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"utilitarian" poems
I argue To harm you The protective computer screen Allows me to be rude or mean Without feeling your pain So it becomes a game Or a simulation of fame If I can ignore the shame The tread is wearing off the tire After the internet stripped The rubber off the telephone wire And we lost our loose grip After being shocked By the rest of the flock Their existence Shows a difference That is hard to accept We're not what we expect We push the boundaries of communication But we can't handle the technology I feel it gives me social immunization But I feel the darkness follow me And swallow me Until I'm wallowing Yet I don't know why I try to ignore it Only if it gets me high Will I be for it This utilitarian keyboard Should help me see more Instead it transcribes my anger As I turn into an electric stranger The words on my pixelated screen Do not reflect my childhood dreams But the bitterness of dreams being crushed My petulant reactions are thoughtlessly rushed And I represent my views in a negative way Until I'd be more useful with nothing to say There is a need for empathy In the electronic discourse Right now there is only entropy And words without remorse Spoken from a high horse That looks down on peasants who own it It's also a slave but doesn't even know it So it arrogantly trots along Never admitting that it's wrong Until it hears the slithering snakes rattle Then it doesn't mind wearing a saddle But the venom has already been injected And its mind becomes hopelessly infected We argue without blinking We argue without thinking We argue with poor logic Our ignorance we flaunt it Until the internet is haunted
0
Mar 29, 2018
Mar 29, 2018 at 4:36 AM UTC
Haunted
I argue To harm you The protective computer screen Allows me to be rude or mean Without feeling your pain So it becomes a game Or a simulation of fame If I can ignore the shame The tread is wearing off the tire After the internet stripped The rubber off the telephone wire And we lost our loose grip After being shocked By the rest of the flock Their existence Shows a difference That is hard to accept We're not what we expect We push the boundaries of communication But we can't handle the technology I feel it gives me social immunization But I feel the darkness follow me And swallow me Until I'm wallowing Yet I don't know why I try to ignore it Only if it gets me high Will I be for it This utilitarian keyboard Should help me see more Instead it transcribes my anger As I turn into an electric stranger The words on my pixelated screen Do not reflect my childhood dreams But the bitterness of dreams being crushed My petulant reactions are thoughtlessly rushed And I represent my views in a negative way Until I'd be more useful with nothing to say There is a need for empathy In the electronic discourse Right now there is only entropy And words without remorse Spoken from a high horse That looks down on peasants who own it It's also a slave but doesn't even know it So it arrogantly trots along Never admitting that it's wrong Until it hears the slithering snakes rattle Then it doesn't mind wearing a saddle But the venom has already been injected And its mind becomes hopelessly infected We argue without blinking We argue without thinking We argue with poor logic Our ignorance we flaunt it Until the internet is haunted
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56
He awoke. His eyes opened slowly with a purposeful slowness; an action that for most people is the beginning of their life was, for him, a procrastination. He arose. The floor felt cold, unwelcoming as he stumbled reluctantly to the sink. The bristles rasped against his teeth, gums bleeding out of spite. He entered. Breakfast—a lonely egg, boring toast—entered his body; each bite was scooped with the utilitarian vigor of one who is no longer enchanted by food, yet the relationship must continue: a compulsory marriage without option for divorce. This discomfort washed down with lemon-water. He contemplated. Thoughts, those musings that are feared, condemned by most and yet became the greatest of comforts for him, reminded him that one day it all would end and he would be free. He wasted. He stretched out his hands, offering up his life force in the daily sacrifice to the eager god that, in return, lit up with the brightness of a thousand stars that blinded him from all that he wished not to see. He showered. Cold water ran down his soul, icing the most superficial inflammations while taunting the deepest wounds; no matter how long he remained behind the curtain, there would be no true respite. He returned. The blackness beckoned. He entered willingly, surrendering himself to the dark embrace of that demonic respite, his beloved above all others. He died, once again.
0
Dec 28, 2018
Dec 28, 2018 at 3:28 AM UTC
December 2018
I am the flightless pelican. I’ve found myself with my mouth full, my stomach full, and so much still on my plate. Possessed by an inhuman hunger, I will gorge upon pure potential. I will yowl on and on, without sleep. - I have sand between my toes. My shoes are glued to my feet. Keep on running ‘til the calluses come. There has to be a point where I stop to sweat, and I’ll finally get my sigh of relief. I have one ride left on my bus pass. - I have a tendency to ramble and languish in my own stench. People tend to forget this at first; lured in by the false face of a genetic fluke. They want to know the impression I left, not the procrastinator; the cud-chewing goat. - I can’t sleep being held, or if I feel someone’s breath in the still. I start to feel the urge to burrow into the quiet quilts; patchwork Promised Land. I cater to the crowd that caters to themselves, but I’m no Utilitarian. Fox and Lion. - I have cousins like brothers, and I have brothers like strangers. Stray cats with names and a copy of The Mahabharata that I stash my money in. I’m sitting on a sunny pier with my hook in the water; avoiding conflict with no bait.   - Paper cuts from the gold leaf on the edges of hymn book pages with burgundy leather covers. These guilty cuts, bleeding for what seems like hours, while we steadily forget that anyone was singing. Alone with our thoughts in the crowd.
0
Jan 6, 2015
Jan 6, 2015 at 9:54 PM UTC
I Am the Flightless Pelican
her mouth was sandpaper. her mouth was sandpaper and she spoke like a smooth surface, words scraped into fluidity like a wooden sphere, turned over behind teeth ‘til all friction is lost. she spoke like the walls of a birdhouse in the room of a dead carpenter: pretty unassembled things. her mouth was sandpaper and every kiss chafed, rubbing raw my lips and tongue crafting with each touch drawing blood like juice from an apple, like sap from wood already cut from the tree. her mouth was sandpaper and she told me *i bite my lips, rip at the inside of my mouth, cannibalize myself cell by cell.* bone saws in her mouth. the only difference between teeth of jaws and saws is mercy (and she swallowed her mercy long ago). her mouth was sandpaper and she spoke like a carpenter’s hands: rough palms, tough pads, a utilitarian artist a crafter of dead flesh. a mortician for dryads and kodama. the art and the artist in lips tongue and teeth. her mouth was sandpaper and i brought mine to hers again and again, her bitten-rough lips opening like doors to purgatory. less entrapment than addiction - returning once more to nails and hammers, hell’s blacksmiths below heaven’s painters above. coming back home to the space between, to bone saws and a carpenter’s hands. her mouth was sandpaper and her voice was carpentry, her teeth bone saws her words birdhouse walls. her mouth was purgatory but her hands were hands. her mouth was sandpaper. i held her hand and chafed my lips raw.
0
Mar 9, 2013
Mar 9, 2013 at 12:26 AM UTC
why i need chapstick
her mouth was sandpaper. her mouth was sandpaper and she spoke like a smooth surface, words scraped into fluidity like a wooden sphere, turned over behind teeth ‘til all friction is lost. she spoke like the walls of a birdhouse in the room of a dead carpenter: pretty unassembled things. her mouth was sandpaper and every kiss chafed, rubbing raw my lips and tongue crafting with each touch drawing blood like juice from an apple, like sap from wood already cut from the tree. her mouth was sandpaper and she told me *i bite my lips, rip at the inside of my mouth, cannibalize myself cell by cell.* bone saws in her mouth. the only difference between teeth of jaws and saws is mercy (and she swallowed her mercy long ago). her mouth was sandpaper and she spoke like a carpenter’s hands: rough palms, tough pads, a utilitarian artist a crafter of dead flesh. a mortician for dryads and kodama. the art and the artist in lips tongue and teeth. her mouth was sandpaper and i brought mine to hers again and again, her bitten-rough lips opening like doors to purgatory. less entrapment than addiction - returning once more to nails and hammers, hell’s blacksmiths below heaven’s painters above. coming back home to the space between, to bone saws and a carpenter’s hands. her mouth was sandpaper and her voice was carpentry, her teeth bone saws her words birdhouse walls. her mouth was purgatory but her hands were hands. her mouth was sandpaper. i held her hand and chafed my lips raw.
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69
As the laser rays from Science City lit up the night sky in a resplendent rush of colours, I watched on,  quietly , from the balcony; my mind racing back to the class 9 Basics of Economics book and to that class. Utility. A major concept in economics. I had understood it so well then. I had paid full attention to the teacher when she had explained that once I had had a spoonful of Biriyani, a little bit of my hunger was satiated and I would enjoy the next spoonful a little bit less than the first. That was how utility operated, marginal utility diminishing with every spoonful. Today, as the rays light up the sky, I think of him, and of the principle of utility. Does the principle apply to first love as well, as it does to the first taste of Biriyani? As love's bittersweet concoction explodes, does it render the following loves as only marginally utilitarian then? As the first rush, first blush fades, as love's faces change,  do we begin to get satiated a little less than the first time? And is it really because we are already a bit full, a little satiated?   Or is it because the hunger gnaws on, craving that first rush, once again?
0
Mar 11, 2016
Mar 11, 2016 at 10:10 PM UTC
Economics of Love
Bright buds hang precarious on their limbs. Their hundreds of digits green and supple sway as the winds try gently at first to shake them from their perches. They snap back, their ties elastic, always bending. The wind struck harder the third time. It caught them off guard, swinging back to face the sun. It barreled over them like a train, limbs snapped like bones under tons of industrial revolutionary steel, the cracking brings tears to the eyes of passersby. They were so green, so verdant was their exuberant friendship, covered in rosy flesh and sturdy bark, ring after ring of tribulation and triumph, but it fractured like a wish bone. She, Persephone, prosecutor of Her, Demeter, was judge of them both, prisoner of herself. Solitary confinement. She tugged at her half, she needed the wish, She need for Demeter to see that She needed wishes just like the rest of us. Demeter, jury. 12. Her crime: attempted impartiality, balancing a utilitarian ideal that we can divide our attention based on who needs it most. She cannot be tried on account of her inability to read Braille ciphers in gestures, ****** expressions, and Tumblr posts. Demeter tugged at her half, but only enough to show the other that she was there, but consistently there. It wasn’t enough. Snap. No marrow could be found. Where flesh was meant to be dripped rot, an odor of resentment filled their nostrils, it choked Demeter, as Persephone had been choking for years. This resentment, this cancer, this jealousy, it grew inside of Persephone like a tumor, days from metastasizing, the spread could have killed them. Amputate. You two are a tree. Bright buds dangling from every limb, they are still soft and green and supple at their ends. You two are still growing. Persephone will cut out this cancer, and She will heal herself, scar tissues covered by broadleafs. You will soothe them for her. And you will see past the rosy flesh what pain it may hide. And you two will grow. Roots firm, faces braced against the wind, and limbs always turned towards the sun.
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May 3, 2013
May 3, 2013 at 5:36 PM UTC
When the Wind Strikes, They Snap Back, Always Elastic
Bright buds hang precarious on their limbs. Their hundreds of digits green and supple sway as the winds try gently at first to shake them from their perches. They snap back, their ties elastic, always bending. The wind struck harder the third time. It caught them off guard, swinging back to face the sun. It barreled over them like a train, limbs snapped like bones under tons of industrial revolutionary steel, the cracking brings tears to the eyes of passersby. They were so green, so verdant was their exuberant friendship, covered in rosy flesh and sturdy bark, ring after ring of tribulation and triumph, but it fractured like a wish bone. She, Persephone, prosecutor of Her, Demeter, was judge of them both, prisoner of herself. Solitary confinement. She tugged at her half, she needed the wish, She need for Demeter to see that She needed wishes just like the rest of us. Demeter, jury. 12. Her crime: attempted impartiality, balancing a utilitarian ideal that we can divide our attention based on who needs it most. She cannot be tried on account of her inability to read Braille ciphers in gestures, ****** expressions, and Tumblr posts. Demeter tugged at her half, but only enough to show the other that she was there, but consistently there. It wasn’t enough. Snap. No marrow could be found. Where flesh was meant to be dripped rot, an odor of resentment filled their nostrils, it choked Demeter, as Persephone had been choking for years. This resentment, this cancer, this jealousy, it grew inside of Persephone like a tumor, days from metastasizing, the spread could have killed them. Amputate. You two are a tree. Bright buds dangling from every limb, they are still soft and green and supple at their ends. You two are still growing. Persephone will cut out this cancer, and She will heal herself, scar tissues covered by broadleafs. You will soothe them for her. And you will see past the rosy flesh what pain it may hide. And you two will grow. Roots firm, faces braced against the wind, and limbs always turned towards the sun.
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20
Defying the consensus of complacency, And the enantiomorphic political practicality, Candidates embrace their vacillating indexicality. Spouting thrift store self reliance sapientiality, Telling lores of cultural compatibility. Hope filled promises of economic suitability, Aligned with institutional feasibility. Packaged in over-inclusive catchall empty signifiers Strewn across all media screens, communal utilitarian plan flyers. Requesting no need for responsiveness, For a vote no longer dictates precedence, In the age of social media endemic presence relevance. PFL
0
Jul 3, 2016
Jul 3, 2016 at 3:40 AM UTC
Matters Not
I write this from a library under the watchful gaze of Voltaire, Having read that the future of Earth's water is being debated in Morocco. Isn't there a Utilitarian part of us all that strives to save our home, And rejects the notion that we must **** where we eat to make progress? Gambling becomes dangerous when you begin to stake declining resources. There is no turning back, and there is little optimism from Millennials who shall inherit the rotting infrastructure. Nothing is dramatic or blown out of proportion when the President can't acknowledge that there's something seriously wrong with a giant hole in the ozone. Herr Trump, where is the ice going? Would you sell the penguins for profit? Tell the Polish Brigade that legal workers will restore this country's ideal greatness. Tell them sincerely. Reagan spouted that it was Morning in America, and I imagine the Trumpites feel the same. What is morning, anyway, when you can't see the sun for the smog?
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Nov 10, 2016
Nov 10, 2016 at 1:49 PM UTC
Marrakech. (On the Future of the Environment.)
I am one to have my emotions under control. Seventeen years of maneuvering around other’s Peculiar mood swings Taught me how to ignore The chaos of human sentiment. And so my features remain stoic since. I have learned how to channel the anxiety Manifesting itself in a jittery leg, shortness of breath, And a discordant mind. It is possible– Quite easy, actually– To translate a torrent of worry Into potential energy. Three years in a closet Is time enough to collect many pretty dresses And forget there is ugliness in the world. As much as I preach the virtue of honesty, Lying has become second nature, If only to keep these shark-infested waters Calm for one more day. I ought to be devoid of sentiment by now, As much of a shell as that detestable Louisa Bounderby. However, I recently found myself mistaken; I am not a product of Utilitarianism. Recently, I’ve been feeling– Oddly ill. With a loss of appetite, A churning stomach herbal tea cannot alleviate, Difficulty sleeping, And a racing heartbeat. These symptoms are purely somatic And therefore, quite frustrating. I met a girl last week; I wonder if I caught it from her.
0
Apr 26, 2014
Apr 26, 2014 at 1:04 AM UTC
Utilitarian
Sugar nightmares haunt children Nancy harlequins cane them Oh, child of mine your life you did, away, sign. Force fed familiarity with already branded emotions, irregular realities and clouded surreal formalities, so very many humans’ form dichotomies out of our shared mute gray; spinning constant self-important prose. So very many humans share so much, so little, not often doing little to soften all of their emotional blows trying hard to strike enigmatic pose. Oh, child of mine the heart of utilitarian method has receded in incredulous fashion followed by authoritarian apologies; the majority is not icecream people spreading simple good thought, but generations fraught with trivial conformist ideologies. We are all hiding our seams with creative masks and self created tasks. Oh, child of mine your prescription reality is revealing itself as Atlantis, sinking and shuddering into Quaaludes with frightening psychotic interludes. Emotions paint stained lurid faces, dancing with ludes effecting movement, nudes of swaying and repose. You arose deeming so much rightfully yours waltzing through seemingly already opened doors. Holy curb their anti-Christ Consider your aging soul Oh, child of mine Belief of awareness in action understand the probability of dissatisfaction, Stop! treating the moment as a bleak bridge to the next inaction. Eventually ponderous thoughts form resembling an orrery, an incessantly philippic story orchestrates your oleaginous personality. Oh, child of mine Youth flees and your mind takes once again to the seas, a vexing penumbra of perception. Bathos permeates the fathoms of an obstreperous life and if you still care, lament that this meaningless congeries of moments inspires only delusion, no disillusionment. Eventually a lilting threnody leading 'tween burning pews of proposed serenity and the following bumping callithump will firmly stamp you into black infinity. Oh, child of mine You've used the switch too much too often coupled with lofty scoffing giving the innocent up as offering to the mechanical engine              of organic creation.
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Sep 1, 2010
Sep 1, 2010 at 11:05 AM UTC
The Decadent Progeny.
Sugar nightmares haunt children Nancy harlequins cane them Oh, child of mine your life you did, away, sign. Force fed familiarity with already branded emotions, irregular realities and clouded surreal formalities, so very many humans’ form dichotomies out of our shared mute gray; spinning constant self-important prose. So very many humans share so much, so little, not often doing little to soften all of their emotional blows trying hard to strike enigmatic pose. Oh, child of mine the heart of utilitarian method has receded in incredulous fashion followed by authoritarian apologies; the majority is not icecream people spreading simple good thought, but generations fraught with trivial conformist ideologies. We are all hiding our seams with creative masks and self created tasks. Oh, child of mine your prescription reality is revealing itself as Atlantis, sinking and shuddering into Quaaludes with frightening psychotic interludes. Emotions paint stained lurid faces, dancing with ludes effecting movement, nudes of swaying and repose. You arose deeming so much rightfully yours waltzing through seemingly already opened doors. Holy curb their anti-Christ Consider your aging soul Oh, child of mine Belief of awareness in action understand the probability of dissatisfaction, Stop! treating the moment as a bleak bridge to the next inaction. Eventually ponderous thoughts form resembling an orrery, an incessantly philippic story orchestrates your oleaginous personality. Oh, child of mine Youth flees and your mind takes once again to the seas, a vexing penumbra of perception. Bathos permeates the fathoms of an obstreperous life and if you still care, lament that this meaningless congeries of moments inspires only delusion, no disillusionment. Eventually a lilting threnody leading 'tween burning pews of proposed serenity and the following bumping callithump will firmly stamp you into black infinity. Oh, child of mine You've used the switch too much too often coupled with lofty scoffing giving the innocent up as offering to the mechanical engine              of organic creation.
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73
My poetry's really meant as decoration For the days of life that we get rationed; My lines for scrapbooks, wrapped around vases; Words embroidered utilitarian places. My words antimacassars for things nearby; Some dangling sentences passing by, Upon the latest quilt or jewelry box; Or purse, or duffle, or coffee mug. Please use my poems as flourishes and frills, To substitute for things sans time to feel; Shabby chic poetry, for every need: Then there's always something to read.
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Jul 18, 2010
Jul 18, 2010 at 3:06 PM UTC
Shabby Chic Poetry
Looking for an exit in life, perhaps other option that is rarely available. Time travel, utilitarian way to modify the past and the future. Trapped in a matrix of flesh and bones controlled by my encephalon, it controls every part of my daily life, from breathing and blinking to helping myself memorize. A feeling of antipathy in life that could never bring me happiness. The inculpation for the misapprehension in my past relationship and future. What does a man like me to do? How can one display their philia when they're not certain of that emotion? My endurance in this life is on a perpetual edge. I perceive with attention toward happiness. A deprivation I share with others. An absent of happiness. A happiness of dominance; a switch that is only controlled. Today he can be happy; switch ON. Next week he can be unhappy; switch OFF. I walk on egg shells in this relationship and have to be careful that it won't break. I'm sad and lonely, this is what I get and deserve. God nor I could change this, but I don't see it happening during my remaining life. Stifles with silence deploying infantile plots. A day at a time I enunciate as my composer easily is un-maintain. Hidden arcanum among a number of these unidentified entities lashes out at me discreetly. Posing no threat I conceal the pass deep in the abyss in an unmarked grave sealing off the hippocampus that only the Creator can breach. Unannounced the gravestone is turned my past is breached which I assumed that only the Beneficent can release. Once an inhabitation, but no longer my domicile. Set aside and noted as a lost monument. Ascendency barbarous with words of articulation fatal to ones self esteem, grossly spoken enslaved. An inclination to the predisposition of my life.
0
Jun 12, 2012
Jun 12, 2012 at 5:46 AM UTC
Happiness
Looking for an exit in life, perhaps other option that is rarely available. Time travel, utilitarian way to modify the past and the future. Trapped in a matrix of flesh and bones controlled by my encephalon, it controls every part of my daily life, from breathing and blinking to helping myself memorize. A feeling of antipathy in life that could never bring me happiness. The inculpation for the misapprehension in my past relationship and future. What does a man like me to do? How can one display their philia when they're not certain of that emotion? My endurance in this life is on a perpetual edge. I perceive with attention toward happiness. A deprivation I share with others. An absent of happiness. A happiness of dominance; a switch that is only controlled. Today he can be happy; switch ON. Next week he can be unhappy; switch OFF. I walk on egg shells in this relationship and have to be careful that it won't break. I'm sad and lonely, this is what I get and deserve. God nor I could change this, but I don't see it happening during my remaining life. Stifles with silence deploying infantile plots. A day at a time I enunciate as my composer easily is un-maintain. Hidden arcanum among a number of these unidentified entities lashes out at me discreetly. Posing no threat I conceal the pass deep in the abyss in an unmarked grave sealing off the hippocampus that only the Creator can breach. Unannounced the gravestone is turned my past is breached which I assumed that only the Beneficent can release. Once an inhabitation, but no longer my domicile. Set aside and noted as a lost monument. Ascendency barbarous with words of articulation fatal to ones self esteem, grossly spoken enslaved. An inclination to the predisposition of my life.
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17
the things physical we could not live without, the objets d'art that decorate the tapestry of the primary bones of our existence each of us differing, each of us, a different list, utilitarian is beauty, thus our individuation distinguishing and distinguished a trash can, purposed for our wastrel wastage, and yet, beloved by waves of utilization and discard only after much  usage, kept nearby as a token of our appreciation, only to be dumped unceremoniously when the memories grow overly fulsome Why you think I reference the common kitchen garbage? *No, no! why it is our brain, that be cleansed nightly, leaving only the wisps of life aprior, that reruns in wisps, only sometimes, for better or for worse*, recycle-able
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Feb 22, 2025
Feb 22, 2025 at 10:00 AM UTC
The Essentials
I wish the words Of romance I'd speak Flowed in Mediterranean Greek Or Spanish dreams Italian poems The thoughts would fly The feelings roam I could kiss your face With subtle French With rhythm, flow With sheer grace drench Instead it's English That is the tool To express what's inside To play the fool And so I tell you You're one in a million In words that are so Utilitarian
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Feb 14, 2010
Feb 14, 2010 at 10:43 AM UTC
One in a Million
aloof alphas attack! banal betas boom, before backing cautiously, creeping down, defensible dark estuaries, estranged escapes from fierce fiery-eyed giant gators gathered, hard hearted hedged in impossible illumination, irate jowly jeering jaded jackals **** **** **** … let loose low laughs making much mirth mercilessly now none need nourishment oblivious obvious, overt a putrescent phalanx, quite quintessential a querulous quorum a quatre raucous resounding raptorials retreated subsequently seizing sizeable sarcoid sections in scissor strokes total tormentors, that time twists the ugly utilitarian veracious victory works the wild yearning as zealots
0
Apr 10, 2015
Apr 10, 2015 at 9:30 PM UTC
Abecedarian - A to Z a lifetime and cycle of poetics
To be abnormal in a normal world, is that so uncool? How about to be unjust in an unjust world? Surely then yes, for I am a fool. Not a fool so cruel, but a fool too cool to abide by societies rules. You see, it is the nature of man to be just as unjust as the unjust world, just as must as it is to be a fool, but not a foolish fool. Now you, you are a tool, for living the just life in an unjust world. You are the tool and I am the Utilitarian, and will use you to my advantage and private interests. That’s just how things go here in this structured place, meant to deface and interface yourself. Desensitize you to yourself; reduce yourself to a cheap exploitative commodity; a means for my planned robbery laid near a veneer of parliament armory. Society rules by the Golden Rule, and that is: Those with the gold are those who rule! Now who is the fool you tool?!
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Nov 27, 2010
Nov 27, 2010 at 6:06 PM UTC
Even Hobbes would say Abnormality is Normal
I long for cobbled stone roads Dim lit stone stairs climbing with ivy Up buildings built by Romans adorned with flowers and intricacies Details honed by Craftsman Delicately drafting the landscapes we live in Unlike the concrete utilitarian steel and glass pillars and highways Their plight on our journeys in life To benefit the productivity but detriment the soul To capitalize no matter what the cost Leaving me longing to nap in a park with Parisians For fresh baked baguettes on a bench with a bottle of burgundy For mosaics made of glass in cathedrals built centuries ago Over billboards and neon lights, the flashing and screaming products for purchase Let me get my dinner after the people have had their naps. Let it be an occasion not a necessity to get by Let's walk the city after 10 while the sky is still bright Waiting for the dim street lights to light our way back To another day of walking cobble-stoned streets
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Jun 21, 2024
Jun 21, 2024 at 1:04 PM UTC
Roman Roads
Hi Matt, After further consideration, unfortunately, at this time, we are unable to pay you a meager wage to place food on a tray and carry it.  I would like to placate the fear dominating your psyche that you are considered worthless by our utilitarian capitalist society with hollow thanks. I will keep your application on file for the next three months or whatever and in the rare event that our needs change, we will contact you to see if you haven't killed yourself yet. Sincerely, Potential Employer #283
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Apr 22, 2014
Apr 22, 2014 at 7:56 PM UTC
Jobless Recovery
They flurry fashion clad around him, Bashed and bumped he is upon his knees, Nought but an obstacle to their purpose, Just mechanised utilitarian’s ****** into abstraction. The mishap stagger jounces loose a depth, A profundity in a shallow weakened him, His hollow cavern caves into consciousness, To behold thumping polychrome dances of light. The wash of sludge slinks down his hands, In the puddle on the mid of his legs he gapes, It is a fall of falls to end his deaden tumble, As he stands he knows not what next to do. He had death marched his life to a timber box, Crafted career, projected home for expected wife and child, He weighs an unlike life of who knows what, Just not this one where he supposed he was alive. Wind begs for his tie and so he lets it free, Looks to the looming tower block prison, Through the militia of totalitarian drones, He runs and he runs and he runs. Through the bustling paves he is a sketched dash, It is the most paramount of hurries he’d ever began, His heart flourished as he saw not where he was going, Knowing only that he would not ever reoccur.
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Sep 15, 2013
Sep 15, 2013 at 10:01 PM UTC
Flash Flood
Once I noticed a great writer, and he had no comments. To remedy this occluded justice, I left a colorful comment upon one of his best. Immediately a scathing message appeared from him, Though he had never messaged me before; I had an instant moment of understanding Of why he had no comments; it was just too obvious For my childlike mind to have avoided the trap. A few more condescending messages, And I deleted the comment; nothing more needed saying. I had trespassed on hallowed ground, I had merely to retrace my steps And all should be forgiven. I intruded upon your life, which I could never really see, Through a series of locks and channels It remained invisible to me. And again I invaded privacy, caused consternation. Compliant, I withdrew all my excursions to your door And with an effort, I mitigated any unhappy Emotions remaining there. I do this to spare everyone more pain. But it comes at a price. Did you ever wonder how all the people Who go to the grocery store on Sunday mornings Could have such well-defined niche lives? They think they are defined by what they do, By a synthetic order that's tacked over the hours of freedom. There is an affliction, in which every single hour Must be made to account for itself. But what if they woke up some day Before the grocery shopping was done, Would they feel they had missed out on something Inestimable and uncommon; worth sleeping in for- And replaced it merely with something Utilitarian and predictable? Be careful what you trade your Sunday mornings for.
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Jul 25, 2010
Jul 25, 2010 at 6:20 AM UTC
Niche Life
Once I noticed a great writer, and he had no comments. To remedy this occluded justice, I left a colorful comment upon one of his best. Immediately a scathing message appeared from him, Though he had never messaged me before; I had an instant moment of understanding Of why he had no comments; it was just too obvious For my childlike mind to have avoided the trap. A few more condescending messages, And I deleted the comment; nothing more needed saying. I had trespassed on hallowed ground, I had merely to retrace my steps And all should be forgiven. I intruded upon your life, which I could never really see, Through a series of locks and channels It remained invisible to me. And again I invaded privacy, caused consternation. Compliant, I withdrew all my excursions to your door And with an effort, I mitigated any unhappy Emotions remaining there. I do this to spare everyone more pain. But it comes at a price. Did you ever wonder how all the people Who go to the grocery store on Sunday mornings Could have such well-defined niche lives? They think they are defined by what they do, By a synthetic order that's tacked over the hours of freedom. There is an affliction, in which every single hour Must be made to account for itself. But what if they woke up some day Before the grocery shopping was done, Would they feel they had missed out on something Inestimable and uncommon; worth sleeping in for- And replaced it merely with something Utilitarian and predictable? Be careful what you trade your Sunday mornings for.
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36
Glassy eyed and Lost in utilitarian cities With a low-yielding love And a useless imagination With the bad art And the public transport seat pattern blues
0
Jan 29, 2016
Jan 29, 2016 at 7:34 PM UTC
Untitled
The poetry It has spilled Like the blood of a great massacre And it has diluted To a near transparent film Over the 21st century Over Miley Cyrus' *** Over grotesquely distorted salaries It lingers in the grey concrete behemoths of utilitarian cities It's on your cat It's in your parents hair It's in Angela Merkells teeth And this omnipresent film That only few can see Is evaporating into a backdrop incandescent beauty It's vaporising into an intoxicating nectar It's what slavery was to the blues Or the reconstructions of war to bauhaus Or what the crusades were to the renaissance So twerk on Miley Your artlessness Makes art stronger by the day
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Mar 6, 2014
Mar 6, 2014 at 5:24 PM UTC
Untitled
Amphorae, beautifully crafted, Delicate, exquisite, fire-glazed, Heated in jumbo kilns, Lovely molded necks, Opaque pigments, Quartzite residue- Symbolic, timeless, utilitarian Valued- with xanthic yellow zirconium
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Oct 23, 2019
Oct 23, 2019 at 7:26 PM UTC
Amphorae
I would start with your hands. Mine would dance with yours; our fingers waltzing together. Then they would become curious, I know so. My hands would glide up your arm leaving a trail of goose bumps behind. I don't know where your hands have gone, but mine have reached the top of your shoulder. My fingers can't resist tracing your collar bone. Your hands find mine. I think they got lost in the escalation of my own. But they're together now. Taking a hint from yours, my hands reach to your chin -- only breaking contact for a second. My fingers have tilted your chin, so our eyes can do a similar dance to the one our hands have completed. Hands are the utilitarian laborers of the body, but eyes guard the gates to the soul. My eyes search your own. They are hesitant, but my hands are always reliable. They pull you into me and at the last second before our eyes close, and our lips meet, my eyes find what they knew was there.
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Jul 11, 2014
Jul 11, 2014 at 8:40 PM UTC
Love Letter 36
Utilitarian Love Poem You are aesthetically pleasing, the reason for which I first noticed in you. And later I found your personality equally pleasing. I also noted your chest to waist ratio is suitable for birthing. Therefore, I think you should live in my house.
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Apr 23, 2015
Apr 23, 2015 at 7:01 PM UTC
Alisha Nolan