"warble" poems
Bells in the town alight with spring
converse, with a concordance of new airs
make clear the fresh and ancient sound they sing.
People emerge from winter to hear them ring,
children glitter with mischief and the blind man hears
bells in the town alight with spring.
Even he on his eyes feels the caressing
finger of Persephone, and her voice escaped from tears
make clear the fresh and ancient sound they sing.
Bird feels the enchantment of his wing
and in ten fine notes dispels twenty cares.
Bells in the town alight with spring
warble the praise of Time, for he can bring
this season: chimes the merry heaven bears
make clear the fresh and ancient sound they sing.
All evil men intent on evil thing
falter, for in their cold unready ears
bells in the town alight with spring
make clear the fresh and ancient sound they sing.
19.8k
~~~~English~~~~
Such beauty takes away my breath
As the sunrays shine across the peaceful path
The trees of this forest sway and nod in the dancing breeze
Which caresses my cheeks
Pastel clouds in the watercolor sky
Makes the forest with its path beautiful
And birds sing and warble in the tall treetops
God alone creates this beauty
The bluebells bordering the path
Are kissed by sparkling dewdrops
And snowdrops have long come out of
Their veil of snow
Lacy green leaves from the blowing trees
Provide shade in the sweet summer
And the breezes provide coolness on a hot day
At this lovely place of beauty
~~~~French~~~~
Une telle beauté enlève mon souffle
Comme les rayons du soleil brille à travers la voie pacifique
Les arbres de cette forêt se balancent et hocher la tête dans la brise dansante
Qui caresse mes joues
Pastels nuages dans le ciel aquarelle
Rend la forêt avec son chemin belle
Et les oiseaux chantent et modulées dans les hautes cimes
Dieu seul crée cette beauté
Les jacinthes qui bordent le chemin
Sont caressées par les gouttes de rosée mousseux
Perce-neige viennent depuis longtemps de
Leur voile de neige
Dentelles feuilles vertes des arbres de soufflage
Fournir de l'ombre en été douce
Et les brises offrent fraîcheur par une chaude journée
À ce bel endroit d'une beauté
~Hilda~
Mar 12, 2013
Mar 12, 2013 at 10:32 PM UTC
all aluminum alloy ammo
bane bat brakes badly basters back bones
come call cthulhu Cristo cuz
dead ********** dominate de download
even elven eternal endowments
fail frivolously flaming for fair fraudulence
grant good goggles give grandiose gratuity
how hella homeboys have how he has
If I ignore I implicate its implore
jack jacks jacks
kay killla kooks krack
LAPD locks la lackeys
maybe mom made mad monoxide
no, no natural nix NOx neutralizes
oh over overt opp only overlay orphic
please protest politely panic pretenses perpetuity
quiet quivers quiet queens
remember rage reaps reciprocity
so sour sits supplanters sat
to tell them to tare trail *** tat?
universal unhappiness underlays under us
victory validates victors vanity
why warble when winners wont waste worry wanting
x-axis x-rays Xerophagy Xanax Xanthorroea
you yodel yonder yet yahweh's yells Yarrish
zero zag zealots zoos
Jun 20, 2012
Jun 20, 2012 at 4:40 AM UTC
Retail-hunter gatherers pick
clean processed bones, digging graves
with their shiny teeth, studious in
their reveries as they drone
past worlds dumped in the thresher;
the trucked-in fields of film-wrapped
gore splayed lustily before the managers
wound tight in Machiavellian design.
A shepherd herds his flock of
wreathed iron back to its pen, its
skeletal tangle lit in riotous gold by
swords flung from lambent eyes of
pre-dawn’s shunting chariots
Cages shunt and bobble like tugboats
chugging stoic up swimming pool lanes
of nondescript tile, cheered on by shouting
colours to float through archipelagos of
paper towel and chocolate blocks past
the vegemite diaspora, and the arctic
wastelands cased in sliding glass fields of
perfect steady storms as wraiths baked in halogen
ask silent questions of the silverbeet, while
Lana Del Ray’s voice falls like
nightshade—slutty and serene—coating
shelf stackers in a Piaf sadness as the
shelves reach their arms out for more.
The check out chick hatches
a sense of déjà vu as carrots
and biscuits drone towards her
mind berEFT of any twitching
sense of POSsibility that wised
up and flew this leering coop and
deep in her catalogue of grey folds
something stillborn and waxen is
perched on gleaming steel, reeling
out her guts like cassette tape with jerky
nightmare arms and laughing like a
banker watching ***** films, mornings
dull cerise an invocation through
auto-jaws as she bursts out to warble
with magpies in car park’s climbing fire.
Jul 25, 2013
Jul 25, 2013 at 9:23 PM UTC
Tail turned to red sunset on a juniper crown a lone magpie cawks.
Mad at Oryoki in the shrine-room -- Thistles blossomed late afternoon.
Put on my shirt and took it off in the sun walking the path to lunch.
A dandelion seed floats above the marsh grass with the mosquitos.
At 4 A.M. the two middleaged men sleeping together holding hands.
In the half-light of dawn a few birds warble under the Pleiades.
Sky reddens behind fir trees, larks twitter, sparrows cheep cheep cheep
cheep cheep.
July 1983
Caught shoplifting ran out the department store at sunrise and woke up.
August 1983
4.2k
The back up with
A crooked neck bent
Towards Hell
While his lips tightened sternly
as a Victorian urn.
His face barely recognizeable
ever since the penny-doppler showered
A wandering click
that skipped
no birds on his fence.
In a glass paned massacre, forever fossilized
between childhood bullies and prom-night feel-ups,
there was a consciousness that feigned
once a week, cockled in creationism and the Eucharist.
His passions -- clam shells flanked by the ripping tide.
His intellect -- a solitary warble amid ***** blue notes.
Sep 23, 2011
Sep 23, 2011 at 11:47 PM UTC
I hurt with the pleasure of carving knives
plunged into blood-lusting hands.
Standing in the storm of stab wounds
and searching for Gods dressed in human
to give me mental medicine
for wounds that they must trust me to see.
I am the glass-tongued mediator.
I am the vortex that turns worlds to ink-soaked scenery
and words to black noise.
They gurgle out blandishments like they're true! And to them,
I'm a glass door to better days;
they put their famished hands
onto my handle and tug for good luck.
I open and warble out what they want to hear;
a fortune teller who cries courtesies and fills her glass ball
with a concoction of
tears and liquid caution.
I don't want to lose them.
But I choke on their
distorted, glazed looks,
I stuff my throat with gauze,
my chest fills with blood
as they throw their clocks into the garbage
and raise me on glass pedestals
and drool praises as I cry for me
and for them and
for us
and for-
Useless. I am useless.
Wasteful. I am wasteful.
Broken. I am and should be broken.
Did anyone ever realize? How would they
when I am so selfishly unselfish?
Jul 16, 2018
Jul 16, 2018 at 8:18 PM UTC
Byron! how sweetly sad thy melody!
Attuning still the soul to tenderness,
As if soft Pity, with unusual stress,
Had touch'd her plaintive lute, and thou, being by,
Hadst caught the tones, nor suffer'd them to die.
O'ershadowing sorrow doth not make thee less
Delightful: thou thy griefs dost dress
With a bright halo, shining beamily,
As when a cloud the golden moon doth veil,
Its sides are ting'd with a resplendent glow,
Through the dark robe oft amber rays prevail,
And like fair veins in sable marble flow;
Still warble, dying swan! still tell the tale,
The enchanting tale, the tale of pleasing woe.
2.4k
The Blue Falcon, cross the spire,
Waits in the gables of the white
House. Wounded in youth by crush
Of air, spent, a wisp perched
In the aerie dark with a view of mountains
Blue as ice under glacier. The wooden
Church from the other side clutches
The sky but the Falcon blue is lost
In a tuft of cloud that bobs but never
Kills. On this strike he is sheathed in stealth
The dull talons slip as they dry
In the tented air, the songbirds at play
In the high-ground underneath warble
And chide but the Falcon cannot hear
The Falcon near. His heart is soft
And muted in the breast, his ears
Are dumb to their tickling-songs.
Before the Falcons time, over
The tilling fields, dropped his world
In the spoils where splendour burst in green,
Rain meant the feathers ran and the woods,
A banquet of game, were bounty's breach
Fording blue currents he was
A fisher in the sun, but the sun
Sank in his drowning sky no store
From plateau to quarry the drought of days
Moved a castle felled in the dancing
Dust, his wings broke in the shuttered
Eye of the sun and etched his form
Into grey silhouette.
Now, the Blue Falcon, jeered
In the branches of the rooted air
Above the yellowed grass, under the pines
And a great blue mountain, stirs a Druid
Shape, vaporous, in the cauldron
Of the attic in the white house
A throw of stones crossways from
The sacred yews of the steeple spire.
Oct 13, 2013
Oct 13, 2013 at 1:06 PM UTC
It cannot put pen to paper
But all a flower has to do
Is open up its delicate petals
Unfolding like a noble lady's fan
Broadening to blossom into a lovely jewel
Poetry without any word
A spider weaves its web
Like an author spins tales
It's intentions upon its survival, but
Its intricate home of threads and strings
Like a gossamer harp
Is enchanting to perceive
A make and design of fragile strength
The oceans and seas
Mighty and commanding
They roar and display their majesty
With crashing waves and splashy bravado
They spare few prisoners
And graveyards of sunken ships
Whisper of stories untold
Birds chirp and warble
With songs that humans long to know
For they travel through the air
In simplistic freedom
Their chorus of communication
Is a poetic symphony just as entertaining
As any band of musicians or artists
The winds blow and whistle
Though they have no mouths
If you listen close enough
You can hear their secrets
Their breath of life in the
Ever flowing
Breezes that enfold us
You'd swear the mountains
Were painted that way
Brawny and broad, peaked high above
Against the grand canvas we call the sky
Yes, paintings are poems, too
For a picture speaks a thousand words
But no mere man can make a mountain
You see
We are merely students
Taught by God's natural, creative genius
We are merely imitators
Of what nature displays
We are not originals
For we are not the first poets
Nor the first storytellers
Jan 12, 2014
Jan 12, 2014 at 1:31 AM UTC
"The past is a bucket of ashes."
1
THE WOMAN named To-morrow
sits with a hairpin in her teeth
and takes her time
and does her hair the way she wants it
and fastens at last the last braid and coil
and puts the hairpin where it belongs
and turns and drawls: Well, what of it?
My grandmother, Yesterday, is gone.
What of it? Let the dead be dead.
2
The doors were cedar
and the panels strips of gold
and the girls were golden girls
and the panels read and the girls chanted:
We are the greatest city,
the greatest nation:
nothing like us ever was.
The doors are twisted on broken hinges.
Sheets of rain swish through on the wind
where the golden girls ran and the panels read:
We are the greatest city,
the greatest nation,
nothing like us ever was.
3
It has happened before.
Strong men put up a city and got
a nation together,
And paid singers to sing and women
to warble: We are the greatest city,
the greatest nation,
nothing like us ever was.
And while the singers sang
and the strong men listened
and paid the singers well
and felt good about it all,
there were rats and lizards who listened
... and the only listeners left now
... are ... the rats ... and the lizards.
And there are black crows
crying, "Caw, caw,"
bringing mud and sticks
building a nest
over the words carved
on the doors where the panels were cedar
and the strips on the panels were gold
and the golden girls came singing:
We are the greatest city,
the greatest nation:
nothing like us ever was.
The only singers now are crows crying, "Caw, caw,"
And the sheets of rain whine in the wind and doorways.
And the only listeners now are ... the rats ... and the lizards.
4
The feet of the rats
scribble on the door sills;
the hieroglyphs of the rat footprints
chatter the pedigrees of the rats
and babble of the blood
and gabble of the breed
of the grandfathers and the great-grandfathers
of the rats.
And the wind shifts
and the dust on a door sill shifts
and even the writing of the rat footprints
tells us nothing, nothing at all
about the greatest city, the greatest nation
where the strong men listened
and the women warbled: Nothing like us ever was.
2.4k
migrant in the trees
what language is he using?
willow warble-ish!
young brood of blackbirds
panic stations, screech alarm!
sparrowhawk about
two ears above wheat
lower slowly as we pass
pretend not to see!
May 25, 2012
May 25, 2012 at 11:23 AM UTC
Lisa Nelle
had two names
like a pornstar.
She'd put her makeup on and stick all this blackness on
under her eyes
like she was holding night
in bags.
We watched Hey Arnold! DVDs at five in the morning,
and smoked the whole place up.
Sometimes her and Alexis would go in the back room.
Alexis never liked me.
Lisa Nelle had this way of looking at you
where she'd take her eyes
and she'd work her way
down to your stomach.
She could find a star in my intestines,
a dwarf light could warble in my stomach
and she'd see it through my belly button.
She'd pull it out
wings and all
and tell me
that Khalil knew the answers.
Out of this two-ton purse she carried around,
she'd whip out a compilation of Khalil Gibran.
One time she told me how her father
used to pull her hair
and thighs.
She didn't say anything about it again.
When we tripped shrooms,
she took my hands and put them on her neck
and asked me to feel for the nebulas
underneath her skin.
When I read
some of the stuff you send me,
the emails,
texts
or poems,
I can't help but wonder how many words
I now know as a result of you
that I wouldn't know
if I hadn't been looking
around for bud
and someone I knew
that
knew you.
I'm sorry Lisa Nelle,
that things didn't work out with you and Alexis
when they did
with you
and
Sabrosa.
Sometimes I hate myself too.
Mar 9, 2012
Mar 9, 2012 at 8:56 PM UTC
There’s a woman like a dewdrop, she ’s so purer than the purest;
And her noble heart ’s the noblest, yes, and her sure faith’s the surest:
And her eyes are dark and humid, like the depth on depth of lustre
Hid i’ the harebell, while her tresses, sunnier than the wild-grape cluster,
Gush in golden-tinted plenty down her neck’s rose-misted marble:
Then her voice’s music … call it the well’s bubbling, the bird’s warble!
And this woman says, ‘My days were sunless and my nights were moonless,
Parch’d the pleasant April herbage, and the lark’s heart’s outbreak tuneless,
If you loved me not!’ And I who (ah, for words of flame!) adore her,
Who am mad to lay my spirit prostrate palpably before her—
I may enter at her portal soon, as now her lattice takes me,
And by noontide as by midnight make her mine, as hers she makes me!
2.2k
The Blue Falcon, cross the spire,
Waits in the gables of the white
House. Wounded in youth by crush
Of air, spent, a wisp perched
In the aerie dark with a view of mountains
Blue as ice under glacier. The wooden
Church from the other side clutches
The sky but the Falcon blue is lost
In a tuft of cloud that bobs but never
Kills. On this strike he is sheathed in stealth
The dull talons slip as they dry
In the tented air, the songbirds at play
In the high-ground underneath warble
And chide but the Falcon cannot hear
The Falcon near. His heart is soft
And muted in the breast, his ears
Are dumb to their tickling-songs.
Before the Falcons time, over
The tilling fields, dropped his world
In the spoils where splendour burst in green,
Rain meant the feathers ran and the woods,
A banquet of game, were bounty's breach
Fording blue currents he was
A fisher in the sun, but the sun
Sank in his drowning sky no store
From plateau to quarry the drought of days
Moved a castle felled in the dancing
Dust, his wings broke in the shuttered
Eye of the sun and etched his form
Into grey silhouette.
Now, the Blue Falcon, jeered
In the branches of the rooted air
Above the yellowed grass, under the pines
And a great blue mountain, stirs a Druid
Shape, vaporous, in the cauldron
Of the attic in the white house
A throw of stones crossways from
The sacred yews of the steeple spire.
Apr 10, 2013
Apr 10, 2013 at 11:31 AM UTC
As scream threatens to tear through me
As I am torn apart
My blood stained breath lingers with what little heart beats I have left
Ragged, and harsh
My voice is like sharp glass
With every venomous tone of morality
It's like acid on my tongue and I want to ***** up a lung
My back arches back as pain spikes through me
My back bending violently
At all angles
Snap, crush, pop
My limbs torn from their sockets
Breaking or being ripped from me
Agony with its lush voice shreds me apart
Till I am bare and gushing blood on the floor
Life dripping from my lips
Dark red staining my pale skin
The world becomes blurred
As my intentions become a skewed
My body a crumpled mess
I can feel that last breathe
Warble out of m-
Jan 15, 2014
Jan 15, 2014 at 11:41 PM UTC
When beechen buds begin to swell,
And woods the blue-bird's warble know,
The yellow violet's modest bell
Peeps from the last year's leaves below.
Ere russet fields their green resume,
Sweet flower, I love, in forest bare,
To meet thee, when thy faint perfume
Alone is in the ****** air.
Of all her train, the hands of Spring
First plant thee in the watery mould,
And I have seen thee blossoming
Beside the snow-bank's edges cold.
Thy parent sun, who bade thee view
Pale skies, and chilling moisture sip,
Has bathed thee in his own bright hue,
And streaked with jet thy glowing lip.
Yet slight thy form, and low thy seat,
And earthward bent thy gentle eye,
Unapt the passing view to meet,
When loftier flowers are flaunting nigh.
Oft, in the sunless April day,
Thy early smile has stayed my walk;
But midst the gorgeous blooms of May,
I passed thee on thy humble stalk.
So they, who climb to wealth, forget
The friends in darker fortunes tried.
I copied them--but I regret
That I should ape the ways of pride.
And when again the genial hour
Awakes the painted tribes of light,
I'll not o'erlook the modest flower
That made the woods of April bright.
2k
The unkindness was done to us, but now we are the unkindness.
We are people turned victim turned survivor turned raven,
Grouped together to fight the evil we were violated with.
We are creatures of pain, and we are creatures of protection.
We are creatures of mourning, and we are creatures of empathy.
We are creatures of misery, and we are creatures of wisdom.
And we will croak, caw, warble, and scream
Just so we know we are not alone.
Mar 25, 2019
Mar 25, 2019 at 10:52 PM UTC
I remodeled my home,
By ridding it of old furniture made of
Dark and malice thoughts,
And redecorated with thoughts of joy and inspiration.
I decorated the empty ceilings
With a full moon and some shining stars,
I took down the drapery that once covered the windows, and watched From my living room as the new dawn embraced the sunshine.
In my garden, I built a house for the melodious birds to warble their Songs, and constructed a temple for prayer from my tears and sorrows.
I planted an olive tree in memory of innocent souls, and decorated it with Some tulips, roses, and jasmine flowers for the anthem of love!
Hussein Dekmak
Sep 23, 2018
Sep 23, 2018 at 11:01 AM UTC
Lines composed while climbing the left ascent of Brockley Coomb, May 1795
With many a pause and oft reverted eye
I climb the Coomb’s ascent: sweet songsters near
Warble in shade their wild-wood melody:
Far off the unvarying Cuckoo soothes my ear.
Up scour the startling stragglers of the flock
That on green plots o’er precipices browse:
From the deep fissures of the naked rock
The Yew-tree bursts! Beneath its dark green boughs
(’Mid which the May-thorn blends its blossoms white)
Where broad smooth stones jut out in mossy seats,
I rest:—and now have gained the topmost site.
Ah! what a luxury of landscape meets
My gaze! Proud towers, and Cots more dear to me,
Elm-shadowed Fields, and prospect-bounding Sea.
Deep sighs my lonely heart: I drop the tear:
Enchanting spot! O were my Sara here.
2k
Sometimes she is a child within mine arms,
Cowering beneath dark wings that love must chase,—
With still tears showering and averted face,
Inexplicably filled with faint alarms:
And oft from mine own spirit’s hurtling harms
I crave the refuge of her deep embrace,—
Against all ills the fortified strong place
And sweet reserve of sovereign counter-charms.
And Love, our light at night and shade at noon,
Lulls us to rest with songs, and turns away
All shafts of shelterless tumultuous day.
Like the moon’s growth, his face gleams through his tune;
And as soft waters warble to the moon,
Our answering spirits chime one roundelay.
1.9k
Even a wayside **** can ignite
greater passion in the heart
than a well potted garden plant
at the centre of a tastefully landscaped plot
Even a child’s prank can be more hilarious
than all the cranky jokes of an acclaimed comedian
Even in the warble of a lonesome bird
there can be more flooding melody
than in the well tuned violin of a music maestro
There can be greater poetry in a simple ditty
than in all the lines of verse in a great epic
A tear drop may contain greater salinity
than all the waters of a great ocean
Perhaps a simple nod of head or a wink of the eye
communicates much more than a whole bunch of words
I don’t know why I love the dainty flowers of May
than perhaps the exotic lotus of the day
Don’t we love the homemade fare served with love
more than all the delectable cuisines of a posh restaurant
The small things of life thus,
prove much bigger than big things
Just as the joy of life is not always ruined by fatal errors
but by the recurrence of injurious little things,
Greatness is achieved not through momentous actions
but by the little things done in a great way
Sep 3, 2016
Sep 3, 2016 at 6:40 AM UTC
drowned the Earth suddenly.
underneath honest light,
all
submerged. this cataract of feeling —
waters pursue beginnings. cradling them
to unknown ends, washed by the shore.
gluttonously the night swallowed
all — parliament of birds warble no longer.
midnight, the Moon
claws the supple skin of organized stone
displaced
where all the edges bloom
forth torrid froth of dappled light which kills no less than a brief life of matchflame. tenuous spar of wind on
the unserious twilight; bulge of death
in the stream — a body haul, rafting
in compost; stench of all topple like
resins held loose in vats. rat **** becomes
as inviting as moulding bread;
tantric music for no instrument, hoarse
cries unbeheld —
until the flesh no longer flounders
pressed against sleep-shaped youngness
hewn lissome in the hours of no succor,
modeling silence in the thrill of
this enthusiastic space,
hands scouring muddied
obscure, atremble,
shadowless hours fill stomachs with
the plump word of rescue yet none
of these fingers unwished the
ingenuity of dull gods — this twilight
nor twinight could ever grive
in forethought, striking bells to signal birds
to arrive again so we could feast
in silver fish, with bare hands scaled to callouses,
looking at it twice-over, this battered yolk
of whiteness, with deeds of the viridian
now atrill in new fragile woodworks
lurching and
ameliorating as we all
stutter and sing
haunts dabbing open
lips of small wounds that
wish to shut quietly, almost
every threat of gray or pummel of
wind startles the flyblown ornate,
hurrying us back to cornerless homes
where all photographs washed away,
very few hang
swayed by verdure
of the gradual throne of sea
curving perpetually the several stars
we have ignored for a while,
where everything quite begins
again to enthrall with a melodic
leitmotif of the most tender of
instances loose
in mouths
and in endless recall
breathless—
Nov 8, 2015
Nov 8, 2015 at 7:55 AM UTC
Wood smoke carries on the air
The time driven memory
Of ****** basics and soulful
Earthy humankind
Surrounding each personal cell and
Lifting the arm-stretching power
Of fire and the need to feel warmth
The technology of modern man
Is dashed on the rocks of time
As we drift with the stench of our youth
The well worn shoe and the eiderdown
The hot water bottle and the candle
Flickering and holding us with
A knowledge of comforts
And our understanding
We live within this world and feel
The circle of life that smells of
Log fires in the autumn and the sooty
Blackbird song of impending winter
The warble and the peaceful heart of
Everything we love as seasonal
Mists and dancing flames keep us
Wrapped in our primeval lives
Will autumn bring a kind or hard winter
No matter, we have coped with them all
By Max Hale
Nov 20, 2012
Nov 20, 2012 at 1:17 PM UTC
The Blue Falcon, cross the spire,
Waits in the gables of the white
House. Wounded in youth by crush
Of air, spent, a wisp perched
In the aerie dark with a view of mountains
Blue as ice under glacier. The wooden
Church from the other side clutches
The sky but the Falcon blue is lost
In a tuft of cloud that bobs but never
Kills. On this strike he is sheathed in stealth
The dull talons slip as they dry
In the tented air, the songbirds at play
In the high-ground underneath warble
And chide but the Falcon cannot hear
The Falcon near. His heart is soft
And muted in the breast, his ears
Are dumb to their tickling-songs.
Before the Falcons time, over
The tilling fields, dropped his world
In the spoils where splendour burst in green,
Rain meant the feathers ran and the woods,
A banquet of game, were bounty's breach
Fording blue currents he was
A fisher in the sun, but the sun
Sank in his drowning sky no store
From plateau to quarry the drought of days
Moved a castle felled in the dancing
Dust, his wings broke in the shuttered
Eye of the sun and etched his form
Into grey silhouette.
Now, the Blue Falcon, jeered
In the branches of the rooted air
Above the yellowed grass, under the pines
And a great blue mountain, stirs a Druid
Shape, vaporous, in the cauldron
Of the attic in the white house
A throw of stones crossways from
The sacred yews of the steeple spire.
Feb 10, 2013
Feb 10, 2013 at 12:53 PM UTC