Hello Poetry
Submit your work and get some sparkles! Create free account
"unsurprisingly" poems
Call yourself a friend of mine, Forcing me to “neck” beer and wine? Lovingly mixed with ***** and gin, And dash of ketchup added in, Wasabi for that extra kick - The whole thing just makes me sick! It’s not fun or cool or clever, But a study in peer pressure, Present in the world we live in, Where for a guy or girl to “give in”, Is expected for their reputation. But what kind of expectation, Is encouraged sado-masochism? A concept likely to cause a schism, For those who didn’t use their head, And unsurprisingly now are dead. I am sure as you will surely see, And the poet Dylan would agree, That as long as you ignore The deaths of one, two three and four How many, many, many more, Are needed til we scream and cry? “We caused too many youths to die!” And for what cause? Acceptance. Whose loss is needed for our repentance? It’s all well acting free and wild, But each of us is someone’s child - Whose loss would surely cause sadness, Hurt and pain and grief and madness? And stomaching death is much harder Than soap or dirt or grease or lard or Whatever miscellaneous things This activity inevitably brings. Just saying “no” might make you quiver But trust me; it’s better for your liver - And living x years sans hurt or maim Is worth > than 15 minutes of fame. So do the maths before you do it - Or else I bet you’ll likely rue it!
0
Feb 6, 2014
Feb 6, 2014 at 10:34 AM UTC
Neknominations are ********
My flesh crawls, and my blood flows As I attempt to turn to marble True stasis Homeostasis Oh to maintain beauty to be gawked by muses And to never have been alive, merely beings of retired faith But unsurprisingly, just as pointless I sigh… I may parish in mind and finally body But marble will diminish slowly ****** All while watched and attemptedly preserved I breathe. Homeostasis
0
Apr 17, 2018
Apr 17, 2018 at 1:56 PM UTC
Homeostasis
So that I can purge these feelings inside of me The feelings and urges Of recent heart cracks That make me Want to hurt you The solution it seems Unsurprisingly to me Is to Write More Words I don't need to talk. Talking is circles And friends agreeing With every view I see Even though my view Has been skewed By you. It's no secret I'm no fool So why do they do it? If I could just Gather these feelings On to a page Surely my rage Will subside And then Like a full body sigh Things will- ...feel lighter And you will be More memory Than constant reminder So here I am Madly scribbling All this time later These words Which allegedly Will release me From all the Convictions of you But I write with a pencil Just in case The seasons change and I should ever want to erase These documented tears And instead Pick up the phone And talk circles With a friend Or even talk circles With you.
0
Apr 15, 2017
Apr 15, 2017 at 8:18 PM UTC
I need to write words
The Picture Window The vista view never changes but daily. The naked eye, registers the same distances, resting objects unmoved, modest alterations by wind and water are noted, but for intent, for purpose, the watercolor one would paint be invariably unvarying as a Swiss Alp. The  subtle nuanced worldview, where the sky stretches from ceiling to a foot above ground, as I lay prone neath the coverlet, vista always subtly differing, from its prior reincarnation, self-reflection demands to know. Alive & Awake? Yes. Breathing steady? Yes. Toes? Still can wiggly to & fro. My soul? Presumably ok, as I write, because I write, the picture window into to my insight, though oft blurry, yet intact, making discernible the changes in light, temperature  and heart rate, as the body/soul contraption modulates, just as the gradient of daylight shifts lighter and higher, with a rising sun bringing more clarity to our interactive encounters with our environments.. The picture window internalized, much the same,as the vista, subtle modest changes, colorations variegated, are registered. Today is mostly cloudy overcast, and shall remain so for the foreseeable future, which be about two days hence. Not unsurprisingly, methinks, the future tends to be cloudy. Beyond that peripheral, no one can say, our macular envisioning only gets weaker,time is a tough taskmaster and uncertainty is it’s own principle. But I can say, forecast from well under the comforter, that more than less, where less is more, this picture window, ex and in, shall remain, unchanged for the remainder of my years that fortune shall provide, and will & would grant me awakenings to the ex-sight and in-sight of a sculpted landscape, of negative entropy,  where disorder minimal. My musings end here, unless you still wish, come the morrow, what the marrow the day reveals, what the window will spill, new and exciting, subtly unchanged, and always different. Caution: The injection of caffeine may dramatically alter the windows perspective, as the exogenous always trumps the endogenous. 5:50 AM P.S. Making coffee clarifies: If the vista in +/- unchanging, then, all my personal, own horizons are immortal as well.
0
Jun 4, 2023
Jun 4, 2023 at 6:34 AM UTC
The Picture Window
The Picture Window The vista view never changes but daily. The naked eye, registers the same distances, resting objects unmoved, modest alterations by wind and water are noted, but for intent, for purpose, the watercolor one would paint be invariably unvarying as a Swiss Alp. The  subtle nuanced worldview, where the sky stretches from ceiling to a foot above ground, as I lay prone neath the coverlet, vista always subtly differing, from its prior reincarnation, self-reflection demands to know. Alive & Awake? Yes. Breathing steady? Yes. Toes? Still can wiggly to & fro. My soul? Presumably ok, as I write, because I write, the picture window into to my insight, though oft blurry, yet intact, making discernible the changes in light, temperature  and heart rate, as the body/soul contraption modulates, just as the gradient of daylight shifts lighter and higher, with a rising sun bringing more clarity to our interactive encounters with our environments.. The picture window internalized, much the same,as the vista, subtle modest changes, colorations variegated, are registered. Today is mostly cloudy overcast, and shall remain so for the foreseeable future, which be about two days hence. Not unsurprisingly, methinks, the future tends to be cloudy. Beyond that peripheral, no one can say, our macular envisioning only gets weaker,time is a tough taskmaster and uncertainty is it’s own principle. But I can say, forecast from well under the comforter, that more than less, where less is more, this picture window, ex and in, shall remain, unchanged for the remainder of my years that fortune shall provide, and will & would grant me awakenings to the ex-sight and in-sight of a sculpted landscape, of negative entropy,  where disorder minimal. My musings end here, unless you still wish, come the morrow, what the marrow the day reveals, what the window will spill, new and exciting, subtly unchanged, and always different. Caution: The injection of caffeine may dramatically alter the windows perspective, as the exogenous always trumps the endogenous. 5:50 AM P.S. Making coffee clarifies: If the vista in +/- unchanging, then, all my personal, own horizons are immortal as well.
Continue reading...
36
weeding ‘n planting, (ten rows of garlic, waiting to bite caressing hands) <•> unsurprisingly to me garlic native to northeastern Iran, so says the arbiter-know-it-all, Senor Wikipedia did you know that, amongst us, a young woman whose back is bent, bent over, weeding and weeping, while picking, retrieving the fruit of the plain earths plane spending days retrieving spring-planted bulbs in the sun, a mysterious poet residing among us conjuring up poems and, **** even plants questions with granted permission asks a strangers gasping queries so simple she renders his body from soul, makes him disclose his crazy ill-at-ease showing his own general roots, slumbering deep in reddish brown soul’s earth one whose only great escape through the written poem when his back is straight, straight against the wall backed up, and ripe for the picking in reparation the favor will be returned three inquiries will be fedex’d if I ever learn her address for now, in the  throes of soil resting within, my need knowings just nurturing until the calendar declares time! harvesting is now when we ready shake hands when you say “here is the garlic tended, and here are our hands, bitten and caressed” till such time I get the answers from the farmer herself, I can patient wait further research needs original sources, till such time, make up tales that will hold in abeyance my half contented garlic dreams for was it not written centuries ago: Even After All this time The Sun never says to the Earth, "You owe me." Look What happens With a love like that, It lights the whole sky. Ḥāfeẓ-e Shīrāzī
0
Jun 3, 2018
Jun 3, 2018 at 11:05 AM UTC
weeding ‘n planting, with a love like that (ten rows of garlic, waiting to bite caressing hands)
weeding ‘n planting, (ten rows of garlic, waiting to bite caressing hands) <•> unsurprisingly to me garlic native to northeastern Iran, so says the arbiter-know-it-all, Senor Wikipedia did you know that, amongst us, a young woman whose back is bent, bent over, weeding and weeping, while picking, retrieving the fruit of the plain earths plane spending days retrieving spring-planted bulbs in the sun, a mysterious poet residing among us conjuring up poems and, **** even plants questions with granted permission asks a strangers gasping queries so simple she renders his body from soul, makes him disclose his crazy ill-at-ease showing his own general roots, slumbering deep in reddish brown soul’s earth one whose only great escape through the written poem when his back is straight, straight against the wall backed up, and ripe for the picking in reparation the favor will be returned three inquiries will be fedex’d if I ever learn her address for now, in the  throes of soil resting within, my need knowings just nurturing until the calendar declares time! harvesting is now when we ready shake hands when you say “here is the garlic tended, and here are our hands, bitten and caressed” till such time I get the answers from the farmer herself, I can patient wait further research needs original sources, till such time, make up tales that will hold in abeyance my half contented garlic dreams for was it not written centuries ago: Even After All this time The Sun never says to the Earth, "You owe me." Look What happens With a love like that, It lights the whole sky. Ḥāfeẓ-e Shīrāzī
Continue reading...
59
“Mistakes were made.” I quote at least three recent former U.S. Presidents, Who wrote or spoke infamously in the passive voice. Here’s a bit of history: The words spoken by automated phone systems, Were code written by computer programmers. Computer geeks, revered for their cold logic and impartiality; Like scientists taught to maintain objectivity, When studying fascinating subjects like Base-2 Binary Codes, Disk partitioning and hard drive defragmentation. Impersonal, the passive voice avoids sentiment, Steers clear of pesky opinions unfounded on certainty or proof. Unsurprisingly, the passive voice seeped quickly, Into the language of politicians, Our beloved rogues and rapscallions, Hiding truth, avoiding accountability and culpability. Practitioners of political science, They bob and weave and spin. Yes, mistakes were made.
0
Apr 13, 2015
Apr 13, 2015 at 8:11 PM UTC
"Mistakes Were Made"
"If I held myself to my resolutions, I would be twice ahead of the pack. Yet I find myself, perhaps unsurprisingly, bending the rules." and now I think to myself that I too am in the same predicament. and so I say, "What lofty goals of this world or the next do you aspire to? Those we share, we can accomplish together." And in the spoken language of prophets you replied: "let the shepherds of goodness upon the earth guide the hand of the ignoble, so that, in their ignorance, they may be of service to the light." But I hesitated; there was the smell of money on his breath... "Why not share our light across the channel we hold now to all brothers and sisters in need of light to shine from their eyes?"
0
Mar 16, 2021
Mar 16, 2021 at 2:19 AM UTC
Bent
We were young when we built our first house Each brick was a dream of ours And though the house was supported We built it too big. Too many empty halls, Too many empty rooms, So secrets began to check into them. And when these house guests gathered for breakfast Their welcome was outgrown. So our big house emptied, one by one And it seemed to be the end. But of course, we could always downsize. So we were still young when we built our second house This time, being much smaller But, unsurprisingly, This home didn't last long either. A huge storm arrived, And tore the boards apart Yet each gust was oh so tender, It was as if they came from your hands. And though I loved to be right, I hated being right about this.
0
Jul 31, 2017
Jul 31, 2017 at 8:02 PM UTC
our first house
no matter where i look my eyes seem to find you in the crowd of many amongst the plenty you are there and so am i but the space between is unsurprisingly wide i don’t want to let the words that once thrived within begin and continue so stop your looking because i'm trying not to find you and i know you aren't trying to find me stop your staring your eyes draw in more than they should and mine push away what they can't bare because i found myself thinking about you too much not a lot but too much in the context of too much too full too little too soon i found myself thinking about you too much and i don't know what to do
0
Oct 15, 2017
Oct 15, 2017 at 1:03 AM UTC
i found myself thinking about you too much
our host fears nothing more than he fears the rodeo. he is drunk and rubbing his plain face with a coarse sponge. he thinks the presentation of blood on his cheekbones is proof of clown make-up. I side with the group labeling him as harmless. those in the disagreeable group lock themselves away in our host’s bathroom. though the group is small, its two most vocal members have been struggling with their weight and a third is quietly pregnant. I take it upon myself to worry about the amount of air the group has. when the door is unsurprisingly jammed, I keep calm and remove my shoes just as what looks like rust water floods from beneath the door and carries them behind me to where the host is not dancing after all but stomping his bare feet alternately square on a hamster. my best friend of three days wants to save the hamster but cannot believe the short length of its tail. I try to explain that I am not helpless. that I am steeped in tradition and was formerly employed as the guy who chews down the fingernails of professional bull riders. the thing about ****** is that you haven’t done it until you’ve done it with me. **** is a harsh word for relocation.
0
Sep 10, 2013
Sep 10, 2013 at 3:22 PM UTC
the altitude
Come Down by Michael R. Burch for Harold Bloom and the Ivory Towerists Come down, O, come down from your high mountain tower. How coldly the wind blows, how late this chill hour ... and I cannot wait for a meteor shower to show you the time must be now, or not ever. Come down, O, come down from the high mountain heather blown to the lees as fierce northern gales sever. Come down, or your heart will grow cold as the weather when winter devours and spring returns never. NOTE: I dedicated this poem to Harold Bloom after reading his introduction to the Best American Poetry anthology he edited. Bloom seemed intent on claiming poetry as the province of the uber-reader (i.e., himself), but I remember reading poems by Blake, Burns, cummings, Dickinson, Frost, Housman, Eliot, Pound, Shakespeare, Whitman, Yeats, et al, and grokking them as a boy, without any “advanced” instruction from anyone. Keywords/Tags: Harold Bloom, literary, critic, criticism, elitist, elitism, ivory, tower, heights, mountain, winter, cold, frigid Rant: The Elite by Michael R. Burch When I heard Harold Bloom unsurprisingly say: Poetry is necessarily difficult. It is our elitist art ... I felt a small suspicious thrill. After all, sweetheart, isn’t this who we are? Aren’t we obviously better, and certainly fairer and taller, than they are? Though once I found Ezra Pound perhaps a smidgen too profound, perhaps a bit over-fond of Benito and the advantages of fascism to be taken ad finem, like high tea with a pure white spot of intellectualism and an artificial sweetener, calorie-free. I know! I know! Politics has nothing to do with art And it tempts us so to be elite, to stand apart ... but somehow the word just doesn’t ring true, echoing effetely away—the distance from me to you. Of course, politics has nothing to do with art, but sometimes art has everything to do with becoming elite, with climbing the cultural ladder, with being able to meet someone more Exalted than you, who can demonstrate how to **** so that everyone below claims one’s odor is sweet. You had to be there! We were falling apart with gratitude! We saw him! We wept at his feet! Though someone will always be far, far above you, clouding your air, gazing down at you with a look of wondering despair.
0
Mar 30, 2020
Mar 30, 2020 at 12:44 AM UTC
Come Down
Come Down by Michael R. Burch for Harold Bloom and the Ivory Towerists Come down, O, come down from your high mountain tower. How coldly the wind blows, how late this chill hour ... and I cannot wait for a meteor shower to show you the time must be now, or not ever. Come down, O, come down from the high mountain heather blown to the lees as fierce northern gales sever. Come down, or your heart will grow cold as the weather when winter devours and spring returns never. NOTE: I dedicated this poem to Harold Bloom after reading his introduction to the Best American Poetry anthology he edited. Bloom seemed intent on claiming poetry as the province of the uber-reader (i.e., himself), but I remember reading poems by Blake, Burns, cummings, Dickinson, Frost, Housman, Eliot, Pound, Shakespeare, Whitman, Yeats, et al, and grokking them as a boy, without any “advanced” instruction from anyone. Keywords/Tags: Harold Bloom, literary, critic, criticism, elitist, elitism, ivory, tower, heights, mountain, winter, cold, frigid Rant: The Elite by Michael R. Burch When I heard Harold Bloom unsurprisingly say: Poetry is necessarily difficult. It is our elitist art ... I felt a small suspicious thrill. After all, sweetheart, isn’t this who we are? Aren’t we obviously better, and certainly fairer and taller, than they are? Though once I found Ezra Pound perhaps a smidgen too profound, perhaps a bit over-fond of Benito and the advantages of fascism to be taken ad finem, like high tea with a pure white spot of intellectualism and an artificial sweetener, calorie-free. I know! I know! Politics has nothing to do with art And it tempts us so to be elite, to stand apart ... but somehow the word just doesn’t ring true, echoing effetely away—the distance from me to you. Of course, politics has nothing to do with art, but sometimes art has everything to do with becoming elite, with climbing the cultural ladder, with being able to meet someone more Exalted than you, who can demonstrate how to **** so that everyone below claims one’s odor is sweet. You had to be there! We were falling apart with gratitude! We saw him! We wept at his feet! Though someone will always be far, far above you, clouding your air, gazing down at you with a look of wondering despair.
Continue reading...
47
Unsurprisingly, I'm numb. I suppose it hasn't hit me; Then again, I'm emotionally thrifty When Death swings his scythe. So many people weep and wail, Their arms flailing As they cry and rail Against the All Powerful. Yet, I am empty. I've been to funerals aplenty, And I'm indifferent. Death is inevitable--it happens to us all. For me, it means a feast of fried chicken And lots of finger lickin'.
0
Apr 27, 2014
Apr 27, 2014 at 10:08 PM UTC
Deep Fried Death
Reading bad poetry, writing bad poetry, existing as a subpar slice of unemotional prose. I'm a singsong last-ditch singalong; ding-dong-ditch me, ***** me out. Slice me up and lay me out to dry. I cut onions: I don't cry. You ignore me: I don't mind. Remember me as a sad story and not a person. It'll be gratifying, albeit dehumanizing, patronizing, but at least you'll be sympathizing as I'm unsurprisingly capsizing. Right now I'm realizing that I wanna be the hungry waves and not the sinking ship; the sharp harpoon and not unfortunate Moby **** I wanna be the brick instead of the window pane; I wanna be the ****** sword and not the bleeding slain. So the inferiority complex that's been harrowingly ingrained inside of my needlessly idle brain can **** off once again, because I'm gonna be the poet now, not the reader, page, nor pen.
0
Aug 8, 2016
Aug 8, 2016 at 11:44 PM UTC
it's 11:44 pm and i'm watching men's gymnastics
Blacked out again, unsurprisingly, swallowing the room. Spinning in a lucid dream, blessed to consume. Breaking into. Ash shadows drill bit chest I am not your savior I am a suitcase bomb I only devour breathing fire and I will apologize to no one for doing what I said I would.
0
Feb 3, 2016
Feb 3, 2016 at 3:07 PM UTC
Another Blood Pact
I didn't want to believe them; I wished to maintain my faith in who I thought she was; I was proven wrong. Oh, so very wrong. Over and over again. They were right about her and I should have listened instead of assuming I knew her. Word spreads much like a wildfire: "Drunk on Ego and rather mean," I fear they were right about her. "Narcissistic **** of a basket case," I should have listened to every word. "Fun, until you get too close and start to care," it seems they knew how it goes; "Gets under another to get over herself" Okay, to be fair, on one hand everyone needs a rebound sometimes, but, on the other hand, she never stops bounding from one to the next to the next and back then to the next and et cetera ad infinitum; both behind your back and right to your face. That **** will never be the same; sure glad it's not mine to maintain. Such a shallow temptress. Such a public Temple. That **** will never be the same; sure glad she's not mine to entertain. I covet not her Temple, for few exist more heavily trafficked that don't charge palpable admission for maintenance; unless, of course, that's where the copious volumes of ***** come in. Word seems to spread quicker than her legs for her latest fancy, which is really no small feat. Word seems to get around, just as what's said of the fair Strumpet; and, unfortunately but unsurprisingly, they are ******* right about her.
0
Oct 21, 2013
Oct 21, 2013 at 2:43 PM UTC
The Strumpet
You 1. used to refer to the person or people that the speaker is addressing. "are you listening?" 2. used to refer to any person in general. "after a while, you get used to it" I wish I wasn't listening Or reading To the broken The mourning The snide remarks The boos The cheers I never got used to it. The teasing The gap Just because I'm Korean We were All Walking the tightrope And I, Disappointingly But Unsurprisingly, Fell. Book Music Films Sports Art Dance I went through them all, Trying to find relief. But none came. I am not what you think I am. No one knows the true me Hell I don't even know. "Have you ever smiled?" "I never seen you smile, Is there something wrong?" "Are you alright?" The question bounce Around me Eating me Drinking me Consuming me Breaking me I lost my smile At a very young age I stopped talking after that Singing Dancing Being ME Was a totally different girl I sit With my math in front of me After a violin performance. Being called nerd, Asian Yellow Bomber North K ****** Gay ****** ******** Medusa I'm used to it now. I look up, and smile at my mother Who loves me And hates me "After your homework is done, Dry your hair and Get ready For your concert On Saturday." She kisses my head While my father scoffs "How did you get 2nd chair With no skill? You're only on book three" I look away. I look back. My father hasn't spoken. Nor my mother They're downstairs And I Just Cry.
0
Dec 5, 2018
Dec 5, 2018 at 9:53 PM UTC
Your
we were laying on the floor talking about your perpetually ***** hands, stained from rusty machinery, and I got to thinking that they looked an awful lot like terra sigillata, or marmalade or yams or tulip poplar honey-- waxy, with a glazed finish you brush your left thumb down my pinky and comment on the thinness of my skin (unsurprisingly) I mean, look at my hands! you say and I do and you're right, your hands are like slabs of green wood--in fact your whole body seems like some sort of pliable tree trunk but I don't say this because we've lapsed into a silence or an otherwise conveniently synchronized thought that has billowed up around our hips until our arms are overlapped and extended like a petiole of our bodies with my palm cradled in yours like some aeriform body, birdlike and gentle. You're tracing those lines like they mean something. Like they mean something to you. you have to understand that I am too often inside myself, awash on a shore, grown into the sand like a clam, experiencing solitude through a shell, keeping at bay on the bay sending prayers up like signal flares pumped up into the sky, silent on the horizon, loud from in here, so when I tentatively thread my fingers through your hair, know that I do so in supreme intimacy because words supposedly say the most (depending on who you're talking to) but my hands are a different language a different place, a different time a company of dissarranged thoughts and emotions, rippling and swelling trying to make sense of being touched so softly
0
Feb 25, 2016
Feb 25, 2016 at 8:27 PM UTC
Swedish Stroke & Venation Patterns: Act II, Scene ii
we were laying on the floor talking about your perpetually ***** hands, stained from rusty machinery, and I got to thinking that they looked an awful lot like terra sigillata, or marmalade or yams or tulip poplar honey-- waxy, with a glazed finish you brush your left thumb down my pinky and comment on the thinness of my skin (unsurprisingly) I mean, look at my hands! you say and I do and you're right, your hands are like slabs of green wood--in fact your whole body seems like some sort of pliable tree trunk but I don't say this because we've lapsed into a silence or an otherwise conveniently synchronized thought that has billowed up around our hips until our arms are overlapped and extended like a petiole of our bodies with my palm cradled in yours like some aeriform body, birdlike and gentle. You're tracing those lines like they mean something. Like they mean something to you. you have to understand that I am too often inside myself, awash on a shore, grown into the sand like a clam, experiencing solitude through a shell, keeping at bay on the bay sending prayers up like signal flares pumped up into the sky, silent on the horizon, loud from in here, so when I tentatively thread my fingers through your hair, know that I do so in supreme intimacy because words supposedly say the most (depending on who you're talking to) but my hands are a different language a different place, a different time a company of dissarranged thoughts and emotions, rippling and swelling trying to make sense of being touched so softly
Continue reading...
44
Today is my birthday, And unsurprisingly I haven't yet heard from my family. I texted my twin Late last night and early this morning, But my texts have gone unanswered. I miss her. I miss all of them. I was a fool of a child, Writing all those stories In which I'd leave them And start over somewhere Completely new With people who didn't know my past Or care. All I wanted as a kid Was to have a different family, But now all I want is mine back. It all went so very wrong, And I don't know if I can fix it. I don't know if it's even fixable. I doubt that it is. So all I'm left with are the memories. It hurts, you know, to be left. I think I always knew it would, So I dreamed of doing the leaving, But I loved them And some part of me couldn't leave. So I stayed Until they had one by one left me. I know it wasn't easy for them to stay. Just because we're family Doesn't mean that we're required To stay in each other's lives. But I chose to stay, And it hurts That they didn't choose the same. I guess I should do what they have done: Form a new family With the people I want to be around And who want to be around me. But all I want is them. I want to feel their arms wrap around me In a great big hug. I want to share In their triumphs and successes; I want to cry with them In their failures and sorrows. I want to laugh with them The bellyaching, deep-chested guffaw. I want to fall asleep Knowing they are near. I want to reach out and hold their hand, And look down to see the skin So similar in tone. I want to eat a meal with them. I want to hear the sound Of our voices melded in harmony Sing together. But most of all, I want to enfold them in my arms And say, "I love you with all my heart." And have them say it back or "Me too." I want to know They are safe and happy and healthy. I want to soothe their fears and anxieties With a hot cup of tea And a good laugh or cry. But most of all, I want to look into their eyes, To say nothing, Just to gaze again at the depths there. I want to stand with them Through everything they face, Shoulder their burdens, Put a smile in their eyes. But most of all, I want us to say, I love you. I love you too. I love you four. I love you infinity. I love you more. I want them to know love-- Unconditional, freely-given, Unyielding and unwavering love. And I want them to see They're my family, And that I will love them. Always.
0
Mar 30, 2015
Mar 30, 2015 at 4:55 PM UTC
a birthday wish
Today is my birthday, And unsurprisingly I haven't yet heard from my family. I texted my twin Late last night and early this morning, But my texts have gone unanswered. I miss her. I miss all of them. I was a fool of a child, Writing all those stories In which I'd leave them And start over somewhere Completely new With people who didn't know my past Or care. All I wanted as a kid Was to have a different family, But now all I want is mine back. It all went so very wrong, And I don't know if I can fix it. I don't know if it's even fixable. I doubt that it is. So all I'm left with are the memories. It hurts, you know, to be left. I think I always knew it would, So I dreamed of doing the leaving, But I loved them And some part of me couldn't leave. So I stayed Until they had one by one left me. I know it wasn't easy for them to stay. Just because we're family Doesn't mean that we're required To stay in each other's lives. But I chose to stay, And it hurts That they didn't choose the same. I guess I should do what they have done: Form a new family With the people I want to be around And who want to be around me. But all I want is them. I want to feel their arms wrap around me In a great big hug. I want to share In their triumphs and successes; I want to cry with them In their failures and sorrows. I want to laugh with them The bellyaching, deep-chested guffaw. I want to fall asleep Knowing they are near. I want to reach out and hold their hand, And look down to see the skin So similar in tone. I want to eat a meal with them. I want to hear the sound Of our voices melded in harmony Sing together. But most of all, I want to enfold them in my arms And say, "I love you with all my heart." And have them say it back or "Me too." I want to know They are safe and happy and healthy. I want to soothe their fears and anxieties With a hot cup of tea And a good laugh or cry. But most of all, I want to look into their eyes, To say nothing, Just to gaze again at the depths there. I want to stand with them Through everything they face, Shoulder their burdens, Put a smile in their eyes. But most of all, I want us to say, I love you. I love you too. I love you four. I love you infinity. I love you more. I want them to know love-- Unconditional, freely-given, Unyielding and unwavering love. And I want them to see They're my family, And that I will love them. Always.
Continue reading...
90
sitting in LA  traffic, feeling very traff,^ unsurprisingly,, dream-haze to SF, now, every doorway is an entrance/exit to the Matrix the movie is all about concentric circles of reality intersecting, when I emerge in Chinatown, me and naturally, Neo too, (older and cute, and edible, like my fav flav) who finds me equally irresistible, He asks am I real, sore disappointed, for earlier, making love, there were no harpsichords, just  The Zombie’s breathy vocals, singing prophetic these songs   “She’s Not There” and “Tell Her No.” my then reality was in no doubt, but nearness breeds suspicion as much as trust, and Neo is a worrier, I foresee not much future for him & me other men have called me Shylock, for the betrayal probability is nearer to 1, and these words, a reality test, a forewarning to all in my bed sojourn, are framed, resting above my pillows: “*If you ***** us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?*” tear stains, some from loneliness, others from being held to tight, some from my own scripts reread, some from you, you don’t even know when they stay over, I give them one of two matching robes, both Barbie pink, those that laugh and grab it on, they’re the keepers, they are for real, just like me by the way, so many of you have drunk my crazy words, it’s inexcusable that I’ve not thanked you yet, individually like the Queen Mother teaches, repeat reminds, preenly informs, nothing  better than a hand written thank you note, so considered yourself served and appreciated! am I for real? the very question I ask myself daily, to my morn mirror who magic replies, more than real, crazy unique special, so so different, otherwise I wouldn’t stick around, and I thank the mirror with a lipstick kiss, and it blushes from the love so real, and cracks a smile and says you be careful my genteel, lady princess, your pale skin is exposed and the California sun is a burning torch and it touches your perfect body like all the others, whose fingerprints evaporate in time, so husband your love, give it slow and precious, for you are more than mere real, after all, you are Brandychanning
0
Dec 20, 2023
Dec 20, 2023 at 12:16 PM UTC
I am Brandy Channing. Am I for real?
sitting in LA  traffic, feeling very traff,^ unsurprisingly,, dream-haze to SF, now, every doorway is an entrance/exit to the Matrix the movie is all about concentric circles of reality intersecting, when I emerge in Chinatown, me and naturally, Neo too, (older and cute, and edible, like my fav flav) who finds me equally irresistible, He asks am I real, sore disappointed, for earlier, making love, there were no harpsichords, just  The Zombie’s breathy vocals, singing prophetic these songs   “She’s Not There” and “Tell Her No.” my then reality was in no doubt, but nearness breeds suspicion as much as trust, and Neo is a worrier, I foresee not much future for him & me other men have called me Shylock, for the betrayal probability is nearer to 1, and these words, a reality test, a forewarning to all in my bed sojourn, are framed, resting above my pillows: “*If you ***** us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?*” tear stains, some from loneliness, others from being held to tight, some from my own scripts reread, some from you, you don’t even know when they stay over, I give them one of two matching robes, both Barbie pink, those that laugh and grab it on, they’re the keepers, they are for real, just like me by the way, so many of you have drunk my crazy words, it’s inexcusable that I’ve not thanked you yet, individually like the Queen Mother teaches, repeat reminds, preenly informs, nothing  better than a hand written thank you note, so considered yourself served and appreciated! am I for real? the very question I ask myself daily, to my morn mirror who magic replies, more than real, crazy unique special, so so different, otherwise I wouldn’t stick around, and I thank the mirror with a lipstick kiss, and it blushes from the love so real, and cracks a smile and says you be careful my genteel, lady princess, your pale skin is exposed and the California sun is a burning torch and it touches your perfect body like all the others, whose fingerprints evaporate in time, so husband your love, give it slow and precious, for you are more than mere real, after all, you are Brandychanning
Continue reading...
69
the last time I shared about my affair, i spoke of the end. yet here we are again. the devil, so loving so cunning so addictive so noxious. for a moment, i found myself no longer feeling affection for him. no longer wanting to attend to his every want & need. no longer caring whether or not he noticed my absence. 'I hate him and if I see him, I swear I'll tell him that.' lies. all. lies. i knew he was ruinous, detrimental to my health. however.. to my heart, he was the universe. to my body, he was the crème de la crème. to my soul, he was all i craved. but to my mind.. he was poison. infecting my thoughts daily.. every second of the day. yet i still played it cool and kept my distance. one day, it hit me. like a baseball was pitched at 90 miles per hour aimed right at my head. and then i missed him. i missed his smile, his laugh, his voice, his smell, his touch. i missed *the way we ****** the way he never failed *to make me ****** a thousand times.* the undeniable skinship we shared. i missed his mind. a never-ending labyrinth that i had no problem getting lost in. a dark yet beautiful & comfortable place. i knew that reconciliation was an option. but as usual, my mind & heart could not concur. ultimately, it was what i wanted. and so it was. unsurprisingly, he accepted me with open arms. 'I miss you too baby.' sigh. he knew it was inevitable too. he isn't all bad. he isn't all good either though. after all, he is still the devil. and i am hopelessly & irrevocably  in love  with him. [r.r.r.w]
0
Feb 25, 2015
Feb 25, 2015 at 11:10 AM UTC
the devil part II
the last time I shared about my affair, i spoke of the end. yet here we are again. the devil, so loving so cunning so addictive so noxious. for a moment, i found myself no longer feeling affection for him. no longer wanting to attend to his every want & need. no longer caring whether or not he noticed my absence. 'I hate him and if I see him, I swear I'll tell him that.' lies. all. lies. i knew he was ruinous, detrimental to my health. however.. to my heart, he was the universe. to my body, he was the crème de la crème. to my soul, he was all i craved. but to my mind.. he was poison. infecting my thoughts daily.. every second of the day. yet i still played it cool and kept my distance. one day, it hit me. like a baseball was pitched at 90 miles per hour aimed right at my head. and then i missed him. i missed his smile, his laugh, his voice, his smell, his touch. i missed *the way we ****** the way he never failed *to make me ****** a thousand times.* the undeniable skinship we shared. i missed his mind. a never-ending labyrinth that i had no problem getting lost in. a dark yet beautiful & comfortable place. i knew that reconciliation was an option. but as usual, my mind & heart could not concur. ultimately, it was what i wanted. and so it was. unsurprisingly, he accepted me with open arms. 'I miss you too baby.' sigh. he knew it was inevitable too. he isn't all bad. he isn't all good either though. after all, he is still the devil. and i am hopelessly & irrevocably  in love  with him. [r.r.r.w]
Continue reading...
55
Ignorablity is by far my best quality. I could be in a room full of people, Screaming in pain or sobbing like a baby, And still be ignored. I'm practically invisible Sometimes it's good, But mostly It's a curse. I've been crying every day this week, But unsurprisingly, No one has bothered to ask me why. I'm slowly crumbling into myself, Dying, Alone, Afraid, Starving for care. Yet, Unsurprisingly No one Was There.
0
May 6, 2016
May 6, 2016 at 12:23 PM UTC
Ignorablity
You want me to be me, but the me you envision. After all you're always right. ... I maintain my own balance with the world, but again my imperfections are brought to light. Unsurprisingly I let you down, Not because I refuse, but because I cannot fight. I am not allowed to be me. ... You expect me to be more. Everything at once. To take care of my self, others left unattended. To maintain the enviroment, other aspects let down. I'm slow, I don't understand, I run out of time. Doesn't matter. ... You miss the attention, the dedication, that I used to give. You want the little things, the gifts, the cuddles, the affection. I with to provide, but often cannot, the hell if I know why. ... I've come to live in fear. Reluctant to return home from work Not wanting us left alone. ... The easy seperation isn't an option, too many depend on us. I don't want that. I never would have started if I wanted an end. But I don't know how to heal. Or if we can. ... Always on the negative, never the positive. Providing motivation out of fear not desire. Meanwhile I'm dying inside. ... I've had to learn to resist depression and to repress who I am. I've given up dreams of a future and am left to see what happens. ... So much sacrifice that cannot be undone, starting to wonder what I gave it up for.
0
Jun 3, 2017
Jun 3, 2017 at 11:27 PM UTC
How I feel, What You Need to Know
The house shifts and sighs trying to settle into place But it’s impossible to get comfortable With all those stomps and smashes beating from inside Like a cracked heart pounding against a proud chest Trying to forgive and forget but instead fettered to emotion Unsurprisingly the house only knows how to creak.
0
Nov 1, 2013
Nov 1, 2013 at 11:37 PM UTC
Settling In