this will make sense in the end, or at least along the way... a modern version of the Ruben's judgement of Paris, although if you watch the debate, the mediator already insinuates the "confusion": to my left or to my right, ha ha, left to right, right to left, 1st 3rd 2nd... that's putting it mildly, if i were Paris i'd have given the apple of knowing to Hera, queen of the goddesses... naomi wolf... beauty is in the eye of the beholder... and your phallus in the hand of... mhmm... softer than the flesh of an oyster at the end of the day... they did say once in times just after Pericles: make my inner as beautiful as my outer, and my outer as beautiful as my inner... then take art as not representing images: or the "shallow" arguments... any man would have given the apple to the intellectual Aphrodite (karen straughan)... we all know that antigone darling is Athena: who speaks so little you start to equate wisdom to be a distant synonym of needing courage to engage with a plebiscite crowd... oh don't give that prize to her: she'll probably tongue-tie herself and will never be able to speak into a microphone, the intellectual Aphrodite knows all too well the conundrum... it's the cougar attired in crimson that fuels the whole debate... she doesn't need to have inner beauty, you phallus is already shouting 'sir! yes sir!' at the drill sergeant anyways... you take Aphrodite as a paradoxical beauty, namely that of long conversations and not long interludes of ******* and baking cookies... you'll leave Aphrodite confused... i once heard an English motto: don't take for a wife a woman that's too attractive... that wasn't intended to be within the bias of intellect, i mean a beautiful woman within the bias of being able to manage a harem of 72 male virgins... well **** yeah, artists leave clues, whether knowing or unknowing... they're working from triangles, poets end up writing from Δ, they obscure textures and antonyms of what appears to be monochromatic, we say: red, crimson, burgundy in x-ray confines... the point being: there's no intellectual debate to be had with someone representative metaphorically or not of Hera... you can't have a Parisian fashion week catwalk where you find dehydrated beauty on the outside and an anorexic ego on the inside... what you find in Hera is a volume (voluptuousness) on the inside, within which there's a leech libido that transgresses all demands for intellect... unless it's pistons-well-oiled orientated... please, read some Marquis... if you get an ******* having read a few of his works: you're qualified - or as i like to call it: neo-classical *******... ever masturbated over Bronzino's Venus, Cupid, Folly and Time? well, if you haven't i guess **** ******* and gang-banging is your outlet: mine are pictures of Aria Giovanni and Chloe Vevraire (googlewhack no. 3!): Chloe Vevrier... but if you're never done the Odysseus pokes fun at Polyphemus... yep: the ghost hand: nobody!


you know, you can cram a lot into a 30 hour "day",
which results in the complete erosion
for the capacity to dream afterwards,
to actually work from the unconscious and create
a subconscious medium vector that connects
to points of consciousness: 30+ hours awake,
however many hours asleep, and then awake again
for another 30+ "day" to digest...
the classical definition of the subconscious, in theory,
is that you get plenty of sleep,
and it's a bit like that schematic A x B (algebraic)
A knows x     and B knows x...
   something mutual acknowledgment
via the same schematic but
A knows x, B knows x,
A knows that B knows x,
A knows that B knows that A knows x,
   which is all very Aristotelian to be frank,
it's this hyperlogic of having to acquire
great technological feats and reduce such
complexities to cat-videos on the internet as
the Egyptian partake in the genius that actually
made it possible... the slogan goes
Moses, you fool! said Nefertiti...
    so B knows x and knows that A knows x
and knows that A knows that B knows x
and B knows it's not necessarily anywhere
alphabetically less, even though the French said
a, b, c... which was very imperial of them,
that's the imperial version of what the mathematical
imperialism proved with the English inches, miles
and furlongs... but in this French case of imperialism
it wasn't a e i o u, b c d f g h j...
            that's what 30 hours awake does to you,
you wouldn't think of alcohol as a party drink,
a social barrier deconstruct... after 30 hours
you're hoping to meet Vladimir Klitschko on your
way to bed... aye pleasing Cossack, give us a
smacker goodnight... one glove it filled with
whiskey, the other with naproxen and amitriptyline...
boom! k.o. snooze, baby:
you gotta love buddhist honesty...
at least you get to see the bright side of life...
  and if people start thinking that Kant was the harbinger
of ill fate... you obviously haven't met a necromancer...
it was only von Kleist for ****'s sake!
       and he had the American option of a suicide
pact with a terminally ill woman and a bullet from
a pistol in a ditch... you can't get more romantic than that...
and there i was, mid-afternoon, having done a few of
the household chores: the washing, the ironing and
cooking a two-course meal while my mother did
the taxes (seems only mothers understand their sons
these days... women my age?
   ever see David Attenborough describe Emperor
penguins? money was invented for women,
because it brokered the end of the brotherhood of man,
we became famished by feminine needs
and have reduced inherent sports in us (hunting)
to sledgehammer bashing entertainment...
i'm the "drunk" that would rather watch ten hours
worth of ping-pong that tennis...
    i don't know why they resurrect the Olympics
every four years, have a **** coverage of it anyway
and then go back to that Glaswegian diet
of deep-fried pizza and haggis... and i hope to never know,
maybe Sepp Blatter knows...
but that's 30 hours of being awake, and only not
able to relax, by writing...
                 you wouldn't see this sort of "abuse" of
alcohol anywhere in the world...
the Soviet sleep experiment is actually not that silly...
too much sleep can also make you feel the minutes
upon your wake as if you've been stung by a bee...
three of my all time favourite songs?
the stone roses'* i wanna be adored,
    chromatics' cherry,
and finally: i can be forgiven for having missed this,
i got into them seriously with the album aufheben
and didn't really move anywhere else,
the dandy warhol effect got me...
but this song out of obscurity, 20th century technology
translated into mp3 and then onto c.d. and then
back into mp3... a song from an album that doesn't
even appear on their discography...
the brian jonestown massacre's pol ***'s pleasure penthouse,
the song in question? fingertips.
so there's that three...
      but **** on me, i half expected android (2015)
to be like ex_machina (whatever year that was)...
same topic... what the difference between android
cyborg and robot?
                                  aren't robots the proper a.i.?
as in: in production, the thing that's not hand-crafted
is artificially crafted, because it is crafted to a large yield
of a product? isn't that so? i can't distinguish (as of yet)
the difference between android and cyborg, i guess
as a Latin man (a - z user) i have to condescend the Grecian
pompousness of demeaning Hebrews (original anti-semitism
originated in Greece, not Rome, the Romans gave
the Jews not elaborate architectural schemes to abide by
in honour of Octavian, but the supposed pride in Greek
thought, undermined what later science would provide
a Latin man with, given the translation of יחֵוָחֵ,
indeed variables... i once wrote a piece about
the two Adams... namely how אָ (alef)
and עַ (ayin) are prominent letters among consonants,
but no vowel kindred of Eve is equal...
or how Eve is covered in both mainstream Islam
and orthodox Judaism... and Christianity is
a Rastafarian dream for more jerky reggae reggae...
they never sing down with Rome, judgement upon
Rome... they always sing about Babylon...
well, polytheistic or poly-schismatic,
it's all Hindu from hereon in - apart from that
here's a very tiny heresy... is that yod he vav he
or is it yod he vav het?
         there is a difference, afterall:
he (ה)        and het (חֵ) obviously differ... oh!
xet!                   god this garden is a mess,
               i guess the fruit of knowing good from evil
was intended to say: till the land, deforest,
learn agriculture... that's good, the **** you do to each
other... well: that's hardly a tonne of grain...
but they so alike though, even when you apply a noun
to these two symbols!
  could have said he xet but instead it's known as he het:
no wonder the Hittites came along for a curious look...
mind you, had not a prominent Roman, a centurion,
asked for help... we'd be prudish in runic from the northern
invaders... so thankfully no one within the Roman confines
of encoding sounds didn't have the bright spark idea
of looking at the very tiny little island of Israel and that
four lettered word and how it became known
to say o = omicron, ε = epsilon and γ = gamma,
   and cutting those things apart leaving only letter
having done plastic surgery on the noun that denotes the
letter that's denoted by the symbol, rearranged it
and got the idea of εγo: ****** marvellous!
- this is not brian pallenberg's story about the pleasure
penthouse album...
but you know what really got me in those 30 hours:
day, night, day, night: a NHLF debate between
naomi wolf, karen straughan & antigone darling,
the part where karen makes the point that
once upon a time men who beat their wives
in Scotland were publicly whipped (dhaal,
straugan), and if they were beaten-up instead by
their wives, a plebiscite of good-wishers would turn up
at the house and apply the Freudian theory of
a castration to the man, bang pots and pans,
and then in public display him having to ride on a
donkey backwards, having to hold the donkey's tail
for stability...
     see that woman in red in that debate? a true political
man-eating beast of ***** readied in atom bomb
explosions... the one next to her isn't wearing any tights...
unconsciously you're thinking: i like her french freestyle
of not having shaved her legs... the smart one is wearing
jeans and she looks oh so desperate to get out...
    the discussion doesn't even enter the realm of ideas...
hen-picking is discussed... all poetry ascribed to language
is gone... is it politically correct to ascribe the sexuality
of female chickens with the word hen to women?
behind me in Blackpool stag-dos (dos? no does...
there isn't even a ******* spelling for that phrase...
hen-nights and the inflatable Juan)...
well obviously your mind is working out why you'd
**** the middle 'un right away... she doesn't say divorcee
which is so "unsexy" but say she's a mum twice,
a mum, a single mum... polly wants a *******...
her address is new york city? ******! i'm heading there,
right now! can a white guy use urban colloquial
in the suburbs on a piece of pixel paper, which he claims
is mere the cartesian extension of his thought
and disinterest in rhetorical skills? i hope so...
it's not like herr adolf wrote a disclaimer saying:
read this or a thousand volts up your ****!
that really was a constipated debate, plus the red was all
provocateur and peppered with "you know",
   and "i know absolutely nothing": there were no ideas
in the debate! whenever there was a chance to debate
ideas, the debate turned into a debated about words,
and what words to use: to simply brush aside any clinching
to a idea-debate... perhaps because feminism is
an ideology without any coherency of ideas, as stated
from the debate: a coherency of wording: and that better
be hen = an asexual chicken, rooster = an asexual chicken...
it's still a chicken kiev at the end of the day.
now? i might squeeze in another poem...
     but it would still be great to get any kind of analysis
comparing the movie android and ex_machina...
the only problem would be: both creators are men...
so that's gender-stereotyping already...
but hell! she gets to build a buggie that she directs with
a laser pen... so that's nice...
but i'd love a discussion on these two films,
given that the music in both films is very oomph!
thriller genre always had better music than horror...
horror music is too romantic... thriller music?
***** back-stabbing you whenever you think you're
going to get a comfortable 10 minute slot...
but it's there... aside from both robotic creators being male...
woman: ex_machina - out of the machinery of man
          ergo? deus, or woman as...
i actually have a problem with the word android...
the woman is a factor of playing the two men against
each other... the android actually find a mechanical
part of himself in the way the "human" talks to the woman,
while the "android" is prejudiced against the rigidity
of his ****** movement: unlike the "human" having
an intellectual rigidity... the woman plays the two against
each other... well, 30 hours no sleep...
  i'm doing the helter-skelter trying to throw ideas
by way of remembering the actual plot of the film...
this obviously adds nothing to the discussion:
meaning i probably gave away a "spoiler" -
but more the point, i need a refill and some fresh air
to breath, having farted into a leather chair for the past
hour.

“Oh you’re Irish?” he said.
“Did you learn the language much?” he said.
Honestly, what can I tell him? I was raised in the North - a ****** wasteland for such a naïve question.
Vague memories of fumbled classes where our secret history was ditched just to get straight into the basics (Cad é mar atá tú?)
No – seriously - I was not tied to it – it was anonymous to me at that age.
Forgotten like some distant echo of once visiting Coole House as a child.
Sure, we knew it was “important”, “our national language”, “heritage” etc. and we were warned it was quickly slipping into the drain of Western hegemony.
But it was baffling, unsexy and only the blunt-faced humorless IRA thugs amongst us were in any way keen.
Then it was gone, just like the faded memories of “The Children of Lir” from my primary school.

Looking back I wonder, what was the point?
A half-full measure paying lip service to our identity.
Teachers and headmasters terrified of the grand colonial reveal that the lessons might have hinted at (were they trying to stop us being Provos-in-waiting?).
And all of this against the awful shame of a common tongue that had no foe yet was slowly vanquishing from our shores.
It could have all been so different.
Rather than rushing to get something in our empty skulls, they could have given us a sense of joy, pride & belief in our own culture.
Calling on Yeats, Behan, Heaney and others to drown us in the language of our ancestors.
Telling the stories of old that only the academics & hippies were keeping from us then.
You know, it might kept us all on the same beautifully illuminated page.
We might have been comfortable in our skins and open to others,
not looking deep into our worthlessness and lashing out at them.
Language is being and language is connecting, I’ve learnt.
But that’s not something I got from my secondary school.

June-July 2018

Yeah, I guess you could say that. I seem to be past the hex. I have a job again, one I like. I'm teaching. But I can't help but hear that song from Wizard of Oz play over and over in my head. No. Ha ha. I wish it were that one. No, it's the one that kicks up as they leave the poppy field. "You're outta the woods, you're outta the woods." That song is so hopeful yet undercut by something looming, inevitable, a bigger fall to come.

Sure, I still think of her.

But what I was getting at earlier is that I feel like I'm at this point in my life, this middleplace, where the abstraction of love, the mysticism of the body, all of that ****** fog seems to be clearing. The people around me are plucked white, devoid of any raw, genuine sentiment. They view the body in a way so clinical. I only hear of its limitations or its capacity to bear children.

Peter Pan Syndrome? Maybe. But if the body is reduced to its most rudimentary boundaries and functions and not treated as an instrument of erasure or alchemy, then what's the point?

Yes, she and I talked about kids, but that was always so far away. At this point, I don't know that I want them. Her? That's hard to say. I'll concede that the happiest moments of my life involve her. But, and I see the irony here, on some fundamental, unsexy level, we enabled poor behaviors, addictions. We both suffered from depression and didn't know how to dig each other out.

I never see her in a negative light though. You look surprised. I don't. There she is and there are all other women. She's fifty feet tall in my mind. A femme titan. Whipsmart, funny, kind.

Labotomize these thumbs,
they scroll more than they strum.
I don't mean to be dumb,
but I can't respond back so I hum,
and you won't hear me.
No, you can't see the words that I write.
I'm sure you'd only
be tickled,
If you knew that I think of you all night.
Because I can't sleep, love.
And I can only touch me right,
Yeah, that's right.
Just me, love.
Hope I can keep up with this fight.
And I know you don't really care,
and you haven't got some spare
feelings left to share
and if there are, they're barely there.
So drop the pity,
I'm mad you got to hear me whine.
How unsexy.
I'm supposed to just be doing fine.
I'll compartmentalize,
put it in a box and tie it with twine.
while you're liking every post of mine.
I'll compartmentalize.
While I reread your every line.

I'm not the kind of girl guys want to date.
I don't know how to do my hair
make-up, or nails.
I don't even know
how to dress myself
most of the time.
I'm awkward.
Unsexy.
Crazy.

I don't know how to dance
but I know how to throw a football.
I don't know how to cook
but I can make a basket
from the free throw line.

I'd rather go camping
than stay at a resort

I'm always
"one of the guys"
and never
the girl
guys wants to date.

I want to re-do what I wrote
on the fog on your window
when we smoked too many cigs
and I was getting too many zits
in places I wasn't used to getting zits
I felt unsexy
but you made me feel worthy
and I'm not asking for much
wish we coulda stayed good that month
among all the hustle and crunch
we lost sight of ourselves somewhere along the bank
in the fog that collected on your windows before we sank
and we went deep
I think we're still asleep
I'm not hearing the voices
only feeling the urges
and I'm not strong enough to run away yet
but I was back then

In memory of all those broken children. Don't let them win! Win back your soul! Stand up! Fight!
PS: All you ******* could not **** me.*

That girl in the corner of the world
Shoring up the waste and the beauty of her soul
She died, but oh her corpse
I carry it some of the time

That girl that can't believe her own worth
That she's not utter **** or something worse
That she's human, has got a heart
and a body, and it needs to be loved.
The girl bullied anytime she speaks,
anytime she dares to merely be. In her ugly sweater and unsexy jeans,
tangled up hair, deadened stare,
her fear to breathe, for fear the air will choke her.
(It will)

She's dead. She had to die. Otherwise, I would have.
But that girl carries corpses and demons inside!
She smiles, so wide and bright
and gets high
on stupid compliments because she still thinks what she was told
or shown
or punched to accept!
The venom seeping deep in her veins
how to forget the dark in the middle of the day?
A goodbye when everybody has just arrived

She's dead. But I am not.
And now I flaunt my weirdness all along
and people love me
and most of all: I can love myself
and the pills they do help
but the path is carved by myself, I guess

I should send clichés or lovely silly texts,
And what would Her respond withhold,
A laughing emoji and painful nothing next,
Wow! It gotta be the cliché (to over told),
Or Her didn’t notice the most unsexy flirt,
So hard having the digits of your crush.

Hustle one or two hands to do a phone call,
I’ll do anything, way before got Her notice,
Whatever, calls are unpredictable,
Hint I’m cute, funny, depressing or banal,
Hope She isn’t busy, sleepy, just not right now,
But not answering and I crying until heaven come down,
So hard having the digits of your crush.

Settle, like pics, sending love arrows through socials,
But seem like a creep; having nothing on my profile,
If we’re dating, my page overload with pics of Her,
Go old school, sorry, meant Facebook but it’s lame,

After I did everything then She says,
“I just don’t like you.”

Are Ghosts Real?
Can you tell me please,
I’ve heard different opinions.
I Just wish I’d thought about it sooner because
There’s something in my skull and
It’s like acid.

The memory of One
Floating from room to room
And Me entirely unaware of it
Thinking that the noise it makes is
Just a process.
it’s a banshee really,
Screaming at Me silently, asking ‘can’t you fix this?’
Warning Me about what’s coming, too,
And I Just assume it wants attention,
so I, The Great and Powerful, so Grand and Special,
Deign to give attention on occasion, magnanimously.
The Glorious I,
the minimised it.
Just, Just, Just.


How bumbling, fumbling, dumb.

Hollow, too. I swear if you tap me you’ll hear my ribs jangle.

Mute also, unless it’s unimportant.

Who’s the Real Ghost, then?


So now a little bit of it has lodged in my own dripping brain
Repeating itself slowly and inexorably:
‘Remember this? Wasn’t that great? Never again, hahaha!’
Like a bad nursery rhyme for the manchild.
And whether or not I can do anything about it is immaterial
Because it has to happen.
Slowly. Inexorably.

———

I’m already reliving memories of my future:

Can you feel it, me? That’s your bones rusting.
Your jaw clenching permanently.
Your brow furrowing and never relaxing.
A tension that’ll eventually make you want to Just-
Not a concern. You’ll never do it, you wouldn’t dare.
So you squeeze tighter and tighter and tighter,
Your ears burst, your eyes fill up with fluid,
And your tongue swells out of your mouth.

Eventually, while the pluviophile finds comfort in rain,
you keel over a rainbow.
Standing next to your quivering, confused corpse will be the Tin Man saying: “Dude, I totally relate”;
The Lion saying “what a *****”;
The Scarecrow trying to parody you, but he seems the same as before;
Toto licking your stone face trying to revive you;
Dorothy’s long gone, though. She had help;
The Witch of the West delighting in your unsexy self-deprecation;
The cast dancing around you, holding hands, singing.
You Just muttering to yourself about rain and if onlys.

And before you blame circumstance,
You will be reminded that it was all preventable:
There was an old dented oilcan, with “EFFORT and CONSIDERATION” printed on it,
Floating along right beside you.

— — —

Back to Now, for a minute.
The past is your present, yours alone, and could have been your future.
Instead you sit on the same bench
(only in your mind though, you’d never actually go back to the crime scene)
where you thought you had finally found tenderness
And the people go past, not staring,
And you realise that no,
Tenderness with a capital C found you, put up with you briefly, then said:
“well, **** that”.