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"vienna" poems
You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to **** you. You died before I had time ---- Marble-heavy, a bag full of God, Ghastly statue with one gray toe Big as a Frisco seal And a head in the freakish Atlantic Where it pours bean green over blue In the waters off the beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My ****** friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine, Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You ---- Not God but a ******** So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not Any less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the ***** And I said I do, I do. So daddy, I'm finally through. The black telephone's off at the root, The voices just can't worm through. If I've killed one man, I've killed two ---- The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There's a stake in your fat black heart And the villagersnever liked you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you ******* I'm through.
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29.7k
Daddy
You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to **** you. You died before I had time ---- Marble-heavy, a bag full of God, Ghastly statue with one gray toe Big as a Frisco seal And a head in the freakish Atlantic Where it pours bean green over blue In the waters off the beautiful Nauset. I used to pray to recover you. Ach, du. In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My ****** friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene An engine, an engine, Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You ---- Not God but a ******** So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not Any less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look And a love of the rack and the ***** And I said I do, I do. So daddy, I'm finally through. The black telephone's off at the root, The voices just can't worm through. If I've killed one man, I've killed two ---- The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There's a stake in your fat black heart And the villagersnever liked you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you ******* I'm through.
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80
(After Lorca) Now in Vienna there are ten pretty women. There's a shoulder where death comes to cry. There's a lobby with nine hundred windows. There's a tree where the doves go to die. There's a piece that was torn from the morning, and it hangs in the Gallery of Frost— Ay, ay ay ay Take this waltz, take this waltz, take this waltz with the clamp on its jaws. I want you, I want you, I want you on a chair with a dead magazine. In the cave at the tip of the lily, in some hallway where love's never been. On a bed where the moon has been sweating, in a cry filled with footsteps and sand— Ay, ay ay ay Take this waltz, take this waltz, take its broken waist in your hand. This waltz, this waltz, this waltz, this waltz with its very own breath of brandy and death, dragging its tail in the sea. There's a concert hall in Vienna where your mouth had a thousand reviews. There's a bar where the boys have stopped talking, they've been sentenced to death by the blues. Ah, but who is it climbs to your picture with a garland of freshly cut tears? Ay, ay ay ay Take this waltz, take this waltz, take this waltz, it's been dying for years. There's an attic where children are playing, where I've got to lie down with you soon, in a dream of Hungarian lanterns, in the mist of some sweet afternoon. And I'll see what you've chained to your sorrow, all your sheep and your lilies of snow— Ay, ay ay ay Take this waltz, take this waltz with its "I'll never forget you, you know!" And I'll dance with you in Vienna, I'll be wearing a river's disguise. The hyacinth wild on my shoulder my mouth on the dew of your thighs. And I'll bury my soul in a scrapbook, with the photographs there and the moss. And I'll yield to the flood of your beauty, my cheap violin and my cross. And you'll carry me down on your dancing to the pools that you lift on your wrist— O my love, O my love Take this waltz, take this waltz, it's yours now. It's all that there is.
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6.3k
Take This Waltz
(After Lorca) Now in Vienna there are ten pretty women. There's a shoulder where death comes to cry. There's a lobby with nine hundred windows. There's a tree where the doves go to die. There's a piece that was torn from the morning, and it hangs in the Gallery of Frost— Ay, ay ay ay Take this waltz, take this waltz, take this waltz with the clamp on its jaws. I want you, I want you, I want you on a chair with a dead magazine. In the cave at the tip of the lily, in some hallway where love's never been. On a bed where the moon has been sweating, in a cry filled with footsteps and sand— Ay, ay ay ay Take this waltz, take this waltz, take its broken waist in your hand. This waltz, this waltz, this waltz, this waltz with its very own breath of brandy and death, dragging its tail in the sea. There's a concert hall in Vienna where your mouth had a thousand reviews. There's a bar where the boys have stopped talking, they've been sentenced to death by the blues. Ah, but who is it climbs to your picture with a garland of freshly cut tears? Ay, ay ay ay Take this waltz, take this waltz, take this waltz, it's been dying for years. There's an attic where children are playing, where I've got to lie down with you soon, in a dream of Hungarian lanterns, in the mist of some sweet afternoon. And I'll see what you've chained to your sorrow, all your sheep and your lilies of snow— Ay, ay ay ay Take this waltz, take this waltz with its "I'll never forget you, you know!" And I'll dance with you in Vienna, I'll be wearing a river's disguise. The hyacinth wild on my shoulder my mouth on the dew of your thighs. And I'll bury my soul in a scrapbook, with the photographs there and the moss. And I'll yield to the flood of your beauty, my cheap violin and my cross. And you'll carry me down on your dancing to the pools that you lift on your wrist— O my love, O my love Take this waltz, take this waltz, it's yours now. It's all that there is.
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54
<> **”To dream by the oak and awake by the sea when August has ripened and turned Jubilee you must enter dominion of summer's delight and live in the rapture of candescent light Oh to live and to love one must first learn to kiss,   the kinetics of summer, with eternal bliss.”** ~from vienna bombardieri’s poem, “Kinetics Of Summer~ (with her kind permission) <> First verse pinpoints accurate, this, my spot! by oak and sea, my precise longitude and latitude, where my summertime eyes open to receive the gift of morning’s light, observing the conjunction of land, hard by the sea, the land-ed avian gentry and sea~sailor birds interacting, sharing the uprising currents, for sport and observation, travel and pleasured sailing, these “Masters of the Sky can fly for hours (or days), while barely flapping,” and this verse stuns, and my shock, at these, her words my breathing is gasped and grasped by oak and sea, for so it be, this is where my morning’s operatic scrum, ballet and dance hall hullabaloo, my diurnal natural choreography is performed, while slow sipping my very heated first coffee it was here that I learned to love more easily, for the kinetics of summers trio of sun, sky, and moderate breezes, lulled the turbulence of my disheartened lives into an easier order, the world~surround, a living, breathing exercise that warmed the spirit, cooled the soul, and spoke without uttering a single word, here dear person, is the where and the when, the comfort of the natural-blanket that enwraps, covers, cherishes the atmosphere entire, containing the healing elixirs and protective ointments, that remove the plaque of life’s accumulated injuries, slights and scar tissue simply put, here I breath freely, here I see with clarity here the infusions of living in nature, prolongs, restore, remind, enliven and enhances, the intermixture of body and soul here in actual deed, the kiss of summer bliss upon my tiring cell’s walls, are resurrected even unto the nuclei, by the warm breath of sun life and sun light, and the breezes of salty sweet caramel air and under their loving, combined-dominion am I resurrected and will yet sense, one more Jubilee again as I lay dreaming by the oak and the sea…
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Aug 2, 2023
Aug 2, 2023 at 4:05 AM UTC
“To dream by the oak and awake by the sea“
<> **”To dream by the oak and awake by the sea when August has ripened and turned Jubilee you must enter dominion of summer's delight and live in the rapture of candescent light Oh to live and to love one must first learn to kiss,   the kinetics of summer, with eternal bliss.”** ~from vienna bombardieri’s poem, “Kinetics Of Summer~ (with her kind permission) <> First verse pinpoints accurate, this, my spot! by oak and sea, my precise longitude and latitude, where my summertime eyes open to receive the gift of morning’s light, observing the conjunction of land, hard by the sea, the land-ed avian gentry and sea~sailor birds interacting, sharing the uprising currents, for sport and observation, travel and pleasured sailing, these “Masters of the Sky can fly for hours (or days), while barely flapping,” and this verse stuns, and my shock, at these, her words my breathing is gasped and grasped by oak and sea, for so it be, this is where my morning’s operatic scrum, ballet and dance hall hullabaloo, my diurnal natural choreography is performed, while slow sipping my very heated first coffee it was here that I learned to love more easily, for the kinetics of summers trio of sun, sky, and moderate breezes, lulled the turbulence of my disheartened lives into an easier order, the world~surround, a living, breathing exercise that warmed the spirit, cooled the soul, and spoke without uttering a single word, here dear person, is the where and the when, the comfort of the natural-blanket that enwraps, covers, cherishes the atmosphere entire, containing the healing elixirs and protective ointments, that remove the plaque of life’s accumulated injuries, slights and scar tissue simply put, here I breath freely, here I see with clarity here the infusions of living in nature, prolongs, restore, remind, enliven and enhances, the intermixture of body and soul here in actual deed, the kiss of summer bliss upon my tiring cell’s walls, are resurrected even unto the nuclei, by the warm breath of sun life and sun light, and the breezes of salty sweet caramel air and under their loving, combined-dominion am I resurrected and will yet sense, one more Jubilee again as I lay dreaming by the oak and the sea…
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62
I know from my past, gym class From locker rooms, I learned fast That lots of guys have winners But my sausage is from Vienna. I got a little bump, a tiny little lump, Like a hamster has taken a dump. Nothing bulges my shorts at the crotch. Not much there for anyone to watch. But our society puts the emphasis On just how big your business is. If you have a tiny peter, my friend Many kinds of applause will end. Go read the writing on the walls, Because you will inherit the catcalls And no matter how much you moan They come through no fault of your own. Regarded as less than a man; sick Or perverted to have a small **** As too often I have been told Since as a kid and not very old Amid laughter and cruel jests I have learned a big **** is best. No matter it’s something I can’t change, Apparently a small ***** is strange. In time I left behind those taunts As I left behind adolescent haunts. The pain has become only a taint; The scars of bullies with no restraint, But I am sure I never will fully be Free of their thoughtless bigotry As I reach the age of an old codger Dealing with life with a not so jolly roger.
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Oct 3, 2015
Oct 3, 2015 at 10:11 PM UTC
***** ENVY
Little child, be not afraid The rain pounds harsh against the glass Like an unwanted stranger There is no danger I am here tonight Little child Be not afraid Though thunder explodes And lightning flash Illuminates your tearstained face I am here tonight And someday you'll know That nature is so This same rain that draws you near me Falls on rivers and land And forests and sand Makes the beautiful world that you see In the morning Little child Be not afraid The storm clouds mask your beloved moon And its candlelight beams Still keep pleasant dreams I am here tonight Little child Be not afraid The wind makes creatures of our trees And the branches to hands They're not real, understand And I am here tonight And someday you'll know That nature is so This same rain that draws you near me Falls on rivers and land And forest and sand Makes the beautiful world that you see In the morning For you know, once even I Was a little child And I was afraid But a gentle someone always came To dry all my tears Trade sweet sleep the fears And to give a kiss goodnight Well, now I am grown And these years have shown Rain's a part of how life goes But it's dark and it's late So I'll hold you and wait 'til your frightened eyes do close And I hope that you'll know That nature is so This same rain that draws you near me Falls on rivers and land And forests and sand Makes the beautiful world that you see In the morning Everything's fine in the morning The rain will be gone in the morning But I'll still be here in the morning
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May 31, 2014
May 31, 2014 at 9:43 AM UTC
Lullaby for a Stormy Night - Vienna Teng
Little child, be not afraid The rain pounds harsh against the glass Like an unwanted stranger There is no danger I am here tonight Little child Be not afraid Though thunder explodes And lightning flash Illuminates your tearstained face I am here tonight And someday you'll know That nature is so This same rain that draws you near me Falls on rivers and land And forests and sand Makes the beautiful world that you see In the morning Little child Be not afraid The storm clouds mask your beloved moon And its candlelight beams Still keep pleasant dreams I am here tonight Little child Be not afraid The wind makes creatures of our trees And the branches to hands They're not real, understand And I am here tonight And someday you'll know That nature is so This same rain that draws you near me Falls on rivers and land And forest and sand Makes the beautiful world that you see In the morning For you know, once even I Was a little child And I was afraid But a gentle someone always came To dry all my tears Trade sweet sleep the fears And to give a kiss goodnight Well, now I am grown And these years have shown Rain's a part of how life goes But it's dark and it's late So I'll hold you and wait 'til your frightened eyes do close And I hope that you'll know That nature is so This same rain that draws you near me Falls on rivers and land And forests and sand Makes the beautiful world that you see In the morning Everything's fine in the morning The rain will be gone in the morning But I'll still be here in the morning
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60
The final words deeply Rooted well spirited from top To the wishing well bottom She writes-- on-- the-- top-line   Real flower takes action The Spring Mom affection Dark- Shades She's the brightest Star- Poppy make it snappy Fire red Floppy disk Movie flick favorite flower Take a risk perfect pick Your heart sunglasses got baked With Moms baking flour She couldn't see the sun        Light years away Words sound alike look at the what! blue skies just pray we are rooted      like a gifted flower        That never dies        Star Eyes** enter The flowers frame mirror    "Sunflower Face"   *          *          * Words sprout like "Mr. and Misses" The ceremony Oh! Honey what's your point..... Red so vibrant laughing Loretta Crying operetta baby birth flower  Rudolph running nose red Homesick cough water spell chamomile flower bed Light up Holiday wed   "Poinsettia" she's tough Bloom- make room Show Biz flower "Cafe Vienna" Curtain call sprinkle me Sunflower voice heal me Daisies lion- roar- free The fresh-cut dandelion Sunflower hats bow "Kentucky Derby" I reckon Flower words I beg your pardon Did I ever promise you the rose garden? Last curtain call divine sunflower
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Dec 21, 2019
Dec 21, 2019 at 1:04 PM UTC
Curtain Call Sunflower
Take me to Vienna where the music walks. Where the buildings invite you to sit, And accompany them for a cup of melange. Where the many palace gardens have jovial pique-niques, With their bikes resting by the trees. Take me to Vienna where life ebbs out Where the past lives on, And composers wave out the windows. Take me to Klimt's golden city, The city where even the grey Donau is welcoming. Take me to Vienna and don't take me back.
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Aug 20, 2018
Aug 20, 2018 at 3:05 AM UTC
Take Me to Vienna
I like hearing you talk about Mozart Because it means you’re listening. His piano keys are no different from mine. I like hearing you talk about Mozart. I used to play his pieces before I sleep. His arpeggio is my lullaby; His laughter, a sombre tune to which I tune My keys. There’s no denying that you like Mozart; Never mind his spending habit. I sometimes think you are Mozart. I think Beethoven was fad gone true because He was deaf to his laughter, And Schubert was too old, too young to remember How to step on the pedals While he tried his many operas On his baby grand piano. I think of Mozart in my sleep, in my dreams, On the toilet, while eating. I think of Mozart and his young son And the requiem he stood dying to finish. Mozart became a One night stand, and I am not proud of that. I majored in advertising, God knows why, and maybe Mozart had something to do with that. I factored one and two equals the sign of what digit, And maybe Mozart had something to do with that. I wrote a story once, About a starving artist; Maybe he was the force behind that. I filled my library with fiction, And fiction became a running schedule for me. Maybe Mozart had something to do with that. I’ve grown roots and sprouted horns listening to Bach; I don’t think Mozart knew that. But it was the size of the shoe that never fit me in third grade, And the roots run as deep as a well of Hope grown asunder. I knew Mozart would not like that. And it was holy. We are holy. He was holy. Mozart was holy. Mozart was holy. Mozart was holier than a cow gunned for meat turned to steak And corned beef on my breakfast sandwich. Mozart was holier than a dishwashing paste advertisement That promises oil free, squeaky clean Experience. Mozart was more than a religious façade played in the sala Of some affluent geeky teenager’s house Where no one bothers to eat the garnishing. Mozart was holier than Bach, Chopin, Stravinsky, Wagner. His flute promised a princess to remain priceless. Mozart was holier than Salieri. Mozart knew better than Salieri. Mozart played better than Salieri, And he got the better of Salieri when Antonio himself said, **** that Austrian ****** who plays, lives and howls like a show monkey. **** this court. **** this Emperor who can hardly keep together his fingers to play. **** Austria. **** Vienna. **** this era of opera played in German that hardly sells a ticket. **** this requiem and this boy, This mad man, pint sized and hardly put together like a china doll. **** this piano, and to hell with his lovers.” I saw Mozart once. He waved at me. I turned and looked away because I was listening to you talk about Mozart. And I like hearing you talk about Mozart Than Mozart talking about Himself.
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Apr 20, 2012
Apr 20, 2012 at 6:46 PM UTC
I Like Hearing You Talk About Mozart
I like hearing you talk about Mozart Because it means you’re listening. His piano keys are no different from mine. I like hearing you talk about Mozart. I used to play his pieces before I sleep. His arpeggio is my lullaby; His laughter, a sombre tune to which I tune My keys. There’s no denying that you like Mozart; Never mind his spending habit. I sometimes think you are Mozart. I think Beethoven was fad gone true because He was deaf to his laughter, And Schubert was too old, too young to remember How to step on the pedals While he tried his many operas On his baby grand piano. I think of Mozart in my sleep, in my dreams, On the toilet, while eating. I think of Mozart and his young son And the requiem he stood dying to finish. Mozart became a One night stand, and I am not proud of that. I majored in advertising, God knows why, and maybe Mozart had something to do with that. I factored one and two equals the sign of what digit, And maybe Mozart had something to do with that. I wrote a story once, About a starving artist; Maybe he was the force behind that. I filled my library with fiction, And fiction became a running schedule for me. Maybe Mozart had something to do with that. I’ve grown roots and sprouted horns listening to Bach; I don’t think Mozart knew that. But it was the size of the shoe that never fit me in third grade, And the roots run as deep as a well of Hope grown asunder. I knew Mozart would not like that. And it was holy. We are holy. He was holy. Mozart was holy. Mozart was holy. Mozart was holier than a cow gunned for meat turned to steak And corned beef on my breakfast sandwich. Mozart was holier than a dishwashing paste advertisement That promises oil free, squeaky clean Experience. Mozart was more than a religious façade played in the sala Of some affluent geeky teenager’s house Where no one bothers to eat the garnishing. Mozart was holier than Bach, Chopin, Stravinsky, Wagner. His flute promised a princess to remain priceless. Mozart was holier than Salieri. Mozart knew better than Salieri. Mozart played better than Salieri, And he got the better of Salieri when Antonio himself said, **** that Austrian ****** who plays, lives and howls like a show monkey. **** this court. **** this Emperor who can hardly keep together his fingers to play. **** Austria. **** Vienna. **** this era of opera played in German that hardly sells a ticket. **** this requiem and this boy, This mad man, pint sized and hardly put together like a china doll. **** this piano, and to hell with his lovers.” I saw Mozart once. He waved at me. I turned and looked away because I was listening to you talk about Mozart. And I like hearing you talk about Mozart Than Mozart talking about Himself.
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69
tinted postcards from Vienna- Munich oils on canvas- a self portrait on a stacked-stone bridge- rejected, the painter painted yellow stars-broken glass Judenstern and Kristallnacht no starry night, no van Gogh- der Führer was no master, Mein Kampf no masterpiece. r ~ 8/25/14
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Aug 25, 2014
Aug 25, 2014 at 9:53 AM UTC
the painter
*Dancing With Chopin By Jude Kyrie Vienna 1896 Do you like Chopin she whispered.? Yes Milady I love Chopin. Then we shall dance sir. The darkened ballroom was lit only by the candelabra of the moon and stars. As they waltzed to his nocturne The pianist delicately flowed each beautiful note, like raindrops falling softly in the nighttime. She was so lovely in her gown So much what he wanted But in a station far beyond his. He had promised her. Even if they could not be as one In this lifetime he would wait for her in the next and they would spend eternity together. Vienna 2014 Each night they met in the famous old ballroom they would dance to Chopin only Chopin, forever. As the soft darkness of night melted into the approaching light of dawn they faded leaving only silence. The old caretaker approached the ballroom. And said to himself I am sure I heard Chopin again*
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Sep 3, 2015
Sep 3, 2015 at 6:12 AM UTC
Dancing with Chopin..a romantic fantasy..perhaps
jeweltoned and silent figeating fidgeting mayqueens of vienna: morituri te salutant. cupidfresh bruises on your thighs brought to you by johnson & johnson a family company amen they will do right by you. honeyed dew sticks to morning eyelids (sugarwater my eyelashes hummingbird tongues)— vague rifle form at constant alert attn. california capricorns: your winterspeak eludes me yet. lighteyed candle-holders and coffeeringed eyes tell me all I have ever needed to know about yelling fire in an ice skating rink
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Oct 24, 2012
Oct 24, 2012 at 5:21 AM UTC
ave caesar
There was an Old Man of Vienna, Who lived upon Tincture of Senna; When that did not agree, He took Camomile Tea, That nasty Old Man of Vienna.
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3.6k
There Was An Old Man Of Vienna
In Vienna there are ten little girls, a shoulder for death to cry on, and a forest of dried pigeons. There is a fragment of tomorrow in the museum of winter frost. There is a thousand-windowed dance hall. Ay, ay, ay, ay! Take this close-mouthed waltz. Little waltz, little waltz, little waltz, of itself of death, and of brandy that dips its tail in the sea. I love you, I love you, I love you, with the armchair and the book of death, down the melancholy hallway, in the iris' darkened garret. Ay, ay, ay, ay! Take this broken-waisted waltz. In Vienna there are four mirrors in which your mouth and the echoes play. There is a death for piano that paints little boys blue. There are beggars on the roof. There are fresh garlands of tears. Ay, ay, ay, ay! Take this waltz that dies in my arms. Because I love you, I love you, my love, in the attic wherethe children play, dreaming ancient lights of Hungary through the noise, the balmy afternoon, seeing sheep and irises of snow through teh dark silence of your forehead. Ay, ay, ay, ay! Take this "I will always love you" waltz. In Vienna I will dance with you in a costume with a river's head. See how the hyacinths line my banks! I will leave my mouth between your legs, my soul in photographs and lilies, and in the dark wake of your footsteps, my love, my love, I will have to leave violin and grave, the waltzing ribbons.
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3.5k
Little Viennese Waltz
Dancing With Chopin By Jude Kyrie Vienna 1896 *Do you like Chopin she whispered.? Yes Milady I love Chopin. Then we shall dance sir. The darkened ballroom was lit only by the candelabra of the moon and stars. As they waltzed to his nocturne The pianist delicately flowed each beautiful note, like raindrops falling softly in the nighttime. She was so lovely in her gown So much what he wanted But in a station far beyond his. He had promised her. Even if they could not be as one In this lifetime he would wait for her in the next and they would spend eternity together. Vienna 2015 Each night they met in the famous old ballroom they would dance to Chopin only Chopin, forever. As the soft darkness of night melted into the approaching light of dawn they faded leaving only silence. The old caretaker approached the ballroom. And said to himself I am sure I heard Chopin again*
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Dec 29, 2015
Dec 29, 2015 at 8:33 PM UTC
Dancing with Chopin
(Scene by the brook)                                 He came seeking solace to Heiligenstadt     and walked alone by its crystal stream         welcomed by songs the nightingale taught. Its cheerful waters made Vienna seem     a distant, cool and forbidding stage         where few would embrace a pastoral dream. He dotted his sketchbooks on every page     with earthen tones born of peasant heart -         (though fare rich enough for any age) .                 He poured from the stream the fiddle part,     and woodwinds sang with the birds in the dell -         all "choired" together by his masterful art. At Heiligenstadt Beethoven attended well     and bequeathed us his golden 'Pastorale.' July, 2006
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Aug 4, 2013
Aug 4, 2013 at 10:53 PM UTC
Beethoven's Walk (Terza rima)
on the night train to Vienna I dreamt as the soft tangerine light bled into the windows, tumbling down infinities of Italian countryside absorbing into my retinas in summer shades of dusk-colored haze entranced I was-- a nervous girl of sixteen years, uncharted valleys sprawling ceaselessly at the beds of my fingers, love languages my tongue could not yet stretch its fibers around freedom forming its hunched silhouette just outside of thin glass windows cooled by the night’s apprehensive breeze endless, it seemed the rumbling blur of possibilities-- my hands sedated for the first time in years. quietly existing in the jolt of a moving cab, the subtle ricochet through the faint lamppost glow of fragile Austrian dreams. home-- four thousand and forever miles away and yet here was fine, just fine a girl with stringy hair and a steaming cup of midnight European tea as her mother sighed to herself in the peak of her American afternoon, wondering whether her baby had found sleep in someone else’s morning.
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Nov 2, 2016
Nov 2, 2016 at 9:22 PM UTC
ON THE NIGHT TRAIN TO VIENNA
They never spoke, but every time she walked into the train He reflexively slid to the left and made room for her. And they would travel together sitting one hand width apart. He drummed his perfectly crooked fingers on his left thigh, like a horse that galloped towards an unknown destination. She clasped and unclasped her hands, and chewed on the dry skin of her bottom lip. She always switched off her phone before getting on the train. She assumed he did too because no one ever disturbed their unsaid conversations. The old man singing I Wanna Hold Your Hand provided the sound track to their journey. Yet the most endearing sound was that of him sliding his right foot from side to side. The soft scraping sound soothed her more than any song ever had. The train ride lasted twenty-five minutes every night, during which, in her mind they got married, went to Vienna for their honeymoon, and had three children: twin boys and a girl, who grew up to be the perfect balance between the two of them. His stop came before hers and She wondered if one day he would miss his stop and Ride with her to hers. He knew her beginning and she knew his end. She may never know any more But that didn’t matter because for twenty five minutes a day, all she needed was the soft scraping sound from his right foot sliding from side to side.
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Dec 12, 2011
Dec 12, 2011 at 6:09 AM UTC
An Affair
It started in Dublin before I was born Crossing the Irish Sea to weather a storm. London called through the wind and rain Big city lights and a country's flame. To Manchester then, a city united At least to outsiders. But to those within it's somewhat Divided. Summers in France. Dining in Provence Time in Toulouse And along the Loire. But Paris! Paris has that Je ne sais quoi Fine wine, fine company It's a fine philosophy. A German exchange *in einer stadt namens Bad Bentheim.* Exposed to a culture And the work of Rammstein. A few days in Berlin A fantastic city with much History within. Gondolas in Vienna if only for a day Sailing down the Danube Water wants us on our way. We stay for a while Within the walls of Budapest, My first shot of Absinthe Puts my liver to the test. No rest for the wicked That wanderlust I long. Settled for a while by the lights of Hong Kong, A place I felt for a while at peace High in the Monastery of Lantau's peeks. I went once and I went again. When wizened crones speak of golden devils, Stroking my blonde hair on the streets of Shenzhen.
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Mar 2, 2015
Mar 2, 2015 at 5:17 PM UTC
Globe Trotting
it's not me pushing you away except it actually is me it's the kind of morning that the wind is blowing just right so that the open flag flutters in front of the window where i can see it the kind of morning i don't need coffee and i try not to think about it too much *(i just wanted to be the girl in an owl city song)* pacing back and forth in straight lines and gritting my teeth against an onslaught of small town gunfire *(i'll bet annmarie never had scars or scratches brielle didn't cry and shake for hours thinking how to end it all it turned out okay for anna and vienna probably knew how to dance between the snowflakes and underneath her regret)* i've never been good at drowning out thoughts they just get louder the longer time rolls on good at rolling out cookie dough and good at drowning in dishwater when the brownie batter's baking and the bowl needs washing when nobody's looking *(i've had moments here and there in golden sneakers and navy blue lace covered dresses but i'm not the girl in an owl city song not something worth writing dreamy poems about not so lovestruck you replace your words with dada)* girls like me wear flannel khaki too much day old eyeliner too many day old scones have half heads of weird colored hair and spend valentines day alone watching tv so maybe why i'm bitter as the inside of a lemon is that i'll never be able to change to someone drenched in verbena spinning through the sunny skies between your fingers
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Feb 11, 2017
Feb 11, 2017 at 9:39 PM UTC
girl in an owl city song
Buy me chrysanthemums Not lavandula or geraniums Or phalangium with their low hanging bulbs Why don’t you know I love chrysanthemums! Chrysanthemums, Dahlia…Hera…Willow? Lillian! Lillian, How could I take chrysanthemums from Lillian? You should know. I shouldn’t have to say anything! You should know. Buy me Viognier Not Muscat or Chardonnay Or Furmint with its corky taste Why don’t you know I love Viognier! Viognier, Vionnier…Vienne…Vienna? Dalmatia! Dalmatia, How could I take Viognier from Dalmatia? You should know. I shouldn’t have to say anything! You should know. Dalmatia, near Sibenik From where I dine on scallops, Or do you not know that I love scallops? If not then you should know that I love fickle, false and fair It’s my nature and you are my nurture If you did not know then know this, love’s a hapless farce
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Mar 11, 2012
Mar 11, 2012 at 8:55 PM UTC
B U Y M E C H R Y S A N T H E M U M S
#22 | 31 Poems for August You’ve got your hand comfortably placed in mine. A few minutes ago I was placing kisses down your spine. Who gave you curves like those and said that you could keep them? You know how it goes, the thicker the better. But don’t get too complacent, I’m still drawn to your grey matter. It’s evident that you’re more about bass than treble. This is all new to me, I’ve never been on this level. Let’s become a poem that Pretoria can always snap its fingers to. But if that doesn’t work out then we’ll travel to Venice, Paris or Moscow. Maybe even Florence, Rome or Vienna, anywhere you want to go. When you finally make up your mind then love let me know. Your fascinating thoughts always inspire the movement of my flow. It’s within your simplicity where I discovered how beautifully complex you are. In a sky full of constellations, you are my favourite star. Don’t leave me behind, I just want you to gently place your hand in mine. Don’t leave me behind, you’re the one I’ve been patiently waiting to find. No matter what happens don’t ever let your hand slip out of mine.
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Aug 22, 2015
Aug 22, 2015 at 12:23 PM UTC
Don't Leave Me Behind
For months my hand was sealed off in a tin box. Nothing was there but the subway railings. Perhaps it is bruised, I thought, and that is why they have locked it up. You could tell time by this, I thought, like a clock, by its five knuckles and the thin underground veins. It lay there like an unconscious woman fed by tubes she knew not of. The hand had collapse, a small wood pigeon that had gone into seclusion. I turned it over and the palm was old, its lines traced like fine needlepoint and stitched up into fingers. It was fat and soft and blind in places. Nothing but vulnerable. And all this is metaphor. An ordinary hand -- just lonely for something to touch that touches back. The dog won't do it. Her tail wags in the swamp for a frog. I'm no better than a case of dog food. She owns her own hunger. My sisters won't do it. They live in school except for buttons and tears running down like lemonade. My father won't do it. He comes in the house and even at night he lives in a machine made by my mother and well oiled by his job, his job. The trouble is that I'd let my gestures freeze. The trouble was not in the kitchen or the tulips but only in my head, my head. Then all this became history. Your hand found mine. Life rushed to my fingers like a blood clot. Oh, my carpenter, the fingers are rebuilt. They dance with yours. They dance in the attic and in Vienna. My hand is alive all over America. Not even death will stop it, death shedding her blood. Nothing will stop it, for this is the kingdom and the kingdom come.
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2.2k
The Touch
For months my hand was sealed off in a tin box. Nothing was there but the subway railings. Perhaps it is bruised, I thought, and that is why they have locked it up. You could tell time by this, I thought, like a clock, by its five knuckles and the thin underground veins. It lay there like an unconscious woman fed by tubes she knew not of. The hand had collapse, a small wood pigeon that had gone into seclusion. I turned it over and the palm was old, its lines traced like fine needlepoint and stitched up into fingers. It was fat and soft and blind in places. Nothing but vulnerable. And all this is metaphor. An ordinary hand -- just lonely for something to touch that touches back. The dog won't do it. Her tail wags in the swamp for a frog. I'm no better than a case of dog food. She owns her own hunger. My sisters won't do it. They live in school except for buttons and tears running down like lemonade. My father won't do it. He comes in the house and even at night he lives in a machine made by my mother and well oiled by his job, his job. The trouble is that I'd let my gestures freeze. The trouble was not in the kitchen or the tulips but only in my head, my head. Then all this became history. Your hand found mine. Life rushed to my fingers like a blood clot. Oh, my carpenter, the fingers are rebuilt. They dance with yours. They dance in the attic and in Vienna. My hand is alive all over America. Not even death will stop it, death shedding her blood. Nothing will stop it, for this is the kingdom and the kingdom come.
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49
Open the door Enter the time that lapsed Draw out the curtains There is light from the past Breathe the air Dance to the tunes slow and fast Ride the carriages Travel to the time of chance
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Feb 17, 2019
Feb 17, 2019 at 8:33 AM UTC
Vienna
dusty books, pages thin and frail like my mothers bones decaying and oxidizing - the words fade when the ink deteriorates but that doesn't mean they weren't there you tied a string around my teeth and ran south for the winter and with each step you took, a tooth would pop out a constant reminder that you are no longer here, but i wonder when i will run out of teeth or when you will run out of earth i sat on a friday night indulging myself in stories and delicately counting the paper cuts on my fingers but the dainty cuts will never compare to that time we ate cake until our stomachs became flour, milk, and eggs and you told me you loved me then left to **** yourself drowning in exhaust must be a silent way to go and that cake won't taste very good in hell i would know recall your earliest memory and divide it by all the unrequited stares and thats how much i wish you would untie my teeth, or stop running and count the number of goosebumps painted on the back of my neck and that is the equivalent to the number of ovens you accidentally left on but I'm begging you to understand how immense the ocean is because thats a very long way to suffocate and salty water will burn your wounds Mariana's trench is a dark place and the letters you wrote me reproduce on the bottom not even the ugliest scar can revive my flesh that was chained to those messages but the meteor craters lick my surface like chloric acid and all i wanted to do was repeatedly brush my teeth with the ocean sand and clean my eyes out with mermaid tears because you left a sickly residue that hibernates under my fingernails so next time you open your trunk and find a mountain of broken glass just remember that i loved you i lost my fingers for you i sold my soul for yours but it wasn't even close to enough what else do you want? should i drain my blood until i am a desert of a human shall i cut off all my hair? and even then ill have an eternal debt to you but you just turn the other cheek so the plywood under my elbows applies pressure to my spine condensed newspapers stuck in the follicles of the rain drops but you don't even care
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Feb 21, 2013
Feb 21, 2013 at 12:11 PM UTC
flowers in vienna
dusty books, pages thin and frail like my mothers bones decaying and oxidizing - the words fade when the ink deteriorates but that doesn't mean they weren't there you tied a string around my teeth and ran south for the winter and with each step you took, a tooth would pop out a constant reminder that you are no longer here, but i wonder when i will run out of teeth or when you will run out of earth i sat on a friday night indulging myself in stories and delicately counting the paper cuts on my fingers but the dainty cuts will never compare to that time we ate cake until our stomachs became flour, milk, and eggs and you told me you loved me then left to **** yourself drowning in exhaust must be a silent way to go and that cake won't taste very good in hell i would know recall your earliest memory and divide it by all the unrequited stares and thats how much i wish you would untie my teeth, or stop running and count the number of goosebumps painted on the back of my neck and that is the equivalent to the number of ovens you accidentally left on but I'm begging you to understand how immense the ocean is because thats a very long way to suffocate and salty water will burn your wounds Mariana's trench is a dark place and the letters you wrote me reproduce on the bottom not even the ugliest scar can revive my flesh that was chained to those messages but the meteor craters lick my surface like chloric acid and all i wanted to do was repeatedly brush my teeth with the ocean sand and clean my eyes out with mermaid tears because you left a sickly residue that hibernates under my fingernails so next time you open your trunk and find a mountain of broken glass just remember that i loved you i lost my fingers for you i sold my soul for yours but it wasn't even close to enough what else do you want? should i drain my blood until i am a desert of a human shall i cut off all my hair? and even then ill have an eternal debt to you but you just turn the other cheek so the plywood under my elbows applies pressure to my spine condensed newspapers stuck in the follicles of the rain drops but you don't even care
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57
I want to go to Austria and taste the cake visit every stone- wedged cafe and watch the chocolatier Oh this life is wonderful where I can fall asleep and meet you in Vienna
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Feb 23, 2015
Feb 23, 2015 at 11:32 PM UTC
Vienna