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It is a beauteous evening, calm and free,
The holy time is quiet as a Nun
Breathless with adoration; the broad sun
Is sinking down in its tranquility;
The gentleness of heaven broods o’er the Sea;
Listen! the mighty Being is awake,
And doth with his eternal motion make
A sound like thunder—everlastingly.
Dear child! dear Girl! that walkest with me here,
If thou appear untouched by solemn thought,
Thy nature is not therefore less divine:
Thou liest in Abraham’s ***** all the year;
And worshipp’st at the Temple’s inner shrine,
God being with thee when we know it not.
It is a beauteous evening, calm and free,
  The holy time is quiet as a Nun
  Breathless with adoration; the broad sun
Is sinking down in its tranquillity;
The gentleness of heaven broods o’er the sea:
  Listen! the mighty Being is awake,
  And doth with his eternal motion make
A sound like thunder—everlastingly.
Dear Child! dear Girl! that walkest with me here,
  If thou appear untouch’d by solemn thought,
  Thy nature is not therefore less divine:
Thou liest in Abraham’s ***** all the year;
  And worshipp’st at the Temple’s inner shrine,
  God being with thee when we know it not.
I.

I would not if I could undo my past,
  Tho' for its sake my future is a blank;
  My past for which I have myself to thank,
For all its faults and follies first and last.
I would not cast anew the lot once cast,
  Or launch a second ship for one that sank,
  Or drug with sweets the bitterness I drank,
Or break by feasting my perpetual fast.
I would not if I could: for much more dear
  Is one remembrance than a hundred joys,
    More than a thousand hopes in jubilee;
  Dearer the music of one tearful voice
    That unforgotten calls and calls to me,
"Follow me here, rise up, and follow here."

II.

What seekest thou, far in the unknown land?
  In hope I follow joy gone on before;
  In hope and fear persistent more and more,
As the dry desert lengthens out its sand.
Whilst day and night I carry in my hand
  The golden key to ope the golden door
  Of golden home; yet mine eye weepeth sore,
For long the journey is that makes no stand.
And who is this that veiled doth walk with thee?
  Lo, this is Love that walketh at my right;
    One exile holds us both, and we are bound
  To selfsame home-joys in the land of light.
Weeping thou walkest with him; weepeth he?--
    Some sobbing weep, some weep and make no sound.

III.

A dimness of a glory glimmers here
  Thro' veils and distance from the space remote,
  A faintest far vibration of a note
Reaches to us and seems to bring us near;
Causing our face to glow with braver cheer,
  Making the serried mist to stand afloat,
  Subduing languor with an antidote,
And strengthening love almost to cast out fear:
Till for one moment golden city walls
  Rise looming on us, golden walls of home,
Light of our eyes until the darkness falls;
  Then thro' the outer darkness burdensome
I hear again the tender voice that calls,
  "Follow me hither, follow, rise, and come."
andrew levin Apr 2012
It is a beauteous Evening, calm and free;
The holy time is quiet as a Nun
Breathless with adoration; the broad sun
Is sinking down in its tranquillity;
The gentleness of heaven broods on the Sea:
Listen! the mighty Being is awake
And doth with his eternal motion make
A sound like thunder−everlastingly.
Dear Child! dear Girl! that walkest with me here,
If thou appear untouched by solemn thought,
Thy nature is not therefore less divine:
Thou liest in Abraham's ***** all the year;
And worshipp'st at the Temple's inner shrine,
God being with thee when we know it not.
“ shortly before he married mary hutchinson, wordsworth returned to france to see his former mistress annette vallon, whom he would likely have married ten years earlier had the war between france and england not separated them.

he returned to visit annette to make arrangements for her and for their child, caroline, who was now a ten-year-old girl. this poem is thought to have originated from a real moment in wordsworth's life, when he walked on the beach with the daughter he had not known for a decade. ”

— The End —