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"utensils" poems
Slipping into my apron, Hungry in body and soul Humming as a song played... I grab my knife and chop-board Unsure of what to cook Strange inspirations possess me Filling me with ***** My kitchen becomes a stage In my hands- a plectrum and fretboard Silver utensils- my live audience!* As I play divine recipes Strumming master acoustic chords Chopping fresh, colorful vegetables. I dash to the remote, Punch "Repeat" and dash back on stage Landing on E♭ minor, Scaling impossible notes, I slice with razor-sharp plectrum, On onions and other root chords My fret arrayed with colors, Of spinach, lettuce, tomatoes Carrots, potatoes, olives Pepper, cabbage and cucumbers. I hear a thunder of applause As I ignite the cooker Butter sizzling in the hot pan A staccato of sharp notes, *Ready to modulate innocent vegetables Through spicy aromatic crescendos!* I fight hard to suppress a sneeze, No sneezing on-stage! Unprofessional! Multitudes of seconds rush by and… Voila!!! I stand for a moment Salivating, awed at my bravura! Wishing I could hang it on my wall Tis beautiful like art But I can’t eat this cake and have it! So I dig in… Heaven and earth kiss for a moment L U S C I O U S!!! Luckily, it didn’t taste nauseating Like my last attempt. No time for ceremonies I munch from pan to mouth Pausing for what may pass for a prayer, I relish every bite! Not that I’m a foodie or something, But nothing beats this combo- Of good food and soul music. And yes, *Music is indeed food to the soul!* I devour, in view- the next meal... © Raphael Uzor
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Apr 4, 2014
Apr 4, 2014 at 2:42 PM UTC
Guitar Sauce
Slipping into my apron, Hungry in body and soul Humming as a song played... I grab my knife and chop-board Unsure of what to cook Strange inspirations possess me Filling me with ***** My kitchen becomes a stage In my hands- a plectrum and fretboard Silver utensils- my live audience!* As I play divine recipes Strumming master acoustic chords Chopping fresh, colorful vegetables. I dash to the remote, Punch "Repeat" and dash back on stage Landing on E♭ minor, Scaling impossible notes, I slice with razor-sharp plectrum, On onions and other root chords My fret arrayed with colors, Of spinach, lettuce, tomatoes Carrots, potatoes, olives Pepper, cabbage and cucumbers. I hear a thunder of applause As I ignite the cooker Butter sizzling in the hot pan A staccato of sharp notes, *Ready to modulate innocent vegetables Through spicy aromatic crescendos!* I fight hard to suppress a sneeze, No sneezing on-stage! Unprofessional! Multitudes of seconds rush by and… Voila!!! I stand for a moment Salivating, awed at my bravura! Wishing I could hang it on my wall Tis beautiful like art But I can’t eat this cake and have it! So I dig in… Heaven and earth kiss for a moment L U S C I O U S!!! Luckily, it didn’t taste nauseating Like my last attempt. No time for ceremonies I munch from pan to mouth Pausing for what may pass for a prayer, I relish every bite! Not that I’m a foodie or something, But nothing beats this combo- Of good food and soul music. And yes, *Music is indeed food to the soul!* I devour, in view- the next meal... © Raphael Uzor
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54
There is this place It’s called Palestine It used to be pretty And peaceful and lively The people lived as they do Everywhere else. Then there came to be this place It’s called Israel Which is basically Palestine But mercilessly occupied It attacked Palestine And took over most of its land. So now in Palestine Or what’s left of it Where there used to be quaint houses There’s just a lot of rubble With broken and burnt doors, utensils and limbs Jutting out from underneath. Where there used to be bright smiles That could light up the world There now are tears, burn marks and bloodied cuts That can rend any human heart Except those that are not human. It is a war, not between states Not between races, nor between fates Nay, this is a bigger war, one of faith At least, that is how it started But now, it is between human and non-human. Tell me, please Is it human to **** innocent people For the sake of self, and the sake of hate? Is it human then also, to remain quiet And watch such tyranny be? It must also be human, to point guns at 4 year olds. And by this definition, Humans of this world, humans that feel Are not humans at all, because they care And those that don’t, well They’re humans at their prime The most evolved of them all. Israel, I salute you, a salute full of mock At your utter humanity, and benevolence Your bombs when they land With the cheers of your people, And your guns when they point At 4-year old terrorists; surely they can **** Palestine, I stand with you, sincerely Your children, your people, your land and your peace Are my children, my people, my land and my peace Their bombs when they land, make my prayers fiercer Their guns when they shoot, make my eyes water But know this, Palestinians, we are one. So when they shoot you, I bleed And when they bomb you, I ache When they hurt you, I feel the pain And when you cry for help, I pray We are blood, we are one body We are the Ummah, we will rise. Until then we pray, we pray and we try Dear Palestine, stay strong, stay firm… Help shall come, in ways unimaginable *Do not weaken, and do not grieve You will overcome them, if you are true believers* Allah has promised, and His promise he upholds. ~Moniba.
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Jul 17, 2014
Jul 17, 2014 at 3:05 PM UTC
Palestine, Oh Palestine
There is this place It’s called Palestine It used to be pretty And peaceful and lively The people lived as they do Everywhere else. Then there came to be this place It’s called Israel Which is basically Palestine But mercilessly occupied It attacked Palestine And took over most of its land. So now in Palestine Or what’s left of it Where there used to be quaint houses There’s just a lot of rubble With broken and burnt doors, utensils and limbs Jutting out from underneath. Where there used to be bright smiles That could light up the world There now are tears, burn marks and bloodied cuts That can rend any human heart Except those that are not human. It is a war, not between states Not between races, nor between fates Nay, this is a bigger war, one of faith At least, that is how it started But now, it is between human and non-human. Tell me, please Is it human to **** innocent people For the sake of self, and the sake of hate? Is it human then also, to remain quiet And watch such tyranny be? It must also be human, to point guns at 4 year olds. And by this definition, Humans of this world, humans that feel Are not humans at all, because they care And those that don’t, well They’re humans at their prime The most evolved of them all. Israel, I salute you, a salute full of mock At your utter humanity, and benevolence Your bombs when they land With the cheers of your people, And your guns when they point At 4-year old terrorists; surely they can **** Palestine, I stand with you, sincerely Your children, your people, your land and your peace Are my children, my people, my land and my peace Their bombs when they land, make my prayers fiercer Their guns when they shoot, make my eyes water But know this, Palestinians, we are one. So when they shoot you, I bleed And when they bomb you, I ache When they hurt you, I feel the pain And when you cry for help, I pray We are blood, we are one body We are the Ummah, we will rise. Until then we pray, we pray and we try Dear Palestine, stay strong, stay firm… Help shall come, in ways unimaginable *Do not weaken, and do not grieve You will overcome them, if you are true believers* Allah has promised, and His promise he upholds. ~Moniba.
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67
Take the knapsacks and the utensils and washtubs and the books of the Koran and the army fatigues and the tall tales and the torn soul and whatever's left, bread or meat, and kids running around like chickens in the village. How many children do you have? How many children did you have? It's hard to keep tabs on kids in a situation like this. Not like in the old country in the shade of the mosque and the fig tree, when the children the children would be shooed outside by day and put to bed at night. Put whatever isn't fragile into sacks, clothes and blankets and bedding and diapers and something for a souvenir like a shiny artillery shell perhaps, or some kind of useful tool, and the babies with rheumy eyes and the R.P.G. kids. We want to see you in the water, sailing aimlessly with no harbor and no shore. You won't be accepted anywhere You are banished human beings. You are people who don't count You are people who aren't needed You are a pinch of lice stinging and itching to madness. Translated from the original Hebrew by Karen Alkalay-Gut.
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6.8k
Get Out of Beirut
Happens every other day Feelings of guilt as a wasteful being Rearrange brain function Monopolizing firing synapses Recycle, reuse Regurgitating, dull whitted infomercials All wanting you to buy, buy, buy Sure you could use another sharp knife Maybe even a blender On special now buy one get one free A kitchen already full of utensils that you don't use Caught up in McMonsantoland's corporate sponsorship Frankenburgers all around Cancer is the cure Picking you off one by one Genocide Intelligence retardant children growing up in front of CIA bugged televisions They know your patterns, habits, what makes you tick Big Brother is watching all of you be enslaved In the end your box will be numbered Eight humans deep Stacked high along the streets of America Guiding the way to the ****** sunset of our existence
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Mar 27, 2012
Mar 27, 2012 at 8:02 PM UTC
Consumerism Thesis
There is a young lady called Anna. She is a loner. She lives alone with her two cats. They are her world. I am a cat lover myself and have 2 little cuties in my nest. But these cats are just plain feral. They terrorise the other cats in the neighbourhood and **** in all the neighbours’ garden. She works Monday to Friday for a recruitment company. She leaves her flat in a purple Mazda convertible which is renowned for being a Hairdresser’s (AKA dumb **** car. Every day she leaves at 7.30am on the dot and every day she arrives home at 7.15pm on the dot. Once at home she turns on her TV cinema system (sub), just to watch the TV. ***** At the weekend she also leaves her stinking putrid ******* bags out in the communal hallway. ***** She ignores her neighbour’s knocking on her door. She ignores the notes that they put through her letterbox. ***** So as Anna was not willing to speak to her neighbours directly. They had no other way to turn apart from to report her to Environmental Health for playing her TV cinema system (sub) too loudly and also for the disgusting ******* that she regularly leaves out in the communal hallway. ***** In which she returns the compliment by reporting them (said neighbours) to the Environmental Health for: 1) Shouting at each other, 2) Talking too loudly, 3) Banging kitchen utensils on the floor when she is in her kitchen How deluded is this ***** At the same time that her neighbours reported Anna to the Environmental Health they also spoke to the Community Support Officer. They advised them to contact the Mediators in their local area. Which of course they did. The Mediators arranged to visit one evening. Unbeknownst to them they parked in Anna’s allocated parking space. Once they had finished with her neighbours, the Mediators returned to their car. Just as they were about to reverse their car, Anna arrived home in her Mazda convertible and blocked them in. ***** When she got out of the Mazda convertible, with attitude I might add, she asked the Mediators who they were. They then introduced themselves. Once she knew who they were, she invited them into her flat to hear her side on the story. YES I AM HER ******* NEIGHBOUR AND YES I AM STILL WAITING TO HEAR BACK FROM THE MEDIATORS……
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Jan 30, 2010
Jan 30, 2010 at 11:21 PM UTC
Inconsiderate Neighbour!
There is a young lady called Anna. She is a loner. She lives alone with her two cats. They are her world. I am a cat lover myself and have 2 little cuties in my nest. But these cats are just plain feral. They terrorise the other cats in the neighbourhood and **** in all the neighbours’ garden. She works Monday to Friday for a recruitment company. She leaves her flat in a purple Mazda convertible which is renowned for being a Hairdresser’s (AKA dumb **** car. Every day she leaves at 7.30am on the dot and every day she arrives home at 7.15pm on the dot. Once at home she turns on her TV cinema system (sub), just to watch the TV. ***** At the weekend she also leaves her stinking putrid ******* bags out in the communal hallway. ***** She ignores her neighbour’s knocking on her door. She ignores the notes that they put through her letterbox. ***** So as Anna was not willing to speak to her neighbours directly. They had no other way to turn apart from to report her to Environmental Health for playing her TV cinema system (sub) too loudly and also for the disgusting ******* that she regularly leaves out in the communal hallway. ***** In which she returns the compliment by reporting them (said neighbours) to the Environmental Health for: 1) Shouting at each other, 2) Talking too loudly, 3) Banging kitchen utensils on the floor when she is in her kitchen How deluded is this ***** At the same time that her neighbours reported Anna to the Environmental Health they also spoke to the Community Support Officer. They advised them to contact the Mediators in their local area. Which of course they did. The Mediators arranged to visit one evening. Unbeknownst to them they parked in Anna’s allocated parking space. Once they had finished with her neighbours, the Mediators returned to their car. Just as they were about to reverse their car, Anna arrived home in her Mazda convertible and blocked them in. ***** When she got out of the Mazda convertible, with attitude I might add, she asked the Mediators who they were. They then introduced themselves. Once she knew who they were, she invited them into her flat to hear her side on the story. YES I AM HER ******* NEIGHBOUR AND YES I AM STILL WAITING TO HEAR BACK FROM THE MEDIATORS……
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19
Inequality is something that should be preserved. Else who will wash my clothes and who will wash the sink full of utensils? What if we all got the same number of eyes and hands? We have created inequality with wealth and education. I cherish this inequality as I am above of some millions, else I would have been standing in queues and footpaths, begging, sleeping and scavenging.
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Jan 16, 2014
Jan 16, 2014 at 3:31 PM UTC
Let it be
She lifts her head She lifts her head But a few inches from pillow, Where head, a blonde mess, Has night time rested Is it dawn or day, Sky or rain, Time to rise, coffee make or time to lay Back down. I answer all, For I've been up for h/ours, (You know doing what), Place my hand  'pon her head and gentle it back down. Pillowed, I thrown in a few kisses To that tangled mess, For my hands, my lips, My writing utensils, Write her poem, This poem, And answer all her questions, never spoke, never asked, N'ere a single word out loud passes. At 5:45 AM, just now.
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Jun 15, 2013
Jun 15, 2013 at 5:47 AM UTC
Answer All Her Questions, As She lifts her head
My recollect is of the each, The Two And within the Two One is the One Holding and using our lead and ink utensils as if they are weapons for winning at Love, and reasoning for our written duel Expressing desires the voice would customarily sever into dissection Permitting authority to the crafted scripts *********   and may it’s barrier lay over the possibility of a broken and scattered tongues communicate Giving our internal intent its day the way hoped it would speak Expecting the requited, the return was a pesticide over wide horizon, Where the organic surprise of rainfall kept us neutral and thankful And apart, our minds maintained with and of our other With no need for philosophical proofs only the inner felt proof Of forwarding shards of sentiment with compiled assurance and a dispatched formula the best way we could phrase Alongside images that came in and held tight in sectors tucked away and reserved from the cherished to this day are still to be amazed Spontaneous placement of universally synchronized jewels and stones Of not have to have [Only the simplified, pushed down and planted fact] Of want her to have So when away, You feel a personal, singled-out appraisal of praise
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Feb 20, 2019
Feb 20, 2019 at 9:07 PM UTC
APPRAISAL OF PRAISE
Watching her cook was like watching a duck in water. Making use of the old utensils and cookware of the hotel kitchen she made a meal with an eclectic mix of elements she had pondered over breakfast. Sauté, mince, sear, season: these words flowed from her lips like a second language in time with the steady chops on the cutting board and I was mesmerized when she moved in perfect rhythm from stirring the mushrooms to flipping the sweet potato hash into the air; tasting and adding more olive oil to marry the idea on her palate to the reality on the stovetop.
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Jan 8, 2015
Jan 8, 2015 at 3:54 PM UTC
Bon Appetit
Dinner, With a family that is not mine. I sit there waiting, Am I just wasting time? Metallic utensils, Dance on the plates. Scratching and scraping, What a horrible date. Father looks ****** off, Daughter ******* on and on. "Cut your hair!" You think I care? WHAT'S GOING ON? The spell is fading, I am starting to wake up. But my bed, Is oddly comforting. So stay in bed. Although knowing, That soon, I will, Need to, Get up.
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Jan 22, 2012
Jan 22, 2012 at 9:11 PM UTC
Metallic Utensils
How is it, you ask and when we open our mouths, instead you devour the words, waving utensils, knitting your eyebrows like the crochet tablecloth. Dinnertime conversations revolve around loud voices as we wipe our lips with napkins – tinged with regret and bitterness and sip from our glasses filled to the brim with liquid lava, warmly trickling down our throats – choking on sobs. We eat off the plates that contain nothing but crumbs – leftovers of our dreams, and excuse ourselves while shoulders slump and the last bite of remorse melts away and when the words have made the air heavy.
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Mar 13, 2013
Mar 13, 2013 at 8:58 PM UTC
Table Manners
When the emergency room is at maximum occupancy, the nurses will lay down their clipboards and utensils, clear their throats, and ask for women and children to approach the desk first. To ensure proper care, forms still must be completed promptly, and as patiently as possible for the patient to be processed. There's the occasional backwards R. But all is acceptable with a signature by the X. Adrenaline coursing through veins may perhaps lead the cause of instability, some instances coarse skin. A child with the heart of a lion, shell of a turtle, will always overcome; rest assured, an insured child, prints their name with the unmistakable yet innocent backwards R still knows that words are as powerful as excruciating pain. Sticks and stones and words alone have been known to break through bone. With the twitch of a finger even Danny Torrance made the word "Redrum" seem like a word to reflect on, if not only a feeling of constant déjà vu. Intensive care is a surgeon not leaving a wristwatch inside of a patient, if not a cadaver whose time ran out.
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Dec 19, 2013
Dec 19, 2013 at 8:31 PM UTC
Emergency Doesn't Mean Vacancy
We love to chase the wind through streaks of blinding bliss, Tagging the glorious ideals of love, peace, friendship, even The meaning of life, to weeping willows and pensive pebbles. We admire the monochrome sky in all its barren blue or pregnant purple; Hues of burple and plue are dismissed as being tedious, or just confused. Fear not, photoshop will rectify this pigmented aberration. We giggle at clouds that resemble kitchen utensils or mystical creatures; “Hey look a teddy bear in a spacesuit with a flowerpot on his head wielding the Sword of Gryffindor!” We declare sagely, with the acumen of a legendary bird watcher. We resurrect grass angels by launching into horizontal jumping-jacks, and, Just as a disclaimer, no flower was harmed in the process. Not that it matters, As long as we did not soil our Lacoste and Burberry. We spin a mixtape out of the torrential downpour, our tracks pitting The pitter of regularity against the patter of inconstancy, synchronizing The symphony of splashes to an undercurrent of nostalgia. We kiss against the bark of an elm, and if a tree is not available in the vicinity, We throw ourselves down a nearby hill, tumbling into a ball of moist romance, Panting, as we bask in the studio lighting of the approving sun. Every still is captured by a Lomo, Every scene arrested in sepia motion, Every moment ravished by the chichi Bohemian in us.
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Nov 2, 2010
Nov 2, 2010 at 4:03 PM UTC
In the Indie Moment
we dance with spoons and spatulas forks and whisks and tongs we use then for their real purpose, because we know what they're really for... unnecessarily profane songs that's why they're in our kitchen that's why they're in our hands right where they belong
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Feb 11, 2010
Feb 11, 2010 at 5:35 PM UTC
utensils
He had a habit of forgetting That the knife should be At his left, Unlike others. Every morning, she would mechanically switch the fork with the knife. When they finished lunch she started clearing up and noticed the knife to his right again. That night, after their routine drew to a close, They talked. Slowly, at first. A touchy subject walks in. It's time. Even as the air is knocked from her lungs, She gets up and scrabbles on the floor. Nails scratching the carpet. Eyes scanning the horizon, now black. Her brain decides to get up, Her body disobeys. Her body disobeys. Isn't that what put her here in the first place? So what if she is pretty? So what if her eyes are sparkling emeralds? Her belly renders her defenceless from his onslaught. Isn't it her fault that it is empty? Isn't she wrong to want independence from him? Mentally, physically, emotionally? He owned her, didn't he? He owned her, didn't he. He explained to her the benefits of obeying. Her pretty face wouldn't have been all those ungainly shades of black. Her eyes wouldn't have been encircled by blue. All she had to do was obey and not tell anyone but obey. Her brain rebelled. Her brain rebelled. Her body, for once, obeyed. She stumbled through the hallway She knocked down her favourite frame- Their daughter on a pony. Kitchen, her sanctuary. She broke her favourite China. Hurled her utensils. "I arranged them last week, you ***** And then she saw them. The knives. The knives. They were inviting   Her hands were pale, waiting. His heart corrupt, hating. "Knives to your left, darling."
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Feb 27, 2015
Feb 27, 2015 at 8:39 AM UTC
Knives
He had a habit of forgetting That the knife should be At his left, Unlike others. Every morning, she would mechanically switch the fork with the knife. When they finished lunch she started clearing up and noticed the knife to his right again. That night, after their routine drew to a close, They talked. Slowly, at first. A touchy subject walks in. It's time. Even as the air is knocked from her lungs, She gets up and scrabbles on the floor. Nails scratching the carpet. Eyes scanning the horizon, now black. Her brain decides to get up, Her body disobeys. Her body disobeys. Isn't that what put her here in the first place? So what if she is pretty? So what if her eyes are sparkling emeralds? Her belly renders her defenceless from his onslaught. Isn't it her fault that it is empty? Isn't she wrong to want independence from him? Mentally, physically, emotionally? He owned her, didn't he? He owned her, didn't he. He explained to her the benefits of obeying. Her pretty face wouldn't have been all those ungainly shades of black. Her eyes wouldn't have been encircled by blue. All she had to do was obey and not tell anyone but obey. Her brain rebelled. Her brain rebelled. Her body, for once, obeyed. She stumbled through the hallway She knocked down her favourite frame- Their daughter on a pony. Kitchen, her sanctuary. She broke her favourite China. Hurled her utensils. "I arranged them last week, you ***** And then she saw them. The knives. The knives. They were inviting   Her hands were pale, waiting. His heart corrupt, hating. "Knives to your left, darling."
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61
Show me your heart, And I'll show you a work of art I'll make it grand I'll make it with allure I'll make it to withstand Even time and the impure Give me that pen, I'll make the horizons broaden I'll let you see The wonders of the universe I'll show you that you're not just any For you are a blessing, not a curse How about just a smile, And I'll walk with you down the aisle We'll write of our adventures quaintly, Be it with pens or pencils Even with the most unlikely of writing utensils
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Dec 8, 2014
Dec 8, 2014 at 7:17 AM UTC
The Most Unlikely of Writing Utensils
We can make this edible without utensils In a strange, menuless kitchen Well, can you not make a salad? Take a cucumber of memory Slice it so thin that none of the recollections hurt anymore. Mince some olives so fine Their oil leaks onto the cucumber like OK. Add the pulsing flesh of bright red tomatoes But don’t slice them Just squeeze them with your hand Until they explode like wet epiphanies And dare to dice a garlic clove Without turning your nose away As invisible olfactory reality Assaults you with truth so pungent That ECT would pale in comparison To that very assault on your boundaries of understanding And then toss the whole thing Watching how it changes color and texture And just when you both start to get hungry And you both want to cry The 50 minutes are over.
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Dec 23, 2011
Dec 23, 2011 at 11:08 AM UTC
PSYCHOTHERAPY SALAD
There you are! Don’t you know, you’re the star? My dear, to stay hidden, Is just straight forbidden! The show shall begin, Your blood, sunlight is in. Crimson moon, you are mine, Play the tune, be my crime. Ring around the carousel, Send a wish within the wishing well. Stay with me, for eternity, You may plea, but cannot leave. This is fun, don’t you agree? This is Carnival, doused in gasoline! Your show is the one that matters, This is the night the world shatters! I will break me, to take you, You are my alluring brew. What if I told you I convinced time, Just to be your immortal mime? Don’t forget, my ****** dove, That this Carnival is for the one I love. Endless fun for a small price, I shall die for you a million times. Have all you can eat, Then you may take a seat; Get your utensils, paint some art, Let magic course through your heart. This is Carnival! Oh babe, this is unbelievable! You just stay in the hat, This is where the joy is at. Can’t you see it? Maybe your mind is just not fit. Beautiful light, nothing ever bleak, Truthful sight, you find my innerfreak. Without my jacket, hat and gold, I believe it’s you that is all I hold. Without my gizmos, wand and magic. I believe you’ll witness my tragic. Oh...but baby, it’s your Carnival! Nevermind the acid rainfall. It’s just my own catastrophe, Just don’t ever......leave... You don’t know it, but I’m your man, It’s a quite simple slight of hand. I’ve stolen your heart, Formed our future, our soon to be art. Breathe in the fumes of my hell, No worries! In Carnival, all goes well! Just breathe in my fumes, Your dreams are no longer dooms. It’s just a Carnival, just our Carnival. Clown town, and the mirror hall. In this Carnival, it’s our last dance, Oh dear, never break this trance.
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Mar 28, 2018
Mar 28, 2018 at 9:36 AM UTC
The Magician’s Carnival
There you are! Don’t you know, you’re the star? My dear, to stay hidden, Is just straight forbidden! The show shall begin, Your blood, sunlight is in. Crimson moon, you are mine, Play the tune, be my crime. Ring around the carousel, Send a wish within the wishing well. Stay with me, for eternity, You may plea, but cannot leave. This is fun, don’t you agree? This is Carnival, doused in gasoline! Your show is the one that matters, This is the night the world shatters! I will break me, to take you, You are my alluring brew. What if I told you I convinced time, Just to be your immortal mime? Don’t forget, my ****** dove, That this Carnival is for the one I love. Endless fun for a small price, I shall die for you a million times. Have all you can eat, Then you may take a seat; Get your utensils, paint some art, Let magic course through your heart. This is Carnival! Oh babe, this is unbelievable! You just stay in the hat, This is where the joy is at. Can’t you see it? Maybe your mind is just not fit. Beautiful light, nothing ever bleak, Truthful sight, you find my innerfreak. Without my jacket, hat and gold, I believe it’s you that is all I hold. Without my gizmos, wand and magic. I believe you’ll witness my tragic. Oh...but baby, it’s your Carnival! Nevermind the acid rainfall. It’s just my own catastrophe, Just don’t ever......leave... You don’t know it, but I’m your man, It’s a quite simple slight of hand. I’ve stolen your heart, Formed our future, our soon to be art. Breathe in the fumes of my hell, No worries! In Carnival, all goes well! Just breathe in my fumes, Your dreams are no longer dooms. It’s just a Carnival, just our Carnival. Clown town, and the mirror hall. In this Carnival, it’s our last dance, Oh dear, never break this trance.
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56
Not as eloquent as a fountain pen, not as artistic as a sketching pencil, not even as bright as a magic marker, but one smart cookie to your kids. We have cool names like Cotton Candy, Manatee, Razzmatazz and Inchworm, and are non-toxic sticks of joy to those little imaginations. Yes, we sometimes look like clumps of colored wax smashed into tissue paper, and we do break easily or lose our wrappers at the drop of a hat, then get tossed in a bag or worse, become homeless. And horror of horrors! We’re reinvented as candles or reheated into twisted zombies of our former selves. And neither do our achievements reside in a museum or gallery, why they're not even framed and proudly displayed on a wall. No, they're slapped on ***** refrigerators and kept there by plastic alphabet magnets that loosely spell such mundane things as ‘milk’, ‘cheese’ or ‘daddy is dumb,' until they fall to the floor or end up in the trash. But hey man, give us a break! This is our plight, it’s a harsh existence! Perhaps we should organize, form a union for children’s writing and drawing utensils, and thus ensure equality for us crayons? We realize, more than likely, this poem's title will cause some backlash by those who insist it be called ‘Return of the Crayon,’ because we 'happy sticks', you see, supposedly don’t take revenge. Nonetheless, we stand by it. It is what it is! Your children love us and so should you!
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Nov 5, 2019
Nov 5, 2019 at 4:18 PM UTC
Revenge of the Crayon
You are the razor's glistening edge. Slits across fingertips. Yes, there will be bloodshed. Blood from tips to wrists dripping and spilling from my veins. It is not poetic. So I'll clean up my own mess. No nerves left to damage with the memory of you hardened, turned to stone, stored in nails and soft hairs. Locked away. No key in sight. I have tried to unfurl these fists, only to fumble around with the essence, the innocence, of lovers after. These hands are cracked, wrinkled, disintegrating. Their untold stories turned to dust. My palms no longer hold signs of a future. They can do nothing. Paralyzed by your pride. Paralyzed by your edge. Glistening. A razor's edge.
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Jan 7, 2015
Jan 7, 2015 at 10:56 PM UTC
Appendages and Kitchen Utensils
In the book Going Solo, Roald Dahl wrote about a woman Who refused to eat anything with her bare hands Instead, everything had to be handled with utensils Knife in one hand and fork in another She described the satisfaction of fruit cutting The inexplicable joy at cleanly cleaving peel from flesh Skill precise as a surgeon Cutting it up according to Nature's dotted lines I tried it on the same fruit Somehow it just didn't feel right Too refined, too silent Unlike the practised deft peeling with bare fingers Fingernails digging into the fruit, both refusing to compromise Until eventually, the rind gives way and a cut is made And from that same opening, tearing outwards Sounding like strips of velcro are slowly being separated The uneven globe of translucent orange flesh coming naked Its pith shielding you from its full bright glory Pulling it apart by halves, and then quarters, and then tenths Each crescent shaped carpel in its mouth sized perfection Sacs accidentally bursting, fingers sticky with juice That is how an orange ought to be peeled.
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Mar 19, 2013
Mar 19, 2013 at 10:24 PM UTC
How Do You Peel An Orange?
Find yourself Even in the clutter of chores In the whistle of pressure cooker In the clash of dishes and utensils Search yourself In the aroma of spices In the color of vegetables In the routines along the kitchen platform In the rich gravies and the brew of juices! Look out for yourself In the clean mirrors Along that fine line of kohl In the strokes of the mascara Over the gloss of lip shades In that dot of bindi Hold on to yourself In the newness With time, space and people Evolve...not change! Molt...not skin off! Wear a new color over the base...de-color not! Even in the dark Can you not see thy radiant self Glowing appraised from within! You be your master Look for traces of yourself In your eye's mirror!
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May 17, 2013
May 17, 2013 at 2:26 AM UTC
...yourself...
Zombie love becomes a thing when You shake off zombie dust From writing utensils and shoes To find another groaning Aimlessly careening Toward a blow to the skull Let's eat someone together You share
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Feb 14, 2014
Feb 14, 2014 at 7:50 PM UTC
Zombie love