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Shaun Meehan Jan 2015
paint revealed by wallpaper torn,
layers of peeling; the
faded adorn—a story of life.

joy, of accomplishment and
new beginnings.
children born, playing,
growing up—growing old.
past scars distant
memories; misplaced, obliterated—
by time reduced to dust.

a home
buried beneath the earth,
its walls no more.
the vessel shattered, decaying
stories lost, forgotten,
the curse of mankind’s
living.
I recall from some time ago
a pink plastic tea set
a white plastic rocking chair
and a yellow plastic pony
with blue plastic hair,
     which
was impossible to untangle
except for with the green plastic brush
that belonged to my blonde barbie doll
out of her plastic vanity cabinet
beneath her plastic vanity mirror,
     which
she checked her makeup in
before meeting her plastic boyfriend
in his plastic van
to go to a plastic diner
that served plastic pizza,
     which
was really just a sticker
on a tiny plastic plate
that would get lost in the bottom
of my plastic toybox,
     which
had a plastic lid
that was also my sailboat
that brought me to a plastic castle
with a plastic princess
who had the prettiest plastic eyes
and the most elaborate plastic dress
and the shiniest plastic crown,
     which
was the envy of all the plastic women
in the entire plastic kingdom,
     which
was really just a plastic castle
surrounded by an enchanted plastic forest
filled with furry plastic creatures
all atop a clear plastic box,
     which
held the plastic dishes
and plastic glasses
and plastic food
in case a feast should be thrown
for an unexpected plastic guest
from a plastic kingdom in the far east,
     which
was really just a plastic plate
placed on the plastic-coated windowsill,
     from which
I would peer into the blue sky
through broken plastic binoculars
while standing on a yellow and green plastic step stool,
     which
when turned upside down
became not simply a make-shift plastic sailboat,
but a glorious, luxury plastic cruise liner
for my pretty plastic dolls

     and I would board my toybox lid
     and we would sail into a perfect plastic horizon

     which
was really just a white plastic baby gate
that kept me from tumbling
into the world downstairs
where things are wooden
and glass
and cloth
but not plastic

for plastic is synthetic
and plastic is superficial
and plastic looks bad
against gilded wallpaper

but plastic is cheaper
and plastic is safer
and plastic is durable
and childhood is plastic
Cassidy Claire Johnson © 2012.
Paul Mar 2018
I’ll miss every single morning, waking up facing my old, crumbling wall, where the grey wallpaper has come off the walls and you can see the zinc. I will miss reaching out with my finger towards a part of the wallpaper and pick at it. Not tear it off or make the wallpaper even more torn off – no. I would just pick at it and as if check if it’s still holding on to the old walls that I grew up in. In this room I spent half of my life. Why only half? Well in this room my brother spent his teenage years and only when he left the nest was I able to inhabit his room. I always wished to be in his room. Here I imagined myself building armies, plotting to take over kingdoms. This would be my castle, my guard, my home.
               I’ll miss the summer’s breeze that washes over me when I sit near one of the country side houses, where the two sweet cheery-trees grow. The old bench that my grandfather built in his time – a very simplistic yet effective creation. Two simple planks, not taken care off and always parts of it splintering off, nailed down to two wood blocks of the old apple trees that we cut down. The bench, if one would even call it that, is not comfortable but I guess the sentimental value makes it pleasant and close to the heart. I remember sitting on that same bench and looking up to the sky, where the pure sky is covered in dark red, sweet cherries. The times when we would get out a ladder and start climbing to the tops of these trees and gather all the cherries into a bucket, then finally sit at home and enjoy the desert as a family. Those where the best moments of the summer. Alongside with the smell of freshly cut grass or the burning sensation of the hot wind brushing against your face.
               I’ll miss walking past the dark forests to the river. I will miss slowly tumbling down the small hill towards the ground where moles have turned up and made the walk down even less enjoyable. Yet in the dark forests, where all sorts of creatures lived and made their homes, you would feel the closest to nature’s heart. On the walk there one would start to hear the sounds of the water trickling down the few hills. How much I will miss the river that I was born from. Not in a mystical way –no. There I spent most of my summers, especially when I was still little and I and my brother would go there for a swim after I had helped him do all the hard work. I remember him, sweating and barely catching his breath after manual labor and looking down at me, with such sincerity in his eyes and compassion in his movements. He would smile and slowly pick me up, place me on his shoulders and we would both walk towards our river. I knew he was tired yet my selfish side didn’t want to miss out on such special occasions when I felt so close to him.
               I’ll miss the line of birch trees. I have a fascination with such trees, most likely because of their unique trunks that are covered in black and white spots as if the zebra of trees. I quite enjoy the fact that birches are the first ones to gain and lose their green leaves. I only think of spring and autumn whenever I look at these marvelous, tall trees. We had another one, one to the side, far away from the young ones. A fifty meter tall tree, reaching towards the sky, its stump thick and filled with ants and termites. We had to cut it down as it started leaning more and more towards the ground, most likely wishing to lay down and finally gain rest after enduring so many storms. Now, between the not so young birch trees there is my hammock. There I would lay whenever I had free time, whenever I wasn’t working and sweating while the either too cold or too hot breeze would make me jump. I will miss the sound of all the leaves wiggling about on the branches as a stronger wind passed them. I will miss seeing the yellow leaves fall off the trees and cover the ground and when few gusts of warm weather would hit, they would become dry and every time you step on them, they crackle and you smile.
               I will miss getting back into my bed, where the same piece of torn wallpaper is and the same four corners that I left in the morning. I will miss, covering myself in the same duvet that I had for so many ears and looking up at the crumbling, white ceiling that I once hit with a ball and few pieces of it came falling down.
               Then I would hear my father shout at my mother.
With me slowly preparing to leave home and go out into the world, certain memories cling to heart.
Miki Sep 2014
My nail polish
peels
like wallpaper
on a dead house

and i suppose
thats
what i am
a dead house

decrepit and torn
broken
down and old
from 16 years

of broken mentality
***
******-manically wanted
Lips, Hips, thighs.

But what if thats
gone
and my wallpaper is
peeling like ripe fruit
AJ Oct 2015
I have this dream that I'm a failed 1940's housewife.
And I can't get this image out of my mind.

I swear I left the iron on,
The sink is overflowing,
The roast it burning,
The twins are crying,
The washing machine is pouring out suds.
And my husband gets home....
It's a mess.

He tries to put me in my place,
Apparently I must be submissive.
He tries to **** me in the kitchen
To prove his possession of me.
I yell and scream and
When he doesn't stop....
The knives were just.....
Too close to my end of the counter.

My lawyer pleads insanity.
I just plead.
"The invention of the ship was the invention of the shipwreck."
Valerie Csorba Mar 2014
It's hard knowing
you're not in the right location
when everyone ahead of you
is doing so much better than you are,
and when you try to follow them
you get lost in throngs of people
who are
just
like
you.

You become plastered to the stereotype
like the same boring wallpaper
in the same mundane house;
the kind that someone wants to cover
with accomplishments because it's too ugly
to deserve even a quick gander.
And that's alright with you
because it's just how you feel: ugly.

You become melancholy at the thought
that every word you try to spread on that
revolting wallpaper in an attempt to make it beautiful,
before someone else tries to do the same,
just keeps being buried under yet another outstanding triumph
from someone who isn't you.

It's beyond difficult to understand
you aren't in the right position
to become the dream you made up inside your head
as you step over boundaries that are faded
in hopes you can immediately be where you desire
and require
when the design has a necessity for time
and careful planning.

And all you want is to find your escape
because the stress that continues to bear down on you
is pulling at your center as well.
You've no idea where your home is,
but it certainly isn't in the arms
of the mattress you claim solace in every night.

They claim that home is where the heart is,
but your heart isn't with you.
It's living luxury somewhere else.
It's every
single
day
you hear yourseld murmuring
'there's no place like home'
But you don't receive that free trip by clicking your heals.
You don't find your way home
by following that rabbit down a hole.
Can you find where you belong?
Or will you be lost forever in this Wonderland like me and everyone else?
LDuler Mar 2013
The leeching color from my eyes
My parched mouth puckered
My joints are stiff, stubborn and brittle
Creaking like exhausted floorboards
Wringing my fists, white ands shriveled
Twisting my hands, skinned and raw
I'm ill with desperate thriving
Too weak to carry on, don't have the choice
Veins laden with liqueur, thinning hopes and regret
Pulsing pulsing pulsing
Bones fluttering with birds of bad omen
Scalp rid of hair to make place for the thorny crown of vanquishment
Blood diluted with bitter disappointment,
Sloshing, smearing through my mucked-up system
Aching from the deadly drone of existence
From small victories, large defeats
I'm the mortar, they're the pestle
Clobbering into my hollowed life.

The hammer of that thing
Routine so dull and tedious
Pounding and pounding and pounding
When you can't even scream or weep
Thud thud thud
My temples scream with dank submission
My brain is reeling, hurling from the vertigo of it all.

Morning, noon & night
The dead avenues, the empty buzzing
Beats hammers in my brain
Throb throb throb
I'm quivering with numbness.

I'm mature now, I'm ripe
So ripened and rotten
Adult things, adult preoccupations pulsing around me
It seems like person really only has two choices
Get in on the aimless hustle or be forsaken
I've taken it all up
Rent, coffee, wine, cigarettes and newspaper
Forgotten pills
Unpaid bills
Thump thump thump
Anguish, pain, woe and misery
Turbulence and stress, the banging hammer.

I'm a drunkard, a wanderer
With a beaten, battered suitcase
Days like these, weeks like these, when all the weapons are pointed at me
I'm a ***, an outcast
A pigeon in the pummeling rain
Dribble dribble splash
The ache is a relentless thing.

My job, my rent, my house
My walls limp with memories stuck with rotting glue
Wallpaper torn, curling at the edges
The cold hard floor radiates and screams
The couch, cold & hollow
Incrusted with bits of filthy grime
The dead radiator hisses like an angry snake
The shades down, no sunlight
No life seeping through the venetian blinds
And my clothing sits in the chairs
Like the dead emptied out
The blankets are thin, frayed and tattered
As hope is
The moths, on the other hand, are alive and well
They weave webs of moribund rot
Interlacing me into their strands of decay.

Surrounded by the coldhearted, they snarl
And their laughs abash, dishearten the pure
Bruising me relentlessly
They are so tired, mutilated
either by love or no love
All their bleak and sunken eyes
All their weak and drunken souls
All their meek and shrunken hearts
Vultures with neckties
Weasels in frocks
Collared beasts, that's all they are.

The mournful poet with the shrapnel wound
Was so wrong
I guess he wanted to be lyrical, but his words led astray
Time is not water
It does not flow easy, smooth and transparent
It drags you into dark alleys and batters the hell out of you
Punches you in the ribs, rips your skin,
Jerks you by your hair, stabs you, disfigures you
Leaves you crippled and broken, gasping for air.

Sweating in a rocker
Lanky skeleton hands clasped, praying- for what?
I'm not living, or dying
I'm simply crawling backward
Or no, I'm not crawling, I'm being dragged,
Through nights of lonely perfidy, breathing the beaten dusty air
The dark wind wailing, ebbing through the frail curtains
Laying in bed, too wretched to move
When memories, of heaven and hell,
Droop like broken shades
Across the window of my mind
And ****, I can feel my soul slowly dropping down through the mattress
My stomach is heaving, my teeth clenched and gritted
But not with fear, no, it's too late for dread
And it *****, because we realize we were all so caught up in a life in which we can find no meaning...we end up wrong and graceless and sick
We're born shriveled and alone, we die shriveled and alone
No matter what.
The Hammer by Geneviève Pardoe Macchiarella is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Emma Jacobson Mar 2014
All of this time has gone by
I can't seem to stop the arms on the clock.
No matter how hard I push them back,
they slingshot forward like comets
with lost tears trailing desperately behind.
Overcast sleeps soundly  above the grooves of my brain
and sleet slides like needles down the back of my neck
glass paints the pavement of my cheeks
Frozen quartz blooms from my eyelashes
When i think of you,
a storm shrieks inside my chest
Its furious
and ******...
It breaks all of my windows
And all of my houses collapse
the image of your face in my mind is like peeling wallpaper
Ugly
Tired
and sad.
amt Feb 2013
Faded floral wallpaper,
Carpet in blood red.
And though I've got a heavy heart,
My hands support my head.
Your eyes, just like diamonds.
And your gaze, it stops me dead.
The words just fall right out my mouth,
I don't know what I said.

I think I'm going crazy,
For you,
For you.

Scuffed black plastic furniture,
Walls painted fresh white.
I know I shouldn't kiss you,
But I think that I might try.
Thoughts flutter around my head,
A kind of constant fright.
I hope that you won't find this out,
You won't turn on the light.

I think I'm going crazy,
For you,
For you.

Before I will shut my eyes,
There's one thing that comes first.
I pray that I can just go back,
To put it in reverse.
You know, she seems alright,
And I guess I shouldn't hate her,
But she's the freshly painted wall,
And I'm the faded paper.
Kiernan Norman Nov 2013
He was born defeated.
For eight months he sat at the delta to the world,
stargazing in amniotic fluid.
Sharing oxygen with another passing,
it back and forth like a gas mask in a chemical war.
how familiar he would become with the chemical war.
he did not propel into life the way everyone expected,
like the first, iron soldier to  dive
from a helicopter into the bush; all displaced rage
and camo flags waving behind him.
he was made to wait. made to drown just a little bit.
made to appear to the world a little blue.
no gas mask this time. just some weak lungs
and a bald head. not raven-dark and tumultuous like his six-minute predecessor,
but quiet, sullen and sentenced to a week in an incubator;
teaching him how to be alive.
maybe that was the first time he got mad. he more or less stayed mad for 17 years.
Found comfort in Peter Pan, a boy with no future- no past,
and juiced up men performing soap operas for a living;
sweating on their audience and quick to blow
a folding chair in to the enemies face.
The same pit-stomach drop of a terrible math grade,
And of realizing an idea if terrible halfway through completion-
Dazed at on knees at3am, half of the bedroom carpet ripped out
With a carving knife.
He beat up his other, left her trembling behind doors that didn't lock for years.
Full weight pressed against cheap wood, hoping this time it wouldn't open,
and leaving in the wake a girl-child, of 20 years-
terrified of testosterone and emotions.
There was the comfort in war movies; men with purpose, and the quirky
anime of a culture not his own.
Darker pagan books dotted pubescence. They sat like coffee mugs
filled with sludgy water, a place to dip paintbrushes in when it was time to start over.
Drugs come in folds. dealt like cards over the years- grappling for anything.
Their names ring out first like a memoir, then like a psych ward.
He would probably snort dirt if an escape from hardwood floored, leave spun
world in which he lived.
the place where dead batteries rolled around in for years in drawers and
tape never came off of wallpaper.
and the other one- the one who cut him off and turned
him blue at the very beginning; she's frozen too.
she stumbles through cities and ghettos and ancient worlds,
hoping to find something, anything that gives her a purpose.
Back to strong wind on 6th Avenue between classes,
Eyes sting and water against it but comforted by the smell of snow and
Bus exhaust. In that moment doing a good job. Being a trooper.
Swiping IDs that show a real, accounted for person underneath
The Goodwill feather-down coat and expensive Arabic textbook,
But in the quiet hours still grasping at straws,
at braids that don't quite work and flowers tangled
in hair that won't quite stay in place.
Singing with a voice a little too novice,
too rough. Looking dumb in sunglasses and boots.
She starts and quits things a lot.
gets exhausted. predisposed for enormous depression.
greek-tragady like.
****-yourself-to-spare-the-gods-your-being like.
finds glimpses of life in things, mainly when submerged in a daze of not-getting carded and  incense. Hair falls over pages of books, hanging one handed on an R to Queens,
or collecting cigarette butts from the side of the road
in the prairies of Dakota-land, helping kids collect enough tobacco
for their drunk fathers and zombie mothers to roll and smoke for the night.
She’s turning around in circles in grocery stores
Picking up food-stamp broccoli and sliced cheese in Harlem,
Going everywhere with sleep in her eyes and
wondering how others manage to exist.
but who is a killer from the start supposed to be?
That day did scare me
I think I was about aged five
that day daddy struck you to the ground
right in front of me

It was imprinted into me
that terrible sight
dad and you had a fight
because he had been gambling all night

I felt helpless and frightened
so I focused on the background
this is why I remember
the blue flowered wallpaper

By Christos Andreas Kourtis aka NeonSolaris
Breon Oct 2018
All we want to hear about is love and
               Madness, wounds left in the mind
                              Where what's taken for granted
Was ripped out and scattered, just ash.
               Maybe just madness, then. Addicts
                              Left shaking their cupped hands
Trembling out aching, quaking desire
               Where stillness arrives with a kiss,
                              Where confession pours crimson,
A ****** of claret. Spilled into a glass,
               Sloshed across a tongue, breathing
                              Bitter, barren, dry - washed down
With another glass, until the flavor stains
               Teeth and tongue and lips. We are
                              What we drink: water and blood.
We are what we love: madness, confession.
               Does a ****** see in their subjects
                              The viscid revel of their own scars?
Claire Waters Aug 2013
so i sit here
with a hole in my foot
with a hole in my head
with a hole in this book
with the hole in her eyes
when she gave me that look
with the hole in my face
when i saw what he took
the hole in my heart
i still don't know the crook
paper is just too easy to tear
and you think i'm easy
when you see i've been shook
i think i need a hook

now there's a hole in my stomach
and it's feeling tight and queezy as she ties
me up in knots of my poor esophagus
her knuckles white from squeezing
i breathing like a snake trying to shed
the desert sun is hot so
please lift this mask up off my head
i try to offer a white flag
but she kills me instead
cause she doesn't like the things
that she can't understand

and so she holds her fists like
they have holes in them
holds me like there are holes in me
cavities of ample opportunity
for punishment and further tearing, no tears,
none of this teething willful jeer
i'll split and rewire, i don't need old fears

i am only tired at best
the pieces did not defy gravity
they fell right out of my ****** chest
but landing is a skill you see
tear me apart for free and be my guest
ripping down the wallpaper
wrestling with the messes of stresses
no one will unremember
looking for the emotions
you desperately want to render
but while i'm still soft
i'm no longer tender
so remember when you enter that
no matter what the temper of the sender
or persuasion of the vendor
i will not surrender
to all these social mind benders

there is a hole in my flag
my blood is an involuntary badge
no more flags, white stains
too easily
Sarah Wilson Jan 2010
They are strangers now, separated by their worlds and walls.
There is no chemistry, no spark, nothing special.
They are simply strangers, sharing a couch.

One is autumn, one is spring;
one likes talking, and the other? Listening.

If walls could talk, they’d weave a tale so tragic.

In the beginning, he was sun, and she was moon.
At the ending, she was running, but he was leaving.

In the beginning, there are many things.
There is music, and laughter, and broken strings.
They have cooperation, and commitment, and promises.
Her mom gives them glasses, his mom gives them dishes.
She has her charcoals, he has his guitar.

At the ending, close to the ending-
There is his guitar, her laughter, they’ve broken things.
And that is all that is left.

Promises and glasses, dishes and hearts.
A year of trying and losing is written on the walls;
the wallpaper- peeling, the curtains- ripping.

He clears his throat, she stills- hoping.
“I’m sorry,” she hears, and it’s okay.
“I’m sorry,” she hears, “that it’s ended this way.”

I’m sorry, she hears. I’m sorry, that it’s ended this way.
I’m sorry, she hears. That it’s ended this way.

“It’s ended this way?”
“I’m ending it this way.”
Yael Zivan Nov 2014
Constricted in the tiny ***.
this plant has lost it’s will to grow
The lightness fades inside the room
the curtain shades the greenish brown
I forgot that i was more,
than this room. this house, this place

I forgot how to transplant.
I forgot how to grow

Don’t let me wither.
Don’t abandon me in the cold.

How can i survive this potted life,
this winter,

It was easy to love me when the spring was here, and i was bright and full of wonder.
I could fill a room with bright vernal sweetness.
And then i began to blend into the wallpaper.
a perfect little wallflower.
Tendrils constrict,
and branches droop.
flowers swept away,
and bark begotten by dust and moth

Who will inherit me?
Or perhaps just an empty ***.
your container, your arc, your tiny vessel, your cage and prison, is all a mind palace, where doors lead nowhere and i cannot become better. How will i be good enough when lost in a maze of loathing and indolence.
J Arturo Dec 2017
A little bird tried to fly through the screen door and I thought, 'if only there were more air up here'.

The view from the second story deck encompassed miles of low scrub hills, piñon, and was daily growing less hazy as the fires subsided. The little bird was dead. Was not even twitching or rolling or whatever idiot birds do to fight or hold onto life. Or maybe it was unconscious. If it was a head impact, it could just be out cold. I could take it in for a bit, see if it revives. But the brains of birds are very small... maybe not large enough to switch out of consciousness without damaging the whole system. It could wake up brain damaged: amnesic, whistling gibberish, unable to collaborate or co-worm-locate or sit on eggs or whatever other higher functions birds perform. Angry, all the time. Likely a burden and a danger to the community. Condemned to either death or a life of lonely suffering. I'd rather not be culpable for that.

Prospective buyers are arriving at four, the realtor as well, for a tour, so I grabbed a broom and swept the quiet body into the shaggy juniper that surrounded the house. Swept up with maple leaves that had settled on the porch since this time yesterday, together a mass of decomposing matter, under the railing and into the dark.

I'd spent a lot of time alone in the house on Grand. Watched nature slowly creep through the iron fence and into the faux-pond, up under the patio bricks, purple flowered and needley plants growing taller and more hostile daily. Increasing numbers of little brown birds mistaking the reflected sunset in the plate glass doors for real sky.

"If only there were more air up here." A little joke I repeat out loud while sweeping broken bodies into shrubs. The thickest places, where they wouldn’t be seen when (if) someone ever dropped by to view the house.


I don't live here, the house is soon to be foreclosed. But a friend of mine knew I needed a place to stay and offered this, his third home, empty of everything except a coffee maker, some landscaping tools, a few boxes that had yet to be moved. I have a twin sized mattress in what must have been a child's room: a strip of Denver Broncos wallpaper runs the circumference, every other surface painted complimentary blue.


The couple arrived at five. She wears a salmon coloured shawl over a white blouse. They’re performing the theatric act of young couples in love (with the idea of a larger house): she ecstatic over the seven jets in the master Jacuzzi tub, he hesitant about the people-paths in the wall-to-wall-carpet, the everpresent pastels we know were once in vogue but will take weeks and at least two layers of base to fully eradicate. It’s the realtor’s job to showcase the place but I often stand outside the plate glass windows of the living room, keeping an eye. Playing the role of groundskeeper because hitchhiker is so much less glorious.

So far it’s been the same. Always she with a genuine smile that will be gone forty minutes after she’s left the driveway. He, always in t-shirt and “trying to be casual” jacket calculating the square footage of each room, the viability of the fireplace. Opening cabinets, but not concerned with storage space. He wants to see if the brass hinges really have brass pins. Is it wood, linoleum? Look closely at his eyes and watch them dance across a virtual blackboard, adding up the gallons of primer and paint needed to cover up the colour mistakes of a before-his-decade.

  2

You can almost watch his eyes dart across the blackboard. A house is a house but the home must be shredded, burned, before making it yours.


But they all do this. A dozen or so now, this summer. And I spend a lot of time alone. Injecting my thoughts into people who think they know what they need next, before getting in a small car and checking out a properly closer to town. Making little jokes to myself as I sweep the porch. The isolation even maybe altering small parts of my self. The social parts, perhaps. I feel good, most days, but find myself repeating the same phrases: “****. Shower. Shave”, “If only there were more air up here.”, “I could learn to love a leopard”, even recently a little Old Testament, which like a ******* I’ve been taking to bed with increasing frequency and a growing selfish guilt, repeating,

“As the sun was setting, Abram fell into a deep sleep, and a thick and dreadful darkness came over him.”


They won’t be back, but for the first time now there’s a deer in the yard. Meaning there must be a hole in the fence. A doe, and fawn too, and I can sit and stare with my broom in hand because my job is to sweep the deck. Dead birds and maybe rats, leaves of course, but with all the water the bank is wasting on this waste of a lawn, come deer: come all ye deer, come and eat. Maybe you will even eat the frighteningly thistly things. Regardless, in exchange for this room I was given a broom and deer are far too large to sweep.



When my student visa expired in Canada I left the country with no identification, five Canadian dollars, a five litre backpack mostly occupied by a camera, and in my mind some distillation of the romanticism from On The Road that I’d managed to power-read in a Heathrow bookstore four years before (lacking the pounds to actually purchase the book). I crossed the border via ferry, and entered the country without identification. I thought this was impossible but it turns out that when you have no time but your whole future ahead of you, and nowhere to get to anyway, insisting “I am a U.S. citizen and you need to let me into this country” does in fact work, if you repeat it enough, and are willing to wait. In my case border patrol even gave me a twenty note and a pat on the back before sending me on my way.


How I ended up sitting on the floor watching birds die, backlit by a desert sunset, in the mountains of New Mexico, is a long story, and to be honest the details have largely escaped me. I do remember I was reading Hemingway. “The Innocents Abroad”, and trying to find myself in any character I could lay my hand on. The word “Innocent” in the title, I suppose, far moreso any actual character, struck the most.


It’s the middle of The Great Recession. Or The Great Depression. The Great Compression. I can’t remember any longer which economic period this particular episode occupied (why can’t they name them more sensibly, like hurricanes?) Call it, then, The Great Introspection, as I narrated myself through the dozen rooms of a million-dollar house: the material self still alive and thriving inside in a self-congratulatory spiral over the personal ROI that left Canada on five dollars and put me, rent free, in a home worth that multiplied 200,000 times. The home where I first had my own key. The home where I learned to drink a glass of water before my morning coffee.

(Five years and $98,000 in college expenses later that was, easily, the best advice I’ve ever received.)


Eventually the phone was disconnected, the water, the power. The jacuzzi, though dry, was still a good place to lie and read. And the piñon and snakes, cacti and juniper, then inklings of pine trees came in steadily. When you would look at them they would freeze. But every morning something new was growing, some new pink flower popped up promisingly to crack the mortar in front of the door. Sweetly at first, then growing thorns, and I walking the perimeters saying “if only there were more air out here”, saying, “can not feel her anymore”, as if the decadent madness of the lawn could be silenced by speaking out loud. Trying to walk the edge of the fence, increasingly losing it in the encroaching bush, then resigning myself to the living room, the **** carpet flattening into a forest path while I impressed miles into that offensive floor.



words. seeds. thistles. marvin morales.


Sleeping on that filthy mattress, the Denver Broncos looking down, still optimistic about their upcoming trophy, or cup. Whatever it was that a bunch of cartoon horses could win. But the sweeping gave me solace, even though the growing thistles made the bricks uneven and caught in the bristles of the broom, leaving little shards of transplanted pink flowers emedded in the yellow polyethylene. I loathed them, but looking back I can see I played straight into their plan. Transplanting little seeds to new weak places in the cement, where they could grow tall again and **** up what little good was left of the land. Bring deer to eat them. Bring little idiot birds to pick the seeds out of the faeces, recycling with pure intent, and flying off into the bright light of sunset. Then crashing broken to the floor.

And like the lawn, like the porch, like what happens when you read Twain, something in me changed. “If only there were more air”, yes, but there is never enough air. Piling up among the deer, among the doe, among my now all-consuming pacing and talking to ghosts who don’t live here anymore, among the many birds who ate their worms and went on to hatch a dozen more, flew into a plate glass sunset, and were ignored.
9/22/2014
Terry Collett Apr 2013
Saturday
shop busy
you with Dylan Thomas’s
Deaths & Entrances

poetry book  
tucked in
your inside pocket
of your brown jacket

Miss Croft
Saturday girl
dark hair
ponytailed

swaying
her tight ***
in her short skirt
up and down

the shop aisle
Duff the manager
bespectacled
with curly mass

of dark hair
standing there
cigarette in mouth
conversing

with a customer and wife
about which paint
went best
with what wallpaper

giving the dame
the eye
giving the charm
you tanked up

(you worked better
that way)
with some old couple
wanting curtains

to match
the wallpaper choice
the blue flowers
the pattern

the old guy gazing
at the Croft girl
the way
she wiggled her ***

her la-de-da tones
her bright eyed
expression
then she talked

to friends from college
more friends
than Trotsky
had enemies

standing there
hands on hips
tight tee shirt
small ****

and can you order this
in a light blue
the old dame asked
the blue here’s

too dark
the old guy nodded
his head turned
eyes on his wife’s

profile
sure sure
you said
controlling the slur

the beer taking hold
the old dame
seemed pleased
her husband gave

the Croft girl
another secret gaze
her tight *** moving
side to side

as she walked
the aisle
her friends departed
you watched her

with her bourgeoisie
life and ways
her small tight body
wrapped

like a dream
and the sale complete
the old couple
went away

through the business
of wallpaper
and paint
all of a Saturday.
Carly Salzberg Sep 2010
You don’t understand,
At first it was a compromise I had to accept,
The sulfur-ridden stench that blazed my nostrils
And made me seek a foreign tongue.
They do not think I worked
But I did.
I washed the pains that clenched at
My existence.
I refused to ignore that foul pulpous print.
Lured did it!
Lured me to utmost perfection.
Then John became but a stone
In lurking shadows completely unseen.
I revealed me to myself
And hands were not shaken, that was not custom.
Into the circle of my life
One revelation proved its superiority,
And now its comfort has deserted me.
Take me back
Take me back
Wrap me in your shredded parcels of paper-tainted glory
Tinge me with indecencies. I fear no guilt.
I want to see my better half sing
And dance between lines and smudges that thwart
Into perception,
To suspend the hour.
Being.
Doing.
Without Needing
To be
There is no sanctuary here
I lie in a familiar position now
The attic floor cools my flushed face
Pinching nerves cultivate essence
My hands clench a tight fist
My knuckles…
They bleed yellow.
Joseph S C Pope Apr 2013
By the sight of engine blocks
      melted on the frays of mocking birds--the city is mohawked      

          and the large intestine of  betrayed Alice is a flintlock             in the early morning
                  --carnal ***** flooded with music and chardonnay
                                     bruised by the fiery sort haunting the genius drawing
              of       humor--a tumor of gunpowder and splattered cardinals.

                                       We have no kings--just kids
--no queens, just compensation--

                                         and on the hood of a 1969 Chevy Impala
with the American Jolly Roger ablaze
                                         like that of a tick in the sun--wanting Alice carves
                   the cheeks from Skippy's black wound-up drool toy--in his mouth
                                        is the last word to make deities cry sentient lives

          and now you see it, the glint, the ball, the powder, and the breezeway windows
                             carved in the gum line of his mouth in reverse,
                                                        ­            and how she whispers, "Impress me."
Henry Brooke Jun 2014
Absence of imagination,
the End of independent thought.
Cities reek of corruption, ******
and the greatest of sins.
They raise and **** in
by the millions
yet onlysome men
seem to win.

Glorious eyes
of curve-free posters
used as wallpaper
for the cleanest streets.
Looking up
to their Father
all good citizens
try to weep
the plain and empty tears
the Party demands
them sheep.

Maybe it will soon end,
but I'm never able to trust us men;
maybe weeks will tell,
but I still can't seem to hear a bell

Inside the people's empty homes,
Fathers, sons left alone.
Big Brother dominates,
he commands,
a billion voices
in one hand.

Behind the money lies the pain,
into fields fall the rain.
With empty pockets
walk the road
a thousand stories
left untold.

Blood can be found on every street,
death and life here meet.
  

Maybe it'll someday end,
but I'm never able to trust us men,
maybe years will tell;
but I still can't seem to hear a bell.

A hungry stomach calls for meat,
rotting, green, foul or sweet.
Rank food from the kitchens,
will be served,
millions of peoples
have reserved.

Between the alleys at the mass
the cross’s shadow isn't cast.
Those booklets burn easy,
use them well,
let vain ideas
fry in hell.

Maybe it's will oneday end,
but I'm never able trust us men.
maybe our grandhildren
shall one day know,
Their grandeparents wept
but did not
sow.
It's about freedom, or rather the abscence of it.
authentic May 2015
I was a canvas, the side of a building, a vacant bedroom wall in a new house
Love painted over me
Each kiss, red
Each smile, yellow
Each fight, dark blue
Every look, green
Every touch, mix colors, purple
Swirling in constellations for astronomers to decipher one day
Splashing on flaming sunsets for children to gaze at all of its glory
Sketching trees for lovers to carve their initials in under its shade
I was the sky beyond the clouds, I was the ground beyond the soil
I had it all when you held the paintbrush
I have never known someone to love me like this
And now that it is over
I am having a hard time
Putting up this new wallpaper
Margot Dylan Jul 2014
Dearest Reader,


My name is Margot Dylan, and I'm a pariah.

On the 16th of April, I told my mother that I was gay. She threw the clay mug that I made for her before she found out I was gay, against the floral, peeling wallpaper mess of a wall, in our kitchen. The decaffeinated peppermint green tea left a wonderful aroma that almost cleansed the room of the stench of 'lesbian'.

I met Dylan Dunham a few days after that, and, a few days later, she was the first girl that I ever loved.

Dylan wore a red flannel jacket, and was a butch and sometimes a *****-but I loved her even at her tomboy cruelest.

Dylan smoked a cigarette that smelled like lonerism, and she looked at me like she didn't care. My heart skipped a beat, as cliche as it sounds, whenever she would remove the cigarette from her mouth, exhale, and look at me as smoke traveled up her face. I looked at her and knew that she was everything that I wasn't, and everything that I wanted.

Dylan was Dianne, before and after school. Dylan was Dianne, who wore floral dresses and lipstick and who ditched her butch clothing in her locker before leaving. Dylan was Dianne, who was straight and who thought Tyler Wesson, from church, was cute. Dylan was Dianne, who had a short hair cut because of track and field, because she explained that she ran a faster time with less hair. Dylan was Dianne, who didn't associate with me before or after school because her parents knew that I was gay.

During school hours, the only thing Dylan did keep from Dianne was the lipstick. I was envious of the cigarette because of it's burgundy stains. We would stand in a stall, as she looked across from me, after each drag. She frequently offered her cigarettes, but I refused because I only let love **** me. If she ever brought alcohol, sometimes she'd kiss me. I told her that I loved her and she said, "I know."

The only thing that Dylan kept from me was my heart, before she started to smoke cigarettes in the bathroom with Annie Way.


I wish you the best moments so they can overcome the worst,

Margot Dylan
Mateuš Conrad Mar 2018
i'm still looking for the ****** word,
   no matter how many words you know,
however scientific, or however philosophical,
there seems to be no point
when technical terms come into play...
  all i have is skirting,
   but what i'm referring to isn't skirting...
         it's rather old fashioned,
   so i guess the misnomer guise will have
to do... "skirting" running along
the upper tier of the wall...
                  i.e. it's thinner than skirting,
   it's wood,
                     but it segregates about
an 8th of the whole wall, meaning the top
sits an 8th's length down from the ceiling,
before the wall starts...
                     or rather... wallpaper is so 1970s...
but people can't part with it...
                 so they leave one landscape wall
for a bit of wallpaper, the rest is painted,
pale of a desired colour,
       in this instance? an albino-lime...
                      i still had to remove this out-dated
skirting on the wall, i know there's
another name for it...
                        hence the clean incissions on
the ******...
                        a mini hammer and a...
ha! dado rail! yeah, had to remove a piece of
dado rail to allow a complete wall ready for
the application of a wallpaper...
                   some fluor the lis imitation,
gilded in gold, on a pale arctic...
                           but obviously removing
     a dado rail implies roughage,
      so?
                 the need to apply gypsum
to smooth out the holes...
                            and they do say not to make
the mixture too watery,
   what they don't say is that if you at least
make the mixture of gypsum and cold
water, watery, the mixture soon solidifies anyway...
so you wait a bit...
                       and: **** spreads onto a wall
like warm butter...
             obviously you end the whole
filling of "teeth" of a wall
                   with a wet brush...
                      the edges of the wallpaper?
   smeared heavily with wallpaper glue...
   but you wait for the glue to sink into the paper,
you don't exactly smear the paper with
glue, and the wall just ever so slightly
and immediately put it on... you wait for
some sort of digestion to take place...
              radiators?
                    i don't care how perfect your
paintbrush skills are: you always need
two coats...
                  you wait for the first coat to dry,
before applying the second coat...
         and yes, painting walls also takes two
coats,
    esp. when you decorated in the late
hours, and upon waking the next day
you find the old colour looking through...
             god the modern furniture
                           schematic...
   they think they can hide the screws...
                apparently it takes two types of
screws to hold a coffee table leg to the torso...
         imagine buying new furniture,
unable to sell it, having to stash it in the attic...
        20+ kilograms of wood had to be lifted...
    via a 68 x 67cm entry point...
                             with the table,
reduced to a two legged horse
                  coming in at roughly 70cm...
         and the ****** fit through the hole...
while waiting in the attic with a folded
ladder i started rummaging...
   dare you believe, that up there,
   among the clutter,
            i found: THE FIRST EDITION
   of gilbert adair's
               peter pan and the only children?!
e. p. dutton printing...
           1988!
                    copyright? 1987...
              the credits end with:
                              first, american, edition.
well, that's the attic...
     down below in the newly decorated room
we have an abstract flint drawing of
a cut-through...
         and sketches of Haifa
    circa 1954 - 1961...
      by none other than:
                 (apologies if i write this name wrong,
i'm working from something that was
handwritten, translated into pixel):

               בץאיד        
                                שהדי‬

because, seriously:
                                    ן‬ךף‬
(i.e. from looking up - nun,
    to looking ahead - kaf,
  to looking humbled, inward - p'eh) -

12 sketches of Haifa...
              and a tower with a scimitar moon
on top, which probably doesn't exist anymore...

if i could only remember that
****** name...

              in my wallet? a 10 złoty banknote
with Mieszko I on it...
           the first historical Piast...
    
        once they mentioned
              jagiełło to be the face of
        the 100 złoty banknote,
  and that 200 złoty belonged to
   zygmut stary...
     the 500 złoty banknote?
  well... if jan sobieski didn't make
it this far... he sure as **** was
going to be the face on that bank...
      
      not to mention my new favourite
poet, obviously he's dead,
          e. e. cummings...
   shame, shame that bukowski ate all
this time...
                  i should have been there
were the real action was...
                  coming along with
genuine orthography, rigid,
             structured...
      not this pish-poor attempt at
orthography,
           in a language that has no basis
for orthography,
           have ***** ιota into owning
a levitating head...
                       with only two entry points
into the study of orthography,
via / within english, based upon
the **** of ι & ȷ - what's the problem
in das capital?
                 I might add,
                      Joe would too...
                              as little tau already knew,
as little kappa added:
                    shrinking in proportion
to their big brothers: κettle brew on τop
                                         of the world...
now we can play.
Ann Beaver Mar 2018
Lurk against the wall
Stunning rose wallpaper
Have things explained
Look around for an exit
Stairs somehow too far away
And not that subtle
What is it that you can say?
Describe exactly the difference between two shades of gray
Or exactly what it’s like to see the floor disappear
To disappear yourself
To know absence as violent
These things have no words
So you are silent
Sprkinthedrk Jul 2017
Sometimes you want to scream and tear the wallpaper off the walls but the walls are too thin so you know someone will hear you and they also aren't covered in wallpaper for you to tear off only to probably regret later
Rapunzoll Nov 2015
homewrecker,
you lived within every
callous and dimple,
invading my space
like dust between
my fingertips

your skin like wallpaper,
faded and worn,
pulled taunt along
these walls.

your thoughts
a constant thumping
of footsteps along
the floorboards

homewrecker,
from you i learnt
gunshots sound
a lot like a key
turning in a lock

it's because of you
i cannot look at
these walls, without
seeing the shadow
of a fist reflected
by the light

homewrecker,
the rooms are vacant,
the air stilled,
the hallways scream
and close in at night.

homewrecker,
i used to be an open house
but now because of you
i shut the doors
(i shut the doors)
© copyright
Joseph Schneider Jul 2014
Miguel is a boy of mystery. His whole life has been a disturbing whirlpool of broken memories. His home's a train wreck, his family has vanished, his life lays in waist... Since the day Miguel was born, its gone unseen by no one of his sinister and baneful behavior. Miguel's own family could not bare the sight of him. By the age of 9 he had been put up for adoption several times. Along with scaring away any hope of accumulating a friend. Even neighbors felt the need to move through pure gut feeling something wasn't right with this young boy...but why?

   Well, the answer lives with a man named Michael. Michael was Miguel's Father. Michael lived a life searching that in which we all seek, riches, the big house, the life of a celebrity. Given the mere fact Michael was simply a fry cook, his dreams looked distant and impossible to achieve. That being said he was ready for a change, no matter the circumstances... One day, Michael was walking home from work when he stumbled across a woman in the doorway to an abandoned building. Not any ordinary woman, a beautiful woman. Her beauty wasn't like anything he had ever seen before. Her cheeks blushed, her voice could sooth a giant, and her eyes glimmered through the moonlight. Covered head to toe in jewels, in Cashmere, in Prada... The woman without hesitation snatches the attention of Michael. Her voice so soothing, so soft spoken, it's hard to feel anywhere else but in your own paradise simply being in her presence. 
   "Michael..." The woman whispers. 
   "Michael...Follow me." She says.
Michael so drawn to her beauty he obeys without the smallest of responses. Walking through the doorway into the abandoned building still manipulated by her beauty she brings him to a room. This room seems to have been abandoned for years. Torn wallpaper, carpet stripped leaving nothing but broken concrete. Although sitting in the center of the room sits a table and two chairs. 
   "Sit." The woman Says with authority. 
The man obeys taking into consideration this new tone of voice. She sits as well, directly in front of him. 
   "I, know you Michael." She says with a smile. 
   "I've been following you for some time." She continues.
Michael sitting in confusion he remains silent. 
   "Speak not if you must, It's only postponing your destiny Michael." She finishes with another smile. 
   "My, my destiny?" The man asks. 
She continues to smile gazing her beautiful eyes into his for a few moments. 
   "Yes my love. Your destiny. I have arranged something for you that you cannot pass up." 
Michael's life has him in such a deep depression he cant fathom on passing up the words of what seems like an angel. 
   "What do you have in mind?" He quickly Replies. 
   "Simple, whatever you want my love." She Replies. 
Michael Sits in silent for a second Not really understanding what is being presented to him. Although at this time he comes to terms he doesn't care, change is change. 
   "I accept anything you have to offer, beautiful." He replies with confidence. 
   "You, will live from this day forward wealthy. I can supply you with a house and enough money to live comfortably for the rest of your days." She offers. 
   "Is it that easy?" He asks  
   "No, you must in return Inflict my religious beliefs into your first born child." She says. 
Michael, not really sure what that means, accepts her deal, for she seems like an angel of the sky. Well, as for Michael he lives his life as planned, Wealthy, happy, Full of adventure. He even finds himself an amazing girl who he falls in love with. They even get married. Now, however, things get more difficult.

   They find out together they are having a baby boy. Yes, the greatest gift to any man or woman they think is about to happen to them. Michael's wife having no difficulties through the pregnancy goes into labor. After 6 hours of labor Miguel is born. He is healthy as can be. Miguel's mother on the other hand has surprisingly gone into shock. Hemorrhaging Viciously in her brain. She is quickly put into emergency surgery. With her life in danger they begin to operate. She, does not live to see another day. After doing an exam on her body trying to solve what caused her to hemorrhage, they find something very odd. During the birth of Miguel she suffered three broken vertebrates, and her ****** had been severed. Not being able to explain the cause, life goes on. Michael is devastated at the loss of his wife. The visions of raising a baby boy together have been wrecked. As devastating as it was Michael was forced to accept it and continue on, raising Miguel on his own. It wasn't much after Miguel's birth that Michael really started to realize something wasn't right.

   Miguel had no emotions. Although medically they could not find a single thing wrong with him, he still remained motionless. His eyes seemed as a portal to oblivion. No smiles, laughs, or anything. Once again as odd as this was Michael was forced to persevere on his mission to raise Miguel on his own. Until Miguel learned to walk. Once this happened Michael started to get overwhelmed. As his Miguel was a walking nightmare. Miguel had killed three of their animals within a months time. Things were looking to get out of hand. No matter how much Michael tried to discipline him, Miguel did not listen. Michael couldn't get a babysitter to watch him for any longer then a few minutes without scaring them off. The babysitters would leave startled, leaving Michael with responses such as "He won't stop staring at me" or "when he is around me the hair on my neck stands up." Miguel had become such an outrage Michael lost custody of him just two days after his third birthday. Miguel had driven His father to the point of insanity. Michael tried to suffocate Miguel and end this misery once and for all, but he could not. Miguel had grown too strong even by age three.  Everyone hated Michael for it and Miguel was taken from him leaving Michael now in prison. Michael at that point realized that woman was not an angel, but the devil in disguise, soon after he committed suicide. What others don't know is Michael knew something they didn't. Something so evil, so sinister, that it would ruin many more lives to come. More and more the people started to realize something wasn't right. He bounced from home to home, leaving every home in complete disarray. He was the talk of the town. He was referred to as the "Devil's Child" or "Miguel From Hell."

   The city was angered by the boys effect in the community and knew something had to be done. The council knew the boy had to be murdered. If only this same council would have seen it as Michael did, when he did. Things would of never gone so far south. However the town started planning in the dark for their attack. They didn't want the boy to catch any wind of this whatsoever. So one night as he was asleep in his foster bed the city made the building evacuate, quietly. All but Miguel had evacuated the building and at this time they said their prayers and begun. Six men volunteered, to enter the building. Holding rope, gasoline, and faith. They grab the boy holding him down on the bed tying him up. The boy begun to rage, but he wasn't quit strong enough to escape the six men. After tying him up and leaving him inside they lit all four corners of the building at the same time. Watching it burn to the ground. Once they thought it was finally over, the body was never found...

-Joseph B Schneider
© Joseph B Schneider. All rights reserved

Short story.
The Devil won't approach you in his form. He will approach you with what you love.
Erika Castaldo Dec 2015
i am the Ripped Wallpaper.
i am the Dusty Boxes in the attic.
i am the Toys thrown carelessly into the back of the closet.

I am Irrelevant.

i am the Holiday Decorations,
taken out only when needed.
i am the horribly Ugly Dress,
worn only when your mother makes you.
i am the Book that you Hate
but are forced to read for a grade.

i am only Relevant when you Choose.

but ripped wallpaper can be Fixed,
dust can be Swept Off
and toys can be Rediscovered.
Shae Sun James May 2010
listen to the empty room
hear the pained whispers
they are deep in the walls
in the patterned paper

the coldness of the air
is the coldness of their breath
this is what it feels like
to have nothing left

the creaks in the floor
are the aches in their bones
pain caused from
years of feeling alone

the color of their hearts
is the same as the grass
green with envy
and a jealous past
© SSJ 2010.
A seventies child
Born in Wales, one of the four
Countries of The UK.

I remember brown as the colour
of the day.
Fabric embossed wallpaper
all the neighbours names, who married who,
who was carrying on, the alcoholic, the beaten wives,
Even, get this the peadophiles (or kiddy fiddlers as was known)
Dai the milk, Mair the bread, the shop of infinite items.

Rugby practice for dad, baking for mam
(Cake and babies) gossip over the garden hedge
Fish on a Friday a Sunday roast, hot sweet tea.
Bubble and squeak, post delivered before you
left for school. Mist on the mountain, dew on the grass.

Welsh valley life, sounds idyllic
but scratch the surface and a darker colour
than brown emerges. Petty squablings leading to
familial feuds, the Williamses don't get on with
the Joneses, and as for the Pritchards, less said the better.

School, local, no not for me. I was sent to a Welsh
School, taught and learnt the language denied to my
Parents by English politics. Cat amongst the pigeons there.
Did I think I was special? Ideas above her station. That's what
the neighbours say.

Well, you all had the option.
Dr Forbes FRCS
Delivered babies buried men and women
Loved by all, especially his lollipop sweets.

I wasn't a child to get *****, or rip wrapping paper
off of gifts, I liked to go under the stairs (like Harry Potter)
and read. I left the dirt for my sister born 4 years later.
Then in 1982 came my brother, tidy my mother describes it.
'74,'78,'82 poor dad to have to wait I say!

More pubs than chapels, more walking than driving
more rain than sun, more music than ever was sung.
The '80's came, and we had strikes, no electric, candles
toast made with a toasting fork over the fire.
No mines, no steel, no jobs.

Picket lines, dole queues, women in work
latchkey kids, Thatcherism, ******* times.
Falklands war, IRA bombs, Royal weddings
Tory rule

But, the fire in the dragon never went out
and Tom Jones still sings his heart out.
Cymru cysglyd gwlad y gân, deffrwch
nawr, dyma'ch tro.
© JLB
Cymru cysglyd gwlad y gân, deffrwch
nawr, dyma'ch tro
Translation: tired Wales land of song, wake now, it's your time.
Eleni Jun 2017
Friday- the most promising day of all.
The beginning of the weekend, but the one day that will spark appall.

Down on Mainstreet all the girls
In their fringed dresses, pouting their foxy lips and their hair waving in short messes.

The hags frown as the winged ladies pass by- displaying their carriages a little sly.

Oh, but Jane's favourite speakeasy was 'The Back Room' down on Norfolk Street: the place where the lost creatures meet.

Tin ceilings, velvet wallpaper, plush thrones and back in that dark corner, there is the sound of low moans.

'A whiskey, neat, please' as a shadow in a tuxedo walked towards her and he whispered 'Hi,' in a sensual purr.

'Who are you?' he stirred,
'Oh, I'm Miss Doe' and he lept into the stool with a swift flow.

And the jazz trumpets married the spontaneous harmonies and the saxophone created sublime melodies.

So they sat as idle as ghouls in the dim spotlights, until Jane asked Mr Buck:

'D'you fight in the war?' And he whined 'Cambrai, Amiens and Lys' - his lips seemed a little sore.

'I'm sorry - do I know you?' His face looked as familiar as Jay to Nick. A brief pause in time at that smile.

That was the final chord to the "lick".
He drove her down to Roslyn- to his replica of Versailles and Jane looked intensely shy.

'Oh, do come in,' the desperado soughed. And she walked into the gilded palace which Cupid's presence bowed.

'I have a favour to ask of you, Miss Doe. Would you be as kind to wash away my woe?'

And as they congressed under diamond chandeliers, his comrades gathered around the bed in amorphous silhouettes; watching disgustedly.

As for Mr Buck he was an alien, skin-to-skin with a haunted beauty and Miss Doe- a labourer on duty.
A story based on the aftermath of the First World War, the birth of a "lost generation" and the excess of the 1920s.

1 'Miss Doe...Mr Buck' referring to a mature female of mammals of which the male is called 'buck'. This further adds to the animalistic imagery of their encounter.

2 'Cambrai, Amiens and Lys' battles of the First World War which the United States was comprised of the allied effort.

3 'Jay to Nick... that smile' an allusion of 'The Great Gatsby' when Gatsby and Nick meet for the first time at one of his lavish parties. Nick romanticises Gatsby's understanding smile.

4 'Lick' a jazz term for a repeating pattern or phrase in music.

5 'Replica of Versailles' a regal palace in France in this poem representing the wealthy individuals of 1920s America in New York.

— The End —