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"vivace" poems
Symphony No.9 in d – minor, opus 125 Allegro ma non troppo The silence gives way gently to quiet tremolos rustling beneath the beckoning call of distant horns. A melodic cell, nascent in violins, spirals down to the somber depths of cello and contrabass. A sudden cataclysm shakes the hall like thunder heralding our universal birth. Gales of sonic force splashed like turbulent waves against the rocky shores. Drifting sans glass or sextant on a sea of expanding mystery, we gaze to the heavens in hopes for a glimpse of our father’s aetherial dwelling. Molto vivace With hands intertwined, we dance in a ring to the capricious airs of the laughing gods with Zeus himself on timpani. So pass the wine and kiss your neighbor and fill your glass to the brim! For today is yesterday’s morrow and tomorrow’s history. Adagio molto e cantabile There is no greater and more healing light than the candles that shine in the eyes of a friend or loving spouse -   tenderly lighting our paths through the storms and fogs that cloud our lives. Peace abides in a friend's embrace. An die Freude Against raging storms of strife and sorrow. we hear a healing voice A calm cello hymn - that migrates up to higher cords of violas and violins - breaking into joyous song sung by trumpets, winds and drums. Casting all shrillness of discord aside, a baritone lines out Schiller’s ode - and sings of Elysium’s daughter.   Quartet and chorus enter in proclaiming hope for the human family, A tenor raises a stein to valor in the company of his friends. The quiet pulsing of horns and winds ushers in torrents of ecstasy. Arms clasped in communal embrace, we gaze to heaven on bended knees then rise with a majestic fugue that illuminates our souls like a blazing Alpine dawn. In a cyclone of passion, Schiller's words and Beethoven's notes entreat us to restore what custom has rent apart that each of us may live our lives as brothers in heavenly sanctuary. May 25, 2007
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Sep 20, 2013
Sep 20, 2013 at 1:33 PM UTC
Beethoven and Schiller
Symphony No.9 in d – minor, opus 125 Allegro ma non troppo The silence gives way gently to quiet tremolos rustling beneath the beckoning call of distant horns. A melodic cell, nascent in violins, spirals down to the somber depths of cello and contrabass. A sudden cataclysm shakes the hall like thunder heralding our universal birth. Gales of sonic force splashed like turbulent waves against the rocky shores. Drifting sans glass or sextant on a sea of expanding mystery, we gaze to the heavens in hopes for a glimpse of our father’s aetherial dwelling. Molto vivace With hands intertwined, we dance in a ring to the capricious airs of the laughing gods with Zeus himself on timpani. So pass the wine and kiss your neighbor and fill your glass to the brim! For today is yesterday’s morrow and tomorrow’s history. Adagio molto e cantabile There is no greater and more healing light than the candles that shine in the eyes of a friend or loving spouse -   tenderly lighting our paths through the storms and fogs that cloud our lives. Peace abides in a friend's embrace. An die Freude Against raging storms of strife and sorrow. we hear a healing voice A calm cello hymn - that migrates up to higher cords of violas and violins - breaking into joyous song sung by trumpets, winds and drums. Casting all shrillness of discord aside, a baritone lines out Schiller’s ode - and sings of Elysium’s daughter.   Quartet and chorus enter in proclaiming hope for the human family, A tenor raises a stein to valor in the company of his friends. The quiet pulsing of horns and winds ushers in torrents of ecstasy. Arms clasped in communal embrace, we gaze to heaven on bended knees then rise with a majestic fugue that illuminates our souls like a blazing Alpine dawn. In a cyclone of passion, Schiller's words and Beethoven's notes entreat us to restore what custom has rent apart that each of us may live our lives as brothers in heavenly sanctuary. May 25, 2007
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69
I still hear your euphoric melodies, The way your eyes would sing. Vivace, you set the tempo; The master of playing my heart strings.
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Jan 28, 2021
Jan 28, 2021 at 6:14 AM UTC
I still hear your euphoric melodies
Phlox Linum,             Phlox Linum,                         som satin south alyssum,            vivace kiss                       weave violin wind ******            caress calendula                       bloom bow bagatelle            bloom allegro            linen Primrose!                      Phlox Linum,             Phlox Linum,
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May 25, 2013
May 25, 2013 at 11:23 PM UTC
it is done
Flowing blue and Majestic purple flecked with a Staccato of yellow, marked by the Adagio of green and Accented silver Caesura. Dolce is the rosa and lapis that Crescendo into Fortissimo red and a Vivace of cerulean -- Sforzando of orange! Decrescendo into emerald, a Morendo into the dark Grazioso, where rests a Fermata of rainbow. At least this is what I see On the black and white Sheet of paper.
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Jan 10, 2011
Jan 10, 2011 at 8:35 AM UTC
Sight-Reading
Je ne veux plus aimer que ma mère Marie. Tous les autres amours sont de commandement. Nécessaires qu'ils sont, ma mère seulement Pourra les allumer aux coeurs qui l'ont chérie. C'est pour Elle qu'il faut chérir mes ennemis, C'est par Elle que j'ai voué ce sacrifice, Et la douceur de coeur et le zèle au service, Comme je la priais, Elle les a permis ... C'est par Elle que j'ai voulu de ces chagrins, C'est pour Elle que j'ai mon coeur dans les Cinq Plaies, Et tous ces bons efforts vers les croix et les claies, Comme je l'invoquais, Elle en ceignit mes reins. Je ne veux plus penser qu'à ma mère Marie, Siège, de la Sagesse et source des pardons, Mère de France aussi, de qui nous attendons Inébranlablement l'honneur de la patrie. Marie Immaculée, amour essentiel, Logique de la foi cordiale et vivace, En vous aimant qu'est-il de bon que je ne fasse, En vous aimant du seul amour, Porte du ciel ?
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Je ne veux plus aimer que ma mère Marie
Empty bottles late night a long look at stars bright hail a cab hold tight fast steps hold hands warm heat the old dance lick my lips electric trance I want you to undress me As you would a flower Crush my lips breathe that heavy perfume fire in the belly hands like an army conquer and unconquered pounce to the beat of this restless drum engulf me, aflame set this room on fire maddening vivace of red wine, blood breath after breath wave upon crash upon wave upon color the night sky one moment one infinity your skin like magic I fight and claw against inevitability and time prolong this deliciousness one two three hundred moments of clarity in an endless circle I cry out with stars in my eyes And soft I tremble I sigh A release and the world stops for just a moment and it is enough don't say a word just lie here with me
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Jul 30, 2013
Jul 30, 2013 at 10:00 PM UTC
Urgency
Vorticosi anelli imperlati di caducità. Volto scuro, nell'ombra del sole. Vivace tristezza volteggiante sulla testa. Scintilla di fuoco di una sigaretta sprecata. Respiro forte di polmoni, a riempire il vuoto che c'è nell'anima con l'etereo. Catrame nero e traditore, colma le mie mancanze e paziente ascolta i miei lamenti. Impassibile e maligno.
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Jan 27, 2013
Jan 27, 2013 at 4:18 PM UTC
catrame
IV Pizzicato pianissimo its sound gestured into resonance a slight plosive of winds sustained Arco – a lament in falling thirds whispering towards an upward leap and a hold crescendo  decrescendo Imagine his imagining in nature’s realm (that patient catalyst for the solitary maker’s mind) now guarding here its assembly in a sounding out Adagio – in a three-fold telling A measured preliminary to the music’s soon-to-dance theme before rising scales and emphatic chords – Allegro Vivace V Words on the rise bricks on the going then in the hall on the wall A poem you simply have to read so crouch close to the Suffolk brick don’t mind those  descending shoes The verse is laced with words of sound breaker march cry rumble clap cueing memory into remembrance And why why here where formal musicking lives and rules are we noised down steps by a boiling kettle? VI As the water holds its breath so a dense cloudscape forms and floats Inverted mirrored wholly still it replaces the water with horizonless sky and extended reflections of grass But as water exhales clouds coalesce a right perspective restores
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Dec 31, 2012
Dec 31, 2012 at 6:45 AM UTC
Remembering Britten (part 2)
it starts as a single vibration concert pitch then a semibreve. crotchets and quavers the crescendo builds notes scattered. the bow lurches; allegro e vivace a melody is heard. sweet dulcet tones fill the air – wafting, singing, passing us by.
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May 11, 2013
May 11, 2013 at 1:35 PM UTC
Contemplation
You play a perfect harmony to the music of my soul In 4/4 time the last measure is our goal You conduct me along with the swift movements of your bow Sweat collects on your prominent brow as you hit the note a little too low Andante to vivace my heart rushes to tempo We hold our fermata embracing the moment, slow The notes sit on the page while my thoughts dance with the rhythm They leap and they frolic to the sounds of the broken hymn A little sharp, maybe flat Our pulses quicken assai, as though Haydn intended that Like the Baroque Era wrote for us and our meetings in private Our handshakes that last long and our glances that are silent But it won’t last and we will face the caesura of our love It transpires as we ignore the baton waving above Our duet will end as it started, quickly, like the flight of a dove Le Carnaval Des Animaux replicates my scrambled mind No matter how hard I search, the answers I cannot find In hectic chaos I’m blind to the clearest option staring straight at me A simple kiss will suffice in helping me see For to be the maestro I must know every part Feel each chord progression and triad deep down in my heart A kiss will answer if these feelings are true Or if because of my dreams I have sudden interest in you Whether the moment is a roar of fortissimo glory Or it is a disappointing sforzando into the diminuendo of our story Do you feel a crescendo when our eyes meet for a second? Like we’re calling each other closer and with each blink we’ve beckoned One another to draw in the coda finale Together we may join and our notes, they will rally By the last bar they’re in unison and our cadence is clear The next movement will begin, there is nothing to fear
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Apr 24, 2018
Apr 24, 2018 at 11:34 PM UTC
Maestro
You play a perfect harmony to the music of my soul In 4/4 time the last measure is our goal You conduct me along with the swift movements of your bow Sweat collects on your prominent brow as you hit the note a little too low Andante to vivace my heart rushes to tempo We hold our fermata embracing the moment, slow The notes sit on the page while my thoughts dance with the rhythm They leap and they frolic to the sounds of the broken hymn A little sharp, maybe flat Our pulses quicken assai, as though Haydn intended that Like the Baroque Era wrote for us and our meetings in private Our handshakes that last long and our glances that are silent But it won’t last and we will face the caesura of our love It transpires as we ignore the baton waving above Our duet will end as it started, quickly, like the flight of a dove Le Carnaval Des Animaux replicates my scrambled mind No matter how hard I search, the answers I cannot find In hectic chaos I’m blind to the clearest option staring straight at me A simple kiss will suffice in helping me see For to be the maestro I must know every part Feel each chord progression and triad deep down in my heart A kiss will answer if these feelings are true Or if because of my dreams I have sudden interest in you Whether the moment is a roar of fortissimo glory Or it is a disappointing sforzando into the diminuendo of our story Do you feel a crescendo when our eyes meet for a second? Like we’re calling each other closer and with each blink we’ve beckoned One another to draw in the coda finale Together we may join and our notes, they will rally By the last bar they’re in unison and our cadence is clear The next movement will begin, there is nothing to fear
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31
A swirling of sounds, color, movement, page marked vivace: meaning lively, vivid Our eyes meet and the music starts; from the first beat I realize You don't need theory to know what keys pluck at my heartstrings Simpler than intervals and your smile, a crescendo into the forte of your embrace The curl of your lips as your laughter resonates a harmony with my own we breathe and even the silence is as beautiful as the noise I am so thankful for those repeats, a skip up the step to your front door and the creak as it swings open and I spin into your arms a different ending to each beginning, always going back to the same butterfly melody flitting wings parading color and light around the room as we sit, pinkies entwined like vines on a garden wall, and we are both blooming in the golden summer sun, hearts pounding blood rushing, lush and alive Your smile, your words, our hands together: A world of colors and sounds all our own the tonic note of my favorite  tune and the pick up to a whole new melody Thank you.
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Feb 3, 2015
Feb 3, 2015 at 8:39 PM UTC
For Allie
Someone once told me that I am a slow song starting to accelerate. At Larghissio, I have a calm demeanor. Not the calm of a warm sunny day. But a somber calm where I slowly slit a person's throat whilst listening to classical music. Grave is where things gets mixed with feelings but where I refused to acknowledge it. The trend today is dead inside. But hey, the shade my mother threw at me about my grades during dinner is at the back of my head. Largo is a little dangerous. My father is trying to communicate to the four-year-old little girl that was swallowed down along with his drugs. I am no longer dead inside when I acknowledge that it's wrong. Adagietto is a fancy word. So is dementia. Now, it's harder to stand in front of the grandfather who can't remember me. Hurt is an emotion. Andante means I am hurt. With hurt, I think one loses rationale. Moderato is for moderate. But, at moderato, hurt has led me to my anxiety cabin. Hereon, the walls I have created around me becomes a physical embodiment when all I do is stay in my room. I want to slow down the pace. But now, I am starting to hear more than one song. Some of it, I am singing on my own. All of it, at Allegro. My blanket was my hero at Allegro. I named it 'Depression' and I wore it all the time to cover my ears. As for rationale, there being none, I found myself and all my songs at Vivace. The most vivid was my mothers'. She'd often peek through my walls. Sing a heavy metal song about my disobedience of wearing depression. When she got tired, she'd stop singing. Now, I am left with my songs at Allegro and the distant voice of my grandfather who sings for himself at Larghissio. The more I try to grasp the lullaby of my grandfather, the faster my songs rise to Vivace. I am strong but not strong enough to sing multiple songs at Vivace. Respectively, often these days, I fear that all of my songs would abruptly stop at Presto. But, on most days, I think about falling back to the next song on your playlist, and it doesn't matter at what tempo.
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May 10, 2018
May 10, 2018 at 5:25 AM UTC
Me, but a song
Someone once told me that I am a slow song starting to accelerate. At Larghissio, I have a calm demeanor. Not the calm of a warm sunny day. But a somber calm where I slowly slit a person's throat whilst listening to classical music. Grave is where things gets mixed with feelings but where I refused to acknowledge it. The trend today is dead inside. But hey, the shade my mother threw at me about my grades during dinner is at the back of my head. Largo is a little dangerous. My father is trying to communicate to the four-year-old little girl that was swallowed down along with his drugs. I am no longer dead inside when I acknowledge that it's wrong. Adagietto is a fancy word. So is dementia. Now, it's harder to stand in front of the grandfather who can't remember me. Hurt is an emotion. Andante means I am hurt. With hurt, I think one loses rationale. Moderato is for moderate. But, at moderato, hurt has led me to my anxiety cabin. Hereon, the walls I have created around me becomes a physical embodiment when all I do is stay in my room. I want to slow down the pace. But now, I am starting to hear more than one song. Some of it, I am singing on my own. All of it, at Allegro. My blanket was my hero at Allegro. I named it 'Depression' and I wore it all the time to cover my ears. As for rationale, there being none, I found myself and all my songs at Vivace. The most vivid was my mothers'. She'd often peek through my walls. Sing a heavy metal song about my disobedience of wearing depression. When she got tired, she'd stop singing. Now, I am left with my songs at Allegro and the distant voice of my grandfather who sings for himself at Larghissio. The more I try to grasp the lullaby of my grandfather, the faster my songs rise to Vivace. I am strong but not strong enough to sing multiple songs at Vivace. Respectively, often these days, I fear that all of my songs would abruptly stop at Presto. But, on most days, I think about falling back to the next song on your playlist, and it doesn't matter at what tempo.
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35
Sonnet. Quand on a tant aimé, c'est un rude réveil ! Tu t'es cru dans un nid semblable aux nids des haies, Caché, sûr et profond. Vain songe ! Tu t'effraies D'avoir osé dormir ce dangereux sommeil. La foi, bonne ou mauvaise, a donc un front pareil ! Tu ne veux même plus croire les larmes vraies ; Et si l'amitié cherche à te panser tes plaies, Ton désespoir viril arrache l'appareil. Tu goûtes l'âcreté de l'insulte récente : Gonflé de sa douleur en niant qu'il la sente, Ton grand cœur se console à la bien soutenir. Mais, si tu veux garder vivace ta rancune, Marche au soleil, et fuis les pâles clairs de lune, Et crains plus que la mort ton plus doux souvenir.
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335
Trahison
Two frail circular spheres With the membrane of a bubble Hazily drifting above something somewhere Life on the left After life on the right One is full And the other empty At the apogee Of death Or birth Or rebirth And redeath In order to cease In order To stop You need to be full, sheer and vacant At the very end You are condescend Tangled and about to explode You cannot contain anything anymore You are pure yet full of rotten apples You stink like sweetened milk and pepper You go up up up And down down down Low And then you are desolated Full of emptiness Inscrutable Full of cavities to be fulfilled Delusional You loose all senses And for a brief but vivace moment Half of a glimpse Something opens And the bubble pees all of its essence Something sweet Musky oil Infiltrating the fine globe And you are half full You decide to press the big bright red button Both bubbles Strangled Collide Eclipse Open Fade Fuse New Free Feral And then You simply Are crushed in between Two light, half-transparent things Compressed And you are a living Dead Alive half of the time You cannot be more dead than you already are Or more alive than alive You have brutally cut the connection The never ending 8 And you a drifting Away Far far far away Into oblivion
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Oct 24, 2018
Oct 24, 2018 at 12:11 AM UTC
Untitled