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"varnish" poems
:-) ***a smile upon a practiced face is no longer a smile doll heads are just painted they use cunning, guile but you can see duplicity through the thick shellac ask for honor real truth and watch the varnish crack they'll find another hunting ground but their eyes will be their fall the baby blues that look at you DO NOT SMILE AT ALL!*** soulsurvivor (c) 3-18-2015
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Mar 17, 2015
Mar 17, 2015 at 7:27 PM UTC
doll heads
The month of crescent moons and indigo flamed candles.   Of burning sage and twinkling hooded lights flickering in frosted windows.   Of chipped nail varnish and lips chapped with bitter cold. Of darkened mornings with knitted scarves wrapped beneath pink noses and wet lashes.   Of lonely evergreens and sleigh bells a distant howl in the wind.
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Nov 3, 2014
Nov 3, 2014 at 9:30 AM UTC
December
" the pros and cons " from a to z , we talked and heard our voices we give and take behind schedule at long last ,our little conversation had found a tower of strength within You for me to face the music of a naked truth. the long and short of it i was just roving around like an angel in disguise as if i am a "quite observer" quietly looking forward for the man of the hour. in tight squeeze before i fall asleep i put something into bed remembering those days between you and me sharing thoughts in just a rhyme away from our distances. NOW THAT THE TIP OF ICE BERG UNDER THE SUN HAD BEEN TURNED OVER INTO A NEW LEAF AND VARNISH UNTO THE AIR !!! all i can say is that..... "Hello Poetry",,i knew you load-off your mind! and i want to remind You that for me " You are still one of a kind!"" i might not be -a man of his word- for all the time     but one thing is for sure! from then on after,now i will live my life in a low profile with or without a babe in arms!,#HPpeople ,you're enough for me. in Jesus name, HELP ME GOD in the nick of time--often or seldom because i wrote these lightheartedly so that i can give a buds of wisdom
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Nov 12, 2015
Nov 12, 2015 at 10:19 AM UTC
an idiom optimism
So there I was, and there you were, all of us, everyone, dangling their feet off the rooftop. Four distinctly different artists caught in the same painting yet, none of us holding the paintbrush to our passions, yet. Ambitious, yes, focused, not so much, motivated? Most definitely. Dedicated to manipulation, to making a masterpiece for the masses, a decision to "form a more perfect union".   To map a new demographic before our deaths. If our desire was to make a mark, well, we'd be done already. The mark's been made, but not engraved, and for it to stay we need to stomp on it until our own foot decays. And these days, most pictures will fade, So as us four sat there, dancing with the devil, we dared to begin drafting on our canvas. With no brush, but our own fingers, our own blood, sweat, tears, and elbow grease, finally finding the paintbrush to be figurative, that we were manipulated ourselves. We learned to picture the paintbrush as our pointer, our palms the palettes, our pinkies the varnish, a promise our piece would never be vandalized. The world is your oyster, they say, and the city was our canvas, where we painted nothing but pearls, rare commodities for the communities to cherish until our masterpiece, the indefinite work in progress, is completed.
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Mar 8, 2016
Mar 8, 2016 at 2:13 AM UTC
The Renaissance (The Indefinite Work in Progress)
You are possibly the only adult who understands me. We walk to the Co-Op and you buy me nail-varnish and a magazine. We spend hours in your jewellery box, each gem has a story. You drape a coral chain around my neck and tell me I have fabulous collar-bones.
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Apr 27, 2012
Apr 27, 2012 at 6:45 PM UTC
Rose IV
Tell me why it has to be this way. I don’t want to hold on to one side of this conversation and have the other person falling off a ladder. Yeah, down there on the ground. Get up and look at me! I wasn’t sleeping, I swear—he said hastily. Yeah, whatever, buddy. Tell me what you’re doing in my head? Repainting. Repainting over the old spots, the worn out spots. But those are the best spots, the only ones with character. Can you tell me who sent you? No sir, I cannot. Then it is ok. I suppose I’ll have to watch as you put varnish on top of every dream and aspiration I have ever had. Do you know who the girl was that I first loved in the springtime of youth’s blossom? It was Ashley, sir. I believe I did not love her, guest worker. What are you wearing there? A pair of overalls, a cape. What’s the difference? I’m the one who speaks to you first, and don’t be short with me. I don’t like you standing there in an open room with no windows. How is that possible? I’m sorry, boss. It’s just, I finished painting over that memory but the paint’s still wet. You loved her very much, I’m afraid. Ashley? I never gave her a second thought. Perhaps you are right. I only remember kissing her shyly and asking permission to see her ******* They were the biggest of all. Yes sir, I thought so too. She was a sweet girl though. Sweet? I’ll tell you Mr. Painter; Ashley was the first girl I kissed. I kissed her in my first love’s house, a different girl. I loved Ashley more than that first love and I’m serious. No one can ever make me forget the day we lay on her mother’s sofa in the basement. --I’m sorry, sir. No, say it is impossible. Say you have some form of soap that can make up for your treachery! No, I’m only wearing orange overalls and marching on the word from above. But who sent you!!!? I have to know. I’m crying. Justin, it’s ok. It’s Ashley. She said you need to stop crying. She has a family now. Well, alright. That house. That basement. That unconscious. We are worms, sir. Worms, slithering and boundless. Please accept my apologies. No, it’s quite alright. If you must take every memory of my second love, take my third. And take my fourth and every other woman who crosses my path. It’s not my choice to keep them captive in the imagination of what could have been. You know, it’s been years since I truly cared about someone— Since Ashley? Who’s that? Ashley. Goodbye forever, harlot. Sir, you’re being brash. No, I don’t remember that name and I hold you at an arm’s length in my mind. Please, finish what you’re doing and allow me to rest. What color are you painting the room? Green, I’m afraid. Then so it is. Goodbye, good friend. Goodbye sweet love. Forever, in the spring. Temporal boundaries and endless playlists. Be the verve, be the melody. I love you! So it is. Sleep well, sir.
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Oct 18, 2010
Oct 18, 2010 at 10:24 PM UTC
Ashley
Tell me why it has to be this way. I don’t want to hold on to one side of this conversation and have the other person falling off a ladder. Yeah, down there on the ground. Get up and look at me! I wasn’t sleeping, I swear—he said hastily. Yeah, whatever, buddy. Tell me what you’re doing in my head? Repainting. Repainting over the old spots, the worn out spots. But those are the best spots, the only ones with character. Can you tell me who sent you? No sir, I cannot. Then it is ok. I suppose I’ll have to watch as you put varnish on top of every dream and aspiration I have ever had. Do you know who the girl was that I first loved in the springtime of youth’s blossom? It was Ashley, sir. I believe I did not love her, guest worker. What are you wearing there? A pair of overalls, a cape. What’s the difference? I’m the one who speaks to you first, and don’t be short with me. I don’t like you standing there in an open room with no windows. How is that possible? I’m sorry, boss. It’s just, I finished painting over that memory but the paint’s still wet. You loved her very much, I’m afraid. Ashley? I never gave her a second thought. Perhaps you are right. I only remember kissing her shyly and asking permission to see her ******* They were the biggest of all. Yes sir, I thought so too. She was a sweet girl though. Sweet? I’ll tell you Mr. Painter; Ashley was the first girl I kissed. I kissed her in my first love’s house, a different girl. I loved Ashley more than that first love and I’m serious. No one can ever make me forget the day we lay on her mother’s sofa in the basement. --I’m sorry, sir. No, say it is impossible. Say you have some form of soap that can make up for your treachery! No, I’m only wearing orange overalls and marching on the word from above. But who sent you!!!? I have to know. I’m crying. Justin, it’s ok. It’s Ashley. She said you need to stop crying. She has a family now. Well, alright. That house. That basement. That unconscious. We are worms, sir. Worms, slithering and boundless. Please accept my apologies. No, it’s quite alright. If you must take every memory of my second love, take my third. And take my fourth and every other woman who crosses my path. It’s not my choice to keep them captive in the imagination of what could have been. You know, it’s been years since I truly cared about someone— Since Ashley? Who’s that? Ashley. Goodbye forever, harlot. Sir, you’re being brash. No, I don’t remember that name and I hold you at an arm’s length in my mind. Please, finish what you’re doing and allow me to rest. What color are you painting the room? Green, I’m afraid. Then so it is. Goodbye, good friend. Goodbye sweet love. Forever, in the spring. Temporal boundaries and endless playlists. Be the verve, be the melody. I love you! So it is. Sleep well, sir.
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32
Now I'd like to tell you of a liquid And a beverage clearly divine It matches the holiest spirit And most blessed communion wine But it's not to be found at the altar Of the temple, the mosque or the church You'll see it in glasses lined up on the bar Wherever the pensioners perch Oh Gin, Gin, fabulous Gin Finest concoction there ever has bin A knee to the crotch and a kick in the shin To him that speaks ill of that heavenly Gin I had a great aunty called Floris Each morning she'd sternly arise With a fire in the pit of her stomach And a merciless scowl in her eyes But thanks to a magical fluid By the end she was quite the reverse And her face was serene and so tranquil As they bundled her into the hearse Oh Gin, Gin, glorious Gin Remover of troubles and varnish and skin There's many a baby that wouldn't have bin If not for a bottle of beautiful Gin Edith was crippled with cramp of the back And terrible gout of the thighs Her walk was askew and her bottom had swelled To a rather astonishing size But with Gin in the morning, the noon and night She was right as proverbial rain She still couldn't walk but now couldn't talk So no one could hear her complain Oh Gin, Gin, medicinal Gin Bracing your face with a permanent grin Cleans up the silver but tarnishes tin Joyous the juice of the juniper, Gin Tis a regular modern elixir And a kick in the liver to boot It's companion for many a mixer To the tonic or blending of fruit Instilling a mighty contentment And removing all traces of rage Though it's mainly imbibed by ladies Those of a particular age... Oh Gin, Gin, magnificent Gin Clean as a whistle and sharp as a pin Puts hairs on the ears, the chest and chin Of nannies and grannies all guzzling Gin
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Apr 5, 2013
Apr 5, 2013 at 6:14 PM UTC
A Lovely Song About Gin ;)
Now I'd like to tell you of a liquid And a beverage clearly divine It matches the holiest spirit And most blessed communion wine But it's not to be found at the altar Of the temple, the mosque or the church You'll see it in glasses lined up on the bar Wherever the pensioners perch Oh Gin, Gin, fabulous Gin Finest concoction there ever has bin A knee to the crotch and a kick in the shin To him that speaks ill of that heavenly Gin I had a great aunty called Floris Each morning she'd sternly arise With a fire in the pit of her stomach And a merciless scowl in her eyes But thanks to a magical fluid By the end she was quite the reverse And her face was serene and so tranquil As they bundled her into the hearse Oh Gin, Gin, glorious Gin Remover of troubles and varnish and skin There's many a baby that wouldn't have bin If not for a bottle of beautiful Gin Edith was crippled with cramp of the back And terrible gout of the thighs Her walk was askew and her bottom had swelled To a rather astonishing size But with Gin in the morning, the noon and night She was right as proverbial rain She still couldn't walk but now couldn't talk So no one could hear her complain Oh Gin, Gin, medicinal Gin Bracing your face with a permanent grin Cleans up the silver but tarnishes tin Joyous the juice of the juniper, Gin Tis a regular modern elixir And a kick in the liver to boot It's companion for many a mixer To the tonic or blending of fruit Instilling a mighty contentment And removing all traces of rage Though it's mainly imbibed by ladies Those of a particular age... Oh Gin, Gin, magnificent Gin Clean as a whistle and sharp as a pin Puts hairs on the ears, the chest and chin Of nannies and grannies all guzzling Gin
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48
Angie works the alleys that reek of greasy sausages and **** where beer-bellied men appear and vanish into doorway varnish of invisible rooms, spitting on their own doorsteps, stubby fingers running over stained vests and wire wool guts. Harry lives out yonder where plastic bags’ ballet shoes are made of glue; he is sharing a hit with a dreadlocked kid, just another invisible face, a phantom-surfer nurse, to assist him in chasing the ultimate high on highway number twenty-two. Invisible, hairy hands hold her down; Angie has to swallow, she can feel the pulsating vein of a softening **** over her tongue and swollen lips – she gives it a good old slap against her cheek, grabs the package, and makes sure no one follows. Harry’s clawing at a face in that place where reality floats between the tip of the needle and the desperate edge of chemical dependency - his little angel taps him on the shoulder; he turns around, and stabs her in the throat.
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Feb 5, 2011
Feb 5, 2011 at 11:32 PM UTC
The Ballad of 'Heroin' Harry and 'Amsterdam' Angie and the Invisible People
My nails are a mess, but not a mess like a 2 week perfect manicure 'mess', a mess like chipped old blue nail varnish where I have picked away at it. A mess like peeling skin when anxiety from deep within has resulted in me absentmindedly scratching until I am awoken by crimson blood, pooling on pale flesh. I grab a cloth and sigh, as I realise I will now have to hide my hands from onlookers, who will probably tut disprovingly because I'm a girl you see, and it's my duty to present myself beautifully. To be perfect on the outside, but how can that be? You see my hands bear the scars that are inside of me. You can't just paint over scars and expect to be free.
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Jul 10, 2015
Jul 10, 2015 at 7:10 AM UTC
nails
I am flawed, An inner fault, though I appear whole. I can feel it grind with each breath, Glass on glass. One look and I am young again. A thousand doubts to build a girl Who refused to cry And ran through fields One word and I am crushed Beneath half a life of memories. Layers of varnish, too many to dry Too many to breathe. One touch and I spiral, The fragments descend. A rain shower reflected in your eyes, Hot with desire. A hitched breath that rounds the edges, A balm of boiling water On ice. The shard between us shatters With your fingers on my skin, Tracing constellations in my freckles. It's as if the years never existed, But the splinters harden, Crystallised with lies And growing milky with things unsaid. Despite the night, I grow colder with secrets That choke me.
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Aug 2, 2013
Aug 2, 2013 at 4:29 PM UTC
Untitled
A pebble drops in the inky surface, The weather driven water as if a Brown varnish. I am the ripples in the water, You are the pebble that made me change. Hold my hand, Make me spin around once more. Give me what I lack, Things like Trust, Love, Friendship. Just like the ripples I am, I am gone too soon.
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Jun 30, 2014
Jun 30, 2014 at 4:55 PM UTC
Quixotic
I am 1,000 pounds, weighed down by memories, by crushing defeat, by failure, by loss, by regret... yet I am weightless, empty, a trophy in a dusty case, my varnish dim, no longer new, no longer shiny, I struggle to stay afloat, but I am still swimming, because I see the lighthouse, tall and shining. a gleam of light beckoning from it's highest point, come to me swim to me I am the way out and so I tread.
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Aug 30, 2014
Aug 30, 2014 at 11:12 PM UTC
Lighthouse
I look down at my feet, toes adorned with chipped nail varnish, a pitiful plaster clinging to the sole, and I grimace at the purple marks, reddening blisters, cicatrices of stories long forgotten. The ***** of my feet are thin and worn, my heels rubbed raw from shoes I have loved and shoes I have detested, faded scars from childhood accidents. I have aged hating my feet, the discoloured skin, dotted with odious callouses, my throbbing, wrinkled soles. They have grown with me, from tiny clumps unrecognisable as a foetus, to wide, long size 7s. My toes are misshapen, twisting this way and that, freckled with sun kisses from foreign countries. They’ve been battered and bruised repeatedly, victims of my hurtling abuse and mortal neglect. I have punished them with verruca socks and freezing ointments, pin ****** small shoes, razor blades, nail clippers and not once have I nurtured them, soaked them with praise. These feet have walked me up mountains, aided me in athletic championships, withstood six inch heels on weekends, ran me through marathons, enduring my never-ending physical torment and though they may buckle, with weeping blisters and aching pains, dry skin, broken bones and sprained ankles, they will recover, rebuilding the scabrous skin. Regardless of how unstable my life may become in later years, whether I am stranded on a deserted island, or walking the ***** streets of the city, no room to call my own, my feet will always, undoubtedly, lead me to safety. And when I am old and withered, an exhausted heap of human life, with my last dying breath, I will thank my durable, reliable feet.
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May 2, 2016
May 2, 2016 at 11:28 AM UTC
My Feet and I
I look down at my feet, toes adorned with chipped nail varnish, a pitiful plaster clinging to the sole, and I grimace at the purple marks, reddening blisters, cicatrices of stories long forgotten. The ***** of my feet are thin and worn, my heels rubbed raw from shoes I have loved and shoes I have detested, faded scars from childhood accidents. I have aged hating my feet, the discoloured skin, dotted with odious callouses, my throbbing, wrinkled soles. They have grown with me, from tiny clumps unrecognisable as a foetus, to wide, long size 7s. My toes are misshapen, twisting this way and that, freckled with sun kisses from foreign countries. They’ve been battered and bruised repeatedly, victims of my hurtling abuse and mortal neglect. I have punished them with verruca socks and freezing ointments, pin ****** small shoes, razor blades, nail clippers and not once have I nurtured them, soaked them with praise. These feet have walked me up mountains, aided me in athletic championships, withstood six inch heels on weekends, ran me through marathons, enduring my never-ending physical torment and though they may buckle, with weeping blisters and aching pains, dry skin, broken bones and sprained ankles, they will recover, rebuilding the scabrous skin. Regardless of how unstable my life may become in later years, whether I am stranded on a deserted island, or walking the ***** streets of the city, no room to call my own, my feet will always, undoubtedly, lead me to safety. And when I am old and withered, an exhausted heap of human life, with my last dying breath, I will thank my durable, reliable feet.
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45
There’s a door that leads into the hallway Of the house that lives under the trees Whose trunks are beleaguered with knobbles Like a twisted collection of knees The handle looks faintly organic Any moment it might come alive The paint is like vertical shadows And the number is seventy-five The foot of the stairs is before you And the door sidles shut to your rear The carpet is damp and disfigured And the walls are uncomfortably near The windows are coated with algae So the light is all mottled and rank The varnish and the paper are peeling And curtains hang mouldy and lank There’s a hole in the wall with an angle And a view of the kitchen within There’s a nest in the bowl on the table There are rats living out of the bin Disjointed lugubrious echoes Of a whisper without any voice The spoons haven't stirred in a decade So the cups haven't had any choice It’s then you should really be leaving But you've taken your time and the bait For a sound of a footstep behind you And a voice saying simply "too late" There’s a breath on the bone of your collar It’s as cold as a final decree There’s death to be found in that kitchen And a death that came looking for me
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Jul 7, 2013
Jul 7, 2013 at 7:23 AM UTC
Creepy Creepy Shudder
Dear BECHER, you tell me to mix with mankind; I cannot deny such a precept is wise; But retirement accords with the tone of my mind: I will not descend to a world I despise. Did the Senate or Camp my exertions require, Ambition might prompt me, at once, to go forth; When Infancy’s years of probation expire, Perchance, I may strive to distinguish my birth. The fire, in the cavern of Etna, conceal’d, Still mantles unseen in its secret recess; At length, in a volume terrific, reveal’d, No torrent can quench it, no bounds can repress. Oh! thus, the desire, in my ***** for fame Bids me live, but to hope for Posterity’s praise. Could I soar with the Phoenix on pinions of flame, With him I would wish to expire in the blaze. For the life of a Fox, of a Chatham the death, What censure, what danger, what woe would I brave! Their lives did not end, when they yielded their breath, Their glory illumines the gloom of their grave. Yet why should I mingle in Fashion’s full herd? Why crouch to her leaders, or cringe to her rules? Why bend to the proud, or applaud the absurd? Why search for delight, in the friendship of fools? I have tasted the sweets, and the bitters, of love, In friendship I early was taught to believe; My passion the matrons of prudence reprove, I have found that a friend may profess, yet deceive. To me what is wealth?—it may pass in an hour, If Tyrants prevail, or if Fortune should frown: To me what is title?—the phantom of power; To me what is fashion?—I seek but renown. Deceit is a stranger, as yet, to my soul; I, still, am unpractised to varnish the truth: Then, why should I live in a hateful controul? Why waste, upon folly, the days of my youth?
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2.3k
Lines Addressed To The Rev. J. T. Becher, On His Advising The Author To Mix More With Society
Dear BECHER, you tell me to mix with mankind; I cannot deny such a precept is wise; But retirement accords with the tone of my mind: I will not descend to a world I despise. Did the Senate or Camp my exertions require, Ambition might prompt me, at once, to go forth; When Infancy’s years of probation expire, Perchance, I may strive to distinguish my birth. The fire, in the cavern of Etna, conceal’d, Still mantles unseen in its secret recess; At length, in a volume terrific, reveal’d, No torrent can quench it, no bounds can repress. Oh! thus, the desire, in my ***** for fame Bids me live, but to hope for Posterity’s praise. Could I soar with the Phoenix on pinions of flame, With him I would wish to expire in the blaze. For the life of a Fox, of a Chatham the death, What censure, what danger, what woe would I brave! Their lives did not end, when they yielded their breath, Their glory illumines the gloom of their grave. Yet why should I mingle in Fashion’s full herd? Why crouch to her leaders, or cringe to her rules? Why bend to the proud, or applaud the absurd? Why search for delight, in the friendship of fools? I have tasted the sweets, and the bitters, of love, In friendship I early was taught to believe; My passion the matrons of prudence reprove, I have found that a friend may profess, yet deceive. To me what is wealth?—it may pass in an hour, If Tyrants prevail, or if Fortune should frown: To me what is title?—the phantom of power; To me what is fashion?—I seek but renown. Deceit is a stranger, as yet, to my soul; I, still, am unpractised to varnish the truth: Then, why should I live in a hateful controul? Why waste, upon folly, the days of my youth?
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36
Southern Icarus by Michael R. Burch Windborne, lover of heights, unspooled from the truck’s wildly lurching embrace you climb, skittish kite ... What do you know of the world’s despair, gliding in vast solitariness there so that all that remains is to                                               fall? Only a little longer the wind invests its sighs; you stall spread-eagled as the canvas snaps and ***** its white rebellious wings, and all the houses watch with baffled eyes. Originally published by Poetry Porch. Keywords/Tags: Icarus, flight, flying, hang-gliding, kite, glider, wind, canvas, South, southern, truck, unspooled Note: The following poem unites Icarus with Tom O'Bedlam in a final, magical quest ... Finally to Burn (the Fall and Resurrection of Icarus) by Michael R. Burch I. Athena takes me sometimes by the hand and we go levitating through strange Dreamlands where Apollo sleeps in his dark forgetting and Passion seems like a wise bloodletting and all I remember —upon awaking— is: to Love sometimes is like forsaking one’s Being—to glide heroically beyond thought, forsaking the here for the There and the Not. II. O, finally to Burn, gravity beyond escaping! To plummet is Bliss when the blisters breaking rain down red scabs on the earth’s mudpuddle... Feathers and wax and the watchers huddle... Flocculent sheep, O, and innocent lambs! I will rock me to sleep on the waves’ iambs. III. To Sleep, that is Bliss in Love’s recursive Dream, for the Night has Wings pallid as moonbeams— they will flit me to Life, like a huge-eyed Phoenix fluttering off to quarry the Sphinx. IV. Riddlemethis, riddlemethat, Rynosseross, throw out the Welcome Mat. Quixotic, I seek Love amid the tarnished rusted-out steel when to live is varnish. To Dream—that’s the thing! Aye, that Genie I’ll rub, soak by the candle, aflame in the tub. V. Riddlemethis, riddlemethat, Rynosseross, throw out the Welcome Mat. Somewhither, somewhither aglitter and strange, we must moult off all knowledge or perish caged. VI. I am reconciled to Life somewhere beyond thought— I’ll Live in the There, I’ll Dream of the Naught. Methinks it no journey; to tarry’s a waste, so fatten the oxen; make a nice baste. I’m coming, Fool Tom, we have Somewhere to Go, though we injure noone, ourselves wildaglow.
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Apr 14, 2020
Apr 14, 2020 at 3:57 AM UTC
Southern Icarus
Southern Icarus by Michael R. Burch Windborne, lover of heights, unspooled from the truck’s wildly lurching embrace you climb, skittish kite ... What do you know of the world’s despair, gliding in vast solitariness there so that all that remains is to                                               fall? Only a little longer the wind invests its sighs; you stall spread-eagled as the canvas snaps and ***** its white rebellious wings, and all the houses watch with baffled eyes. Originally published by Poetry Porch. Keywords/Tags: Icarus, flight, flying, hang-gliding, kite, glider, wind, canvas, South, southern, truck, unspooled Note: The following poem unites Icarus with Tom O'Bedlam in a final, magical quest ... Finally to Burn (the Fall and Resurrection of Icarus) by Michael R. Burch I. Athena takes me sometimes by the hand and we go levitating through strange Dreamlands where Apollo sleeps in his dark forgetting and Passion seems like a wise bloodletting and all I remember —upon awaking— is: to Love sometimes is like forsaking one’s Being—to glide heroically beyond thought, forsaking the here for the There and the Not. II. O, finally to Burn, gravity beyond escaping! To plummet is Bliss when the blisters breaking rain down red scabs on the earth’s mudpuddle... Feathers and wax and the watchers huddle... Flocculent sheep, O, and innocent lambs! I will rock me to sleep on the waves’ iambs. III. To Sleep, that is Bliss in Love’s recursive Dream, for the Night has Wings pallid as moonbeams— they will flit me to Life, like a huge-eyed Phoenix fluttering off to quarry the Sphinx. IV. Riddlemethis, riddlemethat, Rynosseross, throw out the Welcome Mat. Quixotic, I seek Love amid the tarnished rusted-out steel when to live is varnish. To Dream—that’s the thing! Aye, that Genie I’ll rub, soak by the candle, aflame in the tub. V. Riddlemethis, riddlemethat, Rynosseross, throw out the Welcome Mat. Somewhither, somewhither aglitter and strange, we must moult off all knowledge or perish caged. VI. I am reconciled to Life somewhere beyond thought— I’ll Live in the There, I’ll Dream of the Naught. Methinks it no journey; to tarry’s a waste, so fatten the oxen; make a nice baste. I’m coming, Fool Tom, we have Somewhere to Go, though we injure noone, ourselves wildaglow.
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94
a chemical cocktail spills from your lips your tongue drips pure moonshine table varnish leaks on the floor i've been polishing for hours can't get it clean, can't get clean i scrub harder until my skin is red and blood blemishes the rug nearby my friends are the beams of sun that show ashes in the air i don't want to breathe it any more i feel it scrape inside my lungs wanting to get out and escape white powder, lines of dust and little pills that keep me sedated my nose scrunches at the smell of strong ozone and the taste of metal forming in my mouth while ironing out radiation particles wondering where it all went so wrong
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Oct 26, 2018
Oct 26, 2018 at 3:41 PM UTC
Fresh
Are these poems Or love letters? I suppose there is seldom a difference When it comes to people like us Convectional affection Love conceived but left unborn Never to come to fruition A mutual decision At least that what I tell myself But I dreamt of you again Laying in the soft grass by the still waters Like you've always been Though I have avoided that place for some time Call this my homecoming My shining armor now tarnished My sword and shield worn free of their varnish Skin garnished with scars I hold neither regret nor shame That everything has changed so much But will you love me the same Even though I am not such?
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Apr 9, 2015
Apr 9, 2015 at 4:21 PM UTC
Homecoming
We hadn't spoken Too much had been left unsaid Now silence sits there Collecting the dust Like one of your projects Waiting to be fixed Never forgotten But not cared for as it was Left 'till much too late You left suddenly A quick fix out the back door Me left unfinished Still, I'll remember you As I choose to- the Tinker Everything just so You'd sit at your bench Stripping the wood of varnish Bringing out beauty Polish here, dust there Every detail adjusted Perfection strived for Now that you are gone Your antiques your legacy I'll remember you For the good in you And I will try to forgive you the dark hours I will have to start Mending memories that you built A Tinker's daughter Rewiring my grief Sitting at your workbench and Stripping it of guilt Sit and watch, Tinker Watch me try to mend a heart Left in disrepair Polish here, dust there Every detail adjusted Acceptance strived for
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Jan 21, 2014
Jan 21, 2014 at 12:25 AM UTC
A Poem for My Father
I will dye my beloved brown hair blonde for you Stand at the mirror - I pour down the peroxide. Knives grate my eyes and yet they've never felt this alive With my wild smile and yellow hair. No longer a cub, but a Lioness. I will slit my wrists in the bath for you In any case these full veins will only take up space. Fumes of pink against the ceramic varnish I smile at the sight of your blood leaving me and this bath has never felt so like home.
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Feb 20, 2015
Feb 20, 2015 at 12:40 PM UTC
Daddy
Who was that arrangement of bones and ligaments you once held What was that clump of hair you used to touch in your precious mapped hands Those elegant or false words that were told, were they deserved The chipped nail varnish upon each digit is more sincere, each truthful shattered fragment portrays brittle yearning like the fluttery fragments of pollen grasped within a drying flower In each trigonometric microscopic distance there is light, darkness and colour There is so much more than the laughter and saliva spilt upon the foggy expanse of past that once was.
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Jan 4, 2016
Jan 4, 2016 at 6:57 PM UTC
Elegant Words
looked at you for too long and then i realized you are human, too fallible uncertain flawed piously pined for palatial splendor i placed in my dreams of you, imperfect you and it's no ones fault a figure headed facade fabricated by figments of my frivolous imagination put you on a pedestal made you divine made you holy you, the ceiling high above my head and i, looking up in the sistine chapel untouchable untarnished couldn't see the cracks beneath the varnish then, close enough to study a faint fresco with critical eyes fantasy faded in the fault lines of your frowning face looked for too long until i realized you were just as broken as me a collection of shattered pieces shrouded and shy once a shrine now a shriek wide eyes on you a sinner, still i called you sacred ignoring the nature of the irreverent, the profane liked the luster of longing lingering on my lips when i breathed your name the veil torn the truth beheld and you are not god gambling grief and gleaming gloom thought i could be the sun to your moon majesty to malignancy momentarily merciful moreover cruel monstrous mr monsoon after all, human, too
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Jan 19, 2021
Jan 19, 2021 at 8:43 PM UTC
human
A cabin den paneled in knotty pine slick with thick varnish jellied in mid-ooze & running down the grooves. A festive group gathers around an electric fireplace talking up old work stories in mid-December. My dad sits dead center for the camera wearing the face he wore when in the company of adults his long sleeves rumpled and his collar askew one arm straight up, a bottle of Blatz in hand commending the buzz.
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Sep 22, 2012
Sep 22, 2012 at 2:44 PM UTC
Photograph, 1949
THE SHALE and water thrown together so-so first of all, Then a potter's hand on the wheel and his fingers shaping the jug; out of the mud a mouth and a handle; Slimpsy, loose and ready to fall at a touch, fire plays on it, slow fire coaxing all the water out of the shale mix. Dipped in glaze more fire plays on it till a molasses lava runs in waves, rises and retreats, a varnish of volcanoes. Take it now; out of mud now here is a mouth and handle; out of this now mothers will pour milk and maple syrup and cider, vinegar, apple juice, and sorghum. There is nothing proud about this; only one out of many; the potter's wheel slings them out and the fires harden them hours and hours thousands and thousands. "Be good to me, put me down easy on the floors of the new concrete houses; I was poured out like a concrete house and baked in fire too."
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1.5k
Jug
Flap, flap two black wings staggered On two yellow clawed feet after stormy Weather and the tufts of cats fur left Like a white collar on emerald green. Inside the cardboard box with soft lining And scraps of bread, cheese and water On a little polythene transparent oblong There was chirping to be heard from within. On varnish floor he skids and skates about Putting newspaper down his legs got strong After a few days of feeding he began to fly Just a little spinning around the front room. Bright eyed with yellow beak eating worms He was nearly ready to be allowed outside To find his strength and freedom with others Tearily he was carried to park and released. A few days later , looking in our garden tree We saw him sitting on a leafy branch chirping And singing a thank you song of gratitude for A life he may never have lived without our help. Love Mary ***
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Jun 11, 2018
Jun 11, 2018 at 11:54 AM UTC
Tweetie.