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"urchin" poems
threads of salt drowned land and sea brisk on the shore to the vine of the tree not fruit not sweet but check beauty check redolent check dog named after and sea urchin-robbed the steps taken through the pink the sunken ships the little women with big hair the jewelry that weighed them down to drown drown drown the flower floats like a headstone from the hand of a daughter to the mouth of the sea where God still reigns with a crooked shaft and a helmet long struck by the sky pink the ocean loses its way through the flowers thorns and all
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Feb 21, 2016
Feb 21, 2016 at 8:24 PM UTC
pink ocean at sunset
Azure was the sky, and leaden was the sea; Not surprising would the discord be For him who has read Wordsworth. What ailed his thoughts were the debris Of broken glass fishermen-in-boats Might have thrown into the ocean On a night of 'Celtia'* with no pairing, Or the sight of a woman’s dress Whose swollen darkness was A sea urchin, whose quills Were plucked by the greenness of rust; Or a German parachute Over Kasserine pass**, my thyme nest And the center of Tunisia. ©LazharBouazzi, July 15, 2018
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Jul 14, 2018
Jul 14, 2018 at 6:35 PM UTC
The Swim
Sunday: Ant Pills Bear Traps Cobra Feet Monday: Dolphin Lungs Eel Soup Frog Limbs Tuesday: Gecko Suits Horse Pie Inchworm *** Wednesday: Jaguar Barbed Koala Beer Lynx Lynch Thursday: Monkey Chips Narwhal Fashions Otter Drugs Friday: Porcupine Rehab Quail Map Roadrunner Piano Saturday: Slug Party Turkey Slop Urchin See Sunday: Vulture Guns Walrus Tongues X No Monday: Yellowjacket Fever Zebra Clowns
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Oct 4, 2010
Oct 4, 2010 at 9:08 PM UTC
Jeff Corwin Teaches Lindsay Lohan the ABCs
1317 Abraham to **** him— Was distinctly told— Isaac was an Urchin— Abraham was old— Not a hesitation— Abraham complied— Flattered by Obeisance Tyranny demurred— Isaac—to his children Lived to tell the tale— Moral—with a Mastiff Manners may prevail.
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6.8k
Abraham to **** him—
Growing up, I was taught the story of two men One built his house upon the rocks and one upon the sand And I learned the difference between humility and pride I was taught to differentiate the foolish from the wise Because when God sent the rainfall and the waters began to rise, The house on sand crumbled right in front of thoughtless eyes And my father would tell me, "Darling, don't build your foundation in the weak, in something that might die" But I've been constructing my home on gravel my entire life If there is a God Why did he let me build my house upon the sand? Why did he lay down every brick and let the nails tear through my hands? I am an urchin in the dirt leaving claw marks in the earth And my cries fall from my mouth and cling to my tattered shirt If there is a God Then why would he call himself a Father to me? Why would he want to break my heart and crush my dignity? He prides himself on the ringing in my ears and his mason jars of tears Instead of being my faith, why would God want to be my greatest fear? If heaven is where he is, then hell is anywhere but here If there is a God And he's my Father And he is so divine Then why did I grow up so sick and sad and tired all the time? Why would he instill doubts from Satan himself for everyone to see; "You're inadequate Inadequate That's all you'll ever be" My mistakes render me useless, At least, that's what Father says of me And if there is a God, And he's my father How could he walk away as if nothing ever happened, although I have seen it all before Because what happens in this House of Heaven stays behind closed doors He would enter his bedroom, and leave the door open just a crack So when he would read his Bible and show us how a true Christian should act I'd turn to my little brother and say "I wish one day we'd be holy like that". The mortar in my walls are breaking and the water is rushing in I wish so badly to repair it, but I've always been like this The dirt I fell in twenty years ago is matted to my skin The cuts on my soul since childhood are all I've ever been I'm sorry Father, for I have sinned And I have nothing good to show And I don't mean to point the blame, Father, but sin is all I've ever known If there is a God, would he let me stand before his throne? Would he take me into his arms and treat me as his own? Would he wash my ***** shirt and let me stand where the saints have stood? Would he help me build a house upon the rocks Like a father should? I wonder if I can build it well enough to reach him Because my current house can't as long as its this way If there is a God I wonder what he'd say about me I am the prodigal daughter you never learned about in stories
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Jan 3, 2018
Jan 3, 2018 at 7:18 PM UTC
prodigal daughter
Growing up, I was taught the story of two men One built his house upon the rocks and one upon the sand And I learned the difference between humility and pride I was taught to differentiate the foolish from the wise Because when God sent the rainfall and the waters began to rise, The house on sand crumbled right in front of thoughtless eyes And my father would tell me, "Darling, don't build your foundation in the weak, in something that might die" But I've been constructing my home on gravel my entire life If there is a God Why did he let me build my house upon the sand? Why did he lay down every brick and let the nails tear through my hands? I am an urchin in the dirt leaving claw marks in the earth And my cries fall from my mouth and cling to my tattered shirt If there is a God Then why would he call himself a Father to me? Why would he want to break my heart and crush my dignity? He prides himself on the ringing in my ears and his mason jars of tears Instead of being my faith, why would God want to be my greatest fear? If heaven is where he is, then hell is anywhere but here If there is a God And he's my Father And he is so divine Then why did I grow up so sick and sad and tired all the time? Why would he instill doubts from Satan himself for everyone to see; "You're inadequate Inadequate That's all you'll ever be" My mistakes render me useless, At least, that's what Father says of me And if there is a God, And he's my father How could he walk away as if nothing ever happened, although I have seen it all before Because what happens in this House of Heaven stays behind closed doors He would enter his bedroom, and leave the door open just a crack So when he would read his Bible and show us how a true Christian should act I'd turn to my little brother and say "I wish one day we'd be holy like that". The mortar in my walls are breaking and the water is rushing in I wish so badly to repair it, but I've always been like this The dirt I fell in twenty years ago is matted to my skin The cuts on my soul since childhood are all I've ever been I'm sorry Father, for I have sinned And I have nothing good to show And I don't mean to point the blame, Father, but sin is all I've ever known If there is a God, would he let me stand before his throne? Would he take me into his arms and treat me as his own? Would he wash my ***** shirt and let me stand where the saints have stood? Would he help me build a house upon the rocks Like a father should? I wonder if I can build it well enough to reach him Because my current house can't as long as its this way If there is a God I wonder what he'd say about me I am the prodigal daughter you never learned about in stories
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From bristly foliage you fell complete, polished wood, gleaming mahogany, as perfect as a violin newly born of the treetops, that falling offers its sealed-in gifts, the hidden sweetness that grew in secret amid birds and leaves, a model of form, kin to wood and flour, an oval instrument that holds within it intact delight, an edible rose. In the heights you abandoned the sea-urchin burr that parted its spines in the light of the chestnut tree; through that slit you glimpsed the world, birds bursting with syllables, starry dew below, the heads of boys and girls, grasses stirring restlessly, smoke rising, rising. You made your decision, chestnut, and leaped to earth, burnished and ready, firm and smooth as the small ******* of the islands of America. You fell, you struck the ground, but nothing happened, the grass still stirred, the old chestnut sighed with the mouths of a forest of trees, a red leaf of autumn fell, resolutely, the hours marched on across the earth. Because you are only a seed, chestnut tree, autumn, earth, water, heights, silence prepared the germ, the floury density, the maternal eyelids that buried will again open toward the heights the simple majesty of foliage, the dark damp plan of new roots, the ancient but new dimensions of another chestnut tree in the earth.
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Ode To a Chestnut on the Ground
Memories are swept away by the wind I reminisce all the moments we shared All my shattered hopes you knew how to mend No matter what I've done you always cared Remember how we used to play guitar On The Road To Nowhere we'd take a hike All these memories seem distant, so far I miss those days, I miss you Uncle Mike I'd like to again visit Urchin Falls And drag our canoe down The Peace River Hear the frightening sounds of cougar calls Fossil dig while the rain makes us shiver When do we get to spend time together Play in nature all day, despite weather
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Nov 11, 2012
Nov 11, 2012 at 3:58 PM UTC
To Uncle Mike
I saw an Ulila Whilst riding a Jeepney Half-Shoed, Half-Footed, Saying, "BAYAD!" An Endearment for Pay Yet my Eyes affixed On his One-Footed Shoe But due to the Wear Of a Day's Sweaty Trod Begging for his Family Dinner Hoping he could have a Full Meal And Smiles For him and his family And still waiting For his Final Stop And still scraping His Hard-Worn Scar Thus the Ulila Handsome to Beg Despite his Birth-Marked Nose Which was actually blood From a flavourful fist-fight And Soil, Paints his Tender Body. Thus the Ulila, Swollen in his Eyes, Suddenly remembered He had nothing to Beg For since his Time, Was centred on Smiles Greeting people, Wishing them the Best of Cheers and Holidays And his Reward, Sheltered and Soft, Reaching the end of his Bay, Cried, "PARA!" An Endearment for Stop And disembarked Full of Flavours and Joy, Wondering, If he could Share such with his Family. Then the Ulila, Felt a Weight, And Jingles in his Body. Thinking of his Thursday's Stones, He took some out And all he found, Were just some Worthless Pesos, Given secretly, By the Passengers he Entertained In the busy Jeepney. Thus Smiled the Ulila - The Selfless Urchin-Boy.
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Mar 16, 2013
Mar 16, 2013 at 9:11 AM UTC
THE ULILA
Really my Lady, such was not my Intent To be the Bordered Jack who ***** your Consent Your Basket remains yet much Food was Spent And yes - the Reason - it's Bottom was Rent Should we blame the Urchin? That I guess not The Market was charged in Prunes worth to Sell Else I peel each Fruit and leave it to Rot Then shoulder the Rage of not being well There She is: The only Unforeseen Truth Distempered with my Touch of Forks and lies Which I should have learned in her Peeling Youth: That a Prune once tasted tastes better with the Eye. All this I learned in a Lesson so Big That the Grape recovered was born a Fig.
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Mar 12, 2013
Mar 12, 2013 at 2:52 AM UTC
SONNET TRIBUTE SUNDRY: TONIA COUCH
The first enchilada was created in the summer of 1968 In a small house near Seal Beach In Southern California. The house was owned by a friend of my dad's Or my mom's And we had gone over for dinner I was eight I would like to say that it was a cool beach pad With wood paneling, all the rage back then And an Eames recliner in the corner of the living room I only remember the paneling but since I am writing this The Eames piece stays We had gone for dinner And the owner of the house had made enchiladas Beef ones as I recall with sauce from a series of Old El Paso cans I can still smell and taste them They were the first world food I had ever had Besides canned Chinese food from the supermarket which doesn't count And because I loved them with their ground beef and sauce Their hot oil softened corn tortillas, sour cream, cheese and green onion And little tiny bits of black olive They became the prison guards Throwing open the gates of my suburban Connecticut upbringing Letting me leave the confines and walk freely in the sunshine for the first time They were followed by many other firsts Sushi, Crepes, haggis,  tiki masala and sea urchin to name a few All of which owe their very existence in my life To that first enchilada.
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Aug 7, 2012
Aug 7, 2012 at 7:29 AM UTC
The First Enchilada
I saw the smooth hands of children grow calloused, sanded by the empty hopes that the cold has whittled down and sharpened into crucifixion nails. Dragging their feet through broken glass and street waste, one shoe one sock, I thought they were just urban children, or the ones in malaria countries. But I see them stagger now, older, defeated baring their bodies and chewing on their brains, teaching the little ones how to polish shoes and hide in alleys that smell like **** and assault. That one looks like me, his guardian about my size, so I pull my coat closer. I recognize him from school in the smell of unwashed hair and the gurgle of A self-digesting gut, nothing to soak up the acid that burns his throat. I watched the world ******* them into hunched shoulders and boney legs that have forgotten how to hug and run, trapping them in a constant state of shuffling to the music of moans and cries for help. They come together in an urchin clan underneath bridges and on the exit ramps of highways. Prophets of the future clutching at signs about war and veterans, the bad economy and the children they can’t feed. Ten dollars to the one with the mut. Offer him a smoke. Politicians act like clean-up crews, counting them like statistics; This one is gone, the one on Brown street died, We got rid of the one looking for cans in the student neighborhood. Charity elevates them into a an opportunity— A little money to the unfortunate is like bleach for your soul. Just enough to get the smell of affair out of your hair, or to clean up the poison in your veins. God helps the outcasts; five dollars ought to do it. I shudder at our similarities. Brown hair, brown eyes, smart. His sign ignores no rules of grammar and deserve credit for its precise calligraphy, The dog at his side is ***** and worn like the stuffed toy I covet from the nights in my crib—the same. He is a victim of people, I am a victim of people Both someone’s child, both like dogs. I watch as he turns into a younger man, and then an old man, and then a woman, A child with no shoes and crucified hands, the boy in my class with eyes that devour. I walk home, wondering what kind of charity will save me from myself. And that is the problem.
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Jan 14, 2014
Jan 14, 2014 at 12:10 AM UTC
In A City Close To Me
I saw the smooth hands of children grow calloused, sanded by the empty hopes that the cold has whittled down and sharpened into crucifixion nails. Dragging their feet through broken glass and street waste, one shoe one sock, I thought they were just urban children, or the ones in malaria countries. But I see them stagger now, older, defeated baring their bodies and chewing on their brains, teaching the little ones how to polish shoes and hide in alleys that smell like **** and assault. That one looks like me, his guardian about my size, so I pull my coat closer. I recognize him from school in the smell of unwashed hair and the gurgle of A self-digesting gut, nothing to soak up the acid that burns his throat. I watched the world ******* them into hunched shoulders and boney legs that have forgotten how to hug and run, trapping them in a constant state of shuffling to the music of moans and cries for help. They come together in an urchin clan underneath bridges and on the exit ramps of highways. Prophets of the future clutching at signs about war and veterans, the bad economy and the children they can’t feed. Ten dollars to the one with the mut. Offer him a smoke. Politicians act like clean-up crews, counting them like statistics; This one is gone, the one on Brown street died, We got rid of the one looking for cans in the student neighborhood. Charity elevates them into a an opportunity— A little money to the unfortunate is like bleach for your soul. Just enough to get the smell of affair out of your hair, or to clean up the poison in your veins. God helps the outcasts; five dollars ought to do it. I shudder at our similarities. Brown hair, brown eyes, smart. His sign ignores no rules of grammar and deserve credit for its precise calligraphy, The dog at his side is ***** and worn like the stuffed toy I covet from the nights in my crib—the same. He is a victim of people, I am a victim of people Both someone’s child, both like dogs. I watch as he turns into a younger man, and then an old man, and then a woman, A child with no shoes and crucified hands, the boy in my class with eyes that devour. I walk home, wondering what kind of charity will save me from myself. And that is the problem.
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He smelt like smoke as he leaned away from me, texting himself with my phone. We left the campfire outside, in our shoes by the door our socks overlapped in a tangle of limbs. In that leftover guest room, on the bottom bunk of the microwaved bed, I remembered why I thought I knew what love was. He was tired and needed a nap, I was restless and cold. Trapped inside because of violent temperate rainstorms. This boy owed me stubbed toes, thorn ****** through my jeans, nicknames and rubber soles. This was the boy who had always smelt of smoke, who knocked over dead trees for me, who lied about being able to rock climb. This was the boy who went swimming in the ocean before summer had properly began when it was still much too chilly. I taught him a new card game, he beat me at badminton. We played capture the flag and threw pinecones. We sold cookies on the side of the road, ate dusty blackberries, traded innuendos and bad jokes. This was sea-urchin boy, slug boy, the boy with the bird's nest hair. This boy grew taller, dropped his voice like a used bus pass, looked past the top of my head. He laughed when i stepped in a mud puddle, dared me to walk in bare feet. This boy suddenly went mountain biking. I talked extra loud, in hopes that he would overhear me, offered him rootbeer straight from the can. Ate pretzels and learned to read his mind. We shared our childhoods like penny candies, switching all the peach ones for strawberry. we agreed these are the best years of our lives. He layed beside me, underneath as many covers as we could find, taking up too much space and he knew it. my cartoon boy. My hand-drawn boy, With smoke coming out of his ears moved away. We didn't talk again
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Jun 19, 2013
Jun 19, 2013 at 12:39 AM UTC
Cartoon Boy
He smelt like smoke as he leaned away from me, texting himself with my phone. We left the campfire outside, in our shoes by the door our socks overlapped in a tangle of limbs. In that leftover guest room, on the bottom bunk of the microwaved bed, I remembered why I thought I knew what love was. He was tired and needed a nap, I was restless and cold. Trapped inside because of violent temperate rainstorms. This boy owed me stubbed toes, thorn ****** through my jeans, nicknames and rubber soles. This was the boy who had always smelt of smoke, who knocked over dead trees for me, who lied about being able to rock climb. This was the boy who went swimming in the ocean before summer had properly began when it was still much too chilly. I taught him a new card game, he beat me at badminton. We played capture the flag and threw pinecones. We sold cookies on the side of the road, ate dusty blackberries, traded innuendos and bad jokes. This was sea-urchin boy, slug boy, the boy with the bird's nest hair. This boy grew taller, dropped his voice like a used bus pass, looked past the top of my head. He laughed when i stepped in a mud puddle, dared me to walk in bare feet. This boy suddenly went mountain biking. I talked extra loud, in hopes that he would overhear me, offered him rootbeer straight from the can. Ate pretzels and learned to read his mind. We shared our childhoods like penny candies, switching all the peach ones for strawberry. we agreed these are the best years of our lives. He layed beside me, underneath as many covers as we could find, taking up too much space and he knew it. my cartoon boy. My hand-drawn boy, With smoke coming out of his ears moved away. We didn't talk again
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49
A priest arrived by ambulance to bless our sudden kiss A doctor brought his bag but cannot treat such things as this My jewelry is just colored rocks like pretty polished hollyhocks in silver settings gone to curls the same as any other girl's but I could be your only love. A flautist played our melody in notes so fine and clear That summer brought her midnights close so that the moon could hear the notes, the song so marvelous the player played so long for us the priest laid down his holy flask the doctor blushed before he asked if I could be your only love. An urchin took a photograph of you in uniform You gave me spice and chocolates to keep my fever warm and lucky is the lucky bird who calls and calls a wafting word In this peculiar pregnant dawn his curious and constant song that I could be your only love.
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Jul 19, 2025
Jul 19, 2025 at 3:30 PM UTC
Your Only Love
An empty pub is the worst place to be, In a city, Where even gods stay a bit longer every year, Perhaps persuaded by the halcyon laughter of that half dressed street urchin, Who has learnt to celebrate her comical existence, In the pregnant underbelly of a false saint, Who refuses to give birth to anything but naked poverty. Small wonder the gods have never chosen to intervene in the city of joy, After all its the fault of these urchins who refuse to abandon their filthy smiles, And have the audacity to peak through the walls that we annually paint, With the victorious colours of human values. But why do they peek, Isn't their world filled with the unmatched profoundness of black and white photography? Isn't their world the home to poetic muses and romantic poverty ? Indeed, why do they peek ? Before the label on the bottle in front of me, Makes you judge the potency of what I utter, Let me tell you why. For them our world is a constant theatrical which has run different shows annually, Yet the only complaint they have perhaps is that the genre of the shows, Have somehow never changed. Its always been the darkest of satires, Like the running satire in which half our society, Sitting safe within the beautiful walls , We built around our indomitable prosperity and culture , Indulges, In the hysterical condemnation of a man, Who wants to build a beautiful wall on a different continent . To protect the same You know, I don't speak urchin-tongue, But I have always had the gift to read feelings I shouldn’t, And something tells me the urchins have titled this theatrical, “Moral ************ But that’s not all, An empty pub is the worst place to be in a city which refuses to let you give up hope, And gently reminds you with every drink That even when the rest of the world is out there dancing, To the drum beats of happy endings and ephemeral farewells, There’s one place that will never close its doors on you. The only thing is. The place isn’t the home you never ended up building with her, It’s just an empty pub. And that is why an empty pub is the worst place to be.
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Oct 27, 2016
Oct 27, 2016 at 3:13 AM UTC
Before The Bartender's Last Call
An empty pub is the worst place to be, In a city, Where even gods stay a bit longer every year, Perhaps persuaded by the halcyon laughter of that half dressed street urchin, Who has learnt to celebrate her comical existence, In the pregnant underbelly of a false saint, Who refuses to give birth to anything but naked poverty. Small wonder the gods have never chosen to intervene in the city of joy, After all its the fault of these urchins who refuse to abandon their filthy smiles, And have the audacity to peak through the walls that we annually paint, With the victorious colours of human values. But why do they peek, Isn't their world filled with the unmatched profoundness of black and white photography? Isn't their world the home to poetic muses and romantic poverty ? Indeed, why do they peek ? Before the label on the bottle in front of me, Makes you judge the potency of what I utter, Let me tell you why. For them our world is a constant theatrical which has run different shows annually, Yet the only complaint they have perhaps is that the genre of the shows, Have somehow never changed. Its always been the darkest of satires, Like the running satire in which half our society, Sitting safe within the beautiful walls , We built around our indomitable prosperity and culture , Indulges, In the hysterical condemnation of a man, Who wants to build a beautiful wall on a different continent . To protect the same You know, I don't speak urchin-tongue, But I have always had the gift to read feelings I shouldn’t, And something tells me the urchins have titled this theatrical, “Moral ************ But that’s not all, An empty pub is the worst place to be in a city which refuses to let you give up hope, And gently reminds you with every drink That even when the rest of the world is out there dancing, To the drum beats of happy endings and ephemeral farewells, There’s one place that will never close its doors on you. The only thing is. The place isn’t the home you never ended up building with her, It’s just an empty pub. And that is why an empty pub is the worst place to be.
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Bottoned to the jaw stone cold face to thaw roughed and raw under the black cloud dress shirt, loud like thunder as a I skirt the jungle that is the tangle of bangles and bands, hanging from wrists followed by hands, twisting to grab clear courage with a flourish Gulp, gulp, gulp another plunge, more lurching spiked up exterior like a sea urchin lurking in the deep, dark ocean Slowly getting dull I'm emptier the more I am full fire slowly flitting out, I'm a dying coal a half burned ember put out by the snow of December just pretending to be fire I'm happy (I'm a liar) but I never tire of drowning lurching, lurching prickly again, I'm a sea urchin
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Mar 31, 2013
Mar 31, 2013 at 1:30 AM UTC
Sea Urchin
It used to live on the hilltop where a lone bell tolled by the temple: but the Deity is long gone and the bell mourns in the valley wind on empty afternoons, now. I went searching for it: in late summer, the koel would sunder open the vaults of heaven and bring some down for us mortals haunted by death. The koels are long gone now. Peace, peace. Lady siting silent in the evening staring vacant into the sky, after a day of labour: can you give some to me? I thought it was in education. But that is stored now, in almirahs where moths eat way what humidity cannot. I thought it was in a position. But they don't matter, now a ladder ascending to nowhere, vanishing mid-air. Old man, smiling past hope that has broken like your lost teeth: can you give some to me? I asked the urchin playing in the ditch after the rains, he said: 'follow me, I know where it lives', and he led me to a ***** pond lined with plastic and all our civilization's refuse, and jumped in. I returned, disgusted.
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Apr 9, 2014
Apr 9, 2014 at 1:07 PM UTC
Peace
. Her fine hands gentle With lithe and spiny fingers Of bone and fin. Her eyes are opal, Essence of emerald and topaz, A hoard of treasure. Her hair is sea gathering And dances in the blue currents Deadly as the sea snake. Her skin is coral, Made of mineral and sorcery, A fatal beacon. Her lips are urchin, Set in a whirlpool of face, A spiral of doom. Her voice is dream, Rocking the lost wrecked ships, Ground into sand. Her long tail is fable Of paradise, beyond faraway seas, Cyclones and waves. .
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Apr 26, 2019
Apr 26, 2019 at 8:22 PM UTC
Anatomy of a Mermaid
The glaring orange and red vermillion rays stretched over the mountain top and city skyline in the humbling spectacle of nature’s dawn... Lifting away the frightful, cold and deathly nuances of the city by night... The dull glaze of the concrete motorways, Spun and circled around the growing organism of steel suburbia... Filled with a meandering stream of colourful cars Feats of engineering beauty The blaring noise of traffic drowned out the natural stillness of nature’s beauty... In the peak rush hour of a Cape Town mourning.... To the left of me... Stood the deathly profile of a street urchin... The little lady... Body thin and frail, hands out-stretched in a sinewy leather grasp... Warn and tattered rags for clothes... Burnt and ***** face.... Yet still able to muster a look of hope.... I lifted my fingers to my mouth And let out a shrill and deafening whistle Drowned away by hooting and the hum of the engines, spurting noxious fumes, Defiling the air.... She turned with a vigorous jolt Raised eyebrows and a head turning smile... I ushered her towards me with my outstretched hand, well manicured nails Not a wrinkle of hardship characterising the clean skin In the burning rays of yet another hopeful morning... At least for me. As her body was moving, all I could see were her eyes... They pierced me, danced for and contorted the world around me.... A hazelnut brown painting, embedded in a small circular hole in the skull... A gateway to the emotions Connecting everyone, regardless of age, race or even stature... As I gazed, captivated. I saw compassion, longing, loss, warmth and passion in her eyes – the whole spectrum of humanity In two small but infinitely deep pools Cascading into a never ending abyss of emotions Of pain, suffering, a little joy and infinite hurt.... Then I blinked... And all those emotions, those connections and our future... Were gone in the simple gesture of a fluttering eyelash As she looked the other way... The car lurched forward yet again... With the flash of a green light and safety of movement To the other side of the intersection My hand still outstretched holding the crumpled buffalo note My contribution to a severely needing hand Lost with the bustle of life continuing, and leaving behind all too weak to keep up.... She began to scurry away, back to her pavement I looked back... The little lady gone. Lost forever
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Sep 8, 2012
Sep 8, 2012 at 6:15 PM UTC
One Moment in the Eyes of a Street-child...
The glaring orange and red vermillion rays stretched over the mountain top and city skyline in the humbling spectacle of nature’s dawn... Lifting away the frightful, cold and deathly nuances of the city by night... The dull glaze of the concrete motorways, Spun and circled around the growing organism of steel suburbia... Filled with a meandering stream of colourful cars Feats of engineering beauty The blaring noise of traffic drowned out the natural stillness of nature’s beauty... In the peak rush hour of a Cape Town mourning.... To the left of me... Stood the deathly profile of a street urchin... The little lady... Body thin and frail, hands out-stretched in a sinewy leather grasp... Warn and tattered rags for clothes... Burnt and ***** face.... Yet still able to muster a look of hope.... I lifted my fingers to my mouth And let out a shrill and deafening whistle Drowned away by hooting and the hum of the engines, spurting noxious fumes, Defiling the air.... She turned with a vigorous jolt Raised eyebrows and a head turning smile... I ushered her towards me with my outstretched hand, well manicured nails Not a wrinkle of hardship characterising the clean skin In the burning rays of yet another hopeful morning... At least for me. As her body was moving, all I could see were her eyes... They pierced me, danced for and contorted the world around me.... A hazelnut brown painting, embedded in a small circular hole in the skull... A gateway to the emotions Connecting everyone, regardless of age, race or even stature... As I gazed, captivated. I saw compassion, longing, loss, warmth and passion in her eyes – the whole spectrum of humanity In two small but infinitely deep pools Cascading into a never ending abyss of emotions Of pain, suffering, a little joy and infinite hurt.... Then I blinked... And all those emotions, those connections and our future... Were gone in the simple gesture of a fluttering eyelash As she looked the other way... The car lurched forward yet again... With the flash of a green light and safety of movement To the other side of the intersection My hand still outstretched holding the crumpled buffalo note My contribution to a severely needing hand Lost with the bustle of life continuing, and leaving behind all too weak to keep up.... She began to scurry away, back to her pavement I looked back... The little lady gone. Lost forever
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49
Poseidon reared his unkempt head Above the waves today An ocean monster dripped in dread Chest to chest with the bay “Today, or any day at all!” The shore-side heard his plea Salt shucked shoulders tall as islands small “No being shall ever challenge me!” One gull omitted a thoughtful word Which sounded much like “Rak!” One offended brow raised at what he heard Poseidon countered with a slap Five foul fingers touched the sky And fell upon the sea A wave as great as mountains high Sighed upon the beaches knee With a drunken beat of lazy wing The gull escaped his perch Finding another on which to cling Without a moment’s search Fists clenched around the shallows Poseidon was enraged With urchin riddled lips pursed he bellowed And blew the beach away Up went beachgoers along the coast Into the sandy storm Sun chapped mums beginning to roast Castling children, One man named Norm Gull glided softly on the wind Providing a flap or two And to the defeated Poseidon's chagrin Let out a cantankerous coo In one last fit of aqueous rage Posiedon surfaced to land And in a briny blind rampage Grabbed the gull with swole hands Gull in hand Poseidon yelled “What dare you mean sly poultry? My kingdom is unparalleled, All pilgrims seek my choultry” But the oily gull slipped through his grip And flew quite far away And as he watched it dive and dip He came to see the bay Debris was strewn across the sand His subjects were in ruin Disaster spread across the land And it was all his doin’ A desperate shade turned Poseidon As he returned to the great deep “What use am I as a mighty king If protection I cannot keep?” That is how a seagull won Against The God of Sea Who forgot about his job, just one, To keep the big blue world carefree
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Dec 26, 2020
Dec 26, 2020 at 9:17 PM UTC
Poseidon and The Gull
Poseidon reared his unkempt head Above the waves today An ocean monster dripped in dread Chest to chest with the bay “Today, or any day at all!” The shore-side heard his plea Salt shucked shoulders tall as islands small “No being shall ever challenge me!” One gull omitted a thoughtful word Which sounded much like “Rak!” One offended brow raised at what he heard Poseidon countered with a slap Five foul fingers touched the sky And fell upon the sea A wave as great as mountains high Sighed upon the beaches knee With a drunken beat of lazy wing The gull escaped his perch Finding another on which to cling Without a moment’s search Fists clenched around the shallows Poseidon was enraged With urchin riddled lips pursed he bellowed And blew the beach away Up went beachgoers along the coast Into the sandy storm Sun chapped mums beginning to roast Castling children, One man named Norm Gull glided softly on the wind Providing a flap or two And to the defeated Poseidon's chagrin Let out a cantankerous coo In one last fit of aqueous rage Posiedon surfaced to land And in a briny blind rampage Grabbed the gull with swole hands Gull in hand Poseidon yelled “What dare you mean sly poultry? My kingdom is unparalleled, All pilgrims seek my choultry” But the oily gull slipped through his grip And flew quite far away And as he watched it dive and dip He came to see the bay Debris was strewn across the sand His subjects were in ruin Disaster spread across the land And it was all his doin’ A desperate shade turned Poseidon As he returned to the great deep “What use am I as a mighty king If protection I cannot keep?” That is how a seagull won Against The God of Sea Who forgot about his job, just one, To keep the big blue world carefree
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56
At preschool last morning, when first class began Our teacher Miss Fortune, has entered the den And promptly asked us, the pure younglings To write on the devil that make us do things So teacher sat down, and we tykes got engaged And committedly filled page after page As we took up an oath, us the urchin, the youth To speak the whole truth, and nothing but truth So first rose the young boy Timothy Veet And confessed all the text that he etched on the sheet How last week he attended the birthday of Sheila And got high on some hemp, and two shots of tequila As he sat, quickly stood his companion wee Tom And he told how he broke to the principal’s home Where he gingerly snatched, like a cat burglar A computer, some cash, and antique silverware But who took the whole cake, was shy Rosaline As she stood up and gestured to Billy, her kin And with timid resolve, and an ear-to-ear grin Said: “He is the devil that makes me do things…” Miss Fortune, chalk white, and clearly distressed Was rushed on a gurney, to the ER no less Our innocence wither, like a flower well hidden So why keep insisting on calling us children
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Aug 9, 2018
Aug 9, 2018 at 4:36 PM UTC
The devil within (a poem by my dad)
Horatio Alger is whispering his stories in my sleeping ear painting me as a lowly street urchin who conquers adversities and moral wildernesses with only my wit, determination, and guts and he is painting me as a phoenix of the new world rising from ashes of banality and the naturalized familial trappings of my past a dirt road in the socioeconomic desert carved out with care by the hands of forefathers I will never know but Mr. Alger died a long while ago and the sun inevitably rises shattering the stained glass story of my rags turned riches now the big men upstairs jot me down as numbers on a chart of consumption trends of millennials Go to college they say make something of yourself they say you are all too entitled they say What went wrong they say without a hint of contradiction I am not equipped to say if the story of humanity is a cycle or a downwards spiral I am not equipped to say that it is the job of every generation to ensure that they clear the debris from the path of their progeny but I say it anyway everybody want’s a trophy because we were raised to believe that everybody deserves a trophy In the same breath they expect us to take the puritanical mantle of the breadwinner the frayed saddle of the noble western outlaw the lethally honed sword of the entrepreneur the martyr making cross of the socially conscious family man and then wonder why we so willingly give ourselves over to the currents of apathy and passivity and masochistic narcissism giving us guns and bullets with no idea how to shoot them so instead we turn them into sculptures of modern art and scream to the empty heavens for just a hint of recognition I can’t decide if history will forget us or memorize the lyrics of our collective heart beats but I have decided to wake up from my American Dream have decided to forge my own reality
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Jun 18, 2014
Jun 18, 2014 at 2:37 PM UTC
The Moment We Woke Up Our Dream Became a Nightmare
Horatio Alger is whispering his stories in my sleeping ear painting me as a lowly street urchin who conquers adversities and moral wildernesses with only my wit, determination, and guts and he is painting me as a phoenix of the new world rising from ashes of banality and the naturalized familial trappings of my past a dirt road in the socioeconomic desert carved out with care by the hands of forefathers I will never know but Mr. Alger died a long while ago and the sun inevitably rises shattering the stained glass story of my rags turned riches now the big men upstairs jot me down as numbers on a chart of consumption trends of millennials Go to college they say make something of yourself they say you are all too entitled they say What went wrong they say without a hint of contradiction I am not equipped to say if the story of humanity is a cycle or a downwards spiral I am not equipped to say that it is the job of every generation to ensure that they clear the debris from the path of their progeny but I say it anyway everybody want’s a trophy because we were raised to believe that everybody deserves a trophy In the same breath they expect us to take the puritanical mantle of the breadwinner the frayed saddle of the noble western outlaw the lethally honed sword of the entrepreneur the martyr making cross of the socially conscious family man and then wonder why we so willingly give ourselves over to the currents of apathy and passivity and masochistic narcissism giving us guns and bullets with no idea how to shoot them so instead we turn them into sculptures of modern art and scream to the empty heavens for just a hint of recognition I can’t decide if history will forget us or memorize the lyrics of our collective heart beats but I have decided to wake up from my American Dream have decided to forge my own reality
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51
Sunset is one time, one thing I dare to love Different to sunrise, but not so much in light It’s how fishermen hold so tightly to their line In evening, my countenance feels pleasantly light I move through cool air, a smooth-flowing line Intersecting invisible ties, each person and each they love I wait for some odd thing in a long ordered line Calmed by the blending of sun and sea that must be love, Serenely, I disappoint those in need of cigarette light The sun bade farewell to the sea, and fell below the horizon line —Urchins are hedgehogs of the sea, I was called an urchin by my mother, which I loved. The nicknames only got worse from that point
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Jun 14, 2016
Jun 14, 2016 at 11:37 PM UTC
Sunset Tritina
I used to like you a lot. i don’t know what ******* happened. we’re children and you pushed me off the swings, off the playground, out of the park. And now my best friend only wants me for what i can say about you, you sea urchin. bouquet of prickling spikes piercing my jagged rib bones. rip through me, feasting scoundrel, you ***** you fox. you viper. wipe her from my soggy slate. dinner plate? it’s empty. everyone is the garbage disposal, grinding my teaspoons of self-worth into dusty pieces. i am the garbage. and i never pegged you as one to leave me in a dark parking lot, shadows curling their bony fingers around my purple lungs, but she found you making love to him in the same car we sat. the bull frogs saw what you did. i’m warning you to stop pretending like you’re still a fawn. a doe-like female. i can see through the speckles on your face and your mixed tapes. i don’t have heart left for you, you ****** kneel in front of his knobby knees. beg, ***** muck him up and then lick him clean, feline. slink past me in the night, in the broad daylight. you are not a spy i can see your arteries.
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May 12, 2013
May 12, 2013 at 11:33 PM UTC
misogyny
If I were tickled by the rub of love, A rooking girl who stole me for her side, Broke through her straws, breaking my bandaged string, If the red tickle as the cattle calve Still set to scratch a laughter from my lung, I would not fear the apple nor the flood Nor the bad blood of spring. Shall it be male or female? say the cells, And drop the plum like fire from the flesh. If I were tickled by the hatching hair, The winging bone that sprouted in the heels, The itch of man upon the baby's thigh, I would not fear the gallows nor the axe Nor the crossed sticks of war. Shall it be male or female? say the fingers That chalk the walls with greet girls and their men. I would not fear the muscling-in of love If I were tickled by the urchin hungers Rehearsing heat upon a raw-edged nerve. I would not fear the devil in the **** Nor the outspoken grave. If I were tickled by the lovers' rub That wipes away not crow's-foot nor the lock Of sick old manhood on the fallen jaws, Time and the ***** and the sweethearting crib Would leave me cold as butter for the flies The sea of scums could drown me as it broke Dead on the sweethearts' toes. This world is half the devil's and my own, Daft with the drug that's smoking in a girl And curling round the bud that forks her eye. An old man's shank one-marrowed with my bone, And all the herrings smelling in the sea, I sit and watch the worm beneath my nail Wearing the quick away. And that's the rub, the only rub that tickles. The knobbly ape that swings along his *** From damp love-darkness and the nurse's twist Can never raise the midnight of a chuckle, Nor when he finds a beauty in the breast Of lover, mother, lovers, or his six Feet in the rubbing dust. And what's the rub? Death's feather on the nerve? Your mouth, my love, the thistle in the kiss? My Jack of Christ born thorny on the tree? The words of death are dryer than his stiff, My wordy wounds are printed with your hair. I would be tickled by the rub that is: Man be my metaphor.
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2.2k
If I Were Tickled By the Rub of Love
If I were tickled by the rub of love, A rooking girl who stole me for her side, Broke through her straws, breaking my bandaged string, If the red tickle as the cattle calve Still set to scratch a laughter from my lung, I would not fear the apple nor the flood Nor the bad blood of spring. Shall it be male or female? say the cells, And drop the plum like fire from the flesh. If I were tickled by the hatching hair, The winging bone that sprouted in the heels, The itch of man upon the baby's thigh, I would not fear the gallows nor the axe Nor the crossed sticks of war. Shall it be male or female? say the fingers That chalk the walls with greet girls and their men. I would not fear the muscling-in of love If I were tickled by the urchin hungers Rehearsing heat upon a raw-edged nerve. I would not fear the devil in the **** Nor the outspoken grave. If I were tickled by the lovers' rub That wipes away not crow's-foot nor the lock Of sick old manhood on the fallen jaws, Time and the ***** and the sweethearting crib Would leave me cold as butter for the flies The sea of scums could drown me as it broke Dead on the sweethearts' toes. This world is half the devil's and my own, Daft with the drug that's smoking in a girl And curling round the bud that forks her eye. An old man's shank one-marrowed with my bone, And all the herrings smelling in the sea, I sit and watch the worm beneath my nail Wearing the quick away. And that's the rub, the only rub that tickles. The knobbly ape that swings along his *** From damp love-darkness and the nurse's twist Can never raise the midnight of a chuckle, Nor when he finds a beauty in the breast Of lover, mother, lovers, or his six Feet in the rubbing dust. And what's the rub? Death's feather on the nerve? Your mouth, my love, the thistle in the kiss? My Jack of Christ born thorny on the tree? The words of death are dryer than his stiff, My wordy wounds are printed with your hair. I would be tickled by the rub that is: Man be my metaphor.
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49
Got lost and stopped by the grotto struck deals with villains, and though I'm in my feelings kneeling and ****** off I payed to be ripped off cadences dip, lost the lotto Watery graves appealing strange the solution is lame the parade's an insane path to follow Radical urchin burden grifting the current mechanisms infected luring fevers to wallow in, ad absurdum fathom futility in survival famine imbibes a stifled echo of revival in my head I'm just playing dead for my recital better informed to the abhorrence I'm entitled feathered in form alluring sword alarm from Michael clever to wars imparted forcible and vital, to the era but staring in awe before the cycle Bearing a maw beneath the throes along the final. Bury me after my heart and guard informal notions of the lauded if calluses lift the filthy and applaud it whittle the simply to the too intense or lawless for a history glistening through a rose of sickly fondness I won't ask if you were listening to all this but I must admit I don't think I can trust you to be honest...
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Dec 17, 2018
Dec 17, 2018 at 1:25 AM UTC
No Title