanted
to be in tune
with the half-lit sky.

But none did
stop by me.
Not even the little firefly.

Oh, from nowhere
from the colour black.
Off its sea of different shades
whips out the night.

The Moon in black
was indeed painting in the dark.
Though every star was
keeping a wide-open eye.
But no one wants to tell where
Before the very blink
of the waxing Moon's eye
where does the night scurry away?
Sana Jan 2015
My heart I bequeath you
O’ stillness of my universe
I bequeath you my sanity
Spreading this cloak of being in your dust
I bow to your twinkling stars
To the waxing sun and scented grass
I bow to your springing rivers
To the parched grain and blossoming flowers
I bow to the warmth of my lover
And want of my beloved
I bow to your saccharine figs
And honeyed nectar in chalice filled
I bequeath my mortality to your transiency
Blinded by this light in game of ruse
Into your cohesiveness, I fuse
In blinkers to win the race
Espying a king in glass
Presage of being a slave

Yet when darkness falls
I furl my cloak and solemnly rise
For I bow not then
To your barren fields and waning suns
I bow not to your garish colors,
To the cloying drupe and wilted blossoms
Bracing my feeble transience
With my tenet and trail of faith
I bow to the King of kings;
Whilst I beseech for emanating hope,
In my tigers clasp, my God’s rope
I beseech,
Till the noise becomes music again
And as I gaze in the glass now,
All I espy is a beseeching slave
True, the brightest light casts the darkest shadow but it is in darkest that brightest embers can be found.
"Inside the womb, silence whispers;
Darkness wombs the light
Raging storms give birth to light"

Our fate is storm,
We are the light
We are the raging storm
Enchanted by spring’s
rustling whispers
     ... whistles swirl
in the pungent springtime breeze;
steeped with a bedazzling
        cadence
   heart dancing
to a hummingbird’s
         whirs

   waves of breath,
of little wings waft,
whooshing throughout
twining honeysuckle lattice
       a
tiny manger
beset of hidden gold
precious speckled eggs, 
silver lining of smallest hopes
   fruits of fruition
   continuum beheld prize,
concealed in interwoven rootlets;
   
potently perfumed flowers
       while away
the waning dark hours;
swollen full flower moon
           waxing yellow,..
         heavenly fragrance
sweetly-scented suckled nectar
  
the one with eyes of a child,
   wonder ― hidden inside,  
   marvel in the light of grateful eyes
imbibing an unholdable moment's
    spellbinding elixir 
    ... poetry alive

air  so poignantly perfumed
       with blossom
        moonstruck
by spring’s frolicking cadency
a reverent moment's
edifying intoxication

       a sobering beauty that just is...



someone ... May 2017
Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;--
All ripe together
In summer weather,--
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.-"

               Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close,-" Laura said,
Pricking up her golden head:
"We must not look at goblin men,
Who knows upon what soil they fed
Their hungry thirsty roots?-"
"Come buy,-" call the goblins
Hobbling down the glen.

"Oh,-" cried Lizzie, "Laura, Laura,
You should not peep at goblin men.-"
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.-"
"No,-" said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.-"
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One whisk'd a tail,
One *****'d at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

               Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
When its last restraint is gone.

               Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy.-"
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy,-" was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
Cried "Pretty Goblin-" still for "Pretty Polly;-"--
One whistled like a bird.

               But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.-"
"You have much gold upon your head,-"
They answer'd all together:
"Buy from us with a golden curl.-"
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then ****'d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She ****'d and ****'d and ****'d the more
Fruits which that unknown orchard bore;
She ****'d until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

               Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.-"
"Nay, hush,-" said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;-" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.-"

               Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

               Early in the morning
When the first **** crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

               At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.-"
But Laura loiter'd still among the rushes
And said the bank was steep.

               And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,-"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

               Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?-"

               Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy.-"
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

               Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;-"--
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

               One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

               She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook

               Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;-"--
Beside the brook, along the glen,
She heard the ***** of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

               Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze.
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

               Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,--
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs.-"--

               "Good folk,-" said Lizzie,
Mindful of Jeanie:
"Give me much and many: --
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,-"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.-"--
"Thank you,-" said Lizzie: "But one waits
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee.-"--
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their looks were evil.
Lashing their tails
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

               White and golden Lizzie stood,
Like a lily in a flood,--
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously,--
In a hoary roaring sea,
Sending up a golden fire,--
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,--
Like a royal ****** town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

               One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some ***'d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

               In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse,--
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she *****'d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

               She cried, "Laura,-" up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.-"

               Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?-"--
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

     &nb
Robert C Howard May 2017
Through an open window, I hear
      the Big Thompson's steady music
drifting up from the valley below.

May breezes and gentle rains
     coax the snow-capped peaks
to surrender their alabaster cloaks
      downslope into gathering streams.

Silhouetted by light from the waxing moon,
      a cinnamon bear lopes along water’s edge,
pauses for a draught and meanders on.

A bull elk newly coifed with velvet antlers
        folds his legs beneath its belly
and kneels into grasses beside a tranquil pond.
        while the Big Thompson rushes on.

Spring beauties, calypso orchids and geraniums  
       shake off their winter's sleep and
dot every vagabond trail and verdant hill
        while fresh new leaves adorn the aspen boughs.

The Big Thompson inexorably presses on
        bound for rendezvous with time and space
and tumbles into the always patient sea.

© 2017 by Robert Charles Howard
Traveler Oct 2015
The fear is limited
To the chills up the spine
Ghosts cling to the living
Spirits cling to good times

The music and laughter
Binds the trance
The heart beats
In mysterious rhythms
Paranormal enhanced

Waxing from a Libra moon
The shadow worlds ignite
Young at heart soar forever
In a restless states of fight

The veil of Samhain
Be opened wide
Let wandering soul roam free
As we celebrate another year
   Of Natures selfless deeds ...
Traveler Tim
2015
re to 08-18
I have nimble fingers that creak and crack at the thought of weighted limbs and tangled flesh.
Like the waxing moon pulling off each of my nails-
One by one.
I am scared of climbing with broken hands.
I am versed in lust but love I have only thought of as
dripping
From my tongue after morning tea.
I am not who I think I am at all-
I have always been afraid of lovers who pull the zipper of my flesh.
I am not as naked without my clothes as without my bones.
I have always worn them crooked.
aubrey sochacki Oct 2015
new moon;
i love you’s echo through the room. some may call this the honeymoon phase, but i believed it
was so much more. as your arms wrapped around me, i pictures more of our future.

waxing crescent;
you met my parents and i met yours, we were intertwining our families one by one. We started to fight, which meant our relationship was good, right?

first quarter;
first three months went by and i just about wanted to cry all the time. you came home late with lipstick on your face.

waxing gibbous;
why, why, why, why, why?
i cannot do this with you.

full moon;
i am so angry, so so angry. i screamed and scream, all you say is “i can explain” explain what? how you killed me.

waning gibbous;
i gave you an inch, but you took a mile. you will never regain my trust, but i love you.

third quarter;
i started talking to someone new and they told me to leave you. i wanted to give you one last chance.

waxing crescent;
i’m leaving soon, i saw you with her, i cannot do this anymore.

new moon;
i am made new again without the curse of you. i will be me again soon.
wrote this in my creative writing class, I was inspired by my phone's background that I got from free people's blog (it's the moon phases). Hope you enjoy, this one's from the heart
CA Guilfoyle Sep 2016
Tree, I have come to shelter and with the rain to weep
I am soaked, barefoot with mud running through.
Soft the moss, cool and cold
to soothe my heart that bleeds.
Our waxing nights of love and moons
now fallow, a field that burns.
****** our hollow bed
of haunting, silent screams
too soon the fiery devil
too far my lover
the spring.
Dear beautiful people thank you for reading my poem, and thank you too, for your kind words.

Cyd
Kyle John Somer Oct 2012
We are all so very fragile.
Our sun kissed porcelain faces
are freckled with Achilles heel fault lines and chipped paint.
Shining through to our nervous nervous system and our tendency to over think things.
We hide so much inside of us.
Behind dance less masquerades
Our bodies held together only by cages of ivory bones
cages that cradle the thin winged heart beats of our chest
nervous moths stumbling around inside
knocking books off of shelves and
eating the sweaters that we use to keep our hearts from freezing over.

The autumn wind is cold like sad glaciers
and it's easy to break down at times like these.
Our bones ache and shriek like boiling tea kettles.
Making it hard not to shatter.

We are all so fragile.
Burnt out light bulb fragile.
Frozen lake fragile.
Defibrillated heartbeat fragile.
We are broken branch fragile
chronic alcoholics sobriety fragile.
The middles school girls reaction to the word “fat” fragile
We are the kind of fragile that set off big bangs.
We are, paranoid breakable.
And its got to the point where
we have begun taping up our light leak vulnerabilities
with perceptions of perfection and thoughts of rejection
spending our time in dark rooms as our minds just keep reeling
and trying to shut off feelings and unwind
but we have been over exposed to such ****.
To slides and slides of negative negatives

we used to burst apart with so much light.

but the sun isn't shining honest, the night sky is black
and its raining in all the wrong ways.
We're out of season.
sewing up the holes in our personality
with floods of insecurities and droughts of identity.
damning what matters.

****, its hard to know what matters.

But I am still trying to figure that one out
And the moths are still here
as the pendulum clocks keep ticking
eating the sweaters that we used
to keep our hearts from freezing over.

But we are freezing to the core.
The atoms inside of us splinting into half lives;
we haven't even lived half of our lives
yet we feel so ancient.
The dust piles growing on our slanted bookshelves shoulders
Our bright idea light bulbs flickering,
getting covered up by snowdrifts.

We are gas giants wrapping ourselves into open space darkness
hiding from the bright side of the moon.
Like a black cat superstition we are running from our own precondition
of lying about being ourselves
We pull dark black-hole hoods over our eyes
wincing at the light trails of shooting stars
though we, too, want to be brilliant.
We try to orbit the sun hoping that humanity is a symphony;
that being popular and having the most friends is what matters.
and we can be where the grass is always greener by fitting in and by being mirrors
Even though not being yourself is nauseating.

We can be nauseating, we can be mirrors.

Because we are scared that if we don't
hide who we really are
we may end up like Pluto.
Ostracized for existing.
floating around in space having stare downs with wormholes
A shivering rock entity with a complete loss of identity.

We already are so lost.
Our souls waning and waxing
Rocking back and forth
on wood beams and porches.
like an ADD moonbeam rocking chair.

But now its time to stop in one place and readjust our backbones.

Because I know that we are fragile, I know that.
I know that its hard filling in the cracks that have found their way down our back-stabbed spines
we all have our histories with being dropped and rejected.
But we weren't made to be cardboard box people,
packing tape and labels wrapped in all of the wrong places.
we are boxes full of wormholes into other dimensions
we are full of life and blood and bones,
full of oceans and stardust and daggers
There is so much more to us than our brown paper complexions.
So climb out of those kangaroo pouch caves that you have called home for the last few years
There's no need hiding anymore.
You can be safe in your own skin.
You can climb the Himalayas and scream out as many lightning rods as you want
we will all be listening as you burst apart into thunder claps.
As you bleed yourself into infinity

So, dim the lights

Throw your self at the world
and crash like waves into existence
you are perfect when you are yourself.
Grab that porcelain off of your face
and let your smile super nova fracture into a cosmic grin of constellations.

People will look up to you and be inspired.
A cardboard box rookie sprawled out in the stars.
Lighting up all of our faces with E.T. fingertips.
No longer hiding being reflective eclipses
There's only one person who can tell you who you are.
Only you can speak for yourself.

I know that your fragile
I know that.

We all are..,
King Tutankhamun Sep 2018
My dear summers dream was to the taste cream
Pass me the triple beam the microphone fiend
Back on the scene simplicity is your complexity
So amazingly like grace I be rockin' the place
Like we Studio 54 shut down the doors
Once the bubbly pours and the **** adores
Ya mental **** ya sentimentals and these new aged millennials
They too satirical I make miracles flow potholes
Creatin' mass mayhem your an inconvenience
Cuz of ya hesitance my presence is known
Without even being shown paragraphs of stone
Hard to crack waxing tracks like a shark attack
Felonious acts we never back down
Til my soul drown in the core of the earth
Royalties since birth new my worth they tried to mirth
At my pain tryna change the game cuz all these cowards
Saying the same thang got dang got dang
Time to chess box like Wu Tang leavin' a stain
On ya reign no tears though I'll be on solo
Rippin' up instrumentals ya know how we do so...yeahhh


From the Sunny to bees that make the honey
Sticky icky like my spliffs be call me smokey
Puttin' fire to mother natures forests check the creases I
unleashes
Rap game mafiaso so so better back back
Or else get dropped lika Domino so here we go!
Here we go!
With the ghetto jams love girls with the derriere's of Pam
Got **** once again it's time to slam
Mics harder than Shawn Kemp ya flows shrimp
That's why ya girl calls me Mr **** no limp
Slick as Rick hello young world tilt and a whirl
Catch the swirl of Qatar Pearls on the neck of ya girl
Suckas better know I'm coming with a blow
Harder than Bowe combined with a super glow
black Saiyan raps slayin' turntables layin'
So I can get wicked lyrics Pickett
like Wilson
Flows in unison formation
of words
Herds a violent surge
feel the purge
We high rising no disguisin'
knockin' out Suckas who jivin' ain't none survivin' ?
Shofi Ahmed Mar 2017
The little zero is big magic.
Count on any number in the number set.
Zero can give the heaps the giant leap,
yet no number can square it,
not even the complete set of digits.

Science trailing through the zero and one  
leads the digital age, continues to grow.
What's in a number is in the know,
but what's in a zero?

Now let’s take a trip into the matrix
without the arithmetic pill of the zero orb.
This time let it be with a poetic dose!

Should you not bask in the sun,
dipped only dew-deep,
shimmering in the sea of its deep
shadow in one little drop?
Can you touch a moon
up high, waxing lyrical  
above the billowing ocean?
Patricia Drake Mar 2013
Razorblade rain
Draws ****** pictures
On gasping skin
Canvas

and

Morning makes
Vaccum blue lips
And purple suffocated
Hearts

but

Pale moon fire
Pulls minds
Into waxing
Fates
NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le
Skaidrum Feb 2017
...
new moon
"just let me sleep,"
moon eaten
my absence upsets all.
Look at me, really look at me,
stare up at the belly of a loved sky,
watch fingers dipping into bowls of blood holding hope,
feeling around for a sliver,
of sweet milk,
of relief,
of anything;

new moon whispers
on the dead bodies left behind,
god sighs---
he knows;

"I am not the same"

waxing crescent
map out my wreckage,
my skeleton of poetry;
in the spines of books loved by mankind,
bury me there in a pages of flowers---
in the altitude of words;
read me with a hunger you have never known before,
over and over;
whenever it seems fit~
like the light of the moon is a cigarette.

smoking,
he's always smoking now.
god takes another drag;
he describes to me:

"You could be my bible,
you book of blood"


I can't stand smoke...

"I have no business in being your  holy snakeskin."

first quarter
I've been searching for
solid ground, solid shadows,
a solid compromise;

I wanted a little more
than ordinary love from him so I

asked him where the static began,
for me it's below my bottom left rib
and found that it was also where the spiders started too.

Time, that quiet thing
obeys god, only
because it waits for no one

it loves
unzipping the law of alchemy,
cause ink flowered in my blood again;
I should thank time
it was this saving kind of grace;
always has been

god stroked my hair this time
and said quietly:

"You see,
the saddest thing is realizing
that there's nothing more they can do for you"


waxing gibbous
Oh, where's my love?
Is it in the fever I call happiness,
is it in the sword my mama raised me to be

Is it in the way
the moon tiptoes closer
when he says my name
in that beautiful way he does

or breaks my name
over his teeth like it's just
glass apples

God doesn't even look at me
he doesn't have to;

"Do you believe in angels?"

the wreckage answers him
"not lately"

full moon
And it begins again
I watch as he just looks away
and says it's fine
it hurts

god narrows his eyes but shrugs

"Pain had other plans for you."

I breathe out raggedly;

"I guess,
if there's no key
then I'll just swallow the whole door."

...
I trusted you.
I love you more than anything.
© Copywrite Skaidrum
EP Mason Mar 2014
Tonight I watched the sky for longer than I'd ever done before
The white afternoon deepened to crystal and
I saw each star gently fade into view
until darkness covered me
like the clouds covered the waxing, weeping moon
and astral tears melted from its craters
and on nights like this I usually
think of Van Gogh
or McNeill Whistler's
Nocturne in black and Gold
but tonight I thought of
how there are more stars in the sky
than
drops of water on Earth
sorry
© Erin Mason 2014
C X Rutledge Dec 2014
"The first step is always the hardest."  I've recited this over and over in my consciousness.
"Grip the rail, tight. "
Pursed with dried paint to smooth over the lumps of people gone before you.
" You're never the first one to go. "
Eyes forward and chin up I gather myself.
" It's only stairs, " I say over and over.
" It's only stairs," they say.
Now, faced with only upward motion.
Now, faced with only moving forward.
I look out the window to see the moon waning, waxing strong with my ascent.
4x32 are tiles on the floor.
6x15x18 is the case.
Hold my hand.
Guide me.
Guard me through this night.
By morning I will have reach this light.
"It's only stairs." We say.
Just walking up some stairs,  figured I'd try something new.  :)
13 Jul 2014
A quarter to one at 3 in the night
could ideally be fun, not without warning.
Sitting alone in a room full of one
waiting for clues that glue the hour,
Fluidly spacy in the psychedelic lull
of drifting silence just half past none.
One and three quarters align
magically, weeks have just gone by.
Poetry is depressing to some.
Cheer up now, the waning comes.
Posted on January 18, 2014
Tuesday Pixie May 2012
Perhaps I will become a waxing fiend.
A perpetrator of the nerves within my legs
In order to reach the imaginary beauty
that society has ingrained into my open mind.
Yet how can I ever fulfil this growing hole inside
Urging, commanding that I shall not be beautiful
Without Revlon mascara and tinted eyebrows,
That my diet must consist of a celery stick a day
And I must have a new wardrobe every week
- to keep in with the highest of fashions.
Do men really care if I'm wearing Gucci or Prada?
Would my restricted diet and devotion to thinspiration blogs impress them?
Has society really just given up on the love of personality,
the good old fashioned 'inner beauty'?
We are each our own moon.
Charismatic souls reflecting sunlight,
As if to illuminate a room,
We glow against black, void; an endless night.
Like a caterpillar to a butterfly, emerging from a tight knit cocoon,
Spreading each wing, confidently slicing the evening air…taking flight.
Or even a flower freshly bloomed on a midsummer’s afternoon.
The moon: a flower, silently smiling despite the plight.

Aside from what each day shuffles in; each night simmers out
No matter how often we feel we have lost ourselves…
Or leave way to fill our heads with doubt.
With recurring assumptions of a worldwide redemption:omnipotent stealth.
Needn't some take longer than others to sprout?
Staring blankly into a mirror, or a moonless night sky: hungry for answers, yet facing an empty shelf.
However, that doesn't infer we embark on a divergent route.
Simply due to lack of clarity, lack of reasoning behind each card dealt.

With that in mind,
Just as the moon,true colors may dwindle…they may fade, yet in essence are always there.
Even on a cloudy day, or when the sunshine is at its peak…and just as well for the blind.
Full moon, half moon, new moon…waxing, waning: dynamic phases the night sky shares.
Moon phases;moody faces…natures way of emphasizing personality defined.
Notwithstanding the dark side, each moon may wear.
Like a guilty pleasure manifesting in a secret shrine,
We all suppress a certain side; to pompous to face reality genuinely bare.

Fragments of our faces may always be hidden,
But there’s one thing that will never absorb into the eclipse: emotion.
Some figure each phase, each wave of vibes … simply fate already written.
Devils advocate begs to differ… let your mind emit all distraction and harmonize with the ocean.
Effervescent rays,warm barrels in which emotions, old and new, have ridden.
Chaotically contradicting thoughts, pulling and pushing, creating the paradox of serene commotion.
A world of words from each moon face: a beautiful encryption.
We are each our own moon, written in the waves, compelled by life’s devotion.
July 24, 2013

— The End —