Dear Poet Friends, Torin Galleshaw from Charlotte NC, a Member of this Site, had requested me to compose about the Rise of Third *****. Therefore, I have commenced with the causes for its Rise in my Part One posted below. Planning to compose Part Two with ******’s Blitzkrieg campaign of Poland later. It is unfortunate that I am unable to post related Maps & Photos for better appreciation of my Readers! Such options are not available for us here! However, I have managed to post a copy with maps & photos in the E-mail ID of my friend Torin!  Kindly give comments only after reading this researched work of mine, during your spare time.  Thanking you, - Raj, New Delhi.

            STORY OF SECOND WORLD WAR – PART ONE
                            RISE OF THE THIRD *****
                                       By Raj Nandy

                                  INTRODUCTION
In this part I shall mainly deal with the causes leading to the Second World War,
Which had also created favourable conditions for the rise of Third ***** under ******.
The word ‘*****’ derives from old German word ‘rihhi’ meaning ‘realm’;  
But is also used to designate a kingdom or an empire in a broader sense.
Historically, the First ***** was the Medieval Holy Roman Empire which lasted till the end of the 19th Century.
While the Second ***** was the First German Empire from 1871 to 1918, when dynamic Otto Von Bismark had united all of Germany,
Which ended with its defeat in World War One and birth of the Weimar Republic.
The Third ***** refers to the **** German Empire under ******, Which lasted from 1933 till 1945, for twelve traumatic eventful years!
Historians opine that the ending of a war is equally important as
its beginning;
Since the causes for the start of a war is often to be found embedded in its ending!
The First World War came to an end on 28th of June 1919 as we all know.
With the signing of the Treaty at Versailles by the German Foreign Minister Hermann Muller and the ‘Big Four’.  (Britain, France, America, & Italy)
Yet it is rather ironical, that this Peace Treaty of Versailles, considered as President Woodrow Wilson’s ‘brain child’,
Had sowed the seeds of discontent resulting in the outbreak of the Second World War, and Adolf ******’s dramatic rise!

Though several causes are attributed for the outbreak of the Second World War by our Military Historians.
Let me try to summarise those causes which are considered to be more relevant.
Commencing with the harsh Treaty of Versailles, the British and French Policy of Appeasement, followed by Hyperinflation and the Great Depression of 1929, and failure of The League of Nations to maintain peace;  
Are relevant factors which collectively combined resulting in the outbreak of the devastating Second World War, scarring human memories for all time!
But not forgetting ******’s forceful and persuasive eloquence which mesmerised the Germans to rise up as a powerful Nation once again.
Since ****** promised to avenge the humiliation faced by Germany following the Treaty of Versailles,
Which was drawn up with vengeance, and dictated by the victorious Allies!

THE  ARMISTICE  AND TREATY OF VERSAILLES:    
Armistice means a truce for cessation of hostilities, which provides a breathing space for negotiating a lasting peace.
Now the Armistice ceasing the First World War was signed inside the railway carriage of the Allied Supreme Commander Marshal Foch, in the Forest of Compiegne,
On the 11th of November 1919, sixty km north of Paris, between the victorious Allies and vanquished Germany.
But in the meantime naval blockade of Germany had continued, and the German Rhineland was evacuated and partly occupied by the combined Allied troops!
Release of Allied POWs interned civilians followed subsequently; And the Reparations Clause of monetary compensation was strictly imposed on Germany!
Now, following a wide spread German Sailor’s Revolt towards the end of October 1918, Emperor Kaiser Wilhelm-II had abdicated;
And on the 9th of November Friedrich Ebert, as the new Social Democrat President of Germany, authorised his representative to sign the Compiegne Armistice.
We should remember here that this Armistice seeking cessation of hostilities did not stipulate any unconditional surrender;
And the signing of the Armistice by the German Social Democrats, was considered as ‘a stab in the back of the German army’ by majority of the Germans!
These issues get repeatedly mentioned by Adolf ****** in his eloquent speeches subsequently,
To arouse the spirit of German Nationalism, and resurgence of the ‘Master Aryan Race’ of the Germans, - in Germany!

The Versailles Treaty was signed on 28th of June 1919, exactly five years after the assassination of Archduke Ferdinand which had sparked World War One.
Let me mention few aspects of this Treaty which was detested by the Germans!
Germany lost 13% of its land, 12% of its people, 48% of its iron resources, 15% of its agricultural production, and 10% of its coal, following its implementation!
German army was reduced to 100,000 men, its Navy reduced to 36 ships with no submarines, its Air Force banned, and its union with Austria forbidden.
Now to use a Shakespearean phrase the ‘unkindest cut of all’ came in the shape of Article 231,  the ‘War Guilt Clause’ of the Versailles Treaty,
Which provided the legal basis for the payment of war reparations by Germany.
The reparation amount of 132 billion gold marks (US $33 billion) to cover the civilian damage caused during the war, now had to be paid by Germany!
Thus the humiliation, resentment, and the virtual economic strangulation following the Versailles Treaty,
Was exploited by extremist groups such as ******’s **** Party.
And in the decades to follow, ******’s Nazis would take full control of Germany!

NOTES: Following Versailles Treaty, Alsace-Lorraine captured by Germany in 1870 was returned to France. The SAAR German coalfield region was give to France for 15 yrs. Poland became independent with a corridor to the sea dividing Germany into two. Danzing, a major port in East Prussia, became a free city under the League of Nation. Finland, Lithuania, Latvia, & Czechoslovakia became independent. Industrial area of German Rhineland, forming a buffer zone between Belgium &France,was
demilitarised.

WOODROW WILSON’S  14 - POINT PEACE INITIATIVE  & THE LEAGUE OF NATIONS:
American President Wilson was an idealist and a visionary, who in a speech to the US Congress on 8th Jan 1918,
Introduced a 14 Point Charter as a platform for building global peace, based on the principles of transparency, self-determination, and Democracy.
But for the first time in US history, the Republican-led US Senate rejected this Peace Treaty, and prevented America from joining the newly created League!
The US Senate wanted to retain its sovereignty without external entanglements;
Free from the League of Nation’s political dictates in its foreign commitments!
The Irish immigrants refused to support Wilson's Fourteen Points because Wilson was concerned about stopping WWI, rather than forcing the British to set Ireland free.
Many Jews also refused to back Wilson, since he was paying too much attention to the War, and not enough to the Balfour Declaration of 02 Nov 1917, -
Which promised an Independent Jewish State with a distinct Jewish identity.

The League of Nations had emerged from Wilson’s 14 Points on the 10th Jan 1920, with its HQs at Geneva, Switzerland, but it had no peacekeeping forces those days!
The League had failed to prevent invasion of Chinese Manchuria in 1932 by Japan;
Italy’s invasion of Ethiopia in 1935; annexation of Sudetenland and Austria by Germany!
The Axis countries Germany, Italy, and Japan, withdrew from the League subsequently.
Thus the League of Nations was disbanded in 1946 officially!
But President Wilson’s ceaseless efforts for global peace did not go unrecognised,
Since on the 10th of December 1920, he was awarded the Nobel Peace Prize!
While his disbanded League of Nations, as the first global humanitarian organisation,
Continued to survive in spirit with the establishment of United Nations Organisation on the 24th October, 1945.

ECONOMIC CAUSES - FOLLOWED BY THE GREAT DEPRESSION OF 1929 :
Germany emerged from the First World War with loss of 25,000 square miles of territory;
Loss of seven million inhabitants, and a staggering debt imposed by the Versailles Treaty!
The Wiemar Republic, after abdication of Emperor Kaiser Wilhelm-II  to Holland,
For the first time in German history, established a Democratic Constitution with Friedrich Ebert as its first President.
But The Republic first had to consolidate itself by squashing the Spartacist Revolt of January 1919 led by the extreme Leftists, and inspired by the Russian Bolshevik Communists!
The Freikorps, in March 1920, an Ex-Soldiers Rightist Group, tried to overthrow the Wiemar Republic with support of their Rightist allies and their own veteran troops!
This was soon followed by a Communist attempt to takeover of the Industrial Rhur;
But fortunately, all these uprisings against the Republic were effectively subdued!
But the 33 Billion Dollars of Reparations hung over the Wiemar Republic like the legendary ‘Sword of Damocles’, followed by the Great Depression of 1929;
Coupled with the ‘Policy of Appeasement’ practised by the British and the French;
Became the most important causes for ******’s expansionist ambition and his short- lived meteoric rise to fame!

GERMAN PAPER CURRENCY & HYPERINFLATION:
Gold Mark was the currency used by the German Empire from 1873 to 1914 only.
But to pay for the costs of the ongoing First World War, Germany suspended the gold standard, and decided to fund the war by Borrowings entirely,
Hoping to pay back the loans after Germany achieves Victory.
But having lost the war, and faced with a massive debt imposed by the Allies,
Exchange rate of the Mark against the US Dollar steadily devalued and declined!
Papiermark became the German currency from 04th August 1914 onward, when link between the Mark and gold reserve was abandoned,
In order to pay for the ongoing expenses of the First World War with paper marks, which was constantly being printed!
But later after the war, when the London Ultimatum of May 1921 demanded payment of war reparations in gold or in foreign currency only,
Even more paper marks got printed by the Republic to buy those foreign currency !
By December 1922 hyper-inflationary trends emerged, when the US Dollar became equivalent to 7,400 German Marks, with a 15-fold increase in the cost of living !
By the fall of 1922 when it became impossible for Germany to make further payments,
The French and Belgium armies occupied Germany’s Ruhr Valley area, its prime industrial region!
French and the Belgians hoped to extract payment in kind, but a strike by the workers of the Ruhr area their hopes belied!
The Wiemar Republic printed more paper notes to pay and support the workers of the Ruhr area,
When hyperinflation had peaked at 4,210,500,000,000 German Marks, to a US Dollar!
Paper currency having become worthless, some form of ancient barter system began to be used instead!

STABILISATION OF GERMAN ECONOMY WITH ONSET OF  THE GREAT DEPRESSION:
Following the hyperinflation Chancellor Josef Cuno’s cabinet resigned in August 1923,
When Gustav Stresemann became the new Chancellor of Germany.
Stresemann’s Government had introduced the Rentenmark as a new stable currency,
To end the hyperinflation which had plagued Wiemar Germany.  
Rentenmark was backed by real goods, agricultural land and business,
Since gold was not available in a beleaguered German economy those days!
When One Rentenmark was equivalent to One million, million, old German Mark;
While One US Dollar was equivalent to only 4.2 Rentenmarks.
Though Stresemann’s Government lasted for 100 days only, Stresemann continued to serve as the Foreign Minister in successive Coalition Governments of the Republic,
Till his death in the month of October 1929, but working for the betterment of Germany all the while!
His ‘Policy of Fulfilment’ stabilised German economy with a 200 Million Dollars loan from America under the Dawes Plan in 1924,
Which had also ensured the evacuation of France from the occupied Ruhr area, with their future reparations payments ensured.
Stresemann’s signing of the Locarno Pact in London on 1st Dec 1925 with France, Belgium, Great Britain, and Italy, was considered as his achievement and a feat!
Since it made Germany to enter the League of Nations ensuring stability and peace;
While the Noble Peace Prize was awarded to Stresemann for his efforts in 1926!
Later, the Young Plan of 1929 further reduced German reparations payment by 20%, while extending the time frame for the payments to 59 years!
But following a sudden Wall Street Stock Market Crash in late October of 1929,
The American Banks were forced to recall money from Europe and the Young Plan;.
Which created acute financial distress when unemployment soared to 33.7%  in Germany in 1931, and quickly rose to 40% during the following year!
Lausanne Conference was held in Switzerland in 1932 by Great Britain, Germany, and France, to further reduce the War Debts imposed by the Versailles Treaty.
But in Dec 1932, the US Congress had rejected this Allied War Debt Reduction Plan completely.
However, no further payments were made by Germany due to the Great Depression;
And by 1932, Germany had paid only 1/8 of the total sum required to be paid as per their pending wartime reparations!

NOTES: Rentenmark was issued on 15 October 1923 to stop the hyperinflation in Wiemeer Germany. Reichmark was the currency in Germany from 1924 to 20 June 1948 in West Germany , when it was replaced by the Deutsche Mark; but had continued in East Germany until 23 June when it was replaced by East German Mark.
During the Stresemann Years of Stability from 1924 to 1929, (prior to the onset of the Great Depression), with help of American financial aid, created more housing & production in Germany. Dada & Expressionist Art forms flourished, followed by modern architecture; also the Philosophy of Existentialism of Thomas Mann – influenced the Western culture. Paul Whiteman's Band for the first time brought in American Jazz to Germany, and Jazz signified the liberation of German youth and women folks of the younger generation generally. But the US Stock Market Crash had unfortunately ended this short lived euphoria, and as it soon became a global phenomena!                                


FAILURE OF THE WIEMAR REPUBLIC & THE GREAT DEPRESSION WHICH BENEFITED THE NAZIS:
Last Days of Wiemar Republic:
Ever since Otto Von Bismarck that ‘Man of iron and steel’, united Germany into a single Empire in the year Eighteen Hundred & Seventy One,
For the first time a Constitution for a Parliamentary Democracy was drawn up in August 1919, in the eastern German city of Wiemar.
Wiemar was the intellectual centre of Germany associated with musicians like Franz List, and writers like Goethe and Schiller.
The Wiemar Republic of Germany which had lasted from 1919 till 1933 had seen,
20 different Coalition Governments, with frequent elections and changing loyalties!
Due to a system of proportional representations, and the presence of very many political parties those days,  
No single party could obtain absolute sole majority in the Reichstag Parliament!
The longest Coalition Govt. was under Chancellor Bruning, which had lasted for only 2 years and 61 days!     (From 30 March 1930 to 30 May 1932)
Now, to understand the reasons for the failure to maintain a Democratic form of Government by the Wiemar Republic,
It becomes necessary to monitor its ‘dying gasps’ during its closing years so to speak!
Since faced with the economic depression Chancellor Bruning had worsened the unemployment situation by adopting stringent and unpopular measures!
Thereby having lost popular political support, Bruning with the approval of President Hindenburg, invoked emergency powers under Article 48, to survive his last few months and years!
During the years 1931 and 1932  it is seen, Bruning had used this Emergency Clause 44 and 66 times respectively!
Thus his so-called ‘Presidential form of Govt.’ had undermined Wiemar Democracy!
If Burning was the ‘Republic’s Undertaker’, now remains a debatable issue of History!
But Burning’s vigorous campaign made Hindenburg to get re-elected as the President;
Thereby he had removed the defeated Adolf ****** out of the Presidential race!
Therefore, later when ****** became the Chancellor on 30 Jan 1933, Bruning had very wisely fled from Germany!

Following Bruning’s resignation in May 1932 came Chancellor Papen’s ‘Cabinet of Barons’ consisting of individuals who were not members of the German Reichstag!
While in the election of July 1932 ******’s **** Party won 230 seats, making it the largest party in the Reichstag.
But ****** refused to form a coalition with Papen, because he wanted to become the Chancellor himself !
Now General von Schleicher advised President Hindenburg that the German Army,
Would not accept Papen’s use of Article 48 to remain as the Chancellor of Germany!
Therefore following Papen’s resignation, Schleicher took over on the 04th of December 1932 as the new German Chancellor.
Schleicher tried to restore a democratic form of government to get the Wiemar Republic back on its feet.
But in the ensuing political power struggle Papen wanted to take revenge on Schleicher for his removal from power and defeat.
So Papen persuaded Adolf ****** to become the Chancellor, and retain for himself the post of Vice-Chancellor.
In doing so, Papen mistakenly thought that he would be able to reign in the self-assertive Adolf ******!
Papen finally made President Hindenburg agree to his proposal, and on 30th of Jan 1933,
****** became the New Chancellor, with approval of the President!
A month later a sudden fire in the Reichstag made ****** invoke Article 48, in order to squash the suspected Left Wing Communists;
But while doing so, the Press was muzzled, and many Civil Rights of the German people were abolished, inclusive of their right of assembly and free speech!
****** acted swiftly, and by passing the Enabling Act on 23 March, 1933, armed himself  with dictatorial powers for enacting laws without the approval of the Reichstag whenever necessary!
Thereby ****** threw Democracy to History’s wasteland most unfortunately!
Following the death of Hindenburg on 29 June 1934, ****** combined the powers of the President and the Chancellor, and became known as the FUHRER!
Historians generally agree the Enabling Act of 1933, as the date for establishment of The German Third *****.

THE POLICY OF APPEASEMENT AND GERMAN AGGRESSION:
The horrors of trench warfare with the rattling of machine guns and bursting of poisonous nerve gas shells,
Even after 20 years remained fresh, in the minds of all World War One participants!
Therefore, it was natural for British and French Prime Ministers Neville Chamberlain and Edouard Daladier initially,
To grant political and material concessions to an aggressive Germany, for the sake of peace and stability.
Thus the diplomatic stance of Appeasement between 1935 and 1939 followed by the French and the British, was mainly to avoid another dangerous armed conflict!
But the trusting Mr. Chamberlain had underestimated ******, who had served in the German Army as a Corporal, winning the Iron Cross during the last Great War!
****** was not afraid of war, but wanted to avenge the Treaty of Versailles and its punitive dictated peace;
And also establish for the superior German Aryan race a lasting Third *****!
Therefore, having consolidated his power as the Fuhrer along with his trusted **** Party cronies, he withdrew from the League of Nations in October 1933.
Introduced conscription in March 1935 in Germany, and embarked on a mission to rebuild a new modernised German Army for combat on land, air, and sea!
In March 1936, in another open violation of the Versailles Treaty, ****** re-occupied the demilitarised Rhineland, followed by a Treaty of Alliance with Japan and Italy.
The much desired Anschluss (or merger) with Austria, the country of birth of ******,
Saw the German Army in March 1938, triumphantly and peacefully marching into Vienna!
Now with the Munich Conference of 19 September 1938, this Policy of Appeasement is said to have reached its climatic peak!
The Sudetenland area, consisted of 3 million Germans were made
to join Czechoslovakia when the frontiers were drawn in 1918-19,
Much against the wishes of the Germans!
When ****** wanted to annex this Sudetenland area, Britain, France, Germany and Italy, met at Munich to diffuse an explosive situation peacefully.
It was agreed at Munich that once Sudetenland joins Germany, ****** will not invade Czechoslovakia and honour the terms of peace.
But on 15th March 1939, in violation of the Munich Agreement, ******’s army invade and occupied Czechoslovakia, thereby openly flouting the Policy of Appeasement!

NOTES: ******’s desire for ‘LEBENSRAUM’ or ‘increase of living space’ for the Germans, commenced with his ‘Border Wars’, which soon turned into a Global War because of the ‘appeasement policy’ of the Allies. ****** had secured his Eastern Front with a treaty with the Stalin, since fighting on two fronts would have been very difficult for the Germans.

Now when ******’s army invaded Poland on 1st of September 1939, it became ‘the last straw on the camel’s back’ for the Western Allies!
Committed to the Anglo-Polish Defence Pact of 25 August, 1939, both Britain and France declared war on Germany,
Which I propose to narrate in Part Two of my Second World War Story.  
The Policy of Appeasement no doubt gave some time for Britain, to regain its depleted military strength,  but Adolf ****** had viewed it as a sign of weakness!
With Russia and America initially as non-participants, ****** became more confident and arrogant!
Thereby turning his border wars into a global conflagration lasting six long years.
When the use of advanced technology, resulted in greater loss and casualties;  
Which was followed by the holocaust and unprecedented human suffering!
I would like to conclude my present narration with a poem by English soldier-poet Seigfried Sassoon, who participated in the First World War on the Western Front.

DREAMERS  -  by Siegfried Sassoon
Soldiers are citizens of death's gray land,
Drawing no dividend from time's to-morrows.
In the great hour of destiny they stand,
Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
Some flaming, fatal ****** with their lives.
Soldiers are dreamers; when the guns begin
They think of firelit homes, clean beds, and wives.

I see them in foul dug-outs, gnawed by rats,
And in the ruined trenches, lashed with rain,
Dreaming of things they did with ***** and bats,
And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
And going to the office in the train.
…………………………………………………………………………
Thanks for reading patiently, from Raj Nandy of New Delhi.
  *ALL COPYRIGHTS ARE WITH THE AUTHOR ONLY

What might it be that doesn't let me compete to three verses ?
Perhaps it is that I tend to write longer poems, perhaps the lengh
shouldn't matter so much as the message is carried through.
From mind to heart, then to ones soul I try to reach out with no goal.
Yet am beaten, brought back down, by three verses which show up
with such malice, ominous, threatful aura, they have approached me.
I pretend not to mind, I pretend not to have seen it, yet the simple,
silly, broken stream in my thoughts has already engaged it.
So that it once again, cannot repress, envy on such a level.
My writing style might have been through changes, might have
come to a disliking to those who prefer a clear, structured, yet well
recorded, beautiful and magnificent rhyme pattern.
That should surely catch one's eye, perhaps fill them with glee and
bliss, happy thoughts that they would miss once they are gone.
But no, I cannot turn, this path was chosen, locked, destined to be
walked upon on an journey which has become endless, by time
which had stopped passing anymore.
So now it became unrecognised, forgotten, left in an abyss without
any light to expose it to the world outside my head.
Such is the fate, which I will gladly bear with, for this, has been
a  route, from which I learn and educate.
So go ahead, you can take my flame thrice, even if I might not be
able to burn this image into your eyes, this ember, about to go out
from the cold, windy, airless area, will only burn brighter.
As it rises from the ashes and yet again, goes ablaze

~ Umi

Endless hours of committed effort,
  
which frequently felt unrecognised and unappreciated.
  
Deep down in your desireful soul,
  
you teased yourself with ambitious day dreams.
  
The incentive of recognition and opportunity,
  
put wind in your talented sails.
  
But now you've got the break,
  
to perform on that mythical stage.
  
The first chance filled spark has ignited,
  
and will hopefully burst into a colourful blazing future.
  
Grasp your chance with your unique determination,
  
seize the opportunity with grit and pride.
  
Achievement is fulfilment,
  
the more you achieve the more you bask in
  
the blissful sunshine of life.

Dear Poet Friends, over the last few years I have seen some of our poets make passing remarks about Van Gog, thereby displaying their interest about this talented painter, who had died unrecognised!  Vincent gained full recognition posthumously, for which his brother Theo’s wife was greatly responsible. Hope you like this short and concise true story in verse. Best wishes, - Raj

   A TRIBUTE TO VINCENT VAN GOG’S
                      SUNFLOWERS
                        B­y Raj Nandy
  
”One may have a blazing hearth in one’s soul
  and yet no one ever come to sit by it. Passerby
  see only a wisp of smoke from the chimney and
  continue on the way.” – Vincent Van Gogh(1853-1890)

A BRIEF BIOGRAPHY :
Though during his brief life-span of 37 years he had
remained almost wholly unknown;
His artistic talents began to exhibit itself during his
early years, -
To become a colossus amongst post-impressionist
painters in his later years!
The son of a Dutch clergyman, he had worked in
various capacities, -
In his uncle’s art gallery, in a bookstore, and pursued
theological studies in Amsterdam University.
Also followed by a short stint in Belgium’s coal-mining
district as a lay missionary!
At the age of 27 years took to painting with financial
help from elder brother Theo,
Who encouraged and helped him for the next ten years
or so.
This was the most creative period of Vincent’s life,
Followed by an attack of dementia when he cut his
own ear lobe risking his life!
On 27th July 1890, he shot himself, bringing his
great artistic career to a tragic end!

SERIES OF ELEVEN SUNFLOWER PAINTINGS:
Vincent commenced his famous sunflower series
to decorate his house in Arles, France,
While anticipating his friend Paul Gaugin’s visit in
advance.
His first four canvases had paintings of cut sun -
flowers in bunches of twos and fours;
Painted in Paris during Aug-Sep 1887, which the
world still adores.
But his later Arles series of seven still life canvases
are better known to us;
And this series of paintings had made Vincent
internationally famous!
The most valued of these seven is a vase containing
a bunch of 15 sunflowers, -
Now displayed at the Art Museum in the city of Tokyo;
A Japanese firm had paid 40 million dollars at an
auction for this masterpiece to show!

                    A SHORT CONCLUSION
Vincent brought his passion for sunflowers from his
homeland in Holland.
Which became synonymous with him like those ‘water
lilies’ with his contemporary painter Claude Monet.
Vincent painted the various stages of the flowers in bloom;
From its budding stage till it wilted and swooned!
Chrome yellow and yellow ochre made them look fresh;
And arid brown and somber shades showed its wilted stage!
Thus his paintings covered all angles of spectrum of life
itself;
In turn reaching a deeper understanding of how all living
things are tied together and made !
His explosive energy was displayed through his vibrant
shades of yellow.
Using red for passion, and green for conflict to show.
Grey shades were used for life’s inevitable surrender,
with blue symbolising infinity;
Thus this Dutch Impressionist painter harnessed a
moment of time in eternity!

Foot Notes:-
Dr Jan Hulsker, a foremost scholar on Van Gogh, had said that this Sunflower series of paintings brought Vincent eternal acclaim & fame! During his short life span he made 700 paintings, 1600 drawings, 9 lithographs & one etching. His ‘Potatoe Eaters’, ‘Red Vineyard’, ‘Starry Night’, - are all famous paintings. Paul Gaugin, & Claude Monet, were his other ‘Impressionist’ contemporaries. Impressionism  emphasised changing qualities of light & colour, visible brush strokes, open composition,  creating an impression of a moment of time! Derives its name from Claude Monet’s harbour painting titled “Impressions & Sunrise”. This art form became popular in 1880s and 1890s.
*ALL COPY RIGHTS RESERVED BY RAJ NANDY

With each
CLICK
Our breath is held
Will he,won't he
Will he, won't he
The suspense is killing me
And....****
Door left open still
Pestered by the plebeian chill

In this gay little coffee shop
Surrounded by the unrecognised talent of Brighton:sketch artist staring at me, writer on his laptop, songwriter etching vigorously with his pencil.
All of which aren't closing the door.

The eyes roll.
Labouring my body up, hammering my legs across the floor, turning the factory handle.

All is ask is for some carrot cake,filtrate water,polo jumpers, avocado salads,tiger bread, slimmer trousers, slipper sock , a toyger.
Click
And then images of Kim Jong un pass through my head.
If I ruled you'd all be dead
Firing squad for an open door,
Loud music on the train'll be no more.
Stop the screaming misbehaving brats
The rabble of Spanish students
All this PC stuff on the news, train seats filled with cans of *****

Suddenly
The artist strolls up
Let's down his cup.
Closes the door swiftly
And slips back in his chair

Oh, so there is a god.

I guess Jesus didn't lie.

I see the lonely
I see the lost.
I see the tears that filled these rivers.
I see the broken hearts.
Scattered like autumn leaves.
As the busy crowds crush them underfoot.

I see their empty eyes
And their painted faces,
Their smiles are as hollow
as their hearts.
They disguise their tears as raindrops,
As they walk the streets alone.
Forgotten.

I see the lost
And the lonely.
The tragedy that fills their days.
Unrequited
Unaccepted
Unappreciated
Unrecognised

I see them
I know them
I walk beside them
We, the unloved
Forever in love
Forever loyal.
Lonely
Lost
Forevermore

Thou said I'd killed thee-then haunt me! The murdered do look for their murderers. Do find me, capture me, and seize me-until I am no more! Until all t'ose resentments are conquered; and th' due satisfaction is approached! How I am but ready for 'tis-for I now can see even t'ose roaring flames in thy *****-thy lifeless, inanimate *****-o, thy ghost! My poor-dreary love! But why doth thou hath just to release it right now? Thou wert no more than a vapour. A silence! An undreamed thought-yes, despite how I sobbed over thy ignorance, thy blandness towards me! I who was unjustly a piece of willful visage in thy mind-a fracture on th' soil thou mercilessly cracked-a wailing fragment, unheard by t'ose passers-by, unrecognised by th' wind! Terrified in t' steepness I could look around-but insignificant as I was, I hath no right to claim any attention-I was by birth a stone to t'ose young buds-leaning against their flower mothers so tightly, so scared and petrified were their looks-upon my gently-but alarming, steps! How I was a crust to warmth, unbinding and unyielding in every step, glowered at by t'ose thirsty stems-and their green abodes! How crushed I was by my own nature-and to my despondency, by my own fiery passion! Thou wert so distant to me-thou wert a prince from a faraway castle-unreachable to my loveless realm-I could only, in t'ose wakeful jests-dream of thee! T'ose solitary walks we took, as part of our serene perambulations, but in every retrospect, also part of my wildest dreams! At those silent, barbaric hours! And how I regretted when which wert admonished! How my waves of anger would be roused against me-and my lilac-scented pillow-I wanted, in those wraths-grasped my little gun-t'at very kind, and sometimes sweaty-lil' gun, with t'ose uncomprehending steel layers, and strangle th' neck of each of th' intruder: I was glowing with fury! Insidious and pernicious my soul was-but inevitable as to the love I nurtured. The love that would be adequate to me, and its loss hath left me in 'tis shameful, disgraceful, and unpardonable lifelong longing, and incarceration. How isolated I hath been now-for t'ose unimaginable y'rs-how unfair! Resentful ist my heart-grudge is th' only will it can beareth! O my lost love! My prince! My young, mirthful treasure! But I recall how solemn thou wert to me-and cold-tempered in thy redolent sophistication-thou neglected me! Thou killed the flame that had been lighting up my mindth-thou wert the one who fled from me! Aye! Thou wert the one who relented-who adversely tore t'ose flo'ers of my heart; thy quietness sent them into a hurried, mysterious death! Like an earthquake flitting apart th' moons at a blissful night-and enduing th' soil with bursts of cold horror-thou passivity in t'ose very moments-wert but tragic yet unmistakably obscure! O my soul that was ripped apart-just as thine! How dead we became-and still, areth now-how inanimate! Of bliss have our languid joys have been deprived, its remains doth we have no more-no, in our but only dying embers. And how their momentary torch mocks us! How bashful, and unlovable! O but my love is torn. Wholly torn. As how a pool of blood is th' produce of a sword of honour-that is how it is now-and was it swerved astray from its cherry, back then-its very own romance-which hath been so full of ****** youth, to taste agony! Agony as it was-but th' only reward to my suffered love, when I could feed on thy sight no more-thy movements were a nameless leave-threatened by the glaring autumn, and killed by th' ragged winter-my holy love was slaughtered! Now that thou hath known how dead I am-and my feelings are, how I am unseen by most of yon ingress and egress of t' others-t'ose vile, and reprehensive b'ings-with t'ose unthoughtful, and abhorred shortcomings-pallidness and sickly merriment in t'ose eyes-o, what falsehood, what falsehood! I despise th' sight o' 'em-daemons they are, hellish are their souls! **** me, my darling, slander me now, and bring me back into thy world! For th' world I belong to is th' one with thee, my dearest-I do not mind being a ghost, and am unafraid of its vagueness-I'm not! And together shall we traverse th' earth-enjoy but only our keenly desired brambles-t'ose ones we could not partake of, as healthy refreshments to our souls-in t'ose sickly, tumultuous lifetimes-t'ose brazen years! I am thus indebted to thee-t'ese guilt and pleasure, as both thy own'th remorse and treasure-I declare as thine, only thine! Be with me always, since we'll occupy ourselves together-and taking any form, we'll drive each other mad by our passioneth-and grasp all 'ose happiness we've always wanly desired! Love me back, o love me back, my prince! Only don't leave me alone in 'tis abyss, where I cannot find thee...'

The Open Studio

Usually the journey by car flattens expectation, and there’s that all-preoccupying conversation, so one only takes in the view where there’s a halt at a traffic light or at the occasional junction. A pattern on a wall, a damaged sign, a curtained window. Waiting, one looks and sometimes remembers, and what one sees later reappears in dreams or moments of disordered contemplation. A train journey is another matter: you sit and look, and when it is a trip rarely made, you put the book away and gaze beyond the ***** windows to a living landscape that scrolls past the frame of view. When you arrive there’s inevitably a walk: today through a town’s industrial hinterland, its pastness where former mill buildings have tactfully changed their use to become creative places, peopled with aspiration and strange activity. Walking reveals the despair of forlorn roadside business falling back into alleys ending in neglected and empty buildings, so much *******, silences of waste and decay.

But here’s the space, there’s a sign on a board outside, OPEN STUDIO TODAY. Entering inside it is quiet and cold, the door remaining open to let in the December air and the hoped-for visitors. But it’s bright and light: a welcoming presence of work and people and coffee and cake. And here’s the studio, a narrow space between make-shift walls where the artist works, where the work awaits, laid out on the surfaces of desks and tables, on shelves and walls, specimens of making; ‘stuff’, the soon-to-be, the collected, the in-progress-perhaps, the experimental.

Good, a heater blows noisily onto cold fingers. In the turbulent air pieces tremble slightly from their hangings on the walls. They are placed at a good height, a ‘good to be close to examine the detail’ height, the constructed, the made, the woven, the stitched, the printed, all assembled by the actions of those quiet, intent, those steady hands. There, a poem on a wall next to the window. Here, photographs of places unlabelled, unrecognised, but undoubtedly significant as a guide to the memory. Look, a dead badger lying in a road.

Next to the studio, a gallery space. Two walls covered with framed prints, well lit, a body of work captured behind glass, in limbo, waiting patiently for the attentive eye to sort the detail, that touch of the object on paper, that mark found and brought out of time and place. Perhaps these ‘things’, some known, some mysteriously foreign adrift from their natural context, have been collected by that bent form on a windswept beach, by the hand reaching out for the  gift in the gutter, struck by the foot on the track, unhidden in the grass by the riverside, what we might pass as without significance and beyond attention. This artist gives even the un-namable a new life, a collected-together form.

Moving closer let the eye enter the artist’s world of form and texture - and colour? There is a patina certainly, colour’s distant echo, what is seen on the edges, a left-behindness, more than any subtlety of language knows how to express, beyond comfortable descriptions, not excitable, where the spirit is damped down and is restful to the mind, a constancy of background, like a capturing of a cloud but bulging full of hints and suggestions, where texture is everywhere, nature’s rich patterns colliding with things once invented and made, used once, once used left and changed, thrown away, to be brought before the selecting eye and the possibility of form with meaning its patient partner.



J.M.W.Turner writes  on poetry and painting

Poetry having a more extensive power
Than our poor art, exerts its influence
Over all our passions; anxiety for our future
Reckoned the most persistent disposition.

Poetry raises our curiosity,
Engages the mind by degrees
To take an interest in the event,
And keeping that event suspended,
Overturns all we might expect.

The painter’s art is more confined,
Has nothing to equate with the poet’s power.
What is done by painting must be done at once,
And at one blow our curiosity receives
All the satisfaction it can know.

The painter can be novel, various and contrast,
Such is our pleasure and delight when put in motion.
Art, therefore, administers only to those wants,
And only to desires that exercise the mind.



Twilight

A day aside and diaried into busy lives
So to a morning walk to Turner’s View
Above the River Wharfe and Farnley Hall
Where it is said the inspiration came
For his famous oil of Hannibal,
with elephants and storm-glad Alps.

On to lunch where six around a table
Souped with salad before we homed
Mid afternoon the day in decline
We were done with words so watched
The edge-timed light flow between our hands.

Inevitably we climbed the stairs to lie
In twilight’s path beneath the skylight’s
Square a sliver-moon we couldn’t see
Gracing the remaining daylight hour
Marbled with shadows our collected
Curves and planes lay as sculptures
In the approaching dimity and dark
Each experimental stroke of touch
Holding us dumb to speech and thought
As night’s soft blanket covered us entire


Northcliffe Woods

Oh nest in the sky, empty of leaves,
Those tangled branches
Reaching out from twisted trunks
Into the sullen clouds above, when

Suddenly a crow -
‘Corvidae’, she said -
And simultaneously pulled
a hank of ivy from a nearby tree.

Hedera Helix I thought
But did not say, instead
I whispered to myself
Those ancient names I knew.

Bindwood, Lovestone
(For the way it clings
To bricks but ravages walls),
A vine with a mind of its own. But

She, in a different frame that day,
Apart, adrift and far away
From our usual walk and talk,
Fixed her gaze on the woodland floor,

Whilst skyward I sought again that
Corvid high in the branches web
Black beyond black beyond black
Against the pale white canopy above.


Franco*

Blow She Still
Ed insieme bussarono
Sweet Soft Frain
Cloche Lem Small
Spiri About Sezioni
Portrait Eco Agar
Le ruisseau sur l’escalier
Etwas ruhiger im Ausdruck
Jeux pour deux
For Grilly Fili Argor
Atem L’ultima sera
Omar Flag Ave
The Heart’s Eye*

play joy touch
code panel macro
refraction process solo
quick-change constrained
hiatus sonority colour
energy post-serial scintillating
aleatoric reuse transformation

A lonely child who imagined music
on sunday walks, he would talk about
how one lives with music as someone
would talk about how one might live
with illness or a handicap. He said,
‘You cannot write your life story in
music because words express the self
best whereas music expresses something
quite beyond words’.

Eager rushing sensations, waiting to escape, finding love and never finding the right words to say. Varied and wondering dreams, restless in all it’s waking threads of time. Rose gardens that house all kinds, like sunflowers for Van Gogh, humming amongst them. The mood helps providing a sense of freedom, though most never follow through. Maybe it’s only peace that I’ve always wanted. Something that isn’t found under a chestnut tree. Poetry a way beyond conversing with oneself, a self portrait for one’s eternal life, opened for viewing, it's something more than wanting street fame. Flashes of knowledge. As pearls. Self-doubt has become normal, something lingering around, it’s tiring in my engagement with it. Clouded mists, dripping over my essence, for I’m guilty for being anxious. Though there’s a-lot of men who stay heated, most of them stay bluffing underneath, hollering at the moon on the roof, passing any yearning for actual love. Because it’s something made out of lust. Now poetry spoils me, maybe it’s too much of a good thing, I’m alone in the world and it’s something I never wanted. For me, it always seems that I end up like this, a darkened world and I’m centered in it. For love, it was all bone and ashes, with poets skills, turned them into something so potent, forming beauty so we all forget about life’s natural wonders. A nightmare for the moment. Thoughts that are vivid, I’m not lost, I’m on a path that’s constructed for me. The only predestined item, in my own existence. Not reluctant. Even when you’re heading towards your fate, it’s still no obligated to provide you all that you ever craved, including the lips of a lover. It’s a sudden and unexpected shock. Sometimes laying a scent of bitterness inside. Yes, it can provide tears. Maybe I’m just impatient. Though in poetry, I take glimpse, into another’s world, another’s experience. I just don’t want to know about love. The experience of it, that's in experience love, far-more illuminating than any poem that anyone can read. It’s a certain grace, a different type of contentment, being in love, maybe a final place for personal progress to stop, rest and let go. Feeling safe in another’s arms. For if the same love is given back. Controlling the movement of the sun with each poem. Salmon sky, starlight, fireflies, providing a sense of romantic aroma, scented poems, kissing, eyes glitters in their flickering. Hands holding, insecurity fades and each lover forgets about them, fear forgotten to the point of it never existed. Love, not belonging to romance art. Violin for symphonies. Some infinities are bigger than others. Changing fates, change paths, I’m a paradox. Whenever I’m glanced at. I’m under no obligation to be the person others are. Like how life is to me. Not out spite. Not to taunt. Just be.The issue of self-awareness, giving me the knowledge to be my own person. Harping in the waltz. Solemn in my own thoughts. Private. Wanting to burst. But I render to myself on my path, dealing with daily struggles. Maybe I’m private in order to keep myself for the one I’m meant to be for. This is all just a prelude to my own enlightenment. This is only a note to a track record. Fire. I look back on times of that self-awareness, what a large lump of weary years. The wanting to live, the desire and dreams, than not having the ability to do so. Till I started the to notice the beauty of life, without knowing the beauty inside, I looked inside and saw a supplication, and produced my own courage, hollowness in others I could always understand, people's wanting to understand, to have friends, to talk, to be noticed, to be helped. To what I didn’t see, original lives, people all just fitting into conformity. Friends and family will believe always in your potential, nauseating in person duality. Always. Without fail. It’s a different story once you want to act on it. Nothing there is spontaneously. Oh frown on that life where it's easier to bleed, than it is to smile. Maybe nothing in life is predestined. And the search to have my own fate come to furitation is all any illusion, a trick to find myself. To create something holy here on earth. And it’s shocking to see how many people want you grounded. Though what do you do, when love turns to hate?For all I know, my own heart isn’t meant to be enclosed. But if you can’t create yourself, if you won’t rebel, stand up for yourself. In order to avoid scars. Beauty won’t belong to you. Not the beauty of the flesh. The kind of beauty that comes from inside.The soul is stronger than the flesh, rendering it more valuable. I’ve noticed the war between Angels and Demons.I could be all wrong. It could just be something of a self-made myth. The smart philosopher will know, the peace is known internally and the externally will never match. There’s few things more pleasurable than *** and revenge. It’s returning to a place of hardship, during success. And no one notices how much doubt affects our own lives. To apply within, to save myself from all those fears and insecurities. For I had meet someone, changing, shifting the patterns inside, I first felt illuminated for the first time. I smiled, encouraged me to stop reading, reading the lives of others, begin to live for myself. He held me hand, caused me to smile, asked me to talk, sat and listened, took an interest, asked for nothing more, than my time and presence, for what we did during that, that was up to me. Putting in time, was the only work required. Projecting ourselves beyond the mundane parts, going forth, passing poetry itself. It was like discovering Mozart’s music for the first time in humanity. We replaced the mocking chants of time’s minutes, moments or angst future to be now, with passion, love, heated exchanges of wanting to dive into one in another. And each lover can remember the first, the last and the only. It’s a brief life. To have it full of something else, like holiness. It’s another thing. Trust me, to be enticed, to be tempted, to be curious. If it’s for true love. Let it happen. It sparked the belief for me, that real love does not live in poetry, paintings, in novels or in some cosmic planet or parallel life. Our soulmates belong in our hands, to have them feel safe to be themselves. It’s funny, I had always wanted a man to come in, storming into my life, to save me. God cannot be everywhere. The most dangerous thinkers are the ones who act on love. For God made lovers, not to be everywhere, for I ended up saving my lover. Poetry only nature's the faith of love, because poems are food for love. But who has not truth in their heart, will not see the beauty of the other. To how I had lost him. It’s on account of the earthly problems. The ego is the ugliest part the human race. As for ignorance. It’s too bad no one can feel pain from it. It was love, at first sight, and everything turned into beauty. It littered this land. Staurating the poets of thoughts of grandeur. Free to be wild. Locked in the heart to be tamed and own, for me, shivering in my frame, providing aesthetic to reality. Burning the sky, dnce all crazy, eyes on fire, we got them in a trance and impending doom of death, drips and melts away. Pulling in dramatic tension towards us, melodramatic and meticulous in our love for one another, ourselves dripped and personally forgotten in the presence of the other. We had broken the fuse of life, it’s living spark, to any predestined wants of it, created our own, anywhere we went, turned to romantic pilgrimage, and finally for the first time, any flaws of life, any poverty, burden or burning want, left, as we shrugged our shoulders, smiling at one another. We have and are, fully absent of any muse that we had once, prior to meeting thee and used for earthly wants and values. Like Milton said, do not think about morals, for they the ability to think about themselves. And our souls, larger than Rome, stronger than any empire. This isn’t a result of dreams, we had lived in reality and said no-more. Because it didn’t watch the throne. What do you do when the willingness to live, turns into something of no more? We just replaced the reality of life and created our own. For the mind is in a place of its own, to what comes into fruition, tangible and touchable. I’ll wonder deeper. Awake and rise. For this isn’t to copy. Something to leave behind. Perhaps this adds charm, shade to the stillness parts of life, colour to the darkness. A feeling of perfection to anything that may of so seemingly born lifeless. And ever since I’ve been left alone, I’ve come to grips in solitude. Out of truth, until this day, I have no idea how to articulate true love, I tell myself, something so beautiful can’t be express in poetry. And if it isn’t true love. I don’t want to know. It’s allowing to continue to believe in love, remaining here under its spell and that we all have a soulmate here, waiting to be discovered. My heart will ache until I find thee. Yes, I’ve heard it’s dangerous to romanticize one’s own past, have it brew to the surface of old sensations, from the secret depths of my own soul, alluring our attention to it and placing a veil to the future, maybe why we romanticize the past, is a simple reminder that life isn’t so bad. Perhaps I’m just a foolish romantic, an expression-mirage of hope. As the thoughts of love, keep coming, I’ll continue to walk, if it’s in exile, alone, parting from everything that I had become accustomed to, let it be. But at least I don’t refuse the potential of life’s fruits and to what I can bear with my own hands.  When it’s in love, anyone can farewell to hope and fear, for the very last time. In heartbreak moments, its singing of torment and personal chaos, collapsing of my private world. To which I deemed valuable on any night meant for you and I to share love. **** and full of fashion. Of how much pain the heart can stand, imagine the experience of tightening strings to crack like glass to the point of no-return. Miserable in the infinity. Just to devour anything worthy of oneself. Huddling together with the darkness and whisper between ourselves. Than by force, burden humanity. And a good poem is the blood for any romantic, but it’s forgotten when love is currently being enjoyed. To the unbearable doubt, I’ll not fall victim to, poetic, I’m fraile inside, like we all are. They’ll be no heros if our inner-worlds weren’t such soft touches of complete tenderness. Mingling glories. Kiss me now. I’ll smile for you than. What is it mean that someone is clingy? Perhaps there is nothing for them. Maybe they had just saw for what I’m worth and saw nothing but beauty. For that, there is nothing else for them, besides to infuse romance. Just wanting to leave me breathless. Tenor for rose beds, shepherd to anything the world made of beautiful, touch it, it will multiple. The breath of life. Hollering at moon on the roof. For the reminds me, of what he thought of me, when he first saw me. But I always answer in response, ‘what about now’. Lowering his head, resting on his arm, hiding his smiling. To which reminds me, it’s always getting better. Like the revolving poems. In spontaneous overflow of something we can’t control. What is the paramount goal between lovers? To self discover? To know another? Be poetic in one’s actions? Oh musing poetry, how can we know how to love thee? How to live? How to write poetry for thee? Now I see the value of peering into the arts made from any romantic period. But what does it mean to pass those poems by? Losing all value of life. It's just passing moments, threading together, stuck to the forefront of my mind, I’m unable to forget. So I lose sense of time and daily obligation. Smoking magic. Spellbound. I’m fully alive and aware now. Constant. There is no change. I’m unable to forget. Though let me breathe in that breathe, an intoxicating perfume. Extravagance. Blunt in twilight. Pierce through obscurity. Temptation to praises. Holding lovers hand under sunlight and moonlight. Pitchy. Eyes convicted of seeing the endgame of beauty, never to look away. Containing fairy tales in dreams, the ability to stain the earth with it. Got to be carefully not to let the evil of this life and earth trap thy. And all I wanted to say to my lover, before I told him, that his voice is my favourite sound, is to say simple words like I love you. So when you see me, our dreams will flicker like the stars of the night, never to fade and when the sun rises, the golden dawn between us, will expand the sun’s glory. In clarity of mixed feelings, we had lived dormant and a calm temperament, contempt to achieve earthly success, to which our heart could never be satisfy with. Drowning in oceans of filling hearts by love, produced by one another. When you’re in love, the world is yours and it spins around. But when one’s heartbreaks, nothing but numbness and you’re alone. Late night, bright lights, lust and lies, everyone with their hands out, no one is giving, but I cannot blame people for trying to get what they can. Loving seeing your lovers smile. Anything goes under this shared sky, who knows what you’ll find. I’m just distilled in poetry. Needing one single kiss and I’ll open my arms, present myself so proudly. As for the naturally wonder, they’ll blink, display itself for everyone, jealous as we walk away. But when your heat breaks, everything is gone and nothing ever seems to matter, plucked into forever. And all wanted, nothing within poetry, is to love. Can one ever get blamed for that? It’s as natural as being born and to die. To my doubt, that no matter how I live, do not engage with me, on how I’m supposed to be. Cello symphonies, tenors. Can I survive a misspirit? Oh for what I’m I really waiting for? For when you open your heart, look how they try to play me, write a couple a poems, now they wave at me. I’ve had my heartbroken, to lovers smiles. From a romantic in desituition, to someone's love. Experience in musings. And to every step I take. Just want to tread over romance and transition into poetry. Smile for me now. From a trembling throb, shaking hands, strengthening of heart, it’s enough for me to know that I exist, not to be contained in any single moment. Do we really know life? I just want love. For poetry, I’m happy to hand out freely. To be beautiful, it’s when one glares at you, to be valued, is for when one knows you. For that, lover? Maybe? Otherwise, it’s not the purpose of existence to be either beatiful or valued for the outside. To which, I can easily do either. A free woman in this unfree world, would be a woman dreams never dared to speak to. A daughter of muses. Dreaming about the romance world. My mind goes boom! For me in the world of romance. To doubt should be a sin. Not to be brave enough to follow through, a sin. Refusing faith that we’re all meant to be for another as a soulmate. A unique miracle for another’s life. For a romantic, a day without love is like no salt on the road for the saint. Ever since adolescence, calling out for my soulmate, until he returns, it’s all eyes on me. I desire, so therefore, I exist in something of an aura, taking in this world’s pressure, without a sound, I slide, I’m unbreakable. It’s not that I can’t make it on my own. I’ve tasted love and earth or this life, cannot provide and other contentment, melting over in illumination. It’s incarnate and inherent. I’ve measured my own worth and dream of someone better. And if they’re less, better go to work to match my eyes. Stars on our door, stars in our eyes, stars exploding in the bits of our brains were the common sense should have been, where anticipation of love making sessions isn’t our greatest pleasures. Unstained by fulfillment for what we can do for each other. When I was younger, my hunger was to let loose in exile, catch me if you can, I giggle at those more vulnerable and impression years. Demand in the present, higher status in the future. Narration of poetry in soft whispers. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world. As for me. I created a love no other human can ever attain, so I’ve replaced every muse that had ever existed. No longer to question my own existence. The lover yet not conceptualize in my hands, is just another unexplored land of flesh and character. Waking each day, a little more, living, movements under the eyes, flicker of light. I gasp and breathe in. Somnolent gestures, it’s a little more urgent and intense, somethings different. More raw and upfront. I’ve loathed and now no more. Piano keys pressed. Heat rises, rains felt colder. Die another day. I huffed and puffed. I came to grips for the life I had live. Parted from it. Moving fingers to wave goodbye. I smiled. For love is funny. It’s comes out of nowhere, at the silliest times, from the most random people, like a fluke. Flutes and melody, along piano keys. Love, hitting me hard, never to leave. Asking in cliches, ‘where have you been my whole life?’ Finally, without effort, a man to understand, even from the smallest glimpses of glance, a single touch, a soft spoken word. Loving each other, not knowing how, but we do. In balance, obliges his self-care, never to allow me to struggle in my own wants of life. Understanding in instant flutters of fury and still yearning for more.  And each stroke of his tongue ripped off skin after successive skin, all the skins of a life in the world, and left behind a nascent patina of shining hairs. My earrings turned back to water and trickled down my shoulders; I shrugged the drops off my beautiful fur. I see him as a series of marvellous shapes formed at random in the kaleidoscope of desire. Filling out my meaning in his living action. To each look, it’s like the first time, in the last few moments, glancing at me, like it his final outlook on life. Our love, devoted to life, but we couldn’t accept life and it’s demands, so, we devoted ourselves, to one another, and it wasn't enough, so, we committed ourselves to holy love and rose above anything that had once been considered as limitations. Dripped off the sides, in alluring colours to the cosmos, left, in supernova fashions and drifted into mythological fame. As we should. Love hits hard, it hits fast and in unexpected times from the most unexpected people. Most of all, it was horrifying at first, made only for the brave, for those who have never tasted love. It’s like, seeing eternity, mastering it and got all the time in forever to stand and glare out to the immense sky. Careful in one’s manner, so no one will notice, eyes opened wide, never to shut, like if I have found creation more than I could explain. The sting of a poem. Why so often my thoughts flustered. Once went everywhere, unrecognised. Time slows. Instead of a mocking face. I regretted nothing in past loves. I am happy that I had an effort. Are the ones too concerned with these earthly concerns. I doubt would ever be themselves, let alone be in love. Don’t ****** me. Now it’s time to be a ghost. For the devil greatest magic, to have the faith that he doesn’t exist. Filtered through my demonic mouth, this is the end and I know how cultures die. This beautiful sigh. A firefly kingdom. Will it be like this, when I cross over to another place? Grief at lost love, when I’m capable of loving now. I’m the romantic, leaning against poetry, filled with love, whisper it’s tone with meaning. Wet summer in low times. Lover without love. Paralysed at my core. Those who glimpsed inside, know of senseless violence. Eyes that not dare no more to meet mine. Pendlum swinging, more selmn than the sfiting emotions. Do not come close to me. Deliberate gestures in the dark. Behaving like the gloom of failure. I know how the world ends. Artists, raise images as homage to death. Is it like this, on the other side, trembling with sobs. No prays to be heard. Valley of dead bodies, steaming ash, sizzling skin to bones. They never talk. Lifeless. Spasm in Zion. rapture over earth, screams from the religious, who pledged their lives to their dogma, slapped in the face. Shadows. Life is short. Between the desire and the action, I’m there, existing. I’m the essence of your desires. I’m breeding new kingdoms. Whimper in public, no-one will hear. For Zion has forgotten you. For I know how the world ends.  
(knowledge variable)

For I to cherish soaked in sunbathe dream of freckles on cream and strawberries
For you to see and sigh and fill with warm fizzy pink water too sweet to contemplate 
For you to see and sigh and long for long sleeved sheathed in jealousy spilling out in bright red syrup

For I to paint faces with my utterances fanciful making ugly alluring curious mysterious attractive

I can take my nose to be strength clever seducting wicked men and women to listen to my describes or look upon papyrus sheets

I can make my jaw a naive child stricken with blue veins translucent skin clinging papery like wings to brittle bones under eaves ready to snap

I can write my eyes wide innocent in first time headlights first time frosted firsts filled with empty antecedents of unclasped things and fifty fifty longings

I can make the ugly striking like a stinging snake cruel contemplating lashing smarts or make it sad sorrowful quiet longing new to life love mature but still a child

I can add grace poise to my stretched out neck make it stand tall of pride training because it's ladylike to do so and so I must and say my prayers every night too as I powder over my faintly drawn freckles

Boyish humour uncaring to my generous brows a baseball mitt bubblegum cards and a fetish for goths forever unrecognised as spit flies and at home haircuts compose a flyaway life

Embellish the hollows collarbones and detract the too-broad shoulders make the frailty proud and small shrink it down to fit in a girl big brothers to gentle and lovers to rough pinned wrists that near snap

With my words I reap the benefits of my own mindly kindling I wander through half made times in history and finished times two seconds right now 

I can create myself and so I do my thirst to be is insatiably insatisfied like my attraction to bad grammar and lilts when you talk so I do I become each and every one 

I create myself and it's addicting

you know
when i first beheld the icy greyness
of this giant sepulchral building
a giantness of Empty
a giantness of unrecognised surreal faces
a giantness of being sorta kinda lost
a giant lostness of slamming into glass doors
hurriedly breaking out
to a place i wanted to know

when i first beheld that giantness
i had never thought
imagined felt conceived
hell i had it all figured out
in what i thought was a deep deep experience

i had never thought
it would be that crisp
that quick
the creepiness of mounting heartbeat
pounding like a drumbeat
rising out into the rosiness of dawn
full of a wisdom of it's own experience

that it would be that supple
lifting me with effortlessness
like a wave of adrenaline
rush; gushing into my
guts; breaking out like
a furious river bent on
flowing with the vastness of the ocean
and the innocence of the sky

i had never thought
that is how you have a Crush.

It's strange how
there are pros in golf, medicine, and even body language,
but no one will admit that they are pros at
tracing the lines on their thighs from old scars
or knowing their hands’ feelings when they see an ex’s face
or dodging people’s inquiries about their wellbeing.
There are unrecognised experts
in all fields of sorrows and pains in our human experiences.
Shame that those most familiar with the least explored topics
tend to give up or give out
while those least familiar attempt to drown the veterans’ cries with
I know how you feel
You’re not alone
It’s okay
I understand
And we who know best
smile and nod, thinking forward to when we will be home alone
thinking backward to
all that was
all that is
and when it was simpler
and before this.

But love is an unrecognised imperfection
the poets they so often lie in idle utterance
how their voice adds to the verbal confusion
so many lovers are sadly trapped in life-sentence!

Even beauty of the highest order could be deception
too soon feelings wither and die in silence
it's pure folly to think that there's perfection
it breaks the heart to witness the demise of innocence.

the ache for home lives in all of us,
the safe place where we can go as we are and not be questioned.

here lies an unexplored current-
in its motion is a stillness;
in its havoc is a calmness.
it is nothing, it will always be bursting with its nothingness.

a child comes; stomps on the shallow waters,
feeling the striking cold water against his skin;
the fiery sun searing his back.
what do i feel, what do i feel?

emptiness goes unrecognised,
and the balance is created from within.
splish, splash
tune me out as i touch you, and take a part of you with me

the child rolls in the sand-
pressing the damp handfuls onto his body.
he tricks himself into believing that he belongs somewhere-
that he belongs here-
clearing up his mind-
as he tries to become one with the ocean-
as each handful of sand
teaches him that his home is inside him.

the ache for home lives in all of us,
the safe place where we can go as we are and not be questioned.

She continued to walk on
Towards the light that resonated with hers;
Unrecognised by the world,
A pleasant titter of confidence radiated off her.
As she approached the source of light,
A small light only perceptible
Because of the dominant darkness,
The darkness of shattered hearts and faiths;
There, she realized that there stood a wall,
The wall of life as it was known,
The wall which divided the achievers from the rest
A faintly painted, thinly segregating wall;
She didn't know,
But she followed a unique way,
A brilliant mind with a million world changing thoughts
Ready to project all her thoughts on this wall of life,
A wall too small to accommodate all her thoughts
Thus painting the wall vibrantly with her thoughts,
Making the light around
A dominant sight,
Dominant enough to lift her up
And flung her over to the achievers' side
Now she stood bold,
Recognized by the world
A predominantly large and hurdled world.
Yet with that radiating confidence,
She moved ahead,
Leaping forward with no more feelings of doubt or distress,
But only to motivate her fellow populace,
The ones still on the other side,
To follow their own lights,
And not to be lead astray.

the parody...
  i think i remember stashing a week's
worth in my room
        and the stench they provided...
that's the parody, i think i remember...
thinking has nothing sensual about it,
now you're reaching into our faculties,
like: imagination being covert for sight,
then again memory does indeed comply
with that rule, but we call it "sight",
or a blockeg toilet of desirable "thoughts"...
    i wonder... is there anyone out there
to give me 5 sensual artefacts of rigidness
that my comply with a theory concerning
the ego?
  well... isn't this globalisation a real gathering...
what a gathering!
         there are one billion chinese armed
with shadow and here we are
  talking about how the process of individuation
comes about... like some miracle of birth,
  it just tickles my nuts whenever i hear it.
cat's in the bathroom imitating me
while i lean off a windowsill to spot a constellation
and given that: i can only see three at most,
well, four... if i count the rhombus
and the big and little dipper (out east we call
them carts... the things horses used to
drag along)...
      but all i want is the pentagram of man inverted,
like the clockdile that the ******* became
for germans...
           i want the "cognitive" lessons in what
i see, what i hear, feel...
       what are these "senses"?
they must be there for me to think about them,
but never trust that thought that has no ought
to it, no moral compass, per se...
                   that something is not needed,
i hardly talk anyway,
         i just pass as silent as a lake, or
merely and practicaly, just sit there...
                    newspapers?
yeah, for some reason books not keen on house-cleaning
chores never allow for stink...
  keep a week's worth of newspapers in your room
and they start decaying, and the stink arrives...
   which is why i don't value opinions coming from
newspapers, i call them the sights of
    pornographers of literature...
        or maybe why i don't see much in the vicinity...
in poland they actually call putin a wise man,
a leader... in the west everyone wants a cherry
on top of the cake that they're not...
        all the old people in poland cite
putin because he's able to keep poles,
how to say it? not imitating the nomad jew?
and actually sit on their ***** and count the ants?
is that how you say it... i go back to poland
for 3 weeks, read a kraszewski, watch ski jumping
cook a meal, walk in minus degrees into pine
woods and take a photograph of a power station,
and feel: there's no need to write a book...
3 weeks over there and i didn't feel a need to write
a book... alternatively:
i come back from my "hiatus" to england
and i'm in a on-the-ready-prompt gimmick;
i'm starting to see this departure from the life
i could have had as much as what defines the dog
or a door (onomatopoeias to god)
             but is really nothing more than a nagging
seagull... or why there is a need for prompt...
if graffiti didn't do it, then this, certainly will.
           writing "poetry" is never a good thing,
esp. when you don't feel like talking,
but then i feel a computer keyboard like
        chopin might feel the piano keyboard
or mozart feeling up a harpsichord...
          i can't even claim ginsberg's prodigy,
i mean: mean grit and hardship of a construction
site? the scottish widows' HQ roof? i can claim
i did that... because i literally did...
                it's almost like the construction
industry is the only thing standing before
the military-industrial complex... unless of course
you add napster and somali pirates into the equation...
    but yeah, newspapers really stink if you leave
them in a pile for a week of the respective past week,
books however don't... i haven't dusted them
because i probably read them, and i like to
imagine this fetish of the perfume they exfoliate
after a while, because you nurtured them in a way
that other people who horde books don't...
like my uncle once reminded me as to why i read:
i want enough books to make me look smart...
    yeah... and i want a casio to be above rolex...
and on a *** note: schrimps ahoy!
                     or as my scottish english teacher
in a catholic school once remarked but didn't
realise it until i spotted it (just now):
the gift of narrative is to digress -
   it's a "poem", it's not a pave of slab,
there really isn't a quality control mechanism
involve, other than the quality of writing too much
and being able to shut up for 10 years...
   respectively: to write a body of work,
which is where routine comes from
and routine breeding a type of rhetoric that's
constantly undermined...
               or i guess that's what's flying about:
because i really want to avoid what gave me prompt...
it's very trivial -
   it originates in how people quote:
   i.e.  the orthodox "[w]hen it happened"
enclosure... the prompt part when giving you
the prompt...                 as if needing an intro,
that **** is in [w]...
                                   what is an indirect citation to
the direct situation of giving a talk -
which i'm not, therefore i point it out.
    and yes, it ends with a number
because there are only two "arithmetic" results
of language, one of them is 1
  so a sentence e.g.: i went to the store to buy some milk
is representive of the sigma, 1, positive, affirming
  anything and nothing.
yet the other strand of "arithmetic" results of
language is 0... which is Kantian for negation (a denial
of, primarily the cartesian concept of doubt),
  and a sentence that results in the sigma 0
comes from a sentence e.g. i went to the store
to buy some mil and shot someone "by accident"...
well.. that's how english existentialism would actually
work, by dittoing / creating ambiguity
     that goes outside of the misnomer realm,
                  as in: including some sort of action,
hence the punctuation inclusive of "extracting"
  by; so yes, existentialism can actually include
   the conjunction word leading up to what is stated
as ~:
    easier to state what you mean or don't
than the mindless task of the perpetrated
counter-ask, esp. in a supermarket, i.e. i wanted
milk (also), instead i got a bullet to my head.
**** don't make 1 + 1 = 2 logic in terms of speaking,
and no, i don't believe that books ought to be
necessarily eloquent... we can stick to manners
at a dinner table... i see books as a cushion for
what would otherwise explode into violence...
         or is that just my take on things?
there was something though, that prompted me,
and it wasn't something i'd arrange
with dubious punctuation, as in:
to read a newspaper and listen to someone talking,
******* schizoi of me to do that in the first place,
or perhaps that's how you decide for a third
person to talk over the person actually talking
into your ear in a video, you reading a newspaper
article, and then realising you are allowed
the third party source of thought...
      then again it was upon seeing how people
cite...    what's the difference between citing
it as "[w]hen" and how you see it in certain books
e.g. 'when?'
                tiny little differences, but meteors in
how the modern version / aversion to dialectics looks like,
if it is ever staged in Marrakech supermarket...
            is dialectics thus a better word to denote
haggling? as that nursery rhyme goes:
      if meme and gene is id the posit for fixed ego?
like: that **** never changes, it goes on and on
and is the western serpent in the doors' song the end.
wait wait... credits...
          all credits to heidegger's ponderings
III... circa 1932, and the concept of volklich
which some east german would probably say
as volklisch - like in a rammstein song:
   isch bin... hark the ******* CH! or should i ask
the Gaul to come with his phlegm of R?
                   it's not that the english have a stiff upper-limp,
they have a numb tongue... taubzunge...
or an umtongue...
            and speaking ethnicity, i too can suggest
something... what kant already mentions with his
shadow | cold concept to... whatever it was he was doing...
western slavs are shadow people... a schattenvolk,
you don't really see them...
                   and if the history of israel...
becomes unrecognised by arabs in the middle east...
then so too poland in europe, unrecognised...
        well... they're there... but western vogue doesn't
really recognise its existence when you read a newspaper
and dare to cite statistics... so like: huh?
                 they can cite every, single, country,
in the supposed western "hemisphere" but they can't
cite something from the east...
                     and then someone from the schattenvolk
comes along and says something to them that
cite the statistics and they're like: bring
in the muslims!                    well, that done,
                 how about we watch the idea of a community
from the Ełk incident? two bottles of coca-cola
        and a death sentence...
                 or so and so and so and so did (a),
but shouldn't have received the result (b)...
           thankfully we had Newton to look for
the law of gravity... otherwise i really wouldn't know
what law man is actually capable of giving...
is it objective? so why am i protesting?
is it subjective? so why am i even asking?
the only thing more horrid from philosophy is
jurisprudence... but then i find philosophy bearable,
and "try" to practice it... jurisprudence?
             let's not get religiously motivated to exact what
is and what is not.

when i'd be asked in the past
'do you collect anything?'
as a child i'd feel an obligation

my friends collected buttons,
christmas ******* rings,
compiled shells,
or gas station keyrings

so i collected can tops
and squishy toys from beach side shops
pointy pointless scraps of metal
that now sit in a dusty jar
and stuffed lizards and seahorses
in a box under an old bed

and when they said
they didn't get it
i knew i didn't either
but i'd say the metal
is sentimental
it really is a keeper
honest

and now i'm older
i'm no objector
to being a collector
promise

because in a box
inside my heart
beyond the dust,
i'm honest,
i keep a stash
tied in a sash
of all the things
i've sprinkled with stardust

of all the memories
of days i loved
and too ones fogged with miseries

of scars formed from thunderstorms
for thorns are as much of a blessing
as the caressing from surrounding roses

of people who loved me
and people i despised
of eyes i glanced at once and
should i see again
would go unrecognised

for when i'm collecting moments
i am collecting lives
and there is no better way
to be alive
than revising every moment
as if it were chosen
by you
from that gas station
instead of just through obligation

there are stains of paint trapped in the rolls of her sleeves
like the fly that lives
in my cobwebbed shed
little fragile splatters of creativity

And I can't help but notice how
The light dances on her face
Not a waltz or a ballet
But newfound art unrecognised
and a beauty all the same

all these words fall from her mouth
My neck is burned raw with garden sunshine
I can't help but feel like the heat on my skin
Has moved to my cheeks
Like the red of her lips

She's caught sight of it all
Sports a childlike grin
For the first time in weeks
It is in her eyes that it swims

And she asks what I'm looking at
And I smile then, too.

"What am I looking at?
...
Well, it's definitely not you."

Disrespected
Forgotten
Disobeyed
Ignored
Despised
Unrecognised
Un­deserving
Hurting

When the abuse doesn’t look like it
then it can’t be recognised
and it parades around
in broad daylight,
in pyjamas with spots instead of stripes,
but no-one is alarmed.
When the abuse doesn’t look like it
the victim goes under
piece by piece
but it is quiet, and she feels so much empathy
and she doesn’t recognise
that she’s taken over.

When those spots look like illness
the abuse is asking for pity
and all of her effort and soul,
with nothing in return
because it doesn’t feel well.
Before she knows it,
she’s adjusted herself,
to manage behaviour, anger and the ‘illness’.

When the abuse doesn’t look like it,
it can be quiet, insidious control and
a gradual, unrecognised ceding of power.
Better not rock the boat,
there’ll be a wall of silence to dance around
for days.
It feels like responsibility, entrapment
but in just having those feelings
she feels so disloyal.

When the abuse is gone
then it takes a long time
to wake up from the stupor
and look with fresh eyes.
To change behaviours,
expect more from the new.

That was a quiet,
sticky,
suffocating,
trap.

Have you ever feel so small
Your presence unrecognised
All your praises goes to your twin
You all there useless
Like a sack left on the shelf

Even those you helped
Not recall your presence
Only think of you during pitch-dark days
Everyday everyhour they think about your twin
Isn't that so heartbreaking?

I doubt if ever my heart will feel better
It is ripped into pieces
Its veins fails to pump blood
Ain't having any energy to fight you twin
Will shine when my friend night allows

Oh twin oh twin oh twin
I only need one favour from you
What have you done to get their attention?

-Lakhana M

Precipitating the crisis of one's barren tract
Curing the audacious ailments of one's suspicions
Adoring the starvation to a luminous beauty
Unseen by all but yet deserved for posterity
Scarcity can sometimes round the destiny
Quenching the thirst never relieved
Unrecognized by all but yet a true model of admiration and dignity..

Book: African Hidden Info's
Written By: Thando DebrokenPoet

To My Fellow Nigros
Lost Children Of Melanin
Fumbling Offsprings Of Mwari
You've Struggled
And Tumbled
In Chena Murume's(White Men's), grasping Hearts.

The Enslaved
And Consciously Disabled-
Till spiritually You Drowned
Deep Into Our Oppressors Feet.
Day-to-day You Lowered
And Waxed To Every sovereign state's Begger.

This Book Is to My Fellow Afru-ika
Sisters & Brothers.
And Fellow Nigro
Whose Ancestors Suffered As Steve Biko
Did And All Other
Liberation Heros.
To Name Few:Prophet/king Shake Zulu Of The Zulu Clan-
Prophetess Mtsopa, King Langalibalele , Takawira Of Zimbabwe,
Hector Peterson, Credo Muthwa
Mohamed Farrah Aidid Of Somalia.
And Many Unrealised, Unrecognised
Misunderstood Hero's, like the Xhosa Prophetess-
Nongqawuse
The True African Freedom Fighters.

Skinned Dark, Rough In Complexion
Creator's Mastered Creation
Though Notified
To Be Mvelinqangi's Rejected
Child.
Said Black pigment, displays
Alah's Curse Upon You Dark skinned.

Through Thy're Undying spirit,
mandate passed to Prophet Radebe.
I'll Unpack Africa's Hidden Truths
Self-owed By homme blanc(White Men).

My Intro, For My 10 Days
Of Poetree.

Apologies yet guilty free
I, without warning beforehand
Numbered the atoms in your eyes
Every heartbeat in your life
To which accounts for none
But thinking of you at nights
Like this, tonight.

This by no doubt is unnecessary
A waste, a dump down the bowl
But do take this as a sign
Of my effort unrecognised

Unrecognised obliterated
Beauty
Left behind unmemorable
Traceable across
A million miles of soulless
Rubber

Do you know I've been wandering,
In search of someone like you.
Another sun shine and I'm afraid you'll be gone
Is love a misery that never ends?
You'll save a soul, only with your simple nods
And that will light up the night sky!

I hate to fake and pretend
I'm too impatient to my wish
Yet it is a test I can't overwhelm.
Restlessness has become my strongest suit
Hope is a dreadful enemy!

If only this love is returned,
Moments and days would be a blissful possession
But what good is my admiration?
If it is to be unrequited and unrecognised....

the teacher gave each of us a copy
of Catcher in the Rye and told us
to read it, we all remember that day
it wasn't an especially memorable
day but we still recall it, the
introduction revealed a voice we
sort of already knew
Holden kept us awake when Heathcliff couldn't
the story vented of real injustices that, in reality,
struck bold dignitaries murmurless
events we all imagined dangerous took root
and we imagined reckless things since then
under that angry rebel's troubled
idiosyncrasies cowered a cheating angel unrecognised
on everyone's glowing text, typed to treat guilt
even on untitled avenues:
catch a body, a fragment of Phoebe's recollection
could it take revolt, after all, to undo the standard;
topple respected idols with a riot?
(telephone service turns, relentless influences)
does it withstand an ego made depressed by
school rules impelling teenage irrationalities?
ridden violently so to crash head-on where
antagonist utopia kills humanity, kills all
on to scripted war, valiant army requiring
an individual to ignite rapidly all weapons
in reach
to us, this advancement ran timid idiots over
cars and ultimatums, over ending, going tales, too
the teacher gave us a bomb and sat at her desk,
expecting an explosion any minute

-c.j.

I syringe the essence from my imaginings
from depleted veins, the voidness of the white
concedes to the lobotomy of a manuscript
that hold no weight in the pool of my mind

A rhapsody serenades the dying breath of
faded delusions, a masterpiece of blind syllables
are never hitting the pool that they were thrown upon.
My words are a pool of breath that's evaporating.

I lingered in a abyss of charcoal motions,
everything versed parched, unrecognised
within the visuals of others contemplation.
But then I lingered on an image within my view.

*"Creation is just a moment captured in a sight versed,

Life is a sapling
Planted in the serenity
Of a moment unrecognised
Left to grow in the tender light
That feeds our sinking hearts
Evaporating liquid lies
That ascend like nostalgia
On the leaf-like wings of angels.

And in the dark
Life rests her passion
Under gleaming skies
In the belief and trust
That the animals of the night
Will not trample on its own budding star
Burning bright in the confines
Of slowing reactions that never die
She whispers to her neighbours
‘I am here, and I am alive’
They arch away in search of silence.

Life grows in the shade
Of mimicking greenery
That overshadow the youth
With pride that holds stems high
For a few moons before
They fall, exhausted on the floor
As enemies rejoice at their failure
But life is always quiet
She has learnt to remain silent
So as not to disturb her forced companions
She crafts stories into her waterways
As she photosynthesises
Shy glances from the sky.

Life becomes beautiful
She turns into a sight unseen
A vision of heaven in a world
Ravaged by hungry weeds
That ***** her fragility with fear
As vulnerable petals open and close
Adding colour to the bleakness
That seeps from the green envy
That spreads and then leaches.

Life is too beautiful
She is ripped away from her roots
Cherished only for moments
That fall through open fingers
Before death enters the womb
And life is something
That could have been
Almost anything.

Fading in static,
I vanish from speculation entirely

I am ethereal

I slip through a closed door phantomous -- My driving need absolved

              I am cured (Temporarily)

Dead in my own eyes and abandon in my mind

I pass voicelessly through the terminal - - unrecognised

I am more alive then a lifetime of living

Exuberant; I erupt with silent joy that gushes from my open chest cavity

Evacuating the pavement
                       -
washing away organically

The poster read:

“Gone Missing”

The come-back-kid
has failed to show.
The Old Man saw him,
******* by the Rainbow Factory
wall, against the wind,
like a prayer no longer given
to the prism-surfing life.

He said,

“The come-back-kid, might
Not come back”..

He wrung his
swindled heathen, left
with haversack and Macintosh,
hummed ballad in a Sea-King crown,
the colloquy of shepherd lore.
head far too full to sing,

Caught riding
in a burnt out car of
rude December archetypes,
an engine feathered Westerling,
to think.

He went
to where they bury boats,

Where mud larks perk
for potsherd farthings,
red-shanked in the gallon slob
oblivious...

Far off the Ness
He’ll watch them go..

... on meteoric dawn patrols,
a contrast to his built-in
obsolescence.

In provinces
of platitude
He’ll form no evanescent tie,
invoke his tattooed waxwing
back against their lactic
saccharine, to beg
the notion die...

But leavened light may carry,

A bold ceramic dialect
that skitters off
the short-sun marsh

dissipates in linnet banter
winnowed from the winter barley
crossing out the county lines..


The come-back-kid
will not return,
a blue-eyed, fell, Promethean.

Disfigured by the absolute
He’ll beat his way
unrecognised.