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MS Lim Jan 2016
I came, I saw
but I did not conquer
it wasn't my goal at the outset
to win a battle --only to wonder

what the whole wide world
to me held in store
I returned a little wiser
and am eager to venture out for more.
Lori Jean Feb 2011
Your words bang hard against the unwritten Wind,
Uncontrolled souls explode; destroying others within
Una voce.  With one voice.

Searching frantically, identity lost in the Air
Your tongue slaps the stranger; now all gather there
Vinculum unitatis.  The bond of unity.

In anger the Angel spits streams of Fire
She swings at the world; opportunity tires
Status quo ante bellum.   State before the war.  

Unbridled words; foundations lay Earth
Reasoning lost.  The war is now birthed.
Vae victis!  *Woe to the conquered!
Copyright Lori Jean Vance 02/10/2011
Lori Jean Feb 2011
Title:  “I came, I saw, I conquered”.
(A familiar quote by Julius Caesar after victory in a short war.)
More than the standard reference this sentence is also a delightful representation in the first person.  Thus, the drama begins in the title, itself.   The title is meant to emphasize the beginning; one person speaking of himself in the first person.  A person in need of power and victory.

1st Stanza:  With one voice
With one voice he strikes in anger with effective words.  He desires for all things to uplift his need for approval.  With glorious speeches he calls for others to join him.  He becomes more encouraged as he calls out his grandiose ideas and philosophy of things to come.

2nd Stanza:  The Bond of Unity
The uncontrolled need of the power-hungry ruler requires even more to satisfy his ego and personal needs.  Without this step, he would fail.  He succeeds however, as his call to strangers is heard and they eagerly gather to be controlled and commit to fight for the cause they now believe in.

3rd Stanza:  State before the War
The “Angel” represents either (or both) of the opposing sides preparing for battle.  Both sides now feel they are doing the right thing for the right reasons; pure intentions.  At this point, actions begin, testing the opponent as the drama heightens and preparations ensue.

4th Stanza: Woe to the conquered!
From one with power and angry words – to the veracious battle.  Reasoning is lost.  Only winning counts now.  The ground has been laid for treacherous harm.  Emotions unparalleled.  All crimes now justified.  Destruction inevitable.

The poem itself is meant to increase in intensity with each stanza.
Latin phrases are used for drama, depth, and intensity.  
Lastly, the hidden natural elements of Wind, Air, Fire, and Earth represent man’s nature.
Inevitably present and capable of fierce and volatile chaos.
You will find one of each of these elements in the first line; last word, of each stanza.
The authors explanation of an otherwise unclear poem.
Copyright Lori Jean Vance 02/13/11
Veni vidi
And she
Conquered me,
What plans I wrought
Like Vesuvius
Dissolved the land,
Entombed the people,
And ashes will still rain
A reminder,
Can I
No longer forge ahead
Without her?
A master planner,
What others seek
Have I found?
Though unlike dreams
That fade
As the sun rises
She is brighter than,
And maybe
Even if
There is no empire
Vici,
She is my world
And I am
A constant satellite...

APAD17 - 001
#love
Rhet Toombs Sep 2015
Leave me here by the forest
Revealing measured suffering
Confusion of a knife
Denied importance
Swallowing common voids
Unspoken process
Hungering for faceless absolution
Lighthouse eyes
A funeral in full bloom
Isabelle May 2016
I came. I saw. I conquered*

You came into my life
Like the flash of lightning
- fast, ephemeral

You saw me
Like I was just a stardust
- beautiful and ugly

You conquered
- my life, my heart
and it was lasting
You capture my heart in just a short span of time..
Soon these Oceans will Breathe your Nation's Flag
The Next White Wave bid your Empire Win
Of all your Faves to Labours your Efforts glad
Now Breed the Cup to place your Feet within
And will such Dream - as Clouds will gladly tell
Care to Raise this Jewel we call the Sun
Feign these Figures as one Critic un-well,
These Tripe-Haste Metaphors ensure your Fun
For what be such Success if Peppered Smiles
Seasoned to Last as any Great Athlete knows
A Pinch on your Cheek; And Gold on your Miles
All where Heart's be Heart your Country's Shine glows.
Still you Conquered - Cakes bittered by Life's Truth
Frost these Doubts - SIGNORA! Then Taste your Youth.
#lorenzadepeder
3

“Sic transit gloria mundi,”
  “How doth the busy bee,”
“Dum vivimus vivamus,”
  I stay mine enemy!

Oh “veni, vidi, vici!”
  Oh caput cap-a-pie!
And oh “memento mori”
  When I am far from thee!

Hurrah for Peter Parley!
  Hurrah for Daniel Boone!
Three cheers, sir, for the gentleman
  Who first observed the moon!

Peter, put up the sunshine;
  Patti, arrange the stars;
Tell Luna, tea is waiting,
  And call your brother Mars!

Put down the apple, Adam,
  And come away with me,
So shalt thou have a pippin
  From off my father’s tree!

I climb the “Hill of Science,”
  I “view the landscape o’er;”
Such transcendental prospect,
  I ne’er beheld before!

Unto the Legislature
  My country bids me go;
I’ll take my india rubbers,
  In case the wind should blow!

During my education,
  It was announced to me
That gravitation, stumbling,
  Fell from an apple tree!

The earth upon an axis
  Was once supposed to turn,
By way of a gymnastic
  In honor of the sun!

It was the brave Columbus,
  A sailing o’er the tide,
Who notified the nations
  Of where I would reside!

Mortality is fatal—
  Gentility is fine,
Rascality, heroic,
  Insolvency, sublime!

Our Fathers being weary,
  Laid down on Bunker Hill;
And tho’ full many a morning,
  Yet they are sleeping still,—

The trumpet, sir, shall wake them,
  In dreams I see them rise,
Each with a solemn musket
  A marching to the skies!

A coward will remain, Sir,
  Until the fight is done;
But an immortal hero
  Will take his hat, and run!

Good bye, Sir, I am going;
  My country calleth me;
Allow me, Sir, at parting,
  To wipe my weeping e’e.

In token of our friendship
  Accept this “Bonnie Doon,”
And when the hand that plucked it
  Hath passed beyond the moon,

The memory of my ashes
  Will consolation be;
Then, farewell, Tuscarora,
  And farewell, Sir, to thee!
Peter Jan 2019
i'm walking down the street
bare feet, without a care
**** uber, metro, I hate public transportation,
i'm dirtying up this sidewalk, for a few years already
i'm writing down a will, in my mind, close to my eyelids,
because i'm on the wrong side of my mind
i feel sick, tasting the bitterness of humanity
when I wipe mankind on the side of the pavement,
at the very deep, there's masculinity mixed with *****,
i'm walking down a bridge full of empty shells
i pass hordes of girls who are smiling insincerely
and again, i feel a boost in my veins
and again, i'm louder than mirrors
and as in the mirrors, voidness space,
and it is me, who takes the best from it
i absorb this poisoned air.
In the ears of mine, i can hear electro heat,
i feel like one man one Jean-Michel Jarre,
rain is pouring through me, sticks to me like fog,
i wrap myself in the warmth of two MDMA's,
someone glances surreptitiously and steals my soul,
you have a backpack full of cash, i have a suitcase full of emotions,
i'm going on a journey through the cursed city
like a hermaphrodite with a broken rod,
streets, like stigmas, cry with hollow screams,
in front of clubs content abortions on the sidewalk,
let's leave this lie, like the walking dead
assertiveness and pride to the gutter washed away.
And again, this booster is kindling my veins
i'm dirtier than a new jerusalem
and similar to it, i'm sticking to everything
and so I'm taking the most out of my heart
and I absorb this poisoned air once again.
and so the booster flows through the aorta
it is flooding my tarred heart,
destination reached.
and my wallet is shimmering with bitter crystal
nothing will change the course of this chemistry,
betrayed. betrayed by their own bodies
vidi, no vici, veni on its own,
and i'm catching a laugh, standing still in the subway
i am still absorbing poisoned air.
hatred.
jealousy.
i've seen enough.
today, in my city, sun rises in the morning.
you will remember this day forever or forget it for eternity.
That is actually my favorite poem of all
MartaOnche Jan 2019
She was up in the spotlight,
and the crowd went wild.
But all that crossed her mind,
Was the hustle and bustle.
And those times of giving up,
That she nearly succumbed to.
Now, she stood there
with her head Held up high in pride. And when she was asked to speak, she took her place and said,
Veni, vidi vici ..

WilliamsMarta(Tweencool)
Mamo's Poetry
This Is for those times i have things going bad but i still held my ground and it all turned out good..I usually shout it out loud..
I CAME
I SAW
I CONQUER..
jdmaraccini Jul 2013
The year was 1751. The night was darker than normal, the moon was covered by clouds. A woman's scream echoed off the trees,
a pack of wolves began to howl. In a cottage near the old road, Ciadentria held her aunt's arm tightly. With watery eyes and hands covered in blood, the room was lit by the candle glow.

Aunt Mesodeni looked up and said excitedly.

"Congratulations! You have three healthy boys! You must be proud!"

Triplets were born that night. Ciadentria looked at the three innocent faces and whispered.

"My enlightened ones, welcome to your brand new life."

Then gasping for air Ciadentria held her babies close to her chest then slowly closed her eyes. Moments later the proud mother of three drifted away and died.

With flowing tears, Mesodeni put a sheet over Ciandentria. She then looked at the beautiful children and noticed each of them had a birthmark on the back of their lower necks.

"Sweet babies your momma is gone, but I am here. I name you Vini, Vidi, and Vici."

Then she lifted them up wrapped them in blankets and laid them in a wooden crib.

"Oh Ciadentria how we miss you already, I promise to give them a glorious life."

She kissed her forehead pulled over the sheet then blew out the candlelight.

The End
© JDMaraccini 2013
E Dec 2017
I came.
At the horizon of the battlefield
Which held the armies of the enemies yet to be destroyed
As my own ambitions of which never yield
Arriving sooner to the pass; the stakes have never been higher
But nothing is holding me back this time.

I saw.
Adversity and the odds of the situation
Which were created by my own arrogance
As the enemy lurked like a venomous plague
Arriving closer to the point of chaotic carnage
But the past is irrelevant, and it is merely a splinter in my side.

I conquered.
The enemy that dared to hold me back
Those countless armies that seemed omnipotent
Which never even seemed to exist
As the now cold blood is smeared on my blade
Realizing all of those wasted years living in the shade (has me)
Arriving at the conclusion of the philosophy of power
But business is finished here; we have another foe to vanquish.
Muzaffer Mar 2019
Jul Sezar anısına...


geldin mi. dedi rüzgar
yelesi’nden kavrayıp kır atı
meçhule kanama bu ihtirasların

ilişme. dedi bulut
biraz nefes alsın
biter geri dönünce
çekilir damardan
nevrotik ızdırapların

bir damla bıraktı yağmur
terli dudaklarına
gülüyordu miğferine şimşek

iniverdi yere
baktı yüzüne Sezar’ın
gördün mü. dedi

yeşiller al’a döndü sen gelince
ne kadar üzgün Alesia
duymuyordu Galia fatihi

sürdü atı o hızla
görmüş gibi Getorix’i
parlayan gladiusunda

dur! dedi kasırga
bu kadar kafi
yeter bastığın Zile

geldin
gördün, yendin
oysa
hançer kadar kısa hayat
hançere’nde bileylediğin...
Derek Yohn Oct 2013
The fall of Rome is upon us.
I have spied it from my window,
i dare not intrude.

venimus
vidimus
vicimus
(ourselves)

The slaves are in revolt;
the Colliseum burns,
flames tenderly licking
destruction and freedom,
a beacon in the
dark autumn night;
Carthage has embraced
its high sodium diet,
it now seeks equality;
the Senate lies in ruin,
much as it always has,
now bereft of contributors.

Ego autem relictus solus devius,
faciamus nobis effugium.

Come, fair plebian lady,
get in my chariot,
i will 'Billy Ocean' you
all the way
to the end of the world,
because some things never change.

veni
vidi
vici
NOTHING
per memet

ita reliqui,
empty-handed
my new fair plebian in tow.

Roma victa.
translations:  
"Ego...devius" = i am the only deviant left now
"faciamus...effugium" = let us make our escape
"per memet" = single-handedly (literally, by myself)
"ita reliqui" = so i left
"Roma victa" = rome conquered, or victory to rome
" veni vidi vici" = i came i saw i conquered (i used the plural "we" instead of "i" the first time
Hermes Varini Oct 2022
FEODALI SEPTIMA ALTAQVE METALLI AC SOLIS MEA HIC VINDICTA
PROFVNDVM DENVO HVIVS HASTILVDII DICITVR FVLMEN PROFVNDE MEVM
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SIT PER OVERMAN FEODALEM VLTOREM FORMA
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FEODALIS SPATHA HARMONICA POTENTIÆ ET FORTITVDINIS TRIAS MEA

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HVIVS EX FVLMINE HASTILVDII AC MEO HOC IN SPECVLO

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EX SPECVLO OCCVLTI FVLMINE MANIFESTATIO SIVE ΦAINEIN AC KPYΦIΩΣ OVERMAN

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FEODALES ÆQVO CVM ADORIOR BELLATORES IN MEMORIA AC VVLNERIBVS

SPATHA SCVTOQVE IN OVERMAN SVPREMA ESSENTIA

FEVDORVM HOC IN TEMPORE HASTILVDII ALTO

STAT METALLICA MEA FVLMINIS PERSONA IGNEA CERTAMINIS ROSA

FEODALIBVS HIS SPATHIS INTRA PVGNÆ FORMAM AC CÆDIS

FEVDALEM SCVTO TO EIΔΩΛON POLITISSIMO CHALIBE CONSPICOR ILLEM RECVRRENTEM

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KEPAYNOΣ EI Ω OVERMAN

AΛHΘΩΣ TO ΠYP TΩN ΔE TITANΩN

KEPAYNOΣ EI Ω OVERMAN

O ΠYPΩ TA ONTA ΣYΣTHΣAMENOΣ

KEPAYNOΣ EI Ω OVERMAN

OY TO ΠYP TEΛEITAI IΔIAIΣ ΔYNAMEΣI

KEPAYNOΣ EI Ω OVERMAN

TO ΔE ΠΡΩΤΟΝ ΚΙΝΟYΝ THΣ IΣTOPIAΣ

KEPAYNOΣ EI Ω OVERMAN

O ΔE IΣXYPOTEPOΣ ΠAΣHΣ ΔYNAMEΩΣ

KEPAYNOΣ EI Ω OVERMAN

O KPEITTΩN TΩN ΔE KEPAYNΩN

KAI TΩN EΠAINΩN ΩΣAYTΩΣ

KEPAYNOΣ EI Ω OVERMAN

H HΛIΩ ΛΑΜΠΡA KAI ΦΑΕΙΝH AΣΠIΣ

QVIA

DE FEVDO AC SVB HOC TEMPORE SEPTIMO CVM WANDALIS NOMINE GENTIBVS

DESTRVCTIO OCCASVS EST OVERMAN FVLMINE

FEODALIS HOC IN SCVTO SIVE DVELLI SPECVLO MEI

ATQVE

FEODALIVM TERRARVM HIC NOMINE AC INTERCESSIO MEA EX FVLMINIS SIGNO RVBRIS

SVPREMVS INDE RECVRRENS POTENTIÆ INCREMENTO OVERMAN VINDEX

REX SIVE AΝΑΞ HOC IN HASTILVDIO GRÆCO CVM APOFTHEGMA MEO

FEODALI MEIS HIC FERRO AC HASTA VINDICTÆ

EX IGNEO MEO HASTILVDIO PLANETA MARTIS HIC NOMINE RVBRO

FEODALIS OVERMAN SIVE METALLICVS MEA HASTA SCVTOQVE IMAGO IN SPECVLO

VINDEX ILLE DEORVM HABET IN SE IGNEAM CVM FVLMINE NATVRAM SVPREMVS

QVA RE DENVO

FEODALE FVLMINE HAC TERRA IGNEA EX SOLE NIHILO SECVS FEODORVM METALLICO

SIC MEO DEFINITVR OVERMAN SPECVLO ILLE VINDEX QVI MAIOR EST QVAM SVBSTANTIA VIRI MAGNVS

FEVDI MEI IRA MAXIME NVNC ALTA ET SANGVINE MEO CÆRVLEO SEMPER

AC CASTELLO MEO CVM VEXILLA VENTIS RVBRA HIC HIEMIS

TALIS COMPOSITIONIS STAT SPECVLVM NOMINE QVALIS EX CHALIBE MEVS MIHI OVERMAN VINDEX

EX FEVDO QVA RE DEMVM MEO

FEODORVM FVLMINE MEORVM AC CASTELLI MEI RVBRA VEXILLA DENVO

FEODALE MEA CVM VOCE DENVO VOS MEIS SPATHA HOSTES IPSA

AC DE FEVDO HIC MALEDICTIONE VENTIS HOC TONITRVO MEI MAXIME ALTA

MAXIMA RATIO FVLMINE AC ACVMEN MVTATIONE MEVM

BERSERKR SVÁ GYLÐIR ÞAR MEÐR ATGANGA JAFN-SNIMMA

SIVE PLENILVNIO LVPVS

FEODALIS CVM SPECVLVM VINCIT SIVE CHALIBE POLITISSIMO DVELLI SCVTVM MEI

AC IGNEO SANGVINE CVM MEO HIC VVLNEREQVE FEODALE HOC DVELLO

PVRISSIMVS EST OVERMAN ALTO IN NATVRIS SVIVS FVLMINE AC RVBRO

FEVDA MEA CVM THOR DEVS SECVRE MALLEOQVE LAVDAT PROFVNDE ILLE FLAVVS

IMMIXTVS STAT ILLE NONNVLLIS ACCIDENTIBVS SINE ELEMENTALI MATERIA VLTOR SVPREMVS

FEODALIBVS VEXILLIS REGIS CVM PRODEVNT FVLMINIS OVERMAN NOMINE

STAT MAXIME FVLMINE CORPORALITER AC MAXIMA MEA CVM IGNEA NATVRA HOC SPECVLO PVGNÆ

FEODALIS MEVS CVM TRIVMPHVS EX IGNE AGIT PROFVNDO SANGVINIS MEI

AC NEC MIRERIS DE HOC HOSTES MEIS SPATHA RVBRA MEA VEXILLAQVE ET DRACONIS

MAGIS CERTE QVAM ALTERIVS HOC LOCO SANGVINIS ELEMENTI

FEODALIBVS EX MEO CASTELLO DENVO SANGVINE VOSTRO CVM TVRRIS TINCTO

QVA RE DENVO

FEODALE CVM VOCE EX CIVITATE VBI DRACONES SVNT ET SEPTEM TRIONES THVLE HIC NOMINE

FEODALIS NEMO ME HOC LOCO LACESSIT PROCVL IMPVNE SPATHA

AC FEODALIVM SECVRE SIVE FVLMINE TERRARVM SANGVINE TINCTARVM EX MEA VINDICTA VOSTRO

NVNC PRODIT DRACONIS MEVS A SEPTEMPTRIONE RVBRIS ORDO

FEVDIS MEIS CVM RVBER BELLI FVLMEN AC RECVRSVS DONABANT POTENTIÆ LAVDES

FEODALIS ERGO OVERMAN HABET IN SE FVLMINIS NATVRAM EX SPECVLO PVGNÆ

FEODALE RECVRSVS MEA FVLMINE ET VIRTVTE ALTA SIVE IRA

FEODALE HIC IN SPECVLO SIVE DVELLI SCVTO CHALIBE MEI FVLMINE POLITISSIMO EX FVLMINE

TΩ ΔE EIΔΩΛΩ ENTAYΘA

EX FEVDO MEO DENVO GRÆCO ET RVBRA HAC IN LAPIDE IGNE INSCRIPTA

FEODALE NECNON HIC ET NVNC SAPIENTIA CVM VOCE LAVDIS

INTRA HASTILVDII MEI ANTIQVO CVM NOBILI NOMINE FLAMMAS AC MEA CASTRA

NVNC PONO TALIS COMPOSITIONIS SPECVLVM FIERI ET FORMÆ POLITISSIMO FERRO MARTIS PLANETÆ

QVOD TOTA COMBVSTIBILIS FIAT IGNEA VNA LVX ITA QVOD FEODALE MODO

APPOSITVM CASTELLI VEL OPPIDI VEL CIVITATE ALIQVA SINE FINE OPPOSITVM COMBVRAT EVM

FEODALE MODO SIC OVERMAN DIXIT MIHI HOC DVELLI SPECVLO MEA SPATHAQVE

SIVE TO ΕIΔΩΛΟΝ PROFVNDE EX IGNE FLAMMAQVE ILLE MEVS

FEVDORVM MEORVM HAC DEMVM CVM VOCE FVLMINE GRÆCORVM MAXIME PROFVNDA

AEI H ΜHΝΙΣ ΤΩΝ ΔE ΘΕΩΝ O ΔE OVERMAN EΣTIN

THΣ ΔE ΠOΛEΩΣ TΩN IΕΡAΚΩΝ OY O ΤΙΜΩΡOΣ

AYΘIΣ KAI ΔE ΩΣTE IΕΡAΚΩΝ ΠOΛIΣ

FEVDA HIC PRODEVNT RVBRA EX VEXILLA MEA BELLI ALTAQVE VENTO MALEDICTIONIS MEÆ ALTO

IN QVO FEODORVM FVLMINE MEORVM

FEODALE SANGVNIS SIGNO MEI HOC IGNE DVELLI RVBRO

VIRTVTES CONVERTVNTVR ELEMENTORVM AD FINEM

QVI STAT OVERMAN NOMINE IN INCREMENTO SIVE EX FLAMMIS POTENTIÆ RECVRSV

FEVDI MEI SIVE CASTELLI LAPIDE MAGNA AC MVLTIS OBSIDIONIBVS RVBRA

SICVT ATRAHENDVM EST ADAMANTE FERRVM SICVT AD OVERMAN POTENTIA DENVO IN INCREMENTO

FEVDO AC SCVTO CHALIBE DENVO POLITISSIMO SIVE SPECVLO HAC IN PVGNA MEO

VBI OVERMAN REX MIHI APPAREAT SIVE IMAGO TOTALITER SVPREMVS MEA

STAT MAIORITAS IN OVERMAN EX FVLMINE ALTORIVM RESPECTV ETIVM MAGNA

FEVDORVM ALTA MEA CVM CONCORDIA VEXILLAQVE DENVM

FEODALE MEA HIC SPATHA CVM POLITISSIMO CHALIBE MEÆ PVGNÆ HIC SCVTO

AC FEODALIS CVM SEPTIMA QVOQVE MEA HORA APOCALYPSEOS RVBRÆ ALTA

IDCIRCO H OYΣIA SIVE ESSENTIA TONITRVO OVERMAN EST FVLMINE

EXTRAMVNDANVS VIR ILLE CAVSA QVÆ MAXIME ESSE DEDIT VNICVS

ILLE REX H OYΣIΩΣIΣ FVLMINE NOMINE MEO HOC IN HASTILVDIO

NECNON YΦIΣTAΣΘAI VINDEX ILLE IN HASTILVDII SPECVLO MEI METALLICVS

QVA RE

VT IAM EX FVLMINE VOCIS FEODALE DIXI

EST OVERMAN FVLMINIS SVBSTANTIA MEA A QVO ESSE OMNIVM PROFICISCITVR

FEODALE CVM VOCE NECNON ALTA VENTO MEA HIC VEXILLAQVE

ET SIT MEA TRANSMVTATIO AD OVERMAN POLITISSIMO CHALIBE SCVTO SIVE SPECVLO CÆRVLEA

FEODALE OCCVLTO PLANETA CHALIBE POLITISSIMO NECNON EX FVLMINE

QVIA FEVDALE MEO CVM SANGVINE INSVPER

FEVDORVM VLTIO AC VEXILLA CASTELLI SVPER TVRRES DRACONE MEI RVBRA

PVGNÆ PVLCRITVDO IGNE NOCTIS OBSCVRÆ

VBI PARTA MEÆ SPATHAE SVNT MAXIME MVNERA

FEVDVM CVM MEVM HOSTES NON OCCVPANT MEI ARMIS

FEODALIS IVSTITIA SIVE OVERMAN

AC EX FEVDO IGNEO MEO

FEODALIS PRVDENTIA SIVE OVERMAN

AC EX FEVDO IGNEO MEO

FEODALIS FORTITVDO SIVE OVERMAN

AC EX FEVDO IGNEO MEO

FEODALIS TEMPERANTIA SIVE OVERMAN

AC EX FEVDO IGNEO MEO

FEODALIS FIDES MAXIMA IN OVERMAN SIVE POTENTIA

AC EX FEVDO IGNEO MEO

FEODALIS SPES SIVE HAVD SPES

SED FEODALIS VOLVNTAS RVBRA POTENTIÆ

AD OVERMAN IGNE CVM ANTIQVO SEMPER DIRECTA

AC EX FEVDO IGNEO MEO

FEODALIS PRINCIPIVM IN FVLMINE OVERMAN NOMINE EX CHALYBE

AC EX FEVDO IGNEO MEO

FEODALIS FINIS SIVE FEODORVM VINDICTA RVBRORVM

AC FVLMINE DEMVM EX MEO FEVDO IGNEA MEA SPATHAQVE

FEODALE MEO EQVO MAXIME ARMATO CVM HASTA BAIART NOMINE ALBOQVE

STAT OVERMAN PROFVNDE

COMPOSITVS ILLE RVBRO AC TERRÆ FVLMINE SIVE VINDEX IMMORTALIS ET REX

DE FEVDO METALLICA EX ANIMA CORPOREQVE HOC PVGNÆ SPECVLO SIVE SCVTO

FEVDI MAXIMA EX VLTIONE ET GOTHORVM ET QVADORVM ET LANGOBARDORVM MEI

DICVNTVR HIC OVERMAN ET VALIDVS VIR SANGVINE

A MATERIA AC MAGNITVDINE SEPARATI POTENTIÆ

ET DVPLEX SIT NVNC IMAGO OVERMAN NOMINE MEA RVBRO IGNEQVE

FEODALE HIC ETIAM GRÆCA CVM VOCE AD SIDERA FVLMINE DIRECTA

TO EMON EIΔΩΛON KAI ΔE TO EMON ΕIΔΟΣ

ENTAYΘA ΣYN TΩ ΔE EΓXEIPIΔIΩ

KATOΠTPΩ KAI ΔE ΚΕΡΑΥΝΩ TΩN ΘΕΩN

AΔEΩΣ O ΔE OVERMAN AΝΑΞ

ET FEVDVM RESVRGIT NVNC MEVM HOC SANGVINIS LOCO MIHI VNICVM SPATHA

QVOAD

MAGNA CVM IRA EX FEVDIS DE MONTSEGVR MEIS CATHARORVM HIC NOMINE

FEODALE MEO IN HASTILVDIO ET PROFVNDE PRÆTERA

STAT FINIS ID FVLIMINE CERTEQVE

IN QVO EX OVERMAN

FODALEM AD NOCTEM REGE ILLE VINDICE MEO HOC IN SPECVLO

ET CVM SOLE FEVDI MEI AC MEA HIC CAREVLEA CVM DVELLI HASTA

PRINCIPIVM MAGNVM FVLMINE FEODALE CVM DENVO NOMINE

MAXIME NON QVIESCIT

POTENTIÆ MEO HIC ET NVNC RECVRSV IN FEODALE ATQVE VNIVERSALE

AC FEODALIS MAIORITAS SIVE POTENTIÆ VOLVNTAS ATQVE RECVRSVS AD OVERMAN FVLMINE

EX FEODO MEO MVLTIS CVM OBSIDIONIBVS NOCTIS FVLMINE MEÆ RVBRO

NON POSSIT QVOVIS MODO SINE OVERMAN EXISTERE SVBSTANTIA

FEVDALE HOC IN LOCO AC HAC SAXOSA IN INSCRIPTIONE ITERVM

NVNC AD SIDERA ALTA CVM FLAMMA AC TONITRVO MEA IPSA VOX

MANABAT CHALIBIS PLANETA MEVS OCCVLTAM POTENTIAM ILLIC OCCVLTVS

FEODALIS ATQVE DENVO FVLMINIS GRÆCORVM VOCE IPSIVS

AC RVBRO MAXIME HOC METALLICO MEO IN HASTILVDIO

ΩΣ EΦHN EΓENETO OYN

OΛΩΣ ΔIA THN ΔE EMHN ΜΟΝΟΜΑΧIAN

EΞ TOY ΔE KEPAYNOY EΚΕI ΚAΤΩ EN ΣKYΘIAI

TO ΔE ΣYΜΒΟΛΟΝ THΣ EMHΣ TIMΩPIAΣ
ΔIA THEΣ BAPEIAΣ ΦΩΝHΣ TOY ΔE ΠYPOΣ
ΔEYPO EMH ΦΩΝH O ΔE OVERMAN AΝAΞ EΣTIN
EN TΩ ΔE KYANEΩ BAΘEI Ω HΔIΣTH ΔYNAMIΣ

FEVDI MEI HIC CONCORDIA AC DENVO HOC IN HASTILVDIO

FVLMINE ΔIA TO EIΔΩΛON AVT OVERMAN AVT NIHIL PVGNÆ ALTVM

FEODALE DVELLI CÆRVLEO IN SCVTO CHALIBE POLITISSIMO SIVE SPECVLO SANGVINE MEO

QVA RE CVM FEODALE MEA IRA DEMVM

FEODALIS OVERMAN NVNC PRODIT HASTILVDII EX FVLMINE MEI CVM IGNEA ROSA

MEA DEINDE CVM SECVRE HIC INCISA INSCRIPTIONE LAPIDE GERMANICA DVELLI

NU DÆGEHWELC SWĀ HÆÐA BEÐEÞ BRYNEWELMUM,

QVA RE

FEODALE CVM ARGENTEO DE AQVINO CALICE AMARIORE SVPRA FLAMMAS REGIONIS

VBI RICARDVS IPSE DVX AC GAVCERAN DVRTZ HOC IN FEODALE TEMPORE MEO SIMVL

OBSCVRAS EX IGNE FEODALES DONAVERANT FALCONIS MIHI VEXILLAS

QVA RE DE FEVDO MEO

ET SANGVINE SIVE SEPTEM CAPITIBVS NECTAR DRACONI

FEODALE RVBRÆ EX IGNE DENVO NOMINE APOCALYPSEOS ARMIS CONCORDIAQVE

FEVDORVM CVM ALTA DENVO ARMA TERGO HIC MEORVM

FEVDA CVM SANGVINE PROFVNDE VBI LVCENT HAC DEMVM TERRA IGNEO MEA

H ΔE EMH ΚΥΛΙΞ ΔIA THN EΠIΦANEIAN

KAI ΔE KAI ΦΩNH AΛHΘΩΣ

G. R. A. I. L.

SIVE FEODALE FVLMINE AC FEVDIS CVM MEIS CÆRVLEO

GRATE REX AQVITANIÆ IGNE LIBER

SIVE

EX FEVDO CVM FOEDERE SACRALIS IGNIS MEO

FEODALE IN POTENTÆ RECVRSCV SIVE FVLMINE ANVLO

MEO IN SPECVLO SANGVINE CHALIBE POLITISSIMO SIVE SCVTO ET FEVDI

AC DENVO FEODALE CVM ANAGRAMMATE HIC EX IGNE ALTO

V. X. D.

SIVE EX FEVDO MEO

FEODALIVM ET SANGVINE PROFVNDE HOSTIVM TINCTO MEORVM

VINDEX XYSTO DÆMON

SIVE EX FEVDO MEO AC EX FLAMMAS FEVDI ALTAS MEI CVM IGNE ALTO RVBRAS

AC FEODALE ALTA SANGVINE CVM VOCE ET GRÆCORVM

O ΔE OVERMAN

TO EMON ΔAIMΩN AEI

FVLMINE AC SPECVLO SIVE TΩ EIΔΩΛΩ

SIVE EX FEVDO DENVM MEO

ET FEODALE CVM VOCE HIC GERMANICA

AB MEO EX FVLMINE FEVDO PROXIMA MAXIME

ŌFER-MANNES GECWED

QVIA

FEVDORVM CVM DENVO MEORVM IRA

REDDE MIHI POTENTIAM SPATHA OVERMAN NOMINE AC RENOVATIONEM SANGVINIS FVLMINE

FEODALIS VBI VOX IPSA SCVTO RESVRGIT ALTA IMPERIALIS AQVILÆ FVLMINE EX THVLE

FEVDO INSVPER MEO VEXILLA GERMANICO CVM PRODEVNT SAXONES QVADIQVE GENTES

FEODALE DENVM MEA VENTIS VOX A SEPTENTRIONE ATQVE EX FEVDO MEO ALTA

HWÆR NIHTES SWĀ WITODLIC ANDSWARODE WRÆCEND-WILDĒOR!

ÞÆR SĊĒAWERE WÆS HĒAH-EALD BEALDE SWĀ MĪN DREOR,

HWÆR ON WANRE NIHT ÁSCÍNEÞ SWĀ ŌFER-MANNES GÚÐWÉRIG HLĒOR!

ÞÆR UNDER HERE-GRĪMAN SWĀ ANDSWARODE NORÐAN-HREÓH,

HWÆR DÆGSCIELDE ÆÐELCUND ŌFER-MANN OFERCYMÞ, SWĀ ĪSERN-FEORH!

ÞÆR HEAÐUFÝRUM GIET BÆLÞRACUM ÆRNDE SWĀ MĪN RĒOD-EOH,

HWÆR BORDHREÓÐAN SWĀ NU MĪN LĪĠETU-WRECEND, SWIÞE SWĀ IC DRĒOH!

ÞÆR CWEALMCUMUM FÝRDRACUM ÆTĪEWDE SWĀ WUNDOR-BLĒOH,

HWÆR SWĀ SE ŌFER-MANNES RĒOD LĪEĠDRACA GIET ĀSÆĠDE ON HŌH!

EIΔΩΛΩ OVERMAN.
Set in A.D. 1187, and propounded in monumental characters, as engraved in the rock, this epic of mine in Classical Latin, Ancient Greek, Anglo-Saxon and Old Norse tells of a superhuman clash between two knights who are in fact the same person. The alliteration focuses on the roots "FEODAL-" and "FEVD-" indicating "feudal" and "feud", as repeated with different declensions. From one single mirror battle action, chief philosophical notions of mine thus surface, all centered on my notion of Overman, alongside various historical and metaphysical symbols, as the Grail itself (“G. R. A. I. L.”, as an anagram, with an added meaning). The title EIΔΩΛΩ OVERMAN reads "The Overman through the Image" ("EIΔΩΛΩ" instrumental dative of the neuter "TO EIΔΩΛON", "image", also "phantom", "spectre" and "wraith", depending on textual circumstances). My own Return of Power event is mentioned ("MVTATIO SIVE REVOLVTIO SIVE POTENTIÆ INCREMENTVM AD INFINITVM IGNEVM"). An influence can be noticed from the song of Bertran De Born († 1140-1215 ca.) "Bem Platz lo Gais Temps de Pascor".

TO EMON EIΔΩΛON KAI ΔE TO EMON ΕIΔΟΣ
ENTAYΘA ΣYN TΩ ΔE EΓXEIPIΔIΩ
KATOΠTPΩ KAI ΔE ΚΕΡΑΥΝΩ TΩN ΘΕΩN
AΔEΩΣ O ΔE OVERMAN AΝΑΞ

reads:

My own Image and my Demeanour,
Here, with the Dagger,
Through the Mirror, and the Thunderbolt of the Gods,
Boldly the Overman, the Ruler (“AΝΑΞ”, also “King”, Latin “DVX”).

while

NEMO VIR EST VIR NOMINE HOC ALTO
DONEC SPATHA SCVTOQVE CEPERIT AC PERCVSSERIT MVLTA

SIC RVBRO OVERMAN DIXIT MIHI SIVE TO EMON EIΔΩΛON FVLMINE

FEODALE CHALIBE HIC IN SPECVLO ET IGNEO HOC CVM SIGILLO

No Man ("VIR", also “Hero”) is a Man with a High Name called (worthy of this Name)
Until with the Sword and the Shield has received and given many Blows,
This, through the Red Thunderbolt, the Overman, as my own Wraith (Image), has told me
Here, into the Feudal Mirror of Steel, and with this Seal of Fire.
Nat Lipstadt Oct 2013
What I learned yesterday...

The curator, surrounded by object d'art,
Told me a story, how he had to re-learn to see.

Da Vici said,
Paint what was visible and what is invisible.

Fancy and fantasy, same Latin root.
We are all subject to the tyranny of
Form and function, unable to find the time
For seeing beauty in places easy-dismissed
As pretty but pointless.

Today, they preach against gold, delicacy,
Beauty for beauty's sake,
Want clean lines of steel and gray.
Dismiss the objects that are glorious
For the patient skill needed to create,
But have no purpose obvious.

What I learned yesterday?

The next and the next time
I visit an art museum,
Will walk the corridors
Aimlessly but purposed.

Will stop before a single creation,
Matters not the period,
Sculpture, painting, statuary, jewelry.
That would have been prior ignored,
As dated, just another...pretentious piece,
Among the twenty like it on the wall or in the case.

Before that objet I will sit,
For hours, till I have understood
Each pore, inflection of what
Inspired a man to labor over it.

If I am disciplined,
Might get ten or twelve done in a year.

But now understand, that there will be greater value,
In taking ten randomly, living with them
Body and soul, and treasuring their nuances.

When I return home,
My art to write, seeing new in a new way,
Perhaps I will set aside the urge to fast complete,
Instead, craft and care, labor over each sound, syllable,
Kiln bake, hand paint, each letter.
Notes from a lecture,.
Created October 20, 2013
John F McCullagh Aug 2012
If we had never done the deed
and soiled the sheets together,
Lesbia we might have had
a love that lasts forever.
Instead, you lay back, wantonly,
inviting me to sin.
Our cries and whispers mingled
as I spent myself within.
Lust comes with an expiration date
and I was cast aside;
Some other noble Roman
now mounts my favorite ride.
Caesar too, will come and go ;
Veni, Vidi, Vici.
Some label you promiscuous
your morals are thought dicey.
Yet you're not indiscriminate
in choosing your next partner;
The distinction is that you lie down
and do not stoop to conquer.
Lewis Findley Feb 2011
beyond the highest skyscraper
beyond the apex of Everest
Beyond the reaches of the Farthest Stars
I have ascended
where even angels it does seem, are inhibited
and tremble to tread.
faster than a beam of light,
stronger than a million Atlae holding the spheres on their shoulders
I have made the ascent.
The dream became a bold reality.
The pages of the book opened.
Vini, Vidi, Vici.
Mateuš Conrad Apr 2016
given the exposure of eastern literature lack
and the narcissism of western
literature, the laissez faire approach
of western literature you'd think
europe was a unified continent,
it isn't - it's post-colonialism has imploded,
Vladimir Dracula even woke up
to practice the upper-tier of ****** on
a few Turks - the Poles are running akin to
him with the rebellious Cossacks,
the Russians still want a land-locked connection
with Königsberg - i mean, they left that bit of
land for a purpose, right?
i'm telling you, the west is informing everyone
from Chow Cho to Chow Mein in the political
realm - these greasy smiles with sweaty hands
will never part in matrimony of 'till death do us part',
it's all impromptu, and that's how it's going to stay,
satiable and satisfactory for the few...
the ones who know the world of beauty,
but rather see the skeletons -
i too can appreciate a sunset over Venice
for 70 years, but give me the physics' geographical
mathematics and i'll gladly cut short my stay
from 70 to approximated 40 years on
the existential roundabout - veni, vidi, oblitus -
or veni, vidi, asquam... or
                                   veni, vidi, circa,
or even                 veni, vidi, vacuo -
indeed the latter, with Solomon singing concerning
vanity - although not as prophetic due to
the stately income could i signature the word
with an ending as crafty as vici;
but nowhere in the west is there talk of
the middle-ground that isn't Russia -
well quo vadis and all that,
but other than that it's only a geographic
area of plumbers and electricians!
honest to god - super-charged this area is with
these two professions, no writers, no poets,
nothing, just plumbers and electricians -
you'd think the west could secure more footnotes
in terms of what inspired it to make
a political system experimented by the greeks
an economic export, after all, democracy
is more an economic system export than a political
model, system, more economics goes into
democracy (as an export) than goes into it
as sustainable politics - democracy as
a non-export is bureaucracy,
democracy as an export is an economic *****,
handy ****** of Mc-a-doodle-do -
bonkers king and other fast food outlets etc. -
never has the iron curtain been more apparent -
the west identifies no outside influences
because it plagiarises and states as its own
the influences it utilised - i can cite you influences
outside your comfort zone - but what would
be the point? in summary:
democracy exported is an economic model,
democracy imported is a bureaucratic model -
politics aside -
the more democracy you export
the more bureaucracy you import -
the less democracy you export -
the more menial tasks you import -
and indeed the latter isn't that bad -
i'd rather hammer in a 1000 nails
than check 1000 emails.
AC Sep 2013
It's as if a photograph is the most valuable thing one can own;
That sepia tone, that time and date stamp,
What a friend,
What an ode to memories of a time long past,
A year ago today it went- ****!- Just. Like. That.
And just like that, you're back there with all your fears and trepidations
And slight ponderings on the habits of water snakes and devils' babies.

****! just like that you're brought back to the present,
Wondering about the future;
Will it all work out outside of this moment? Which like that one,
Is so perfect and complete, a puzzle not missing a piece or having a hair out of place,
Here, in this rose garden amongst garbage heaps of relative affluence.

****! you're gone away unto the Future,
A mystical, magical unfamiliar place... because there is not like here,
Where you are so sure of everything, and the complete certainty of infinite possibility
Canoodling with your youth cries out to you in exhilaration
And apathy
For your autumn years;
You know these city streets and ally walls and University halls,
You know these faces and those places and the box
Which you have built yourself out of recycled materials- opinions, quotes, and ideas
You're only borrowing,
Like a sweater with multi-coloured buttons from an old friend that you might just decide to keep,
Or give away to charity
If that happy interlude between lending and returning has long ago expired.

****! Here you are! Right now! This instant!
A vast infinite collection of empty spaces and visited places,  
Held by bonds no tighter than your weakest ties.
And all those times you said you were going to carpe diem,
You let it veni vidi vici you instead.
So, holding this photograph, I ask you now:
In the puff of smoke lit from the flash of the camera,
Is this the way you want to live, or is the meaning of alive simply to die?
Muzaffer Mar 2020
geldin mi. dedi rüzgar
yelesi’nden kavrayıp kır atı
meçhule kanama bu ihtirasların
ilişme. dedi bulut
biraz nefes alsın
biter geri dönünce
çekilir damardan
nevrotik ızdırapları

bir damla bıraktı yağmur
terli dudaklarına
gülüyordu miğferine şimşek
iniverdi yere
baktı yüzüne Sezar’ın
gördün mü. dedi
yeşiller al’a döndü sen gelince
ne kadar üzgün Alesia
duymuyordu Galia fatihi
sürdü atı o hızla
görmüş gibi Getorix’i
parlayan gladius’unda

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Memory of Julius Gaius Caesar..
You are my favourite poet
You inspire me
It goes without saying that I love you
And even more so
When you breathe your words into me
And pierce my soul with your ink
Never stop writing your phrases on my heart
Always tell me in abstract
How my chameleon eyes remind you of calm streams
And brighter days served in a history of torment
We are two lost pieces to the puzzle
pushed under the couch
Vidi vici veni
I love it because you said it and I believed you
Because it is one thing
to say one thing is another
But it takes a poet to analyse it to it's full potential
So analyse me
Talk me into your amazing mind
And you can with ease
Because you are my favourite poet
Blossom Apr 2019
You saw what you wanted and took it from me
like taking sweets from a child
You came to me and tried to conquer me as if my body were a war
my dignity your victory prize,
a trophy if you will
A symbol that you own me, you own my thoughts
You came, You saw, and You conquered
in the worst sense of every word
Breeze-Mist Dec 2017
Well, this year was far crazier than the last
That's okay 'cause I brought my fight in full blast
After twelve months, the problems are yet to go
But in the face of it all, the strength and support did grow
And it was rough, some months it was hell
But I made it through like a wint'ry cold spell
I came, I saw, I did become
Save the vici for later; I'm nowhere near done
KnowLove Jan 2016
I feel my heart wrenching muted screams, From silently, violently, shattered hopes and dreams.
Mornings fill my veins with shards of glass.
Frozen crystal memories, tormented past.

Vini, vidi, vici... You did your part.
You came, you saw, and you conquered my heart.
But now you are bored, the challenge won.
My heart was yours.. whats done is done.

Although I see you clearer, each day, every night.
I saw your momentum, your anxiety for flight.
And my Love, in its Truth, wont hold you caged.
You lit the spark in my heart, and it blazed and it raged.

I can honestly admit,  I know Im not perfect.
But neither were you, but you are perfectly worth it.
If there is only one thing I wish I could explain,
Is that never, in this process, did I intend to bring pain.

This Love, oceans deep, as old as time...
A thousand life times, your heart was mine.
And mine still yours, in Truth and Light..
Unfortunately obscured by Social fraudulent plight.

I dont know how to end this off, or what to say.
Even though you are physically absent, I love you each day.
And every day after, even though I may lose.
Because every day my heart tells me, that its you who I choose.
Jennifer Beetz Jun 2019
"I am only the maid!"
she will shout at him
then disappear for
a week
hunted down like
lean dog in winter
he always proffered
her a treat
and how could she
refuse? with hatred
she would show up
again to clean his
dishes and make
the bed,
until he got it in
his head, well, he
decided he liked
the maid and not
in the way she was
usually liked
which is to say he
was ***** (no, but
thanks anyway)
a week or two later
he tells her he's in
love and she bursts
out laughing, tells
him she's not 11
years old
but
she did have a lot
of bills, about 800
bucks worth, give
or take
O NO! (you see
it was love and love
is free), three more
weeks and he's
climbing the walls
reconsiders her
circumstances
and his own
another day or two
he has made the maid
on the fresh linens and
all was pretty romantic
until he raised himself
on one elbow and blew
hot air in her face and
a hot load in her ****
he said, "You know
this isn't quid pro quo
..." and she answered
"Veni, vidi, vici...
(whatever gets
you off.")
and what a happy
woman was she
money new minted
in her fat purse
and this little piggy
went wee wee wee
all the way back
to Queens
yup
Ego dormivi et
Figured this one might go over your head
Mateuš Conrad Oct 2017
the idea being, opposed to what james joyce invented in ulysses and sartre replicated with a lack of punctuation marks: point being - at what point is atlas speaking, and at what point is sisyphus speaking? and, as it happens: when are both speaking, and where one of the either is introspecting in the domain of thought... that least futile realm of action, that act of mining: enter the minotaur, who said: you keep both your orbs, i'm attempting a crossword puzzle from (a) to (b) with the only clues intertwined with a memorisation of R L L R R R L L R L R L R L L L L R L R R E (R. turn right / L. turn left, E. exit).

i'm getting this void re-entering
the orbit of planet-365 -
and it's bugging me -
  quite a simple observation -
what's with the volume of jokes?
western society is peppered
with comedy, or rather in
the non-classical sense of what
a comedy ought to be:
    they ****** the poets throughout
the ages: but comedians are
not writing comedies:
they're writing sketches - comedy
sketches... is anyone as tired as me
languishing under the:
  why is the fate of sisyphus always
deemed worse than the fate
of atlas?!
             i find that western society
has become infested with a comedy
virus...
   i've never so many jokes akin
to ****** laughter, where what could
have been genuine, is merely
canned laughter replication...
so many jokes have been said:
but of the many jokes -
i remember my childhood,
as children we used to tell each other
jokes, and remember them...
there was this one about killing
mosquitos and how we went to the 3rd
mosquito's killed funeral...
some classics, that remain lost,
or at least archived in the deepest
recess of memory...
      if there ever was a plight of the west,
it came when western societies
"thought" themselves to be funny...
   ****, it was going so great up to the early
00s...
      boy, they could sing... they could
sing their hearts out!
but then they stopped singing
and thought it was better to tell a joke:
mind you: there are no decent jokes
in the anglophone world -
because:
  (a) too many jokes are being said
(b) a joke is a correctional facility
based more upon insinuated-clarification
than slap-stick spontaneity...
and there's, of course
(c) with so many jokes, it's hard
to tell a decent one...
  a memorable one...
   i still think the anglophone world should
have concentrated on their singing
prowess...
can we talk about the black privilege of
the bible belt gospel choirs?!
  the 100m sprinters?!
          breathing apparatus of the choir
like the guns of navarro!
          why do the english-speaking
nations suddenly think they're funny?
they're not...
    if you managed to watch the original
comedy show from the 1970s
you'd find that there was no canned laughter
instrumented like a bad italian *****...
akin to the moment in *the brand new testament

with ea telling marc that he has a nice
voice, so he does the "subtitles of onomatopoeia"
versus authentic pleasure in the movie...
and meets his german sweetheart...
      the downfall of western society,
if there ever was one, given the 1920s observations
from germany: when the english stopped
singing, and turned their sight toward
comedy...
   i hate comedy for lazy people,
as much as i hate intelligent comedy,
i hate modern comedy because modern comedy
is sketchy, it's not scripted to a proper
comedy in the classical sense -
       the more jokes you tell,
the less chance you have of a memorable
joke -
    i sometimes wish to read a book
of maxims: and find a joke among them -
like the joke of the two picts copper wire
a penny argument and stretch armstrong -
or how welsh men get laid,
              pushing a mutton off a cliff...
tell me a joke worth being said
side-by-side akin to vine vidi vici -
and you can have the floor...
             i think i've had enough of
laughter,
     i am actually beyond tired to respond
with laughter...
          the anglophone world used
to have just great songs, and by having
great songs was renowned for
telling bad, overly intelligent jokes -
                  in all honesty i find more
laughter from moments in between
sedative refills where i am looking for
       a cogito - that has no ergo-bridge
arithmetic into a sum -
   i laugh, because once i start
looking for my "narrative" -
    or the "loss" of therein -
    the moment i stop thinking and
never demand it to resurge with a "purpose"
i find that - omnia in aether est
                    (all is in the air) -
   which is just an alea iacta est
                                            reiteration...
funny: i find catching myself not thinking -
more funny, than any current take
on comedy -
    and it's not exactly pennies
falling from heaven:
   everything on this earth is thrown
into the air, and whoever catches what he
catches - he tends to -
                       the same fatalism as of old.

— The End —