on a crisp, clean morning in the fall of 2008,  i was happy.
i walked to class, textbooks in hand.
I could almost feel the earth shifting underneath my combat boots.
I was excited to showcase my new haircut,
reaveal my new and improved self to the world.
I'll never forget when the handsome, bright eyed boy who sat behind me in first period called me a d*ke.

You see, from the very beginning, I was taught that having a ***** made me
just a girl.
Made me just a maid,
just a cook,
just a someday wife and mother,
just a dainty, pink ribbon,
just a punchline,
just an orifice,
this
is an ode to the parts of me
that no soul has ever truly desired to understand.
this is working just as hard as a man.
this is ******* with the lights on,
assuming my position,
stepping away from the kitchen.
this is burning my big girl ******* and going commando, instead.
this is scrubbing his DNA from my body and reclaiming it.

When you exist in a world
where you are instructed to keep your mouth shut,
your strongest desire is to open it,
as wide as a cavern.
Here, where we are told that we
think too much,
feel too much,
love too much,
we long to be enough.
this is being enough.
this is learning to love myself unapologetically.
this is finding comfort in my body,
despite all of the glass shards
i find myself plucking from it.
this is loving myself into
an ******, so heavy,
that it makes me feel
like a *****
is the most profound thing
a person can have.

I cried at the breakfast table this morning
my father carefully explained,
"wives must be submissive to their husbands"
"housecleaning is the domain of the woman"
"God created woman because man asked for a partner"

This past semester I wrote two papers

One, a fire and brimstone sermon
          I quoted Anais Nin
          sending the creators of sexist commercials to eternal suffering
          "**** them!" I said. "May they burn in hell."
          For the women they portrayed were doormats
          Misconceptions
          Monsters

The other, the role of women in the 1920s,
           No longer confined to the kitchen
           they dropped ballots with their new freedom
           they wore short dresses and short tresses
           fingers wrapped around cigs
           they quoted Wilde instead of Alcott
           they danced until their feet hurt
       
I read of Anais Nin's "new woman,"
her partnership, not submission to man,

I craved a room of my own, neigh demanded it
For sheep stayed in the kitchen,
The Woolf had a study.

I read poetry
Sexton,
Plath,
I wept for their starved, depressed selves
caged, suffocating inside the clasped hands of a man.
Loved like rib-cage jails.

Adrienne Rich made me angry,
her daughter-in-law
forever trying to fit into a box
she was always too big for, spilling
at the edges, her shaved
legs like "white mammoth tusks"

I was finally
happy with my womanhood.

******, ******, *****, *******
they are mine.
******* free to move unrestrained,
jiggling under my shirt.
Wetness between my thighs.
Menstrual blood,
they are mine.

mine.

I am not ashamed of what I am
because there is no shame.

I am woman,
I am girl,
I am lady.
I am a creature
with a voice
a mind.

a creature who endured much abuse,
continue to endure.

I am woman

and I don't have to be wife or mother
unless I want to be.
I was not created for man;
I was created for the same reason he was,
to serve the same great purpose on this tiny blue dot.

I am not rib.

I am ******, ******, *****, *******
******* free, unrestrained,
Wetness between my thighs.
Menstrual blood,

I am a per.
I am a wo.
I am a hu.

Man and son need to back down,
collaborate not dominate,
speak not command,

for when less are forced into silence,
the maddening scream
hidden inside skin and bones and muscle-meat
becomes song.

this world of car horns and tire screeches
crying and wailing from raw throats
angry protests of indignation

could use a little music.

Orchid pod spreads
gossamer mouth opens
subtle click of saliva,
trace across the paper-thin petal,
tickle across the veins where blood rushes new life,
smooth like wet latex, tongue massages a route around the world,
face buried in field of color
osmopheric scent of cinnamon
apples
nickel
overcomes,
come over me
pour the dew across my lips
drown me in the waves
that make your muscles cry my name,
nine point nine and the world cracks open,
like the ghostly leftover milk bath
of a ******'s first cleansing after loss of maidenhead,
it spills over us.

.i've come the one sober conclusion that concludes all other "necessary" conclusions, drunk. the consumption of alcohol and sunlight should never, ever, mingle; it's just plain silly, bad for the usual mood associated with drinking.

what do you get when you
"conflate"
   a post-existentialism movement
whereby, each, and, every, sentence,
looks, like, this,
   or invokes,
"something" akin to "this"?

      comma contra the ditto /
nuance?

          contra-points
meets buffolo bill
meets lily savage...
meets: whatever marylin mason
critique you have
in that head of yours...

and, yes, the platitude standards
of kant was a feminist,
plato was a feminist,
but now...
   i don't even know who
a feminist ist...

   (on purpose "added" T)...
pose...

       a sunday newspaper article,
reads...
    'sting at ******* lays bare
feminist split over *** work'...
i'm either ******* trans-confused
or just gender-huh?

hell, if we're going to ****
around with language,
numb-skull our experience with /
against it...
           good thing i learned
a few chemistry prefixes...

ortho- probably implies cis-,
trans- could imply meta-
when attached to ***,
but not the benzene ring...

    it's one thing transcending
the geography of Copernicus,
quiet another...
to "revise"...
using these vectors,
akin to the benzene ring,
ortho-, meta-,
oh, right... you forgot the para-,

nice thought,
use chemistry vector coordinates
for binding groups,
they're all here,
meta-, ortho-, para-,
      cis-, trans-,
       it's almost like a new
pantheon for the demigods...

the "metaphysics"
of transgender...
cis-,
  "on the side of",
side of what?
   a cupcake 1 +
     happy-birthday singalong,
or, what?

  well, given that biological
reality did the whole: bye bye
and a queen elizabeth II wave...

    the best part of me,
is not about to make sense of all of this...
i'll leave that to the journal-enlists...
       me, back in a *******
in athens,
unable to tell the difference
between a greek and a libyian...
because you know how
the mediterranean folk like:
smelly sheep herders
greasy, damaging good looks,
and an aura of that:
dangerous brunette...
not anything like us baltic folk...
downing raw herrings
in a piquant mingle of oil
and white vinegar...

      anyhoo...
       giggles exhaust me...
so i did get a chemistry degree
"for something", after all...
         classical chemistry
prefixes, required to draw
electron travel schematics...
mostly associated with
the benzene ring,
if ortho-, meta- and para-
positioning is "in question"...

cis or trans isomers...
**** me, i used to study this...
organic chemistry was
my soft-spot...
       a bit like what
cooking curries later became...
eh... brew some ester...
get a perfume out of it...

        but even at university
level they didn't teach me
how to extract polyethylene...
i guess it was polyethylene...

   like the whole oil rests
above water,
for the love of god i don't remember
what two liquids were involved,
one sat above the other,
and you'd pinch
the "event horizon"...
and pull threads of
the polyethylene from it...
strings of plastic...

          so, this current, philosophy
playing with a chemistry tool-kit
invoked into propaganda berlin /
weimar lone no loan woe?

                        sure, i'd buy it...
but up to a point...
    i'm sniffing around and have
come to the following conclusion...
someone...
is really in dire straits...
wishing that gwanp'ah soviet
came back
to settle the equilibirum...
        this current feeding of
a lost void is...
       not helpful...
       as i see it...
   it will take much more than
a ****** to nanny the riddled
males of the capitalistic
  "under-class"...
   queen bee, isn't going to "cut it"...
if she's no gargantuan
***** black 'ole... is "she"?

      and the whole gender neutral
pronoun, schtick?
   that's only worth so much...
sooner or later...
        "they'll" be gagging
for the guns of navarone...

the current mumbo-jumbo
is... alkenes
to me:  cis-2-butene
                     trans-2-butene...
background noise...
  
ugh... chemistry:
             algebra, for the truly wicked.
     but let's entertain
this kindergarten play talk
for a while longer;
no one wants to see a dangling
poopie suffocated by
a g-string,
                  do we?

.before i come to the food topics, here's a pet peeve... language... how the pakistanis might / might not be offended by the laziness of the english, shortening their denotation to a prefix: ****-... and i'm like... is that really offensive? with the -stani suffix missing? o.k. o.k., iraq: iraqi... iran: iranian... pakistani: ****- / pakistani... so what about afghanistan? afghan, or afghanistani?! i'm pretty sure it's afghan... a person is afghani and not afghanistani... so what's wrong with ****-? it must be an english-****'stani thing from the 1960s or something... ******* as sensitive as french footballers... this has to be hard-pressed... this instance... because i hardly think it's a racial slur to stick to the prefix and not include the suffix, given the example from afghanistan - just like the "problem" of calling a jew a ***-, borrowed prefix from... yiddish! now for the food:

a. would you trust a skinny chef? i know i wouldn't trust a chef who's also a healthy-eating gym bro maniac, i bet he would never cook with lard or pork trimmings, with that calorie calculator lodged up his head that represents an ******* is not much to go with when taste is prime... 6ft1 253.5pounds, that's where i stand... i would never trust a health-freak to cook for me, let alone all the proofs rattling anorexic examples...

    b. "***** take your shoes off and get into the kitchen!" what a ****** joke, chauvanism rampant... mind you... who the hell said that women belong in the kitchen? they don't... i don't want a woman in the kitchen... i've had two dinners cooked by my fwends' mothers when still in my early teens... 1. over-cooked pasta... my fwends father would pretend to eat the dinner, before driving me home while stopping off at a sikh diner and took to the take-away (cooked by men), another example beside the over-cooked pasta? under-cooked spring potatoes - after all... the men on ships and submarines that kept the other men firing did all the cooking... men can cook... or at least: that's the least they should do... think: organic chemistry experiments...

eating a raw herring
in piquant mayonnaise
of reminiscence of a
granny-smith and pickled
cucumber tickle...
slurping it up into
a workout of the oesophagus
might remind many
of oral ***: but after all...
it's only a raw herring being eaten.

p.s. well perhaps gulping down
a raw oyster does feel familiar
to performing oral *** on a woman...
but since you're not really
chewing the oyster,
or licking it... but gulping it whole...
i can only compared performing
oral *** on a ***** to
                eating a raw herring.

            and why all of this talk of food?
well... what's on the menu for tomorrow?
a bangers & mash stew,
    old recipe from the days of the british
empire... mind you: why did they
call sausages bangers back then?
well, during the war, they put a lot of
water into the sausages...
and when water mixes with warm oil?
bang! bang!

                 'i was five and he was six,
   we rode on horses made of sticks,
he wore black and i wore white,
   he would always win the fight...
   bang! bang!
  he shot me down!
  bang! bang!
                 i hit the ground...
bang! bang!
   that awful sound...
bang! bang!
   my baby... shot me down!'
              (audio bullys ft. nancy s.) -

so obviously i had to take a walk
and buy the key ingredient...
   i.p.a.:
        and when they were stationed
in the raj, and the troops were receiving
provisions...
  the standard beer wouldn't last the trip,
going off...
     and dark port was too sweet...
so indian pale ale was invented:
   more potent alcohol content and brewed
based more on hops than barley or wheat...
bitter: but my god, what a strand of beer,
like your typical irish stout...
   which is why i never figured out
  the bud to be the king of beers...
   fermentation of rice? sure... it's crisp...
but also the sort of toddler **** you'd expect
from rice fermentation:
no body, no *****, no blood,
no palette...
      easy stew:
   sausages,
      onions, garlic, celery, carrots,
                  leeks...
     a bottle of i.p.a.,
   some to degrease the pan the sausages
and veg were fried on, the rest for the jacuzzi...
some water, bay leaf, salt to taste,
   tomato purée and 2tbsp
  of muscovado sugar to bite through
   the extra hops... mash on the side...
                  and an array of veg on the side too...

i still don't know where the idea
that women belong in the kitchen came from:
perhaps when the men were coal-miners,
and when the kitchen wasn't filled
with all the current day appliances
of convenience...
   when women worked as hard in the kitchen
as the men who worked in the coal-mine...
perhaps then, in the early part of the 20th
century... when spaghetti dough was hand-made
at home...
then a woman could take pride in her
house-keeping...
   now? now i guess: the same sort of melancholic
voice bound to nancy sinatra singing...
because once upon a time it was hard
work, running the house...
                       and then "suddenly"
everything became simple...
a man could walk into a coal-mine,
come back home and...
              make himself a decent meal...
  looking at what the english woman buy
in the supermarket?
      couch potato maidens...
       ready meal after yet another ready meal...
things have become so easy
that easy isn't enough...

      let me tell you a culinary ***** of a story...
the scurge of making homemade
ravioli! believe me... once a year is enough...
sure, it tastes great...
                  but once a year is enough.

She took off her dress. She had long black hair, a pale face, slanted
green eyes, greener than the sea. She was beautifully formed, with high
*******, long legs, a stylized body. She knew how to swim better than any
other woman on the island. She slid into the water and began her long easy
strokes towards Evelyn.*
Anais Nin, Mallorca

Letter from Anais Nin To Sean


Every stroke is like the foundation
of Adam you pound and twist.
Make your **** shift from inner
to outer space. That way when you lift
you are not empty, while the air
above your *** has a crisp outline
--movements down inner thigh
easy to sway, a lilt almost, dark
reservoir where you are satisfied
before it happens, as you wait
anticipating that several blink.


Letter from Sean to Anais

When i kiss, my lips are tender and nibble
and my breath sweet can be heard in
that autumn forest as a river runs
down your spine; you are a mouth that licks
the back of my hand nibbling on my fingers
while I find the crease of your *****
and liberate the edges. You're a lovely,
fertile reef where impossible swans
hold my **** within the fireworks
spoken as light storms remember
the reflected grace of your mouth
and eyes when we stare into that abyss
that never stops so wonderful ***
rides our back to an ancient sea
forgotten when the tide pools break.


2. Anais

She had long black hair and when she spoke
the hair covered her eyes, and you cleared them
by brushing the strands back, slipping your ideal
into her mouth, her long legs drawn against your
anticipation of some deep distress when you finish
later, a great shark of a ship hunting the strokes,
spliting the pearl clam open with your
simple breathing foaming hurricanes,
when they reach half-way suddenly still --
the anchor falls through the splash
raging down our street released
to an undetermined depth.

time is not real unless you are an adult
monday ***** so bad sometimes i sleep under
tuesday's promise of money and dog food to
fix my lack of communication skills

I can remember that first encounter. He was a man in his early thirties, bright eyes but with a dark grin and was smoking your cigars wearing a black hat and he was also carrying a guitar. He was here to show me how to strum an few chords.

I remember him distinctively saying...

"Guitar playing I am about to teach you is really the same as love making you know?"

I  laughed and blankly said
"but how so?"

" Well... (grinning)
Each string has to be carefully plucked, and contains a different  sensation and vibe if you mishandle the strings that final note will sound awful.

He was showing me how to re-tune and play a few chords which were C, D and G then pass me over the guitar back to me.
"Its your turn dear, and be really gentle"

While doing this and playing the first few chords of the guitar which was D I could feel him rub my shoulders and chest gently.
"Don't worry you can trust me, I was just loosening you up we can't have you feeling tense"
"Now, show me a G"

I begin to play the chord G while doing that he then grasped firmly on my other hand : I can feel a surge of heat from his hands firing up my fingers. This heat was making its way to my chest. He now caressed and circled around the chest and then higher up to my *****. I can feel his breath and his tongue swirling and stretching out to **** on my *******.

"Okay ... final note play me a C"

I crouch down to the floor and begin to strum that final chord and can then feel him stretch his hands beneath my skirt I could feel the sensations further of his fingers strumming my ***** in the same rhythmic motions of his guitar previously.

"See what I said? music playing really is the same as love making"
"I nodded and said yeah I suppose"

A bit shaken and uncertain how to respond but he kept whispering into my ear and repeating that same line: while kissing me on my cheeks, stroking me up and down in circular motions in which I could feel a tense feeling of release and then silence again

Was that the final note?

Opgedra aan ‘n kind  wat gebliksem moet word.
Deur: Desperaatheid en vrees

Jy klim in en uit die ***** van bestaan,
beide die rede vir liefde en
die kind wat sy baar.

Jy is ‘n drievoud van godelike hervertellings
, want wie kan regtig liefde
in ‘n enkel sin verhaal?

Geminag , die seun van liefde en haat
- jou einste bestaan ,van die vroegste
paradoksale meesterstukke.

Verewig , verewig tot ‘n kind
tussen die Groottes wat
blindlings onder jou boogpunt swik.

Vir elke nasie ‘n ander droom
Vir elke geloof ‘n ander naam en
Vir elke mens ‘n ander god.

Amor , oh Amor!
Die sinnebeeld van liefde
wat die mendsom verbly

, maar Eros jou ramkat
jou hupse hygelbek!
Jou erotiese aanraak!
(die begeer ek)

En ek?
Met my koker van lig en van goud,
wat hulde blyk en bou en bring
maar bestorwe le voor my Laurel
oor ‘n lood-stomp pylpunt vir haar ‘n treuerlied sing!

Amor, Amor word wakker!
My son le liefdeloos in my bros hart
, wat instaan teen logika
– sterk op die oorlogspad!

Jy wat na my heuning reik
-met honger hande vieslik gryp
en ek wat jou met angel steek
in desperaatheid jou nat vel breek…

“Oh moeder”, roep die wetter na bo
vir die planete om aan te ****:
“Oh moeder, Oh liefde “ ,spat die sot se treur,
“ *** kan so bietjie , so klein – so seer!”

En die heumel druis soos die moeder lag
haar humor eg , maar haar woorde sag:
“ My naakseun, my hinksperd
My fallus met vlerke!
Jy ,nog ‘n roosknop.
gaan ook so te werke!
Aanvaar die poëtiese justitie
Stil nou liefstetjie
Lamtietie Damtietie …”

Amor, Amor!
Weerstaan tog skoonheid se wieggelied
en wees my genadig!

Begunstig my ten einde laaste
, selfs vader tyd is verveeld
met die son se enkelpad!

*** lank nog wil jy sluimer?

Amor, Amor!
Tel weer op jou leisels
en bring liefde op die wind
my wereld lê in afwagting
vir die dolfyn en sy kind!

Wees my genadig, Amor!
Deurboor my leemte met goud,
,want die bringer van lig is slapeloos
en my hart is droewig en koud.

Oh Amor, Amor!

Ek weet jys nog jonk,
maar *** speel jy dollos met lewe se vonk…

Amor, Amor!

Word wakker!

Amor…

the ego is a balm
for watching herds--
ezra pound is dead..

withought the ***** to make it rue
of wittier witter aphorisms never trilling forceful to undo

singular muse,
where do you come
in head or tip of head?
elusive beauty, disappear
i act in other barefoot dreams


typos bless the will to mean
of finality
of seem seam flawless be
i **** the emperor of ice cream
with concupiscent "words"
that verb the still to be a yogurt burv


single fractal frog
jumps like rhyme of toggle cog,
cutting grandma's mind

empty cup fills want
with other bristle sip+
eclipse Hypatia naked at the shrine
failure of a form
cones another phage
with peaceful loving bawl

freedom fighters flaunt
masturbatory rights of congress whim and taunt
crackle jackal fire sights
sing single missile lights

do i jest
or do i best,
lest simple techne tumble kite of waiting in the dark
of politician's lark
inventive lewd
of plaintiff plea
and rumble drum democracy

venous cud
of bovine mewing in the mud of affuenza's motherhood
strikes painful cords electric suds
that lather in the lackey's trodden figure's utter
venus aphrodite's *****'s foam

hopkins is at home
manley in the rub of constant loathsome comb
that preens a matish apparition's tomb

hello kind traveler
that takes me by the hand
rolling in the grass has never been as such
the band plays off Genghis Khan
like Gandhi spitting soup
in afternoon reprieve of ignoramOus fun

the meaning is ajar
i know i war with Stevens too to
bear the furry calousness of wartime's endless true
a bond of moneylicsious new accounted even in the dew
that sunders sounds to recreate a farflung brew
of history's adieu
which only sPeares you in the gut
(an existential reference here to trope the nom)
elusive Lear that wanders in the Foolish storm caressing cave to find
another mind
that only someone special kKnew of Kent
encapsulating time in brands that offer (a[0I]ether dust for tolling flight
growing down into the mushroom ground
spanning subtentious fraughtful nocturnes in the night
to bide that meaning's plight i wish i
wasn't altogether through
though happy to be here iwth yew

.
                                      V
                              i      i o       i
                           o        l a         o
                          l           V            l
                         a          i   o           a
                        V          l    a           V
                         i           V   i            i
                         o           o  l            o
                           l            a            l
                              a      ­  V        a
                                        V
                                        
                                        
                       ­                 
        .

The ivory flower
in stone, she cannot move
and breathe as petals do

separate
and separate

I see the centerpiece,
the head reaching from a
black hole

it says if you do not
move, I will want to be

inside of you –

an ivory flower fell from
the stem from which
it bloomed

and became as hard as
stone

separate
and separate
the flushed folds of June.

She speaks privately from between her legs!

Children scattered about like luke-warm dregs
of life sipped tentatively from the mug
made of her **** and the carefully shorn rug
once atop her ***** but now replaced
with a clever thong and further defaced
by empty words with which no one bothers;
like abandoned motherhood and absent fathers.

Once, long ago, the seas calmed down
if they viewed a full cuntal frown
But now what power yet remains
is washed away and the Tide abstains
from noticing at all that clever ******
of hip carried power, now just animal lust.

God with His magnanimous decree
gave us dominion over all we see
and gave it despite our rampant *****,
waggling ******* and ***** locks!
But our mouths undid us, to the core,
flung man to the ground and named woman ‘*****’.

So now emblazoned for all to see,
above the *****, *******-ly,
the final victim of original sin:
The Unattended Child!  What does he win?

Well, there it is, written bold
above the entrance to the exit of old
“Unattended children will be given an espresso and a free puppy”
Cut the umbilical!  ***** the father!   **** the mommy!

And over coffee, we’ll share some snickers
about the ****** made of her knickers.

                She used to speak from between her legs!
Her **** shouted down oceans and now it begs
for mere notice in words writ small
and forgets why she wears underwear at all.



"Unattended children will be given an espresso and a free puppy. This funny and beautiful design features a vintange inspired cup of espresso."
**an ad for thong underwear, presumably for women

it's 10:20 a.m., or a.d. for that matter,
i'm drinking for a sloppy mistake
i call ease, in circumstances that
are rather necessary for my balancing /
juggling act... the alarm on the clock just went off
but i woke up two hours earlier, listening to
b.b.c. radio 4... talk of birds (cuckoos /
winged parasites the specialist says) and
hindu assimilation into western opera via goa;
i'm watching a pair of sparrows build a
nest in my neighbour's guttering;
they noticed me perched on the windowsill
puffing out smoke, so they figured,
no better safety than under the watchful
presence of a dragon;
and indeed the chinese and the welsh
drew dragons long before any bones
of dinosaurs were unearthed;
it wasn't necessarily instinctive,
but a premonition, i.e. prior to the motion
of accommodating such a truth,
or truce, however you mind it;
so an eventful morning, while i stress over
the fact that i have two sleeping pills left
in the reservoir, and am about to phone
up the surgery to, "hopefully" getting a
triage appointment with the medical
bureaucrat / general practitioner (who
gets the entitlements of the status 'dr.'
and a 'dr.' salary, while the surgeons doing
all the ***** butchery gets less and only
a title 'mr.', i guess paying them less is
a motivational tool, look at all the pauper
artists of the Renaissance for a comparisons,
the pope and all his riches could never
enrich the message of our father);
so a pair of sparrows flying in and out
of the shrubbery, he brings back a beaked
piece of twig, she brings back her presence,
i don't know who to attach the
number of caterpillar legs i.e. who's
doing the leg-work to, i know she's the oven,
but why isn't she chopping twigs off?
she's just randomly flying to and fro -
and indeed man imploded, he knew
the hunter gatherer, the beer brewer, the plumber -
she exploded with the numbers,
and only in times of war was she conscripted
as equal and equally able in the realm of
man's autism of provisions of profession,
into that deathly hollow of obsession -
the prostitutes just laughed the whole thing off,
you could see them from 20 miles off:
ha ha he he... but boy were they *******
when they received an ****** on the job...
the highest reconciliation, and yet the lowest ebb,
the futility of the matter,
having gone through all that trouble
using skin creams to create a fake arousal
and actually reach the peak of being aroused
via an ******...
well i did once **** a girl with a dry *****...
obviously i'd proclaim it as ****,
i have to... we watched the film the machinist
prior - when you have *** with a girl
who isn't aroused but she still wants to,
then we'll have a talk about the precautions
that prostitutes take when having ***
without psychological intimacy,
oiling themselves up with skin cream
to ease the matter of engagement.
but still, two sparrows building a nest,
because they know a dragon perched on the
windowsill puffing out cigarette smoke
is formidable enough for a cuckoo or
predatory affairs curbing the multiplicative
chances of defence tactics being used -
and as man, we have become that in a sense,
we provide a multiplicative evaluation of things -
yes we are, yes we were, yes there's more to come -
but in terms of addition, there's hardly an
explanation at hand... i mean you diminish the
chances of addition by citing maxims of those who
added to the history, but that's still a multiplicative
evaluation - you haven't ventured into the realm
of adding something to the feat and fate of humanity,
you're still there, a maggot on a fishing hook-curl;
so whether you (x) to humanity and seek the algebraic
fascination of questioning to the extent of not really
answering, or whether you (+) to humanity and become
yourself, an algebraic fascination that asks and answers
in baby-steps... there are still two sparrows
building a nest in my neighbour's guttering.

.
                                    V
                         ­  o       o i       o
                         i          l à          i
                       l             V             l
                       à         o    i            à
                       V         l     à           V
                       o          V  o            o
                         i           i l             i
                           l          à           l
                             à       V        à
                                       o
                                       i
                                       l
                                       à

i just don't some things,
i don't understand that under the pretense
of writing very little
being able to write a rhyme is enough
to suggest that you're toying with
an art-form...
   personally? i don't know how i got here,
but right now that doesn't really matter.
the whiskey is cold and a cigarette is
only 10 minutes away, gone is the macho
strive to impersonate the Kray twins,
or in that line of thought: blue for boys
pink for girls,
why is the transgender movement happening?
erm... could it be because of
gender stereotyping?
   it probably has nothing to do with
annexing the words from St. Thomas' gospel,
it could really be a rebellion against
                 gender stereotyping...
out comes a woman dressed as a nun,
then out comes a woman dressed in a niqab....
  curtain-sellers! i knew it!
                 what's pajamas in punjabi?
     chuckles?    chack'ah chuck chittering?
**** me and a throng of sparrows, land ahoy!
what i don't get is that there's a science in poetry,
poetry for its lack of volume gets this leechy
science of itemisation, this vague anatomy...
i don't think i write for an anatomy,
i ****** well hope i don't write something
worth an anatomy... i basically write to give people
a feeling of eating sushi, or raw red meat...
    i entrust them with the notion that it's a narrative
that needs to be there between having a glass
of whiskey... i don't write with the hope of being
itemised and stripped bare by some English students
equating a metaphor with liver...
******* bog-standards... i really do not understand
this whole concern for a hussle-and-bussle
that surrounds poetry: you have a ******* pelican
taming the skies, why invite a Mongolian beehive
to fill in the blanks intended with "notes"?
     it's to do with the fact that you don't need to
strain your eyes, *******, it's not:
i write sparingly so you have to comment...
           why note the ****** crap from four words
when you're intended to sorta spread them out,
and feel them over a spectrum of a few days,
so that there's no synonymous-amgiguity ascribed
to them, which means you can act upon
deviating from the idealism of words thought,
and antonym them within the realism of words acted
upon...
        i just can't stand people mutilating poetry,
they're not even performing a postmortem surgery,
they're hacking at a stump of wood
    in a forest, when there are so many trees to be
looted...
               again the point... maybe the transgender
movement is due to the fact of gender-stereotyping?
blue boy, pink girl, salmon fading pink of shirts on
metrosexuals? hey, Sherlock! i'm not the answer!
   what i'm bothered about it the fact that
poetry attracts bothersome flies...
who feel a need to make poetry into prose:
economically speaking, yes prosaic literature is
worth the money, with more words in a chapter than
in a poetry collection.. how's your eyesight though?
    then there's this girl, a Joe Pachelbel (sorta),
and she does the worst thing imaginable to poetry,
the educated norm...
              the bothersome fly bit...
              it's just narration girl, it's just narration
too lazy to invent characters fake schizophrenia
          and say too many words that don't appear in
urban conversations about a ****** or a juicy mango...
and that's why i think people are put off poetry,
the fact that poetry is like this magical artefact that
might give you eternal youth... that you have to
scrutinise it so much that you almost get sick of it...
you couldn't even if you tried put a question of metaphor
into a journalistic entry...
                      so why put so much science into
an area of the humanities?
            where's the feeling part, and the part where you
have to create volume from poetry for it to compete
for an existence alongside prose?
    most prose works these days don't even deserve
a campfire anyway... in the same way that poetry shouldn't
really accept all this excess of narrative,
it's like people who read poetry are characters in
    a prose novel, they're asking for the part of
lynching the narrator into suggesting less ambiguity...
   in prose the narrator is almost too easily discredited
from playing chess, in poetry the chess pieces gain
consciousness that they're being moved and subsequently
rebel and ask too many questions...
          what the **** dragged me into this realm?
the question serves itself...
   and even donning a cravat or a boutique corset you
suggest not talking *****...
   then off the donning attire gets ripped,
   and it's heathen sprechen in onomatopoeia of
knocking on a door to open, a flower to open in spring,
a ***** to get juicy, and de Sade coming home.
                i say fiddle with the idea of a river...
  end this bogus fly-trap of people playing surgeons
with poems like they might play doctor with dolls...
                 it's getting annoying:
it's written sparingly for a reason, the blank spaces between
the words is not a prompt to comment and vandalise
the poem, which they do; pristine bourgeois? you'd
think, wouldn't you... graffiti on some urban slum wall,
a comment in a poetry book: same ****, different cover.
i never understood why they needed to say
so much about poetry in order to make it
economically viable to compete with prose custard,
     i just thought: poetry and photography are akin...
say much more than the photograph endorses
and you've just started blinking...
         which to the photograph in-itself means:
  look at another if your eyes are watering with
            peppery tears that itch; and another... and another...
and another.

i know of Knausgård -  sure, and i share this concerns for
the art of taking to lumber and chopping,
  as novelists tend to do, write with an axe,
philosophise with a hammer...
          metaphor turned into imagery
counter-turned into literalism...
   i once imagined him not being there -
i once wrote ich kampf, stressing
that it was an indefinite expression
of expression, primarily due to the content
of the pronoun... and i was referring also
to the definite expression (much obliged,
atheism, a- without, and the- with,
or indefinite and definite articulation) -
the English eye sees one stance as definite,
and another as indefinite, and juxtaposes
the two interacting...
                          they duly interchange...
i can say ich kampf and say i internalise
verbs: a movement of the hand,
   a strutting or a waltzing circumstance
of owning a body... that's what it's indefinite...
that's why Sartre slithered in counter to
his expanse in philosophy: because i really loved
his novels...
                          but in terms of a mein or
a mit (including me) struggle i find not
ease... no one dares to devalue ****** as a human,
not talking about the past history in purely human
terms urges the postscript of a dictator,
it actually elevates him to a godly status...
           not realising the human is to make flaws
of what the en masse does: raises him to a godly status...
     Zeus had a beard... not a Charlie Chaplin moustache...
right now he's laughing in his grave...
                      old Aldous ******...
   and aren't dictators born because people find their
surnames a little bit funny? it starts so
innocently...          and then it morphs...
   and it becomes an unstoppable morphing...
    yes... i know of a certain number of fellow
      contemporaries... because i want to? no,
because i have to. like rewatching the 2015 film
android - some films you have to rewatch...
   what's being debated? autism and artificial intelligence...
   hyperactive autism, i grant you that...
        it dawned on me... at autistic person could
fake a normal human response treating it as
      artificial... artificial also means mimicked -
  it means that "smart" guy at a bar reciting poetry
he hasn't written... artificial intelligence or the study of it
or even creating it has nothing original about it...
it's not groundbreaking in the same sense that
discovering champagne or penicillin is...
or l.s.d., because these examples have the magic of
being discovered by chance... humanity has been
artificially simulating intelligence since time
immemorial... it's that natural consequence of not being
endowed with a peacock's array of feathers
   to create a soothing, and sickly gentle wind of a woman
resting in a hammock under the shade of a palm tree...
artificial intelligence was inherent in us...
       it's the unravelling of the historical noumenon of man,
the per se that has only crept up on us,
   and before the reality of such a foundation being
established... the humanities create the "prophetic"
citations of it being true: in the "near" / impeding future.
    if god is a noumenon, then man cannot be a
phenomenon... but he is and paradoxically the two
of mutually compatible on a basis of exclusive rather than
an inclusive naturalisation...
               we are talking nature:
  we are talking god naturalised by the medium
suggesting: for i am bound to create obstacles and test
the body, rather than the mind of man...
    as so is man, also naturalised by the medium
of the elements, saying: for i am bound by a body,
   and have to utilise the body first, to overcome the wind
and the snow and the furthermore, until i reach
the labyrinth of the mind...
  and man has done just that, he has bypassed the struggles
of the body, and created entertainment using
the body that once struggled against the elements...
   for he has created the god Minotaur: and the psychic
labyrinthe... as with the Titans whom the gods
usurped, so too comes the twilight of the gods...
but being usurped by demigods...
       Minotaur was a demigod... who usurped the gods
of the trinity that were Zeus, Poseidon and Hades...
        for only the Greeks could create a Judaic bewilderment
as to why a sign was given unto an infant...
           but that's getting technical...
the film, android (2015)? it supports the misconception,
the anguish of a highly functioning autism...
      whereby showing a woman's carelessness in the realm
of adaptability with what some would claim to be
the beginning point of: overcoming the elements...
sure the odd tsunami and earthquake...
   but there's also the tiger, and winter, and parasite,
   and diseases of so many variations...
              man has not been endowed with complete
control over his surrounding... but in becoming partially
overlord of the ones tamed, he has created a mental
labyrinth... a world of such complexity that will
inevitably produce instances of autistic genius...
                 artificial intelligence is already imbedded in us,
just as cloning and Islam has already existed
(Christianity is too schismatic to be considered a cloning
definition... and Judaism as a monotheistic principle
has a heresy embedded in its orthodoxy that it simply
ignores: reincarnation... the Malachi heresy...
  that a second Elijah comes... and god becomes a half)...
   we see artificial intelligence everywhere...
        if the myth goes that woman fed man the original
lie of Eden... then man has nothing else to do than
attempt to polymer that one single lie...
       and repeat it... a reverse intrusion to what "could"
have been an utopian splendour.
      we all see artificial intelligence rummaging about
in the choices people make... it's called lying
   to gain access to a ****** gratification...
  or as i like to call it: a way to compensate our falling short
of the norm, a norm that focuses upon creating
   the most complex startup a Silicon Valley genius
can't comprehend... a family.
    these times prescribe such a bewilderment...
              families are artefacts of what some believe
precipitated into barbarity so close to us: the 20th century...
        and all those arguments you hear that might
discourage the opposite ***, as in damning your parents
for a piece of seashore **** fest of the *****?
   probably came from a person born from a surrogate
mother... well... an incubator, a very expensive *****...
   homsexuality created the evolution of prostitution,
once bound to the genitals... now bound to the womb...
     i.v.f. kids calling natural kids ******...
   i never liked the matrix movies in all honest...
but we're seeing the reversal of the original idea...
                 in the matrix of knowledge... hearts become
piñata: chockies sweet, sensations abundant,
  the spectrum is yours.
                but this poem isn't really about that...
i can sip a whiskey and actually find these things when
i start to utilise these symbols... it sometimes happens
that they fall through... all i was really thinking about
is the "theoretical" score of 147...
                      i'll call them billiards rather than *****
to excuse a "he-he" Michael Jackson laugh at a chance
of "nuance"...
       yellow (2), green (3), brown (4), blue (5), pink (6), black (7)...
and plenty of red (1)... points in bracket respectively...
                  of course from childhood memory i sided with
ronnie... also from Romford... an obscure town in Essex
that oversees the shard and canary wharf from
a distance...                    but watching snooker as a child...
          not too bad at pub-snooker: i.e. pool...
and that game show when snooker was hot back in
the 1990s... big break, with jim davidson as host...
    and of course: john virgo as the rejuvenated
                         ghost of alex higgins... this whiskey
swiggly is on me al.
                 but this final... ****! at one point it was
a century after a century...
                     chess with mathematics, trigonometry
and Pythagoras in motion...
                                    the gods playing with saturn
and jupiter neptune planetary arrangements...
            i can't word it properly... but it'll definitely sound
better than a concussion after too much rugby and
the rough-stuff of "manhood" strutting with bulging
muscle tensions... rather than this Japanese warrior-monk
in a waistcoat and bow-tie swirling a stick in the air...
           i just thought of one thing...
15 wildebeests on an African savannah...
       out comes one lioness...
    and she nibbles at the pack... and she picks off
the weakest of the 15 wildebeests...
              she nibbles the pack before the pack breaks away...
         she looks left (red) and then looks right (yellow,
green, brown, blue, pink, black) -
                      and she picks at the pack, one by one
they fall... but there are two games going on...
   there's the no-man's land snooker where the game is
about entrenchment, and snookering the opponent
for a foul... and then there's the tsunami snooker...
which kinda looks like one person playing chess...
     with no opponent other than a chance mistake...
misjudgement on the case of instinct and how they ******
well know what angle to fudge the white lioness
                onto the billards... and with what force...
      tsunami snooker, or cascade snooker is basically
a monologue...
                             after seeing 3 centuries in a row
you get to crave classical snook -
                                       the mind games of safety shots...
   and teasing, and tempting, and teasing, and tempting,
before the Rubic cube unravels itself,
   and you find that light at the end of the tunnel...
                        and the black pops into...
i'll be honest, i haven't watched snooker for a long time...
        maybe that's why i feel so enthusiastic about it...
       it's sometimes good to be fed this mundane diet
of sport-fanaticism that football is in accordance with
religious dogma... it's a good thing...
             then you end up watching a game of snooker
and all these things start firing up your brain...
   and you end up saying:
      the Taj Mahal can be there for all i care...
the Grand Canyon can be there for all i care...
                    such things don't really require a photograph
with my gimp-face trying to make other people jealous
by actually being there: only to take a photograph,
rather than feed into the air and the thrill of being there...
        as they say... it's a small world after all...
better get used to it being much bigger inside your head.

tonight the sky.

dark palette.

the stars are projectors.
the paintings of them are in
perpetual motion,
carry the zero.

conflicted still life.
of spathodea.
of pomegranate.
of her own folded-up *****.

it's all in how you interpret
the brushwork.
girls can tell.

a reassuringly dull sunday
turns to intrigue.
the busy girl buys beauty.

people are places and things.
lost affections in a room
in need of images
or at least explanations.

she looks for it.
she listens for them.

the sound of existing.
the sound of a quiet room.
a rainstorm or possibly the sound
of someone taking a shower.

blind little rain.

autosleeper lowers her head.
the economy of sleep patterns.
and little else celsius.

tonight the sky.

tomorrow a place where
one can ruin oneself,
go mad, or commit a crime
with paint.