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Jordan Harris Jul 2014
What truly is the definition of righteousness?
Is it determined by act or by mind?

They say a good man fights for justice, peace, and prosperity.
But then, can a man of such moral truly remain so
if he turns to violence as an answer?
Does his intent to create marvels render him of moral status
though his methods may empower death and promote war?
Oh, this man is peaceful himself,
taking letters instead of bullets to battle
but his lyrics dislodge society in a manner not all approve
and so begins combat.
Can this soul carry such holy title,
if the repercussions of his strung together words are strung up necks?

Or is the good man the one who turns away from the world's fight
to be his own embodiment of ethical beauty?
For the one who remains silent causes no direct pain;
he himself is passive and tranquil
and moves to inspire such conduct in others without commanding it.
But his silence encourages fierce vehemency and wildness.
Does this fact not taint his name?

The first man had pure intent,
but with his tongue he spit sparks
which others used to ignite a fire and burn the world.
The second did not fight himself
but his chosen hush could never end the blood rain,
and so his lack of sharp verbosity allowed knives to flash and blood to spill.

So I will ask again,
what determines morality?
Though this time with a grounding response;
morals define morality.

Each man's mind renders his own flawless ideal individually,
and so one's perfection will always be another's monstrosity.
In truth? There are no good men,
or at least not one to all.
Inspired by the Doctor Who quote, "Demons run when a good man goes to war". I was very curious on the definition of a 'good man' (or rather human, because sexism is a no).
Mateuš Conrad Dec 2015
the famous czech immunologist (miroslav holub) got it right, holding his complete works, seeing the precious output,  then hearing him say it: 'i'm not against the repetition, but what the hell would i write if i lost my first ambition of a career? i would write dross, but i'm not against balzac or dickens doing the ironing work - but i just couldn't do it - better me likened to a butterfly that was the czech spring of '68. indeed mummified flowers between the pages.'*

the main reason poetry books will never be
shelved, itemised, on the inventory: BEST SELLER,
is because they use priceless things in their contents
section of approved poetics ticked off...
poets mention the moon, the night,
the sun, the orange glaciers of skin of suntans
bundled up in fat and sold as ****,
poets forget they are touching priceless things
with words, i'm sure a readership numbering
1,000 will dry your socks after that marathon
run on lake verbose in the middle of hunting season,
but it will never go past that,
that's the fury and the fear surrounding
hunting down the poet who exceeds producing
the noble prize winning output of a szymborska,
~100 poems a lifetime means you really did live
it out, and wrote with slithering undertones
the art, the paradoxical art of the ancient world
trumpet or saxophone - it wasn't philosophy
that attacked us... but the woodwind instruments,
the harps are safe, i stashed them while cracking
and playing bone poker dominoes with my fingers.
poetry doesn't attract the most socially acceptable
form of lying: namely fiction -
poets don't lie - there's no genre that does it better
than writing fiction - and if they do lie,
it's un-intentional - mechanical, like the world,
like the world being so mechanised it almost
feels self-content without applause but an opera
chorus of screams and other forms of hysterics.
some books talk of seen and unseen realities,
i beg to differ, i can claim certain unseen realities
in the seen realities, take for example
man's ability to walk the method of onomatopoeia
like virgil walking dante through the inferno...
man as an animate thing can clearly imitate
other animate things.... he can howl, meow and bark,
he can imitate the pig's and the deer's snout
when impregnating a mare...
the grunt hot breath riff of things...
but he misjudges his accuracy of recording sounds...
he simply cannot fathom the sounds of inanimate
things in the realm of onomatopoeia;
it's not that he mishandles the 26 symbols,
but when he tries to make the visible doubly-visibly-divisible,
to notate knocking on a door, to notate
the scorching sounds of the sun in the equilibrated
exchange of hydrogen & helium (sun gods
laugh after all), when he tries to notate
the carbonated water fizz, the beer bottle cap
charles i pop / apache scalping with a tomahawk...
he's off by a mile and a marathon...
we can't mutilate words into sounds just to see
certain sounds (primarily of inanimate things)
with letters... there's an impasse about the whole thing;
this is trans-verbosity, overt-verbosity that cannot stand...
it's pointless trying to see a complex sound
with letter governed by the onomatopoeia...
it's enough to hear it... touch it... seeing is not believing
in this instance... this insistence...
after all we're utilising priceless things to get out message
across... so if man makes it worthwhile,
an onomatopoeic antonymous decision i have crafted:
the sound of the universe's vacuum "silence"
is counterweight to neither the sound of atoms congregating
into celestial orbs... but rather the place where man
out to shove his parallel representation of thought.
you can already see invisible realities within the realm
of visible realities, the many missing and the many amiss
onomatopoeias of what animate things echo from when
interacting with inanimate things... paradoxically
atoms are in an inanimate equilibrium as animate things
likened to the celestial bodies in orbit,
but in fact they are inanimate in an animate equilibrium...
worth a worth's worth of study in a laboratory allotment...
and if it was a cow's digestive system you were investigating,
the inanimate equilibrium is being worked on:
the equilibrium of what sort of usefulness from experience
can be possibly passed on;
but wait, you can't write me the onomatopoeia
for the crating of carbon monoxide (CO),
or formic acid (HCOOH),
or myristic acid - nutmeg  (CH3 branch with twelve CH2
and the carboxylic ending),
nor the ester (RCO2R) - because now you're
using a chemical alphabet of the periodic table,
and all necessary onomatopoeias are lost
to the names of the necessary elements
that begin with hydrogen, and end with anything
remotely removed from a famous scientist
by the elemental name akin to einsteinium.
Ross Robbins Aug 2011
Pernicious mind, stop eating me!
Incessant head, oh, can’t you sleep?

I’ve moved beyond mental
Have approached the eternal
But god’s still a mystery
at times I’m a husk

Shrinking back at times
from light of open mind
Find a spot to fester
if I’m feeling like a sore

Swaying mendicant head
of sweating adolescence
Jacking off verbosity
Shut me up, Oh Lord!

Now all given way to
spiritual *******
******* a smile if
I’m too tapped out for joy.

****** slips away,
I’m naked in God’s hand—
Surrendered to the will of
some other spirit’s blood.
the fountain of poetry
e'er threatens to dry up
yet the inspirational words of Beryl Dov Lew
re-supplied my dwindling cup

with his advice duly given
my expression's reservoir fills to capacity
in a most generous
flow of endless verbosity

had he of not encouraged me
to keep the pen's ink spilling
my Hello Poetry pages
would be empty of shilling

with a mentor of Beryl's calibre
positively re-invigorating my oft dry fountain  
I am ever assured of a verse
brimming unto the highest mountain
#inspiration  #mentor  #fountain
PrttyBrd Dec 2014
Letters fill my lungs
As I fight to breathe, to live...
Still choking on words
12214
senryu
Francie Lynch Aug 2014
Mnimalists uproot everything,
Aiding natural entropy.
Poets can do likewise.
Omit redundancy;
Scorn verbosity,
Make words work
Hard.
Articles shunned,
Prepositions abhorred;
Conjunctions - need none.
Edit,
For our sake.
Snip,
Fit words together.
Make words work
Harder.
Helen Mar 2015
repeat yourself over and over
wield words as your weapon
repeat it as many times you need
until you drown beneath
your own perception

Tell the boy you fell in love with that you don't appreciate his lust, tell the girl your dreaming of that she's the only one you think of

Shout out to the universe
that you're unimpressed
Scream in the face of the world
that you deserve only the best

Get into the face of the *****,
or the *******,
that hurt you the most
and insist you are worth
the air you breathe, make sure
*you're extremely verbose
Nat Lipstadt Mar 2014
http://hellopoetry.com/search/poems/?q=Betterdays



as is my wanton wont,
when stumbling
upon a new voice,
the passed baton
is herein handed off


am old man.
my poetic voice is just
memories that are
repetitive lies and lines.

speak in simple sentences declarative.
this is nature's way.

darkness approaching is indeed my
au courant poem, mon actuellement.

I have seen better days.

I have read betterdays.

now I am upset, distraught.

here come another young
hot bright votive voice,
and I am being asked to believe that there are
still words that raise hopes of
betterdays.

her bed chip crumbs, delighting,
leave crumbs of pleasure in my soul.

l like her big word poems,
that leave me, fill me by:
siphoning all in a parched gluttony
leaving behind a viscous residue
and few glassine portals
into a reflective world


better yet I love her
mothering little god poems,
letting me remember little boys
who once loved a father

little god love
radiant is thy smile,
smallboy love, exudes from you,
like a flower god's nectar,
bestowed, with negligent love,
upon a mother's world.
i will drink my fill,
everyday, whilst i can,
for far to soon will you
grow up.


don't speak eastern Australian,
tackers and doona's, no clue,
blue cats are a foreign breed,
but the cat of this starfish mother,
shares my literary tastes:

him, nestled,
on the second, to
uppermost stay,
of the third
bookshelf,
in the study.
he has filed
himself,
between,
ogden nash
and proust
and it is there,
he plans to stay.


let me not go on and in deeper, lest
I delay you from her pleasuring
thy tasted untested senses.

so here I am all grumpified
(at my age, you can make up your own words)
unsure if un or satisfied,
knowing that a woman,
word whips me into a
soothing frenzy of creamy
morning coffee verbosity,
a captive taker of life's
ungrandest moments,
poems of them,
make to glory come.

somewhere in the world,
a woman writes of plain goodness
of simple strife and simple lives,
makes methinks that there could be
betterdays still ahead,
better poets surely, than me,
and the day starts well
http://hellopoetry.com/search/poems/?q=Betterdays

Read her please, follow her if you love life.
annh Oct 2019
Why,
You ask,
Use ten words
When two will do?

‘Cos a pair is always eight words too few.
‘"The efficiency of the cleaning solution in liquefying wizards suggested the operation of an antithetical principal, which--"
"Did you have to get him started?" Cimorene asked reproachfully.’
- Patricia C. Wrede, Calling On Dragons
Tell yourself to breathe
as the stratosphere is falling,
imagining verses tumbling
midst downpours' dissension,
sans sentimentality's
         loquacious language,
and the land is left barren
    as verbosity disintegrates
and emotions wholly perish
    'neath fickle cloudbursts
               of poetry's extinction
sobroquet Feb 2014
I cannot recall the precise moment  of my arrival at Anhedonia
memories blindsided by a phantasmagoric comorbid collage of cant
precipitated by some newspaper reportage or holocaust story
some creepy instance that breached the precipice between simple sorrow and permanent melancholia
some fatal blow that cinched the deal
some horrid event that could not heal
some dejected disappointment that could not be resolved
some moment of unguarded clarity when integrity dissolved

nevertheless I have arrived at this mangled juncture
élan a mania not even Edison's medicine can extirpate
I was quite lighthearted before the inferno
before my brain broke
ennui now a   turgid companion
feeding on gaiety, never sated, seeking famine
esurient unrelenting usurper of  happiness
go away, leave me alone, relish some other  soul's  madness

gone is any exuberance, glee or mirth
miseries are mine, many the days since birth
better I was carried  from the womb straight to the grave
a fatuous existence, clamoring and grasping in vain
it's as if I was born into a well
but these waters they burn
the bludgeoning alcohol a liquid hell

Oh florid loquacity, you are an impostor
your verse is an adversary
a foray of jagged rhythm justifying a storm
a sordid verbosity  assuring no norm
a plaintive scratching guild of recriminative collaboration
some alliance of fulminating disquietude
the cost for the fare on the adventure to:
the stunning moment  you too will visit Anhedonia
anhedonia |ˌanhēˈdōnēə, -hi-|
nounPsychiatry
inability to feel pleasure.
DERIVATIVES
anhedonic |-ˈdänik| adjective
ORIGIN late 19th cent.: from French anhédonie, from Greek an- ‘without’ + hēdonē ‘pleasure.’



*The Sire Of Sorrow (Job's Sad Song
http://jonimitchell.com/music/song.cfm?id=55

*This Must Be The Place
http://www.imdb.com/title/tt1440345/

"You're obliged to pretend respect for people and institutions you think absurd. You live attached in a cowardly fashion to moral and social conventions you despise, condemns, and know lack of all foundation. It is that permanent contradiction between your ideas and desires and all the dead formalities and vain pretenses of your civilization which makes you sad, troubled and unbalanced. In that intolerable conflict you lose all joy of life and all feeling of personality, because at every moment they suppress and restrain and check the free play of your powers. That's the poisoned and mortal wound of the civilized world."  Octave Mirbeau
Nat Lipstadt Nov 2015
How Many Calories in a Poem?


visualizing the invisible,
we deconstruct the content,
the in-titled label reviewed,
querying,
is this one worth the cost?

looking for true fiber,
then further inquire,
perchance,
are there grams of
kick-starting emotive proteins,
stored and lurking within,
homes for the cells
that will inspire, transform,
mere readers into mountainous writers

lean on those scripts,
injected with just hints,
resting ribbons of flavorful fat equipped,
for there will always be
the tyranny
of the those of the sparse faith,
those writers of haiku brevity,
believers that
fat free,
is the only,
but lonely,
bene of beauty

death from ignorance to those
who would poison the fruit
of the alphabet tree,
coat produce, with glossy chemicals,
that preserve the shiny exteriors,
cooking up false feasts interior,
saturating us with the trans-fats of trite,
oily verbosity and labels of organic,
that conceal the risks of
hyper-pretensivity

an every poem, seasoned for taste,
a dash of diamond sea salts,
scatter on pinches of pearls
of Caribbean cane sugar,
sprinkle human sins and cinnamon
for zest and tang,
for inspiration and flavoring,
for the souls tonguing tastebuds,
needy for reasons
to celebrate  commissioning
the enticing exhalations of appreciative
oohs and ahs!

Warning!
this poem was processed
in a old, out-of-date factory,
that is most assuredly not,
nat-nut free*

but even if allergic,
be unafraid to taste the acerbic,
for there are
poems
suited for everyones, even your
peculiarities

you want your essayed poems
to brim healthy caloric,
grow them as offshoots
of your very own organs

you need not seek anothers certification,
if filled they are
with the mettle of iron,
built to be
calcium-fortified structures,
with the perpetual strong bones
of rhyme and sonnet

let each worded edifice
be the food,
stored to be gifted
to our progeny,
by their ever living on,
marking us,
marking them

omit the trite,
we ken no need,
for it is the false emptiness of
misleading carbohydrates,
that only fatten,
for the briefest satisfaction,
purposed for the killing of fulfilling,
dulling that which only
a well prepared
dish poetic,
can bring to healthy enliven
the human spirit




Nov. 12, 2015
Aboard Delta #2499
5:10 pm
when you are trying to lose weight, you obsess about bad calories
in everything...
now, I will try to abandon time and space
in this form of truancy.

what is this abandonment trying to measure?
  the abeyance of presence.

what is the measured variable trying
to dissect? the impossibility of absence.

a poem aspires to be something concrete. a poem
   is what is real and imagined in the same context.

I try to invoke Abad -- what is imagined is most
   real.  this shall be its leitmotif.

now, i imagine the horizon as a point

of origin, or a template to some familiar projection,
  or a tagebuch summarized into a fine line
of allegories and denouement.

what this line tries to prove is that

an enjambment is a mimesis.

acknowledge the sublimity of a
  creation. notice that the sequence that will
be promised is diegesis of absence as form
     but not a poem as in a poem that enshrines
lucidity -- but the lack of it.

there is only the photograph of horizon
   as hypothesis of perpetuality. this now

is a subject, a speculative undertaking rearing a
   poem -- writing as preparatory for absence,

finishing a line as pursuit of thesis, gravity of
    its heft as tabulation of emphasis, or
verbosity, which may be telling of meaning or chronology.

a poem that is not a poem,
  But poem as a form of absence

that aspires to be a poem.

what is transpiring now is that i am assuming
   an utterance: utterance as being here,

and perhaps voice as sound of becoming but not finality
   of presence, and sound as disappearance

post-peak. its point-source silence and formation
   of thought, and then a poem is written as

evidence of disappearance in deep and close
   contest with a vision coming from another

audience as an objective supposition or
   reaction that may propel an exchange

but only when silence is entertained does
  silence happen, and so this may be dismissed

as a monologue among dialogues insofar as
    only to pinpoint this arrogant feat:

i may be speaking glossolalia, or in tongues,
  and that i seek no reprieve nor vestige,

all the more response -- intone of voice
   stilling itself in the tense setting

of being gazed upon, glazed with coherence
  of senses from one identity to another say,

you hear me speak as in speaking
as baring sound.
   but now that i have spoken, i have already undone

  the quiet to stir volumes and amplitudes
to attest sound-fade as vital component of absence,

whereas this poem produces ample sound
  if you pay close attention to yourself reading

in the lull form of reading (your
breathing will have intensified here,

your reasoning will have made so much
  noise here) as i continue to whittle

away in form of verse, verse not as poem,
  verseliteration not as occupancy of space,

but all in all, a body of work
that is a visage of movement - or a trace of absence, physics of space and kinesis of departure.

a delineation of a thing that was once
   thriving in threshold accompanied

by its tendency to wane: sound may be an
     analogue of unheard, as sound is impervious
to quietude but quietude conscious of sound
     and its potential,

that quiet coheres to its inclination to consummation,

this completeness so emphatic,
this allegory as
  absence the somatic, axiomatic,

indefatigable machinery of a presage,
   or continuity -- this poem that is not a poem,

but an excess of sound, a body that
   deserves end,  a punctuation.
     verity of this argument in basest form.

this body of work as absence
  and its completeness, volition

of its enigma: is this the end
  of sound or your silence summoned?

to drag it back, its recalcitrant body,
   is form of revision, then possession

of an absence, a recollection that will have granted
   seamless entry and translation

which passes on from its origin to
  a new clause -- to end it here, now and pass

over as readable only in the background that is
   an embellishment of absence amongst

things in exclusive continuity, to have this produced
   in space as empirical of absence,

and to punctuate this, a mystification,
or say, acceptable fabrication,

to read and extricate as acceptance of an absence
   as form: this poem that is not a poem but

only a physicality delimited -- to speculate
and study
as disbelief, and to have done such simply

demystification of its transition.
A deconstruction as evidence.
Monique Clavier Jun 2015
never fall in love with a boy who
speaks in lavender soliloquy and
smells like cigarettes and melancholy;
whose kisses leave you in nirvana and
whose flesh lays in some lovely façade;
for he is a poet, a philosopher, and a believer
whose mind will disappear into breathless purgatory
when you're not even looking
and by the time you'll find out
you'll already have lost him somewhere,
between wandering verbosity,
and ashen wordlessness
wrote this a while ago and shared it on my tumblr, where it got around 80 notes i believe
Nat Lipstadt Sep 2013
My poetry is an acquired taste,
So come, dear one,
Place your tongue in my mouth.
Pace yourself, there is so much,
Spoke and unwritten,
That fruitions only when spit-shared.

Flick your tongue-tip to mine,
Sealing bond, the salt caramel of my rhymes,
The iambic meter of my tamarind prose,
The buds, flowering, poems forming,
Watered by the admixture of joint, minted saliva.

My poetry, so very complicated,
Hints of currants and ash,
Soil volcanic, basaltic vowels, oh's and eyes,
Cursed verses that commence with I,
Nonetheless, despite soil inhospitable rued,
Compositions flourish, born wetland soluble.

Yours, for the taking,
Yours, for the tasting.

You place your fingers on my waist,
My body of work to contemplate,
My ditties, you spit out,
You want courses, not appetizers,
You want truths, not fluff, lies, menu tastings.

Columbus and Magellan, thy fingers named,
Trace the curvature of my ***,
With tip and tipsy stroked caresses,
You laugh with the pleasure of all the sssssss's.
Hissing all the day your satisfaction,
Capturing my writs, by your tongue's duress,
Recipient-thief of my literary largesse.

I am dressed all in white,
Stripped bare to my native coloring,
Except for two brown nippled spots, you lick,
Imbibing milky thoughts  from fountain-heads *****,
Savoring, relishing, stanzas that praise love's flavor.

With every line, every word-painting accessioned,
You make my soft parts hard,
My hard parts soft, but my liquidity,
My tears, they, that, you drink straight,
Licking, liking, and oohing and ahhing,
You tongue curled, upside down arching,
The storage point of your seduced gatherings.

To drain me full, your incisors cut,
Straight lines, entry points for your *******,
Taking, draining, leaving nothing,
Not even one aleph or bet escaping.

When you acquired my poetry, my verbosity,
Pillaging soul's hiding place, took and *****,
Your acquired the best, breaking my nape,
Imprisoned on and by my island's seascape,
Blanched and pained, a blank tape,
I am tasteless, witless, mockingly, tongue-tied.
Written tonite while driving upon moonlight country roads, departing one island, crossing another,
only to ferry to a third. As I was driving, unable to retain all, but wine and Bach's Brandenburg, withdrew new lines, before I broke, surrendering to a dreamless sleep
Nomen Mar 2021
Strange days of boredom
Oddly flavored
Typical, worn out...
And hardly favored
Routine
What is necessary
Camouflaged verbiage
Made playfully literary
& some approximation
Made writ and authoritarian
That's all the information
Fit for publication
The Pleated Skirt  by Brandy Channing


It was in San Fran,
a destination chosen for
its variety of vicarious distractions,
romance was in the ebb stage
of ebb & flow, and there was
a sufficiency of distraction there,
that my mind
could be there,
in actuality,
in the present,
in the moment,
accounted for,
and the cancer of
rooted sadness,
that wastrel feeling,
was temporal boxed,
in my traveling attic.

On a cable car,
of which
the hills, insisted,
when the
lactic acid, persisted,
be re~viewed as an actual
conveyance methodology.

A-man got on,
sitting
near enough, but not
invasively too near,
and began a
study of me;
perhaps an exercise
in memorization
for a sculpture or a painting,
that would be shown,
in a gallery quaint,
nearby in Benicia,
and destined to be
displayed (dis~splayed?)
near a picture window in a
big old home overlooking
the North Bay, as the
She~Muse mused amusedly.

Or it was just another
inspection by “a man,”
common enough that
it was noticed and noted,
but attended to with a
practiced nonchalance,
which is a French word,
meaning nonchalance.

Ah! descending near the Wharf,
He~too, as he was now labeled,
stored and forgettably tabled,
He~too descended as well.

A meandering into familiarity,
of ancient memories of smells,
of clam chowder,
gulls and sea lions
the inhabitants of Pier 39,
all traced my face with
a grimacing smile,
for sometimes one lives
in a state of duality.

But a voice from behind,
gently inquired if permission
was grantable to recite a poem,
yes, directed to me,
yes, from He~too,
who, awkwardly shifted
his stance from side to side,
as if performing a
pantomime dance routine,
while waiting for
my pithy or pissy,
but always well considered
R.S.V.P.,
which is four french words(!),
meaning, “sure, why not, try me”).

Alas this Techi-he
as he was subsequently
re and de-nominated,
recited a variant of
roses are red etc,,
but concluded with
“your pleated skirt.”

(Roses are red, violets are blue,
when I observed your pleated skirt,
my heart pleaded with me, DO NOT!
let this woman ever escape your purview)

Now this navy medium wooly weight
(always chilled in SF)
somewhat too short skirt,
was a hand-me-down
from my mother (mom!)
who in a prior decade,
dressed like everybody else,
but with a panache,
(yes, a French word meaning panache)
that declaimed and declared,
“I do it my way”
and was in truth,
a fav of mine when
accented with dark tights
and preppy but comfortable
matching navy penny loafers
(mais non! pas de béret ridicule).

By now, you know, I know,
how to deal with men, whose
onslaughts are like the beaches
of Normandy, littered with death &
destruction from my hot herbal tea,
heated by rapid fire of my
machine gun fire,
my bullets of verbosity
from an old, original ***,
used by my grandfather.

But this reference to my pleated skirt,
flattering me when accompanied
with a beautiful French blouse,
sunglasses, and my heart and hair
openly parted down the middle
in a nod
to Haight~Ashbury
hippie history,
was off kilter,
or as Techi-he would later
joke that I was off-kilted (a pleated skirt),
and taken prisoner, a POW, which
under the rules of the Geneva Convention,
would be guaranteed all the necessities
of a good loving.

We are California Commuters,
me in LA, he in SF,
an unlikely combination,
he and me,
of milieux, personality,
yet not dissimilar:
harmonized when
he writes code snippets
on diner napkins, and
I,
snippets of poems
on diner napkins,,
he clears my laptop’s cache,
I clear his heart and vision,
a blending of

vive la différence!


and we see each other often,
as in as often as we can,
we vacation in the South,
of France, where he learns
of Impressionism, and a
different sea coastal ocean
environment.

I, learn from him,
his remarkable human fondue,
of intensity and concentration,
which melts into gentility and
a softness natural that steals my
heart, accompanied by the ridiculous
rhymes he passes me beneath the table,
notes toujours,
always perfect
for that moment,
like my pleated skirt

*(which now resides in his closet,
lest
its magic work again, thus,
kept safe by him, in a wardrobe,
to which he has locked and keyed,
and is worn upon request, my bequest,
it, a whirling twirling dervish of a poem enshrined,
a wearable honoring
our commencement,
our commitment,
our pleated,
plaited hearts.)
NicoleRuth Jul 2015
Sitting beside her
Watching her slowly break to pieces
The only thing keeping her together
Were her thin calloused arms
Clasped tightly around her heaving chest
I couldn't bear it anymore

I love you...
I blurted out hastily
Before the significance of what I said could settle in
But I couldn't take them back
The words now stood between us
Floating in the silence of my confession
Her eyes widened and bloodshot
Arms wrapped tightly around herself
Hair left in a messy half tied bun

She sat just an arms distance away
And all I could was see beauty
In those runny kajal lined eyes
Coloured a warm shade of brown

I love you I specified once more
Her stumped silence more annoying now
But better, much better
Than one filled with her tears

I've loved everything about you I explain
More for my own sake than hers
For my mind could barely process such a confession

I love the way you dance to the corniest of songs
When you think no one can see you
I love how you spend an hour just figuring out makeup
Only to walk out with just lip balm gracing your face
I love how you try to dress ****
But would rather get married in a pair of boxers
I love how you're a ******* geek
But still can't resist an episode of Greys Anatomy

I love the contradiction you are
As changeable as the winds
But always steadfast when I need you
I love that awkward smile
I love that messy bun
I love those over sized t-shirts
I love that sarcastic mouth

You are not as weak as you believe
Your scars are what I love most
And how you show them off with pride to the world
Your imperfections make you perfect
And your...

Before I finished this sudden display of verbosity
She kissed me
Wrapping herself around me completely
For our imperfections we loved
And no person would make us erase our proud battle scars of life.
ConnectHook Sep 2015
☺☻☺☻

When painters who paint about painting
meet writers who write about writing,
self-conscious redundancy
bordering lunacy
ends in esthetic in-fighting.

These modernists, right about nothing
(mostly nihilists mad about something)
are so lost in the process
they vent all their excess
in metacognition: dull writing.

You poets who muse about musing –
unaware you are reader-abusing,
provide a terrific
verbose soporific,
yet not of the hearer’s own choosing…

I long for some righteous verbosity –
but I’m stifled by all the pomposity.
This dull erudition,
“sub-metacognition”,
is but an artistic atrocity.

You thinkers who think about thinking
drag my spirit far lower than sinking.
What we want is a Word
which we haven’t yet heard –
so till then I’ll just drink about drinking.
https://connecthook.wordpress.com/

☺☻☺☻☺☻
Milind Phanse Jul 2013
Words, once obedient servants
Now claim suzerainty over ideas.
The age of meaningful verse has yielded
To gobbledygook.

Poetry, a grey mist half-understood
Through which I stumble blindly,
A mirage I chase through the sands...

The wells of creativity run dry.
Neither outpourings of emotion nor tender murmurs;
Mere craftsmanship remains.
Lines dolled up in ****** baubles
Literary ******, soliciting passing readers,
Fireflies, impotent
In the face of the darkness within.

The autumn harvest of verbosity is ripe
For the scythe of the Grim Reaper
mûre Jan 2012
Verbosity
A patchwork quilt that I roll roll up in
Stitched with syllables
Like a little phonetic sausage
So deep inside you can't hear me go
Dur dur dur.
(insert self-deprecating quip about being a wiener)
laughing track
But it's cozy and neat.
And if you do
I'll rubix cube your dearest mind
Til I'm tucked deep inside once again.  

And I'll softly pontificate about the genetic code
and how it made your irises not quite hazel
But still able to illuminate spontaneously
teal, laurel, cyan, the sea
And if you'll pardon my hyperboles
They draw me strong as an Atlantic tide
This ocean that ***** me the deepest inside
Aesthetically, the contrast is startling to your skin
An artist would capture the portrait therein
But really, all you need to know
Is they're the prettiest
prettiest ******* eyes
I've ever seen.

And I'm sorry
That when I get nervous
My heart is a little effervescent
My words become too efflorescent
(I seek not to strangle you with King's English Shrubberies!)  
As you stand before me, incandescent
My dread is that you're
Evanescent.

...

But that thing about your eyes.
All you need to know.
That thing about your eyes,
Not to mince words

But I think

I'll feel that way always.
Steve D'Beard Sep 2014
I woke up to the pious sunlight of broken dreams
drenched in the faded tear drops of yesterday
arcing like a broken rainbow down empty streets
leading to the septic tank of tomorrow.

Resplendently dressed in rhetoric
silk woven by congenial weevils
frantically fed on gypsum and diesel
weaving verbosity with loquacity
table a motion to make independence illegal;
keep the status quo unequal between certain people.

There once was a dream called change
proclaimed to be the prize of revolution by some
restrained and contained as hyperbole by others
the disenfranchised left muddled in facts unexplained
the vocal ambivalence of political unrest is to blame
as Union Jacks march on Glasgow with steel toe-capped boots
and in the George Square riots the Saltire burns in flames
as history repeats itself
and the thistle of Scotland is ripped by her roots
the first act as a welcome back
into the fold of the commonwealth .
A sad day in the history of Glasgow...
The Fire Burns Sep 2016
Enter room
Look around
There is a ring
on the ground

Pick it up
Pocket it
There is also
A rose to get

Go north
Into a room
A mirror is there
Reveals a groom

Go east  
and you find
A church full
The preacher minds

He says do you
She says yes
Suddenly you are
eaten by a grue
A bit of Zork humor
Dylan D Dec 2013
---

This will be the smallest, most insignificant, most trivial,
And most forgettable poetic parable anyone has ever written
Because for once I’ve been wrung of all my deep evocations
I’ve been whittled of my angular description of the commonplace
Of verbose, grandiose trajectories mapped out
By minds I will never exist alongside but I will sure emulate

I have sat down and asked myself, innumerable times,
“Okay, so how will I describe the sunrise now?”
And more importantly, perhaps more existentially:
“What about the sunset?”
What colors haven’t I used, what other comparable thing
Haven’t I eluded those colors to,
And what kind of uncharted, beautiful, spiritually-boggling human emotion
Hasn’t been tapped by this setting star until right now,
Right as I string together letters like they’ve
Never been strung before?

There’s the endless wellspring of my poetic—
Oh, look, there I go, visualizing thoughts and feelings
As a mystical, water-associated apparatus
(It’s my go-to)
For a time more innumerable than the sunrise.

I’m getting tired of it,
And I can’t imagine how mind-blowingly dull it must be for you
So I’m going to try it like this:
I see the sunset again, and tonight it’s very pretty.

But, poet, this kind of routine, boring description
Doesn’t do much for me.
I know what a sunset is, I’ve seen it
My three year old can probably
Get a pretty accurate crayon drawing penned out in a few seconds
And that will hardly distinguish itself from
What you’ve made the sunset out to be

But, poet, from all across the world, from their unique angles
All the aspiring poets gaze toward the same sun,
Whether in setting, whether rising, or hung there in the sky
And describe it as a tantalizing metaphor

And then relate that sun
To a deep, embedding, defining emotion or craving for human connection
As if to say,
Yes
I see the sun that way too
I feel that way too

And then those poets submit their poems to publishing
And watch the sunset as any normal person would
Once they’re out of the mode.
In fact, what’s on television? / Shut the blinds, Dylan,
There’s a glare on the screen.

“Okay”

This poem hasn’t brought itself out there, out to you
As a grand accomplishment of absolute detachment
As a way to try to break the barrier of poetry once again,
To define itself as a new genre, or an edgy statement the author
Very desperately intends his audience ‘gets’
Or even to prove an angle nobody has ever seen or attempted before
Because how I am supposed to know how you think?
Or what you see, and how you see it?

This poem is a message of the ordinary,
That it’s okay, it’s absolutely fine, to remove the mysticism from the mundane
And understand the world as a beauty in itself,
One that doesn’t need the aloof, grand, mystical verbosity of poetry
To be felt as something poetic

In fact, I won’t even leave you to ponder the greater meaning of it,
Of this line, or that line. I will say it here,
At the end, at the climactic and awesome point of emotional delivery
That all poetry intends:
I see the sunset again, and tonight it’s very pretty.



---
EP Robles Mar 2020
i complied with Life
but i did not receive
reciprocity:
loquacity -- not of me

  go ask the baker if his
dough is dry  he will kindly
say, "Ask any Poet, to perish
-- sans verbosity!

:: 03.25.2020 ::
Omar Kawash May 2015
I could never pen a string of words
Sentences
Idioms and general verbosity
that will be capture your beauty like a photo

I could never capture an angle
Lighting
Aperture and timing
that will capture your vivaciousness like a video

I could never record a motion
Expression
Presence and fluidity
that will project your nature
like being by your side
I
am of
vulnerability
authenticity
empathy
fun and
assertion.

I
am of
devotion
humbleness
health
tolerance and
skill.

I
am of
perseverance
learning
pathology
deviance and
contrivance.

I
am of
purging
expanding
contracting
worth and
contrition.

I
am of
polity
deference
you
me and
verbosity.

I
am of
humour
kindness
kindred
kin and
Ki.

I
am of
the salt
of the earth
of the wind
of the fire
of the driving rain
and the
glaciers crevasse.

Who am I?

I am one of your tribe
and I need you tonight.
There's something about you
Raiford Brown IV Aug 2015
In a weary series of redundant repetition.
I feel less of a hearty player, but more of
a lethargic field whos reapings are to far from succession.
Evolution happened somewhere along the
way.
Somewhere along the way we forgot there's nothing more powerful than the verbosity of our name.
its not like i traded up
or for that matter down
every cog still turned to the left
each lever, still up and down

it started like an episode
of ricky lake
and ended abruptly
on springer

im in the sound proof booth
judging those who stand encased
aside me
i should leave before this gets ugly

indiscretion led me here
fortitude kept me
embarrassment fed me words
and loss encapsulates all

every stitch
the joy and glee
lost to ants in a wildflower patch
it stings now

verbosity rivaled only by impetus
but quickness
if only counted in months
falls short with words

im sure there's a happy ending
a call in the black of midnight
in a letter carefully opened
through a kiss tentatively given
**it takes two baby**
spysgrandson Oct 2013
12 days in the wilderness    

what solitude hath brought…  
a paltry sum of windy words      
silly abstractions with the scent of turds  

wandering the cedar dotted mesas,  
once a vast and dreamy sea  
inspired nothing in the verbosity of me    

now home from the night walks  
the ghostly winds that had so much to say  
yet if I heard them, the words are hiding  
in some wavy web of cells, firing blanks
when I aim at the blissfully blank page    

who am I
to defile this space,
with puerile pecking  
when the white wisdom of the ages  
eyeless, stares at me  
admonishing me  
that words can  
beguile the shrewdest master  
by convincing him  
they do not exist
Frieda P Oct 2013
You dropped my faith in the gut bucket
I thought you were to be trusted
I was sadly mistaken once again
a dependable friend is a commodity
your perfidious words slayed my credence
the testimony can be found in written word
inconceivable after what I've been through
intentions of loyalty misconstrued in your head
never fed the fire, never asked to be rescued
a fraternization in need was what was spoken
my hand in friendly alliance was not enough
crumpled trust wrecked, strewn bits pen'd on paper
i may be broken but these cracks are uniquely mine
in the meantime i nursed you whilst in desperation
should have known you were radioactive
by your past nefarious grievous verbosity
you corrupted every sentiment set forward
a bitter fire to light for public consumption
hard pill to swallow being openly ripped
aspersions cast within my treasured love of words
it was always about sheer joy of shared poetry
the lunatic in your head took a giant leap
landed in my cup of realistic doubt
bitter taste took a dive in my elixir
yet another painful lesson ingested
you drew your sniveling sword unjustly
then cowered amongst those you spewed upon
little do they know the wickedness of your ways
far be it for me to come to rescue any
who'd listen to the likes of your grotesque tongue

put your big boy pants on, you fight like a girl...
who the **** do you think you are?
Just when you think it's safe to trust again....some ******* screws with your head!
Frank A. Herrera Apr 2010
Poetry comes in many themes and schemes
Don't care much for long winded written ostentatious verbosity
Full of riddles they expect me to unscramble
To quote "Bukowski" :
" An intellectual says a simple thing in a hard way
An artist says a hard thing in an easy way"
The best for me is:  Enigmatic prose
Well structured ...That I can then define as Art
If I entertain you with what I write
Then you may decide if it is Poetry
And then If... i am a Poet
PrttyBrd May 2015
So weak is the mind
That the heart feels drained
Evaporating love in respire
Pretending inviolate love
Has a place here
Ascension of the soul
Negated by nocturnal verbosity
Insipid words of discontent
Exacerbated by the irrationality of emotion
52115
I am an imperfect person
Mark Lecuona Mar 2012
A feeling
Is not about who is best
Art
Is not a contest
To insist on a victor
Is an ego that has broken
Showering hate upon the lives
Of hearts that are open*

What may or may not be poetry
Is instead the heart of our family
You commented rather pointedly
About your superior ability
And eloquent verbosity
Most likely derived from history
Of the friends of Neal Cassidy
And other written eccentricity
Yet you forgot your humanity
And instead introduced a monstrosity
An ego steeped in personal vanity
Insisting on being treated royally
Demanding your subjects bow immediately
As you crashed into the sea of tranquility
Planting your flag of superiority
And crushing our words spoken so plainly
But heartfully
Because the letters are unworthy
To one who is challenged emotionally
Unable to live peacefully
Amongst those who wish to learn gratefully
About a craft you have reserved selfishly
For yourself and those you deem to be equally
As adept as yourself in the vagary
Of references you declare to be wholly
Fresh and newly
Minted by your ability
To walk around the cliché so gracefully
While we repeatedly
Use words such as lovely
Or heavenly
Or tearfully
Or holy
So we beg you openly
To understand what is primary
In a place for the novice to publically
Air their emotions unapologetically
And speak candidly
And unconditionally
About how painfully
It is to live freely
In a place so worldly
Where men think judgmentally
******* the life from those who live meekly
And wish to exist thankfully
Amongst those who understand brotherly
Love and who affectionately
Praise those who tenderly
Open their hearts to humanity
Giving mercy
To those without the gifts you egotistically
Bludgeoned us with so artfully
But failing miserably
To impart insightfully
Your wisdom for those who willingly
Would receive daily
Your transcendently
And insightfully
Spoken songs of serenity
But instead you callously
Reminded us unfortunately
That mere man is weakly
Empowered to exist commonly
And instead arrogantly
Cuts the rose greedily
Leaving the thorns sadistically
PrttyBrd Feb 2014
Drowning in verbosity
Lost in time
For I cannot express
In prose or rhyme
The beauty that enlivens
Kindred by chance
A victim by choice
or circumstance?
A victimless crime?
A passionate flare
Unexpected rawness
Enter, enter if you dare
Challenges accepted
Without hesitation
Jump into darkness
Accede consummation
Oh my pretty, pretty one
Whatever have we done
With hell deep in your eyes
The claiming has begun
Every calculation
And each strategic move
An action for an action
Every step it does behoove
How easily the game is played
When lines are drawn in black
Maneuvering each bitty piece
Not giving any slack
Training like a solider
Satisfying every need
Holding on to nothing
The past promised to impede
Eating demons in the flesh
A Knight in rusted armor
Feeding darkness innocence
Inherently a charmer
There you are so handsome
Seemingly sweet and kind
Hidden far behind those eyes
Lives a *****, evil mind
;)
emily May 2016
The guise of a false hope warily cloaks
an unkempt soul bereft of fortitude -
stolid in the belligerent face of unnamed evil,
an aura of past opulence adulterates naive purity,
the stigma augmented by an insidious breach

of internal asylum. The vulnerability of
a soldier against oneself takes precedence
in the chasmal crusade yet to come; omniscient
intimation gives way to dour prophecies,
ambidextrous in their intricate verbosity.

Molten in the inferno of cross-interrogation,
pliable in the hands of a mortared veteran,
reiteration serves only as a gibe, a grievance
only the most foolish jester would make
before a corroding monarch. The demons

have rallied for annihilation; the starling
warbles an aria of capitulation, its notes
reverberating through the tentative sunset,
a sky of gray and orange mingling with the song
to convey an unequivocal defeat. But after every

dusk comes a period of resurrection, and from the haze
emerges a heroine unrecognizable if not for eyes
ablaze with scarred determination. She strides
with the strength of ten thousand legions, a leviathan's
courage uncovered in her still-beating heart.

The devil flees, uncomfortable in the blinding presence
of mortal accompanied by heavenly body. This -
this is redemption for armor lost, the answer
to her yearning prayers that had been barely audible over the
convulsing sobs that had swallowed her for so long.

Finally vanquished of the toxic beast that had claimed her,
she rises victorious, proclaiming amidst glory a single word -
“Checkmate.”
strike me down and I will become more powerful than you can possibly imagine.
I dissected your poetry,
  read between the lines
    different than mine,
perhaps our sentiments
  don't exactly jive
 nor rhyme in their profundity,
dissimilar perspectives
   in verbosity's distinction
    as fantasies are vastly unique,
our dichotomy mutually exclusive
yet, we bleed the same colors
   as our spaces blur into each other
Mark Lecuona Mar 2012
The sheep walk the fields
Unaware of their impending doom
Rustled by a barking dog
Swept along like dust on a broom
Slowly walking in a dreamy haze
The sun provides a moment's respite
Happiness masks tomorrow’s uncertainty
Oblivious they know not to be desperate
A banquet at their feet
Digesting their way through life
Swirling, ritualistic endeavors
Instinctive, unthinking actions are rife
Dancing on a precious patch
Herded, prodded, shoved
Head down for the moment
Do they know they are unloved?
A symbol of inevitability
I watch with idle curiosity
What is the point of this?
Other than to inspire verbosity?
Are we worthy of their death?
Or their aimless existence?
As I walk away to another duty
The answers are whispered in the distance…

— The End —