ON SEEING ONE ON A LADY’S BONNET AT CHURCH

Ha! whare ye gaun, ye crowlin ferlie!
Your impudence protects you sairly:
I canna say but ye strunt rarely
Owre gauze and lace;
Tho’ faith, I fear ye dine but sparely
On sic a place.

Ye ugly, creepin, blastit wonner,
Detested, shunned by saunt an’ sinner,
How daur ye set your fit upon her,
Sae fine a lady!
*** somewhere else and seek your dinner,
On some poor body.

Swith, in some beggar’s haffet squattle;
There ye may creep, and sprawl, and sprattle
Wi’ ither kindred, jumpin cattle,
In shoals and nations;
Whare horn or bane ne’er daur unsettle
Your thick plantations.

Now haud ye there, ye’re out o’ sight,
Below the fatt’rels, snug an’ tight;
Na faith ye yet! ye’ll no be right
Till ye’ve got on it,
The vera tapmost, towering height
O’ Miss’s bonnet.

My sooth! right bauld ye set your nose out,
As plump an’ grey as onie grozet:
O for some rank, mercurial rozet,
Or fell, red smeddum,
I’d gie ye sic a hearty dose o’t,
*** dress your droddum!

I *** na been surprised to spy
You on an auld wife’s flainen toy;
Or aiblins some bit duddie boy,
On’s wyliecoat;
But Miss’s fine Lunardi!—fie!
How daur ye do’t?

O Jenny, dinna toss your head,
An’ set your beauties a’ abread!
Ye little ken what cursed speed
The blastie’s makin!
Thae winks and finger-ends, I dread,
Are notice takin!

O, *** some Power the giftie gie us
To see oursels as others see us!
It *** frae monie a blunder free us
An’ foolish notion:
What airs in dress an’ gait *** lea’e us,
And ev’n Devotion!

if i was a pearl i’d feel itchy scratchy stuck inside an oyster shell if i was a tree i’d  be a big fat redwood fantasizing about Julia Butterfly Hill living and peeing around me if i was a dog i’d be a Catahoula hound if i was Italian i’d be Sicilian if i was pasta i’d be spaghetti if i was Icelandic i’d be Bjork if i was a rock star i’d be Elvis Presley Bob Dylan Jimi Hendrix Jim Morrison John Lennon Bruce Spingsteen Maynard James Keenan if i was i writer i’d be Herman Melville Mark Twain James Joyce William Faulkner Thomas Bernhard Yukio Mishima Naguib Mahfouz Phillip K. **** Gabriel Garcia Marquez Annie Proulx Lydia Davis if i was a poet i’d be Walt Whitman Sylvia Plath Ted Hughes Gwendolyn Brooks Pablo Neruda  Heather McHugh Carl Sandburg Robert Frost Arthur Rimbaud Dante Alighieri Homer if i was a painter i’d be Leonardo Da Vinci Michelangelo da Caravaggio Johan Vermeer Rembrandt van Rijn Paul Cezanne Marcel Duchamp Jackson ******* Mark Rothko Ad Reinhardt Anselm Kiefer Susan Rothenberg if i was a photographer i’d be Man Ray Ansel Adams Edward Weston Diane Arbus Robert Mapplethorpe Sally Mann Helmut Newton Richard Avedon Annie Leibovitz if i was a philosopher i’d be Socrates Plato Aristotle Jean Jacques Rousseau Sören Kierkegaard Immanuel Kant Karl Marx Georg Hegel Friedrich Nietzsche Henry David Thoreau Ralph Waldo Emerson  Jean-Paul Sartre Jean Baudrillard Michel Foucault if i was a singer i’d be Woody Guthrie Otis Redding Grace Slick Bob Marley Joni Mitchell Marvin Gaye Johnny Cash Patsy Cline June Carter Patti Smith Chrissie Hinde Nick Cave P J Harvey Beyonce if i wa a band i’d be Velvet Underground Ramones *** Pistols Clash Cure Smiths Joy Division Uncle Tupelo Pixies Nirvana Nine Inch Nails Madrugada Sigur Ros White Stripes Thee Silver Mt. Zion Memorial Orchestra Justice of the Unicorns if i was a boot i’d be Chippewa Frye Ariat Red Wing Tony Lama Wellington if i was a shoe i’d be Christian Louboutin Jimmy Choo Kedds Chaco Chuck Taylor p f flyer if i was a dress i’d be Channel Dolce & Gabbanna Giorgio Armani Marc Jacobs Comme des Garçons if i was a cowboy shirt i’d be H bar C Rockmount Temp Tex Karman Wrangler Levis Strauss Lee if i was a hat i’d be a Stetson Borsalino Stephen Jones if i was a fruit i’d be a mango apple banana blackberry if i was an scent i’d smell like fresh perspiration jasmine sandalwood ylang ylang the ocean if i was a doctor i’d be a gynecologist neurosurgeon if i was a flower i’d be a hibiscus rose orchard if i was a stone i’d be a sparkling ruby diamond opal if i was a knife i’d be a k-bar switch-blade machete if i was a gun i’d be a Remington Winchester Beretta Glock AK-47 if i was a car i’d be a Lamborghini Ferrari BMW Saab Volkswagen GTO Ford Mustang Dodge Challenger if i was a  TV show i’d be Law and Order if i was actor i’d be Charlie Chaplin Humphrey Bogart Steve McQueen Robert De Niro Ed Norton Shawn Penn if i was an actress i’d be Marlene Dietrich Ingrid Bergman Natalie Wood Audrey Hepburn Marilyn Monroe Helen Mirren  Meryil Streep Brigette Fonda Robin Wright Julianne Moore Angie Harmon if i was a female comedian i’d be Gilda Radner Lily Tomlin Nora Dunn Joan Cusack Sarah Silverman Tina Fey if i was a  football player i’d be Sid Luckman George Blanda Walter Payton **** Butkus Mike Singletary Joe Montana Jerry Rice Payton Manning LaDanian Tomlinson  Drew Breeze if i was a celebrity i’d be Charlotte Gainsbourg if i was a rapper i’d be Tupac Shakur if i was a movie director i’d be Sam Peckinpah Robert Altman Stanley Kubrick Roman Polanski Werner Herzog Rainer Fassbinder Louis Bunuel Alfred Hitchcock Jean-Luc Godard François Truffaut if i was a bird i’d be a eagle hawk sparrow bluebird if i was a fish i’d be a dolphin shark narwhal Charlie the tuna if i was breakfast i’d be a French toast pancake folded in half with 2 strips of bacon in between if i was a cold cereal i’d be snap crackle popping rice crispies shredded wheat cheerios oatmeal if i was tea i’d be Japanese green matcha Irish breakfast Tulsi Thai holy basil Lapsang souchong Luzianne Lipton if i was a soap i’d be French hand milled ayurvedic Avon Ivory Dove Pears Aveda  if i was a man i’d be a football basketball baseball tennis swimmer athlete if i was a woman i’d be a track star runner writer painter gardener doctor nurse yoga mom i'm just scratching the surface and the beat goes on lahdy dah dah

A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.

This little man that I know with money in his sockets and routine in his pockets has self proclaimed that he is a tight ***. When I envision a *** such as this, I imagine a bundle -- of securely aggregated, perfectly sharpened number two pencils. The businessman just shy of adulthood and too tired to remember –even the beginning of his of disclosure, denied his struggle to acclimate a multifarious lifestyle, appropriately suggested in the form of a triangle, and a circle, both of which embody polar opposing adaptations of humanistic routine.

The two shapes: The circle, denies the break in motion by imposing a constant cycle of diligent compression, there is no room for pause only steady flow and relentless drive. This influence of life impression slows down the heart, body, and soul while speeding up time. This particular commitment accommodates the dry colorless beings that embrace and accept boxed imprisonment.

Traditionally, the triangle denotes rhythmic patterns that elevate and drop to a point in which imposes a healthy reflective pause: progression, reflection, balance. As stated, as a provincial approach, a regular triangle flat on its base, peaking at the top represents a healthy, solid life routine. In contrast, the triangle can be flipped upside-down introducing an entirely new dynamic, composed of flat-lined monotony, tapered off to a regressed realm of destruction, regret and disorder. Despite the uniqueness of the standard triangle model to the man in question, it is important to compare the negative reflection, for it applies to the entirety of this investigation.

We used to be lovers, he and I. We shared my giant pillow-top that I bought on the black market for a meager two-hundred fifty. -- A mere steal at that rate.


We occasionally exchanged ideas, mainly about ethical concerns related to globalization and the environment.

I attempted to give him a cooking lesson once, but that failed, indefinitely. The bust was not my doing, but simply, a great disinterest on his part; or better yet an inability of not being better than me at something.

Everything has gotten so crowded.

O Prince, O chief of many throned pow’rs!
        That led th’ embattled seraphim to war!
                      (Milton, Paradise Lost)

O thou! whatever title suit thee,—
Auld Hornie, Satan, Nick, or Clootie!
Wha in yon cavern, grim an’ sootie,
     Clos’d under hatches,
Spairges about the brunstane cootie
     To scaud poor wretches!

Hear me, Auld Hangie, for a wee,
An’ let poor ****** bodies be;
I’m sure sma’ pleasure it can gie,
     E’en to a deil,
To skelp an’ scaud poor dogs like me,
     An’ hear us squeel!

Great is thy pow’r, an’ great thy fame;
Far ken’d an’ noted is thy name;
An’ tho’ yon lowin heugh’s thy hame,
     Thou travels far;
An’ faith! thou’s neither lag nor lame,
     Nor blate nor scaur.

Whyles, ranging like a roarin lion,
For prey a’ holes an’ corners tryin;
Whyles, on the strong-wing’d tempest flyin,
     Tirlin’ the kirks;
Whyles, in the human ***** pryin,
     Unseen thou lurks.

I’ve heard my rev’rend graunie say,
In lanely glens ye like to stray;
Or whare auld ruin’d castles gray
     Nod to the moon,
Ye fright the nightly wand’rer’s way
     Wi’ eldritch croon.

When twilight did my graunie summon
To say her pray’rs, douce honest woman!
Aft yont the **** she’s heard you bummin,
     Wi’ eerie drone;
Or, rustlin thro’ the boortrees comin,
     Wi’ heavy groan.

Ae dreary, windy, winter night,
The stars shot down wi’ sklentin light,
Wi’ you mysel I gat a fright,
     Ayont the lough;
Ye like a rash-buss stood in sight,
     Wi’ waving sugh.

The cudgel in my nieve did shake,
Each bristl’d hair stood like a stake,
When wi’ an eldritch, stoor “Quaick, quaick,”
     Amang the springs,
Awa ye squatter’d like a drake,
     On whistling wings.

Let warlocks grim an’ wither’d hags
Tell how wi’ you on ragweed nags
They skim the muirs an’ dizzy crags
     Wi’ wicked speed;
And in kirk-yards renew their leagues,
     Owre howket dead.

Thence, countra wives wi’ toil an’ pain
May plunge an’ plunge the kirn in vain;
For oh! the yellow treasure’s taen
     By witchin skill;
An’ dawtet, twal-pint hawkie’s gaen
     As yell’s the bill.

Thence, mystic knots mak great abuse,
On young guidmen, fond, keen, an’ croose;
When the best wark-lume i’ the house,
     By cantraip wit,
Is instant made no worth a louse,
     Just at the bit.

When thowes dissolve the snawy hoord,
An’ float the jinglin icy-boord,
Then water-kelpies haunt the foord
     By your direction,
An’ nighted trav’lers are allur’d
     To their destruction.

And aft your moss-traversing spunkies
Decoy the wight that late an drunk is:
The bleezin, curst, mischievous monkeys
     Delude his eyes,
Till in some miry slough he sunk is,
     Ne’er mair to rise.

When Masons’ mystic word an grip
In storms an’ tempests raise you up,
Some **** or cat your rage maun stop,
     Or, strange to tell!
The youngest brither ye *** whip
     Aff straught to hell!

Lang syne, in Eden’d bonie yard,
When youthfu’ lovers first were pair’d,
An all the soul of love they shar’d,
     The raptur’d hour,
Sweet on the fragrant flow’ry swaird,
     In shady bow’r;

Then you, ye auld snick-drawin dog!
Ye cam to Paradise incog,
And play’d on man a cursed brogue,
     (Black be your fa’!)
An gied the infant warld a shog,
     Maist ruin’d a’.

D’ye mind that day, when in a bizz,
Wi’ reeket duds an reestet gizz,
Ye did present your smoutie phiz
     Mang better folk,
An’ sklented on the man of Uz
     Your spitefu’ joke?

An’ how ye gat him i’ your thrall,
An’ brak him out o’ house and hal’,
While scabs and blotches did him gall,
     Wi’ bitter claw,
An’ lows’d his ill-tongued, wicked scaul,
     Was warst ava?

But a’ your doings to rehearse,
Your wily snares an’ fechtin fierce,
Sin’ that day Michael did you pierce,
     Down to this time,
*** ding a Lallan tongue, or Erse,
     In prose or rhyme.

An’ now, Auld Cloots, I ken ye’re thinkin,
A certain Bardie’s rantin, drinkin,
Some luckless hour will send him linkin,
     To your black pit;
But faith! he’ll turn a corner jinkin,
     An’ cheat you yet.

But fare you weel, Auld Nickie-ben!
O *** ye tak a thought an’ men’!
Ye aiblins might—I dinna ken—
     Still hae a stake:
I’m wae to think upo’ yon den,
     Ev’n for your sake!

Fair fa' your honest, sonsie face,
Great chieftain o the puddin'-race!
Aboon them a' ye tak your place,
Painch, tripe, or thairm:
Weel are ye worthy o' a grace
As lang's my arm.

The groaning trencher there ye fill,
Your hurdies like a distant hill,
Your pin *** help to mend a mill
In time o need,
While thro your pores the dews distil
Like amber bead.

His knife see rustic Labour dight,
An cut you up wi ready slight,
Trenching your gushing entrails bright,
Like onie ditch;
And then, O what a glorious sight,
Warm-reekin, rich!

Then, horn for horn, they stretch an strive:
Deil tak the hindmost, on they drive,
Till a' their weel-swall'd kytes belyve
Are bent like drums;
The auld Guidman, maist like to rive,
'Bethankit' hums.

Is there that owre his French ragout,
Or olio that *** staw a sow,
Or fricassee *** mak her spew
Wi perfect scunner,
Looks down wi sneering, scornfu view
On sic a dinner?

Poor devil! see him owre his trash,
As feckless as a wither'd rash,
His spindle shank a guid whip-lash,
His nieve a nit;
Thro ****** flood or field to dash,
O how unfit!

But mark the Rustic, haggis-fed,
The trembling earth resounds his tread,
Clap in his walie nieve a blade,
He'll make it whissle;
An legs an arms, an heads will sned,
Like taps o thrissle.

Ye Pow'rs, wha mak mankind your care,
And dish them out their bill o fare,
Auld Scotland wants nae skinking ware
That jaups in luggies:
But, if ye wish her gratefu prayer,
Gie her a Haggis

To my kind and loving mother:
I never sought to be the other.
Fighting for an explanation,
consolation, you postulated traumas
caused a misfire
in the wires of me–
but the truth, chromatically,
static factors (masked by
willful ignorance and bliss)
wrought the otherness you see.

1. Elementary

Back as a child of nine,
fine and dapper in khakis and
a tucked-in button-up,
with parted hair and running shoes,
I began to fantasize
guys
and atonement girls.
Attempts to hide this from the world
were all in vain
yet vicious, as children are.

2. Middle School

***




******

gay-***

Did you hear that Brokeback Mountain is Victor’s favorite movie Victor is gay Have you been crying Where’s your boyfriend Victor has *** with children You’re going to hell ****** Do you know what packing fudge is Gay Do you like what you see Your garden is cute Quit looking at me *** Change in the stall we don't have to watch you ******* I brought you some glitter *** Gay **** ****** ****** *** Gay-*** **** Gay Gay Gay Gay Gay Gay Gay Gay Gay Gay That’s gay Gay


I’d skip lunch to lock myself in a closet and cry.
Oh, my kind and loving mother,
I never sought to be the other.
I didn’t even know I was.

3. High School (Part 1)

Saving grace, Anne Folderol.
Last chance, Anne Folderol.
Only one, Anne Folderol.
Truly folderol.

I’d rather die than be the other
to please my kind and loving mother.

No more, Anne Folderol.
Last chance, Anne Folderol.
No hope, Anne Folderol.

You have the teeth of a crack addict You’re such a ***** Fat-*** I heard he was going to **** himself I heard he had *** with an eleven-year-old I heard he has AIDS Why does he hate god Hey pizza-face If anyone shoots up the school, it’d be him him him him him him him him him

State of madness, state of pain,
the state from which all killers spring.
Darkness, loathing, spite, and shame.

If the Father up above
was looking down in true love,
he would have answered my prayers
for death.

4. High School (Part 2)

Love and pain, Mom;
yin and yang.
We sang in church
until I left the brethren bereft,
and we’ll sing again soon.

But first know that I’m a spiritual seeker,
and that God loves me if he exists
and I truly don’t know– because I feel Him
at times, and sometimes I feel just everything.

And also know that I’m not the other,
that my love and yours are the same.
Know that if God made me, there is a reason why.

That reason is to open minds and hearts to the love of God, which is all true love. But I must love myself first. And when I live in such a way that does not hide my true self, I demonstrate that love. Love me, not in spite of who I am but for who I am.

Last May a braw wooer cam down the lang glen,
      And sair wi’ his love he did deave me;
I said there was naething I hated like men:
      The deuce *** wi ‘m to believe me, believe me,
      The deuce *** wi ‘m to believe me.

He spak o’ the darts in my bonie black een,
      And vow’d for my love he was diein;
I said he might die when he liked for Jean:
      The Lord forgie me for liein, for liein,
      The Lord forgie me for liein!

A weel-stocked mailen, himsel for the laird,
      And marriage aff-hand, were his proffers:
I never loot on that I ken’d it, or car’d,
      But thought I might hae waur offers, waur offers,
      But thought I might hae waur offers.

But what *** ye think? in a fortnight or less,
      (The deil tak his taste to *** near her!)
He up the lang loan to my black cousin Bess,
      Guess ye how, the jad! I could bear her, could bear her
      Guess ye how, the jad! I could bear her.

But a’ the niest week I fretted wi’ care,
      I gaed to the tryste o’ Dalgarnock,
And wha but my fine fickle lover was there,
      I glowr’d as I’d seen a warlock, a warlock.
      I glowr’d as I’d seen a warlock.

But owre my left shoulder I *** him a blink,
      Lest neibors might say I was saucy;
My wooer he caper’d as he’d been in drink,
      And vow’d I was his dear lassie, dear lassie,
      And vow’d I was his dear lassie.

I spier’d for my cousin fu’ couthy and sweet,
      Gin she had recover’d her hearin,
And how her new shoon fit her auld shachl’t feet—
      But, heavens! how he fell a swearin, a swearin,
      But, heavens! how he fell a swearin.

He begg’d, for gudesake, I *** be his wife,
      Or else I *** **** him wi’ sorrow:
So e’en to preserve the poor body in life,
      I think I maun wed him to-morrow, to-morrow,
      I think I maun wed him to-morrow.

The ladye she stood at her lattice high,
Wi' her doggie at her feet;
Thorough the lattice she can spy
The passers in the street,

"There's one that standeth at the door,
And tirleth at the pin:
Now speak and say, my popinjay,
If I sall let him in."

Then up and spake the popinjay
That flew abune her head:
"*** let him in that tirls the pin:
He cometh thee to wed."

O when he cam' the parlour in,
A woeful man was he!
"And dinna ye ken your lover agen,
Sae well that loveth thee?"

"And how *** I ken ye loved me, Sir,
That have been sae lang away?
And how *** I ken ye loved me, Sir?
Ye never telled me sae."

Said - "Ladye dear," and the salt, salt tear
Cam' rinnin' doon his cheek,
"I have sent the tokens of my love
This many and many a week.

"O didna ye get the rings, Ladye,
The rings o' the gowd sae fine?
I wot that I have sent to thee
Four score, four score and nine."

"They cam' to me," said that fair ladye.
"Wow, they were flimsie things!"
Said - "that chain o' gowd, my doggie to howd,
It is made o' thae self-same rings."

"And didna ye get the locks, the locks,
The locks o' my ain black hair,
Whilk I sent by post, whilk I sent by box,
Whilk I sent by the carrier?"

"They cam' to me," said that fair ladye;
"And I prithee send nae mair!"
Said - "that cushion sae red, for my doggie's head,
It is stuffed wi' thae locks o' hair."

"And didna ye get the letter, Ladye,
Tied wi' a silken string,
Whilk I sent to thee frae the far countrie,
A message of love to bring?"

"It cam' to me frae the far countrie
Wi' its silken string and a';
But it wasna prepaid," said that high-born maid,
"Sae I gar'd them tak' it awa'."

"O ever alack that ye sent it back,
It was written sae clerkly and well!
Now the message it brought, and the boon that it sought,
I must even say it mysel'."

Then up and spake the popinjay,
Sae wisely counselled he.
"Now say it in the proper way:
*** doon upon thy knee!"

The lover he turned baith red and pale,
Went doon upon his knee:
"O Ladye, hear the waesome tale
That must be told to thee!

"For five lang years, and five lang years,
I coorted thee by looks;
By nods and winks, by smiles and tears,
As I had read in books.

"For ten lang years, O weary hours!
I coorted thee by signs;
By sending game, by sending flowers,
By sending Valentines.

"For five lang years, and five lang years,
I have dwelt in the far countrie,
Till that thy mind should be inclined
Mair tenderly to me.

"Now thirty years are gane and past,
I am come frae a foreign land:
I am come to tell thee my love at last -
O Ladye, gie me thy hand!"

The ladye she turned not pale nor red,
But she smiled a pitiful smile:
"Sic' a coortin' as yours, my man," she said
"Takes a lang and a weary while!"

And out and laughed the popinjay,
A laugh of bitter scorn:
"A coortin' done in sic' a way,
It ought not to be borne!"

Wi' that the doggie barked aloud,
And up and doon he ran,
And tugged and strained his chain o' gowd,
All for to bite the man.

"O hush thee, gentle popinjay!
O hush thee, doggie dear!
There is a word I fain *** say,
It needeth he should hear!"

Aye louder screamed that ladye fair
To drown her doggie's bark:
Ever the lover shouted mair
To make that ladye hark:

Shrill and more shrill the popinjay
Upraised his angry squall:
I trow the doggie's voice that day
Was louder than them all!

The serving-men and serving-maids
Sat by the kitchen fire:
They heard sic' a din the parlour within
As made them much admire.

Out spake the boy in buttons
(I ween he wasna thin),
"Now wha will tae the parlour ***,
And stay this deadlie din?"

And they have taen a kerchief,
Casted their kevils in,
For wha will tae the parlour ***,
And stay that deadlie din.

When on that boy the kevil fell
To stay the fearsome noise,
"*** in," they cried, "whate'er betide,
Thou prince of button-boys!"

Syne, he has taen a supple cane
To swinge that dog sae fat:
The doggie yowled, the doggie howled
The louder aye for that.

Syne, he has taen a mutton-bane -
The doggie ceased his noise,
And followed doon the kitchen stair
That prince of button-boys!

Then sadly spake that ladye fair,
Wi' a frown upon her brow:
"O dearer to me is my sma' doggie
Than a dozen sic' as thou!

"Nae use, nae use for sighs and tears:
Nae use at all to fret:
Sin' ye've bided sae well for thirty years,
Ye may bide a wee langer yet!"

Sadly, sadly he crossed the floor
And tirled at the pin:
Sadly went he through the door
Where sadly he cam' in.

"O gin I had a popinjay
To fly abune my head,
To tell me what I ought to say,
I had by this been wed.

"O gin I find anither ladye,"
He said wi' sighs and tears,
"I wot my coortin' sall not be
Anither thirty years

"For gin I find a ladye gay,
Exactly to my taste,
I'll pop the question, aye or nay,
In twenty years at maist."

Boring old militant Marxist Farts
who blather on, in fits and starts
about class war and revolution
(demonstrably a failed solution)
rather than pitied should be scorned;
their websites tapped, subscribers warned.
Such talk begins as plodding fodder
dull as lead – yet even odder:
people read this wretched dreck!
History ought to hold in check
their pawn-shop plans to topple kings
they talk a good game – till it brings
armed madness, rage, the peasant wars
thugs and riff-raff looting stores,
death-camps, purges, civil chaos
union dues, returned to pay us
****** end to a treacherous story –
guns for butter and guts for glory.
Mao’s red flowers, Trotsky’s pick
Stalin’s bearhug – lies as thick
as honey dripping on a corpse.
Centralized control that warps
a free man’s mind. And yet they find
their audience loaded, pumped and primed.
In spite of numberless essays
the true believer bucks and brays
hee-hawing on, in Maoist jargon,
urging buyers to the bargain:
shining paths – that lead to graveyards
strewn with texts by Marxist blowhards.
Endless screeds by tenured traitors :
dialectic masturbators…
Marxist dullness has its edge.
Boring – yes, but forms a wedge
to split the status quo in factions
gaining time to plan their actions.
Arm in arms; so sad it tickles –
hammering plowshares into sickles
battering bewildered readers
(propagandized bottom-feeders).
Red conjecture never softens
pounded in like nails in coffins,
though their pipe-dreams burn away
when exposed by light of day.
Communist theory rings the blows
to forge the chains. The movement grows.
It’s lengthened, strengthened, link by link
ensnaring those who’re prone to think
they know what’s best for rank and file,
propagandizing all the while.
Agitating Marxist praxis
forms their struggle’s central axis.
Starry-eyed, they sing the anthem
plotting mayhem. Yes – I grant them
zeal, devotion, earnest madness…
but their ends begin in badness.
Brooding hate – their only god,
biding time to shoot their ***.
Nip their notions in the bud
before they blossom into blood.
Point them out for what they are:
faceless scribes of future war.
Worst of all: they’re as predictable
as their theories are inflictable.
Gaze into the hole of history
comprehend the tragic mystery…

Immerse yourself until wholly submerged
in my unholy divergence;
Poor form tormented soul - 
Roll your pain in a J
then dip it in chloroform
Embrace my urges to purge
the remnants of sanity,
Spilling and screaming
all these profanities at humanity

Confuddling all posers
with my bastardized prose ~
Please, continue badgering
and nagging me
with your ****-******* menagerie
of trivial drudgery
I’m in misery so
go ahead and bludgeon me
Square in the noggin’
So that I can jog it,
whilst juggling all these nails
from my coffin

I’m awfully harmful and cruel
got these scoffing jealous skeptics
Acting a fool,
coughing up a lung-full of fuel
for all of the putrid mind puke I spew
My mixing *** skull’s
where the ingredients accrue
Just stew with me for a little
while longer though won’t you

I’m a cancer-ridden addler
babbling mad adages,
ravishingly tenderizing my meat
Laced with some dust from space, yes, no lackage/absence of it lining
within my nasal passages see
spun off some of that absinthe
In a cloud of burning trees
Please tell me you feel me

It’s staggering how I’m both crazy batshit,
**** smooth as rotten laxative cheese
Brain’s melting acidic beef
I’m like Randy Savage I got
Bombastic fat ******* in heat
Straight making my **** go flaccid post-weep

Don’t get offended women
just imagine
How painfully average the package
is within my lap that I’m packin
But now it’s wrapped
and I’m ready to fucken
fully send it no cap
My turnaround is lightning fast
In and out of your *** quick as a wink like The Flash

Faces contort in ghastly panic, actually
Dastardly antics unleashed in vast swarms
Plague the masses in pandemic proportions with them massive casualties factually once more
Give ya some relaxing action 
And skull-**** y’all
with such a passion *******
Your corpse falls to the floor
and right through the trapdoor

Candid, my pen-chance enchants
Heavy-handedly inanimate
in suspended animation
Supplant reality augmentation
Machinations of my imagination;
Implicating **** ransacking  
and seafaring through crab infestations 
Wreaking havoc and bequeathing vengeance
I’m a fire breathing grim reaper reeking of ****** ~

- Off is the nearest direction in which to ****
Dissect my ******* with your tongue
Turnt up ******* plumpies in the rumpus 
Just for the fun of it until I erupt
Remember, I’m avid for dismembering appendages
I expect you’re exceptional at accepting
a barrage of septic bombardment
Chance of success: logistics analysis zero percentage
(Cos I done ******* on all those *******.)

Superbly superlative and speculative
So fast on Adderall
I make Mad Hatter’s head spin
Quicker than you can snap: 
Giving your family heart attacks
Smack you in the face, 
While fapping my fabulous lap rocket

Thunderously plundering under covers
Spring-loaded with faux pas’ so hot
Make your mother’s ***** pop out
and say “hello”
like a Jack-in-the-Box

& U kno Those foxy grandmas
be jaxing off my **** -
Bingo wings beckoning me to flock
Choppin’ up rocks round the clock
with the glock in my pocket til I rot 
Undoubtedly
Caught em wit the molly-whop eyeballs pop out they sockets all dramatically
Whole squad **** swap the rod, on God
Blow my whole *** when I start spitting them double entendre fatality snowballs
Zippity-zop like Cosby’s special BBQ sauce
Bet I’ll dip my puddin’ pop and stay fresh with the drip til I drop
Y’all just holler when you want me to stop

Palpable, these **** butts malleable as putty
Barbarically barrel rolling into dat ***
rip it to shreds like confetti
Power Pole extend
Face pressed into your *******
Inhaling the wafting aromatic stenches
of distant French fish factories

Clearly getting dome from your dearly betrothed violently
Now she bridal and my seeds spiraling virally
Vital signs finalizing
Bounce that *** like jello
Swell; I’m in your hair like gel
Now swallow my jollies and don’t bother
Unless you hollerin’ and giving me dollars
Zealots idol my harlotry

If nose goes go slow grow low
Throwing those yoloing hoes out windows
This ***** simply bonkers
I conquer fear me

***** DON’T HARSH MY MELLOW
SWEAR I’LL MARSH YOUR MALLOWS

So, you want a juicy-kiss,
a real ****-bear-hug,
something to ruffle your feathers,
make you melt nuclear on the spot!?

And what will you give me in return?
The same, these instant space pheromones,
the destruction of the physical dating scene,
your ******* bunched in a ***,
even more frustration.

Please sweet darling, give them to me.....!

O were my Love yon lilac fair,
  Wi’ purple blossoms to the spring,
And I a bird to shelter there,
  When wearied on my little wing;
How I *** mourn when it was torn
  By autumn wild and winter rude!
But I *** sing on wanton wing
  When youthfu’ May its bloom renew’d.

O gin my Love were yon red rose
  That grows upon the castle wa’,
And I mysel a drap o’ dew,
  Into her bonnie breast to fa’;
O there, beyond expression blest,
  I’d feast on beauty a’ the night;
Seal’d on her silk-saft faulds to rest,
  Till fley’d awa’ by Phoebus’ light.

Friend one:
Reads "Rotten Tomatoes"
Always early, parks in a handicap zone

Friend two:
quietly disapproves
knows Friend one walked her dog a mile earlier

Friend one:
moves her car
digs out two waters, chocolate
and back pillow
buys peace and tickets

Friend two:
catches sneeze with *** of tissue
aggravated exchange:
about walking too fast ahead.
“Are you not my friend?  Walk with me!”
Buys popcorn

Friend one: 
  wants seats on the end
for handy bathroom runs

Friend two:
does not want “the blow by blow” of reasons
just not in rafters
sneezes, and says so
trips
spills popcorn on the stairs

Friend one:
Sets up “camp”

Friend two:
holds crap

Friend one:  
Settles in, builds her "nest"
opens water bottles
arranges back pillow
half-a-million napkins
“Want your jacket?”

Friend two:
holds popcorn, helps Friend one with jacket

Friend one: 
  pushes button for her seat back
seat sounds like a ****.

Friend two:
says so, both laugh like fools  
Friend two sneezes loudly, rubs her eyes
loses self in movie

Friend one:
starts to snore quietly

Friend two:
nudges her

Friend one:
(Who is never really snoozing)
runs out to restroom
misses best part of movie
Comes back,
“What happened?”
What happened?”

Friend two:
aggravated
hushes her
takes allergy pill

Friend one:
weeping at the end, watches all the credits
starts her review
apologizing to the kids of theater-cleaning-crew
popcorn, napkins, tissues everywhere

Friend two:  
Sneezes yet again

Friend one:
Knows all the stars--
of friendship

being how she is one :)

EDNA:  I believe you recently had a gay little adventure, Vladimir. So why don’t you tell me all about it? I can see you are simply dying to get it off your chest…

VLADIMIR:  Well, Edna, it happened like this. I hadn't cruised the ***** toilet in the park for months and I was ******* randy, absolutely dying for a really good session, so I thought I'd go along here after the pub shut and see what was up, see if there was any ******* ******* action. I wore some **** ****** under my jeans, you know the sort of stuff: red open crotch *******, suspenders and black fishnet stockings. My **** kept dribbling as I was in the pub, just thinking of what might happen down the toilet.  At closing time, I left the pub, my carrier bag in my hand, with a big anticipatory bulge in my pants.

EDNA [gulp]  And then what happened, Vladimir, dear?

VLADIMIR:  Once I got to the toilet, I was surprised there was no one inside, but there were a few nearby shadows in the park, people smoking cigarettes, walking round, looking for it.  Once in the toilet, I selected the cleanest cubicle and took off my jeans and shirt and put them into the carrier bag. I replaced my normal shoes and socks with the white high heeled women's shoes I had waiting in the carrier. Then I waited in the cubicle for someone to come into the toilet.

After only a few moments, I heard footsteps and I looked under the door to see who was there at the ******.  It was a short muscular looking man wearing jeans and Doc Martens. I could see he wasn't *******, but just standing there, though I couldn't see his face. I opened the cubicle door and he turned around to see who was there, so I opened the door wide open so he could see me standing there in the stockings, suspenders and silk ******* with my stiff **** sticking out of the hole in them.

He was about forty and very butch looking with close cropped hair and I could see his **** hardening as he looked at me.  I went over to him and took his **** in my hand and he grabbed hold of mine and started rubbing it.  I got down on my knees and took his short, fat, uncircumcised **** in my mouth; it tasted salty and ******* gorgeous. He grabbed hold of the back of my head and forced his **** deep down my throat nearly making me gag.  I could smell the odour of his ***** hair and I loved it.  He said, "Keep ******* it, you ***** ****, or I'll pull your ******* head off." I loved him talking ***** like that to me.

EDNA [getting a bit excited]  That seems very bold of you both.  What happened next?

VLADIMIR:  In what seemed no time at all, I felt him tense and then I got an enormous mouthful of his hot *****.  I'd never known anyone come so much, he must have had a week's worth in his *****.  After he'd come, he took his **** out of my mouth, put it away and zipped himself up.  I started to get to my feet, but he pushed me backwards onto the filthy floor.  ‘You're lucky I don't knock your face in, you ****,’ he said as he went out.  I love my men to be a bit rough with me, so I was very excited by this.  I half hoped he would punch me but he didn't.

EDNA: [wiping forehead] Well, that’s really very interesting. Did you go home then, dear, or were you still up for it, as the expression goes, Vladimir?    

VLADIMIR:  I got up and dusted myself down.  I could taste his come in my mouth, it was ******* delicious.  I was still incredibly excited, my **** was absolutely rigid and I knew I just needed to give it a couple of rubs and I'd shoot my ***, but I wanted more ***, and I knew once I came, I would just feel like going home.  So I went back into my cubicle and waited to see if anyone else came in.

After about five minutes I heard footsteps, followed by more footsteps again and I looked under the door a second time.  There were two men standing there and, by straining my neck, I could see they were groping each other.  One had one hand on the other's **** and his other hand on his **** and the other man was working on the first man's **** as well.  

I let the door open and they both swung round as they hadn't known there was anyone else in the toilet.  They saw me and looked relieved it wasn't a policeman lurking in there.  One was quite young, about twenty or twenty five, but he was a bit skinny and effeminate-looking.  The other one was much older, about fifty, but he was much better looking and I could see he had a huge **** on him.  I walked over to them in my **** rigout and joined in with the wanking.  They both started feeling my **** under my *******.

I turned round and bent over, my hands on the toilet cubicle doorposts, stuck my **** out invitingly and pulled my ******* down to my knees.  ’Why don't you **** me?’ I said, bold as brass.  The older man, the one with the big ****, left the young skinny guy and took up the offer I had made.  He undid his trousers and pulled his underpants down to reveal the full length of his enormous **** and his big hairy *****.  He spat on his hand and rubbed it on his ****, but he needn't have bothered because I had already lubed my **** when I was waiting in my cubicle.  

He slipped his big **** up my moist ******* without much difficulty and then started ******* me gently.  I told him to **** me harder, to **** me harder than he had ever ****** anyone in his life, so he started to really ram it up my hole.  God, I loved it.

EDNA [sweating with mounting excitement and unable to resist touching herself down there]  Mmmmm. I wish I’d been there to see that, I really, really do.  But don’t let me disturb your narrative flow, darling….

VLADIMIR:   Then the young skinny guy got down on his knees in front of me and took my **** in his mouth.  Each time the man who was giving it to me ****** hard into me, I jolted forward and rammed my **** deep into the skinny guy's mouth.  I was moaning with ecstasy as I got ****** and ****** by two complete strangers.  The guy with the big **** couldn't last long and soon shot his load up my **** and as he did it he said, ‘O Christ, I'm coming, I'm coming, I'm shooting my ***** up your ******* *******.’  This made me incredibly excited and I came off in the younger man's mouth.  The skinny youngster was wanking his own **** as he knelt in front of me and I know he came as I felt the ***** splashing on my stockinged legs.

As he removed his still fat **** from my gaping hole, a stream of the older man's ***** ran down my legs.  He said he wished his wife would let him **** her in the ******* like that.  I went to kiss him but when he smelled the ***** on my face from the butch one I'd ****** off earlier, he wasn't having any of it and left with a mumbled goodbye.

The younger man had now got to his feet and was standing in front of me as he buttoned himself up.  He said ‘We can wait a few minutes and then we can do it again if you like.  I'd love you to **** me, you've got a lovely ****.’  But it was no good, the magic had passed and I told him to ****** off.

So I went back into the cubicle, got changed back into my ordinary clothes and left the toilet.  I could feel ***** oozing out of my ******* and I could taste the first load in my mouth still.  I had a smile on my face. It had been a great night out.

EDNA:  [removing her hand from inside her ******* as unobtrusively as possible and trying to disguise the fact she has just had a cataclysmic ******]  Wow, that’s really a very exciting story. It’s made old Edna quite hot and bothered. You really are a very naughty boy, Vladimir.

VLADIMIR: Would you like me to tell you about what happened to me in the old cinema down by the docks?

EDNA: [still throbbing a bit] No, dear, that will be the subject of another interview. We don't want to over-excite our readers, do we?

*THE END

2 better days
of better ways
too bigger dreams
in better words
to the express
of my renditions
in wish-less missions
to infringe in fantasy
as i write out the years
of fearless tears
and scream
in happiness
and chant
of the blasphemers
laugh
in the murmurs
of drunken
entrepreneurs
admiring
sewer structures
plucking
the sutures
of my missed maneuvers
clueless
in my bruise-less
cutsss
toofwisss
and still strutting my luck
in abrupt
catastrophes
compliant
to the clause
of impunity
to rhyme-less scrutiny
to sooth the dream
for today
bolstering
the blame
of melancholy messiahs
playing pariah
on xbox
they gonna fry ya
through savvy ****** talk
with their mouth on your ****
but their ears on the block
to fulfill the onslaught
of a distraught
goofball
in lock
about to drop
calm
in happy bombs
of debilitating
shock
you cannot
talk
when you are
smiling
you cannot galk
when you are
smiling
violently
happy
with ******
knives
fixed to enrich
the lives
of the many
i have plenty
in the trunk
just bend down
and look
ill blend in the boom
of bass
thump
ding
the second thump
closes the trunk
strap up
with me
be blunt
don't want
a ninja on the run
in the sun
of reputation
1 finger away
from
nation-less
the mostest patientest
lyrifi$t
a bu3ro$hit
to 0bl1terat3
the glUt3nou$
of thy most muTtonest
of ch0ps
i cropp3d
the plopp1ng rainb0ws
of raindrop$
and Stopped  .
thE hoPped up ho0ligaNnry
of my N1njary
in my socks
sometimes i rock
but mostly not
i wont stop
until outlined
in chalk
until the froth
from my lips
blinds me
in trips
crossed
with a 5th
into thine own
obscurity
from the groan
of maturity
and the **** flapping
of insecurity
i try lyrically
to be free
and stop rhyming
at least stop whining
just trying
to do my thing
dost thou heart not sing
when im plowed
within the silver lining
devout
with a little shining
came hither
to where the sliding turned to slithering
delivering
my ministry
of infantry
infamously
into comedy
applauding me
in my idiocy
its daunting
in simplicity
marinade me
in a massacre
or a major disaster
watch me blow my ***
in haughty claims
of clogged
alpha/beta waves
enslaved
to a pre paid card
and charged
for helping a man up
in a corrupt
city of butts
entrusting
my paychecks to the *****
of never was
im riding the short bus
until she blushed
and brushed
the *** from her mouth
im gross
a little weirder than most
i boast
in defeat
i facebook
over tweet
as if there be a choice
as i crumple
the invoice
and rejoice
in knowing
i know nothing
i'm [Esc@ping]

Oh wert thou in the cauld blast,
On yonder lea, on yonder lea,
My plaidie to the angry airt,
I’d shelter thee, I’d shelter thee;
Or did misfortune’s bitter storms
Around thee blaw, around thee blaw,
Thy bield should be my *****,
To share it a’, to share it a’.

Or were I in the wildest waste,
Sae black and bare, sae black and bare,
The desart were a paradise,
If thou wert there, if thou wert there.
Or were I monarch o’ the globe,
Wi’ thee to reign, wi’ thee to reign,
The brightest jewel in my crown
*** be my queen, *** be my queen.

O Mary, at thy window be,
It is the wished, the trysted hour!
Those smiles and glances let me see,
That make the miser’s treasure poor:
How blythely *** I bide the stour,
A weary slave frae sun to sun,
Could I the rich reward secure,
The lovely Mary Morison.

Yestreen, when to the trembling string
The dance gaed thro’ the lighted ha’,
To thee my fancy took its wing,
I sat, but neither heard nor saw:
Tho’ this was fair, and that was braw,
And yon the toast of a’ the town,
I sighed, and said amang them a’,
“Ye are na Mary Morison.”

O Mary, canst thou wreck his peace
Wha for thy sake *** gladly dee?
Or canst thou break that heart of his,
Whose only faut is loving thee?
If love for love thou wilt na gie,
At least be pity to me shown;
A thought ungentle canna be
The thought o’ Mary Morison.

Ye evar 'eard oda' masta' inna swamps?
   E'a man hund wid 'is hands. . .take down a gator inna fide?
Yeah ah-boy, he a Bone Alligator,
Bone Alligator
Bone Alligator.

Issue you'a hundin' widout a ricel? You's a Bone Alligator,
Bone Alligator
Bone Alligator.

Ain't nah trapping, nor'a line, no kedjewel, or time,
  -jussa' body inna swamp you's a Bone Alligator,
Bone Alligator
Bone Alligator.        

Swimmin' inna ***-eh got skin made-o' armah,
  -inna mud, inna grasses, eh-no teachin' it in classes,
strike wid juss a knife inna hand he's a Bone Alligator,
Bone Alligator
Bone Alligator.

Issue you'a hundin' widout a ricel? You's a Bone Alligator,
Bone Alligator
Bone Alligator.

No ricel, no Glock, no light out innna night,
  -jussa' body inna swamp you's a Bone Alligator,
Bone Alligator
Bone Alligator.

If you's can **** widout a ricel you's a Bone Alligator,
Bone Alligator
Bone Alligator.

First, I would like to introduce Grayasety. She was a young girl, had soft strands of medium-short caramel hair, and she had green-blue eyes that looked like miniature earths. She was indeed a pretty girl and she was of average height, and had a healthy body. She also had a slight southern drawl; her mother was from Texas. She loved going on boat voyages as her father was the captain of a ship named Gray Asety, named after Grayesty, so she was often training to go on voyages.
                  One morning, just like any other ordinary morning, Grayasety left her house for the next-door stable with her baby sitter, Kinberly, which was part of her father’s crew.  Today was the big day, the day when Grayasety was going to go on a voyage with her father as an official crewmember. Today was Grayasety’s 13th birthday; today was the day when she was old enough to work on her father’s ship! Therefore, she gaily whistled and skipped along the road. It had always been her dream to work on her father’s ship, and today, finally, her dream was coming true. When she got to the stable she blew her small, pink whistle that, to human ears would make no sound, and like every morning her best friend, (which had the ability to morph into animals) trotted tiredly out of the stable in the form of a beautiful brown mare. The huge animal yawned and said, “Morning Kin!” And then addressing Grayasety she said, “ Well, well, little missy what do you want me to be today?” Today Grayasety wanted Mila to be a green parrot, Grayasety was obsessed in the color green, and Mila had reluctantly obeyed, the trio set off for the fresh smelling bay.
Kinberly, and Mila worked on the Gray Asety. Mann Forumest, or Captain Daddy as Grayasety called him had met Grayasety’s mom working as a crewmember on the Majesty, a steamboat. Grayasety’s mother, Magnolia Scott Forumest was the assistant cook. They married, but kept their jobs until one day when Grayasety was about five, the Sea Bandits, a notorious group of pretty woman stealers, kidnapped Her mother.
                        While on sea, Grayasety shared a rather large suite in the ship with her father. In the Bedroom were two desks, one big and one small, and in the corner was a bunk bed, the top bunk badly painted in green and the bottom bunk still bearing its natural mahogany color. Grayasety was sitting in her little green desk, scribbling madly in her deep green diary. Grayasety *** a liking of scribbling and those who have know her long enough could read her scribbles like one would writing. She could read and write although she was nowhere near a strait A student.
                   After a while Grayasety decided to bother her father and, forgetting to switch into her lime green boots, shinnyed up the main stairs to the deck in her faded fluffy mint green slippers. Mila, perched comfortably on Grayasety’s shoulder, started telling her that she was wearing her slippers when Grayasety shoved a faded green pacifier in Mila’s mouth; Grayasety often did this to keep Mila quiet.
Mila, not enjoying the dusty, stale taste of the pacifier unhappily decided to keep her mouth shut until Grayasty got in a better mood. In truth Grayasety was in a marvelous mood and rather liked shoving pacifiers in Mila’s mouth. As the girl got closer to the deck, she started to hear chanting from the kind crew. She especially heard Kinberly’s familiar raspy voice chanting,” Laaa dee daaa, the Gray A rolls along,” and as she emerged to the *****, wet deck she noticed that her father was talking to someone else already. “Botherin’ will have to wait some,” she whispered to Mila. Then she took the pacifier out of Mila’s mouth and scolded,” why didn’t you tell me that I was still wearin’ my slippers eh? Wanted to make me look like an idiot?” Mila simply rolled her eyes.
                    Right then, Captain Daddy, apparently finishing his conversation, came over to the pair and said affectionately, “How are my darlings doin’ today?” Mila especially enjoyed this for Captain Daddy always gave a loving stoke on her back and a whole chocolate chip cookie if he had one. Although Grayasety always stole some of the cookie Mila was happy enough with half. Grayasety, on the other hand was happy with a whole cookie so she begged Captain Daddy to give her another one. Captain Daddy gave her another cookie but chided her not to steal any more from Mila.
                    After the lecture on not stealing other people’s food, Grayasety clambered up the crow’s nest and almost knocked over Franz, a tall, but gaunt boy a couple years older then Grayasty getting in. ”Anythin’ unusual yet?” asked Grayasety hopefully. “Nope,” answered the calm boy quietly. ”Hi Franz. Do you have any cookies?” asked Mila mockingly, Franz just laughed and said,” If I had any I would of eaten it by now! Gray, can you get me somethin’ from the kitchen?”.
                   Grayasety got Franz a basket of food and got her self the same amount; Grayasety was basically always hungry, and had a little picnic on the roomy crow’s nest. After they finished their meal Grayasety decided to let Franz rest and did lookout. Franz had a small room to himself, which was about the size of a normal bathroom with all the stuff taken out. In the corner was an old, squeaky army cot and next to it was a rotund desk with a stack of blank paper, a jar of Indian ink, and a fountain pen laid precariously on it.
                    Franz was quite a writer and he spent his free time eating, sleeping, or writing and unlike Grayasety he actually wrote not scribbled. He was working on a story about gargoyles that came to life at night. It was an interesting story, really. He would of loved to stop working on the Gray Asety and go get his books published but he stayed for his family was a poor one and needed his help to make a living and also, Captain Forumest provided free paper. And, his daughter was the first friend he ever had; Franz was convinced that she was the best one.
                   Grayasety enjoyed being on ships. She liked feeling the cold air rush through her hair and she enjoyed the great view of the vast sea that surrounded her. She even liked the feeling of being so small compared to the humpbacks that swam by. She thought that the ship food was good, and she felt that the sea was truly where she belonged. Grayasety was very cranky when she was not at sea, (though she did like their big, ocean green house), so her father tried to include her on as many voyages as he could.
                     Captain Daddy, or Mann as I will call him spent most of day in a booth on the deck. He often worried about his daughter’s mental health (even though it was completely unnecessary). He talked to Grayasety’s doctor about this and Dr.Metalos, Grayasety’s doctor, gave them a list of mental deceases she could have, but none of them seemed like some thing she would have. Mann was sure that his daughter did not have one sickness; Much Too Much Time At The Sea Syndrome. If any one knew where Grayasety belonged it was Mann and he knew perfectly well that his daughter would go insane if she wasn’t at sea for too long. For one thing she preferred to sleep on her uncomfortable bunk at sea rather then on her fluffy green bed as soft as a feather at home.
                        Right then the ship did a tummy- flopping lurch and knocked off the map and compass from Mann’s desk, which interrupted his thoughts for a while. Below deck Franz’s desk toppled over, and Franz accidentally made a long and ugly scribble across his writing and on the crow’s nest Grayasety was having trouble standing up and she almost vomited right onto Kinberly’s hair. This was rare for Grayasety for she lived on the sea and was used to lurches; she had once survived a shipwreck, which explains her golden earring on her right earlobe.
                   That night as Grayasety lay in bed Mann quietly crept out of his bunk and scurried up the stairs to the deck. He wanted some time to himself. Ahead was Cape Horn; a very dangerous place where so many ships had sunk it could fill the biggest port in the world, but more personally, this was near the Sea Bandits main head quarters, 8 years ago the beautiful Magnolia Scott Forumest was captured here. Even though it was impossible in the foggy mist, Mann tried to make out the cave that marked the entrance to the headquarters. Only few people knew this entrance, and publicity stated that it was a “mere mystery” why most captives were capture near Cape Horn. Mann felt a chill run down his spine and then he thought he felt someone’s hand grab his shoulder. He looked down and saw what he dreaded most; a hand tinged with brown firmly held his shoulder.
                      Grayasety woke up feeling wonderful but apparently Mila didn’t. She kept screeching something about Captain Daddy being kidnapped and soon she found that what Mila had just screeched in her ear was true. She stormed into Franz’s cabin and told him what she discovered and they soon agreed to do what no one else wanted them to do; steer the boat right into the Sea Bandits’ headquarters and take back what, and who was theirs no matter how hard it could be.
                      Grayasety had Franz steer the boat and she herself navigated, Kin was lookout and the rest of the crew helped out. Franz dropped the passengers off at Puerto, and Mila morphed back into a human; what she really is, and helped out. Separated from the frenzy, Grayastey was quietly thinking to herself. She wondered why the Sea Bandits captured her father. They were well known for capturing pretty woman but not average looking men. Just then she heard a knock on the door. “Grayasety?” said the raspy voice of Kin. “There ya are. I just thought ya might wanna know why ya daddy was captured.” “Can you please tell me,” asked Grayasety, trying not to sound too eager. “Well rememba when ya daddy would be gone when ya woke up at mid night an’ I told ya that he had gone to the store to get some groceries? Well if you had thought some you woulda noticed that the store was closed.” Grayasety interrupted Kin in mid-sentence and said irritably, “Of course I rememba. Just get to the point Kin!” Kin flinched at Grayasety’s frustration and mumbled,” Well ya daddy was a spy. One of the best ones at that. He did all he could to stop organized crime, an’ he specialized in the Sea Bandit’s. They captured him ‘cause one less police the better for them.” Grayasety sat with her mouth hanging wide open. She never imagined that her father was a spy. But now every thing made sense. “ Sorry I didn’t tell ya before. Ya fatha simply wouldn’t allow it.” Kin apologized. Grayasety managed a squeak and then Kin left her.
                      After she repeated this to Franz and then Mila, Grayasety went down to her bedroom, she hated having to be near Her father’s belongings but she hated having people see her crying much more and cry she did, leaving her father’s mattress a soggy mess. Then she decided to clean that mess up for if they rescued her father she was sure he did not want to sleep in a soggy bed. Noticing it, she picked up her dad’s picture of her dad and mom’s wedding and became suddenly aware of how much she looked like her dad. The hair, the eyes, the quirky grin, every thing. Her mother had soft blonde hair and violet eyes that almost made you smell the pungent smell of lavenders and had a beautiful smile with bright red lips. All in all she was the most beautiful woman Grayasety had ever seen. She almost made Grayasety feel jealous.
                     “Hey! Gray. So are we gonna bring any weapons? Kin was a whole chest full of ‘em!” Said the distinctively low voice of Franz. “Well, I dunno. I suppose we should bring a couple guns. Always nice to be well prepared.” Replied Grayasety.

                     Franz was on lookout when the carrier pigeon came. The note it had on its leg was from Mann. It said:

Dear Grayasety and friends,

Do not come to save me. I’m with my wife in their dungeon but they want you guys to come too. You see, I’m like a bait. You’re the fishies. They want to erase all traces of the Forumest family. That means they have to dispose of those who would remember them. I will manage okay. Kin, Please take Grayasety and Franz home and forget about me for you and the children’s sake. Grayasety, I love you. Dispose all of my belongings and try to tell yourself that Kin is your mother. Believe me. It’s all for the better. Franz, I meant to tell you but your parents caught tuberculosis and died the other day. Your sister committed suicide soon after. Please take care of Grayasety.

             Mann

                    The trio stood silent for a long moment and then without warning Franz burst into tears, and scrambled to his cabin. Kin and Grayasety looked at each other sadly and went to their cabins themselves. Grayasety tried to sleep that night but images of Mann and her mother strapped up in chains kept her staring into the darkness with wide eyes. She reached over and got her personal music player, trying to distract herself but after a few seconds she turned it off again, for she could not bear listening to the lyrics; “It’s past midnight and something evil’s lurking 'round the dark” of Michael Jackson’s “Thriller”.
            The next morning, Mila and Kin steered the boat near the cave that marked the entrance to the Sea Bandits secret headquarters. Mila then morphed into a seagull and flew into the old, damp cave. From a safe distance Grayasety and her crew awaited Mila to return with some news. After swooping into the creepy cave Mila found the opening to the headquarters and perched on a ledge near it. There, she morphed into a rat, and scurried up into the opening.

                 After crawling along several hallways, Mila came across a steel door bolted very firmly marked “CELLS”. Luckily Mila was small enough to crawl under it. Scurrying along the bureau of prisons, Mila finally saw a cell with Mann and a stunningly beautiful woman captured in it. Mila slipped between the bars and trying not to gain the woman’s attention for fear that she would scream, climbed the steep hill of Mann’s arm to try to reach his ear. “Mann?? Don’t make any sound OK?? I’m Mila. I’m the rat on your shoulder. Kin, Grayasety, and Franz say they miss you a lot.” Whispered Mila. Then she saw a humongou

A note of seeming truth and trust
                      Hid crafty observation;
                And secret hung, with poison’d crust,
                      The dirk of defamation:
                A mask that like the gorget show’d
                      Dye-varying, on the pigeon;
                And for a mantle large and broad,
              He wrapt him in Religion.
                   (Hypocrisy-à-la-Mode)


Upon a simmer Sunday morn,
     When Nature’s face is fair,
I walked forth to view the corn
     An’ ***** the caller air.
The risin’ sun owre Galston muirs
     Wi’ glorious light was glintin,
The hares were hirplin down the furrs,
     The lav’rocks they were chantin
          Fu’ sweet that day.

As lightsomely I glowr’d abroad
     To see a scene sae gay,
Three hizzies, early at the road,
     Cam skelpin up the way.
Twa had manteeles o’ dolefu’ black,
     But ane wi’ lyart linin;
The third, that gaed a wee a-back,
     Was in the fashion shining
          Fu’ gay that day.

The twa appear’d like sisters twin
     In feature, form, an’ claes;
Their visage wither’d, lang an’ thin,
     An’ sour as ony slaes.
The third cam up, hap-step-an’-lowp,
     As light as ony lambie,
An’ wi’ a curchie low did stoop,
     As soon as e’er she saw me,
          Fu’ kind that day.

Wi’ bonnet aff, quoth I, “Sweet lass,
     I think ye seem to ken me;
I’m sure I’ve seen that bonie face,
     But yet I canna name ye.”
Quo’ she, an’ laughin as she spak,
     An’ taks me by the han’s,
“Ye, for my sake, hae gien the ****
     Of a’ the ten comman’s
          A screed some day.

“My name is Fun—your cronie dear,
     The nearest friend ye hae;
An’ this is Superstition here,
     An’ that’s Hypocrisy.
I’m gaun to Mauchline Holy Fair,
     To spend an hour in daffin:
Gin ye’ll go there, you runkl’d pair,
     We will get famous laughin
          At them this day.”

Quoth I, “With a’ my heart, I’ll do’t:
     I’ll get my Sunday’s sark on,
An’ meet you on the holy spot;
     Faith, we’se hae fine remarkin!”
Then I gaed hame at crowdie-time
     An’ soon I made me ready;
For roads were clad frae side to side
     Wi’ monie a wearie body
          In droves that day.

Here, farmers ****, in ridin graith,
     Gaed hoddin by their cotters,
There swankies young, in braw braidclaith
     Are springin owre the gutters.
The lasses, skelpin barefit, thrang,
     In silks an’ scarlets glitter,
Wi’ sweet-milk cheese in mony a whang,
     An’ farls, bak’d wi’ butter,
          Fu’ crump that day.

When by the plate we set our nose,
     Weel heaped up wi’ ha’pence,
A greedy glowr Black Bonnet throws,
     An’ we maun draw our tippence.
Then in we go to see the show:
     On ev’ry side they’re gath’rin,
Some carryin dails, some chairs an’ stools,
     An’ some are busy bleth’rin
          Right loud that day.
…

Here some are thinkin on their sins,
     An’ some upo’ their claes;
Ane curses feet that fyl’d his shins,
     Anither sighs an’ prays:
On this hand sits a chosen swatch,
     Wi’ *****’d-up grace-proud faces;
On that a set o’ chaps at watch,
     Thrang winkin on the lasses
          To chairs that day.

O happy is that man and blest!
     Nae wonder that it pride him!
Whase ain dear lass that he likes best,
     Comes clinkin down beside him!
Wi’ arm repos’d on the chair back,
     He sweetly does compose him;
Which by degrees slips round her neck,
     An’s loof upon her *****,
          Unken’d that day.

Now a’ the congregation o’er
     Is silent expectation;
For Moodie speels the holy door,
     Wi’ tidings o’ salvation.
Should Hornie, as in ancient days,
     ‘Mang sons o’ God present him,
The vera sight o’ Moodie’s face
     To’s ain het hame had sent him
          Wi’ fright that day.

Hear how he clears the points o’ faith
     Wi’ rattlin an’ wi’ thumpin!
Now meekly calm, now wild in wrath
     He’s stampin, an’ he’s jumpin!
His lengthen’d chin, his turn’d-up snout,
     His eldritch squeal and gestures,
Oh, how they fire the heart devout
     Like cantharidian plaisters,
          On sic a day!

But hark! the tent has chang’d its voice:
     There’s peace and rest nae langer;
For a’ the real judges rise,
     They canna sit for anger.
Smith opens out his cauld harangues,
     On practice and on morals;
An’ aff the godly pour in thrangs,
     To gie the jars an’ barrels
          A lift that day.

What signifies his barren shine
     Of moral pow’rs and reason?
His English style an’ gesture fine
     Are a’ clean out o’ season.
Like Socrates or Antonine
     Or some auld pagan heathen,
The moral man he does define,
     But ne’er a word o’ faith in
          That’s right that day.

In guid time comes an antidote
     Against sic poison’d nostrum;
For Peebles, frae the water-fit,
     Ascends the holy rostrum:
See, up he’s got the word o’ God
     An’ meek an’ mim has view’d it,
While Common Sense has ta’en the road,
     An’s aff, an’ up the Cowgate
          Fast, fast that day.

Wee Miller niest the Guard relieves,
     An’ Orthodoxy raibles,
Tho’ in his heart he weel believes
     An’ thinks it auld wives’ fables:
But faith! the birkie wants a Manse,
     So cannilie he hums them;
Altho’ his carnal wit an’ sense
     Like hafflins-wise o’ercomes him
          At times that day.

Now **** an’ ben the change-house fills
     Wi’ yill-caup commentators:
Here’s cryin out for bakes an gills,
     An’ there the pint-stowp clatters;
While thick an’ thrang, an’ loud an’ lang,
     Wi’ logic an’ wi’ Scripture,
They raise a din, that in the end
     Is like to breed a rupture
          O’ wrath that day.

Leeze me on drink! it gies us mair
     Than either school or college
It kindles wit, it waukens lear,
     It pangs us fou o’ knowledge.
Be’t whisky-gill or penny-wheep,
     Or ony stronger potion,
It never fails, on drinkin deep,
     To kittle up our notion
          By night or day.

The lads an’ lasses, blythely bent
     To mind baith saul an’ body,
Sit round the table weel content,
     An’ steer about the toddy,
On this ane’s dress an’ that ane’s leuk
     They’re makin observations;
While some are cozie i’ the neuk,
     An’ forming assignations
          To meet some day.

But now the Lord’s ain trumpet touts,
     Till a’ the hills rae rairin,
An’ echoes back return the shouts—
     Black Russell is na sparin.
His piercing words, like highlan’ swords,
     Divide the joints an’ marrow;
His talk o’ hell, whare devils dwell,
     Our vera “sauls does harrow”
          Wi’ fright that day.

A vast, unbottom’d, boundless pit,
     Fill’d fou o’ lowin brunstane,
Whase ragin flame, an’ scorching heat
     *** melt the hardest whun-stane!
The half-asleep start up wi’ fear
     An’ think they hear it roarin,
When presently it does appear
     ’Twas but some neibor snorin,
          Asleep that day.

‘Twad be owre lang a tale to tell,
     How mony stories past,
An’ how they crouded to the yill,
     When they were a’ dismist:
How drink gaed round in cogs an’ caups
     Amang the furms an’ benches:
An’ cheese and bred frae women’s laps
     Was dealt about in lunches
          An’ dauds that day.

In comes a gausie, **** guidwife
     An’ sits down by the fire,
Syne draws her kebbuck an’ her knife;
     The lasses they are shyer:
The auld guidmen, about the grace
     Frae side to side they bother,
Till some ane by his bonnet lays,
     And gi’es them’t like a tether
          Fu’ lang that day.

Waesucks! for him that gets nae lass,
     Or lasses that hae naething!
Sma’ need has he to say a grace,
     Or melvie his braw clathing!
O wives, be mindfu’ ance yoursel
     How bonie lads ye wanted,
An’ dinna for a kebbuck-heel
     Let lasses be affronted
          On sic a day!

Now Clinkumbell, wi’ rattlin tow,
     Begins to jow an’ croon;
Some swagger hame the best they dow,
     Some wait the afternoon.
At slaps the billies halt a blink,
     Till lasses strip their shoon:
Wi’ faith an’ hope, an’ love an’ drink,
     They’re a’ in famous tune
          For crack that day.

How monie hearts this day converts
     O’ sinners and o’ lasses
Their hearts o’ stane, gin night, are gane
     As saft as ony flesh is.
There’s some are fou o’ love divine,
     There’s some are fou o’ brandy;
An’ monie jobs that day begin,
     May end in houghmagandie
          Some ither day.

me amd me ded arr heppie
wee plai calll ob dutie togeter
hourr favoorit movee id het fozz

wun dai he sai to mi
hoedw olds arrr yyou
i sai i an 176 h3 sai wen i *** urag i
*** 177

it mak noo sensse too mre

On Turning her up in her Nest with the Plough

Wee, sleekit, cow’rin’, tim’rous beastie,
O what a panic’s in thy breastie!
Thou need na start awa sae hasty,
Wi’ bickering brattle!
I *** be laith to rin an’ chase thee
Wi’ murd’ring pattle!

I’m truly sorry man’s dominion
Has broken nature’s social union,
An’ justifies that ill opinion
Which makes thee startle
At me, thy poor earth-born companion,
An’ fellow-mortal!

I doubt na, whiles, but thou may thieve;
What then? poor beastie, thou maun live!
A daimen-icker in a thrave
‘S a sma’ request:
I’ll get a blessin’ wi’ the lave,
And never miss’t!

Thy wee bit housie, too, in ruin!
Its silly wa’s the win’s are strewin’:
And naething, now, to big a new ane,
O’ foggage green!
An’ bleak December’s winds ensuin’
Baith snell an’ keen!

Thou saw the fields laid bare and waste
An’ weary winter comin’ fast,
An’ cozie here, beneath the blast,
Thou thought to dwell,
Till, crash! the cruel coulter past
Out thro’ thy cell.

That wee bit heap o’ leaves an’ stibble
Has cost thee mony a weary nibble!
Now thou’s turned out, for a’ thy trouble,
But house or hald,
To thole the winter’s sleety dribble
An’ cranreuch cauld!

But, Mousie, thou art no thy lane
In proving foresight may be vain:
The best laid schemes o’ mice an’ men
Gang aft a-gley,
An’ lea’e us nought but grief an’ pain,
For promised joy.

Still thou art blest, compared wi’ me!
The present only toucheth thee:
But, oh! I backward cast my e’e
On prospects drear!
An’ forward, tho’ I canna see,
I guess an’ fear!

Don't call them Gentleman's Clubs
When there's nothing Gentlemen
About any of them
No need to celebrate and blow my money
By throwing it at them
Maybe place a *** of cash near their Mirrors
Not wanting them to undress
Donate and leave
I can't believe
People accept this
Wife or no wife
I don't feel comfortable setting one foot through those doors
Stop calling them ***** and ******
There's more to their story
Let them speak
They can't be weak
For coping with savage dogs
For that long
And staying strong
Honey I don't want a show
I want to show you what my perspective is
Take this and run
No session needs to be done
Only if we date and you quit here
Can we do the act here
I'm not expecting a piece
Just wanting this terrible part of reality to cease
I hope the amount of food in your stomach has an increase
And you're not starving for weeks
Dancing on a pole
Being treated like meat
Baby you have us Men beat
As a person
No matter what they call you
Leave the past behind and start a new

**** angles.
This house has got plenty of **** angles. Tom knows, I don't. Tom knows more about that kinda stuff because that's Tom's forte.
Old Cochrane.

I'm not sure what disabilities he suffers from, but to be honest it doesn't seem much like he suffers. He's just a dude with a loud set of brains fixated on a very Cochrane world, sort of like Plato I guess, beard and everything, looking at the angles and strange asymmetric dots with a feeling that there’s some preternatural 'other world' where all of Cochrane's expectations are met and this house as well as the world would do ******* well to abide by it if it knows what's good.

Old Cochrane loves Superman Returns. I once saw him watch Superman Returns 3 times in one sitting, to the point that it became Superman Returns Returns Returns and for Chrissake if Metropolis were real I doubt his ethics would be much appreciated anymore but hey, who am I to say? I'm no Clark Kent but I'm sure Cochrane thinks he is, and if he's damnwell Plato he can damnwell be Clark Kent just as well as the next Kryptonian sucker to crash-land on planet Earth, and it's damnwell possible Cochrane is from Krypton for all I know, he's got some miraculous will-power and push, that's for **** sure.

He's always yelling, 'ober-der! Ober-der!' like he's some sad German screaming at the **** Poles across the Oder-Neisse line as if it were there **** fault. It's either that or Krypton is ober-der and he just wants to go home, or maybe his face gets red because he knows damnwell where Lex Luthor is hiding and he just wants our ******* help finding him.

I think Old Cochrane has a crush on Kevin Spacey.

I wouldn't know, but I'm making that assumption *** Cochrane looks pretty spacey sometimes.
Okay, that was just a bad joke. I'm not too good at jokes.

I have two coworkers named Ryan. To avoid any confusion we all just call them by their last names, Soprovich and Danyluk, but most of the time we just call Soprovich Ryan Sop, and I'm not sure if he much appreciates the nickname. Our bosses name is Pam Wadden and in response to her calling him Ryan Sop he asked if he could call her Pam ***.
Pam didn't hear that of course, but I heard it. And it was at that moment I made the judgement that old Ryan Sop is good at jokes.

Anyways to slide back to my point, once I was working with both Danyluk and Soprovich and as I was leaving, to shave a few seconds before my bus, I said, 'Bye.. Ryan..s'
that made them both laugh a little so I quickly made the judgement that I'm sometimes good at jokes but I never mean to be which is kinda Zen I suppose. Buddhist effortless effort or whatever they damnwell call it.

I've always been somewhat of an intellect, but not usually of my own freewill. I read a lot, but I sort of read like a ****** addict shoots-up.. just one more line, just one more paragraph.. and before I know it I've finished a book that kinda scared me but good ******* the high was fine.

I guess it's not really like that at all, but I like to think of it like that sometimes, it kind of excites my stomach in the good way, makes me feel like some ******* rebel reading **** the government has probably already burned or recycled into the paper bags I shop with at Safeway..
shopping at Safeway.. livin' life the Safe Way.. gatherin all the grosh-rees, yeah, you ****** know me
I forgot to mention I'm somewhat of a part-time rapper and 40% of the time I have rap lyrics pulsing through my head as my own inner monologue. I dunno why but it's always kinda made me proud to think the way I do and ******* does life get high and low and if you understood you would know what I'm talking about, but I know you probably know what I know, I just like to be a little pretentious about that kinda stuff *** if I pretend I'm the only one it kinda manifests in my attitude and I get girls easier.

True story.

Maybe.

Probably not, but if ya see what I'm getting at that assertion is part of the pretention *** I'm a ******* hipster for Chrissake, writing like J.D. Salinger, reading like Kerouac without the squinty drunk eyes of infinite sadness.

even the
arm of a
stranger
would be
could be
better than
the *** of
sheets that
isn't warm
not alive
just a sock
that slipped
out of the hamper
that isn't a hand
strewn over
mine, or
the pants carelessly
swung off the
side of
the bed
instead of
a hot foot
twined around
my ankle keeping
me anchored
to something
carnal
or real
to keep me
from floating
away.

Now you're gone
And you’re gone for good
So I’ll try not to miss you
But I’ll cry if I would

It’s been a year and half
And I’m still not over you
Even listening to songs
Reminds me of

You were so different
My right kind of wrong
Though you are a mess
It’s still you that I long

You never will be my perfect
But that's not *** I require
Because I accepted you for whom you are
A cheat, a kid, a lair

Everything around me
Somehow links up to you
This shatters me into pieces
An leaves my eyes with dew

Why do you have to go?
Why can’t you stay with me?
I can’t live without you
Why can’t you see?

I promise to give it all
Only give me a second try
Whatever you want will be done
This time I won’t make you cry

It’s still your call in the end
If you want to stay or want to go
But if you want me I’ll be there
I just want you to know

I can wait for you forever
I’ll be by your side when you need me
You got away by mistake
And so if you want to get back
I am and will always be ready

Go fetch to me a pint o’ wine,
  An’ fill it in a silver tassie,
That I may drink, before I go,
  A service to my bonnie lassie.
The boat rocks at the pier o’ Leith,
  Fu’ loud the wind blaws frae the ferry,
The ship rides by the Berwick-law,
  And I maun leave my bonnie Mary.

The trumpets sound, the banners fly,
  The glittering spears are rankèd ready;
The shouts o’ war are heard afar,
  The battle closes thick and ******;
But it ’s no the roar o’ sea or shore
  *** mak me langer wish to tarry;
Nor shout o’ war that ’s heard afar—
  It ’s leaving thee, my bonnie Mary!

O saw ye bonnie Lesley
As she gaed o’er the Border?
She’s gane, like Alexander,
To spread her conquests farther.

To see her is to love her,
And love but her for ever;
For Nature made her what she is,
And ne’er made sic anither!

Thou art a queen, fair Lesley,
Thy subjects we, before thee;
Thou art divine, fair Lesley,
The hearts o’ men adore thee.

The Deil he could’na scaith thee,
Or aught that *** belang thee;
He’d look into thy bonnie face,
And say “I canna wrang thee!”

The Powers aboon will tent thee;
Misfortune sha’na steer thee;
Thou’rt like themsel’ sae lovely
That ill they’ll ne’er let near thee.

Return again, fair Lesley,
Return to Caledonie!
That we may brag we hae a lass
There’s nane again sae bonnie!

You are the ghost that encompasses love; you possess my every thought.*

     Dust layers almost every object throughout each room of this small apartment. Beneath a white sheet, the dark brown, ragged couch is a perfect image of the haunting fear I hold inside.
     In the miserable corner lay your favourite red guitar. It is covered in a blanket of neglect; never again will it feel your calloused fingertips slide across the cracked fret board. Crop circles design the hardwood of where the other furniture once stood.
     I have yet to set foot in this room; it’s been months since the front room has ever felt sunlight. It’s been months since I’ve been able to cross the threshold where our relationship was at its peak, and wipe clean everything that we’ve left behind.
     I don’t want this to disappear, forever. Besides the memories that haunt me, this is all I have left of you. It hurts to look at this room, where we’d snuggle on the once healthy-looking and clean couch, watching our favourite black and white movies. I cannot part myself from this place where the memories still live.
     Our bedroom… the bedroom still holds the faint scent of your cologne that wafts through the house when a small breeze slithers through the window, opened slightly to rid the musty stench. A chamomile candle is lit there too, though it does nothing to sooth my nerves.
     I once took up drinking, but it always ended in passing out. I’d recover consciousness to the overwhelming stench of *****; my hair would be sprawled and stuck in a pool of it. It was a messy ordeal—I couldn’t understand why so many people turned to it to fix their problems. I dropped that immediately.
     Smoking created stress relief for a maximum of ten minutes, which would last me a trip to the grocery store. The smell stained my clothes, my hair, my apartment for what felt like months of cleaning could fix. That was only three weeks after everything collapsed.
     I’m clean, which is probably the least I can say for myself. I couldn’t touch your *****, beer, whiskey, cigarettes, lighters. I had to buy my own; all of your possessions were poison to the touch. I don’t know how you could so easily leave all of your belongings behind for me to look at every single day.
     I lay in bed every night, curled into a tight ball of discomfort in complete darkness. My mind finds it suitable to replay our relationship as a movie as I whimper softly. I am never able to sleep. Dark circles are prominent under my eyes.
     The happiest memories come first. When we moved into our apartment, it was small and *****, much as it looks right now. Happily, we cleaned it together, dancing and singing and giggling about. That was the happiest we’ve ever been. That was right after high school ended, when we were dating for two years. We were harmoniously in love, with no greater differences.
     Then the night we were engaged… You took me out to the garden overlooking Niagara Falls. That was my favourite place to go. The car ride was only twenty minutes from our apartment, but you were so eager to get there faster. The falls glowed a lovely spectrum of colors, while the mist rose above and blended with the explosion of fireworks.
     “Elise, you and I have been together since graduation. All through college, we were the happiest couple anyone knew. We’ve had our ups and downs—that’s a given—but lately, baby, we’ve only been going up. You’re my sweet, gorgeous, lovely girlfriend. I love you so much; I’d like to change that term to fiancée. Will you marry me?”
     A firework exploded as I smiled and jumped into your arms. Ever since you’d hinted this a few months earlier, and I told you that as long as you didn’t follow the cliché and go down on one knee, and you agreed, I knew one day to expect it.
     “You mean you had nothing to do with this firework display?” I grinned, “Of course, Jeremy. Yes, I will marry you!” We shared a long, hard kiss before we went on the rest of our night. I glowed ecstatically as I walked around, very well aware of the small series of diamonds on my ring finger.
     I never expected that night to go as well as it did. I never expected you to become the nightmare you did, either.
     It was a wonderful romance until the occasional fight turned into an every day activity that we participated in. The night you came home late was the first of it, when you came home almost an hour later than you finished work.
     I stood in the kitchen, looking out the front window facing the driveway when you pulled in. Your response was a mumble as you walked right by me, paying me not attention. “Long night, babe?” I had ask. It was a completely innocent question, but you turned down the hallway around the corner by the fridge, and simply replied with a sharp tone, “Yepp. Goin’ to bed.” “I love you.” I called after you. “Mhmm,” you replied.
     Some nights you redeemed yourself. As I sat in the passenger seat of the car, you’d speed through the roadway and talk about yourself. At the restaurant, I’d pick the food off my plate and ate it slowly, but you’d notice and make me laugh softly. It was just an act—I didn’t want to let my mind think that it was bad as it was, and I didn’t want to let you know that the past few nights weren’t as bad as you thought. Then you paid for both of our meals, escorted me to the car, and we took off to the mall.
    Into the most expensive dress store we went, and you bought me a red satin dress that you thought looked great on me. You then found a three-hundred dollar necklace that matched perfectly, and I agreed that it was gorgeous. Of course I loved them—they were beautiful. You still cared enough to buy me these things.
     “There’s that gorgeous smile I fell in love with. I haven’t seen that in a while, babe. It suits you.” You smiled, gazing lovingly into my eyes and gently cupping my face in your hands. I had flinched at your touch at first, but I adjusted to the former comfort of your warmth.
     Our relationship balanced itself on a teeter totter through the last few months. As time went on, it got worse. Every innocent question I’d ask about you would set you off. My words were like a switch that I couldn’t control; you’d either respond blankly, or angry and impatiently. It was hard to tell every time you’d return home from work which man I’d be speaking to.
     I was interrogated, and it usually ended in horror. When I went out for dinner with my friend (who, evidently, was gay) you were so angry—I’ll never forget your reddened face—you shoved me into the bookshelf.    
     Yet still, I loved you all the time, even when you cared nothing for my feelings or listened to what I had to say. You turned selfish. Desperately, I grasped the memories of the good times to replace with the bad. There was always enough of it to cover, but the black cloud still remained.
     I gave you all I had, and all I was.
    
     My best friend Jocelyn from high school had to come over on the first night you left. You got upset because I didn’t have the money to make a good meal, so instead we had to have sandwiches for dinner. It wasn’t my fault—we both knew I couldn’t find a job; you were supporting us both, yet you were okay with that when you asked me to move in with you. “I’m starting to not be able to handle living here, Elise,” you yelled as I watched the door shut after you. I cried so hard that night, because I felt guilty.
     I had dropped nearly thirty pounds the last month before you left. I couldn’t eat, or I’d throw up. My body completely rejected everything I put into it. The nights I had locked myself in the bathrooms were a clear heads up that you could leave without saying a word.
     My best friend, once again came to my rescue. That night I’d developed an eating disorder, Jocelyn, who weighed as much as I did before, carried me effortlessly to my room and laid me in bed.  
     She tried to coax me out of the house, but I couldn’t leave looking the way I did. I knew I looked ghastly, but she said nothing. Where would I go, anyways? She had her own boyfriend and a two year old by that time. I was thankful enough, though, that she was there for me when I needed her the most.
     “I’m going to get you out of here. He’s so bad to you,” She told me once. We were sitting at the dining table while you were at work. “You don’t understand, I love him. I keep thinking that this is just a nightmare—a phase; it’ll go away in time.” I defended both myself and yourself with a sigh. “Look at you, Elise,” she whispered, as if it hurt to say it. “I’m sorry.” She quickly apologized. “I can’t help it, I’m just so tired…”
     She’d never spend the night, though she wished to, and I never left with her. She was so fearful of you and what you’d do to her. That was another reason she never called the police; if you knew I didn’t do it, you’d find her. A heavily-built man like yourself was intimidating to anyone you ever knew. That was another advantage in your direction.

     On the second last day, Jocelyn had to come over, with our other good friend Jayme, to help me out of bed. By the time we’d reached the kitchen that morning, you busted through the door, drunken and enraged.
     Your eyes of cold, steel grey focused on mine and I jumped, startled. Angrily, you broke the bridge of support the girls held me in, knocking me to the floor. “You two better get the hell out of here before I call the cops!” You slurred.
     It made no sense if you did because they’d take you away for the abuse that was evident on my thin skin. It didn’t matter anyways.
     Jocelyn screamed, “You’re demonic and you are a failure of a human being.” You nearly knocked her on the side of the head and stormed out again before yelling, “I’m done with you, I hate what you’ve become. You don’t even look like a person anymore.” My girls insisted on staying over, but I wanted nothing more than to be alone.
     The next morning, I walked out into the living room. My eyes were barely open, because I was extremely tired as always. It startled me when I noticed you sitting on the couch, watching me as I walked out of our bedroom. “Sorry.” You mumbled with softness in your eyes that I almost didn’t recognize anymore. You then enveloped me in your arms, which didn’t smell like alcohol, but rather the new-clothes smell. It actually brought some relief—some comfort. “It’s okay,” I couldn’t fight it anymore.
     But you never did learn that you can’t say sorry and expect to be forgiven as easily as you could say one word. We spent that night together but I didn’t smile once. You never once asked about me, apologized specifically for hurting me, yelling at me, anything. All you talked about was yourself.
     “You have to leave, Jeremy. I can’t handle this anymore.” I looked down at the sheet we wrapped ourselves in. Through my hair I saw your wrinkled, scruffy face fall. “You can’t apologize enough. But if you wish to one day come back and treat me the way you did in the beginning, I’ll be waiting with open arms.” Then you got up, and walked out of my life.

     I didn’t think that was the last time I’d see you. Knocks went unanswered at the door for months, but I’d know if it was you. I sense these things.
    
     For now I wait, pace back and forth through this hallway, waiting for you to become a better man. The photograph of us hanging on the wall has yellowed, and as I trail along beside it, I pass over the crumpled collection of clothing with a *** of paper underneath it. My love for you will never die, the way another part of myself has.

Earnestly convulsing,
because I'm so **** bored.
I've never had a seizure,
but I imagine they're like this.
Leg spasm...
Flailing arm...
Thrashing head...
Bite my tongue...
Against the floor...
Sit up and spit up a *** of blood.
Of course it's not a real seizure.
Just trying something new.

Do green fingers still pull triggers?
Or do they only till the fields of hair?
Ploughing furrows of worry through thinning follicles,
Tangled knots of concern, snarling their path from the true.
Or can they only point accusingly,
Trembling fists beneath pointed judgements?
Hoping the directions sought by those lost,
Do not lead them down the garden path of violence.
This is for a man who takes nurturing into his hands.
A man who believes that the Kingdom of God can be found on earth.
A man who is determined to labour here in this the city of his birth
To cultivate the hope that springs eternal.
Changes part of the faith in his dreams to piece together his reality;
A world without violence.
These hopes are sleep sent for certain.
But his hands are sandstone
So when he rubs the rest from his eyes
He's only shaping his wishes into something less fleeting
For sure, his resting place is a flower bed
cos he wakes plants from their sleeping.

For each shoot that doesn't fire and grow
And each root that doesn't take hold and show
Each colour he knows they're capable of,
feels like a personal blow to all the effort he's put in.

This is the last gardener of Aleppo
His name is Abu *** and he is sick of watching his city fall apart
Ash Shabbah – the city of white soil and pale marble
Now  the white of ash, pale of face and fearful.
Once sanctuary against war,
Now this may as well be the last garden in the world.

He tells us “flowers help the world and there is no greater beauty than flowers”
And so for years, as his city suffers pallid,sickly but not bloodless,
He makes bouquets by roadsides for those who chose to stay
or have nowhere else to go,
or have left but their bodies remain,
And whose only beauty is ribcage grown

He wreathes his arm around the world
Turns our world into a garden of funeral tributes,
appreciated only now
In stark contrast to the destruction that never ceases.

He tends to carry on conversations with the dead
Motionless beneath the surface.
Friends or strangers
Rubble roused and fleeing, now their journey ended
Escaped as best they could, holding flowers in hands
 as he tends his garden still.

It’s a losing battle, lost
How only weeds grow through the cracks that civilization left .
Lichens lasting forever whenever they find the surface to hold onto long enough in this turmoil.
Though he pines for lillies;
 White crocus and daisies grow best in rebel held streets.
No matter.
He makes the dinner he deserves
fragrant with rosebay willow herb
And sage for remembering
But he can’t help but develop a bad taste in his mouth .
He has no taste for retribution
And he has nothing to cleanse the palate,
Of the pungency of despair,
The starvation of the soul.

The desert creeps further into his domain every year
Tendrils of havoc pushed like weeds wicked fingers by fertile bullets
Planted with no thought for the cruel blooms that unknown casualties assume know best
Brush strokes of red lichen, grace pocked walls carelessly evident of lives now past.
For every gravestone reminder of fertile soil
He knows each harvest relies on the last.
Cultivating only goodness in his heart,
the last gardener opposes the law of abandoned places:
That only rot will grow in the spaces left by humanity’s neglect
With agriculture he fights the ravages of the faithless. Torn turning this place into nothingness,
Looking for any hope this last chance leaves in a forest fresh of despair
So he tells us he’s heard from God that
“This tree will live and we will live despite everything.”
And he believes that the timbre of his voice would drown out the violence as he kneels in prayer,
As everything he loves splinters around him.

And he believes that even against the decrepit disrepair
That He can make this place an Eden again,
An oasis of calm during conflict.

Ibrahim lost his father
But maybe his memory can blossom and some beauty can bloom from the killing fields
Of the lily white city that can raise it’s own colours as a flag
And surrender itself to the will of the God of the Gardeners.

O WERE my Love yon lilac fair,
  Wi' purple blossoms to the spring,
And I a bird to shelter there,
  When wearied on my little wing;
How I *** mourn when it was torn         
  By autumn wild and winter rude!
But I *** sing on wanton wing
  When youthfu' May its bloom renew'd.

O gin my Love were yon red rose
  That grows upon the castle wa',   
And I mysel a drap o' dew,
  Into her bonnie breast to fa';
O there, beyond expression blest,
  I'd feast on beauty a' the night;
Seal'd on her silk-saft faulds to rest,
  Till fley'd awa' by Phoebus' light.

This is one of Barry Hodges' most inspired memories.

  'Twas morning time in times of yore and I, bold Barry Hodges, stood outside my store, my giant vegetables on display for all to see, when lo and behold! a luxurious limousine drew up, and from the back there emerged a gorgeous form of voluptuous statuesque feminity.
  "My God!" I cried, it is that beauteous lady from *La Dolce Vita, the wondrous Anita - and I gazed with joyous on her divine body, imagining it sprawled lasciviously in my bed, legs open as wide as a major road junction on the M1 motorway.
  "Excuse me", said she in that Italo-Swedish voice guaranteed to make any man wet himself copiously, "But I am a-lookink for a shop a-called 6B, and yet all I can-a-see is a Barry Hodges' the Master Geengrocer's, complete with a giant cucumber or two, which I 'av to say remind me of somet'ing tasty."
"Dearest lady, said I, you have come to the right place: 6B is the trading name of my sister enterprise: Barry Bodgers' Boil Bursting Beauty Bureau which is located upstairs, Barry Bodgers at your service, my dearest, most delightful Fru Ekberg."
"Shhhhhhhhh! I am een deesguise, not even dear Federico knows I am-a-here." And thus, assuring her of my utmost discretion, and forming a bond by saying that I too, the famous Geordie seducer, Barry Hodges, had indulged in a slight nomenclatural change in order to separate the two sides of my business interests, and in order to do a spot of money laundering on the side.  "But," I enquired, "How is it that you have need of the rather specialised medical services we offer, you who are so radiant and bella-bella?" She lowered her eyes seductively and promised to reveal her terrible secret.

As I ushered her up the stairs to the studio, my eyes on her ****-cheeks wiggling like two delectable beach ***** in a sack, she told me the sad tale of the immense boil which kept recurring on the middle of her back and which no amount of corrective surgery could fix.
"Aha!" I exclaimed, "Only Barry Bodgers, the world's greatest boil-sucker, can effect the cure for which you long, and I shall operate on you personally, not entrusting such a task to even the best of my boil-bursting minions." I added to myself, "Also I want to give you a good old bonking while we're at at."

Once we attained the privacy of my consulting room, I instructed her to strip off utterly so I might examine her, and I can tell you, dear reader, that her **** **** was a joy to behold. I too divested myself of my clobber, knowing that boil-******* can get a bit messy at the best of times. Jesus wept!, but the mighty boil betwixt her graceful shoulders revealed when de-plastered was a true horror, with a yellow tip as big as a Grade One Belgian Turnip. I explained that I would **** it out whilst I rogered her from the rear and that, when she felt her ****** on the way, she should scream out to that effect and I would then bite the core of the boil right out in a blaze of mutual ******* glory, before applying a dose of my exclusive Boil Preventative Cream, namely a handful of our conjoined love-juices extracted from her gaping ***** by hand a few seconds earlier.
"Yes! Yes! Yes!" screamed the Swedish bombshell and with a mighty **** like an industrial Dyson FX334 on full power, I slurped and  razor-bit the boil, bursting it asunder, smothering my eager face in blood and putrid pus, thereby causing me to blow my *** as ne'er before. The green core of the boil emerged from its fleshly cavity with a deafening plop as we came together like a nuclear blast d'amour.

O, but only then, as my seminal outpourings soaked my jim-jams, did I awaken to discover yet another nocturnal emission. And, not unexpectedly, dear Nurse Nellie, having heard my cry of ecstasy, rushed in to my bedroom, head-shaking and tut-tutting as usual, as she knelt down and licked my tum-tum dry.
"Yum, yum" she murmured in her dulcet Northumbrian tones, "Ah've looked after three generation o' Hodges laddies, and I kin tell ye, your *****'s the tastiest of them all, ye bonnie wee man."
"Better than Grandad Charlie's?"
"Why aye, mon, yours is well creamier."

When did I become disposable income?
I was so poor,
I know I must of seemed like a steal.
My bones are made of dehydrated milk and skin of a mothers welfare.

Support came with regrets, you know.
But how you managed to squeeze a penny from a SNAP of my belly-

You must be good with money
How you,
Leave pockets empty with no change
not even a wallet with a memory to care

Eat your heart out through an ***, Jeff Bezos.
Silver spoon deeply exempted and certainly a love affair.
Don't choke on *** of cold hard ****
It's free of charge,

I can't even save a seat for my fathers cooking;
(also dehydrated and distant in taste and substance)
let alone read a book written on saving money for someone special.

I had a bid in those texts you invested in
I hope you are rich and get all the love
Certainly someone must.
Cause I feel I am getting hungry
And you are getting,

delicious.