ϖ↑∅⊕↓☺↨☼♀


The dawn is nigh at hand. The clouds
begin to lift above the grange.
Arise, O Phoebus, bless the crowds—
let poultry roam the range.

I’ll bind a broom of gathered hay
to sweep the hen-house free of hate.
Let roosters hail the crack of day
and chicks with ***** tempt fate.

A fractured self and a challenge hurled:
they left the shell, but found it rough
because our bigoted barnyard world
cannot get queer enough fast enough.

They flutter through the *******’s farm
subverting gender’s useless role.
We feel their pain, and mean no harm—
yet question this progressive goal.

They cluck a brand-new barnyard song:
Gender Identity Obsolete!
(As long as they claim God hatched them wrong,
biology signals their defeat.)

While poultry scratches rhymes for “hen”
and chicks are combing crests for *****
let’s ring the dinner bell and then
we’ll synchronize the global clocks.

Let Mankind’s unmanned race delight
at Jesus’ gender-free return.
Soon Africa shall see the light
and Araby’s sun more brightly burn.

Then dawn shall break o’er Russian plains
to liberate the Tartar races;
loose their limbs from Gender’s chains
to stride with polymorphous paces.

China too, and Southeast Asia
swift shall follow in their train
celebrating ***-aphasia
joining in the West’s refrain.

Hindu multitudes will rise
to vanquish gender, caste aside
and shake the slumber from their eyes
with metro-ambisexual pride.

Carib isles, with Latin kingdoms
From the tropics to the mountains
Shall announce they too are Wisdom’s,
drinking from de-gendered fountains.

Juveniles, raised to simply be
shall pioneer new modes of life;
explore horizons happily
set free from biologic strife.

Then shall our earth, in glad array
***** dirt upon Tradition’s tomb;
unshackled from that dark dismay
to grieve—but nevermore exhume.

Alas, the global dreams descend.
We’re back in the barnyard, gender-queer…
where hens have ***** and eggshells bend
transcending Nature’s reign of fear.

The henhouse still votes hetero;
their eggless chickens cluck for rights
biologists, ex utero
are born to further futile flights.

(Because I was almost one of them
I’ve earned the right to make fun of them.
Time alone will tell if the trend
remains coherent to the end.)

this is a medical emergency ossified
in utero part the hair to cover
pink earwax scar innervated this
cochlea this ******* that steals
the spotlight and rooster’s comb
braised sockets for teeth wired through
the rafters kissing corner braces
shallow chromium double-eye poke
like a pile of face bones stacked
paul bunyan forest slide and jump from
the peak to the pool shallow and
undisturbed to dunk your face and
see future pure voodoo spirit board
and voice box locked with tongue-ectomy
removal of cough through neck hole
cardboard cut stickers in half to
write ******, I’m done.

What is death, I ask.
What is life, you ask.
I give them both my buttocks,
my two wheels rolling off toward Nirvana.
They are neat as a wallet,
opening and closing on their coins,
the quarters, the nickels,
straight into the crapper.
Why shouldn't I pull down my pants
and moon the executioner
as well as paste raisins on my *******?
Why shouldn't I pull down my pants
and show my little ***** to Tom
and Albert? They wee-wee funny.
I wee-wee like a squaw.
I have ink but no pen, still
I dream that I can **** in God's eye.
I dream I'm a boy with a zipper.
It's so practical, la de dah.
The trouble with being a woman, Skeezix,
is being a little girl in the first place.
Not all the books of the world will change that.
I have swallowed an orange, being woman.
You have swallowed a ruler, being man.
Yet waiting to die we are the same thing.
Jehovah pleasures himself with his axe
before we are both overthrown.
Skeezix, you are me. La de dah.
You grow a beard but our drool is identical.

Forgive us, Father, for we know not.

Today is November 14th, 1972.
I live in Weston, Mass., Middlesex County,
U.S.A., and it rains steadily
in the pond like white puppy eyes.
The pond is waiting for its skin.
the pond is waiting for its leather.
The pond is waiting for December and its Novocain.

It begins:

Interrogator:
What can you say of your last seven days?

Anne:
They were tired.

Interrogator:
One day is enough to perfect a man.

Anne:
I watered and fed the plant.

*

My undertaker waits for me.
he is probably twenty-three now,
learning his trade.
He'll stitch up the gren,
he'll fasten the bones down
lest they fly away.
I am flying today.
I am not tired today.
I am a motor.
I am cramming in the sugar.
I am running up the hallways.
I am squeezing out the milk.
I am dissecting the dictionary.
I am God, la de dah.
Peanut butter is the American food.
We all eat it, being patriotic.

Ms. Dog is out fighting the dollars,
rolling in a field of bucks.
You've got it made if you take the wafer,
take some wine,
take some bucks,
the green papery song of the office.
What a jello she could make with it,
the fives, the tens, the twenties,
all in a goo to feed the baby.
Andrew Jackson as an hors d'oeuvre,
la de dah.
I wish I were the U.S. Mint,
turning it all out,
turtle green
and monk black.
Who's that at the podium
in black and white,
blurting into the mike?
Ms. Dog.
Is she spilling her guts?
You bet.
Otherwise they cough...
The day is slipping away, why am I
out here, what do they want?
I am sorrowful in November...
(no they don't want that,
they want bee stings).
Toot, toot, tootsy don't cry.
Toot, toot, tootsy good-bye.
If you don't get a letter then
you'll know I'm in jail...
Remember that, Skeezix,
our first song?

Who's thinking those things?
Ms. Dog! She's out fighting the dollars.
Milk is the American drink.
Oh queens of sorrows,
oh water lady,
place me in your cup
and pull over the clouds
so no one can see.
She don't want no dollars.
She done want a mama.
The white of the white.

Anne says:
This is the rainy season.
I am sorrowful in November.
The kettle is whistling.
I must butter the toast.
And give it jam too.
My kitchen is a heart.
I must feed it oxygen once in a while
and mother the mother.

*

Say the woman is forty-four.
Say she is five seven-and-a-half.
Say her hair is stick color.
Say her eyes are chameleon.
Would you put her in a sack and bury her,
**** her down into the dumb dirt?
Some would.
If not, time will.
Ms. Dog, how much time you got left?
Ms. Dog, when you gonna feel that cold nose?
You better get straight with the Maker
cuz it's coming, it's a coming!
The cup of coffee is growing and growing
and they're gonna stick your little doll's head
into it and your lungs a gonna get paid
and your clothes a gonna melt.
Hear that, Ms. Dog!
You of the songs,
you of the classroom,
you of the pocketa-pocketa,
you hungry mother,
you spleen baby!
Them angels gonna be cut down like wheat.
Them songs gonna be sliced with a razor.
Them kitchens gonna get a boulder in the belly.
Them phones gonna be torn out at the root.
There's power in the Lord, baby,
and he's gonna turn off the moon.
He's gonna nail you up in a closet
and there'll be no more Atlantic,
no more dreams, no more seeds.
One noon as you walk out to the mailbox
He'll ****** you up --
a wopman beside the road like a red mitten.

There's a sack over my head.
I can't see. I'm blind.
The sea collapses.
The sun is a bone.
Hi-** the derry-o,
we all fall down.
If I were a fisherman I could comprehend.
They fish right through the door
and pull eyes from the fire.
They rock upon the daybreak
and amputate the waters.
They are beating the sea,
they are hurting it,
delving down into the inscrutable salt.

*

When mother left the room
and left me in the *******
and sent away my kitty
to be fried in the camps
and took away my blanket
to wash the me out of it
I lay in the soiled cold and prayed.
It was a little jail in which
I was never slapped with kisses.
I was the engine that couldn't.
Cold wigs blew on the trees outside
and car lights flew like roosters
on the ceiling.
Cradle, you are a grave place.

Interrogator:
What color is the devil?

Anne:
Black and blue.

Interrogator:
What goes up the chimney?

Anne:
Fat Lazarus in his red suit.

Forgive us, Father, for we know not.

Ms. Dog prefers to sunbathe ****.
Let the indifferent sky look on.
So what!
Let Mrs. Sewal pull the curtain back,
from her second story.
So what!
Let United Parcel Service see my parcel.
La de dah.
Sun, you hammer of yellow,
you hat on fire,
you honeysuckle mama,
pour your blonde on me!
Let me laugh for an entire hour
at your supreme being, your Cadillac stuff,
because I've come a long way
from Brussels sprouts.
I've come a long way to peel off my clothes
and lay me down in the grass.
Once only my palms showed.
Once I hung around in my woolly tank suit,
drying my hair in those little meatball curls.
Now I am clothed in gold air with
one dozen halos glistening on my skin.
I am a fortunate lady.
I've gotten out of my pouch
and my teeth are glad
and my heart, that witness,
beats well at the thought.

Oh body, be glad.
You are good goods.

*

Middle-class lady,
you make me smile.
You dig a hole
and come out with a sunburn.
If someone hands you a glass of water
you start constructing a sailboat.
If someone hands you a candy wrapper,
you take it to the book binder.
Pocketa-pocketa.

Once upon a time Ms. Dog was sixty-six.
She had white hair and wrinkles deep as splinters.
her portrait was nailed up like Christ
and she said of it:
That's when I was forty-two,
down in Rockport with a hat on for the sun,
and Barbara drew a line drawing.
We were, at that moment, drinking *****
and ginger beer and there was a chill in the air,
although it was July, and she gave me her sweater
to bundle up in. The next summer Skeezix tied
strings in that hat when we were fishing in Maine.
(It had gone into the lake twice.)
Of such moments is happiness made.

Forgive us, Father, for we know not.

Once upon a time we were all born,
popped out like jelly rolls
forgetting our fishdom,
the pleasuring seas,
the country of comfort,
spanked into the oxygens of death,
Good morning life, we say when we wake,
hail mary coffee toast
and we Americans take juice,
a liquid sun going down.
Good morning life.
To wake up is to be born.
To brush your teeth is to be alive.
To make a bowel movement is also desireable.
La de dah,
it's all routine.
Often there are wars
yet the shops keep open
and sausages are still fried.
People rub someone.
People copulate
entering each other's blood,
tying each other's tendons in knots,
transplanting their lives into the bed.
It doesn't matter if there are wars,
the business of life continues
unless you're the one that gets it.
Mama, they say, as their intestines
leak out. Even without wars
life is dangerous.
Boats spring leaks.
Cigarettes explode.
The snow could be radioactive.
Cancer could ooze out of the radio.
Who knows?
Ms. Dog stands on the shore
and the sea keeps rocking in
and she wants to talk to God.

Interrogator:
Why talk to God?

Anne:
It's better than playing bridge.

*

Learning to talk is a complex business.
My daughter's first word was utta,
meaning button.
Before there are words
do you dream?
In utero
do you dream?
Who taught you to ****?
And how come?
You don't need to be taught to cry.
The soul presses a button.
Is the cry saying something?
Does it mean help?
Or hello?
The cry of a gull is beautiful
and the cry of a crow is ugly
but what I want to know
is whether they mean the same thing.
Somewhere a man sits with indigestion
and he doesn't care.
A woman is buying bracelets
and earrings and she doesn't care.
La de dah.

Forgive us, Father, for we know not.

There are stars and faces.
There is ketchup and guitars.
There is the hand of a small child
when you're crossing the street.
There is the old man's last words:
More light! More light!
Ms. Dog wouldn't give them her buttocks.
She wouldn't moon at them.
Just at the killers of the dream.
The bus boys of the soul.
Or at death
who wants to make her a mummy.
And you too!
Wants to stuf her in a cold shoe
and then amputate the foot.
And you too!
La de dah.
What's the point of fighting the dollars
when all you need is a warm bed?
When the dog barks you let him in.
All we need is someone to let us in.
And one other thing:
to consider the lilies in the field.
Of course earth is a stranger, we pull at its
arms and still it won't speak.
The sea is worse.
It comes in, falling to its knees
but we can't translate the language.
It is only known that they are here to worship,
to worship the terror of the rain,
the mud and all its people,
the body itself,
working like a city,
the night and its slow blood
the autumn sky, mary blue.
but more than that,
to worship the question itself,
though the buildings burn
and the big people topple over in a faint.
Bring a flashlight, Ms. Dog,
and look in every corner of the brain
and ask and ask and ask
until the kingdom,
however queer,
will come.

Your daisies have come
on the day of my divorce:
the courtroom a cement box,
a gas chamber for the infectious Jew in me
and a perhaps land, a possibly promised land
for the Jew in me,
but still a betrayal room for the till-death-do-us-
and yet a death, as in the unlocking of scissors
that makes the now separate parts useless,
even to cut each other up as we did yearly
under the crayoned-in sun.
The courtroom keeps squashing our lives as they break
into two cans ready for recycling,
flattened tin humans
and a tin law,
even for my twenty-five years of hanging on
by my teeth as I once saw at Ringling Brothers.
The gray room:
Judge, lawyer, witness
and me and invisible Skeezix,
and all the other torn
enduring the bewilderments
of their division.

Your daisies have come
on the day of my divorce.
They arrive like round yellow fish,
******* with love at the coral of our love.
Yet they wait,
in their short time,
like little utero half-borns,
half killed, thin and bone soft.
They breathe the air that stands
for twenty-five illicit days,
the sun crawling inside the sheets,
the moon spinning like a tornado
in the washbowl,
and we orchestrated them both,
calling ourselves TWO CAMP DIRECTORS.
There was a song, our song on your cassette,
that played over and over
and baptised the prodigals.
It spoke the unspeakable,
as the rain will on an attic roof,
letting the animal join its soul
as we kneeled before a miracle--
forgetting its knife.

The daisies confer
in the old-married kitchen
papered with blue and green chefs
who call out pies, cookies, yummy,
at the charcoal and cigarette smoke
they wear like a yellowy salve.
The daisies absorb it all--
the twenty-five-year-old sanctioned love
(If one could call such handfuls of fists
and immobile arms that!)
and on this day my world rips itself up
while the country unfastens along
with its perjuring king and his court.
It unfastens into an abortion of belief,
as in me--
the legal rift--
as on might do with the daisies
but does not
for they stand for a love
undergoihng open heart surgery
that might take
if one prayed tough enough.
And yet I demand,
even in prayer,
that I am not a thief,
a mugger of need,
and that your heart survive
on its own,
belonging only to itself,
whole, entirely whole,
and workable
in its dark cavern under your ribs.

I pray it will know truth,
if truth catches in its cup
and yet I pray, as a child would,
that the surgery take.

I dream it is taking.
Next I dream the love is swallowing itself.
Next I dream the love is made of glass,
glass coming through the telephone
that is breaking slowly,
day by day, into my ear.
Next I dream that I put on the love
like a lifejacket and we float,
jacket and I,
we bounce on that priest-blue.
We are as light as a cat's ear
and it is safe,
safe far too long!
And I awaken quickly and go to the opposite window
and peer down at the moon in the pond
and know that beauty has walked over my head,
into this bedroom and out,
flowing out through the window screen,
dropping deep into the water
to hide.

I will observe the daisies
fade and dry up
wuntil they become flour,
snowing themselves onto the table
beside the drone of the refrigerator,
beside the radio playing Frankie
(as often as FM will allow)
snowing lightly, a tremor sinking from the ceiling--
as twenty-five years split from my side
like a growth that I sliced off like a melanoma.

It is six P.M. as I water these tiny weeds
and their little half-life,
their numbered days
that raged like a secret radio,
recalling love that I picked up innocently,
yet guiltily,
as my five-year-old daughter
picked gum off the sidewalk
and it became suddenly an elastic miracle.

For me it was love found
like a diamond
where carrots grow--
the glint of diamond on a plane wing,
meaning:  DANGER!  THICK ICE!
but the good crunch of that orange,
the diamond, the carrot,
both with four million years of resurrecting dirt,
and the love,
although Adam did not know the word,
the love of Adam
obeying his sudden gift.

You, who sought me for nine years,
in stories made up in front of your naked mirror
or walking through rooms of fog women,
you trying to forget the mother
who built guilt with the lumber of a locked door
as she sobbed her soured mild and fed you loss
through the keyhole,
you who wrote out your own birth
and built it with your own poems,
your own lumber, your own keyhole,
into the trunk and leaves of your manhood,
you, who fell into my words, years
before you fell into me (the other,
both the Camp Director and the camper),
you who baited your hook with wide-awake dreams,
and calls and letters and once a luncheon,
and twice a reading by me for you.
But I wouldn't!

Yet this year,
yanking off all past years,
I took the bait
and was pulled upward, upward,
into the sky and was held by the sun--
the quick wonder of its yellow lap--
and became a woman who learned her own shin
and dug into her soul and found it full,
and you became a man who learned his won skin
and dug into his manhood, his humanhood
and found you were as real as a baker
or a seer
and we became a home,
up into the elbows of each other's soul,
without knowing--
an invisible purchase--
that inhabits our house forever.

We were
blessed by the House-Die
by the altar of the color T.V.
and somehow managed to make a tiny marriage,
a tiny marriage
called belief,
as in the child's belief in the tooth fairy,
so close to absolute,
so daft within a year or two.
The daisies have come
for the last time.
And I who have,
each year of my life,
spoken to the tooth fairy,
believing in her,
even when I was her,
am helpless to stop your daisies from dying,
although your voice cries into the telephone:
Marry me!  Marry me!
and my voice speaks onto these keys tonight:
The love is in dark trouble!
The love is starting to die,
right now--
we are in the process of it.
The empty process of it.

I see two deaths,
and the two men plod toward the mortuary of my heart,
and though I willed one away in court today
and I whisper dreams and birthdays into the other,
they both die like waves breaking over me
and I am drowning a little,
but always swimming
among the pillows and stones of the breakwater.
And though your daisies are an unwanted death,
I wade through the smell of their cancer
and recognize the prognosis,
its cartful of loss--

I say now,
you gave what you could.
It was quite a ferris wheel to spin on!
and the dead city of my marriage
seems less important
than the fact that the daisies came weekly,
over and over,
likes kisses that can't stop themselves.

There sit two deaths on November 5th, 1973.
Let one be forgotten--
Bury it!  Wall it up!
But let me not forget the man
of my child-like flowers
though he sinks into the fog of Lake Superior,
he remains, his fingers the marvel
of fourth of July sparklers,
his furious ice cream cones of licking,
remains to cool my forehead with a washcloth
when I sweat into the bathtub of his being.

For the rest that is left:
name it gentle,
as gentle as radishes inhabiting
their short life in the earth,
name it gentle,
gentle as old friends waving so long at the window,
or in the drive,
name it gentle as maple wings singing
themselves upon the pond outside,
as sensuous as the mother-yellow in the pond,
that night that it was ours,
when our bodies floated and bumped
in moon water and the cicadas
called out like tongues.

Let such as this
be resurrected in all men
whenever they mold their days and nights
as when for twenty-five days and nights you molded mine
and planted the seed that dives into my God
and will do so forever
no matter how often I sweep the floor.

Praeludium in via ...

Vidi heri mane quando ridebam coloribus egregiis,
Eradere auro , trans tabula caeli , tentorium ...
Excelsus super omnes montes mundi mole fratres
Nimborum desertum , ubi non sit humana exsuscitatur .
Et non vidi nobili altitudo futura ...
Bonitas terribilis Vidi , *** indomitus.
Et peregrinare in ea carne existimarem Semel tamen divina ,
Nunc datum est scire , et non confundamur ab eo opus .
Ambulavitque *** Deo, quod nunc facio , et passus est ... accentus
Proditio amor et passionibus , quamvis non recipiat ecclesia ,
Divinitatis naturam , ne occulta omnia confitentur ?
Audis tu solus in universo ab duces ineptum
Ipsos victu pascuntur finguntur mendacii .
Sed ambulavit in vobis, ex ea ipsa mundi redivivi ,
Proelia ante hos annos multos, in carne nostra, amissis vate sacro .
Nos sequi vestigia veterum monumentis, ut ostensum est ;
Quia ex nihilo nati sumus , et adhuc in filiis tuis, ac spatium vivendi ,
Latebunt , quo melius in manifesto , vultus ingenio tegmina.
Ego sum primus , et consilium ... Memini tamen alta urantur
Humanis uti licet , *** aliena michi negotium.
Lorem quid ad ignorantiam et extra ,
Quia vidisti me in tenebris, in ardentem rogum meum .
Si sustinuero , praeire , ubi angeli labuntur ...
Quis autem, si non satis est dedicata piget.
Irrisorie , quoniam ego scio quod salventur , et saepe etiam ,
Post tantum est **** , et sic esset forma in re firmatam ?
Imago Dei , huc ad nos omnes in sanguine ipsius ,
A primis ad ultima, ut alpha et omega, gladius acutus .

Prologus : ( Os meum labitur )

Puer fui servus ad aras tam sacras ,
Hymnis immaculatorum : et absque iniquitate .
Quod *** ipse portabat diadema thons nudus ...
Expositum Spiritus meus, qui intellexi gravitatem.
Quis credit sanctum profanae habitu virtutum
Et illi qui in eo sunt ut carnifices ovis ad occisionem ,
Innocentes cogit induere larvis ad porcellana et operuerunt capita sua ,
Et filii eorum diriperent pueritia , vinctus catenis rudis .
Sicut teenager : ambulans in naturis hominum omnium adprobante ,
Et egressus est a me omnes, qui violatores extiterunt in coinquinatione verebatur .
Angelo fidem reperto cecidi inveni sanctitati
Nomen meum in ea , et curet abluitur dubium inveni .
Venit ad nuptias, et omnes dedi uxorem proditione ,
In solutione huius coniunctionis nostrae et sine intervallo in solitudinem imposuit ?
Traiectus mortalis caro mea reliquit me solum in sanguinem ,
Cor ejus scissum est , absque omni cultu ex ordine funem .
Angelus autem meus et leniat iras mansit dolori
Mea lux, in vigiliis, in nigrum, quod est victa ,
Admonens quia carnis mortalitate ... maxime
Angelus vult me et tremor et durum accepimus.
Et ego factus sum quam ... traumas vitae ac lacrimis
Et dimisit , in specie quae sunt post , veluti a me plagas .
Nox deinde calor intensior saunas percipimus ...
Sicut est mihi in choro , relictum est , nisi ab illo esse extensum ,
Et invicem tradent , et mortalem , ut impunita essent, sed numquam mihi ...
Non tradent ; effundam spiritum meum , et non totum .
FYLACTERIUM creare ex omni me , et oculus innocens ...
Quod amari posco sum ​​ut carbo margarita alba et nigra ;

Section I : Sacrificium Doll

Part I : ( litus sanguinem )

Ne revoces me pupa enim priscis recesserunt cavernam
Sunt inanima appetant , non realis forma in utero ;
A puero bibere rubeam ore exploratores in vastissimam taberna ...
Dum nati psallens FARRATUS agros effusi .
Vadimus ad domum Dei , in plagis , in magna pecunia debetis ...
Hoc non est ad oras Nunc cruore manant strigitu rubra de memoria , polluetur .
Nulla est enim me primus ad ignitionem gloriae ...
Quando autem mens aeterna , in omnibus placentes, causabatur laetitiam .
In stellis ibi verba quae ego volo inauditum revocare,
Quia descendi ita pridem apud venire primum ?
Sollicitus purus fabrica MYSTICUS chaos genitus antiquorum
Mitti expectant limine signa magica.
Interdictum revertatur in carminibus meis , Licinius, ut audacia ,
Quia oblitus est mei fere est: nunc originem , ut tragici.
*** filii bibere, et se abscondunt nati seorsum
*** aquæ in sanguinem, et super triticum, et arefecit fœnum, et humida !
Signum quod venturum est mutare et laboro mentem.
Facies in luna ALLUCINOR in metu torquetur , horror ...
Dumque in fauces manu stare super pectus
Inter ordines diu frumentum umbra nigro ambula
Genus servo meo animas infantium .
Aestas flavescunt, Phoebe caelesti audent .
Mea sola mcestas lupus sonitum audiri potest ,
Et *** feris leo in pontumque moueri relinquere ...
A natura mihi dolet cupio concupivit paradisus reducat .
Vidi terram terror , ut sanguis in sinu
Ater sanguis in terra , quae facit viventia ululare ...
Sicut **** habet stultitia non dicam prava vel !

Part II : ( Crucifixo et Inferorum Animas Excitat)

Nam inertis est gemere pupa altari parato, in sacrificium,
In lapidem calcarium, et in cavernam, ubi sunt wettest fingit arcus !
Un - res sunt, sed etiam *** vivit in vulneribus animae , ut in glaciem ,
In horrore frigoris fictilem , ita *** pedibus non vocavit.
Serpentipedi mucrone subrecto , remittit praecise a pupa in collo ,
Et non potest dici , quia non habet pupa voce clamare.
Puer, et egressus est a tabernam , aspectus eorum quasi a naufragii vile ...
Ut curem hominem a superioribus agentibus , corpus totum mundum.
Infra in concavis locorum asperitate visa petram
Magna voces resonare in tenebras , et vocavit nomen tacuit.
Eripuit animam trahit nauta Multo gregis
Ubi aereum reddet unicuique antiquum signum desideratum .
Et venit ad bibendum aquas illas vitae malis mederi ...
Porcellana , et liberatus a vinculis mortis obscuris sentiat frigore ;
Animas in captivitate , unde nemo mortalium loqui
Sed statim liberavit remotis perforabit clavi ...
Omnis **** , qui dicitur Golgotha ​​, olim in cruce positus .
Omnis autem mulier quoque, ad quod omnes tales sunt tormento
Et facta est , dum consummaretur sacrificium insita primum sic infirma est,
Et intantum ut nisl tot annis perpessi .
Signati post fata diu Quod murus ignis in Terra ,
Stigmatibus ferre posset ita etiam multa futura!
Quod signum erat in manu mea, ut labatur pes meus, et dimittam ...
Tamen adhuc vetera perseverare illusionibus , et non possum excitare multos .
Ego, qui iam tantum conligati Lorem ferrum quid reale,
Factaque est infinita in dolo : Ego sum ​​, et desiderio erat pax.
Nam et ego quod negas , nisi aspera ac rudia mei liberatione ;
Angelus liberavit me , et nunc inter saevus sigillum frangere conantur .

Part III : ( The Return of lux)

Qui a mortuis Surrexit , frigidior , ubi de somno , ultrices in somnis , per
Et obliti sunt intelligentiae invocatum est super sancta miserunt innoxia verba ...
Et inde apud hominem , ut maneat MYSTICUS sequuntur revertamur ,
Ea aetate in inferno commemoratione praeteritorum.
Qui suscitavit eis manum meam , et pugionem eius lumen gloriae,
Relicta meae effercio fluere sanguis subito currere libero.
Ex profundo flamma surgit millennial amisso puella puer ,
Quæ est angeli redivivam sinit luce clarius ostendit .
Et omnis qui non occaecat oculos ad intima ;
Infideles , in momento temporis ponere in obprobrium .
*** stellae ab Diua sacrorum opera voluntatis
Dum coccineum limen transeat , lucem adfert .
Momento enim omnes in caelo et in terris sunt ,
Sicut dies longus tandem inclinatus ante noctem veniat .
In tenebris , claritas multo maiorem et perfectiorem descendit ,
Eorum, qui dum in nomine meo orbata est devium.
Sicut incensum in conspectu angelorum ira animos eorum , occlusum ...
Ferrum IRRETUS texturae talis effugere nequeunt carcerem
Nam quicquid occaecat vidit lucem et scindit
Nisi quia in templis revellens mortalibus irae.
Et , postquam ipsæ fuerint fornicatæ infidelium , ut uoles, petulans ,
Et factum est in excogitando dogma , quod de ratione immemor ?
Horrendum non fides sit , tamen ita fecisse ,
Ante finem exspectent praemia petunt .
*** enim , ut est in paradisum suscipit dereliquerunt ...
Imago autem libertatis quam servitutis et negotio.
Nimia tempus extractam converterat a gladio:
****, ut spectet ad salutem in lucem , caeca lumina sua .

Antiphon alpha :
Quia hoc est ut , barbaris quoque innocentiae gentilitium mendacium vendere ...
Numquid et vos vultis emere , aut aliquam nunc forsitan putas,
Ad sciendum neque rationi consentaneum neque aetate sapientes ...
Quod si non moverent malles *** saltare!
Pleni sunt somnia noctes ; Dies mei tantum ...
Ego ad bis et quem maxime diligebam , in purpura quoque , et aprico occasus .
Ego autem haec imago non ad tangere memoriam tot ,
Qui replet in sanguinem furoris me , et frigidam desiderio finis .
Et considerandum est quod *** in ultima desperatione rerum , in cuius manu mea, equo et pilos in ore gladii ,
Nam ni ita esset, nunquam tamen inde trans familia .
Sed abusus est , ut fuit, et quidem instar caedentes sepem
An ut reliquos omnes transcendunt omnia , amice!
Ego superfui , transfiguravi ascendi in fine est ,
Multo magis quam erat, non plus quam diruere animus .
Sed tamen , quia speravi in solitudinem , ut a somno exsuscitem ancillam meam in flamma ...
Ardet , o superi, ut arbitror , usque uror dissiliunt!
De caelo et magis obscurant vestris, et tridentes, et contritio ,
Audio furorem tympana caelo antiqui gigantes hiemes.
Dii irascantur et ecce valide erutas ,
Uvasque calcantes Angeli hominis Illi autem vinariis ageretur ...
Recordatus sum in omnibus navigantibus battleship galaxies ,
In die ortus nubes inter exaestuans, quod ' vaporem ...
Depopulari Sodomam et Gomorrham, ad contumelias !
Ibi eram: et *** impiis non perire denique gemitu.
Ut illuderet mihi : et populus , quia ego bonus sum male velle ,
A Deo est, quam diu tot mala ferre cogetur .
Ego autem non sum solus , quia multa in eo et detorqueri
Deus remittit, nam adhuc sed non est intellectus ;

Section II : Hostiam de Spider

Part I : ( Rident Primus )

Caelum non egerunt pœnitentiam super ulcus nigrum est furore , et in indignatione, et in iustitia :
Et factus sum caro , quamvis intellectus non mortale .
In antro loca , quæ transivi , et dæmonia multa discurrunt ,
Et locis minus adhuc amor in search of a provocare .
In quo autem in craticiis tectoria atria mea, et thronus fuit stabilis ...
Et super collem , ubi dolorum laborum animae perit labor in mundanis ,
Transcendi vincula et consilio fidelium expectabo laudatur.
Ignis et sulphur et, semper est dextera arderent super altare ?
Ridentem cogo faciem meam : non enim veni , ut velle,
Ut in hora *** iam iuvenem, *** proposito aureum ...
Quæ pro impenso super solidum, pretium quis ,
Qui autem non cognovit , quomodo cupiam sibi solvere ...
Furor solitudinis nascitur ira nascitur ex malitia,
Qui autem contemnunt me , quia sine causa Provocantes me .
Quid est **** , impunitatem , ne quis putaret se excusat ;
Quam sapere , *** culturis tuum: mergi , in balneis , in ardentem .
Loquor de inferno, qui est infidelis nescis ?
Neque enim suis oculis effossis clavorum ...
Loquor cruciatus qui daemonia fecerunt superat .
Primus erit mihi dolor meus *** omnis fera voluntas ut ratio ...
Ut qui me conspui caro quod ambulans ,
Nescis modo larva facies mea , abscondens se.
Attendit ad illa nihil nisi insipientis solis erratur in sonis cantus
Tantum numerus ratus e fratre soror .
Sed in caelestibus quae sine causa nata est incestus est alchemical ?
Habitat in me peccatum occultum compages sǽculo.
Sit mihi vim inter gentes auditus est ABSURDUS musica ...
Spiritus meus qui regit omne simile est genitus.

Part II ( vindicta aurum )

In hortos, in quibus cupiditas sanguis rosaria semina ,
I , in manu eorum , qui esurit Quorum sitit aquam surgit !
In quaerere dilectionis affectum bestiis pavi eget
Quid faciam ut pudeat , habet me non elit .
O **** , quo impune ausu palamque vociferari ,
Quod amor sit ex me credis , et me opus manuum tuarum ,
Ut timidus , et cucurrit ad me latere turba depravari ,
In simulata excellentiam tuam , et ipse te vile animal .
Coniunctio oris linguae quasi telam laqueari
Si fieri potest araneae ; et fugiet a turpis ut octo pedes nidum ...
Et *** jam non calidus humanitatis indignum ,
Cogitans te meliorem quam reliqui descendes !
Ut vitae pretium millies , tibimetipsi .
Creaturam factus sum nocte expectant te aranea heu !
Nolite putare quia ego audirem . utrumque stridens cruris ...
Odium ductor tuus , et equi ejus , et ascensorem ejus .
Et in vestra web Video vos, Quirites immune ungues acuti ,
Ad toxicus venenum , quod oculis non potes, nisi te , octo ...
Ex quo bases Caesios sine timore, et sic primum
Ut dolores tuos comedat vos accendentes ignem caelum ;
Detur paenitentiae venia , quae dicis omnia cogit , ne superare dolores ,
Qui tibi semper, quæ videtur , non est potentia ad non noceat .
Et ascendit ulterius sapere plus pavoris tui ...
Numquam puerile ludibrium ulla facta .
Omnis domus tua dissolutae horologiorum ad socium non est ?
In desertis chaos est gaudium, ut si quod habuerunt.
Surgit in novum ordinem , nemo potest negare chaos genitus locus ,
Dum descendes perdunt, muneribus laesae.

PARS III ( Ultimo Rident)

Et sic videtur quod Angelus se et ante deam
Angelus autem nominis vocare aliquis tenuerit formarum.
Et qui in illis est , maiora sunt, ego saepe ad extraneas ,
Fingunt enim se perfectum , ignorant eorum saevitum ,
Num amor crustacea tam veteri quam in praedam , et mendicum ,
Quod minus quam tuum est , quam sumpsi eaque cibum ...
Est autem tarn coquina sicut clibanus tua vadit et ora
Ipse, ipse est extra te praemium virtutis tuae chores ,
Sicut enim res suo cuidam negotium , qui meretricem ... Lorem ipsum leve,
Putas praemium amaret , et mendicum , falli te .
Quid autem vocatis me alienum **** ... amor est malum , et hoc pudet,
Et similiter anima atque animus , quibus tandem corpus infirmare.
Vides tantum larva ... sub aspectu nisurum
Larva ut me in tenebris tenebris latet .
Circa collum tuum habebis , ut falsae aestimationis pendet a mortuis, et corona ,
Quia sterilis tibi relinquo mundum , Intenta ancillæ.
Consurgitur in excitate de reliquis abire tibi , qui sunt cognati mei
De manibus eorum procul offendant pedes vestri ?
Qui manet in coemeterio quasi mortui
Non tollere incorruptione Nimis tibi dubium .
Hue tacito lachrymis virgines flere ...
Ad mea, et robur , in quo praeda, gregibus rursum super vias hominum ,
Ad eos qui non ineptis metus mutetur ,
Aureus transmutare non magis quam plumbea nocte dies ;
Quod verum est de fine , qui scit ... Alchemist
Magistra rerum artes a me in profundum.
Ágite , quod sum aggressus creatura placet mutare ...
Ut res sunt nostrae demiurgorum lasciva oscula enim calidius ?

Omega Antiphon :
Non est autem in Utopia , non videtur quod ...
Donec ut nosmet ipsos cognoscimus prima quaerimus imaginem .
*** et in sacrificio sui ipsius , a volunt reddi obsequium ...
Qui ad reformandam et divina se , *** Leo renata agnus mitis !
Sicut in Christo, ex parte in qua invocatum est cicatrix, et vulneratus est ...
Sed simplex conversio ad dissimilis vultus nolui .
Memini dolore meo, ut acer et vehemens ...
Donee tantum possum emissus dolor servare sensu caret.
Quomodo potest aedificare paradisum non est, nisi in se mutant ;
Mutare ante mutatum esse non est in medio ; quae est in via .
Qua ad paradisum , et oportet eam, et non deficiunt,
Ne ad caelum, nisi quam nos aedificare illud infernum iniustitiis nos .
Utopia , non ruunt ad genus humanum, nisi a te, tu es qui habitavit ?
Nisi quod est extra omne malum quod in se corrumpunt ,
Manifestum enim est , nisi malum, quod mundatam ab omnibus malis moribus.
Tunc malitia faciatis abstulit senex super pluteo tom .
An non intellegat , quid est salvator ...
*** diceret quod non omne quod simplices filii ingredi
Regnum caelorum , et inde ad delectationem pertinere ...
Et quomodo potes perfrui , si tibi placet , cauillando crudelis ?
*** aurora tempore domini nituntur hominum planeta ...
Numquam imaginandi praecipiet ut discat primum voluntatis.
Non armorum vi , nec inutile mandatum ...
Sed *** modestia , et misericordia ; ergo qui ad cor suum in satietatem,
Gáudii innumerabiles et celebrationibus quae causa ?
Sed animus intendatur dolores peccatum lacus.
Ubi plausus rotundum vt quilibet sensus ?
Modernitatem iocabitur ullum definitum ornare.

Section III : sacrificium sui

Part I : ( hortos perditio )

A ziggurat sublatus est , arenosa in calidum lateres , quos coquetis in igne ...
Septem fabulae in caelum, sicut turris Babel ,
Quod in solitudinem, et in

I bleed letters, breathe words--
lived in utero with a pen.
Creative gypsies & outcasts
are brethren.
I will die
for their plaid sky brushstrokes
&/or verbal slip-bang poetry.
That's my religion.

Self-doubt is my sin.
I have a habit of overstaying my welcome,
another is coming on a little strong.

Communication is my mantra,
my philosophy is intelectual stimulation.  

Putting up with "****"
    is second nature.
Spit in my face.
         Call me names.
   Don't give me that promotion.
I'll survive--
       probably even laugh about it later...

But...
take advantage of me--
or those I hold close--
     if I even see a glint
     of the knife
            you're going to put in my back
I promise--
    I promise
the pain you will feel
        leaves a scar much worse
than whatever could happen to me.

big ***** Judy
had some
i guess you could say
body
image
issues
you could call them
body
issues
there was some
i dunno
in utero
conflict
and she
some how
head butted
her twin brother in the womb
but not in the way you're all
probably
so quick to think of
THINK ABOUT IT
but actually
uhh
don't
think
too much
about it
because it is
in fact
too much
back to Judy
she didn't much like
her patootie
nor did her mother
and nor did
many of the mothers
of others
i don't want to be
too quick
to say
that Judy had "problems"
but sure as ****
sherlock
quick to fit
oh yeah
Judy had
PROBLEMS
she couldn't handle
most of what we call
school
the work
the stress
the this
the that
set to a soundtrack
of shouts and clamors  
from ******* classmates
fatty fatty
boom
ballatti
2 by 4
can't fit through
the kitchen door
really?
um
pardon me
but
what kind of narrow
French
Doors
in what kind of kitchen
are we talking about?
anyway
a stones throw away from that *** ed period
oh ****
let’s talk about her period
Curse of Eve?
**** my ****!
Her in house aggression seemed to say to herself
and naturally
to no one else
returning to that **** but not so much
educational period
it was a nightmare
judy can't help but remember when "it"
suddenly
became
one nasty *** personal pronoun
that only meant "***"
so sadly
on the way to girl scout camp
when judy turned around
to tell the motormouthed ******* in the back seat
to watch their language
because it'll become a crutch
and they'll start
"doing it in school"
all of a sudden
Judy
is some sort of deviant
only because of
"it"
what is
and was it
about being a little bit overweight
that made the boys and girls
treat the little bit
like it was
I dunno
a lot
wrong question
Judes
what is it about
being shy
seemingly vulnerable
and weak
that made the boys and girls
latch on
with unceasing enthusiasm
most people
young ones
especially
are troubled by the same things
that taunted Judy
but most of those others
had
uh
what?
an “outlet”?
**** that
Judy
Judy
JUDY
human beings
are *******
joey
james
johnson
dickshit
who always called you fat and such
is probably shooting ******
into his insignificant toes
or maybe his genitals
hope for the worse
hope it’s his genitals
back in middle school
when everyone thought they were more important
than they actually are
were just as terrified
but ****
they had that ******* “outlet”
unlike  judy
but the new judy
with a lesser but mostly the same patootie
won't worry
and won't dwell on it
because
one day
she's going to satirize the **** out of you numbskulls
enjoy yourself
while you can
because Judy
has already dissolved
into laughter
hardy har har
******
and mimbos
*******
how do you feel now?

She hides from her mother
ignores her dad,
she dwells within loss
and all things sad

her stomach's sick in the morning
she doesn't know why,
oh, she locks herself away
to break down and cry

heart jitters -
throat chokes in a lump -
every time her mind strays
to thoughts of her body's little flat bump

knowing what it might be
paranoid about how much it shows,
fooling herself no one will notice
even if it grows -

alas her head swells
sick with clotted disdain
no she can't carry on -
can't carry on with the pain

so up she opens to her parents
tears flowing from both eyes
unmasking the secret
that for months she's disguised

distraught, weeping,
the sordid act now told,
her mother heartbroken
her father disgusted but bold

"There's only one thing to do,"
he muttered with a voice that was hoarse
and down the ****** route of abortion
did they both start to course

her mother weak, pleading,
begging her daughter to think again -
her father furious, saying don't be so stupid
she's only the age of ten

and so Alice had enough
buckled and snapped,
her lust for life
sorrows parasite finally sapped

off the city bridge, into the icy water
did she jump and dive -

now encapsulated within the womb of death,
that keeps both mother and child alive.

The stench of burning flesh and *****
Imbuing the air
Carcasses of infant demons
Putrefying in the crater
Dissected impure angels hemorrhaging
Repugnancy dominates

Shrieking
Quivering
Floundering as they flutter their rotten wings
A profusion of worms
Falling from mouths like a cataract
Smoke coming out of their halos
No longer reigning
In this, their hades

Swollen with beasts in utero
Perpetuating abominations
Soon it will be their turn
To liquefy in the lava

Everyone,
To begin.
We have no choices,
Depending on gurgled voices
Recognized in utero.
Trust radar's not activated,
Despite the life experiences
Of our carriers.

White collars
Dig for gold
Wearing masks and gloves;
So we rely on eyes
Despite the hunger
Behind the disguise.

We are tied to swivel chairs
In block buildings
And asked to trust
As they notice the dirt
Beneath our nails
Ripe-red for pulling.
They want the correct answer,
Not the right one.

Love partnerships
Are unstable vessels
At  best.
We secure trust
In disposable
Jilted pirate chests
Waiting for discovery
In teary depths.

We find refuge
In our children,
Though we notice
Eyes roll and shift
As we age and drift.

In whom do we trust?
In the unborn
Who will
Live by our words,
And define the world
We leave in trust.

To bed I took, in habitual slumber,
cursive prayers die at my cynical tongue,
all pinned badges of the day cast-off
to the floor, only for my sorry soles to
impale upon, come morn. ‘Come morn!
I called, to the chasted walls;
‘come morn!’ I sang,
hoping to fill the thinned curtains
with a filter of light.

In oil paints, old dreams coloured themselves
in patient, kaleidoscopic hues. Though
withered of form, they delight in me,
promise to deliver in utero joys,
connection to the Great Mother;
all that was lost in the fall.
The fall of man,
so gravely reported, and so
limiting to humankind.

I fell. I fell to sleep as Romans did peace.
With grudge, with dissonance; mind-silence apparent
only upon the death of the day.
With stubborn regard, my ears tarried in vigil,
I awoke to each pine of the hallway,
each tremor of heart, pulse of thought,
and Lord of sound.
‘Come death!’ I sighed,
to my life’s rushing blackness,
‘come death!’ I cried, to my stars.

In cannabis, I attune, only to calm;
to bask in the light of some meadow-less dawn,
and in pains, I pray only for dullen thoughts,
to poison my days in some indolent mess.
And of Ávila, Teresa
shelters my mind. She comes to me
in sorry demise.
‘My child,’ she calls, voice echoed since,
‘fellow child,’ she pines, entrusted sphinx.

Spawn of Thebes, she riddles through centuries,
all panicked pores, all sickening spirals,
forgotten in the present, all-eternal.
A shepherd am I, amongst my thoughts,
she calls thus that I am not my mind,
rather, a chosen observer,
the sum-of-parts;
to be confused not upon the
idiocratics, more, ‘what is.’

A lowing at my window, she calls unto me
in reverberated tongue, nutritious tone,
a cyclone of holistic power.
Bright glimmer of light, she calls once more, ‘my child!’,
she cries, ‘my fellow child of the Lord!
Please, rain unto me your sorry state,
lack of appetite,
cooling plate. Oh, you that live so solemnly,
you who knows not of the arbour of life.’

I call not in terror and I call not in my fright,
upon the window, that ghostly glimmer,
she heals the walls in half-light, swimming
in opal reflections of ripples and chimes.
And, she is calling for beauty,
she is singing unto me,
‘come morn!’ she weeps,
‘come morn, and with it, the tidings,
of your blessed life to be!’

Stumbling, I trip over the apparition’s words,
she speaks not in life’s shadows and sinister plot,
but only in those that speak like a God.
In the awful haze of light-polluted skies,
auspicious streets and government plot,
her prophecies fair, but yet
not practical.
‘Come now!’ I say, in no hope, ‘come
now,’ I say, an adult.

‘There’s no space for me here in this lifetime,
there’s no soil for my roots to embed,
in painful years past, I’ve been in sorrow,
and I’ll be expecting them in all the years, hence.
So what, if I’ll join the army,
or some other capricious,
malicious intent?
All tributaries lead to the river,
as all humans to their torturement.’

Teresa, she radiated with colours,
and Amy, who lived within my chest,
they called out as one in my silence,
as a union, a conquest of the childhood mind,
to abolish the present tense.
As one, they sang unto me,
They sang, ‘be born!’
under the moonlit streets, ‘be born
to all that you are, and ever you could be!’

And from this dream I came out in denial.
From this dream, I appeared to awake. I awoke
to the song of the starlings, and to
the precious pleasure of life’s augment.
With this groggy thought I’ll admit that,
in separation I fell apart,
I call, ‘come out!
‘come out and greet me!
Old Eden, my eternal womb.
The union of mankind and nature,

and the union of our pasts combined.’

Solar flares, deep space chambermaid stabbing her
molten mop in contempt.
There are so many squares that field her space,
sifted afire.
Tearing out rays of her hair to be, and be
beautiful...to see her strands descending lit, the
stress level of an unforgettable goddess.
She yearns head-over-heels, burns out her core
with blinding reason.
Not once was she afforded a mirror to know her
space.
Wiry stick figures subsist under her--fatalistically
emotive.
Summed up, as water broken, transparent as the
life seen through.
What pagan rite has shimmied out her soul, what
serpent slid her warmth sane?
Do not site dawn or dusk, mistake her outer life
for an inner one!
Do not presume the burden of her focal point, her
light hangs overhead swaying interrogation.
Caught perfectly for Platonic cave or other...
in utero, her light a stillborn beauty--as alive as
ever once away from her.
She's up, burning...console her, her blood is boiling--
she wants to be accounted for, to outgrow that coo.
Only to surprise once and for all a stone's underbelly.

Someone’s white golf ball
lies, abandoned
between moist grass and
desolate wanderers through
municipal courses
during Evening on
Father’s Day. Holding my pin, my quill
Frantically stitching point de capitons
between myself and the calm, fair way
I walk with conviction
alone, among firing-
flies toward all fathers
tonight, as swathing sprinklers gush, displacing
***** in-utero, past fences protecting
femme fatales whose unknown aspects
hang off tree rows
protruding from shoulders
sand-like limbs, flexed, stringy biceps
connect to its plastic dimples
through sturdy, wooden
fingers burrowed under grass and
swaying, pink clouds within
my eyes. Beyond hole
nines, red markers markers and ladies’
tee boxes
unacknowledged from
the green.

Rippling blades cede to setting-
star’s sacrimony in
vacant son-rooms, the
porches left of center, gurgling
traffically enveloped by laughter,
disinterested.

For this sight I cut my hair
inside my cozy, beige apartment
complex with a blue shower
curtain-wearing green, graphic
tease
printed by gray palm trees
swoops a hunting eagle, into the ebbing
stencil-tide of late day
orchestrated by man, this occurrence is
vagueary and seductive machinery
programmed by man
producing all, we are.

Waving tufts and leaves fall from
oaks wafting time past my nose with
rhythms out ciccadas, harmonies out
couples pulsating the sky,
ease pressure on vestigial nerves under
their atmospheres, droning vibrations, hollowed-
out and upholding
like arms do, Earth’s giant didgeridoo
We hum beside propulsive kangaroo
Tendons—see!
we’re becoming
taut on
empty bones holding-
black
birds with wings thrown desperately
toward others, panic
aloft in velvety
blue oxygen.

Picturing our streets’ concrete
burst asunder by
metesticized pipes watering formulaic
grounds
unearthing rock
and shrub
I passed the mangled corpses of adults
their kind, sighing.

I know it is as lifeless as his faint,
decomposing golf ball my dad
may have allowed me to
see. Our drowning star swoops
into the ocean
as eagles stamped on chests do,
unknown to time,
and loving shadows
untouched by yellow,
translucent lamp-
glare avoids the fallow structures
built with cement
inside the boudoir
of this day.

My home is in a vintage tin
Belonged to your great grandma
With many other varied breeds
Our cousins sorted into jars

I'm often fastened up tight
In British stiff collared fashion
Occasionally burst off
When shirts are ripped open
In the haste of frisky passion

In my other guise
When I am tapped
I connect you worldwide
My neighbour form words and stories
Whilst I encrypt some code for spies.

Machinery, you really need me
To start and then to stop
To raise alarm bells
And when pressed call the cops

I'm a round reminder
Of how life began
Innie or outie and proud
Of how mum's body nurtured your
In utero life-span

Dangerous in the wrong hands
I must be closely guarded
For if you press me
World war three
Could easily be started

Quiescence:
The world yet to be;
change is imminent.

Excrescence:
The world as holistic;
change is traumatic.

Juvenescence:
The world as wondrous;
change is fascinating.

Adolescence:
The world as oppressive;
change is institutional.

Tumescence:
The world as idealized;
change is self-discovery.

Hyalescence:
The world as conceived;
change is forgotten.

Obsolescence:
The world as impossible;
change is unimaginable.

Senescence:
The world as finite;
change is death.

Obmutescence:
The world beyond conception;
change is māyā.

Latescence:
The world as a memory;
change is time.

Putrescence:
The world as continuous;
change is nature.

Rejuvenescence:
The world in utero;
change is birth.

Qui su l'arida schiena
Del formidabil monte
Sterminator Vesevo,
La qual null'altro allegra arbor né fiore,
Tuoi cespi solitari intorno spargi,
Odorata ginestra,
Contenta dei deserti. Anco ti vidi
Dè tuoi steli abbellir l'erme contrade
Che cingon la cittade
La qual fu donna dè mortali un tempo,
E del perduto impero
Par che col grave e taciturno aspetto
Faccian fede e ricordo al passeggero.
Or ti riveggo in questo suol, di tristi
Lochi e dal mondo abbandonati amante,
E d'afflitte fortune ognor compagna.
Questi campi cosparsi
Di ceneri infeconde, e ricoperti
Dell'impietrata lava,
Che sotto i passi al peregrin risona;
Dove s'annida e si contorce al sole
La serpe, e dove al noto
Cavernoso covil torna il coniglio;
Fur liete ville e colti,
E biondeggiàr di spiche, e risonaro
Di muggito d'armenti;
Fur giardini e palagi,
Agli ozi dè potenti
Gradito ospizio; e fur città famose
Che coi torrenti suoi l'altero monte
Dall'ignea bocca fulminando oppresse
Con gli abitanti insieme. Or tutto intorno
Una ruina involve,
Dove tu siedi, o fior gentile, e quasi
I danni altrui commiserando, al cielo
Di dolcissimo odor mandi un profumo,
Che il deserto consola. A queste piagge
Venga colui che d'esaltar con lode
Il nostro stato ha in uso, e vegga quanto
È il gener nostro in cura
All'amante natura. E la possanza
Qui con giusta misura
Anco estimar potrà dell'uman seme,
Cui la dura nutrice, ov'ei men teme,
Con lieve moto in un momento annulla
In parte, e può con moti
Poco men lievi ancor subitamente
Annichilare in tutto.
Dipinte in queste rive
Son dell'umana gente
Le magnifiche sorti e progressive .
Qui mira e qui ti specchia,
Secol superbo e sciocco,
Che il calle insino allora
Dal risorto pensier segnato innanti
Abbandonasti, e volti addietro i passi,
Del ritornar ti vanti,
E procedere il chiami.
Al tuo pargoleggiar gl'ingegni tutti,
Di cui lor sorte rea padre ti fece,
Vanno adulando, ancora
Ch'a ludibrio talora
T'abbian fra sé. Non io
Con tal vergogna scenderò sotterra;
Ma il disprezzo piuttosto che si serra
Di te nel petto mio,
Mostrato avrò quanto si possa aperto:
Ben ch'io sappia che obblio
Preme chi troppo all'età propria increbbe.
Di questo mal, che teco
Mi fia comune, assai finor mi rido.
Libertà vai sognando, e servo a un tempo
Vuoi di novo il pensiero,
Sol per cui risorgemmo
Della barbarie in parte, e per cui solo
Si cresce in civiltà, che sola in meglio
Guida i pubblici fati.
Così ti spiacque il vero
Dell'aspra sorte e del depresso loco
Che natura ci diè. Per questo il tergo
Vigliaccamente rivolgesti al lume
Che il fè palese: e, fuggitivo, appelli
Vil chi lui segue, e solo
Magnanimo colui
Che sé schernendo o gli altri, astuto o folle,
Fin sopra gli astri il mortal grado estolle.
Uom di povero stato e membra inferme
Che sia dell'alma generoso ed alto,
Non chiama sé né stima
Ricco d'or né gagliardo,
E di splendida vita o di valente
Persona infra la gente
Non fa risibil mostra;
Ma sé di forza e di tesor mendico
Lascia parer senza vergogna, e noma
Parlando, apertamente, e di sue cose
Fa stima al vero uguale.
Magnanimo animale
Non credo io già, ma stolto,
Quel che nato a perir, nutrito in pene,
Dice, a goder son fatto,
E di fetido orgoglio
Empie le carte, eccelsi fati e nove
Felicità, quali il ciel tutto ignora,
Non pur quest'orbe, promettendo in terra
A popoli che un'onda
Di mar commosso, un fiato
D'aura maligna, un sotterraneo crollo
Distrugge sì, che avanza
A gran pena di lor la rimembranza.
Nobil natura è quella
Che a sollevar s'ardisce
Gli occhi mortali incontra
Al comun fato, e che con franca lingua,
Nulla al ver detraendo,
Confessa il mal che ci fu dato in sorte,
E il basso stato e frale;
Quella che grande e forte
Mostra sé nel soffrir, né gli odii e l'ire
Fraterne, ancor più gravi
D'ogni altro danno, accresce
Alle miserie sue, l'uomo incolpando
Del suo dolor, ma dà la colpa a quella
Che veramente è rea, che dè mortali
Madre è di parto e di voler matrigna.
Costei chiama inimica; e incontro a questa
Congiunta esser pensando,
Siccome è il vero, ed ordinata in pria
L'umana compagnia,
Tutti fra sé confederati estima
Gli uomini, e tutti abbraccia
Con vero amor, porgendo
Valida e pronta ed aspettando aita
Negli alterni perigli e nelle angosce
Della guerra comune. Ed alle offese
Dell'uomo armar la destra, e laccio porre
Al vicino ed inciampo,
Stolto crede così qual fora in campo
Cinto d'oste contraria, in sul più vivo
Incalzar degli assalti,
Gl'inimici obbliando, acerbe gare
Imprender con gli amici,
E sparger fuga e fulminar col brando
Infra i propri guerrieri.
Così fatti pensieri
Quando fien, come fur, palesi al volgo,
E quell'orror che primo
Contra l'empia natura
Strinse i mortali in social catena,
Fia ricondotto in parte
Da verace saper, l'onesto e il retto
Conversar cittadino,
E giustizia e pietade, altra radice
Avranno allor che non superbe fole,
Ove fondata probità del volgo
Così star suole in piede
Quale star può quel ch'ha in error la sede.
Sovente in queste rive,
Che, desolate, a bruno
Veste il flutto indurato, e par che ondeggi,
Seggo la notte; e su la mesta landa
In purissimo azzurro
Veggo dall'alto fiammeggiar le stelle,
Cui di lontan fa specchio
Il mare, e tutto di scintille in giro
Per lo vòto seren brillare il mondo.
E poi che gli occhi a quelle luci appunto,
Ch'a lor sembrano un punto,
E sono immense, in guisa
Che un punto a petto a lor son terra e mare
Veracemente; a cui
L'uomo non pur, ma questo
Globo ove l'uomo è nulla,
Sconosciuto è del tutto; e quando miro
Quegli ancor più senz'alcun fin remoti
Nodi quasi di stelle,
Ch'a noi paion qual nebbia, a cui non l'uomo
E non la terra sol, ma tutte in uno,
Del numero infinite e della mole,
Con l'aureo sole insiem, le nostre stelle
O sono ignote, o così paion come
Essi alla terra, un punto
Di luce nebulosa; al pensier mio
Che sembri allora, o prole
Dell'uomo? E rimembrando
Il tuo stato quaggiù, di cui fa segno
Il suol ch'io premo; e poi dall'altra parte,
Che te signora e fine
Credi tu data al Tutto, e quante volte
Favoleggiar ti piacque, in questo oscuro
Granel di sabbia, il qual di terra ha nome,
Per tua cagion, dell'universe cose
Scender gli autori, e conversar sovente
Cò tuoi piacevolmente, e che i derisi
Sogni rinnovellando, ai saggi insulta
Fin la presente età, che in conoscenza
Ed in civil costume
Sembra tutte avanzar; qual moto allora,
Mortal prole infelice, o qual pensiero
Verso te finalmente il cor m'assale?
Non so se il riso o la pietà prevale.
Come d'arbor cadendo un picciol pomo,
Cui là nel tardo autunno
Maturità senz'altra forza atterra,
D'un popol di formiche i dolci alberghi,
Cavati in molle gleba
Con gran lavoro, e l'opre
E le ricchezze che adunate a prova
Con lungo affaticar l'assidua gente
Avea provvidamente al tempo estivo,
Schiaccia, diserta e copre
In un punto; così d'alto piombando,
Dall'utero tonante
Scagliata al ciel profondo,
Di ceneri e di pomici e di sassi
Notte e ruina, infusa
Di bollenti ruscelli
O pel montano fianco
Furiosa tra l'erba
Di liquefatti massi
E di metalli e d'infocata arena
Scendendo immensa piena,
Le cittadi che il mar là su l'estremo
Lido aspergea, confuse
E infranse e ricoperse
In pochi istanti: onde su quelle or pasce
La capra, e città nove
Sorgon dall'altra banda, a cui sgabello
Son le sepolte, e le prostrate mura
L'arduo monte al suo piè quasi calpesta.
Non ha natura al seme
Dell'uom più stima o cura
Che alla formica: e se più rara in quello
Che nell'altra è la strage,
Non avvien ciò d'altronde
Fuor che l'uom sue prosapie ha men feconde.
Ben mille ed ottocento
Anni varcàr poi che spariro, oppressi
Dall'ignea forza, i popolati seggi,
E il villanello intento
Ai vigneti, che a stento in questi campi
Nutre la morta zolla e incenerita,
Ancor leva lo sguardo
Sospettoso alla vetta
Fatal, che nulla mai fatta più mite
Ancor siede tremenda, ancor minaccia
A lui strage ed ai figli ed agli averi
Lor poverelli. E spesso
Il meschino in sul tetto
Dell'ostel villereccio, alla vagante
Aura giacendo tutta notte insonne,
E balzando più volte, esplora il corso
Del temuto bollor, che si riversa
Dall'inesausto grembo
Su l'arenoso dorso, a cui riluce
Di Capri la marina
E di Napoli il porto e Mergellina.
E se appressar lo vede, o se nel cupo
Del domestico pozzo ode mai l'acqua
Fervendo gorgogliar, desta i figliuoli,
Desta la moglie in fretta, e via, con quanto
Di lor cose rapir posson, fuggendo,
Vede lontan l'usato
Suo nido, e il picciol campo,
Che gli fu dalla fame unico schermo,
Preda al flutto rovente,
Che crepitando giunge, e inesorato
Durabilmente sovra quei si spiega.
Torna al celeste raggio
Dopo l'antica obblivion l'estinta
Pompei, come sepolto
Scheletro, cui di terra
Avarizia o pietà rende all'aperto;
E dal deserto foro
Diritto infra le file
Dei mozzi colonnati il peregrino
Lunge contempla il bipartito giogo
E la cresta fumante,
Che alla sparsa ruina ancor minaccia.
E nell'orror della secreta notte
Per li vacui teatri,
Per li templi deformi e per le rotte
Case, ove i parti il pipistrello asconde,
Come sinistra face
Che per vòti palagi atra s'aggiri,
Corre il baglior della funerea lava,
Che di lontan per l'ombre
Rosseggia e i lochi intorno intorno tinge.
Così, dell'uomo ignara e dell'etadi
Ch'ei chiama antiche, e del seguir che fanno
Dopo gli avi i nepoti,
Sta natura ognor verde, anzi procede
Per sì lungo cammino
Che sembra star. Caggiono i regni intanto,
Passan genti e linguaggi: ella nol vede:
E l'uom d'eternità s'arroga il vanto.
E tu, lenta ginestra,
Che di selve odorate
Queste campagne dispogliate adorni,
Anche tu presto alla crudel possanza
Soccomberai del sotterraneo foco,
Che ritornando al loco
Già noto, stenderà l'avaro lembo
Su tue molli foreste. E piegherai
Sotto il fascio mortal non renitente
Il tuo capo innocente:
Ma non piegato insino allora indarno
Codardamente supplicando innanzi
Al futuro oppressor; ma non eretto
Con forsennato orgoglio inver le stelle,
Né sul deserto, dove
E la sede e i natali
Non per voler ma per fortuna avesti;
Ma più saggia, ma tanto
Meno inferma dell'uom, quanto le frali
Tue stirpi non credesti
O dal fato o da te fatte immortali.

Today will be retroactive; in penance to those times spent wondering.
The will they wont they has finally calmed.
We wont count today,
so I'm noting it now as an important moment left undiscovered and forgotten later.
Today something came into being that was already there.
The gestation cycle forgotten, we only count the time after birth.
Sometimes I like to think of myself as nine months older.
So, with that I say we were in womb before now.
Welcome to the world.
But for our own purposes we can count those months spent in utero.

Am I in utero,
    Or is this purgatory?

Should I be comforted
by this sense of complacency,
reverberating through the sea
where my cortex leisurely floats?
   Or should I be worried?
That I am becoming contented,
that this is dangerous to my existence
and the wholeness of my soul?
                                                                        For I am a wild animal...
Aren’t I?
Sure, my teeth resemble no fang,
my nails have not torn lately torn into flesh,
But I need to drink in air that’s fresh,
I need to move,
I need to see,
I long to run,
I long for freedom, yes,
I must be free.
                                                                           For I am a wild animal.

I hear the words in the primal cry of my mind internal,
And I know,
The truth lies in the latter.

I am suspended in an idle purgatory of my own making
I have tricked myself into a false sense of contentment
Comfort is my only organic enemy.
I must move,
I must see,
I must run,
I must have freedom,
I must be free.

I have been a netted fish,
a caged wolf,
a bear with foot in iron trap.

                                                                                    I am a wild animal;

I will kick and bite and claw,
I will fight relentless until
                                                                                            I am free.

my mouth
is
as green
as spring
but
that's not to
say that I
only speak
in tethered
tongues
and mindless
music

that's not to say
i haven't thought
thousands of
pretty
words
and then wrote
three
empty pages

that's not to say
i've held on to
dependent ideals
like ivy on the fence

it's really not
for you to
assume

Standing in your center of gravity
Brushing aside
wide, wistful, worrisome, wet
leaves of the forest
Life cuts into the
nightmarish amethyst of
the night,
stumbling into holes
falling, screeching
into the nanosecond of that space
Dappled waters ripple
Floating transparently
A melodious silence;
The gentle pull of breath

All Joe king aside

Humor iz vital stove topface
component to survive the cares
and concerns oven uncertain
culinary future, that presages

over heating of this planet
concomitant with extinction
per the human race. Many
gauges point toward an
irrevocable debacle where

the evolutionary timer seems
to tick, head, and (hmm…
more like barreling) toward
becoming a cooked goose.

An ear splitting ruth less
buzzer will be an impossible
mission to clap quiet while
steam issues out the airwaves

from stymied paunchiest pilot
light buck kit brigade. If and/
or when such a fiery fate befalls
this arrogantly bombastic,

conceitedly egoistic, forlorn,
grievously hapless, irascibly
jangling, kookily middling
luddite, he hopes his demise

will be brutish, short and nasty
while surviving foreign legion
members of locked humanity
hob bull along the blitzed
boulevard of broken dreams.

Whatever provokes a maniacal
person to laugh as the world
turns tumultuously affecting
a surreal ambience akin to the
edge of night (especially with

dark shadows) may appear
wantonly vapid unspooling
threnodies sotto voce.
Rational quartermasters
promulgated outlandish no mans land.

Knowledge jackknifed ideal
humane gentility. Febrile earth
lings’ dragnet cleaved bona fide
actualization. What other option

available to tinker, tailor, soldier
spy except to chuckle at the folly
gingerly loosened upon the terra firmae?
Nothing short of an uproarious chortle

would be prescribed from doctor
demento to ameliorate the tightly
wound tension arising from local

or global aggression arising from
bullies calling their bluff fed goat
bluster, division by the zero
sum game of thrones. Thus,

this mechanically nonsensical,
pop sic cull *** purée to throw
fire retardant on the conflict frission
intonating loopy outré playfulness

with words hoop ping quadratic
equations totally add further
meaninglessness. Hence **** friend,
aye axe hew, how does humor get decided?

Laughter versus humor All Joe king aside.
Jest parody offers funny types of humor.
Seriously folks. What spurs this laughter?
Repression of natural mandated libidinal
kickstarter jammed in high gear feeds

e-z dropsy clodhoppers bursts of hyena
sounding eruptions! The cervical contractions
puffed up like jiffy pop laced pompadour,
increased with greater frequency and

intensity asthma due date approached
(which felt like violent shaking of the
biological ***** re: me), especially
prominent when “mother” gracefully
described Arabesque. She gravitated

to modus operandi sans professional
ballet dancer like a duck would drake
to water, and salve and duff heat whirled
pool ache kin to preparation H - soothing

the pain in the *** of hemorrhoids. Hours
elapsed with incessant stretching (while
in a standing pose) blithely drawing one leg
or the other up against those roseate ****** cheeks.

Even when quite progressed along
the family way with yours truly, thy
status while in utero where ******
stretched akin to a taut rubber band

near ready tubby (or knot tibia) snapped,
like ballet slippers suspending balanced
***** of toes pointed to maximum flexion,
or inflated balloon ready to pop beyond
capacity or, bulged in utero, she maintained

a fanatic, maniacal, and slavish veneration
asper the rigorous being a choreographed
top notch ballerina. This passion to bend
body electric defied laws of fig newton’s,

finagled parallel dimensions, and hugged
joie de vivre limbs maintaining nonchalant
passion recognized talent unbridled versatility
waiving youngest attaining burlesque,

Churrigueresque dramatic elegiac fluidity
transformed thine mama into a holographic,
kaleidoscopic, and opportunistic piquant
rondelet thru vitality, whimsicality, and zealotry.

Gracefulness hove spectators to behold defiance
asper flexibility of muscles in conjunction with
defiance of physics. Once immersed in a classical
routine, thee supple rubbery form assumed

by thine mother ******* focused klieg lights
upon wondrous kinetic magic. An audience
member vicariously experienced dalliance
of some mind-numbing narcotic minus
the addiction. Stupefaction trans fixed gaze

upon the dynamic parameters of space
and time to present an enchanting move
able feast replete with operatic poetry,
quixotic romanticism, and sculpturesque

statuesque totemic union verging on affects
cast by a singular whirling dervish. A
heightened indoctrination of jubilation
radiated from every cell of this artiste

in motion. Pirouettes cast grotesque dark
shadows and etched the faux edge of
night scenario with gigantesque ghoulish
phantasmagoric veterans of many tragic-

comic composers long since vetted into
the storied ballroom of fame. No surprise
then that when mine exit from the berth
canal of stage nom de plume Harriet Harris

witnessed by a full house, my denouement
propelled from the tender vittles tulip ruffled
private naughty bits induced balletic movements.
Meanwhile me mum (real name christened Chrys

Anne Thumb) busily intensely engrossed herself
(terrifically totally tubularly) within whose inter
twined arms and legs that emulated an analogy
to a pretzel held me snug as a bug in rug. A pause

(which many interpreted to initiate an applause)
sprung a contagion of hand clapping that drowned
out the impetus signifying the first breath of
this wordsmith. Only as the slap happy flesh

diminished did ardent hard fans of a triumphant
fancy feast and foot loose Gangnam style winged
goddess take stock of the starlit cradling a newborn.
Frightful faces and peculiar sounds appeared scary.

Thence spurred via submit able exertion climaxing
with a riveting acrobatic contortion (essentially
forcing this now grown baby boomer former chap -
lain cocooned for nine months within the womb),

thyself made headway into an alien world, whereat
this full term new born did provide his own wailing
lyrics (even at that tender infant hood, an iconoclastic
antiestablishmentarian). This now grown baby boomer

chap lain cocooned for nine months within the womb,
who sought nothing more nor less than that which
necessitates being swaddled, pampered, mollycoddled,
cuddled, bundled, and held close to the *****. As

grown middle-aged madman (albeit married to
X-Files rabid fan) still craves, desires, and gloms
toward picturesque pairs of pendulous pliant plump prized
politically incorrect breastworks.

I look at my dad laying on his side:
a shoulder pinned to neck.
Opposite arm relaxed, open-palmed.

His heavy body leaned on a crusty elbow
and you’d think his eyes swelled in utero
because he’d just fetalconjured the invention
of the television and its screen.

My brain swims in a bone basin
and I’m human because I can’t stop moving.
As narration and pixels flash in the bedroom,
(this room could be a womblike calm),
my dad is beached, rejected by the waters he denies.

In and out of sleep, he snores awake.
Other times my mom wakes him and says
she hasn’t stopped all day.
Sometimes families do not know to build safe spaces.
My brain shudders when I’m ****** and
when I have to weigh my cargo.

Appearance of the New Courier
(with namesake "Georgia Ives")
flew into the courtroom
faster than Bold face WingDings!

After the judge opened
the waxed sealed envelope stamped
with the official legal imprimatur
sound of silence filled the courtroom.

After perusing highlighted principle details,
a noticeable con jug gay shun
didst Impact countenance of attired judge.

Recess announced at authority decree
(spelled out with quotation marks high
lighting dotted i's and crossed t's)
figuratively a nouns sing moratorium
for those accused of run on sentences,
split infinitives, then versus than...
incorrect usage of ellipses, et cetera.

The justice of supreme court
critically espied quotation marks
(underscoring reductio ad absurdum
Times New Roman regulation)
against stiff penalty asper those
who commit rhetorical perturbations!    

This lenient fiat occurred immediate
by innocent omission of a colon,
which subsequently, naturally,
and immediately affected
every future jury presiding over
a defendant applying incorrect punctuation!

A favorite comma cull anecdote
often repeated by my late english
grammar (a palliative to me psyche
despite the multi-generational
difference in age) happened
when she celebrated twenty  
and counting punctual marks, whence time
in utero came to an end period.

Many question marks still abound
as per the specific circumstances
of this generally uneventful birth,
only that she seemed to dash
from the womb (of her mother –

mine great grandmother christened
Latina Greco) with a pointed
exclamation declaration
of independence while ****** constitution
adorned with supposedly shimmering
invisible golden braces
and a full set of teeth.

Somewhat averse to authoritarianism
and mores of assuming the sir name
of the groom, she maintained nom
de plume affixed on her birth certificate.

If born that way today, and ready
to pledge marital vow, would
probably follow the common custom
and hyphenate name of beau similar
to newlyweds of this day and at this very moment.

Back in those days though,
town’s folk exclaimed with
pointed superstition that a baby born
after being bracketed nine months

within the womb (which seemed
like an eternal sentence), and equipped
with the means to chew would
most likely experience little colon difficulty.

As a dignified divine dowager,
she willingly shared her cradle
to graveside tidbits (populated
with many wisecracks and
marked quotations from a life
that spanned more than a century21.

Smart as a whip or pin
(the latter term somewhat out of vogue),
this independent woman
(who married into nobility

from humble roots) frequently evinced
el shaped lips when the un
suspecting recipient ensnared
of her harmless ingenious pranks.

Aside from what many considered
childlike antics (which characteristic
salient trait appealed to this grandson),
she excelled at verbal adroitness

and could spin a jesting lightly
mocking pun, which seemed
to quiver with an invisible
apostrophe shaped blackened barb.

Though privileged per parochial parents,
her inherited empire and peers, the people
of the proletariat class felt
figuratively parenthetically
included as persons of concern
to this genteel dame.

She exemplified and wore that moniker
noblesse oblige with utmost
august excellence, and whenever
the need or wont arose to address
the madding crowd (this
crowned empress) resorted
to non-verbal communication ala semaphore.

Her lily-white hands (most often
remained sheathed in Palmolive
clad ding silken gloves - exuded
a faint patrician touch) partitioned

the air with arabesques accentuated
with sign language for those
among the teeming masses
unable to hear or in fact deaf.

Regular adherence to being grammatically
(yet not necessarily politically) correct
witnessed the air being sliced with even
less familiar punctuation symbols
such as the emdash, en-dash.

Even doctorates of English and
strict task masters (whose
frowning scowls strongly resembled
semicolons when even minor indiscretions,
infractions, transgressions, et cetera
with english language observed)

never found fault with this
former bohemian, whose rhapsodic,
melodic, linguistic voice ameliorated
dark memories from dereliction dis
played by former queen.

She also received the treatment of
a champion lyricist, whereby every lyre
(got set on fire) from utterance akin
to a choir of hells angels, yet this

chanteuse voice rang thru the
azure vault causing the small hairs
of the spine to experience a pleasant
electric shock therapy.

Through the haze of memory

circular analog- closing in to center
cardboard jacket sound of childhood
visceral fun- flashbacks- trials at night
campfires- flashes from a country concert i am told i never attended
blue grass in the mountains. in utero
second sight memories- past flutterbyes
another pair of shoes for the spirit
birth the vessel of a star

fighting survive in insect humanity
dance of smile and jazz
i love the daytime
free of the moon's inertia
the tidal grip of weakness
cup of giving in
and a lady with a bow
a staff and a white bear
art is the dance of life
spilling out
truth in matter and motion

I found you, in a stack of photos:
the 2D you, I can't touch, taste or smell

the first thing that came to mind was sharing a joint with you and spilling the chocolate ice cream cone on your skin-******* shorts

and sneaking into the Woolworth bathroom, and our freaked frenzied scrubbing of fabric with nimble fingers and pink powdered hand soap

and how we couldn't stop laughing
until a woman older than time caught us
before we could consummate

which we did after running the entire
200 yards to my van, wet white shorts in your hand, with me looking over my shoulder for imagined narcs and other freedom snatchers

when we finished, we shared my last Winston, blowing smoke rings in the gathering gloom

your shorts were dry, and our high
had worn off--you didn't kiss me goodbye when I dropped you off

between your pad and mine,
I hit a black mongrel pup wandering on the dark asphalt

I scooped him off the road
with my hands; lifeless, light he was...

I found you, in that stack of ancient
photos--that was the day we conceived a son, one you had shredded in a doctor's office for $300 in illegal tender

I see the messy ice cream, your naked nineteen year old flesh,  smoke rings disappearing, the poor mutt dying

though not for lack of trying, I can't see the child you had executed in utero--without trial, judge or jury, save an elusive dream
of freedom

Albuquerque, 1967

Tomame, de verdad
Dame tu mala semilla, dame toda tu malicia
Rasguños en la espalda, manos entrelazadas
Un solo aliento
Te he dicho que tu interior
tiene las paredes podridas?
aberrantes manchas
en los muros de tu utero
templo del sadismo
hostal del *******
cadenas que cuelgan
entra y
sale
como el empalamiento
y una cascada de sangre, yace de tu boca
una abrazadora euforia, grito de placer.
arbol envenenado.
oceano de personas sufriendo
estoy exhausto
ya solo me queda
exhalar este olvido
y fumar otro cigarro.

A battle of chrome blacked armour,
minute monster,
              prophet machinery, plated
wings unhinged gravitate - Inertia
blade to blade, slipping
into green and shadowy light - Lost
all enemies of creation
imagined into a thousand pieces.

Cells stripped once again
in orchestral signature, the dark noted
animated story - In utero
climbing umbilical
                              down
endless shock of violent *****
and vaginal beauty;

The sweet wet envelope to the world.

ad hominem in utero;;
stuck in a hole just out
of grasp, you are the
shell of the boy that
you've been-- i am the
shell of the kid she
knew for all those years

and im sick of textbook
readings and im sick of
wasting your time trying
to breathe when youre
still hooked to an inhaler
and i'm sick of wasting
my time because i spend it
doing math while you are
wasting away, somehow-

i wish you were here, oh,
it feels like i've been
asleep for years in this
pouring rain and it feels
like i am the setting sun
even as i pour cup after
cup of coffee; the doctor
said he saved me, but im
still dead, im sorry.

I think anatomy,
Guts twist and I am
Alive.
I think ******, and
fruit from us
and fetus lust
and atoms combust.

I think in utero
and fetal growth.

You wish and wash your *****
down and on the drain
You gave all of your healing
all away again.
So tell me is this instinct
or conscious want for you.
Being caused to be create
a mixture of us two.

january:
"you fill my lungs with meaning,
and i'm exhaling my reason for living.
even though it hasn't been cold for months,
i can see my breath like the smoke
you blew in my face when you told me you liked me
morethanafriend and i asked if that meant best friends"

february:
"the real question is how do you tell someone you might be in love with them and you slit your wrists and took some pills last weekend because of it?"

march:
"i think
in the most simplest way
you are my everything.
i don't need anything more than i need you
not even oxygen,
i could breathe you in
and my lungs would work better
than ever.
you could bump the blood through my veins
my heart just might pump properly
the steady beat beat of a heart
opposed to the frantic beep beep of life support
you make me
strong and free
full of love and want
instead of illness and an i.v."

april:
"i want your hands wrapped around my throat. i want all the metaphors to become a reality. i want your fingernails leaving marks on my pale skin. i want knives because your nails aren't sharp enough. i want bruises and scars all over my body. i want people to ask me why and how. i want to let them know and i want to watch the glares and listen to the shouts when you walk past. i want everyone to see every word you've ever said to me, every single time the blade pierced my skin. i want them all to stop seeing me as a lonely little girl who's desperate for attention, but as a victim. a victim from everything you've ever said and done to me."

may:
"'i fall for people way too fast.'
'i know it'd be really easy to fall for you.'

W H Y
can't i stop thinking?
do i even care?
does this resonate?
did i write this down?
did i get involved?
am i the one you trust?
don't i know?
did this even start?
do i put trust in people?
did i get so close?
don't i think about?
am i so sorry?"

june:
"[...] i'm going to **** myself and if anyone gives any ******* CONSPIRACIES AS TO WHY I KILLED MYSELF I'M HAUNTING EACH AND EVERY ONE OF YOU PLEASE JUST PUBLISH ALL OF THIS I HATE YOU ALL STOP ACTING LIKE SOFT GRUNGE IS ANYTHING YOU'RE ALL TWELVE KURT COBAIN IS DEAD GET OVER IT"

july:
"i want to be in the backseat of a care where 'belmont' is only the name of the avenue by my uncle's house and coughing is from a cold. i want to be in utero with booming voices of people i've never met, trying to figure out what life is and how i'm going to get out. i want to sit in the back of my parents' car, heading back from my uncles around one in the morning, counting canadian flags to try and stay awake. i want to be twenty five, visiting my home for the first time all year, enjoying my parents' presence again. i want to have no idea what words like anxiety mean and my nightmares are of clowns, not the sickening reality i'm living in."

july:
"we kiss
and we are the first human beings
to ever experience perfection
because nothing has ever been
this wonderful and so so beautiful

and as we kiss
i am making vows against your lips
'don't **** this up dont **** this up
dontfuckthisupdntfckthsp'

but we are still kissing
and i'm whispering, 'i love you'
it's too much for you and i know
i've already ****** this up"

august:
"when we met i was like a broken puzzle piece. you folded me so the crease on my side from being broken was still noticeable, but i fit perfectly. at first, i felt out of place. like you had just jammed me in there. i tried to fit in other places and for a while, it worked.

but i always ended up back in that same first spot."

september:
"THERE ARE ALWAYS REASONS FOR FALLING FOR THE WRONG PEOPLE. YOU JUST HAVE TO LOOK FOR THEM. IT MIGHT BE A LIFE LESSON OR IT MIGHT BE TO GUIDE YOU TO THE PERSON YOU BELONG. MAYBE YOU MET SOMEONE OUT OF THEM. MAYBE THEY INTRODUCED YOU TO GOOD MUSIC. MAYBE THEY MADE YOU WATCH YOUR FAVORITE MOVIE. YOU HAVE TO STAY POSITIVE. NOT EVERYTHING IS A NEGATIVE EXPERIENCE."

october:
"today i decided i needed to stop thinking about you.
i smashed my wrist against the headboard
until all i could think about was pain.
when it started to bruise,
the colour reminded me of your hair."

november:
"fuckshitfuck
you're in the other room and i haven't seen you in so long and i guess i thought maybe i was over being in love with you but i'm definitely not i just want to reach for your hand and tell you how beautiful your eyes are and how badly you make me laugh i want to cover your ******* body with poetry ******* for making me feel like this"

december:**
"the cold winter air makes me wonder
how long it's been
since the first time you kissed me and said you loved me
then pretend like it never happened

the snow on the ground makes me wonder
how long it's been
since i left and swore never to speak to you again
only to tell you i missed you a day later

the ice from my rooftop makes me wonder
how long it's been
since i buried a hole in the cold icy centre of your heart
and called it home"