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Alyssa Underwood Jul 2017
It's delight which flows without measure
from the assurance that through every circumstance
and detail of my life God is ever beckoning and drawing me
into deeper intimacy with Himself, ever whispering to my heart,
“Come closer still.”

Joy in the midst of devastating loss, crushing disappointment,
unbearable pain or scourging heartache is about the discovery of
treasure so precious and rare that it never could have been found
had we not been forced to walk a path of affliction in the desert.

It's in the isolation and brutality of the wild that we come to know Him
in ways that transcend the span of human imagining or desiring,
and all the songs and all the poems and all the masterpieces
taken together cannot capture an estimable description
of the pleasures that might be unearthed there.

There lies before us in our afflictions a vast and wondrous beauty
yet undisclosed behind the fog, and like a theatrical curtain
slowly pulled back to reveal a perfectly set stage
He will sublimely unveil it in His own directed time.

And we shall be elated at the view,
for it's against a backdrop of struggle and darkness
that the best and most moving of stories have always unfolded.

Maybe nothing truly beautiful can ever take form on earth
without the shroud of mystery and brokenness surrounding it—
at least not the kind of beauty that takes our breath away
and leaves us yearning to possess it.
~~~

"You have made known to me the path of life; You will fill me with joy
in Your presence, with eternal pleasures at Your right hand."  
~ Psalm 16:11

"O God, You are my God, earnestly I seek You; my soul thirsts for You, my body longs for You, in a dry and weary land where there is no water. I have seen You in the sanctuary and beheld Your power and Your glory. Because Your love is better than life, my lips will glorify You. I will praise You as long as I live, and in Your name I will lift up my hands. My soul will be satisfied as with the richest of foods; with singing lips my mouth will praise You. On my bed I remember You; I think of You through the watches of the night. Because You are my help, I sing in the shadow of Your wings. My soul clings to You; Your right hand upholds me."  
~ Psalm 63:1-8

"It was good for me to be afflicted so that I might learn Your decrees. The law from Your mouth is more precious to me than thousands of pieces of silver and gold."  
~ Psalm 119:71-72

"'Therefore I am now going to allure her; I will lead her into the desert and speak tenderly to her. There I will give her back her vineyards, and will make the Valley of Achor a door of hope. There she will sing as in the days of her youth...'"
~ Hosea 2:14-15
ryn Dec 2014
Whitest of white against the darkest of black
Tossed around in the biggest of waves; I'm but a tiny speck

Prominent like the moon out on a sunlit sky
Attempting to live again after every night I die

Time slips by... The days have come and then gone
Drawing the curtains of dusk; to unveil the arrival of dawn

To everything else we should be indifferent because for each other we truly care
At opposites we stand for I am here while you are there...
Bruised Orange Oct 2011
no curtain call for you.

you tried to
unveil sanity
but the show flopped.

nobody likes a bad actor.
playing with the 'adopt a metaphor' experiment, having some fun
Edwin F Lopez Nov 2012
This distance between you and me,
Feels like it's half a world and it just might be.
Wherever you are, or ever might go
Know that I'm still waiting for you.
Waiting to hold your hand in mine,
Embrace your sweet skin in my arms.
I wait for the day.

Beyond the frosted glass there you are,
Touch you I could not,
If I called you couldn't hear.
With no visible way of interaction,
Hope is lost for an ever after,
And my heart overweight.
I wait for the day.

Keep looking forward to the day we meet
For the light in our eyes shall brighten the sky again,
Move on forward and destiny might plan the day
When both our paths entwine and merge
Oh glorious day that day will be.
Forever and ever after might be written on my sheet.
I'll definitely wait for that day.

I'll patiently wait for that day
When we can indulge in our time,
Go through life together like a game
By earning achievements and ranks.
Grow old together and gross our kin
With the passion and love we share.
Oh how I keep waiting for the day.

When I see you out in the distance
Dashing as anyone could be
Not long now until we meet
And say hello and I'd love to spend my time with you,
Laugh and cuddle together under the mellow moon,
Watch the meteor shower and end the night with a kiss.
I've been waiting for the day.

Lights go out and the day turns into night.
A hint of light coming from a corner
The curtains open and unveil
I'm all alone in the moonlit night,
Thinking about the days I lie waiting for you.
Avarious Ignis Ragnarok 10/31/12
norris rolle Apr 2011
.
Mystery woman, without a face.
hard to find. without a trace.
Romantic magic - pure illusion.
Finding her will cure confusion.
Enigmatic. Hidden treasure,
Somewhere out there in the world
Her worth and value can't be measured
Better than diamonds and pearls.
Mystery woman gat me wonderin'
If she really does exist.
So many moons i have been ponderin'
Did i somehow hit and miss.
Did i find her and mistreat her?
Did she have some sort of mask?
Did my attitude defeat her?
Was i just too much a task?
Mystery woman show me plainly
Who you are and where you be,
Cause i am runnin' round insanely
To unveil this mystery.
Sharina Saad May 2013
Feelings are within you
In your deepest heart and soul
Feelings are felt and seen
By those who only feel for you

Feelings unheard troubles the mind
Feelings unread torches the softest heart
Feelings unvoiced torments your soul..
Feelings uninterpreted, unanswered...
Killing you.. killing you softly , suicidal love..

Feelings are words unspoken
Feelings are invisible touches
Feelings are unseen caresses..
Feelings are shared dreams unfulfilled
But feelings are continuous...
Reflections of heart, life, love and soul...

Hidden feelings ... pathetic souls
Blinded kisses... numb and cold..
Unveil... unveil...
Let the magical love be revealed....
Laura Robin Nov 2012
this door exists,
stately and staunchly it stands,
disheartening and terrifying it remains.
the door is unlocked, yet cannot be opened,
for in it, a path in time...
one decision that can affect everything
[such as my choice to wear the necklace you adore,
which lead to you noticing me for the very first time,
or my idea to play you the song that you fell in love with,
which i can no longer listen to]
...for in this door, one path
is intimidatingly located.

every bone in my body,
every last muscle, tendon, ligament
each artery, each vein, each capillary
every single nerve,
even each microscopic cell,
implores me not to open this tempting door...

[it is almost as if my hand refuses to grasp the handle,
to unleash the unknown upon me,
the colossal chain of events that would ensue]

the immensity of the unfamiliar,
the unexplored,
tends to perturb me.
change is unnerving
and is almost as chilling
as an abandoned graveyard at midnight.

but i bring my mind back to the door,
yes! this preposterous door that i have contrived for myself.
why is the **** so easily turned?
why does it not put up somewhat of a fight,
at least jolt me suddenly,
as to frighten my curious heart?
it is a constant battle between my body
my mind
and my heart
as to which doors to open
and which ones to leave ever so steadfastly closed.
but never once has there been such a struggle
for them to reach an understanding.

somehow my heart,
[even though a fraction of me,
a fist, dripping in blood]
is prevailing for the moment.
my heart reaches for the handle,
attempts to unclose the door...
yet, with the best of its ability,
withstanding my strong-willed
and obstinate heart,
my powerful body and commanding mind
overcome this hostile takeover,
and the door remains shut.

it is my body,
my skillful mouth,
my soft, rose lips,
my elegant tongue,
and my vocal chords...
all of these pieces must
contrive the words,
conceive the change,
which will unveil the path that will forever alter us...

slowly, opening the door.

being as in love with you as i am,
i will not let you slip away from my arms right now.
but when we are not together
[i wish you’d have been there,
i needed you there
]
i stare at this humbling door.

if i wait too long, i’ll forever lose you;
for it is you who will make this choice for me,
opening your own door, fearless and dauntless.
Alyssa Underwood Nov 2015
There lies before us in our afflictions a vast and wondrous beauty
yet undisclosed behind the fog, and like a theatrical curtain
slowly pulled back to reveal a perfectly set stage
God will sublimely unveil it in His own directed time.

And we shall be elated at the view,
for it's against a backdrop of struggle and darkness
that the best and most moving of stories have always unfolded.

Maybe nothing truly beautiful can ever take form on earth
without the shroud of mystery and brokenness surrounding it—
at least not the kind of beauty that takes our breath away
and leaves us yearning to possess it.
"'Therefore I am now going to allure her; I will lead her into the desert and speak tenderly to her. There I will give her back her vineyards, and will make the Valley of Achor a door of hope. There she will sing as in the days of her youth...'"  
~ Hosea 2:14-15
Damian Acosta Jan 2014
Life and non-Life are part of a system-- a "system-like" system, but one nonetheless.
Where Entropy's that which is hidden from us--
and Information without meaning is total chaos.
But hold.

Poets, Bards & Thieves.
Of shame, of game, of blame, they speak
of secrets on the leaves.
In more or less a drunken mess, their simmered shimmered consciousness
could barely rarely quite express what causes them to grieve.

After some hesitation and liquid persuasion, the only collusion this final conclusion:

*Pain is entropic; Extra-sensory stimulation
received as distortion via sensory limitations--
Confusing the mind refusing the signs, forcing us to shutter the blinds.
But what is behind? Unveil pain's curtain and what do we find?
Contextualisation, possible causation-- Mind-Body integration without hesitation--
palpable, abstract Information dissemination!
AmberLynne May 2014
On occasion I'll look over
only to find you already gazing
right back at me.

"What are you looking at?"
                                 I'll question,
getting shy under your gaze,
afraid your scrutiny will unveil
all the flaws I hope you never see.

You always say something most
flattering in return, such as,
          "only the most beautiful girl
                       in all the world."

And sometimes,
                 sometimes,
you'll ask me,
                "why are you so beautiful?"
And I always,
                always
reply back,
               "for you, sir."

And it's true, for you see,
       it seems I have fallen
                quite
         madly
                      in
             love
                with you, my sir.
Ovi-Odiete Jul 2016
OH NIGHT OH MONSTROUS NIGHT
~•~•~•~•~•~•

Upon a darkened night
Flames of love burning in mystic depths
Fleeing as
  *INFERNO RISES

And by the darkest Shroud
She fled her house
Immersing in the night
In a rainy*  MYSTERY NIGHT
while all sleep beneath a strange moonlight

Upon a darkened soul
Flames of love burning in glowing sight
As secrets hidden unveil into the night
And with the moonlight beam
She waited still
While counting all the stars
The Glow consumed her soul
While all in quiet rest


Upon a darkened heart
Flames of love burning into sea waves
As flames consumes her mind
And by the
  STARS GUIDING NEAR
She fled herself
Flying into the* *NIGHT

The flames consumed her heart
And left it darkened still

Oh Night Oh Monstrous night
Oh NIGHT UNVEIL THYSELF
Oh shadows of the night
Tiptoe into my presence slowly
Oh night watch my quivering heart
Oh Night appease my shivering Soul
Oh Night caress my weary mind
OH NIGHT OH MONSTROUS NIGHT
Oh Night Reveal thine masked face


Oh Night Arise, Unveil the hidden STARS
Unmask the MOONLESS NIGHT
Oh Night Oh Monstrous Night!!!
Oh Calm Oh Calm of night
Rock me as I fly searching for thine face
Sing for me lullabies of THE WITCHING HOUR
Oh Night Oh Shadows of night deep
Elude the bane and miseries untold


OH NIGHT OH MONSTROUS NIGHT

OH MONSTROUS NIGHT

*OVI ODIETE©
A Poem invoked by watching the moon and by listening to Lorenna Mckennith song "THE DARK NIGHT OF THE SOUL"
Valentine Mbagu Oct 2013
When the struggles and grudges of life weakens me down to my bones and marrows,
And l have none to strengthen me;
The grace of praise l embrace will quicken and be my strength.
When the devil fires an arrow of sorrow towards me,
ln order to narrow my passion for the vision of my mission in life;
The grace of praise l embrace will be my shield.

When the challenges and pains of life groomed in fears,
Strains my heart to rain down tears;
And l have none to comfort me;
The grace of praise l embrace will be my comfort.
When life seems so tough and my challenges becomes too hot to bear,
And l have none to bear my burdens with me;
The grace of praise l embrace will be my refuge.

When my enemies channels their weapons of destruction and distraction towards me,
ln order for me to leave my dreams, visions and life ambitions unpushed,
The grace of praise l embrace will shield me and inspire me never to retire until l am discovered.

When l am frustrated, distressed and stressed in the battles of life,
And l have none to console or encourage me to move ahead;
The grace of praise l embrace will be my fortress and my solace.
When my feet becomes feeble in the faculty of life,
And l have none to uphold me to be strong;
The grace of praise l embrace will be my strength and shelter.

When temptation, trials and tribulation engulfs me like a mother hen engulfs her chicks,
And l have none to unveil me;
The grace of praise l embrace will unveil me and announce me to my world.
When l am battered, shattered and scattered in the battles of life,
And l have none to come to my rescue;
The grace of praise l embrace will gather me up and put me together.

When l kneel before the creator and maker of heaven and earth in prayer,
And l know not how to present my matters before him;
The grace of praise l embrace will speak on my behalf.
When l am knocked down on my feet by the struggles and battles of this life,
And l have none to raise me up;
The grace of praise l embrace will raise me up.
devi Oct 2018
— - —
Call it magic if you may
the sun, the moon’s pray

Constantly chasing each other
day after night, night after day

Such a perfect contradiction they make

Putting together the right ingredients
to complement each coloured ray

When one were to fall the other
would silently rise, filling its place

With every small step they take,
synchronicity follows without ever
missing a beat

So on they move

Completely balanced,
without anybody taking the lead

In the beauty they unfold upon us
this has to be
one of the most wondrous spectacles
if you ask me

Words are unable to measure
by any means their lightning show
how they glow with a radiance
that highlights their power and control

Or how they never let
each other down
Or stand in each other’s sway

No envy I feel
nor does appreciate is able to say

The truths about their nature,
always ready to unveil
hidden in every passage lay
the constant sacrifices they have made

The forces that pulls
each other so close
the same it pushes away, too

If one steps out of place,
all falls out of space and will be let loose

With lightyears of travelling
they unified their bond but are still
bound to live in separation

I admire you,
from a far

An admiration so magnificent
it cannot be free
One of the most magical things
enabling us to see

Right on time
as ever so soon

The dance
between the sun and the moon.
— - —
a mere spectator
ConnectHook Sep 2015
Dear diabolic debutante / Spawn of the unfathomable abyss of blackness / Daughter of dreadful dead desire / Black-shrouded sinister sister of celestial gloom before whose imperious gaze the heavens fall silent / Whip-lash girl-child of the graves whose pallid visage kindles the myriad infernal fires / Autocratic vampiress of lunar doom whose winding-cloth enfolds the thousand horrors of blood-drenched nightmare / Thou that wanderest the cypress-crested hills of funereal necropolises / Whose icy glance cracks the ungraven tombstones of utter desolation / Empress of night and madness / Who stalks the locked and shadowed hallways of unhallowed thought / Whose burial-boat glides the still waters over Lethe’s silent depths to the unglimpsed isle of eternal mourning / Whose parapets tower above the fiefdoms of quotidian banality / Whose flying buttresses overlook the Stygian waters of the forgotten drowned denizens of damnation / Whose unshackled dungeons open to worlds of regal splendor / Whose spires pierce dark skies where oblivion buries the ruined cities of revelry under the drifting clouds of leaden time / Oh maiden of melancholic alchemy whose petrified passions transmute base metal into pure gold…

May the gibbous moon of equinox shine its baleful eye upon you; may you tread in sacramental calm the winding starlit paths of somnolent cemeteries; may my unmixed metaphors unveil in delirium their parabolic mysteries before the smoldering altar of your uninterpretable allegory; may the favor of your scorn forever lay me out, embalmed, undead, on the cold stone of merciless reality. Behold: in cryptic script of spectral apparition, in tracery of coded illumination, amidst the dawning rays of torment I write thine unknown name on the threshold of daylight. And from within the mortared wall of self I speak forth from my sepulcher the Sibylline utterance,
unsought, unheard, undreamt:

JUST WANTED TO SAY ‘HI’ !

http://tinyurl.com/og3so8a
♥♥♥
Alyssa Underwood Jul 2016
Come after me, O glorious Divine Possessor.
Conquer, shackle, and entomb my straying,
faithless affections in Your love once more.
Sweep me up into Your strong and jealous
embrace till my heart is fully bent toward Yours.
Have Your way with me until it is all I desire,
until You are all I desire, Lord Jesus.
Unveil me, uncover me and unbind me
before Your penetrating eyes, the perfect gaze
of You with Whom alone I have to do.
Awaken me until I am wholly abandoned
to Your pleasure, completely responsive
to Your touch, utterly enraptured,
enthralled and entangled with You.
Break me for Your glory, sovereign Lord.
Pierce my soul to its deepest hidden parts
and pour Yourself into me until You have
totally claimed me as Your own possession,
Your willing captive, until there is no delight
in my heart but You and Your delight.
O Holy One above, set me to burning!
Inspired by John Donne's Holy Sonnet XIV
Allyson Walsh Nov 2015
An era of feminism,
Which should never be questioned.
Empowering women
To strive, and strive again.

We speak of desexualization.
To free the ******,
Unveil carnal harassment,
And speak our minds.

But we can be sightless
Toward the sexualization of man.
The way we view testosterone
As broad shoulders and shirtlessness.

Do not sift through my words!
I believe in the power feminism.
But I am disappointed
With the sexualization of man.

We're determined to trump the blurred *****...
Yet drool over a man in Calvin Klein.
We frown upon the "Perfect Body" campaign...
But applaud a "built" man.

I wish for bodies to be just that:
Bodies.
For sexualized men and women
To be more than carved features.
For myself

This may backfire but I will speak my mind (as I always do).
Oh, I know not!
I see not, and master not!
Why t'is caprice - t'is tender whim, is unwilling
to unveil my soul, conquering it with
mounds and plates of rapturous
yet canonical attention. How I dread
such falsehood! Strong, strong falsehood!
What an inconsiderate urgency! A matter, matter of the heart -
as mighty as it probably is, of its own accord! How serious
t'is would be! I am suffrage; and akin to its vigour areth my laugh,
and joy - I would be hatred if none cameth to stop my pace;
my frosty haze; and t'is gruesome maze! Yes, I would but be,
in th' length of some furt'er days!
I shalt no more be of t'is delight, and clustered inside my gloom,
pressed to th' walls of dainty loom; from which I shalt never
be comely enough to be granted an escape.
How terrifying t'ose scenes areth, to me! A poet as I am,
unenviable is my littleness, and humility; to t'ose who glare with jealousy
at pangs of my laughter, and childlike demands - as how t'ey always
chastised during t'eir coincidental encounters. But I am blessed!
I am blessed by my words - and t'ese cheerful, yet unending poems -
as unlike t'em I am, ungrateful and vile beings, flocking to th' church
only for th' sake of brand-new dowry, and enforced blessings.
Murderers of peace! Sons and daughters of vice! But I am convinced
t'at virtue shalt forever tower over t'em; and in th' right time t'ey shalt
be pulled off t'eir horses, and unedifying pleasantry. And goodness
shalt t'en win! For truth never bears t'eir unfaithful boasts, just like
it hates t'eir dishonesty; which so insistingly frosts me
with atrocity within 'tis lungs, and so soon as doth it start to cling stronger -
abashed shalt I be! Incarcerated shalt be my front, and dutiful
countenance - in t'at gross conflagration with secular flatness,
hesitations, and worldly doubts, in which yon grotesque salutation, corroborating
'tis assailed countenance, gouty and drained by rightful mockery;
comes but to avenge my love, my wondrous love -
which yesterday was dazzling and dripping fast
but contentiously, like a ripe cherry. Like a small burst of wine
craved by scholarly epicures, t'is feeling but anonymously grips
my lips, trembles my heart, and distracts my limbs;
should I be to think of thee, I shan't but be away
from t'is nauseatedness, of regrets, again! My thee, my thee,
areth thou truly gazing at me from afar? With fascination in thy stares,
wilt thou bestow me such destiny I hath been so desirous of - my dear?
And with thy serene, bulbous eyes - t'at sea of blackness
basked in marred turmoil - ah, a sign but of peace after such fire! - wilt thou
mould thy mind, thy stony mind, like a black-painted rose,
to throw at my being, just one, voluntary glance?
I am but anxious, my love, how I shake all over
with unreturned passion like t'is, my blood is circling
in distorting, yet irrepressible agitation.
How I wish t'at thou could be here, and rendereth me safe, in solely
but thy arms, my love! And shalt thou be my giddy knight - I entreat!
In my unmothered dreams, and t'eir precocious brambles - on t'ose journeys
of loom, doth I fear not, for thou shalt be t'ere to mirthfully comfort me.
And off shalt I fly again, to greet th' thoughtful morning!
But ought I to leaveth my dreams now; for thou canst be here to celebrate
t'is snowy day, and lift me onto triumph! And how I wisheth to cast away
t'is imprisonment, how I longeth for but thee here - just thee, remember t'at,
o but hark to my swift whisper, t'at calls only for thy name, my love!
How aggravated, and corrupted my conscience wilt be -
within th' membranes of my brain; t'eir hardship is severed by thy unpresence.
My love, o my restrained - single love, t'is ode that lights my soul
shalt illuminate thine; and 'tis long words - threads woven along
an abstracted lullaby, and vanquished by silent accusations, from thy, thy mouth!
A well t'at is perilous in its standing - standing like a torch, unruptured
albeit neglected, innocent in 'tis acute forlornness. Poor misery!
Hark, hark, my love - how t'ose dames, irresolute in t'eir volatility, and
charms of miraculous beauty - but tumultous inside, entranced by fear
of losing which, as so graciously raved and ranted all over th' year!
Th' dreary years - which th' above phrase caused me to be well-reminded,
and duly recall how t'eir sickening remorse tossed me around; and decreed
my jests of dread, sickness, and disdain - surges, and waves of animosity
wert but all about me. But how they areth happening again! Amongst th' snow -
running about as t'ey art, t'ose heartless, indignant creatures -
blind to th' tenderness of nature, bland and untouched by its shrieks, and
flickering toil! How I wish to save it, but incapable as I am - a minuscule shadow
of early womanhood t'at I own, I choose to stay distant,
and pray for t'eir impossible atonement, somehow, before t'ey entereth
t'eir silent graves. How t'ose ghosts of malice areth in no way acquainted
with th' woes of th' churchyard, and th' grimness of death - I declare!
How unafraid t'ey are, sacrificing t'is coherent life for such courses
of abomination. Victories upon th' misery of others,
dances to mourning songs, how evil! But I wish for t'eir salvation,
for t'ey art unable to even salve t'eir poor selves. I shalt be fervent
in my generosity, for 'tis th' most rewarding part of humanity;
I shalt be but a faithful servant to my innocuous nature. I adoreth my nature
just the way 'tis, and I shalt build its madly-scarred way back; with tons
of brightness, care, and hearty bliss! Yes, my love, my bliss - which inhabits
th' entire space of my maturity and unmolested passion. Inapprehensible as it is,
I am but to win its grace, and t'erefore thee - just as I hath so ardently dreameth of -
as heretofore, and shalt thou but be saluted and fended for
by my, my sincere and unbinding, affection.
ms reluctance Apr 2014
I attempted to
ensnare my darkest desires
with the help of dreamcatchers.

Filter out all those
recycled thoughts to unveil
a pipe dream that is just mine.
NaPoWriMo Day 12
Poetry form: Sedoka
Valsa George Mar 2018
‘LOVE’ – What mystique power it wields
In what myriad guise it wraps!
At times a sweet ache so coy to reveal
Or a sudden urge, hard to unveil

Sometimes a deep sensation
A strong surge of emotion
Permeating every atom
Pervading from top to bottom

It heightens the pulse
And makes every nerve convulse
It has left kingdoms fall asunder
And many a mighty man - surrender

Often, like dew drops falling from above
Or the warbling notes flowing out from the grove
It leaves the heart go upbeat in prosody
Changing every sensation into rhapsody

As beams of silver cast by the moon
Or the cold touch of spray in the horrid heat of noon
It soothes, embalms and thrills the heart
Filling the void and leaving no dearth

Love sublime, sure like a candle lit
Consumes itself, and never dwindles a bit
It dispels the gloom and dissipates the fright
Invigorating the soul and healing every hurt

As brilliance to stars, fragrance to flowers
Music to flute or shade to bowers
Love is to Man, freeing him from all sores
Bestowing him the strength to meet all throes

Love can neither be beguiled nor disguised
Nor be stifled or be construed
Love puts all other things into place
And hems life with a lovely lace

Love is all we seek and too scarce to find
A magic thread by which hearts are bound
Hark! It is love that makes the world spin around
And cures all the ills that surround

Oh! Love thou virtues I will defend
Ashlie Dene' Nov 2013
Not long before you came around,
An empty heart and lost soul were found.
He who stood where you do now,
Our hearts and souls that took a vow.
Our given trust, our emotions ran deep,
A quickened clock, rushed to weep.
Then came time to speak the mind,
Looking for words I could not find.
Before your breath could unveil the truth,
Before my heart held its proof,
Words were spoken in my ear,
Heart wrenching words I’d always feared.
With heavy limbs, cheeks soaked and red,
Air meaningless, life was dead.
Like the few others who came before,
The ones who just walked out the door,
Its strength and power held within,
That picks one up to start again.
As strength grows, the heart soon finding,
Where you stand now, two hearts binding.
Forgetting scars I once knew,
Every time that I’m with you,
Like an open book you read so well,
Reading page after page you can always tell.
Like the words are written on my face,
All those worries, gone, without a trace.
Time now passes, weeks go by,
Remembering that incredible Fourth of July,
No matter the time, no matter the day,
My feelings for you could never be pushed away.
The more days past the more I knew,
I would never again, meet anyone quite like you.
Butterflies in my stomach I couldn’t believe,
That months would go, yet, I still perceived,
That you still felt the way you did,
On that fourth when all fears hid.
But...
Without a warning, no doubt at all
You took a step back, you shielded you wall
From your actions, my heart plundered
The more time passed, the more I wondered.
Where you went, and why you shut down.
Why the hell were you not around.
All I saw was an empty shell
Thoughts of the past, you couldn’t dispel.
Put in a place you didn’t belong
Finally a decision you could no longer prolong.
Two years pushed you, broke you down inside
Two years taken, that you couldn’t rewind.
Past all the feelings, in the back of my mind,
Remembering why, I let my heart become blind.
Being reminded as time passed,
Knowing what we have, might not last.
Ticking time hit the clock,
I cannot run, I cannot walk,
Away from time which haunts me so.
Away from heartache, I’ve come to know.
Every moment spent with you,
Another memory I won’t undo.
I’ve grown so close, in fact too much,
Close to something I cannot touch.
They pass again, the hands of time,
And I hate the way there is no rhyme,
No rhyme, no reason, I’m left behind.
Praying… wanting time to just rewind.
Watching you leave, my heart feels death
Feeling our last kiss, our final breaths.
Keep in your mind, always know
That is was time, that let us grow
That is wasn’t long before you came around,
It was my heart and soul that you found.
No one can stand where you do now,
Because my heart and soul took a vow.
A given trust, emotions ran deep,
These are words to remember, words to keep.
<3   <3   <3   <3   <3
Time let me see, something I felt… something I already knew
The moment you walked away, I realized just how much…
I truly loved you.
If you choose to share this, I ask that you quote me. This was a piece of art that took two months to write and years to edit. Thank you and I hope you enjoy.
judy smith Sep 2016
Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Eggore Dec 2013
Juice. I want to drink
Essence. I want to feel
Discover, let it unveil
My pearl, I wont let it sink

In a spontaneous grasp
It's like carrying this mass—
Hive of feelings
Arya Arun Jul 2014
STRANDED

Shards of glass and scraps of metal
As the sand finally settled
I stared at the plane; a total wreck
Stranded, in hot soup we had landed

Quickly, we fled
Thoughtlessly, we ****** ahead,
Onto a lost, unknown trail
Unaware of what time would unveil

Days flew by without notice,
Every drop of water was bliss
Several miles away from home,
Stranded in what could be our tomb.

Tears rolled down our cheeks
Definitely, our future was bleak
Death was hiding under every stone
We were terrified, hungry and cold

We soon got bored
Our hopes were dashed
The situation was rather like a game show
We were stranded and so full of woe

Soon, Superman came,
But it was nothing like the video games.
Oh, at least we were alright,
Far, far away from the crash site

We were soon in the limelight,
Part of international affairs, just overnight
With parents, we reunited
No longer stranded, but certainly undecided
Loosely based on the book Walkabout
1975 Art Institute is tactic for Odysseus to put off dealing with real world also investigate range of visual techniques gay instructor fruitlessly endeavors to ****** him he enjoys several affairs with beautiful girls yet Bayli haunts him main building of school is connected behind Art Institute of Chicago Odysseus spends lots of time looking at paintings Edward Hopper’s “Nighthawks” Gustave Caillebotte’s “Paris Street Rainy Day” Ivan Albright’s “Portrait of Dorian Gray” Jackson *******’s “Greyed Rainbow” Georgia O’Keeffe’s “Black Cross New Mexico” Francis Bacon’s “Figure with Meat” Pablo Picasso’s “The Old Guitarist” Balthus’s “Solitaire” Claude Monet’s “Stacks of Wheat” Paul Cezanne’s “The Bathers” Vincent Van Gogh’s “Self-Portrait” Edouard Manet’s “The Mocking of Christ” Henri Toulouse-Lautrec’s “At the Moulin Rouge” Robert Rauschenberg’s “Photograph” Mary Cassatt’s “The Child’s Bath” Peter Blume’s “The Rock” Ed Paschke’s “Mid America” Grant Wood’s “American Gothic” Jasper John’s “Near the Lagoon” and John Singer Sargent James McNeill Whistler Diego Rivera Marsden Hartley Thomas Eakins Winslow Homer his 2nd year at Art Institute involves student teaching during day then at night working as waiter at Ivanhoe Restaurant and Theater gay managers teach him to make Caesar salad tableside and other flamboyant tasks wait staff are all gay men once more Odysseus experiences bias from homosexual regime he is assigned restaurant’s slowest sections it bothers him the way some gay men venomously condescend women and their bodies Odysseus loves women especially their bodies he thinks about how much easier his life would be if he was gay in 1976 the art world is managed by gay curators gay art dealers he wonders if he could be gay yet not realize it can a person be gay but not attracted to one’s own ***? Ivanhoe hires variety of night club acts one night he watches Tom Waits perform on piano in lounge Odysseus feels inspired in 1977 he graduates with teacher’s certification he considers all the sacrifices teachers make and humiliating salaries they put up with he does not want to teach candidly he feels he has nothing yet to teach teaching degree was Mom’s idea Odysseus wants to learn grow paint after Art Institute he flip-flops between styles his artwork suffers from too much schooling and scholastic practice it takes years to find his own voice he has tendency to be self-effacing put himself down often he will declare what do i know? i’m just a stupid painter one topic artists do not like talking about is their failures how much money they cost creation requires resource paint and canvas can be expensive how much money is spent on harebrained ideas that never pan out? most artists resort to cheap or used materials few can afford their dreams he gets job selling encyclopedias that job lasts about 5 weeks then he finds job selling posters at framing store on Broadway between Barry and Wellington Salvador Dali Escher Claude Monet prints are the rage his manager accuse him of lacking initiative being spacey after several months he gets laid off he finds job waiting tables during lunch shift at busy downtown restaurant other waiters are mostly old men from Europe they play cards with each other in between shifts teach Odysseus how to carry 6 hot plates on one arm and 2 in his other hand the job is hectic but money is good experience educates differently than books and college a university degree cannot teach what working in the real world confronts people learn most when they are nobodies he reads Sartre’s “Being And Nothingness” he wants to discover who he is by finding out who he is not often he rides bicycle along lakefront taking different routes sometimes following behind an anonymous bicyclist possibly to come across new way he does not know or to marvel at another person’s interest

truth is this life is too difficult for me the violence hatred turf wars tribalism laws judgments practices rules permits history i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world i’m sorry am i repeating myself i apologize i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world god please protect teach me strength courage fairness compassion wisdom love i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world

buy divinity purchase devotion earn reward points own 4 bedroom loft with roof garden deck porch pool parking in paradise’s gated community pay for exclusive membership into sainthood become part of inner circle influence determine fate destiny of everything step up to the plate sign on the line immortalize yourself feel the privileges of eternal holiness i’m living inside a nightmare inside a nightmare inside a nightmare hello? i am dizzy in my own self-deceptions lost in my own self-deceptions alone in my own self-deceptions there was a time once but that time is gone there was a place once but that place has vanished there was a life once but that life is spent remember when things were different truth is i’m weak skittish anxious alienated paranoid scared to death pagan idiot stop

breath deeply push stale air out imagine kinder more respectful loving world please god do your stuff angels throw your weight around clean up this mess planets align stars shine ancient spirits raise your voices magic work there are words when spoken can change everything words rooted to spiritual nerves if voiced in  particular order secret passwords capable of setting off persuasions in the mind threads to the heart if a person can figure out which words what order tone of voice rate of pronunciation time of day then that person can summon powers of the supernatural Isis goddess of celestial sway of words whisper secret earth water fire air reveal your alchemy winter spring summer autumn teach about passages patterns sublime eastern western sun fickle moody moon unveil your heavenly equation north south east west  beat the drums blow winds show the path to healing path of the heart blood dirt hair *** bare the mystery of your trance dance the ghost dance sacred woman with ovaries cycles flow smell beautiful girl eyes sweetness strange awkward skinny scruffy boy great bear spirit bird jumping fish wise turtle where are you why is there no one to back me? jean paul sartre what was your last thought before you died? was it nausea? nothingness? or a wish?
Ahmad Cox Aug 2012
Unveiled riches await
They await in our hearts
We just have to know
How to access them
We tend to focus
So much on the physical
On the material
Focusing on money
And material wealth
That we tend to neglect
Our spiritual gifts
And our spiritual treasures
Sharing our riches with others
Who might not have
As many riches as we do
Sharing ourselves with others
Until our hearts are bursting
And overflowing
With kindness
With mercy
With love
Its when
We have
Found
These gifts
And when
We are willing
To share them with
Openly and honestly
That we will have truly
Unveiled the greatest riches of all

Another adopted metaphor
Cain Oct 2012
Once again a still sunrise,
Quite too much to my surprise;
Now no longer the same reprise,
Never believing in fate's demise.

Once again awaits the sun,
Otherworldly; waits for none;
Terrestrial battles with wars unsung,
The time is now, and has begun.

Once waves of calamity striking the coast,
Now sinking caravels with swift riposte;
This paves the insanity to roads of most,
No graves on marvels without a host.

My ambiguous ocean, bounds not to the throes,
An effluent river asks not where it goes;
But through frigid winters it finally froze,
Yet two rigid reasons -- it once again flows.

Your guess is as mine, for nobody knows,
This mess is divine, and to us it bestows;
Thrown into disaster, yet much room for prose,
We are the ship-masters -- and everyone rows.

So set my oars down, and go for the sails,
Open your eyes, ears & mind; there is no trail;
Wandering didactic wisp you will find, futility of 'fail',
Galactic inhale, cosmic exhale, maybe then will the true path unveil.

So leave nasty mates; abandon the ship,
No mutiny required, just let the wreck tip,
As though through spread fingers they suddenly slip,
Though red feelings linger, you find your own grip.

Then leave folly habits -- straight at the shore,
Shut it & lock it, and close the **** door;
There always are options -- endless possibilities to explore,
Just activate your wings, open wide--soar.

Glad once again, for another sunset,
What you pursue is what you will get;
So forget calumet, anisette & cigarettes,
Simply don't fret -- paint vignettes with no regrets.
Paul Butters Jan 2011
My head feels dull.
Not even “comfortably numb”.
No mood for rhyme
Yet must cast my soul
Back through time.

No.
No more rhyme.
Just cast my mind back.
Seek that spark.
Call out my Muse.
Be inspired.
Excited.
Yes.

Excitement shines
Like a billion suns.
The merest touch
Explodes
My every nerve.

Magical mysteries
Unveil themselves.
Brilliant, fluttering butterflies
Flash and flicker
Those rainbow colours and more.

Deep inspiration.
Adrenaline rush.
Electrical discharge.
Cascading sweat.

Thunder-drummed tornadoes.
Lightning storms.
Rose tinged dawns,
And silver-ghosted Moons.

Inspirational volcanoes
Of Muse-blown delight.
That’s how it was,
To be in Love.
(C) Paul Butters 2010. An attempt to show the "magic" (James Reeves) of poetry.
mxy Mar 2015
question: do we lose ourselves in the midst of romanticizing or do we unravel our true selves.

response: do we lose who we are in the idealistic view of our romantic quests or do we unveil a trait of ourselves that has been there all along? hiding behind the perfect life you saw yourself having before your heart shattered in little tiny pieces when your utopian view took on another perspective. recognizing yourself in a dark state that was clouded by your 'cherry-kissed' outlook on love, you see who you really are. the good, the bad, and the ugly transformed into the hopeless romantic who has only experienced their first heartbreak to then examine every characteristic of themselves and determine if they were 'in the wrong'. your romantic expectations turning you into someone you're not is the controversial topic. but what if it was just the romanticizing that grounded you and brought you back to reality? what if it was the romanticizing that expressed your honest self? what if it were for all of the childhood fantasies and teenage dreams that helped you realize who you want to be with? what if it were for all of the traumatic experiences and unfulfilled relationships  that helped you realize the person you truly are.
-mxy
bleh Dec 2014
'i've only ever really read one poem. i, i have to admit.*  
You know, that, that one poem that everyone’s read, whatsit,
Howl by Ginsberg, 'best-minds-of-my-generation-destroyed-by-madness,-starving-hyste­rical-naked,' , yeah, that one;'
'It's just, I identify with it so strongly.' she says,
'That poem is soo me.'
It's funny how commentary on a generation 60 odd years ago come across as timeless insights..
how we learn that true spirit of rebellion and counterculture three generations ago,
  as it is taught to us by two generation ago countercounterculture academics.
but I guess, inevitably
                                         we
                                                  return,
  to those half drowned pontifications inevitably decried into transcendental truth by the onward spilling ratchet of cultural recognition;
  that sense of universal oneness generated by the unwashed ramblings of beat-generation hipsters dense innuendo in run on sentences running, running from their upper-lower-middle-class New York homes and their privilege of true vacant meaninglessness and despair,
   to those nervous tucked in shirted clean shaven scholars swooning over the same seme drugged, melancholic bearded men profussing the deepest of opaque truths only found up the furthest reaches of their own *****.
  As we push through to our lectures, the mosaic in motion of blazer wearing mac-users and mac-pac wearing blazers,
  As we hysterically interpret the formatting conditions for our reports, which could hang in the balance of whether the dreams we once had will ever be actualised,
  As we felt lost and found and found and lost at those park benches under the stars, where occasional strangers strolled by offering sessions and life-stories,
  As we paid exorbitantly to get out of our parents homes, and into tin-can flats with broken windows, absentee landlords and cracked paint only held together by all the moss, (the empowerment that is wage slavery,) for in our youth, poverty is not an ever-present pejorative, but the rite of passage to show that we are alive,
  As rituals of manhood are defined by two things and two things only; how much insomnia one can accumulate to meet insane and inane deadlines, and how much one can illuminate the walls in ***** from all the beers, spirits, cheap wines and questionable home-brews,
  As the government dismantles the human-rights commission, and we nervously attend the rallies initiated by the radicals, and the man on the megaphone calls on the crowd to chant and we can only mumble and laugh nervously at ourselves,
  And when the next speaker runs onto stage feeling the need to plead to this already nervous, placid mass that this is in-fact a PEACEFUL PROTEST, and that we are all true patriots and they insist everyone start singing the national anthem and we all look down and we again mumble, or pretend somehow not to hear them,
  and when, in this biggest independent rally around a unified cause our generation's ever seen, we have never felt so alone ,
  and isolated,  
                                  we
                                             remember,
                                                                    those earlier days,
  When we'd bleach our hair; we'd poison ourselves white, in the vain mystic hope that this was just the transition period to the time when we'd get true colour into our lives,
  Remember our wonder at the Eurocentric Asiatic television representations of the Abrahamic faiths, given transubstantiated holy revival by the medium of Saturday morning digital pastel pasture; when we were children staring excited and wide eyed into the Metatrons Fire of Sinai 'Random Almighty Mega Damage'; as Dante and the seraph class Tyrant-infused-Michael inevitably made battle with YHWH, -in the one True End,- as we grinded within the monolithic emerald obsidian halls, Mystical wonderment spilling forth from our reddened hollow eyes, at the beautiful unlimited expansive world contained within our console/consoling digital unit discs; conformally mapped and etched into the convex hull of our minds,
  Where we were gods, doing battle with every possible creature in morphospace, filleted into overpriced cards and cartridges, for which our strategies meant so much to us though none of us really understood the game,
  When we could quote verbatim every piece of dialogue in GTA2, and get concerned glances from our parents as we conjured veiled imagery of bukake-ladled innuendo which we didn't really understand until six or seven years later,
  When sexuality was a special secret club our elders and the kids in the years above came across so wise for being a member of, rather than an anti-turing test; a farcical ritual where everyone tries their best to imitate the hyper-reality of MTV while hiding the nervous feelings that this whole thing was really meant for someone other than us,
  When creating a whole new lexicon for our self-hood (be it artistic, ******, political or philosophical) felt like existential emancipation; a transcendental rebellion against the normalising identities and semantics of old, rather than an impenetrable circle-**** taxonomy,
  When one day we'd unveil a new term in some text, and it would completely change our outlook on every corner of our lives,
  Or, the next day, when we'd give up and just sit back on rolling banks, and look out at a veil of stars,
  Or the next day, when we'd wonder desperate and painfully, which of the last two was the real pursuit and which was wasted time? (Or was it this day, the day spent building an illusory dialectic between them?)
  Remember when we were in kindergarden, and you had to pass through the kitchen, -the adults zone,- to get to the toilet, and you'd feel both shame and wonderment listening in of the snippets of conversation muttered by these titanic figures; discussing abstruse issues from the newspaper in foreign yet noble tongues?
  Remember when we were teens, and every form-checking observation and question from these same adults was so painstakingly pedantically banal and asinine, that one could only respond with monosyllabic grunts and silent hysterics?
  And remember as 'young adults', when we'd inevitably entered this same dull Aristotelian world of forms, how we'd ask the same adults for advice on filling these paperworks, at once still asemic gibberish, and at once the fine-print that contained and predicted our lives?
  Remember when our dreams for the future were not bounded by the economy of our grade point averages and just how much debt we were willing to incur
                                …
I've seen the best minds of my generation climb into pre-packaged little boxes; and pay through the teeth for the privilege of doing so.  
  Akin to a 'Howl' they call it? Our cry for selfhood? What a scream.
It's not even a cry. Barely a whimper.
More of a zombified groan, completely aware our intrepid Journey of Self is just a pricey guided tour. (Tv Ad's static commodified existential emancipatory platitudes; 'your place in the world' / 'well it's my place and it's my time' urgh.)
And so we march asleep; all lame all blind.
  Trudging through the mind-fields; arguing, unravelling the semantic distinctions between the empty boundaries and the boundaries of emptiness.
  Transcribed down for essay deadlines,  /  assessing our lives trajectory as dead lines,
Becoming increasingly aware,
  We are not the living beings, the dasein, the Übermenschen being actualised; we are the machinery through which the institutions, the factories, the markets and education facilities actualise themselves.
  (While the only acceptable language we can breathe in opposition to these ratcheting pedagogical machines is the lexicon they provide us..
  ('oh, you hate systemic neoliberal alienation; the deestablishment of ontological anthropocentrism? Tell me more about the esoteric uselessness of academic culture.') bluh.)

But

       the more we follow those phantom images we built of ourselves,
the more we become aware they are but sirens; hypnotic dreamlike figures luring us to our doom,
  and as this awareness dawns; and the cognitive dissonances and schizophrenia grows,
       We


                                just try to keep calm and carry on regardless.

Can we really claim the arrogance of having a better path?
The conceit that there's a better cliff we should be guiding ourselves to to top ourselves off?
I don't know,
I reaally
really
just don't know.
..i think i started out with a theme here, but it mostly devolved into venting.
      i finished another year of university recently. i'm not really sure to what extent higher education's given me perspective on life, and what extent it's simply annihilated what little i had.
   from my experiences of student culture, i feel our generation views itself as abandoned by the world, but to good for it anyway. We aren't the bohemians or beatniks or hippies or punks; our drinking and drugging ourselves to death isn't a counter-cultural high-minded rebellion. It's more a prideful self destructive egotism, a self derisive narcissism.   or something. i dunno.
  whether it's from cowardice or a more genuine scepticism, i certainly have no idea what i am (or ought to be) doing in/with/about this world.
ryn Nov 2015
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_______________________________
IIIIIIIIIIIIIIIIIIIIIII­IIIIIIIIIIIIIIIII
•                                                   •
•                                  ­                •
•turn the hourglass, let's start•
•i offer you... all  that's close•
•to my heart •  i'll unveil•
•to you  my  concrete•
•poetry......•so•
•let us•
•          b          •
•                e               •
•                   g                  •
•                  in this               •
•           30 day journey•         •
•witness  the fall... of each grain•
•through the words that i've lain•

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
*___­________
Concrete Poem 1 of 30

Tap on the hashtag "30daysofconcrete" below to view more offerings in the series. :)
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1732

My life closed twice before its close—
It yet remains to see
If Immortality unveil
A third event to me

So huge, so hopeless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.
Heliodoro Linna Nov 2013
Pacing in endless circles
Appearing to be chasing their tails
With nothing much to focus on,
Eyes reflecting haunted souls unveil
A ghost town abandoned long ago
With no signs of life and the dust
Rising up trying to hide the shame
Of a system which failed the public trust.
Street smells permeate the air;
Sanitation becomes a four-letter word.
There's no need for appetite here,
Not in this theater of the absurd,
And, well, I wouldn't feed the stuff
To my worst enemy if I had one.
It's a no-**** shelter with defunct inhabitants.
If resiliency of the spirit be overdone,
The ability to survive incredible odds,
Look at souls forever trapped in their cages.
As if to mock decency and humanity
The signs read "Patria o Muerte."
K Balachandran May 2014
Her cunning eyes
he spied, slyly write
the usual evaluation note
any guy is familiar:
"His eyes are right there
where the difference lies
grazing my curves
as if it is all his;
on the edge he is, I am sure
his eyes are heavily laden
with lust".His eyes,
are they any less?
"She has decided
in an instance to extract
a big price, need to conceal well
emotions like an unfinished sculpture,
till the exact time to unveil"
he gets his report, immediately acts,
her face falls with a thud.
Nick Kroger May 2014
The wind diverges the horizon boughs
into view finders of royal blue.
The flicker of the blue beyond washes to
brown sticks fettered with dry leaves.
Oh what cadence ensues,
From a bent bough and a
Sifting wind?  
If that limb but a will,
And that breeze but a pulse,
Harmony would hide in the
Heartbeat of an eternal summer.
Yet eternity suffers sterile sadness,
And cadence breeds a timid tempo
Of hollow trees against a grey sky.
So speak the world in discord,
Unveil blue skies from cacophonous trees of green,
And push the wind in hurricanes.
As wind and bough dance in perfect imbalance,
I admire the flicker of their countenance.
Tryst Jul 2014
Da Dum Da Dum - melodic sonnet beat,
Ten syllables on each and ev'ry line;
Enough to put the reader fast asleep,
And don't forget the **** thing has to rhyme.
Just fourteen lines exact, no more - no less,
To revel in some tantalising plot;
Two short quatrains endeavour to address,
And introduce the who, the where, the what.
Then just four lines to tell a second tale,
That wends and weaves on some tangential route,
To set the scene that leads to the unveil
As if the reader gives a flaming hoot!
       A rhyming couplet finishes the tryst,
       To hit them with that all important twist!
On the cold solstice
the velvet magnet
of Luna's magic
pulls

quietly urges

whispering
gentle spells
into dreamy ears

compelling
her lover
to rise
quixotically
coaxing
him from
the warm sleep
of winters
first night slumber

she summons
a willing lover
inviting him
to follow
her stark
alluring light
illuminating
the lonely blackness
of a bleak universe

her
seductive powers
transcends distances of
a thousand solstices

her
resounding light
a sure mark
braces any weakness
emboldens desire
guiding the bidden
to unforeseen
destinations

standing
in your presence
my face is flush
reflected by your
resplendent light

my heart
broiled
by your
vexing
radiance

the roiling tide
of a midnight reverie
ebbs
as my
earthen shadow
begins to pass
over your
indelible
whiteness

I witness
my dark countenance
eclipse your light

defiling you
fearing
to forever
mark your
effervescent silver
with the baseness of me

without shame
your smile
allays my fear

you understand
you anticipated
the expression
of my
coy reticence

a sweet chant
sings
unencumbered
reveries
gently
reassures
you've danced
through many
moonlit nights
with eager lovers
only to return again
in virginal whiteness
across the
endless cycles
of time

released
relieved
abandoning
all restraint
now
I
summon you

my blackness
your whiteness
breeds a
sensuous
orange
sweeter
then an
open mango

she rules the sky
a celestial monarch
forcing Mars into
a sheepish retreat
commanding
mighty Orion
to sheave his sword
while
Venus
seethes
with envy

my form
begins to swallow
your lines
and
soft curves

my blackness
disappears
into
inviting cracks

falling into
dark creases
the soft billows
sweet mounds
voluptuous craters
gay playgrounds
for my mouth
mysterious hillocks
eagerly explored
with hands and
limbered fingers

a quixotic Eros
the scent of spice
swells in my head

everything
enveloped
like a
holy ghost
playfully gaming
hide and seek
radiantly moving
through
darkened canopies
of a lush forest

nostrils fill
with
tang of spice
a scent
of Caribe

face buried
in thick tresses
of maddening blackness

becoming unhinged
by eyes speaking
a thousand languages
as lips whisper
joyous whimpers

a silent kiss
of an orange lit night
writhing bodies
splayed together

ravenous tendrils
shape sloping
cloud pillows

quivering lips
unveil smiles of
alabaster pearls

mocha darkness
sambas through
the night

she exhales
her lovers name

Luna bathes
her cinnamon curves
in delicious
mango light
offers generous
dollops
of ******

peeking
baying
drifting
I cast off
onto a sea
of lucid dreams

drinking from
a dark aureole
as the tresses
of her
sweetened nest
moistened my member
in a sacred communion
to a hungry lovers mouth

her dancers legs
slim, supple
unbounded
and open
sweet to taste
smooth
so soft
to touch

the fullness
of our rumba
se los tango
con cha cha cha

light steps
close caress
kinetic commotion
wild laughter
fills the sails
of bold schooners

Luna's smile
commands
the seas
to heave

un poco loco
ola de feliz
los hablamos
un contrara
la estas
la esta

the lavender sky
of the mornings
twilight
inspire
Meadowlarks
to herald
the emerging day

still
drunkenly swigging
loves nectar
sleep creeps closer

confessing
small regrets
she fell
victim
to passion again

Luna
comes back
to her lover
pets his chest
with delicate fingers

in a voice
as light as air
she sings
a poem
into his ear
of passionate nights
beauteous art
longing to express
heartfelt truths

The mango consumed
Luna's whiteness returns

my shadow recedes
into inconsequential
nothingness

naked
I stood
sadly witnessing
the dark horizon
overtaking
my fleeing lover
swallowing her
in tiny bits
as morning drops
a final veil
over the face
of a now
vanished love

Music Selection
Grant Green, Moon River

jbm
Oakland
1/19/11
Science, you beauty!
Be it the missions to Mars
or those yummy chocolate bars
Be it the gadgets we use, or the comfort of shoes
The magic of airplanes, or cars shooting down lanes
what have you not, in your armory got
what more will you show, to us bewildered does
Our jaws are on the floor, tingling in our toes
when you unveil your magic, we can only squawk like crows
Speechless and breathless, your discoveries leave us
Joy is ours, when you unveil the covers
of the magic of nature, that wickedly smart creature
Such is the comfort, that you have gifted us bummers
that we do as we please, lathering on the grease
no cause to hide, for we have science on our side!
Science, you beauty!
I, like Science and I cannot lie!
You other brothers can't deny
that when Science walks in, with its shiny toys
and a gadget in your face
You go bonkers
Wanna all out holler
that Science is really fly!

— The End —