By this, sad Hero, with love unacquainted,
Viewing Leander’s face, fell down and fainted.
He kissed her and breathed life into her lips,
Wherewith as one displeased away she trips.
Yet, as she went, full often looked behind,
And many poor excuses did she find
To linger by the way, and once she stayed,
And would have turned again, but was afraid,
In offering parley, to be counted light.
So on she goes and in her idle flight
Her painted fan of curled plumes let fall,
Thinking to train Leander therewithal.
He, being a novice, knew not what she meant
But stayed, and after her a letter sent,
Which joyful Hero answered in such sort,
As he had hope to scale the beauteous fort
Wherein the liberal Graces locked their wealth,
And therefore to her tower he got by stealth.
Wide open stood the door, he need not climb,
And she herself before the pointed time
Had spread the board, with roses strowed the room,
And oft looked out, and mused he did not come.
At last he came.

O who can tell the greeting
These greedy lovers had at their first meeting.
He asked, she gave, and nothing was denied.
Both to each other quickly were affied.
Look how their hands, so were their hearts united,
And what he did she willingly requited.
(Sweet are the kisses, the embracements sweet,
When like desires and affections meet,
For from the earth to heaven is Cupid raised,
Where fancy is in equal balance peised.)
Yet she this rashness suddenly repented
And turned aside, and to herself lamented
As if her name and honour had been wronged
By being possessed of him for whom she longed.
Ay, and she wished, albeit not from her heart
That he would leave her turret and depart.
The mirthful god of amorous pleasure smiled
To see how he this captive nymph beguiled.
For hitherto he did but fan the fire,
And kept it down that it might mount the higher.
Now waxed she jealous lest his love abated,
Fearing her own thoughts made her to be hated.
Therefore unto him hastily she goes
And, like light Salmacis, her body throws
Upon his ***** where with yielding eyes
She offers up herself a sacrifice
To slake his anger if he were displeased.
O, what god would not therewith be appeased?
Like Aesop’s **** this jewel he enjoyed
And as a brother with his sister toyed
Supposing nothing else was to be done,
Now he her favour and good will had won.
But know you not that creatures wanting sense
By nature have a mutual appetence,
And, wanting organs to advance a step,
Moved by love’s force unto each other lep?
Much more in subjects having intellect
Some hidden influence breeds like effect.
Albeit Leander rude in love and raw,
Long dallying with Hero, nothing saw
That might delight him more, yet he suspected
Some amorous rites or other were neglected.
Therefore unto his body hers he clung.
She, fearing on the rushes to be flung,
Strived with redoubled strength; the more she strived
The more a gentle pleasing heat revived,
Which taught him all that elder lovers know.
And now the same gan so to scorch and glow
As in plain terms (yet cunningly) he craved it.
Love always makes those eloquent that have it.
She, with a kind of granting, put him by it
And ever, as he thought himself most nigh it,
Like to the tree of Tantalus, she fled
And, seeming lavish, saved her maidenhead.
Ne’er king more sought to keep his diadem,
Than Hero this inestimable gem.
Above our life we love a steadfast friend,
Yet when a token of great worth we send,
We often kiss it, often look thereon,
And stay the messenger that would be gone.
No marvel then, though Hero would not yield
So soon to part from that she dearly held.
Jewels being lost are found again, this never;
’Tis lost but once, and once lost, lost forever.

Now had the morn espied her lover’s steeds,
Whereat she starts, puts on her purple weeds,
And red for anger that he stayed so long
All headlong throws herself the clouds among.
And now Leander, fearing to be missed,
Embraced her suddenly, took leave, and kissed.
Long was he taking leave, and loath to go,
And kissed again as lovers use to do.
Sad Hero wrung him by the hand and wept
Saying, “Let your vows and promises be kept.”
Then standing at the door she turned about
As loath to see Leander going out.
And now the sun that through th’ horizon peeps,
As pitying these lovers, downward creeps,
So that in silence of the cloudy night,
Though it was morning, did he take his flight.
But what the secret trusty night concealed
Leander’s amorous habit soon revealed.
With Cupid’s myrtle was his bonnet crowned,
About his arms the purple riband wound
Wherewith she wreathed her largely spreading hair.
Nor could the youth abstain, but he must wear
The sacred ring wherewith she was endowed
When first religious chastity she vowed.
Which made his love through Sestos to be known,
And thence unto Abydos sooner blown
Than he could sail; for incorporeal fame
Whose weight consists in nothing but her name,
Is swifter than the wind, whose tardy plumes
Are reeking water and dull earthly fumes.
Home when he came, he seemed not to be there,
But, like exiled air ****** from his sphere,
Set in a foreign place; and straight from thence,
Alcides like, by mighty violence
He would have chased away the swelling main
That him from her unjustly did detain.
Like as the sun in a diameter
Fires and inflames objects removed far,
And heateth kindly, shining laterally,
So beauty sweetly quickens when ’tis nigh,
But being separated and removed,
Burns where it cherished, murders where it loved.
Therefore even as an index to a book,
So to his mind was young Leander’s look.
O, none but gods have power their love to hide,
Affection by the countenance is descried.
The light of hidden fire itself discovers,
And love that is concealed betrays poor lovers,
His secret flame apparently was seen.
Leander’s father knew where he had been
And for the same mildly rebuked his son,
Thinking to quench the sparkles new begun.
But love resisted once grows passionate,
And nothing more than counsel lovers hate.
For as a hot proud horse highly disdains
To have his head controlled, but breaks the reins,
Spits forth the ringled bit, and with his hooves
Checks the submissive ground; so he that loves,
The more he is restrained, the worse he fares.
What is it now, but mad Leander dares?
“O Hero, Hero!” thus he cried full oft;
And then he got him to a rock aloft,
Where having spied her tower, long stared he on’t,
And prayed the narrow toiling Hellespont
To part in twain, that he might come and go;
But still the rising billows answered, “No.”
With that he stripped him to the ivory skin
And, crying “Love, I come,” leaped lively in.
Whereat the sapphire visaged god grew proud,
And made his capering Triton sound aloud,
Imagining that Ganymede, displeased,
Had left the heavens; therefore on him he seized.
Leander strived; the waves about him wound,
And pulled him to the bottom, where the ground
Was strewed with pearl, and in low coral groves
Sweet singing mermaids sported with their loves
On heaps of heavy gold, and took great pleasure
To spurn in careless sort the shipwrack treasure.
For here the stately azure palace stood
Where kingly Neptune and his train abode.
The ***** god embraced him, called him “Love,”
And swore he never should return to Jove.
But when he knew it was not Ganymede,
For under water he was almost dead,
He heaved him up and, looking on his face,
Beat down the bold waves with his triple mace,
Which mounted up, intending to have kissed him,
And fell in drops like tears because they missed him.
Leander, being up, began to swim
And, looking back, saw Neptune follow him,
Whereat aghast, the poor soul ‘gan to cry
“O, let me visit Hero ere I die!”
The god put Helle’s bracelet on his arm,
And swore the sea should never do him harm.
He clapped his plump cheeks, with his tresses played
And, smiling wantonly, his love bewrayed.
He watched his arms and, as they opened wide
At every stroke, betwixt them would he slide
And steal a kiss, and then run out and dance,
And, as he turned, cast many a lustful glance,
And threw him gaudy toys to please his eye,
And dive into the water, and there pry
Upon his breast, his thighs, and every limb,
And up again, and close beside him swim,
And talk of love.

Leander made reply,
“You are deceived; I am no woman, I.”
Thereat smiled Neptune, and then told a tale,
How that a shepherd, sitting in a vale,
Played with a boy so fair and kind,
As for his love both earth and heaven pined;
That of the cooling river durst not drink,
Lest water nymphs should pull him from the brink.
And when he sported in the fragrant lawns,
Goat footed satyrs and upstaring fauns
Would steal him thence. Ere half this tale was done,
“Ay me,” Leander cried, “th’ enamoured sun
That now should shine on Thetis’ glassy bower,
Descends upon my radiant Hero’s tower.
O, that these tardy arms of mine were wings!”
And, as he spake, upon the waves he springs.
Neptune was angry that he gave no ear,
And in his heart revenging malice bare.
He flung at him his mace but, as it went,
He called it in, for love made him repent.
The mace, returning back, his own hand hit
As meaning to be venged for darting it.
When this fresh bleeding wound Leander viewed,
His colour went and came, as if he rued
The grief which Neptune felt. In gentle *******
Relenting thoughts, remorse, and pity rests.
And who have hard hearts and obdurate minds,
But vicious, harebrained, and illiterate hinds?
The god, seeing him with pity to be moved,
Thereon concluded that he was beloved.
(Love is too full of faith, too credulous,
With folly and false hope deluding us.)
Wherefore, Leander’s fancy to surprise,
To the rich Ocean for gifts he flies.
’tis wisdom to give much; a gift prevails
When deep persuading oratory fails.

By this Leander, being near the land,
Cast down his weary feet and felt the sand.
Breathless albeit he were he rested not
Till to the solitary tower he got,
And knocked and called. At which celestial noise
The longing heart of Hero much more joys
Than nymphs and shepherds when the timbrel rings,
Or crooked dolphin when the sailor sings.
She stayed not for her robes but straight arose
And, drunk with gladness, to the door she goes,
Where seeing a naked man, she screeched for fear
(Such sights as this to tender maids are rare)
And ran into the dark herself to hide.
(Rich jewels in the dark are soonest spied).
Unto her was he led, or rather drawn
By those white limbs which sparkled through the lawn.
The nearer that he came, the more she fled,
And, seeking refuge, slipped into her bed.
Whereon Leander sitting thus began,
Through numbing cold, all feeble, faint, and wan.
“If not for love, yet, love, for pity sake,
Me in thy bed and maiden ***** take.
At least vouchsafe these arms some little room,
Who, hoping to embrace thee, cheerly swum.
This head was beat with many a churlish billow,
And therefore let it rest upon thy pillow.”
Herewith affrighted, Hero shrunk away,
And in her lukewarm place Leander lay,
Whose lively heat, like fire from heaven fet,
Would animate gross clay and higher set
The drooping thoughts of base declining souls
Than dreary Mars carousing nectar bowls.
His hands he cast upon her like a snare.
She, overcome with shame and sallow fear,
Like chaste Diana when Actaeon spied her,
Being suddenly betrayed, dived down to hide her.
And, as her silver body downward went,
With both her hands she made the bed a tent,
And in her own mind thought herself secure,
O’ercast with dim and darksome coverture.
And now she lets him whisper in her ear,
Flatter, entreat, promise, protest and swear;
Yet ever, as he greedily assayed
To touch those dainties, she the harpy played,
And every limb did, as a soldier stout,
Defend the fort, and keep the foeman out.
For though the rising ivory mount he scaled,
Which is with azure circling lines empaled,
Much like a globe (a globe may I term this,
By which love sails to regions full of bliss)
Yet there with Sisyphus he toiled in vain,
Till gentle parley did the truce obtain.
Wherein Leander on her quivering breast
Breathless spoke something, and sighed out the rest;
Which so prevailed, as he with small ado
Enclosed her in his arms and kissed her too.
And every kiss to her was as a charm,
And to Leander as a fresh alarm,
So that the truce was broke and she, alas,
(Poor silly maiden) at his mercy was.
Love is not full of pity (as men say)
But deaf and cruel where he means to prey.
Even as a bird, which in our hands we wring,
Forth plungeth and oft flutters with her wing,
She trembling strove.

This strife of hers (like that
Which made the world) another world begat
Of unknown joy. Treason was in her thought,
And cunningly to yield herself she sought.
Seeming not won, yet won she was at length.
In such wars women use but half their strength.
Leander now, like Theban Hercules,
Entered the orchard of th’ Hesperides;
Whose fruit none rightly can describe but he
That pulls or shakes it from the golden tree.
And now she wished this night were never done,
And sighed to think upon th’ approaching sun;
For much it grieved her that the bright daylight
Should know the pleasure of this blessed night,
And them, like Mars and Erycine, display
Both in each other’s arms chained as they lay.
Again, she knew not how to frame her look,
Or speak to him, who in a moment took
That which so long so charily she kept,
And fain by stealth away she would have crept,
And to some corner secretly have gone,
Leaving Leander in the bed alone.
But as her naked feet were whipping out,
He on the sudden clinged her so about,
That, mermaid-like, unto the floor she slid.
One half appeared, the other half was hid.
Thus near the bed she blushing stood upright,
And from her countenance behold ye might
A kind of twilight break, which through the hair,
As from an orient cloud, glimpsed here and there,
And round about the chamber this false morn
Brought forth the day before the day was born.
So Hero’s ruddy cheek Hero betrayed,
And her all naked to his sight displayed,
Whence his admiring eyes more pleasure took
Than Dis, on heaps of gold fixing his look.
By this, Apollo’s golden harp began
To sound forth music to the ocean,
Which watchful Hesperus no sooner heard
But he the bright day-bearing car prepared
And ran before, as harbinger of light,
And with his flaring beams mocked ugly night,
Till she, o’ercome with anguish, shame, and rage,
Danged down to hell her loathsome carriage.

Pearl swans shatter
the ice,
and glide swiftly through the
stars sparkling
on the mirror lake.
Twilight falls to the night
and the air
creates glistening
twisted crystals which climb
up the trees and freeze
the antique summer remnants.
The spindled sprigs of silver
birches drape their lustre
wantonly, forming long
ripples in a lengthy cascade.
Then the darkness retreats as
the pale blue haze of dawn approaches
where the robin's breath
sighs tangibly on the air.

Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight,—
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.

For, sweet, to feel is better than to know,
And wisdom is a childless heritage,
One pulse of passion—youth’s first fiery glow,—
Are worth the hoarded proverbs of the sage:
Vex not thy soul with dead philosophy,
Have we not lips to kiss with, hearts to love and eyes to see!

Dost thou not hear the murmuring nightingale,
Like water bubbling from a silver jar,
So soft she sings the envious moon is pale,
That high in heaven she is hung so far
She cannot hear that love-enraptured tune,—
Mark how she wreathes each horn with mist, yon late and labouring moon.

White lilies, in whose cups the gold bees dream,
The fallen snow of petals where the breeze
Scatters the chestnut blossom, or the gleam
Of boyish limbs in water,—are not these
Enough for thee, dost thou desire more?
Alas! the Gods will give nought else from their eternal store.

For our high Gods have sick and wearied grown
Of all our endless sins, our vain endeavour
For wasted days of youth to make atone
By pain or prayer or priest, and never, never,
Hearken they now to either good or ill,
But send their rain upon the just and the unjust at will.

They sit at ease, our Gods they sit at ease,
Strewing with leaves of rose their scented wine,
They sleep, they sleep, beneath the rocking trees
Where asphodel and yellow lotus twine,
Mourning the old glad days before they knew
What evil things the heart of man could dream, and dreaming do.

And far beneath the brazen floor they see
Like swarming flies the crowd of little men,
The bustle of small lives, then wearily
Back to their lotus-haunts they turn again
Kissing each others’ mouths, and mix more deep
The poppy-seeded draught which brings soft purple-lidded sleep.

There all day long the golden-vestured sun,
Their torch-bearer, stands with his torch ablaze,
And, when the gaudy web of noon is spun
By its twelve maidens, through the crimson haze
Fresh from Endymion’s arms comes forth the moon,
And the immortal Gods in toils of mortal passions swoon.

There walks Queen Juno through some dewy mead,
Her grand white feet flecked with the saffron dust
Of wind-stirred lilies, while young Ganymede
Leaps in the hot and amber-foaming must,
His curls all tossed, as when the eagle bare
The frightened boy from Ida through the blue Ionian air.

There in the green heart of some garden close
Queen Venus with the shepherd at her side,
Her warm soft body like the briar rose
Which would be white yet blushes at its pride,
Laughs low for love, till jealous Salmacis
Peers through the myrtle-leaves and sighs for pain of lonely bliss.

There never does that dreary north-wind blow
Which leaves our English forests bleak and bare,
Nor ever falls the swift white-feathered snow,
Nor ever doth the red-toothed lightning dare
To wake them in the silver-fretted night
When we lie weeping for some sweet sad sin, some dead delight.

Alas! they know the far Lethaean spring,
The violet-hidden waters well they know,
Where one whose feet with tired wandering
Are faint and broken may take heart and go,
And from those dark depths cool and crystalline
Drink, and draw balm, and sleep for sleepless souls, and anodyne.

But we oppress our natures, God or Fate
Is our enemy, we starve and feed
On vain repentance—O we are born too late!
What balm for us in bruised poppy seed
Who crowd into one finite pulse of time
The joy of infinite love and the fierce pain of infinite crime.

O we are wearied of this sense of guilt,
Wearied of pleasure’s paramour despair,
Wearied of every temple we have built,
Wearied of every right, unanswered prayer,
For man is weak; God sleeps:  and heaven is high:
One fiery-coloured moment:  one great love; and lo! we die.

Ah! but no ferry-man with labouring pole
Nears his black shallop to the flowerless strand,
No little coin of bronze can bring the soul
Over Death’s river to the sunless land,
Victim and wine and vow are all in vain,
The tomb is sealed; the soldiers watch; the dead rise not again.

We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart’s blood each crimson sun is fair,
With our young lives each spring-impassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.

With beat of systole and of diastole
One grand great life throbs through earth’s giant heart,
And mighty waves of single Being roll
From nerveless germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we ****.

From lower cells of waking life we pass
To full perfection; thus the world grows old:
We who are godlike now were once a mass
Of quivering purple flecked with bars of gold,
Unsentient or of joy or misery,
And tossed in terrible tangles of some wild and wind-swept sea.

This hot hard flame with which our bodies burn
Will make some meadow blaze with daffodil,
Ay! and those argent ******* of thine will turn
To water-lilies; the brown fields men till
Will be more fruitful for our love to-night,
Nothing is lost in nature, all things live in Death’s despite.

The boy’s first kiss, the hyacinth’s first bell,
The man’s last passion, and the last red spear
That from the lily leaps, the asphodel
Which will not let its blossoms blow for fear
Of too much beauty, and the timid shame
Of the young bridegroom at his lover’s eyes,—these with the same

One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some fresh-blossoming wood,
We draw the spring into our hearts, and feel that life is good.

So when men bury us beneath the yew
Thy crimson-stained mouth a rose will be,
And thy soft eyes lush bluebells dimmed with dew,
And when the white narcissus wantonly
Kisses the wind its playmate some faint joy
Will thrill our dust, and we will be again fond maid and boy.

And thus without life’s conscious torturing pain
In some sweet flower we will feel the sun,
And from the linnet’s throat will sing again,
And as two gorgeous-mailed snakes will run
Over our graves, or as two tigers creep
Through the hot jungle where the yellow-eyed huge lions sleep

And give them battle!  How my heart leaps up
To think of that grand living after death
In beast and bird and flower, when this cup,
Being filled too full of spirit, bursts for breath,
And with the pale leaves of some autumn day
The soul earth’s earliest conqueror becomes earth’s last great prey.

O think of it!  We shall inform ourselves
Into all sensuous life, the goat-foot Faun,
The Centaur, or the merry bright-eyed Elves
That leave their dancing rings to spite the dawn
Upon the meadows, shall not be more near
Than you and I to nature’s mysteries, for we shall hear

The thrush’s heart beat, and the daisies grow,
And the wan snowdrop sighing for the sun
On sunless days in winter, we shall know
By whom the silver gossamer is spun,
Who paints the diapered fritillaries,
On what wide wings from shivering pine to pine the eagle flies.

Ay! had we never loved at all, who knows
If yonder daffodil had lured the bee
Into its gilded womb, or any rose
Had hung with crimson lamps its little tree!
Methinks no leaf would ever bud in spring,
But for the lovers’ lips that kiss, the poets’ lips that sing.

Is the light vanished from our golden sun,
Or is this daedal-fashioned earth less fair,
That we are nature’s heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.

And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure!  We shall be
Part of the mighty universal whole,
And through all aeons mix and mingle with the Kosmic Soul!

We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World’s throbbing heart shall be
One with our heart; the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality.

wet lips welcome him in the morning
weaving desires breath; tongues explore
unearthing our flame

moaning...

pleasure at fingertips taming depths
of her heat; wet in hunger, tongue glides
craving every inch exposed; tasting her

quenching...

upon exuding intoxication; I rise delving into
her slippery abyss flaying its sweetness
deep, lustfully riding as she caresses base

sobbing...

melting as softness clench and unclench
letting me in, inner embrace biting; sinking
into her moans and thighs entwine pulling
me deeper as I explode

reaching...

our ultimate pinnacle, appeased; but, gently
stroking, arising again saturated in our
warm spillage craving more of her delicacy

wantonly...

He was a Grecian lad, who coming home
With pulpy figs and wine from Sicily
Stood at his galley’s prow, and let the foam
Blow through his crisp brown curls unconsciously,
And holding wave and wind in boy’s despite
Peered from his dripping seat across the wet and stormy night.

Till with the dawn he saw a burnished spear
Like a thin thread of gold against the sky,
And hoisted sail, and strained the creaking gear,
And bade the pilot head her lustily
Against the nor’west gale, and all day long
Held on his way, and marked the rowers’ time with measured song.

And when the faint Corinthian hills were red
Dropped anchor in a little sandy bay,
And with fresh boughs of olive crowned his head,
And brushed from cheek and throat the hoary spray,
And washed his limbs with oil, and from the hold
Brought out his linen tunic and his sandals brazen-soled,

And a rich robe stained with the fishers’ juice
Which of some swarthy trader he had bought
Upon the sunny quay at Syracuse,
And was with Tyrian broideries inwrought,
And by the questioning merchants made his way
Up through the soft and silver woods, and when the labouring day

Had spun its tangled web of crimson cloud,
Clomb the high hill, and with swift silent feet
Crept to the fane unnoticed by the crowd
Of busy priests, and from some dark retreat
Watched the young swains his frolic playmates bring
The firstling of their little flock, and the shy shepherd fling

The crackling salt upon the flame, or hang
His studded crook against the temple wall
To Her who keeps away the ravenous fang
Of the base wolf from homestead and from stall;
And then the clear-voiced maidens ‘gan to sing,
And to the altar each man brought some goodly offering,

A beechen cup brimming with milky foam,
A fair cloth wrought with cunning imagery
Of hounds in chase, a waxen honey-comb
Dripping with oozy gold which scarce the bee
Had ceased from building, a black skin of oil
Meet for the wrestlers, a great boar the fierce and white-tusked
spoil

Stolen from Artemis that jealous maid
To please Athena, and the dappled hide
Of a tall stag who in some mountain glade
Had met the shaft; and then the herald cried,
And from the pillared precinct one by one
Went the glad Greeks well pleased that they their simple vows had
done.

And the old priest put out the waning fires
Save that one lamp whose restless ruby glowed
For ever in the cell, and the shrill lyres
Came fainter on the wind, as down the road
In joyous dance these country folk did pass,
And with stout hands the warder closed the gates of polished brass.

Long time he lay and hardly dared to breathe,
And heard the cadenced drip of spilt-out wine,
And the rose-petals falling from the wreath
As the night breezes wandered through the shrine,
And seemed to be in some entranced swoon
Till through the open roof above the full and brimming moon

Flooded with sheeny waves the marble floor,
When from his nook up leapt the venturous lad,
And flinging wide the cedar-carven door
Beheld an awful image saffron-clad
And armed for battle! the gaunt Griffin glared
From the huge helm, and the long lance of wreck and ruin flared

Like a red rod of flame, stony and steeled
The Gorgon’s head its leaden eyeballs rolled,
And writhed its snaky horrors through the shield,
And gaped aghast with bloodless lips and cold
In passion impotent, while with blind gaze
The blinking owl between the feet hooted in shrill amaze.

The lonely fisher as he trimmed his lamp
Far out at sea off Sunium, or cast
The net for tunnies, heard a brazen *****
Of horses smite the waves, and a wild blast
Divide the folded curtains of the night,
And knelt upon the little ****, and prayed in holy fright.

And guilty lovers in their venery
Forgat a little while their stolen sweets,
Deeming they heard dread Dian’s bitter cry;
And the grim watchmen on their lofty seats
Ran to their shields in haste precipitate,
Or strained black-bearded throats across the dusky parapet.

For round the temple rolled the clang of arms,
And the twelve Gods leapt up in marble fear,
And the air quaked with dissonant alarums
Till huge Poseidon shook his mighty spear,
And on the frieze the prancing horses neighed,
And the low tread of hurrying feet rang from the cavalcade.

Ready for death with parted lips he stood,
And well content at such a price to see
That calm wide brow, that terrible maidenhood,
The marvel of that pitiless chastity,
Ah! well content indeed, for never wight
Since Troy’s young shepherd prince had seen so wonderful a sight.

Ready for death he stood, but lo! the air
Grew silent, and the horses ceased to neigh,
And off his brow he tossed the clustering hair,
And from his limbs he throw the cloak away;
For whom would not such love make desperate?
And nigher came, and touched her throat, and with hands violate

Undid the cuirass, and the crocus gown,
And bared the ******* of polished ivory,
Till from the waist the peplos falling down
Left visible the secret mystery
Which to no lover will Athena show,
The grand cool flanks, the crescent thighs, the bossy hills of
snow.

Those who have never known a lover’s sin
Let them not read my ditty, it will be
To their dull ears so musicless and thin
That they will have no joy of it, but ye
To whose wan cheeks now creeps the lingering smile,
Ye who have learned who Eros is,—O listen yet awhile.

A little space he let his greedy eyes
Rest on the burnished image, till mere sight
Half swooned for surfeit of such luxuries,
And then his lips in hungering delight
Fed on her lips, and round the towered neck
He flung his arms, nor cared at all his passion’s will to check.

Never I ween did lover hold such tryst,
For all night long he murmured honeyed word,
And saw her sweet unravished limbs, and kissed
Her pale and argent body undisturbed,
And paddled with the polished throat, and pressed
His hot and beating heart upon her chill and icy breast.

It was as if Numidian javelins
Pierced through and through his wild and whirling brain,
And his nerves thrilled like throbbing violins
In exquisite pulsation, and the pain
Was such sweet anguish that he never drew
His lips from hers till overhead the lark of warning flew.

They who have never seen the daylight peer
Into a darkened room, and drawn the curtain,
And with dull eyes and wearied from some dear
And worshipped body risen, they for certain
Will never know of what I try to sing,
How long the last kiss was, how fond and late his lingering.

The moon was girdled with a crystal rim,
The sign which shipmen say is ominous
Of wrath in heaven, the wan stars were dim,
And the low lightening east was tremulous
With the faint fluttering wings of flying dawn,
Ere from the silent sombre shrine his lover had withdrawn.

Down the steep rock with hurried feet and fast
Clomb the brave lad, and reached the cave of Pan,
And heard the goat-foot snoring as he passed,
And leapt upon a grassy knoll and ran
Like a young fawn unto an olive wood
Which in a shady valley by the well-built city stood;

And sought a little stream, which well he knew,
For oftentimes with boyish careless shout
The green and crested grebe he would pursue,
Or snare in woven net the silver trout,
And down amid the startled reeds he lay
Panting in breathless sweet affright, and waited for the day.

On the green bank he lay, and let one hand
Dip in the cool dark eddies listlessly,
And soon the breath of morning came and fanned
His hot flushed cheeks, or lifted wantonly
The tangled curls from off his forehead, while
He on the running water gazed with strange and secret smile.

And soon the shepherd in rough woollen cloak
With his long crook undid the wattled cotes,
And from the stack a thin blue wreath of smoke
Curled through the air across the ripening oats,
And on the hill the yellow house-dog bayed
As through the crisp and rustling fern the heavy cattle strayed.

And when the light-foot mower went afield
Across the meadows laced with threaded dew,
And the sheep bleated on the misty weald,
And from its nest the waking corncrake flew,
Some woodmen saw him lying by the stream
And marvelled much that any lad so beautiful could seem,

Nor deemed him born of mortals, and one said,
‘It is young Hylas, that false runaway
Who with a Naiad now would make his bed
Forgetting Herakles,’ but others, ‘Nay,
It is Narcissus, his own paramour,
Those are the fond and crimson lips no woman can allure.’

And when they nearer came a third one cried,
‘It is young Dionysos who has hid
His spear and fawnskin by the river side
Weary of hunting with the Bassarid,
And wise indeed were we away to fly:
They live not long who on the gods immortal come to spy.’

So turned they back, and feared to look behind,
And told the timid swain how they had seen
Amid the reeds some woodland god reclined,
And no man dared to cross the open green,
And on that day no olive-tree was slain,
Nor rushes cut, but all deserted was the fair domain,

Save when the neat-herd’s lad, his empty pail
Well slung upon his back, with leap and bound
Raced on the other side, and stopped to hail,
Hoping that he some comrade new had found,
And gat no answer, and then half afraid
Passed on his simple way, or down the still and silent glade

A little girl ran laughing from the farm,
Not thinking of love’s secret mysteries,
And when she saw the white and gleaming arm
And all his manlihood, with longing eyes
Whose passion mocked her sweet virginity
Watched him awhile, and then stole back sadly and wearily.

Far off he heard the city’s hum and noise,
And now and then the shriller laughter where
The passionate purity of brown-limbed boys
Wrestled or raced in the clear healthful air,
And now and then a little tinkling bell
As the shorn wether led the sheep down to the mossy well.

Through the grey willows danced the fretful gnat,
The grasshopper chirped idly from the tree,
In sleek and oily coat the water-rat
Breasting the little ripples manfully
Made for the wild-duck’s nest, from bough to bough
Hopped the shy finch, and the huge tortoise crept across the
slough.

On the faint wind floated the silky seeds
As the bright scythe swept through the waving grass,
The ouzel-**** splashed circles in the reeds
And flecked with silver whorls the forest’s glass,
Which scarce had caught again its imagery
Ere from its bed the dusky tench leapt at the dragon-fly.

But little care had he for any thing
Though up and down the beech the squirrel played,
And from the copse the linnet ‘gan to sing
To its brown mate its sweetest serenade;
Ah! little care indeed, for he had seen
The ******* of Pallas and the naked wonder of the Queen.

But when the herdsman called his straggling goats
With whistling pipe across the rocky road,
And the shard-beetle with its trumpet-notes
Boomed through the darkening woods, and seemed to bode
Of coming storm, and the belated crane
Passed homeward like a shadow, and the dull big drops of rain

Fell on the pattering fig-leaves, up he rose,
And from the gloomy forest went his way
Past sombre homestead and wet orchard-close,
And came at last unto a little quay,
And called his mates aboard, and took his seat
On the high ****, and pushed from land, and loosed the dripping
sheet,

And steered across the bay, and when nine suns
Passed down the long and laddered way of gold,
And nine pale moons had breathed their orisons
To the chaste stars their confessors, or told
Their dearest secret to the downy moth
That will not fly at noonday, through the foam and surging froth

Came a great owl with yellow sulphurous eyes
And lit upon the ship, whose timbers creaked
As though the lading of three argosies
Were in the hold, and flapped its wings and shrieked,
And darkness straightway stole across the deep,
Sheathed was Orion’s sword, dread Mars himself fled down the steep,

And the moon hid behind a tawny mask
Of drifting cloud, and from the ocean’s marge
Rose the red plume, the huge and horned casque,
The seven-cubit spear, the brazen targe!
And clad in bright and burnished panoply
Athena strode across the stretch of sick and shivering sea!

To the dull sailors’ sight her loosened looks
Seemed like the jagged storm-rack, and her feet
Only the spume that floats on hidden rocks,
And, marking how the rising waters beat
Against the rolling ship, the pilot cried
To the young helmsman at the stern to luff to windward side

But he, the overbold adulterer,
A dear profaner of great mysteries,
An ardent amorous idolater,
When he beheld those grand relentless eyes
Laughed loud for joy, and crying out ‘I come’
Leapt from the lofty **** into the chill and churning foam.

Then fell from the high heaven one bright star,
One dancer left the circling galaxy,
And back to Athens on her clattering car
In all the pride of venged divinity
Pale Pallas swept with shrill and steely clank,
And a few gurgling bubbles rose where her boy lover sank.

And the mast shuddered as the gaunt owl flew
With mocking hoots after the wrathful Queen,
And the old pilot bade the trembling crew
Hoist the big sail, and told how he had seen
Close to the stern a dim and giant form,
And like a dipping swallow the stout ship dashed through the storm.

And no man dared to speak of Charmides
Deeming that he some evil thing had wrought,
And when they reached the strait Symplegades
They beached their galley on the shore, and sought
The toll-gate of the city hastily,
And in the market showed their brown and pictured pottery.

O, the Horror! Halloween Poetry!

Halloween Poetry: Dark, Eerie, Haunting and Scary poems about Ghosts, Witches, Vampires, Werewolves, Reanimated Corpses and "Things that go Bump in the Night!"



Thin Kin
by Michael R. Burch

Skeleton!
Tell us what you lack...
the ability to love,
your flesh so slack?

Will we frighten you,
grown as pale & unsound,
when we also haunt
the unhallowed ground?



The Witch
by Michael R. Burch

her fingers draw into claws
she cackles through rotting teeth...
u ask "are there witches?"
… pshaw! …
(yet she has my belief)



Vampires
by Michael R. Burch

Vampires are such fragile creatures;
we dread the dark, but the light destroys them...
sunlight, or a stake, or a cross ― such common things.

Still, late at night, when the bat-like vampire sings,
we shrink from his voice.

Centuries have taught us:
in shadows danger lurks for those who stray,
and there the vampire bares his yellow fangs
and feels the ancient soul-tormenting pangs.
He has no choice.

We are his prey, plump and fragrant,
and if we pray to avoid him, he earnestly prays to find us...
prays to some despotic hooded God
whose benediction is the humid blood
he lusts to taste.



Styx
by Michael R. Burch

Black waters,
deep and dark and still...
all men have passed this way,
or will.

Charon, the ferrymen who carried the dead across the River Styx to their eternal destination, has been portrayed by artists and poets as a vampiric figure.



Revenge of the Halloween Monsters
by Michael R. Burch

The Halloween monsters, incensed,
keep howling, and may be UNFENCED!!!
They’re angry that children with treats
keep throwing their trash IN THE STREETS!!!

You can check it out on your computer:
Google says, “Please don’t be a POLLUTER!!!”
The Halloween monsters agree,
so if you’re a litterbug, FLEE!!!

Kids, if you’d like more treats this year
and don’t want to cower in FEAR,
please make all the mean monsters happy,
and they’ll hand out sweet treats like they’re sappy!

So if you eat treats on the drag
and don't want huge monsters to nag,
please put all loose trash in your BAG!!!

NOTE: If you recite the poem, get the kids to huddle up close, then yell the all-caps parts like you’re one of the unhappy monsters, and perhaps "goose" them as well. They'll get the message.



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;

if shadows fly
moon-sickled skies,
while children toss their heads

uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;

if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams

of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise

to plague nightmarish skies
one night without disguise,

while children toss about
uneasy, full of doubt,
beware the Devil's lies...

it's Halloween!



Ghost
by Michael R. Burch

White in the shadows
I see your face,
unbidden. Go, tell

Love it is commonplace;
tell Regret it is not so rare.

Our love is not here
though you smile,
full of sedulous grace.

Lost in darkness, I fear
the past is our resting place.



All Hallows Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term “banshee”) and, eventually, to the Druids? One might assume that with the passing of Merlyn, Morgan le Fay and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil’s
fen...

if nevermore again.



Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs ― white ― baring,

revealing her lust,
and her eyes, pale, staring...



Like Angels, Winged
by Michael R. Burch

Like angels ― winged,
shimmering, misunderstood ―
they flit beyond our understanding
being neither evil, nor good.

They are as they are...
and we are their lovers, their prey;
they seek us out when the moon is full
and dream of us by day.

Their eyes ― hypnotic, alluring ―
trap ours with their strange appeal
till like flame-drawn moths, we gather...
to see, to touch, to feel.

Held in their arms, enchanted,
we feel their lips, so old!,
till with their gorging kisses
we warm them, growing cold.



Solicitation
by Michael R. Burch

He comes to me out of the shadows, acknowledging
my presence with a tip of his hat, always the gentleman,
and his eyes are on mine like a snake’s on a bird’s ―
quizzical, mesmerizing.

He ***** his head as though something he heard intrigues him
(although I hear nothing) and he smiles, amusing himself at my expense;
his words are full of desire and loathing, and while I hear everything,
he says nothing I understand.

The moon shines ― maniacal, queer ― as he takes my hand whispering

Our time has come... And so we stroll together creaking docks
where the sea sends sickening things
scurrying under rocks and boards.

Moonlight washes his ashen face as he stares unseeing into my eyes.
He sighs, and the sound crawls slithering down my spine;
my blood seems to pause at his touch as he caresses my face.
He unfastens my dress till the white lace shows, and my neck is bared.

His teeth are long, yellow and hard, his face bearded and haggard.
A wolf howls in the distance. There are no wolves in New York. I gasp.
My blood is a trickle his wet tongue embraces. My heart races madly.
He likes it like that.



Sometimes the Dead
by Michael R. Burch

Sometimes we catch them out of the corners of our eyes ―
the pale dead.
After they have fled
the gourds of their bodies, like escaping fragrances they rise.

Once they have become a cloud’s mist, sometimes like the rain
they descend;
they appear, sometimes silver like laughter,
to gladden the hearts of men.

Sometimes like a pale gray fog, they drift
unencumbered, yet lumbrously,
as if over the sea
there was the lightest vapor even Atlas could not lift.

Sometimes they haunt our dreams like forgotten melodies
only half-remembered.
Though they lie dismembered
in black catacombs, sepulchers and dismal graves; although they have committed felonies,

yet they are us. Someday soon we will meet them in the graveyard dust
blood-engorged, but never sated
since Cain slew Abel.
But until we become them, let us steadfastly forget them, even as we know our children must...



Polish
by Michael R. Burch

Your fingers end in talons—
the ones you trim to hide
the predator inside.

Ten thousand creatures sacrificed;
but really, what’s the loss?
Apply a splash of gloss.

You picked the perfect color
to mirror nature’s law:
red, like tooth and claw.

Published by The HyperTexts



Siren Song
by Michael R. Burch

The Lorelei’s
soft cries
entreat mariners to save her...

How can they resist
her faint voice through the mist?

Soon she will savor
the flavor
of sweet human flesh.



How Long the Night (anonymous Old English Lyric)
loose translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song...
but now I feel the northern wind's blast ―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels’ tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.



The Vampire's Spa Day Dream
by Michael R. Burch

O, to swim in vats of blood!
I wish I could, I wish I could!
O, 'twould be
so heavenly
to swim in lovely vats of blood!

The poem above was inspired by a Josh Parkinson depiction of Elizabeth Bathory up to her nostrils in the blood of her victims, with their skulls floating in the background.



Nevermore!
by Michael R. Burch

Nevermore! O, nevermore!
shall the haunts of the sea
― the swollen tide pools
and the dark, deserted shore ―
mark her passing again.

And the salivating sea
shall never kiss her lips
nor caress her ******* and hips,
as she dreamt it did before,
once, lost within the uproar.

The waves will never **** her,
nor take her at their leisure;
the sea gulls shall not have her,
nor could she give them pleasure...
She sleeps, forevermore!

She sleeps forevermore,
a ****** save to me
and her other lover,
who lurks now, safely smothered
by the restless, surging sea.

And, yes, they sleep together,
but never in that way...
For the sea has stripped and shorn
the one I once adored,
and washed her flesh away.

He does not stroke her honey hair,
for she is bald, bald to the bone!
And how it fills my heart with glee
to hear them sometimes cursing me
out of the depths of the demon sea...

their skeletal love ― impossibility!



Dark Gothic
by Michael R. Burch

Her fingers are filed into talons;
she smiles with carnivorous teeth...
You ask, “Are there vampires?”
― Get real! ―
(Yet she has my belief.)



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.


Athenian Epitaphs (Gravestone Inscriptions of the Ancient Greeks)

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
― Michael R. Burch, after Plato


Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
― Michael R. Burch, after Glaucus



Passerby,
tell the Spartans we lie
lifeless at Thermopylae:
dead at their word,
obedient to their command.
Have they heard?
Do they understand?
― Michael R. Burch, after Simonides



Completing the Pattern
by Michael R. Burch

Walk with me now, among the transfixed dead
who kept life’s compact and who thus endure
harsh sentence here―among pink-petaled beds
and manicured green lawns. The sky’s azure,
pale blue once like their eyes, will gleam blood-red
at last when sunset staggers to the door
of each white mausoleum, to inquire―
What use, O things of erstwhile loveliness?


Reclamation
by Michael R. Burch

after Robert Graves, with a nod to Mary Shelley

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me―progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically―her dowager figure,
and there is something about her that my words transfigure
to a consuming emptiness.

We are at peace
with each other; this is our venture―
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts
to the first note.

Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.

Need is reborn; love dies.



Deliver Us ...
by Michael R. Burch

The night is dark and scary―
under your bed, or upon it.

That blazing light might be a star ...
or maybe the Final Comet.

But two things are sure: your mother’s love
and your puppy’s kisses, doggonit!



the Horror
by Michael R. Burch

the Horror lurks inside our closets
the Horror hides beneath our beds
the Horror hisses ancient curses
the Horror whispers in our heads

the Horror tells us Death is coming
the Horror tells us there’s no hope
the Horror tells us “life” is futile
the Horror beckons, “there’s the Rope!”



Belfry
by Michael R. Burch

There are things we surrender
to the attic gloom:
they haunt us at night
with shrill, querulous voices.

There are choices we made
yet did not pursue,
behind windows we shuttered
then failed to remember.

There are canisters sealed
that we cannot reopen,
and others long broken
that nothing can heal.

There are things we conceal
that our anger dismembered,
gray leathery faces
the rafters reveal.



Duet
by Michael R. Burch

Oh, Wendy, by the firelight, how sad!
How worn and gray your auburn hair became!
You’re very silent, like an evening rain
that trembles on dark petals. Tears you’ve shed
for days we laughed together, glisten now;
your flesh became translucent; and your brow
knits, gathered loosely. By the well-made bed
three portraits hang with knowing eyes, beloved,
but mine is not among them. Time has proved
our hearts both strangely mortal. If I said
I loved you once, how is it that could change?
And yet I watch you fondly; love is strange . . .

Oh, Peter, by the firelight, how bright
my thought of you remains, and if I said
I loved you once, then took him to my bed,
I did it for the need of love, one night
when you were far away. My heart endured
transfigurement―in flaming ash inured
to heartbreak and the violence of sight:
I saw myself grow old and thin and frail
with thinning hair about me, like a veil . . .
And so I loved him for myself, despite
the love between us―our first startled kiss.
But then I loved him for his humanness.
And then we both grew old, and it was right . . .

Oh, Wendy, if I fly, I fly beyond
these human hearts, these cities walled and tiered
against the night, beyond this vale of tears,
for love, if it exists, dies with the years . . .

No, Peter, love is constant as the heart
that keeps till its last beat a measured pace
and sets the fixtures of its dreams in place
by beds at first well-used, at last well-made,
and counts each face a joy, each tear a grace . . .



Horror
by Michael R. Burch

What I ache to say is beyond saying―
no words for the horror
of not loving enough,
like a mummy half-wrapped in its moldering casements
holding a lily aloft.

No, there are no words for the horror
as a tormented wind howls through the teetering floes
and the cold freezes down to my clawed hairy toes ...

What use to me, now, if the stars appear?
As I moan
the moon finds me,
fangs goring the deer.



Strange Corps(e)
by Michael R. Burch

We are all dying, haunted by life―
dying, but the living will not let us go.
We are perishing zombies, haunted by the moonglow.

With what animation we, shuffling, return
nightly, to worry Love’s worm-eaten corpse,
till, living or dead, she is wholly ours.

We are the dying, enamored of “life”―
the palest of auras, the eeriest call.
We stagger to attention ... stumble ... fall.

We have only one thought―Love’s peculiar notion,
that our duty’s to “live,” though such “living” means
night’s horrific wild hungers, its stranger dreams.

We now “live” on the flesh of eroded dreams
and no longer recoil at the victims’ screams.



Love, ah! serene ghost
by Michael R. Burch

Love, ah! serene ghost,
haunts my retelling of her,
or stands atop despairing stairs
with such pale, severe eyes,
I become another pallid specter.

But what I feel
most profoundly is this:
the absolute lack of her kiss,
the absence of her wild,
unwarranted laughter.

So that,
like a candle deprived of oxygen,
I become mere wick and tallow again.
Here and hereafter ...
gone with her now, in the darkest of nights, the flame!

I lie, pallid vision of man―the same
wan ghost of her palpitations’ claim
on my heart
that I was before.

I love her beyond and despite even shame.



Eden
by Michael R. Burch

Then earth was heaven too, a perfect garden.
Apples burgeoned and shone―unplucked on sagging boughs.
What, then, would the children eat?
Fruit indecently sweet,
redolent as incense, with a tempting aroma ...



Outcasts
by Michael R. Burch

There was a rose, a prescient shade of crimson,
the very color of blood,
that bloomed in that garden.

The most dazzling of all the Earth’s flowers,
men have forgotten it now,
with their fanciful tales of apples and serpents.

Beasts with lips called the goreflower “Love.”

The scribes have the story all wrong: four were there,
four horrid dark creatures―chattering, bickering.
Aduhm placed one red petal in Ehve’s matted hair;

he was lost in her arms
till dawn sullen and golden
imperceptibly streaked the musk-fragrant air.

Two flared nostrils quivered, two eyes remained open.

Kahyn sought me that evening, his bloodless lips curled
in a grimacelike smile. Sunken-cheeked, he approached me
in the Caverns of Similitudes, eerie Barzakh.

“We are outcasts, my brother!, God quickly deserts us.”
As though his anguish conceived in insight’s first blush
might not pale next to mine in Sheol’s gray realm.

“Shining Creature!” he named me and called me divine
as he lavished damp kisses upon my bright scales.
“Help me find me one rare gift to put Love’s gift to shame.”

“There is a dark rose with a bittersweet fragrance
as pungent as cloves: only man knows its name.
Clinging and cloying, it destroys all it touches . . .”

“But red is Ehve’s preference; while Envy is green.”
He was downcast a moment, a moment, a moment . . .
“Ah, but red is the color of blood!”

Disagreeable child, far too clever for his own good.

Published in The Bible of Hell (anthology)



No One
by Michael R. Burch

No One hears the bells tonight;
they tell him something isn’t right.
But No One is not one to rush;
he lies in grasses greenly lush
as far away a startled thrush
flees from horned owls in sinking flight.

No One hears the cannon’s roar
and muses that its voice means war
comes knocking on men’s doors tonight.
He sleeps outside in awed delight
beneath the enigmatic stars
and shivers in their cooling light.

No One knows the world will end,
that he’ll be lonely, without friend
or foe to conquer. All will be
once more, celestial harmony.
He’ll miss men’s voices, now and then,
but worlds can be remade again.



Bikini
by Michael R. Burch

Undersea, by the shale and the coral forming,
by the shell’s pale rose and the pearl’s white eye,
through the sea’s green bed of lank seaweed worming
like tangled hair where cold currents rise . . .
something lurks where the riptides sigh,
something old and pale and wise.

Something old when the world was forming
now lifts its beak, its snail-blind eye,
and with tentacles about it squirming,
it feels the cloud above it rise
and shudders, settles with a sigh,
knowing man’s demise draws nigh.



Ceremony
by Michael R. Burch

Lost in the cavernous blue silence of spring,
heavy-lidded and drowsy with slumber, I see
the dark gnats leap; the black flies fling
their slow, engorged bulks into the air above me.

Shimmering hordes of blue-green bottleflies sing
their monotonous laments; as I listen, they near
with the strange droning hum of their murmurous wings.

Though you said you would leave me, I prop you up here
and brush back red ants from your fine, tangled hair,
whispering, “I do!” . . . as the gaunt vultures stare.



Contraire
by Michael R. Burch

Where there was nothing
but emptiness
and hollow chaos and despair,

I sought Her ...

finding only the darkness
and mournful silence
of the wind entangling her hair.

Yet her name was like prayer.

Now she is the vast
starry tinctures of emptiness
flickering everywhere

within me and about me.

Yes, she is the darkness,
and she is the silence
of twilight and the night air.

Yes, she is the chaos
and she is the madness
and they call her Contraire.



Dark Twin
by Michael R. Burch

You come to me
out of the sun―
my dark twin, unreal . . .

And you are always near
although I cannot touch you;
although I trample you, you cannot feel . . .

And we cannot be parted,
nor can we ever meet
except at the feet.



East End, 1888
by Michael R. Burch

Past darkened storefronts,
hunched and contorted, bent with need
through chilling rain, he walks alone
till down the glistening cobblestones
deliberate footsteps pause, resume.

He follows, by a pub confronts
a pasty face, an overbright smile,
lips intimating easy bliss,
a boisterous, over-eager tongue.

She barters what she has to sell;
her honeyed words seem cloying, stale―
pale, tainted things of sticky guile.



A rustle of her petticoats,
a flash of bulging milk-white breast
. . . the price is set: a crown. “A tip,
a shilling more is yours,” he quotes,
“to wash your privates.” She accepts.
Saliva glistens on his lips.



An alley. There, he lifts her gown,
in answer to her question, frowns,
says―“You can call me Jack, or Rip.”



East End, 1888 (II)
by Michael R. Burch

He slouched East
through a steady downpour,
a slovenly beast
befouling each puddle
with bright footprints of blood.

Outlined in a pub door,
lewdly, wantonly, she stood . . .
mocked and brazenly offered.

He took what he could
till she afforded no more.

Now a single bright copper
glints becrimsoned by the door
of the pub where he met her.

He holds to his breast the one part
of her body she was unable to *****,
grips her heart to his wildly stammering heart . . .
unable to forgive or forget her.

Originally published by Penny Dreadful



Evil, the Rat
by Michael R. Burch

Evil lives in a hole like a rat
and sleeps in its feces,
fearing the cat.

At night it furtively creeps
through the house
while the cat sleeps.

It eats old excrement and gnaws
on steaming dung
and it will pause

between odd bites to sniff through the ****,
twitching and trembling,
for a scent of the cat ...

Evil, the rat.



Temptation
by Michael R. Burch

Jesus was always misunderstood . . .
we have that, at least, in common.
And it’s true that I found him,
shriveled with hunger,
shivering in the desert,
skeletal, emaciate,
not an ounce of fat
to warm his bones
once the bright sun set.

And it’s true, I believe,
that I offered him something to eat―
a fig, perhaps, a pomegranate, or a peach.

Hardly the great “temptation”
of which I’m accused.

He was a likeable chap, really,
and we spent a pleasant hour
discussing God―
how hard He is to know,
and impossible to please.

I left him there, the pale supplicant,
all skin and bone, at the mouth of his cave,
imploring his “Master” on callused knees.

Published in The Bible of Hell (anthology)



Role Reversal
by Michael R. Burch

The fluted lips of statues
mock the bronze gaze
of the dying sun . . .

We are nonplused, they say,
smacking their wet lips,
jubilant . . .

We are always refreshed, always undying,
always young, forever unapologetic,
forever gay, smiling,

and though it seems man has made us,
on his last day, we will see him unmade―
we will watch him decay
as if he were clay,
and we had assumed his flesh,
hissing our disappointment.



Excelsior
by Michael R. Burch

I lift my eyes and laugh, Excelsior . . .
Why do you come, wan spirit, heaven-gowned,
complaining that I am no longer “pure?”

I threw myself before you, and you frowned,
so full of noble chastity, renowned
for leaving maidens maidens. In the dark

I sought love’s bright enchantment, but your lips
were stone; my fiery metal drew no spark
to light the cold dominions of your heart.

What realms were ours? What leasehold? And what claim
upon these territories, cold and dark,
do you seek now, pale phantom? Would you light

my heart in death and leave me ashen-white,
as you are white, extinguished by the Night?



Liar
by Michael R. Burch

Chiller than a winter day,
quieter than the murmur of the sea in her dreams,
eyes wilder than the crystal spray
of silver streams,
you fill my dying thoughts.

In moments drugged with sleep
I have heard your earnest voice
leaving me no choice
save heed your hushed demands
and meet you in the sands
of an ageless arctic world.

There I kiss your lifeless lips
as we quiver in the shoals
of a sea that endlessly rolls
to meet the shattered shore.

Wild waves weep, "Nevermore,"
as you bend to stroke my hair.

That land is harsh and drear,
and that sea is bleak and wild;
only your lips are mild
as you kiss my weary eyes,
whispering lovely lies
of what awaits us there
in a land so stark and bare,
beyond all hope . . . and care.

This is one of my early poems, written as a high school sophomore or junior.



The Watch
by Michael R. Burch

Moonlight spills down vacant sills,
illuminates an empty bed.
Dreams lie in crates. One hand creates
wan silver circles, left unread
by its companion—unmoved now
by anything that lies ahead.

I watch the minutes test the limits
of ornamental movement here,
where once another hand would hover.
Each circuit—incomplete. So dear,
so precious, so precise, the touch
of hands that wait, yet ask so much.

Originally published by The Lyric



Keywords/Tags: Halloween, dark, supernatural, skeleton, witch, ghost, vampire, monsters, ghoul, werewolf, goblins, occult, mrbhalloween, mrbhallow, mrbdark

Published as the collection "Halloween Poems"

i.

mist in solemnity
mutes the sounding
leather bells in silence


ii.

salt surges waste wantonly
gulls guttural in guises
of waifs


iii.

driftwood delivered dull of
deluged dilution
ochre offering to dune's
divestment


iii.

sea glass shivers into
shallow sandy pockets
scintillating color schemes


iiii.

conches lie abandoned
in stands of sea grasses
cacophonous quiet


v.

i am wide awake yet dreaming

sleepwalking

into the

waves




SoulSurvivor
(C) 2/1/2016

T*hree seventy-five. At my current muscle weight, that’s the amount of force, in pounds, with which my fist smashes into my opponent’s face. Flesh molds against my knuckles, vessels rupture under the impact; I am that unstoppable object, that destruction you can only watch. I am that confused, hurt, angry child. I channel it through my arms, conduct it through my knuckles, watch it spark and jump from fist to cheekbone. This is the therapy I so wantonly crave, so needed. The only place I can vent the full wrath of my frustration upon the world; or…at least, a single member of it….

Jump back three days.

     *Why can’t I see you more? I text her. Because I don’t want a relationship. She says. I don’t need a relationship. I just want to see more of you. I tell her. I’m afraid I’ll invest too much. She says. I don’t understand. Is that a bad thing? Seven years of friendship, two of off-on dates and rendezvous. How could you get more invested? What else can you spill after your hearts in a pool at my feet?
I drank a lot that night.

Jump back four days.

     I’m coming out that way. What are you doing tonight? I always initiate…everything. Always the first question, the first proposal, the first, the first, the first. Am I that threatening? Going out with friends. Homework and going out is all this woman seems to do. Maybe one less night with friends, one more with me wouldn’t hurt? Cool. Celebrating a birthday with friends, we’ll be out and about. Maybe we should meet up? If I’m here, she’s got no reason to refuse me…right? I thought distance was our only problem. Maybe it isn’t. I don’t know. I don’t want you to see me stupid drunk. What a stupid excuse. I actually want to see you stupid drunk. I will at some point if we keep things up.

     Long story short, a guy she sometimes ***** is going to be wherever it is they’re going, and she doesn’t want to have two guys she’s seeing in the same vicinity. What does that make me? I’m getting frustrated with all this confusion and sideways talking. My group incidentally ends up at the same place they are. I don’t even talk to her face-to-face. I’m such a sporting guy. She goes home...alone, to my relief. I get stupid drunk with friends. But never forget to message her back and act like everything’s cool.

Jump ahead a week.

     More conversations to clear up why I fill only one void in her life lead to more confusion. I’m frothing with it. It’ll be in my mouth soon. Wait…I taste it already.

     “Let’s drink and pick fights,” I say to a couple buds. Two hours out, we’re sloshed and trading licks in a back alley. The guy that had taunted and jostled me in the bar follows us out and picks a fight. Says I’m too drunk. Not worth it. I hide a smile, raise my arms, “Let’s see.”

     Shirts are off. Left hook to my ribs, I pivot an elbow, deflect with forearm. This leaves his side open. I duck his wild right-hand and drive a straight hit into his open spleen. He hits the alley wall. “Still want to take a drunk?” I taunt from my knee. He comes back, still sure of himself. I’ll show you what confidence does to us, my friend. He puts up a boxer’s guard and comes back, more cautious. Friends and enemies cheer and joan around me. I don’t hear a thing. There are thoughts. Dark, confused, smashed together, waiting to be dealt with. I focus on all of it. I focus on his face. I listen to the conversations that leave me more hurt and alone than they should. I lean into a false waltz stance, he doesn’t notice the feet. I notice his. He’s more drunk, on less, than I. Every time you breathe, I hope you think of me. The mass in my mind flows through my arms and legs. I charge and he punches straight where my head should go. I dodge right, grab his wrist, snap in and pull out, stringing him in an invisible flaying bed; my left elbow crosses his solar plexus, throwing him to the ground. Knees pin his arms. The hate, and anger, and confusion, and helplessness dissolve between fist and flesh, arc across the pain in my heart and the bruises and blood flowing freely from a fool....

Never entice a man with a need to portray his problems upon a heedless world.

     His friend steps in and plants a well-thought-out fist against my jaw. The one on the ground is down for the count. My friends don’t step in. They know me. I roll off him before his friend’***** can follow through. Now I have physical pain to channel, too. I grin and my assailant isn’t comforted. This is the release I need. This is my way out. This is what will help. *******, world. ******* girl. **** all of you for your games and your feelings and your mysteries. To hell with why you think you need to hide your heart. Wear it on your ******* sleeves. **** your dishonesty and your insincerity. **** your exes. May you all drowned in your lies and guilt and shame. **** you for assuming I’d ever judge any of you, for not taking my love at face-value, for thinking I had anywhere near the ulterior motives you all harbored. My left hand grabs his left elbow, simultaneously blocking a right jab and flipping his arm out of the way for the full force of my right arm into his ribs. A cacophony of bone and flesh giving way to my wrath meets my ears. He yelps. Never yelp when you’re trying to be strong for a friend. Keep your ****** lips closed, *******. He recovers only slightly before my right meets his face. My arc is perfect: the momentum of muscle as it curves the natural twist of a muscled arm, the darkness of my life gathering on knuckle-tips like obsidian gems glinting in the ***** hallway between worlds of vice and vindication, the cording muscle releasing the pent-up rage of a thousand lives gathered in one body.

     Connection shatters worlds. The horror of life bleeds across his broken window to the world. The reflection of my jeweled nirvana winks across his eyes. See the world I live in, failed rescuer. See the hopeless honor I hold in my *****. Sleep with the knowledge that even when you try, someone will always be there to flash the dark, jaded realities across your eyes…and bring you to my level.

     The other friends won’t budge ‘till I’ve stepped past. They part like the Red Sea for me. My ark is empty until I interact with the world tomorrow.

Brief peace is better than none.

-###-

(Sitting and drinking in the chair made out of the relics
of Sir Francis Drake’s ship.)


Cheer up, my mates, the wind does fairly blow;
  Clap on more sail, and never spare;
  Farewell, all lands, for now we are
  In the wide sea of drink, and merrily we go.
Bless me, ’tis hot! another bowl of wine,
  And we shall cut the burning Line:
Hey, boys! she scuds away, and by my head I know
  We round the world are sailing now.
What dull men are those who tarry at home,
When abroad they might wantonly roam,
  And gain such experience, and spy, too,
  Such countries and wonders, as I do!
But pr’ythee, good pilot, take heed what you do,
  And fail not to touch at Peru!
  With gold there the vessel we’ll store,
  And never, and never be poor,
  No, never be poor any more.

The dream haunts me
often, far too often, building
in intensity but is initially
disguised in absurdity and the
nonsense of a young man's lusts
with an old man's deficits.
This woman-like entity,
ill-defined at first but forming
voluptuously, emerges from
swelling curtains. She moves, more
levitates, toward my bed, buoyed
by what I don't know, but angelic-like
it would seem. Or perhaps
an Aphrodite reincarnate?

Oh this goddess, what pale
skin, as Parian marble, full bosomed,
jutting *******, ***** that
beckon, nearly drool, and pursed
red lips beaded with sweet
juice stolen from the wild cherry
tree beneath my window.
Far too much clarity for a simple
dream. But such a dream! And what
seething testosterone I feel!
I am become a hedonist, raging,
pulsing spermatozoa, renewed
of time and youthful energies.

Nerve into nerve we join, ecstacy
compounding ecstacy, bodies wantonly
impaling the other on this love bed
to the result that each cell of our
individualities melds. We are indistinct,
yes - as one, and any ****** impulse
between us is shared to the point of
utter exhaustion, depletion. I am
nearly drained of life, it would seem.

Then, as it always must,
the scene changes, Act II.
Inexplicably, shedding a ******
serpentine-like skin, she slings it away
and drops limply upon me - entirely
skeletal, dry cartilage, sinew, lifeless,
sexless, motionless. The horror
of a diabolical hollowness
stares through me, and I am
suspended, fully terrorized, in
this paralysis. So, this is
succumbing to the Succubus?
God, my dear God, that I should
never dream again!

--

HER *****
dedicated to Tamara

Her *****...so swollen....so full

Bulging beneath her blouse

Straining against her huge nursing bra

I long to suckle her deeply, till the end of time itself

Her ******* thicken....becoming so *****

She sighs deeply....her let-down gently washes over her

She smiles...guiding my hands as we unbutton her blouse

Her ***** takes my breath away

Her bulging cleavage qiuvers at my touch

Engorged.....veined

I bury my face....my lust.... in her *****

Savoring her womanhood

She unhooks a cup....her huge ****** weeping

Longing for my hunger

I suckle her deeply....lovingly....wantonly

Her warm milk, life's sweet nectar

Flows...flows......flows...flows

Feeding my desire...feeding my love for her

My love for the warmth of her *****

i felt Your beast stir
He called to the *****
the **** who lies within
and she answered Him
with whispered seductions
coaxing Him from His lair
filled with longing for Him
to emerge and sport with her
spreading herself wantonly
craving to be taken, devoured
eaten up and filled
made a plaything, consumed

the ***** inside me needs to see
the beast in You set free
her freedom to exist is in His gift alone
her purpose to rise to meet His lust
to take His stripes as her own
and bear them with pride
the beast in You will find release
inside the ***** who lives in me

Cynthia Pauline Jones 17/01/14

Concinnity of rapid motion in balance and proportion,
round the ballroom, like the synchronized frequency
of vibration in a crystal quartz. Whirling contortion
of bodies embraced in movement's revealing intimacy.

They are partners. They are dancers. They are lovers
wantonly stoking libido's hot glowing embers;
promenade affirming keen awareness to the vigors
of the steps, footfalls and technique of its pretenders.

Gown and tux attired, passionate accessories to the cult;
merengue, fox-trot, rhumba, abandonment's fertility rites
to gods and goddesses, danced with such elegant result,
they are immortalized in time --- divine service to the night.

I'll  do nothing...
bad in life that will make my mother cry.
You can disgrace me, debase me, tie me to a railroad track.
But once the tears flow from my beloved mother, there's  no putting them back.

I'll  do nothing, bear this in mind and hear it,
I'll  do nothing that will diminish her spirit.
I  wont let evil near it. 
 I'll honor her by being like her, and proudly cheer it.

    A mother is nurture, she is the birth of nature.
A teacher not a taker, a mentor not a faker.
The ultimate God given talent, a human being maker.

She forsakes hers for the needs of  yours,
with dreams of high aspirations of her off- spring for,
nothing less, till their health and happiness soar.

Who else in this jaded,
complicated,
world gives unconditional love.  Who else.
Who else has you in their thoughts expressly, wantonly.
Who else has you in their thoughts religously, constantly. 
 
Concerned about your wants and needs, worries and dreads,  
doesn't want to pry, so she prays for you instead.
Who else.
No one else!

I'll  do nothing bad in life that will make my mother cry.

Addict.
Fly free unwanted conqueror-

I detest you
And your haunting illusion.

Midnight visage-
Encapsulated in wanton peaks
Of redemption.
You who scorched my fields
And ignited my fears,
Laying waste in a furious
Dervish of extrapolated ecstasy.

It might have been over
But in what I was sure
Was my final moment
Your grip became slack,
my conscious lying sputtering
in the destitute mud
That comprises bewilderment ,

And you showed me mercy-
Such bravery in the face of havoc.
And now you gladly accept me,
Embrace me in cold arms,
Wantonly smiling at the distance-
almost, almost imperceptive

But my knowledge trumps mere sense,
With the certainty of a madman.

It’s the damndest thing when attentions focused
on one thing beget the focus of another
Like the rooster crowing the sunlight
in the cold, ungrateful weather,
My eyes scan the ups and downs
of those digital stand-ins for those I’ve known
Seeing mistakes, my own and in others,
Seeing perfection, in other’s imperfect successes,
wantonly rubbed in my eyes

As I springboard from the travails of those
with whom I may never vocalize my adoration
I drop out of the air of a life far from mine,
I see mention of a passed on spirit
Who I truly adored,
no digital fakery of half-true fables necessary
to express my love for the ideals implanted in me
by such a tongue so supplicant to the truths in that vast ether
where I used to swim in the light,
never thinking of the dark climes below.  
What choice do I have on an accidental evening like tonight?
I no longer can mask disinterest for other’s soaring narratives
when my true care has been discovered,
been pried away from that dark corner of the airborne pool so ethereal.  

My care, my pride have been torn asunder,
by a mere errant glance on a mere sideways mention
Of a massive, earthly idol, who, if only for a stanza of years
held my full gaze with hopeful smiles and ecstatic promise
for bright futures now gone into grey pastures.  

I lay here an imposter in authentic skin
if only for the sight of words on screens,
with scant meaning in between.

I blinked slowly
And you were gone like the time
Wasted wantonly.

Sad, mooning morning
Lost beasts and time
Disgust for machine lust overwhelming
It's not that I don't love you
That you don't love me enough
To sinfully and wantonly **** me
After all it's my birthday
Cause I'm old and you've lost interest
in being the man I loved
That's why our children tricked you
into writing and sending your confession

Stand up and take a bow
we learned your lessons well
who to trust, how to trust, and when
Turned us kids into your spies,
your lies, your alibis
to get us to create the software to do it
So you could **** your mystic **** genie
please know our kindness as hatred
All access passes to dumb *******
This memeallscene is a gallery crawl,
a gallow's walk of perps,
who should have known better

Just a thanks for clogging
the artists' ether with kiddy ****
much love for Kate Torn
we used your magick
to put us back together
Your address is on the ticket,
the reddress that you bought her.
Tap lightly, tap lively not,
the tuoche of Jack Frost is upon you.

All the best and much kindness.
Perfection is a trick of the mind.

This poem will change and tighten
the ties that bind us together
From the women and men of Bandahache.
for the women who sign away the right
to tell their stories
I hear you Anita Hill
But we've been stalked and stifled long enough
Yes, that's what prayer can do

The beast within, me, thrashes against its cage,
It is desperate for possession, dominace, and adoration.
It writhes with the madness of jealousy, it wants you.
To make you thoughtless and craving only but my name upon your lips.
Shattered and defenseless; to use my body as your cover and protection.
This selfish desires from the beast within.
It growls and gnawshes its teeth as you talk happily to another
touching them in friendly manner; heed poised to other.
It is irrational and mad; it knows-
Though careless and savage is the beast within us.
It wants to push you against the wall,
bound your hands and hold your mind.
Only this and nothing more.
However, for now and ever, the beast within my barred castle-
silently and wantonly stares at its prey; so close and yet so far away;
as you smiles completely oblivious.
God, ignorance is bliss, it silently thinks;
The beast within.

I see myself on a cream white bed, crisp sheets with a black frame

elevated so that when you throw me down, my long hair cascades around my face like a vision of a mermaid underwater

The room would be slightly lit, but only by a lamp of two

The shadows emphasize our muscles, toned and beautiful to each other

The floors are carpeted with something expensive so that when we move our feet it's silent

The bed does not creak and the only sound is a slight breeze coming through a cracked window door with curtains waving softly, dancing in the growing dusk

As I see it, one hand holds you up above me slightly and our bodies curve together

My long slender legs open slightly as my dress falls down into my thighs and piles on the floor

The exertion of my breathing moves the fabric covering my *******, emphasizing my collarbones

I see my arms up together above my head, wrists being held by your one hand as we breathe, panting before anything has really happened

I see myself close my eyes and turn my head a little to the left to shiver in pleasure as you bestow a kiss to my neck

Turning in synchronized motions as you move your head and lips lower, grazing my collarbones and erupting goosebumps down my spine and I turn my head back to accommodate your advances

The hand holding my wrists releases like an octopus releasing ink as it swiftly moves like a cat of prey to the base of my skull

Grabbing my hair, your hand pulls back to tilt my lips up to meet yours, aggressively but sensual and I moan involuntarily

You pull my hair again as you realize it very much excites me

Not everyone can do this, but you definitely get away with it.

Your tongue, as sweet as I remember but with more force than our first kiss begins to explore my mouth. Our tongues intertwine and my newly free hands wander up to your face, through the soft curls of your hair, caressing the perfect definition of your cheekbones and tracing down to the nape of your neck

Down further, unbuttoning more than was before, until your chest I have so wanted to see in person and not just facebook pictures, the marble perfection like Michaelangelo's David

Your beauty makes me want to cry

Your perfection

And you think I am perfect

I disbelievingly place my fingertips upon your perfect skin and you shiver from my touch

Your shiver makes me realize that we are both human and you are not the God I make you out to be

You are though, to me, in this room, so human and so ethereal at once
Growing bolder, I grasp at the incredibly smooth skin and move down your hard, muscular stomach

So incredible

I have wanted this for so long

I let out a moan of desire and approval which you stifle with a kiss

Grabbing my wrists again with one hand you bring them back behind my head, releasing them again to pull my hair back as my entire body reacts, back arching, hips raising up to meet you. I want to wrap my legs around you and have you right there, bring you into me with all the force of my longing and waiting

My hands bring closer this reality as they race to your belt and hastily attempt to remove the buckle

Desperately, you have reduced me to crying with desire for you, moaning wantonly like a ***** instead of the image of sophistication I presented for you not twenty minutes ago before you enticed me to fulfill the desires of my past, the desires always in the back of my mind, lurking like creatures in the deep, dark and forbidden

Satisfyingly, I manage to get your belt undone and pry open the buttons with my fingers, still shaking with desire

I want you to satisfy me, to fulfill the ache for you to be inside of me, loving me, caressing me, idolizing me

Calling me a Goddess as I call your name

That will come later

For now I attempt to lower your pants

I raise myself with my arms behind me, my hair cascading down my back like some sort of bronze waterfall

I stand, still inches shorter than you, tilting my head only slightly as I gracefully bring my arms over your developed shoulders

And press you close

I want to feel your hardness against my everything

I want to bring myself as close to you as physically possible

You are everything I have ever wanted, you are the man I have dreamed of

And tonight you are mine

I tip my head back, hair tickling your fingers, and moan in ecstasy of
the thought of really having you

You obviously don't know what you do to me

But judging by what is between your legs, maybe I do something to you too

I want to be more than a good **** and I feel like I am to you

As the stars appear and twilight turns to darker night, our whispered fears fall out the window and you see me as I see you; perfect and completely ideal in every way

You are my dream, the wish I made upon a star, here in my arms, pressed against me, wanting me as I want you.

I joy, dear mother, when I view
Thy perfect lineaments, and hue
    Both sweet and bright.
Beauty in thee takes up her place,
And dates her letters from thy face,
    When she doth write.

  A fine aspect in fit array,
Neither too mean nor yet too gay,
    Shows who is best.
Outlandish looks may not compare,
For all they either painted are,
    Or else undress’d.

  She on the hills which wantonly
Allureth all, in hope to be
    By her preferr’d,
Hath kiss’d so long her painted shrines,
That ev’n her face by kissing shines,
    For her reward.

  She in the valley is so shy
Of dressing, that her hair doth lie
    About her ears;
While she avoids her neighbour’s pride,
She wholly goes on th’ other side,
    And nothing wears.

  But, dearest mother, what those miss,
The mean, thy praise and glory is
    And long may be.
Blessed be God, whose love it was
To double-moat thee with his grace,
    And none but thee.

Strike the bells wantonly,
  ****** ****** well;
Bring me wine, bring me flowers,
  Ring the silver bell.
All my lamps burn scented oil,
  Hung on laden orange-trees,
Whose shadowed foliage is the foil
  To golden lamps and oranges.
Heap my golden plates with fruit,
  Golden fruit, fresh-plucked and ripe;
  Strike the bells and breathe the pipe;
Shut out showers from summer hours;
Silence that complaining lute;
  Shut out thinking, shut out pain,
  From hours that cannot come again.

Strike the bells solemnly,
  Ding **** deep:
My friend is passing to his bed,
  Fast asleep;
There's plaited linen round his head,
  While foremost go his feet,--
His feet that cannot carry him.
My feast's a show, my lights are dim;
  Be still, your music is not sweet,--
There is no music more for him:
  His lights are out, his feast is done;
His bowl that sparkled to the brim
Is drained, is broken, cannot hold;
My blood is chill, his blood is cold;
  His death is full, and mine begun.

O, how much more doth beauty beauteous seem
By that sweet ornament which truth doth give!
The rose looks fair, but fairer we it deem
For that sweet odour which doth in it live.
The canker blooms have full as deep a dye
As the perfumèd tincture of the roses,
Hang on such thorns, and play as wantonly
When summer’s breath their maskèd buds discloses;
But, for their virtue only is their show,
They live unwooed and unrespected fade,
Die to themselves. Sweet roses do not so;
Of their sweet deaths are sweetest odours made.
    And so of you, beauteous and lovely youth,
    When that shall vade, by verse distills your truth.

You are so **** and hot to look at
When you gorge on that strawberry
I remember the time you showed me
How you like your fruit to be -

You licked it making sure it’s wet
I gasped when the coldness hit me
You nipped and peeled the skin gently
My ***** heaved wantonly at the touch
You ****** with ardour all the juices
My mind ran havoc not knowing what to do -

You stare and wink at me naughtily
That devilish grin now you just make
You know that I recall what you did
When you tasted and I was your fruit

In times gone past we used to play
With abandon. We experimented.
We vowed we’d never settle down
Become complacent or contented
Everything seemed possible
Reality just one calibration
Of potential, possible worlds
Each one a sheer sensation
The world was a bright, clean canvas
For the ink of our imagination
Knowing we could make the world
We laboured at its creation
But along the way complacency crept in
And we lost our special flow
One by one the sparks in our hearts died
And why we’ll never know
But I’ll hazard a rough guess
And it’s worth heeding what here's stated
What’s worthwhile in life is lost
When what’s wild is domesticated

The times that came gave us the idea of war
We accepted it. We became rank and file citizens
Became wrapped up in the politics
The world became a spoiled canvas
Destroyed by cruel imaginations
Knowing they could break they world
They ripped the petals off its carnations
It nevertheless remains that we
Will one day throw off the yoke
To dwell once more in amity
And live in dreams bespoke
I'll hazard a rough guess
And it's worth heeding what here's stated
What's worthwhile in life comes back
When we realise that dreams are created

What comes next is chaos and rebellion
We go wantonly. We dedicate ourselves
To joyful revolution, against tyranny
To put life back in to good health
The world becomes unified again
And not in the imperial way
But in the way all souls are friends
And borders die and go away
The world becomes a canvas new
Ready to take a splash of art
Adorned with colour and beauty
A fresh and fruitful start
Along the way we will regain our voice
And sing and play like children
happy music will make them rejoice
And let them dwell in freedom
I'll hazard a rough guess
And say this time is near
Because more spirits are learning to say bless
And make their spiritual bars disappear

The water glisten like crystal
As dragonflies dance to the music of the surf
A symphony of sound emanates from this quiet section on earth
Adam lays in the shadow of the coconut tree, listening
A splash in the distance distracts his attention
Eve emerges from the sweet blue water
Her basket full of fish
Swinging her hips in a coquetish way
Adam catches his breath
Her beauty confusing his senses
Leaving him defenseless
Its time, whipers the serpent
Taste the fruit she so wantonly offers

so kindled in sear summer July,
Upheaval churning in my most stoic feeling frazzled, I am,
Thank GOD for Good Riddance- putting on a thinking cap
And  my Good Instincts prevails..
    Brooding over and praying in silence-
       PEACE and Faith too ; sustained my intertwined...
guts good 'ole meshed up toiled my life.
                   Like a web-gathering digging out into knitted vine..
                     Gotta dance w/ grace even if someone ogling..
                       actin' out like zilch..
                        out there mesmerizing.
Give it all out for sake o' Inamorata  
                  And fervor like ne'er be in paroxysm, a day or two ..
                Rhyme with the melody o' songs
            And Sing it all out on top o' my lungs
      like there's no one's eavesdropping
Amusingly enough as I wantonly be wanted
And feel hurting no more,
  Sleeping in minty pillows, sobbing no more...
    At the time, eventide dusk comes,
     That Beauty; rests indeed, bellows
       Live and let live like it's a bed o' heavenly velvety Roses in this cauldron earth!.ensnared my thoughts together oftentimes,
      Through waylay conflicts
So akin to as DRAMA Momma!
    That another can tote to my table.
      Getting' along just fine witn MYself..
      thus restore my sense of panoramic mindset; - my BLESSINGS- scrutiny on my studies  and my cherub babes who cares as whippersnapper!
    Thou Loves me more than
       of enormous superficial stuffs-
          things that won't last-
            I'm in solitude for soul searching'.
              I am of thy belief that
everyone needs time...
To just Be! @ peace with just MYself!
J

Cryptic cryptic
Use too many words with no imagery
to convey some personal philosophy
But, now I just want to say how lost sometimes I feel
Driving on gray dried oil roads through gold maize fields
surrounded by erosion saving forests
Look up, and see blue skies with mountain ranges of bulbous clouds
I am so small, even though we carved this land with the back of our thumbs
and changed the color of the sky with the smoke from our hair gel sleek planes
Alfalfa look from the wind blowing at my side
I’m a shark mechanically lifted as the fastest Earth creature
wantonly killing my ocean predator parody
Even eating the chunks of shark flesh I don’t throw out
A plunder king
atop a pile of just as much bones/cartilage
as jewels and fresh carcasses