Hello Poetry
Submit your work and get some sparkles! Create free account
"warbled" poems
1235 Like Rain it sounded till it curved And then I new ’twas Wind— It walked as wet as any Wave But swept as dry as sand— When it had pushed itself away To some remotest Plain A coming as of Hosts was heard It filled the Wells, it pleased the Pools It warbled in the Road— It pulled the spigot from the Hills And let the Floods abroad— It loosened acres, lifted seas The sites of Centres stirred Then like Elijah rode away Upon a Wheel of Cloud.
0
16.1k
Like Rain it sounded till it curved
Somewhere Somehow I can’t identify when it changed. I saw things differently, my eyes no longer covered by an opaque way of thinking. Sunshine brightened this world with unimagined colors, butterflies broke free, songbirds warbled lovely tunes. Amidst emerging beauty words became every day’s lifeblood; I found my voice. All around me, there was change, yet everything remained the same. For it was me that changed. Reborn, rewired. My heart drummed a brand new beat. Driven by transformation, I wrote. I write. Adding a dash of color. Singing harmony to surrounding melodies. I am changing. I am writing. I am a poet.
0
Oct 1, 2014
Oct 1, 2014 at 5:47 PM UTC
Changed and Changing
A shaft from the golden sun, reclined peacefully in my lap. The amber gleam reflected back, and gently baked the solemn land. An ardent whisper furnished the woods with a viridescent scent that woke up the woods. Silver songs of sleek streams, chased the lullabies away; gently. Ancient tress cuddled the wind, their leaves clapped in sheer bliss The broken winged white eyed bulbul, warbled hymns to lift the curse. Scarlet tainted vintage letters resting in the rustic mailbox, await your tender touch; while they chant for a past long gone. But lily livered clouds, they have turned your courage into a yellow illusion. So now defy the toxic words and the errors you made, A different person inside your skin, long ago, burned our hearts on the hateful flames.
0
Jul 31, 2018
Jul 31, 2018 at 6:44 PM UTC
Gone with the Wind
(To L. L.) Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love’s song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! I remember we used to meet By an ivied seat, And you warbled each pretty word With the air of a bird; And your voice had a quaver in it, Just like a linnet, And shook, as the blackbird’s throat With its last big note; And your eyes, they were green and grey Like an April day, But lit into amethyst When I stooped and kissed; And your mouth, it would never smile For a long, long while, Then it rippled all over with laughter Five minutes after. You were always afraid of a shower, Just like a flower: I remember you started and ran When the rain began. I remember I never could catch you, For no one could match you, You had wonderful, luminous, fleet, Little wings to your feet. I remember your hair—did I tie it? For it always ran riot— Like a tangled sunbeam of gold: These things are old. I remember so well the room, And the lilac bloom That beat at the dripping pane In the warm June rain; And the colour of your gown, It was amber-brown, And two yellow satin bows From your shoulders rose. And the handkerchief of French lace Which you held to your face— Had a small tear left a stain? Or was it the rain? On your hand as it waved adieu There were veins of blue; In your voice as it said good-bye Was a petulant cry, ‘You have only wasted your life.’ (Ah, that was the knife!) When I rushed through the garden gate It was all too late. Could we live it over again, Were it worth the pain, Could the passionate past that is fled Call back its dead! Well, if my heart must break, Dear love, for your sake, It will break in music, I know, Poets’ hearts break so. But strange that I was not told That the brain can hold In a tiny ivory cell God’s heaven and hell.
0
4.4k
Roses And Rue
(To L. L.) Could we dig up this long-buried treasure, Were it worth the pleasure, We never could learn love’s song, We are parted too long. Could the passionate past that is fled Call back its dead, Could we live it all over again, Were it worth the pain! I remember we used to meet By an ivied seat, And you warbled each pretty word With the air of a bird; And your voice had a quaver in it, Just like a linnet, And shook, as the blackbird’s throat With its last big note; And your eyes, they were green and grey Like an April day, But lit into amethyst When I stooped and kissed; And your mouth, it would never smile For a long, long while, Then it rippled all over with laughter Five minutes after. You were always afraid of a shower, Just like a flower: I remember you started and ran When the rain began. I remember I never could catch you, For no one could match you, You had wonderful, luminous, fleet, Little wings to your feet. I remember your hair—did I tie it? For it always ran riot— Like a tangled sunbeam of gold: These things are old. I remember so well the room, And the lilac bloom That beat at the dripping pane In the warm June rain; And the colour of your gown, It was amber-brown, And two yellow satin bows From your shoulders rose. And the handkerchief of French lace Which you held to your face— Had a small tear left a stain? Or was it the rain? On your hand as it waved adieu There were veins of blue; In your voice as it said good-bye Was a petulant cry, ‘You have only wasted your life.’ (Ah, that was the knife!) When I rushed through the garden gate It was all too late. Could we live it over again, Were it worth the pain, Could the passionate past that is fled Call back its dead! Well, if my heart must break, Dear love, for your sake, It will break in music, I know, Poets’ hearts break so. But strange that I was not told That the brain can hold In a tiny ivory cell God’s heaven and hell.
Continue reading...
69
When spring, to woods and wastes around, Brought bloom and joy again, The murdered traveller's bones were found, Far down a narrow glen. The fragrant birch, above him, hung Her tassels in the sky; And many a vernal blossom sprung, And nodded careless by. The red-bird warbled, as he wrought His hanging nest o'erhead, And fearless, near the fatal spot, Her young the partridge led. But there was weeping far away, And gentle eyes, for him, With watching many an anxious day, Were sorrowful and dim. They little knew, who loved him so, The fearful death he met, When shouting o'er the desert snow, Unarmed, and hard beset;-- Nor how, when round the frosty pole The northern dawn was red, The mountain wolf and wild-cat stole To banquet on the dead;-- Nor how, when strangers found his bones, They dressed the hasty bier, And marked his grave with nameless stones, Unmoistened by a tear. But long they looked, and feared, and wept, Within his distant home; And dreamed, and started as they slept, For joy that he was come. Long, long they looked--but never spied His welcome step again, Nor knew the fearful death he died Far down that narrow glen.
0
3.4k
The Murdered Traveller
his essence cascades across the grain of my frame; as his eyes dilate, imbibing in the beauty of motion teasing the lull of moonbeams as it dabbles against the infinity of our minds beholding our reflected image in mirrored composure, as our delicacy of want pushes towards an edge of lustiness entwined within warbled notes of rock wrens singing love songs as they dip their wings on early summer morn's my eyes close as softness of lips touch upon mine own; sending thoughts to lucid stillness of serendipity bathing our contoured frames in dulcetness aligned within pouted hunger tasting one another in unity kaleidoscopic prisms alight in our eyes as the lull of the moon pulls the ebb and flow of the ocean's current as our bodies move in rhythm with its motion of each cresting wave crashing against the shores of our soul's fluidity burbling in ecstasy
0
Jun 13, 2012
Jun 13, 2012 at 11:57 PM UTC
Serendipity
I am a warped vinyl left in the sun by your careless hand. My voice has become so warbled it's no wonder you can't hear all of the times I screamed "I miss you" into that tin can microphone so many songs ago. The surface noise has grown louder than the instruments and now I know why you never dust me off the shelf and play me anymore.
0
Sep 4, 2014
Sep 4, 2014 at 10:19 PM UTC
Warped Vinyl
Love seeketh not Itself to please. Nor for itself hath any care; But for another gives its ease. And builds a Heaven in Hells despair. So sung a little Clod of Clay, Trodden with the cattle’s feet; But a Pebble of the brook. Warbled out these metres meet. Love seeketh only Self to please, To bind another to Its delight; Joys in anothers loss of ease. And builds a Hell in Heavens despite.
0
2.8k
The Clod & The Pebble
1 I dream of Jeanie with the light brown hair, 2 Borne, like a vapor, on the summer air; 3 I see her tripping where the bright streams play, 4 Happy as the daisies that dance on her way. 5 Many were the wild notes her merry voice would pour. 6 Many were the blithe birds that warbled them o'er: 7 Oh! I dream of Jeanie with the light brown hair, 8 Floating, like a vapor, on the soft summer air. 9 I long for Jeanie with the daydawn smile, 10 Radiant in gladness, warm with winning guile; 11 I hear her melodies, like joys gone by, 12 Sighing round my heart o'er the fond hopes that die: -- 13 Sighing like the night wind and sobbing like the rain, -- 14 Wailing for the lost one that comes not again: 15 Oh! I long for Jeanie, and my heart bows low, 16 Never more to find her where the bright waters flow. 17 I sigh for Jeanie, but her light form strayed 18 Far from the fond hearts round her native glade; 19 Her smiles have vanished and her sweet songs flown, 20 Flitting like the dreams that have cheered us and gone. 21 Now the nodding wild flowers may wither on the shore 22 While her gentle fingers will cull them no more: 23 Oh! I sigh for Jeanie with the light brown hair, 24 Floating, like a vapor, on the soft summer air.
0
2.7k
Jeanie with the Light Brown Hair
When the warm sun, that brings Seed-time and harvest, has returned again, ’Tis sweet to visit the still wood, where springs The first flower of the plain. I love the season well, When forest glades are teeming with bright forms, Nor dark and many-folded clouds foretell The coming-on of storms. From the earth’s loosened mould The sapling draws its sustenance, and thrives; Though stricken to the heart with winter’s cold, The drooping tree revives. The softly-warbled song Comes from the pleasant woods, and colored wings Glance quick in the bright sun, that moves along The forest openings. When the bright sunset fills The silver woods with light, the green slope throws Its shadows in the hollows of the hills, And wide the upland glows. And when the eve is born, In the blue lake the sky, o’er-reaching far, Is hollowed out, and the moon dips her horn, And twinkles many a star. Inverted in the tide, Stand the gray rocks, and trembling shadows throw, And the fair trees look over, side by side, And see themselves below. Sweet April!—many a thought Is wedded unto thee, as hearts are wed; Nor shall they fail, till, to its autumn brought, Life’s golden fruit is shed.
0
2.5k
An April Day
"The past is a bucket of ashes." 1 THE WOMAN named To-morrow sits with a hairpin in her teeth and takes her time and does her hair the way she wants it and fastens at last the last braid and coil and puts the hairpin where it belongs and turns and drawls: Well, what of it? My grandmother, Yesterday, is gone. What of it? Let the dead be dead. 2 The doors were cedar and the panels strips of gold and the girls were golden girls and the panels read and the girls chanted: We are the greatest city, the greatest nation: nothing like us ever was. The doors are twisted on broken hinges. Sheets of rain swish through on the wind where the golden girls ran and the panels read: We are the greatest city, the greatest nation, nothing like us ever was. 3 It has happened before. Strong men put up a city and got a nation together, And paid singers to sing and women to warble: We are the greatest city, the greatest nation, nothing like us ever was. And while the singers sang and the strong men listened and paid the singers well and felt good about it all, there were rats and lizards who listened ... and the only listeners left now ... are ... the rats ... and the lizards. And there are black crows crying, "Caw, caw," bringing mud and sticks building a nest over the words carved on the doors where the panels were cedar and the strips on the panels were gold and the golden girls came singing: We are the greatest city, the greatest nation: nothing like us ever was. The only singers now are crows crying, "Caw, caw," And the sheets of rain whine in the wind and doorways. And the only listeners now are ... the rats ... and the lizards. 4 The feet of the rats scribble on the door sills; the hieroglyphs of the rat footprints chatter the pedigrees of the rats and babble of the blood and gabble of the breed of the grandfathers and the great-grandfathers of the rats. And the wind shifts and the dust on a door sill shifts and even the writing of the rat footprints tells us nothing, nothing at all about the greatest city, the greatest nation where the strong men listened and the women warbled: Nothing like us ever was.
0
2.4k
Four Preludes on Playthings of the Wind
"The past is a bucket of ashes." 1 THE WOMAN named To-morrow sits with a hairpin in her teeth and takes her time and does her hair the way she wants it and fastens at last the last braid and coil and puts the hairpin where it belongs and turns and drawls: Well, what of it? My grandmother, Yesterday, is gone. What of it? Let the dead be dead. 2 The doors were cedar and the panels strips of gold and the girls were golden girls and the panels read and the girls chanted: We are the greatest city, the greatest nation: nothing like us ever was. The doors are twisted on broken hinges. Sheets of rain swish through on the wind where the golden girls ran and the panels read: We are the greatest city, the greatest nation, nothing like us ever was. 3 It has happened before. Strong men put up a city and got a nation together, And paid singers to sing and women to warble: We are the greatest city, the greatest nation, nothing like us ever was. And while the singers sang and the strong men listened and paid the singers well and felt good about it all, there were rats and lizards who listened ... and the only listeners left now ... are ... the rats ... and the lizards. And there are black crows crying, "Caw, caw," bringing mud and sticks building a nest over the words carved on the doors where the panels were cedar and the strips on the panels were gold and the golden girls came singing: We are the greatest city, the greatest nation: nothing like us ever was. The only singers now are crows crying, "Caw, caw," And the sheets of rain whine in the wind and doorways. And the only listeners now are ... the rats ... and the lizards. 4 The feet of the rats scribble on the door sills; the hieroglyphs of the rat footprints chatter the pedigrees of the rats and babble of the blood and gabble of the breed of the grandfathers and the great-grandfathers of the rats. And the wind shifts and the dust on a door sill shifts and even the writing of the rat footprints tells us nothing, nothing at all about the greatest city, the greatest nation where the strong men listened and the women warbled: Nothing like us ever was.
Continue reading...
78
I They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter's morn, on a stormy day, In a Sieve they went to sea! And when the Sieve turned round and round, And every one cried, "You'll all be drowned!" They called aloud, "Our Sieve ain't big, But we don't care a button! we don't care a fig! In a Sieve we'll go to sea!" Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. II They sailed away in a Sieve, they did, In a Sieve they sailed so fast, With only a beautiful pea-green veil Tied with a riband by way of a sail, To a small tobacco-pipe mast; And every one said, who saw them go, "O won't they be soon upset, you know! For the sky is dark, and the voyage is long, And happen what may, it's extremely wrong In a Sieve to sail so fast!" Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. III The water it soon came in, it did, The water it soon came in; So to keep them dry, they wrapped their feet In a pinky paper all folded neat, And they fastened it down with a pin. And they passed the night in a crockery-jar, And each of them said, "How wise we are! Though the sky be dark, and the voyage be long, Yet we never can think we were rash or wrong, While round in our Sieve we spin!" Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. IV And all night long they sailed away; And when the sun went down, They whistled and warbled a moony song To the echoing sound of a coppery gong, In the shade of the mountains brown. "O Timballo! How happy we are, When we live in a sieve and a crockery-jar, And all night long in the moonlight pale, We sail away with a pea-green sail, In the shade of the mountains brown!" Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. V They sailed to the Western Sea, they did, To a land all covered with trees, And they bought an Owl, and a useful Cart, And a pound of Rice, and a Cranberry **** And a hive of silvery Bees. And they bought a Pig, and some green Jack-daws, And a lovely Monkey with lollipop paws, And forty bottles of Ring-Bo-Ree, And no end of Stilton Cheese. Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. VI And in twenty years they all came back, In twenty years or more, And every one said, "How tall they've grown! For they've been to the Lakes, and the Torrible Zone, And the hills of the Chankly Bore!" And they drank their health, and gave them a feast Of dumplings made of beautiful yeast; And every one said, "If we only live, We too will go to sea in a Sieve,? To the hills of the Chankly Bore!" Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
0
1.8k
The Jumblies
I They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter's morn, on a stormy day, In a Sieve they went to sea! And when the Sieve turned round and round, And every one cried, "You'll all be drowned!" They called aloud, "Our Sieve ain't big, But we don't care a button! we don't care a fig! In a Sieve we'll go to sea!" Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. II They sailed away in a Sieve, they did, In a Sieve they sailed so fast, With only a beautiful pea-green veil Tied with a riband by way of a sail, To a small tobacco-pipe mast; And every one said, who saw them go, "O won't they be soon upset, you know! For the sky is dark, and the voyage is long, And happen what may, it's extremely wrong In a Sieve to sail so fast!" Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. III The water it soon came in, it did, The water it soon came in; So to keep them dry, they wrapped their feet In a pinky paper all folded neat, And they fastened it down with a pin. And they passed the night in a crockery-jar, And each of them said, "How wise we are! Though the sky be dark, and the voyage be long, Yet we never can think we were rash or wrong, While round in our Sieve we spin!" Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. IV And all night long they sailed away; And when the sun went down, They whistled and warbled a moony song To the echoing sound of a coppery gong, In the shade of the mountains brown. "O Timballo! How happy we are, When we live in a sieve and a crockery-jar, And all night long in the moonlight pale, We sail away with a pea-green sail, In the shade of the mountains brown!" Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. V They sailed to the Western Sea, they did, To a land all covered with trees, And they bought an Owl, and a useful Cart, And a pound of Rice, and a Cranberry **** And a hive of silvery Bees. And they bought a Pig, and some green Jack-daws, And a lovely Monkey with lollipop paws, And forty bottles of Ring-Bo-Ree, And no end of Stilton Cheese. Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. VI And in twenty years they all came back, In twenty years or more, And every one said, "How tall they've grown! For they've been to the Lakes, and the Torrible Zone, And the hills of the Chankly Bore!" And they drank their health, and gave them a feast Of dumplings made of beautiful yeast; And every one said, "If we only live, We too will go to sea in a Sieve,? To the hills of the Chankly Bore!" Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
Continue reading...
89
Sticky honey, sickly sweet Heaven's homemade remedy black bear, left paw suckling queen bee, mossy tall oak tree Salmon swim up stream warbled forehead jagged teeth grizzly bear , sharp claw nature is an animal
0
Mar 28, 2013
Mar 28, 2013 at 9:24 PM UTC
Nature #1
Where are The ecstatic saxophones that Slung forth swank slurs of Beauty, The *** *** *** Bass lines, The snaps and snares and the Sweet rhythm of the Night? Music had character And minds followed, in following Soared. There were no glittery vampires, No prepubescent Brother boy bands. Soulful crooners never Warbled over Alejandro, Or the boots with the fur, with the fur. We wrote letters and shared thoughts and ideas And convictions. There was no need for the techno Middleman To wrap our Real thoughts in LOLs To make opening Up to another More efficient. Mass media Gluttony drowns America till I strain and struggle Only to barely stay afloat In this sea of apathy. But you won't buy and sell my soul. I'm not going to Be your Consumptive, Quiet, Couldn't-care-less, I won't get in the way, And I won't raise my voice, Good American, 2.5 children, Christian, Conserva-libera-publi-crat, Self-centered, Illiterate, Ignorant Sheep Only to follow the power. **** no, I'm mad as hell; I want to leave the next generation A world where You can confess your Love and be a man or Love another man and have Basic human rights, and it all Starts in your Mind And your Expression thereof. It's the saccharine pop Culture that has Made free-thought unfashionable, a crime. Art is Revolution. Hang Up, Log Out, Unplug and just look At what you've let the World become in Letting yourself be Little more than A faceless source Of merciless dollars. Wrest free our Culture from the Calamitous and indifferent Claws of rampant capitalism. Express yourself or submit, Stand up for a free America. I will not be sold.
0
Oct 26, 2010
Oct 26, 2010 at 2:23 PM UTC
Cultural Doldrums
Where are The ecstatic saxophones that Slung forth swank slurs of Beauty, The *** *** *** Bass lines, The snaps and snares and the Sweet rhythm of the Night? Music had character And minds followed, in following Soared. There were no glittery vampires, No prepubescent Brother boy bands. Soulful crooners never Warbled over Alejandro, Or the boots with the fur, with the fur. We wrote letters and shared thoughts and ideas And convictions. There was no need for the techno Middleman To wrap our Real thoughts in LOLs To make opening Up to another More efficient. Mass media Gluttony drowns America till I strain and struggle Only to barely stay afloat In this sea of apathy. But you won't buy and sell my soul. I'm not going to Be your Consumptive, Quiet, Couldn't-care-less, I won't get in the way, And I won't raise my voice, Good American, 2.5 children, Christian, Conserva-libera-publi-crat, Self-centered, Illiterate, Ignorant Sheep Only to follow the power. **** no, I'm mad as hell; I want to leave the next generation A world where You can confess your Love and be a man or Love another man and have Basic human rights, and it all Starts in your Mind And your Expression thereof. It's the saccharine pop Culture that has Made free-thought unfashionable, a crime. Art is Revolution. Hang Up, Log Out, Unplug and just look At what you've let the World become in Letting yourself be Little more than A faceless source Of merciless dollars. Wrest free our Culture from the Calamitous and indifferent Claws of rampant capitalism. Express yourself or submit, Stand up for a free America. I will not be sold.
Continue reading...
81
Lucifer just said I'm two-faced; But the reality is I wear many faces Each one a mask Picking a bouquet of oopsie-daises Unabashedly lashing out at you I eviscerate; wielding a scalpel Then I pounce; scalped him, Pelt dangling from my ***** pack **Went Kerouac on ***** *** Surprise, surprise Palpable attack Thumbing tacks into your eyes Lame as a bad sitcom Band-wagon careening off the laugh-track Everybody loves disarray **** Vamoose! Underlying interloper Feel the allusion in high resolution; Little tike on the ***** Anne frankly I'm that Führer fomenting furor Have you lost your marbles? Inaudibly garbling warbled garbage Mauled to death **I **** narwhals** Convoluted revolution I revel in it Elusive illusion Testify, I bring the excellence in electrocution I'm the executioner Putting the fun in funeral Like a neurotic necrotizing narcotic A lobotomy to the temporal I dreamt the demented torment of descent Cascading like a torrential waterfall Ghoulish delight Primeval upheavaler With hopes to elope, many fold Mic bold, but I suspect she's hitting the slopes; Ice cold Evoking emotion but a hopeless show marionette in a stranglehold
0
Mar 1, 2014
Mar 1, 2014 at 9:01 AM UTC
✈ ▌▌
You changed your clothes right there in front of me. The dust no longer clinging to your skin like little specks of angel dust Smiles fading into harsh words and tears whether there's an audience or not. A love stained like the sleeves of my shirt, mascara-streaked and frayed along the seams. I still can't handle real life. Those inbetween moments where you're in his bed. Where you're writing love letters on Valentine's Day even though you hate it. Your broken boy is still in pieces at the bottom of your toy chest. Voice warbled from dead batteries.
0
Feb 18, 2013
Feb 18, 2013 at 8:50 AM UTC
Stained
i read your poems, but i can't read you. what's the point? other boys, they call me pretty- well, sometimes they do. but still, other boys, they touch my hand, they like my hair, they think i'm funny. but they're not you, and that rips me up. the boy who once said i'm not his type doesn't think you are good for me. but he doesn't know you. he doesn't know your pretty folded inside out folded right side out, folded into the pit of my stomach, giving me butterflies. oh, my god, i think this is what love feels like when you’re stuck on the rewind of a cassette tape, because the player doesn’t auto-stop, and you don't feel like getting up, so the tape snaps or tangles or knots. either way it can’t be the same ******* song, it sounds too different to be. warbled. but the beat is the same. it starts off slow then speeds up as the eyes get bluer and her cheeks get warmer. tha. thump. tha. thump. tha thump. tha thump. thathumpthathumpthathump. if you love me, baby, just say so. because i’m so brand new, i’m so full of darkness. you’re so ruggedly smooth, so full of lightning. i’m so brand new, that i can’t read you like your poems. i’m so full of darkness, that i can’t feel loved anymore. but, baby, baby, bubby. i could love you like a poem. i’ll be the body electric. (i love as hard as a whitman) i’ll be the master, the dream, the fool. (i love as illogically as a kipling) i’ll be immortal. (i’ll love as sweetly as a dickinson) i’ll be everything you’ve ever read about and wanted, if you’d just come clean. so if you love me if you love me come clean.
0
Nov 30, 2016
Nov 30, 2016 at 9:42 PM UTC
if you love me come clean
i read your poems, but i can't read you. what's the point? other boys, they call me pretty- well, sometimes they do. but still, other boys, they touch my hand, they like my hair, they think i'm funny. but they're not you, and that rips me up. the boy who once said i'm not his type doesn't think you are good for me. but he doesn't know you. he doesn't know your pretty folded inside out folded right side out, folded into the pit of my stomach, giving me butterflies. oh, my god, i think this is what love feels like when you’re stuck on the rewind of a cassette tape, because the player doesn’t auto-stop, and you don't feel like getting up, so the tape snaps or tangles or knots. either way it can’t be the same ******* song, it sounds too different to be. warbled. but the beat is the same. it starts off slow then speeds up as the eyes get bluer and her cheeks get warmer. tha. thump. tha. thump. tha thump. tha thump. thathumpthathumpthathump. if you love me, baby, just say so. because i’m so brand new, i’m so full of darkness. you’re so ruggedly smooth, so full of lightning. i’m so brand new, that i can’t read you like your poems. i’m so full of darkness, that i can’t feel loved anymore. but, baby, baby, bubby. i could love you like a poem. i’ll be the body electric. (i love as hard as a whitman) i’ll be the master, the dream, the fool. (i love as illogically as a kipling) i’ll be immortal. (i’ll love as sweetly as a dickinson) i’ll be everything you’ve ever read about and wanted, if you’d just come clean. so if you love me if you love me come clean.
Continue reading...
66
WHILST I beheld the neck o’ th’ dove, I spied and read these words. ‘This pretty dye Which takes your eye, Is not at all the bird’s. 5 The dusky raven might Have with these colours pleased your sight, Had God but chose so to ordain above;’ This label wore the dove. Whilst I admired the nightingale, 10 These notes she warbled o’er. ‘No melody Indeed have I, Admire me then no more: God has it in His choice 15 To give the owl, or me, this voice; ’Tis He, ’tis He that makes me tell my tale;’ This sang the nightingale. I smelt and praised the fragrant rose, Blushing, thus answer’d she. 20 ‘The praise you gave, The scent I have, Do not belong to me; This harmless odour, none But only God indeed does own; 25 To be His keepers, my poor leaves He chose;’ And thus replied the rose. I took the honey from the bee, On th’ bag these words were seen. ‘More sweet than this 30 Perchance nought is, Yet gall it might have been: If God it should so please, He could still make it such with ease; And as well gall to honey change can He;’ 35 This learnt I of the bee. I touch’d and liked the down o’ th’ swan; But felt these words there writ. ‘Bristles, thorns, here I soon should bear, 40 Did God ordain but it; If my down to thy touch Seem soft and smooth, God made it such; Give more, or take all this away, He can;’ This was I taught by th’ swan. 45 All creatures, then, confess to God That th’ owe Him all, but I. My senses find True, that my mind Would still, oft does, deny. 50 Hence, Pride! out of my soul! O’er it thou shalt no more control; I’ll learn this lesson, and escape the rod: I, too, have all from God.
0
Oct 17, 2014
Oct 17, 2014 at 8:04 PM UTC
Whilst I Beheld the Neck o’ th’ Dove
WHILST I beheld the neck o’ th’ dove, I spied and read these words. ‘This pretty dye Which takes your eye, Is not at all the bird’s. 5 The dusky raven might Have with these colours pleased your sight, Had God but chose so to ordain above;’ This label wore the dove. Whilst I admired the nightingale, 10 These notes she warbled o’er. ‘No melody Indeed have I, Admire me then no more: God has it in His choice 15 To give the owl, or me, this voice; ’Tis He, ’tis He that makes me tell my tale;’ This sang the nightingale. I smelt and praised the fragrant rose, Blushing, thus answer’d she. 20 ‘The praise you gave, The scent I have, Do not belong to me; This harmless odour, none But only God indeed does own; 25 To be His keepers, my poor leaves He chose;’ And thus replied the rose. I took the honey from the bee, On th’ bag these words were seen. ‘More sweet than this 30 Perchance nought is, Yet gall it might have been: If God it should so please, He could still make it such with ease; And as well gall to honey change can He;’ 35 This learnt I of the bee. I touch’d and liked the down o’ th’ swan; But felt these words there writ. ‘Bristles, thorns, here I soon should bear, 40 Did God ordain but it; If my down to thy touch Seem soft and smooth, God made it such; Give more, or take all this away, He can;’ This was I taught by th’ swan. 45 All creatures, then, confess to God That th’ owe Him all, but I. My senses find True, that my mind Would still, oft does, deny. 50 Hence, Pride! out of my soul! O’er it thou shalt no more control; I’ll learn this lesson, and escape the rod: I, too, have all from God.
Continue reading...
54
In line for the new roller coaster was a group of ex-protestors in cobbled monogamous flocks. They squawked and squawked. She warbled. He wooed. She swayed. He swooned. And she only had sunscreened her front. Her back must've stung. Bright red. But I bet she reserves her best stories for unreserved reservations in bed.
0
Feb 22, 2018
Feb 22, 2018 at 1:22 PM UTC
Amusement Parks in a Birdhouse
*the man of light knows darkness all to well he possess sacred knowledge of source a living experience with in radiant and self effulgent he knows all is permitted in the acculturated labyrinths of mind rooted in bias and incalculable distortions a hell house ride constructed of warbled mirrors Leprechauns gold an abusement park of crepuscular subconscious ethers and concertized form on shape shifting sands creativity gone mad where time undoes all its weary inhabitants worn they are the color of sleep attaining misguidance oh the vacuous business of guided meditations through azure skies and verdant fields while the certified uninitiated whisper their pale voices against sonorous winds as if they could lever boulders with broken twigs stone churches gothic crosses temples of man monoliths to the imaginary fantastical man god re-pleat with beard and cock....how quaint adulations and prostrations to there man made deity through myth that binds group think other directed un-individuated individuals like tribal ants a world of shattered light a white knuckle ride on a spinning mud ball yet who knows the secret of the inner light the illuminated door the portal through which Scottie will really beam you up The man of the mystic light in a darkened freakish world is he not an inconvenience like a mentor to the deaf dumb and blind he is rarely recognized almost never believed the light is not a metaphor the source that emanates all although formless and self effulgent it is not a religion yet all abide with in it in the dark funnel of conceit man turns everything into a noun as if naming is claiming when what he seeks is beyond for it is a great dimension of another order konx om pax light in extension*
0
Jan 9, 2017
Jan 9, 2017 at 1:08 PM UTC
Konx Om Pax
*the man of light knows darkness all to well he possess sacred knowledge of source a living experience with in radiant and self effulgent he knows all is permitted in the acculturated labyrinths of mind rooted in bias and incalculable distortions a hell house ride constructed of warbled mirrors Leprechauns gold an abusement park of crepuscular subconscious ethers and concertized form on shape shifting sands creativity gone mad where time undoes all its weary inhabitants worn they are the color of sleep attaining misguidance oh the vacuous business of guided meditations through azure skies and verdant fields while the certified uninitiated whisper their pale voices against sonorous winds as if they could lever boulders with broken twigs stone churches gothic crosses temples of man monoliths to the imaginary fantastical man god re-pleat with beard and cock....how quaint adulations and prostrations to there man made deity through myth that binds group think other directed un-individuated individuals like tribal ants a world of shattered light a white knuckle ride on a spinning mud ball yet who knows the secret of the inner light the illuminated door the portal through which Scottie will really beam you up The man of the mystic light in a darkened freakish world is he not an inconvenience like a mentor to the deaf dumb and blind he is rarely recognized almost never believed the light is not a metaphor the source that emanates all although formless and self effulgent it is not a religion yet all abide with in it in the dark funnel of conceit man turns everything into a noun as if naming is claiming when what he seeks is beyond for it is a great dimension of another order konx om pax light in extension*
Continue reading...
69
near the whitewashed wall a splash of geraniums blazed a rich blood red in the golden glance of daylights final dazzle i stopped and i enjoyed it a house finch warbled nearby shadows deepened all around and drowned the final glow gold to blue then starry night filled with the songs of crickets and my thoughts of you
0
Apr 17, 2016
Apr 17, 2016 at 3:07 AM UTC
A Walk
*for my pastor, for my father, and for a friend. 6. i find your name carved quiet by the windowsill in an empty room. 5. i find half your coat hanging wayside where once his coat was, too. 4. father told me you too keep your dentures in a cup like grandfather’s. 3. that you were there as he packed his bags and warbled off for the hospital. you didn’t talk to him then but still we knew. or so he did: he caught you smiling by the desks where he worked. 2. i find your photographs by the balcony, and your footprints by the garden. bits of your hair by the pavement next to candy wrappers and pencil jars. 1. together we pick up the pieces you left behind. and sew. and stitch ourselves together. open our mouths in silence. 0. we wait for your next visit.
0
Feb 2, 2016
Feb 2, 2016 at 8:11 AM UTC
Death is the prevalent theme
That moment the cage Robs the bird its chance to fly Ambulance instinct Feathered wing breathing Warbled heart monitor song Gold horizon pulse Tangerine lover Citrus at her lips, my lips Passionate headlock Tangles her fingers At my neck with knotted sighs Auburn cat's cradle
0
Aug 29, 2018
Aug 29, 2018 at 12:47 PM UTC
I.
I used to stand, a little girl, In the face of the mighty River, And try my luck against the current, Till my thin frame would shiver. The River was a muscled god Of milky Grecian marble, Who'd swallow up the flotsam, While the safer songbirds warbled. My mother told me "stay away, The River, he is hungry, He'll twist you round and break your bones And take your sweet self from me." And, from then on, I'd heed her word, And steer clear of the River, Or throw in sticks to harm it, Vainly, watch them be devoured. And sometimes, when the rain came down For long days at a time, The River would rise from his bed, To drown all that was mine. So he got many over on me, And I, nothing on him. The River was so sly, you see, The Devil, just too slim. And then I grew up proud And beautiful, and moved away, To a moneyed place in the northern states, Where the River stayed away. But I met a man just like that Body Rolling, roiling, wild, That took and drowned all I did have And left me with a child. And my mother took me in again, And told me just the same, To shun the River, guard myself, A man's worse than his name. I took to daring, once again, That arctic current down, I'd dip my toes in evening time, And smooth my forehead's frown. I'd talk to him, my belly swole, Confide in the River wild, I prayed to God in the water's hearing, That I did not need the child. The River told me he would help, That I could use his ways, For he wanted only sacrifice, And I wanted not the blame. So I waded in, the hands of water Cupped beneath my thighs, And the River's water turned blood red, And my eyes rolled to the sky. Now I live alone again. Playing mother was not my lot. The River took my baby in, Because my arms could not.
0
Oct 30, 2013
Oct 30, 2013 at 9:49 AM UTC
The Carnivore's Assistance
I used to stand, a little girl, In the face of the mighty River, And try my luck against the current, Till my thin frame would shiver. The River was a muscled god Of milky Grecian marble, Who'd swallow up the flotsam, While the safer songbirds warbled. My mother told me "stay away, The River, he is hungry, He'll twist you round and break your bones And take your sweet self from me." And, from then on, I'd heed her word, And steer clear of the River, Or throw in sticks to harm it, Vainly, watch them be devoured. And sometimes, when the rain came down For long days at a time, The River would rise from his bed, To drown all that was mine. So he got many over on me, And I, nothing on him. The River was so sly, you see, The Devil, just too slim. And then I grew up proud And beautiful, and moved away, To a moneyed place in the northern states, Where the River stayed away. But I met a man just like that Body Rolling, roiling, wild, That took and drowned all I did have And left me with a child. And my mother took me in again, And told me just the same, To shun the River, guard myself, A man's worse than his name. I took to daring, once again, That arctic current down, I'd dip my toes in evening time, And smooth my forehead's frown. I'd talk to him, my belly swole, Confide in the River wild, I prayed to God in the water's hearing, That I did not need the child. The River told me he would help, That I could use his ways, For he wanted only sacrifice, And I wanted not the blame. So I waded in, the hands of water Cupped beneath my thighs, And the River's water turned blood red, And my eyes rolled to the sky. Now I live alone again. Playing mother was not my lot. The River took my baby in, Because my arms could not.
Continue reading...
56