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Alyssa Underwood Jul 2016
It is out of the heart’s cavernous longing and furious search
for love, significance, acceptance, approval, identity, security,
freedom, belonging, innocence, intimacy and transcendence—
out of its primordial memory of what was lost to us in the Garden—
that we begin to ***** idols for ourselves.

Unconsciously we hope they might restore to us a taste of paradise,
taking away our fear and shame and isolation.
We yearn to go back but, alas, we cannot get in from there.
We ache to connect to beauty, to be desired by it as much as we desire it,
and Jesus is the only door by which we may enter.
He is the Beauty, and all the rest are simply there like pealing bells
to arouse our hearts to Him and tell us that He is coming for us.

Still, as if we haven’t quite yet heard and believed the message, we keep
aimlessly trying to forge a false righteousness through our false gods.
When they are lost or the dreams of them unrealized we are devastated,
for the shadows, echoes and reflections we had supposed would finally
make us feel good about ourselves have been exposed as frauds,
and once again we are left to feel naked but without fig leaves to cover us.

It is at these precise moments, when the bottom of our false hope falls out,
that we are best prepared to encounter Christ in His intimate
fullness and most apt to recognize at last that He alone is
everything we have been so desperately wanting.
It is our boiling point, where the unbearable weight
of failed expectation so crashes in on us that we are finally
begging God to lift our idols off of us and deliver us from them,
pleading with Him to come and capture us,
crying out to Him to possess us fully.
~~~
Alyssa Underwood Nov 2015
It is out of the heart’s cavernous longing and furious search
for love, significance, acceptance, approval, identity, security,
freedom, belonging, innocence, intimacy and transcendence—
out of its primordial memory of what was lost to us in the Garden—
that we begin to ***** idols for ourselves.

Unconsciously we hope they might restore to us a taste of paradise,
taking away our fear and shame and isolation.
We yearn to go back but, alas, we cannot get in from there.
We ache to connect to beauty, to be desired by it as much as we desire it,
and Jesus is the only door by which we may enter.
He is the Beauty, and all the rest are simply there like pealing bells
to arouse our hearts to Him and tell us that He is coming for us.

Still, as if we haven’t quite yet heard and believed the message, we keep
aimlessly trying to forge a false righteousness through our false gods.
When they are lost or the dreams of them unrealized we are devastated,
for the shadows, echoes and reflections we had supposed would finally
make us feel good about ourselves have been exposed as frauds,
and once again we are left to feel naked but without fig leaves to cover us.

It is at these precise moments, when the bottom of our false hope falls out,
that we are best prepared to encounter Christ in His intimate fullness
and most apt to recognize at last that He alone is everything
we have been so desperately wanting.
It is our boiling point, where the unbearable weight
of failed expectation so crashes in on us that we are finally
begging God to lift our idols off of us and deliver us from them,
pleading with Him to come and capture us,
crying out to Him to possess us fully.
~~~
319

The nearest Dream recedes—unrealized—
The Heaven we chase,
Like the June Bee—before the School Boy,
Invites the Race—
Stoops—to an easy Clover—
Dips—evades—teases—deploys—
Then—to the Royal Clouds
Lifts his light Pinnace—
Heedless of the Boy—
Staring—bewildered—at the mocking sky—
Homesick for steadfast Honey—
Ah, the Bee flies not
That brews that rare variety!
CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l
Benjamin Davies Nov 2010
De-winged and flightless
         is the dragonfly
              that tried to slip by
                       in my slipstream,
It found instead the pickup
          traversing the alleyways
               of my convoluted imagination.
I don’t know why I’m driving,
          ever driving someplace
                unrealized and unexplored.
I feel so disconnected,
I feel so disrespected by the world
                sometimes
But that’s not fair
           it has been good to me.
I feel so disconnected
        sometimes
and yet it comes in times
           when I’m most consumed
                most surrounded.
Maybe I’m just tired
        and the walls around me quiver only
from the struggles of my waking eyes,
Maybe I’m just bitter
        that I can’t have the perfect life
                 and feel as if nothing could be better,
Maybe I’m affected
        by this liquid life I’m draining from my cup
                 in hopes of finding a different day
                                            at the bottom.
Is it jealousy that lingers in my mind
        or mere longing tinged with a heavy
                 dose of confusion?
I am confused.
And yet I’m still alive
        unlike my dragonfly
                  and so I stumble onward.

-*BRD
Copyright 2010 by Ben Davies
Nat Lipstadt Dec 2013
In my real life,
not a poet,
just an astronomer,
an observer of
universes, bodies,
places, faces,
visited, discovered,
named and oft,
best forgot.

I observe:

Some never find true love.
Some never fly first class.
Some of us
never see the
South of France.

Some of us wear
hand-me-down pants,
white lined creases when “let down,”
mocked, we never forgive ourselves
the shame of it.

Some never experience
reckless abandon.

Yet, some of us are
recklessly abandoned,
and never forget,
and never forgive.

Some of us lose
children, husbands,
avanti nel tempo,
before their time,
and
the anger is
forever, palpable,
costly.

Some of us
were raised by
someone else's parents,
and never rest easy,
the abandoned taste
always nearby,
a cruel living, breathing
teasing wasting

Some we can pass over
with ease,
as new tissue grows,
those cuts marked -
emotionally healed.

But the ones that scar,
the ones that visible scar
permanent reddened,
are the
holocaust deniers
that there is a real
promised land of
peace of mind.

Peace of mind -
not even for a second,
foretold but
unrealized,
a biblical myth,
a promised land,
a capitalist paradisal hoax.


Some never feel
public victory,
adulation, adoration,
always wearing the T-shirt labeled
Property of Someone Else.

Most of us remain
unpublished, undiscovered,
unremarked, blanketed,
cloaked in bills to pay;

Living a triumvirate of
heart ache, loneliness, worry,
our normal table fare
consists
of hand to hand
into the mouth
combat MRE's,
we engage,
to survive,
just stay alive.

We are not digitalized,
nonetheless,
we are
but digits,
our faces hidden, and
in no one's heart book
are we recorded,
friended,
yet our viewing habits,
purchases, secret sites
are enumerated, captured.

Some of us live
exclusively
in the real life,
never to escape to the
province of Wifi,
in the landscape
of the electronic mind,
an option for which
we are
untrained.

Perhaps sanctity of separation,
safety of text, email,
avec the ******* intrusion
of tweets are
the real life today,
games are always won,
and what we don't enjoy,
we just delete away

But In My Real Life
getting up is trying,
IMRL,
the trying is trying,
IMRL,
delete buttons don't exist      
in the keyboard
of our brains,
IMRL,
all we have is a
measly twenty six aleph bets
to find new ways to say
that living is striving and
what we feel is
oh so real,
not digital

IMRL,
when I laugh out loud,
the neighbors
beat the walls,
complainants,
registering their feelings
in my face,
in my book,
so to speak.

IMRL,
I got a friend,
maybe two,
all I need,
voices to help soften
the 400 blows of RL.

Their synthesized silence
of their breathing
on the phone
is precious unto me.

IRL,
limp from Friday
night to
Friday
night,
a bottle of Medoc
my weekend reward,
my bedrock cushion
in order to sleep.

After all these years,
gains and losses,
conversations with God,
I look up,
see the risk,
the slightest breeze
is a
hurricane wind.

The shaft,
of the
the sword
hanging above me
the hilt,
swaying in living color,
is no legend.

But what I have is
the ability
and maybe
the responsibility
to let anyone know
that
in my real life
anyone who touches me
with fine and good intent,
a momentary glancing blow
or a gunshot to the ventricle,
is part and parcel of
my real life.

This makes you real too,
savior, and hereby notified,
that you are not
just an observer, but
a poet of me,
an astronomer of my heart,
and namer of
a secret universe
inside of me.


Sept. 1, 2010

_____________________________
US Army jargon: meals ready to eat
nine  years ago I wrote like this.
Rowan Eyzaguirre Oct 2014
Sweet pink pixie stick of a voice,
laced with a slick oily awful sedative.
Seducing our divine imperfect and organic lives with a painfully unattainable sleek plastic appeal.
Sell me their ideals,
Buy into their thoughtless religion of never ending want with unrealized need.
And explain to me how we are better off.
Sa Sa Ra May 2013
I do love
But it ain't quite
like the Discovery Channel!!!

I want so much more than
the collective desire of Park Avenues

I believe like,

With exactly no doubt
like zero are the hours
which can never count
upon the seamlessness
of my perceptions

I do but I don't
I am and therefor not

I talk in mirrored tongues
I observe in uncanny detail

Micro and macro all a flow
overly ever rushing torrents
moving galaxies about

Pouring in
more rushes out

You can picture it
over the mighty edges of
and rushing to, fro and about
every swirling an obstacle stout

Though such knows not
one another in such ways
inseparable upon one journey

As She manifests from her he, Self
He's giving for he gets the She of,

An ever persuasive passionate,

Play... .. .

Greater than the dreams

We know of love yet
Shy to conceive

They, their passion
.........
  .....
   ...
    "
    '
We inwardly receive

Those torrential lovers
pourings do spillover
and on and over
and rush upwards
ah ever more easily!!!

Vast sensualities
******* rhythms
of this a, Our universe
in micro exotic intoxicating
allure, irresistibly entwining
the smallest tastes and teases
of songbirds loving symphonies

As butterfly and a bee in the ever
sweet scents of psychedelic sighting
wavings in ever inviting ever ripening
ever flows of heavens manna sweets, but
sours the way short where some say sinners
ought never see or be, though such is silliness see,

For such shy glimpses of what is less than momentary
which is not countable, when our greatnesses will carry on
beyond our redemptions of what only we shall see clearly so
simply, one day twas the dark night of a soul, here blasphemed
about the sacredness of all ever evident being so close found fondly,

Sweetly, though lost in those ever aching wishes of our journeying together

Would death be ****** abandonment at all a freaky thing unconceived
dark night of the great light conceived viewed in our ever grace and beauty
but she lets you feel her he's and all the glory, all the glory an unrealized being
in all our collectiveness has not yet seen but in the depths of where it's consider dark
for simple decisions we all have and must have made to function here, there

and at all,
at once...

No time, no space, no EMC squared's
yet in Newtonian fashion the soul spirit remains
carries on in infinite motion and motions of our choosings
and for better and worse we do all about the same for we
were never thrilled about all the separation we discovered
in reluctance and or in blessed joys of great companies
of loving hearts, eyes, ears, arms with tender loving
caring hands of nurture enough twas enough for
you are still here now and those who have not
have forgiven all other misguidance eagerly
when it is easily found tis only our own
choice to be and set free freely

And I can want any petty desire too
and put myself up for adoption to,

The petting zoo
and you...

For hell yeah I want to be here
all the way and with you
my wayfarers

I Do...

do do dee da da
oo la la and ma mama

childs all of such grace
we oft just call gods

And greater love seen
dispensed philosophically
by self proclaimed atheism's

Denialism can rather be the truth
of atheism, self pitying so deeply
resenting the here now for some
overly wishful thinkings and
of mournful emotionalism's
about the 'it just ain't fairs'

Beware they will take you
to their wheres, wearing
their wares of self hate
while glossfully
painting in
glitterings
of fools
gold

Feign not thou
we are co conspirators
already decidedly agreed
agreeably dancing on the sharp
end of one pointed pin, hand holding

But remember if we were ever shaken
off of binding bonds ever closefully as
the chasms of divergences really are

We still ever dance ever lightly on
the everly fine poignancy of pin

And the illusion of being
garden casted for some
shamefully blameful
denials of the snakes
sly fashion to even
ones need of feed

And or wither from
the long and short
of journey with
the ever's of

here now...

Paradise
Perfectly

Paradoxically

In our
every
way

So I am
in great hunger
greater thirst firstly

For the one great illusion
desert stricken for not seeing
the forest of paradise for every
tree and every grace of all possibility

Without such would come from impossibility*

Once Again...
"Get In My Belly!!! I'm Having a Fat ******* Moment!

Is it normal to be this hungry all of the time? ***! I swear I could have just eaten and not even two hours later I'm famished. I don't remember it being like this before. Like right now all I want is some bread, spaghetti meat sauce and and some orange sherbet then top it all off with a nice big bottle of Iceland Pure alkaline water. Ooh, ooh or some curry lentil soup with some grilled chicken and sauteed mushrooms. Or, or some watermelon, grapes and strawberries with cream cheese and cane sugar dip and sauteed lamb. My goodness "I am hungry"!!! Feed me Seymore!!!"

http://en.wikipedia.org/wiki/Fat_Bastard_(character)
Lee Feb 2013
The rain finds us hiding
miniscule streams dribble liquid strands
onto
and around us.
We climb slow from a cotton wove
water soaked
lean to.
Sweet moments bathed in anticipation
and sun sparkling low above the rocks
and water waves crashing.
I'll paint you over red with blush
clumsy at the helm
hands covered in rainbows.
Childhood innocence when they hand you the pallet
and you discard your brushes
in favor
of fingers.
I am primitive.
Soaked through supple flesh
to the bone
we dry our clothes in the rays of the sun.
God to the heathens.
We lounge exposed on the rocks and washed up weeds
smiling shut eyed at each other
and that fiery eye in the heavens.
The smell of rain
cleansing
and you
your perfume
lingering.

I wish to breathe like this forever
**or not at all.
Jimmy King Dec 2014
.              Part One               .

January
I wake up in a hungover haze that seems
Irrevocably unending. All the places I threw up,
That stiffness in my neck, the emptiness in my love;
There is too much to feel
So I feel numbness
And I feel remnants
Of ***** in my throat, only manifested fully
When my friends and I make fortune cookies,
Singing along to songs that we’re hearing for the first time
Amidst the chaos of exploding poinsettia plants and nascent tattoos,
All of which litter your mom’s otherwise bare counter.
I don’t make much mention, in my fortune cookies,
Of that girl who still leaves me hungover;
I fill them instead with cruel jokes
That send me cackling
Until my dehydrated headaches pass into

February
When I’m moonlit tipsy stumbling
Through a campus-wide coniferous forest in Washington State
With two strangers that I soberly think
Might be my future.
We arrive at the clear polluted waters
Of the Puget Sound, our boots all
Sinking into deep-mud as we walk past broken bits of shells
To low tide.
Even as the full moon sinks and I realize
That those two strangers can never be my future
(That Athens, Ohio is my future)
I still walk forward
Into the Puget Sound
Knowing that the water will stay with me
In my lungs, on my skin,
In my mind, and although I don’t tell a single person, I fear,
So rightly,
That the water from the Puget Sound,
Set to perpetually accumulate in my lungs,
Will one day come to drown me.
Even as I cry to my mom in our kitchen,
Relieved from that seemingly endless indecision
I’m not surprised. I’m not surprised
By the choice I’ve made, I’m not surprised
By the fears I still have, all that surprises me
About any of this
Is the immediacy with which
My conclusion’s future culmination begins, as I begin
And continue
While always feeling like I’m concluding,
An infinite

March
In spirals, spirals, spirals, leaving trails
In subconscious sands, someone paints
Blue spirals on my body, and when
I drive back to Lake Erie later,
To retrieve abandoned items and moments,
The road looks much different.
Less swirly, less threatening at first, and when we get there
We eat pineapple/onion pizza on my ****** cottage’s front porch,
Just barely shielded from the snow, and just barely
Shielded from one another. And even those
Slim shields between us begin to fall
When we stand on our melting Lake Erie.
Because the whole world
Calls to us.
The sky screams, the wind explodes,
The thin layer of water above ice rushes
Blissfully, almost hallucinogenically, towards you and towards I
And I am howling
Into the face of it all,
Fearing nothing—not even
The absence of that girl’s palm in mine
Or the water from the Puget Sound
Or the cold of the air
That is tearing at my scalp; that is tearing
At my whole being and

April
Is best described by a rampage
Home from a campsite
That I only ever saw
Drunkenly, in the dark, and under the pressure
Of Allan Ginsberg’s poetry and an ultimately failed ****.
On that rampage we steal tombstones,
We steal memories for ourselves,
And we steal crass glances
With crass jokes that sound sort of
Like the crass fortune cookies which somehow
Never went bad.
Someone notes during that drive
That the air is getting warmer
With regularity now,
And while I somehow can’t bring myself to cry when my cousin is shot to death,
I have to struggle to hold back tears
In our high school’s only classroom when you tell me
That you’re quitting that play we signed up for together.
I guess it’s cuz I’m concerned—
Cuz I’m deeply
Deeply
Deeply concerned—
That it’s a lack of dedication
To me, to what we do together, to everything
That will prevent my rampage from concluding quietly
Amidst the smells of Indian food and the soft light
In your future dorm room
Where I will hug you
And where I

May
Finally
Let all the tears
Flow freely.
I guess it’s the unnecessary intensity
Of this collective celebratory anticipation
That preemptively reveals to me
That the moment of walking across a stage
To receive my high-school diploma
Won’t be quite as transformative as I’d hoped it might be,
And when I make out with that girl who still has me hungover
In the bed at my dad’s house where I lost my virginity
Almost exactly one year prior, I realize that in fact,
I’m still marching the same march, and
Both magic moments of idealized transformation in that bed
Were just as illusory.
Somehow though
Your no longer nascent tattoos have not yet faded
And I can’t help but worry,
(As sweat pours from my forehead and drenches these bedsheets;
As my finger nestles itself tiredly between the folds of her ******)
That I have, and in

June
When all my anticipation is realized,
People clap in the audience despite the fact
That it’s the same stream of sweat
That’s trickling down along my spine
To reach my ***.
I stare into the spotlight
For just a moment, amidst those stale applause
And in my squint, I think briefly
That none of it ******* mattered. I mean,
Despite this perspiration, I’m
Dehydrated. Hungover. I guess
Drinking more alcohol
Isn’t the best way to get over it, but I can think of nothing else,
So even when I acknowledge
That all my attempts have not even been half-assed,
But, like, one-quarter-assed
The only resolve I find is in distraction, in
******* my other ex-girlfriend instead
And not until that distant

July
When I’m ascending through Never Sink,
Does my head finally
Feel clear, yes,
In that glowing blue pit
Of bioluminescence,
I feel the whole world slow to a stop,
Embrace my body with its taproots
And whisper
Playfully and
In a child’s voice,
“You are the whole world” and I know that I
Am the whole world.
I breathe heavily, the only sound for miles around,
And for a moment I feel that the Puget Sound,
Along with everything else that is so ******,
Has fallen away.
For it is not my body
That is climbing on-rope through the stars and galaxies of this great sinkhole
But my mind,
But my soul,
Because Never Sink
Is not a landscape
But a mind-scape,
A soul-scape,
And it is one which is never dark
Thanks to the blue lights of soulful- (not bio-) luminescence—
A glow that is strong enough to see
Finally
A singularity
In the form of an unlocked lock,
Appearing with grace upon my driveway
After I return home
From ******* my other ex-girlfriend
For the last time.
It is only when I stop the car,
Open the door,
And hold that unlocked lock in my hand that I realize the extent to which
I am being
Un-defined.
The ethereal being in Never Sink’s soul-scape,
Alone in the blue grace of the night,
With nothing in my breath.
The thought is terrifying.
So in

August
On the night of my eighteenth birthday,
The girl I’m hung over and I
Send magical, sparkling lanterns into the sky
With a wish so brilliantly bright and simultaneous
That even I am able dismiss the slurring drunk words spoken next to us—
“Here’s hopin’ that you two get married some day”
As superfluous.

.                Part Two               .

The winds above Lake Erie carry me,
Along with that lantern, into the foreignness
Which Never Sink foreshadowed.
But with the lantern as my very being
And the Puget Sound in my every breath,
Athens, Ohio does not become my soul-scape;
Even its gorgeous autumnal rolling hills
Are just land-scape, and I don’t know
Whether things would have been different
Had I not walked into that stranger’s party
For that terrible beer
On one of my first nights there, but regardless in

September
I walk up endless hills and stairs daily
To get around this hellhole where the only genuine people I’ve yet found
Were prepared to leave from day one, like I
Wasn’t. I wasn’t preparing for that at all, but the Puget Sound,
Lingers like phlegm in my lungs and distorts my regular refrain
Of “I can be happy here, I can be happy here,” keeping it
From ever loosing its hypothetical but eventually forcing it
To loose its conclusion:
I can be…
I can be…
I can be anything that I want to be and I am still here,
Sitting on the top terrace of this weird-assed biker bar with some girl
I just met, with some guy
Who seems cool, but in both cases
I drink one too many Blue Moon’s because I know
That neither of these people
Will ever loose their hypotheticals and will only ever
Loose their conclusions.
Gazing upwards towards the stars in the fading summer,
I try to ignore the physicality of all that’s around me,
But the alcohol churns in my stomach like violent waves, like in

October
How I rock like tides between the shores
Of two continents, of two
Acid trips.
One, on the floor of my dorm room, staring at my ceiling
In an attempt to make patterns
Out of patternless white paint, all the while holding hands
With that guy who seems cool, who has been dancing
In and out of hypothetical.
And the other acid trip with you,
Who somehow in the face of everything
Became one of my only certainties.
You, with whom I stood on Lake Erie
Howling into the wind in an unrealized epiphany.
An epiphany
That is now realized
Because the beers on that top terrace didn’t matter.
The white speckles on my dorm room ceiling during that first acid trip
Didn’t matter.
Hell, that girl I am in love with
Didn’t (doesn’t, can’t, won’t) matter.
What matters to me,
As I’m dressed in drag on Halloween,
Lying in your dorm room that smells of Indian food
With 120 dollars of drug money in my pocket,
Is what’s ultimately present. Right there.
Right here. But then, lying there, the time
Clicks over into

November
And at two in the morning it becomes
One in the morning.
I don’t know which of those hours wasn’t real
But when I hug you and cry in the soft light
It is a moment too brief.
It is a moment from which I am pulled straight
Into a hotel bed halfway to New York City,
Where I lie with that girl who I guess I’m in love with
And I’m kissing her, and I realize
That blue spirals still linger on my body, but when she groans,
So softly
That “we shouldn’t be doing this”
I pause before saying “I know,”
And in that pause, my pixelated, televised, and falsified image of reality
Briefly turns to fuzzy grey static, its finite infinity like the trance
Of meat on a rotisserie; I’m waiting
For this turkey to cook
In my friend’s mom’s home—funny
Because I’m still a vegetarian
Who sometimes likes to think of himself, in quest for definition,
As a vegan, but man
I’m beyond definition, I’m beyond anything,
I’m beyond even my darkest imaginings of myself, so when I get wasted
At a 2am that doesn’t click back on Thanksgiving morning,
I have a slice of that ******* turkey,
Cuz the vegan chili my friend and I made at school was good and all,
But I had to bike through freezing rain to get the peppers
And even though I’m starting to feel
Like I’ve found a few people who I can take in with permanence
Nothing feels more like permanence
Than this home-cooked meal
Of turkey and cranberries and sweet potatoes at a granite counter
Where, on January 1st when the ball dropped,
We all took shots, leaving me drunk, stumbling
And eventually
Hungover.
And of course in

December
I’m still
Hung over it all.
Part one, part two,
The futility of that division is so obvious now.
It’s the same poem, same sentence,
And when two not-so-new-anymore friends and I sit on a rooftop in Athens
With a bunch of still so-new I-guess-friends
Right before exam week,
Right before this emotionally excruciating semester comes to a close,
Right before I prepare to head home,
I realize that even though this place
Hasn’t quite become home yet,
My ‘home’ isn’t really at home now either.
I am without a bed in which I feel comfortable,
Without a body next to which my whole life makes sense,
And I am driving to go swing dancing—
An activity I can’t believe I’m still trying to like—
When I finally tell her that I’m in love with her:
Words that don’t matter despite
How much they do. Ultimately,
To me, to her, it’s just
A quick red-light phrase
And this poem is, without too many layers of resonance,
Not even addressed to her,
But to that girl with whom I stood on Lake Erie,
Howling into the wind,
Imagining part two but preparing
For part three, so
With that lantern still floating skyward, “here’s hopin’ that”
                                         (No. No. No. Start over.)
Here’s hoping that
At midnight
On this New Year’s Eve,
When the ball drops and when we all take shots,
Perhaps around that same granite counter-top,
These clocks
Won’t click back again.
These spirals
Will fade.
Our town was to have a rail-line
Circa the mid eighteen nineties
This story has surprised my ears
A local amateur historian apprised me just recently
Documents to support this claim are archived in Sydney

Not far out of our town
On a well know property in the district
Two surveyor pegs are still in existence
Marking the route the rail-line was to track
Though the Forefather's rail-line was never bedded down

The powers that be government leaders of the day
Shelved these impressive plans
They never saw the light of day
Ribbons of steel not coming to fruition
Leading to our town

Other town went ahead rail-lines were established to them
Out town alas and alack missed out
Look where Tamworth and Armidale are to-day
Rail being in their favor
Our town was left to languish and to be dispirited
Going no-where no-where to go

Our Forefather's now lay in their graves
Not quite resting in peace
Their rail proposal for our town unrealized
Good ideas die along with good intentions
Hence their unsettled repose

Our town could have been a regional town
Industry and population dotting the landscape
Rail would have assured our place
The Forefather's rail proposal long since shelved
Consigned into the passing vapor of time
She gave everything to a boy that she thought would be there for her in the end. A boy that meant everything to her, to receive not an ounce of love or cherish in return. It started out 4 years ago, it was easy then. Maybe it's because love was just a word and a kiss was a bigger deal. There were no complications because there was nothing he had done to scare her away. She had no scars. She was a fresh burden with an open heart. She would take any opportunity that were to flash by. She was an open book that had no fears. But all it takes is one mistake. One mistake to change the perfect story, that perfect ending would so quickly have a plot twist that would change her fate. One hour of wrong decisions and you can't imagine the dispicibale emptiness and the over powering amount of emotions that can take over and change you. One mistake by a stupid boy. A boy that didn't think, didn't know, didn't realize the amount of hurt he'd put her through. One mistake, and he had opened a realm of bad thoughts and emotional break downs. As simple as a no show and he had made that one mistake. The kind you can't take back, and that an apology is not enough to forgive, that's as if he apoligizes. And if he doesn't then that's the moment your faced with nothing but the truth. The truth is that you're better then the mistake he made. She's now a buried burden with a scar so big that she's too scared to try again, to fight again, to love again. And the worst part is, he still doesn't realize the mistake he made.
Nat Lipstadt Nov 2016
one thousand poem children



one thousand poems has mine soul commissioned,
a thousand more neath stone vault doors do attend,
patiently waiting revisions, rescission, catch and release permission,
waiting room patients, looking to buy a more favorable diagnosistician

this prolificacy,
nether curse or blessing,
this profligacy,
poem children fathered by single mom mothered,
borne nightly in dreams borne
from the northern, the southern,
the brains twilighted hemispheres,
who coordinate, drawing deep,
consulting a bartender's manual
a creation guide of mixology,
'how to intoxicate the brain'

cheap gin, multi-generational scotch,
visionary vermouth, the reddened cassis of life,
memories in the white grapes of possibilities,
futures unrealized, colorful takes and retakes,
a directors bespoke make-believe tales,
impossibilities, divine and mundane,
all into one admixture into the venous cavities poured,
nerves to blood to consciousness,
courtesy of the ganglia

the brain stem transmits them
fully formed to my
good morning sunshine
cracked and dried lips for re-emission

nigh head upon the pillow,
the hair trigger,
my rapid eye heartbeats, each a demanding sweetheart,
some performed to a discordant metronome,
in a controlled rage, my mental waste,
eliminated

the residuals,
purified with language as the
orchestrator, debate moderator

dreams, once recoded, once accorded,
the disordering tempestuous,  
neurons cease-to-fire,
now just words, just words, just womb excretions

did I admit to a thousand?

more like tens of ten,
one, two per eventide,
have washed  ashore, for some thirty years recorded

my brain pixilated,
its big shot game controller,
demanding purchase of more;
more storage space, more games,
not admitting in advance,
that it filters blends, conflates and purges

by combining
psalms and ditties, infantile rhymes and
new vocabularies of  human aging idiocies,
though newly acquired, immediately forgot,
so always room enough for
one more episode


I study the brain, I study sleep,
study living and dying occurring at
their point of intermediation,
dreams


*this more knowledge gives no relief,
it becomes this poem becoming,
testifying that I prosecute myself
based on the evidence,
and if insufficient,
dream up nascent visionaries
from places that come unlocked,
tales from the vault vivisected,
the proper verdict
assured

sixty six years
of accumulation,
and still know so little of
proper space utilization,
writing poems proper

but nightly come the dreams,
nightly comes the trial,
comes the judgements,
comes a man-made customized
whitewall tired judgement,
and to you
submitted for
judicial review

strange that each one of you
becomes, adopts, adapts my visage,
my words in you, reflected,
a jury of my peerage peers,
which is why my appeals are
always returned in the file labelled
"denial"

until the next nights dream
Nat Lipstadt Feb 2016
~~~


in a four lion pawed,
old fashion
bathtub,
soaping and playing
with my two boys,
then, young children,
splish splashing,
playing games,
a wet version of capture the flag,
the winner gets to scrub someone else's back
with a flag
of the slipperest bar of soap,
ever,
in a game we called,

catch the cockroach cuckoo

***.

the floor is totally soaked,
your mom's gonna **** someone,
the bath mat weighing now 'bout five pounds,
not including the no tears shampoo that miraculously
is bubbling up from it,
an actual
groundswell of
shining eyes

and oh crap,

your pj's!
on the floor!

we all gotta go hide real quick
in the crazy better-be-on-high dryer,
more happy shouting, tumbling,
to get them and
our selves
back to a
ready-to-wear- state,
with a wearable, Johnson & Johnson sham-poo,
sweet-smelling encasing,
ready to be swept beneath a talcum powdery snow-angel coverlet,
into a slippery ready-to-sleep state

"quit all that screaming you guys,"

a piercing late entrant
to our Las Vegas gaming bath~table,
heard through the door,
deserving of a ten second
almost silenced,
fearful, giggled appreciation

then some one sang out

catch the cockroach cuckoo

and the fun and games recommence,
all of us,
soap search engines,
began again,
fully reenergized

don't gotta clue,
why this old fool fills
his memory sac this day,
with this silly,
refried-ain't-worth-a-hill-of-beans
peyote poem-visions from
decades older(1)

nowadays, he still plays,
still a super soaker bath man,
reliving old-fashioned soapy games
with a new Kingston trio,
me, myself and I,

and still hearing voices,
absent and present,
coming thru the walls

"you making a mess in there? better quiet down!"

but today's voices heard
are from within born,
not real,
an updated, revised recollection of the
went, and now,
gone gone gone

these voice now mocking the messes made
of bathrooms and
lives,
his own,
and the other players,
their lives
that this man sealed and help fashion,
for better and some,
for worse

and the
updated "better quiet down" sound heard,
well, that's jes me trying
to convince the too familiar new trio,
that the
harmonies of that vision,
ain't real
no more

and he finds-the-soap game
nowadays,
can't give you relief,
cannot remove,
the uncleansed residue of them
other
oldest soap **** guilty memories,
consisting of too many undisclosed,
then, unrealized mistakes,
that any parent,
all parents,
or this particular parent,
raises up,
seals and makes


~~~
5:21pm
1/30/16 NYC

(1) I subsequently realized that Pandora
played Crosby, Still and Nash singing
"teach your children well.
their father's hell,
will slowly go by"
Brett Berger Jul 2011
it's only deep in the night when my mind wanders most that i ponder why another night of drinking alone is the status quo.  it's when i wonder why the wheel that started spinning so long ago keeps spinning, in the same direction and general speed.  deep in the night is when the doubts and regrets run rampant like rioters through the square, flipping cars amidst flaming tires.  it's when the needs and the wants clash for supremacy, assuring the mutual destruction of each.  loves lost carve their names into my neocortex.  where dreams unrealized fill their time by playing ping-ping until they're ****** from the backburner to manic importance.  deep in the night is when blood-shot eyes and blaring computer monitors have a staring contest.  deep in it, thought becomes reaction and the beans spill accordingly.  knee-deep and we're ravaging the calm into frenzy and burning the books of our beliefs and abandoning rationale in favor of the spectre of immediate gratification at any cost, at any loss.  deep in the night where no light penetrates, things become somehow illuminated.
James LR Aug 2018
Above the wind plains roaring white
With lightning crack's climaxing light
In the prepubescent gloom
Of fear, excitement, unrealized doom
The moon appears in cloudy skies
With blissful sighs as knowledge dies

****** grasses ripped from home
As breeze embraces seed and blows
To new beginnings and new ends
Where e'er the Fates may deign to send
A rose's bud seeps from below
Mixed with sticking undertones

When innocence concedes the stage
To reside in maturation's cage
And foolish fancy takes to flight
The sun forever fades to night
Started out as a normal poem, and uh...I have no idea how it got here
Shreekant Dhuri Apr 2016
'Tis a tale, a sorry tale
Of a man, never took the leap
Of a man, free yet caged
A lion amongst the sheep.

A man of great ability,
Of unrealized potential
Confined and clipped by limits
The herd had deemed essential.

A man, a brilliant man,
Stripped of glory and his claws.
Left forlorn and wounded
By the sheep and their laws.

A man, a greater man
Led by the lesser to believe
He owed them much and more
And everything, without reprieve.

A man, a most herculean man
Could have the world, his to keep.
Alas had he only remembered
He was a lion, not a sheep.
The poem isn't just for prodigies rather it's for everyone - all of us, as individuals, possess the potential to do something truly extraordinary; to achieve it we must not fall prey to mob mentality.
Marshal Gebbie Jan 2010
Seldom doth man stop and stare
At the caste iron manhole cover there,
Seldom doth he analyze
The majesty, which beneath it lies.
The pipe work systems vast and long
Dark catacombs so precise and strong,
Buried deep beneath our feet
Extending forth from street to street,
Out across the breadth of town
Those secret fluids trickle down.


Laser levels carve the pathway
Through the walls of solid stone,
Shovels scrape and dig with effort
Forging hard trajectories home.
Digging, digging metal mountains
Sweat cascades upon the brow,
We lay the pipes in straight formation
Precision's satisfaction now.


An Artisan's great work is hidden
Lost beneath the earth's grey stone,
Appreciation camouflaged in that,
The cast iron manhole stands alone.
Magnificence unrealized
For deep beneath your feet,
A subterranean Michelangelo's
Sisteen Chapel, lays discreet.


Unsuspected rivers
Flowing darkly to the sea
In caverns of unwanted waste
Quite unbeknown to thee.
Vaulting brickwork chambers
Which are ancient works of art,
Carry oceans of excretement
Far from where their journey's start.


With thunder's crash and lightning flash
And torrents of cold rain,
The road's awash and gutters flow
Through roadside grates to drain.
Gushing torrents cascade down
In waves of flowing might
To the storm water system
Which promptly swallows it from sight.


Magic, you say ?
Nay, nay I say unto you
That the drain layers artistry
Is unappreciated, that's true !
That the Herculean effort wrought
In winning his great fights
Is largely lost to all and sundry
Who avoid construction sites.
They miss the planning and the layout
And meticulousness too
And the rubber seals which stop the leaks
Which really bother you.
The massive holes and danger
Of being buried in collapse
And the wondrous satisfaction
Of achieving downhill flows... Perhaps!


Marshalg
Apprentice drain layer
MHX Beachcroft site and Eastport
19 September 2009
Joseph Fernandez Jan 2017
Things in-between sometimes lost,
Things not recognized at great cost...

Things that compel,
Things that make us swell,
Things at times we fail to tell...

Things we know,
Things that flow,
things we do not show…

Things we wish we could control,
An unrealized future an aspiring goal...

Sometimes very real things are things Unseen,
Without tangibility on any physical scale or scene...

Nonetheless they still Impress,
Realities beyond what we all may possess...

However without these " Invisible things" would we really exist?
Kid yourself not, please try not To insist…


J.I.F.
If you didn't have the capacity
to be so ******* amazing
I wouldn't be so ******* disappointed.
Fictional/Rhetorical/Hypothetical/Reminiscent
Nat Lipstadt Mar 2015
Aye Aye
(Poetry is the Adhesive of Our Lives)

6:33 am

for Joe*


once again,
in a strange bed,
in a strange city,
left a cold snowed city climate
debtor-in-possession,
owner of a carryover question
of yours,
what was a
winter prior posing,
is now a plane plain ride over
have coming with me
awaking,
by a sun provoking,
the answer,
now strange composing
in a visually warm city where
beautiful tanned bodies
are mined in beach sand

and
this,
my answer,
it too,
mine,
it too
being mined,
subconsciously working, coming,
f o r m I n g
in my always busy,
overthinking,
daily nighttime shift of
repositioning from a
dark night ended reposing,
into a
sunny day answer deposing

t'is a tricky one,
when one poet asks another
straight out,
after the the fashion of the day,

of my poetry,
whattaya think,
whattaya know...

about
my very own
words,
this communal place,
HP,
an open bed,
where we lie down with strangers,
where we lay down our words,
wake up lovers,
or worse,
ignored,
wake up encouraged,
(can one make hallelujah a verb?)
or refuted,
disputed by
the either/or
ignorant silence of the masses,
of what's truly good,
or sunk
under reedy rushes of swamping
despair,
at the ignorant adulation of the
endless trite, puerile

not one
for shooting from the
hip,
on a subject so
delicate,
that my paused,
slow mo response,
to you,
of course,
misunderstood,
as a red badge of no courage,
a refusal to answer
in this demanding age of
virtual, instantaneous any and every
stray dog thought

multiple shades of a Miami sunrise,
burnt oranges and Van Gogh blues,
frosted strawberry internal pink toppings,
whitish cream cappuccino streaks,
makes one wonder about the
creative design team that brought us the
universe and this all over
sunrise,
all natural, organic visual breakfast
that comes to remind me that
your answer,
you...

for all of us,
in our lives
there is always poetry infused,
there for the seeing,
and
for some,
even
adhering to our
private places

for you, Joe,
there is always poetry,

in this work,
is the continuous process,
self-recreating,
and this sir,
aye, aye, sir,
this one writ,
hopefully a satisfactory answer,
perhaps...
one of resolution,
of adhesion,
silicon bonded

for such is the nature of
this particular Joe,
an inquiring soul,
a nurtured one,
another poetry-partial-birth
child of mine,
born on-line

so,
requiring special handling when
creating, crafting,
******* lines of my presumptuous presumptive
"expertise"
in all matters that
our emotional heart
is the make-up-the-rules-as-you-go
rulemaker

thus,
peril,
fraught, and
simplistic excessive
frugality of word/feelings,
dangerous and inappropriate...

I loke (love + like)^
your poetry fine
the slow revolution of the screws
of growth so readily apparent...

But,
always,
a but,
my demands upon you,
so great,
the expectations of expectations,
greater for you than I dare share,
only since your quest
is my bequest
so shockingly that you dare
directly request

herein,
asked and answer attempted,
yet the risks are I lighthouse beacon
angle too high,
becoming too troublesome,
an Excedrin headache

You don't see,
You don't comprehend,
the way I do,
how far you have come,
your train,
upon which
I am a windowed, winnowed,
passenger,
a pseudo parent
in Loco (crazed) HP Parentis

so it breaks my heaVy heart,
that I want burdensome you better,
so much better...

Oh Toolmaker!
from your
as of yet
swelling unrealized
r e a l
blood sweat and
tears

I want to be forced
by you
to shed my own
tears,
gasp, intake my own
bloodied breath,
sweat when reading yours...
hopelessly selfish,
wholly unsatisfied...

I want
your refreshed wit  born in
Whitman
winters

tales of your Connecticut icy hot
Frost
should lay me low by new poems as good as
Lowell's

tease me, seek me
let me beg,
make me yours,
like Sara Teasdale's
"I Am Not
Yours"

I will you!
will you be,
recreate anew
William Carlos Williams

make me gnash my teeth
when you limerick like my first hero
Ogden Nash

moor my heart like
Marianne Moore

be a new American Master
of this awesome trade,
accepting of this modest tirade,
make new tools still invisible
that will become
more powerful than
any man's hand
can mechanical design...

most of all force me to
reside inside your adoms
locked in my soul's firmament,
until you have fashioned me
into
an obedient tool,
forcing me,
to weep my own
r e a l
blood sweat and
tears
that your words
backhoe excavate
from their hidden places

be mine own
GI Joe
poet~hero

hopefully,
this answers your question,
what I think
of your poetry voyage
to levels of heaven
you are yet
unacquainted

looking forward to an
aspiring spring,
a robust salute of
Aye, Aye,

for I  have fixed the spot in the sky
with the adhesive will keep your star aloft
tween you
and the rest of us
plodders

but now be bounded to lift
us to
unbounded highs
on the wings of the highest
expectations*

of all of us who
admire your journey so...
will not e v e r be satisfied,
until
you exceed,
you succeed,
until
we are such
so sated, so satisfied...
that we see the music,
dance to the words,
in places where the silence
of listening
is the greyest gift
one can give...
^Loke - courtesy of Joel Frye

Of course, I  just happened to hear Christine Ebersole sing this tonight...

It seems like happiness is just a thing called Joe
He's got a smile that makes the lilacs want to grow
He's got a way that makes the angels heave a sigh
When they know, little Joe's passin' by

Sometimes the cabin's gloomy and the table's bare
But then he'll kiss me and it's Christmas everywhere
Trouble's fly away and life is easy go
Does he love me good, that's all I need to know

Seems like happiness is just a thing called Joe

Sometimes the cabin's gloomy and the table's bare
But then he'll kiss me and it's Christmas everywhere
Trouble's fly away and life is easy go
Does he love me good, that's all I need to know

Seems like happiness is just a thing called Joe

Little Joe, my little Joe, little Joe
Nat Lipstadt Sep 2014
The Godfinger has not yet
colored-come this far south
from up in the North,
but soon inexorable, marchingly quietly
to finger paint reds and golds
that are calendar scheduled to arrive

the idea of them, their visual,
burrowed  but easily retrieved,
for in the poet's mind's eye
he foresees their forthcoming blaze,
smells them in the not-quite-autumn
sea breeze

colors welcome for many,
for they serve to awaken and ravish
inattentive-to-nature wooly brains,
distracted by new work projects
diluted multi-tacking senses,
back burnt by responsibilities,
**** deadlines,
term papers, too soon due

full well knowing fall colors incipient,
this summer man piety engorges on
the embering remains of his beloved season,
His Summer Surround Sound Environment,
reflecting on his insignificance,
the seasonality of life,
the sad-always finale for grownups
that is the year ending
December,
no longer a far away,
inconceivable concept

these robust leaf colors, product of
chlorophyll properly chilled,
signal mark
all hope lost for the summer warmth,
the life force of this
poet's body and soul's
his sun tan lotion ****** cleanser, restorative,
all sold out, no longer on the store's shelf,
and a new conceptual,
2015
low growling while on the prowl

but for now,
it's still land-greens and water-blues,
though tarnished are the hues,
the grass, an admixture of
ugly straw yellow and a sickly green,
the bay green blues darker, uninviting,
the surface sun glints duller, less charming,
but close enough to the
real thing
for him to embrace passionately

he thinks bemusedly, out loudly,
writes smilingly, out loudly,
for he is in his trademark chair,
adorned in summer garb,
t-shirt and shorts,
holding on for as long as he can,
grabbing errant sun rays,
breathing salted bay air that's
cleaner now, for the summers sailors
all gone ashore to dry dock ports

while his woman, sensible ever,
acknowledges the frosty wind that
necessitates blanket, a full dress uniform,
complete yoga outfit and anorak,
the dress code de rigeur for combat
against
the September brilliant and undeniable chill

Springsteen and Cassidy hum his
melancholy perfectly and he wonders
about the ifs and of's his chosen life,
about the why's and wherefore
of his poetry that he sometimes writes
under assumed names

these contradictions,
me, summer,
she, cloaked in wool,
these natural nature inconsistencies,
even though unrealized,
the inevitability clashing sounds of vibrant colors
overtaking greens wilting,
all to be winter-denuded,
mark the day,
mark the man,
his poem,
mark this moment of
inconsistent colorations
September 20, 2014
Still Crazy Jun 2019
drrry spells

~for the r in all of us~

a normanative condition, a kitchen condiment, an un-relished
I’m-in-a-pickle relish, when there in no hot **** dogged doggedly poem perspiration in the fridge or anywhere to be found; nothing but a top sliced bun, ah, plain buns, old stale dog ones is all ya got left for dinner, during one of them there drrry spells that
no blonde tanned unweathered weatherperson ever
forecast correctly

Normanative? Oh yeah.

the tyranny of the white, white bread, the white, whittle ya down screen, couture-cold water from tap direct, neck bent, jugged to try and fail to wash down that lumpen ball of dog fur brain drain clog that’s backing up the paper words, in a stomach churning brine holding you back from reaching the top of the Mt. Everest,

rite Normanative?

Normanative.Oh yeah. Son of Norma and Normally.
It’s in the bibell, look it up!

she-he is my pooka, (nope, uh-uh, look it up) a six foot tall rabbit,
climbing up my brain stem, strategically strangling my words like
a flea killer collar round my neck, one that actually visually works,
my flea bit words fall to the floor, to live with the dust mites descendants of the ole south, drafts and rejection letters, all whose blessed memory may never die etc. etc.

that was the condition of my normanative condition when I dropped in (yup, look it up),

Norman sarcastically asking, how’s the weather up there,
any rain in that-northern-brain, down here it’s as dry as an southern old dog porch panting in Jewlie, breathiny out summer hottie poems, write out like it’s crazy going out of style, oh yeah, forgot
you don’t speak dawg that well.

so I don’t know nothing about your drry spells, just climb into
the hottest hot tub, staying all the summer months if necessary,
reading old poems about busted hearts, old dogs, unrealized loves that can’t be forgot, promises kept that one never made, other curses,
battlefields of yore, sweatin’ out the toxins till r
sends along a new one, rocking my toenails to my disbelieving eyes,
for I’m a mentally patient person,
whose never seen a drrry spell so long, that was not worth
wading thru, waiting for, till something busted out and
another thunderstorm of a literary good one, errr come along

like I said, I’m a mental patient man, still crazy after all these years...
(yup, that too, you could look it up if ya made this far)
Seán Mac Falls Mar 2014
Magic unrealized  .  .  .
Man, woman interacting,
Child just loves flower.
PrttyBrd Dec 2014
I pull out your picture
Smooth skin and hazel eyes
Even in photographs they hypnotize
Calling my name in whispers
Pounding at my *****
Electric shocks to the groin
Waking the senses
Feeling revived
Revitalized, alive
There, ever unchanged
Your gaze upon mine
Motionless, emotionless
Frozen, in time
When you realized I was she
Perfection
Unwavering
An alternate reality
Returning affection
A two way street of romantic love
Unseen. Unnoticed. Unrealized
Yet real just the same
Innocent, unthinking
With no one to blame
Knowing you want me
That you always did
Nothing but glimpses
Of an awkward kid
Turned man
Turned desire
Lascivious by design
Liquifying resistance
Wasting no time
A bit of shy
A hint of coy
Vanish all remnants
Of that innocent boy
By the light of the screen
I lay here
Alone
Feeling the heat of you
Making me moan
Desire unabated
I finish unsated
Abusing your picture
In ways you condone
12814
J Super Star Feb 2016
The clouds are boring now
as I exist in a realm outside reason and romance.
These clouds are aimlessly
splattered on a dull blue sky
by a tried Artist
feeling uninspired…unrealized.

Is there any hope
for the Artist
and our world he tries to paint?
Why must the artwork continue
to destroy itself!
I destroy me
by staying stagnant and unamused.

Perhaps sometimes art
must be boring to soothe the soul
Here are the pics that inspired the poem https://www.facebook.com/janasillyness/posts/723417637792968
V L Bennett Aug 2018
In the air, floating just next to the window
solidly constructed
as sure as the golden highway
stretching from Frisco across the Bay
looking square
as the acres of boxcars
north on the interstate
on the south side of Chicago,
it's all atoms...

This morning my son postulated to me a so-far unrealized condition
relating to matter transmitters and, probably, hyperspace. "What
would happen, " he asked, "if some guy transported himself inside a big rock?"
Indeed.
Putting on my ears, I considered the situation.  Would the hypothetical solid mass of rock give way, shudder just enough to allow the insertion of a soft, squishy human being?  Or would the spaces in their respective atoms--rock's and human's--intermesh neatly with each other?  Molecular integration?  But such a challenge to the atomic bonds holding the things together might result in a nasty atomic accident. Would that leave a human-shaped void inside the solid rock, a mold exact down to the finest details of skin texture and even eyelashes? Imagine the crystal-filled waters seeping down to find such a hole--Behold!! Geode Man.

Holding my silver pen extended
like a rapier before me,
I dissect the wispy chunks
of smoke. The balance of air
that gave them form
is destroyed.  They are
no more.
Mikaila Jun 2013
Forgive me for my passion. I feel so stupid to feel so much, so deeply. Abashed, embarrassed, shamed by a feeling that so many seek and never find: love. And I've got too much of it to give, and no one wants all of it.

Forgive me for my sweetness, my purity of thought. No one wants idealism mixed with such bitter truth. No one wants to see the ugly realities of life through such tender eyes.

Forgive me my simple admiration, adoration, intensity. No one wants to be worshiped with such devotion and selflessness. No one wants to be so loved without reason.

Forgive me for my undivided attention and careful agreement. No one wants to be listened to.

Forgive me empathy and sympathy and care. For no one wants to see that others share their feelings, and want to help. Not really. Everybody wants to be alone in their troubles, and somehow special for it.

Forgive me honesty and honor and truth. Nobody wants the truth, not really, the ugly truth. We like to live in our lies, and hurt our friends, and deceive ourselves.

Forgive me for my absolution. Cruelly I withhold my vengeance and bitterness. No one wants to be forgiven, not really.

Forgive me for seeing beauty unbidden, unrealized, unappreciated. No one wants to see the good in such a world that has hurt them.


*Forgive me for myself.
The men kept to themselves:
they were waiting for the swiftness of the last cyclists.
The women kept to themselves:
they were expecting the death of a boy on a Japanese schooner.
They all kepy to themselves-
dreaming of the open beaks of dying birds,
the sharp parasol that punctures
a recently flattened toad,
beneath silence with a thousand ears
and tiny mouths of water
in the canyons that resist
the violent attack on the moon.
The boy on the schooner was crying and hearts were breaking
in anguish for the witness and vigilance of all things,
and because of the sky blue ground of black footprints,
obscure names, saliva, and chrome radios were still crying.
It doesn't matter if the boy grows silent when stuck with the last pin,
or if the breeze is defeated in cupped cotton flowers,
because there is a world of death whose perpetual sailors will appear in the arches and
freeze you from behind the trees.
it's useless to look for the bend
where night loses its way
and to wait in ambush for a silence that has no
torn clothes, no shells, and no tears,
because even the tiny banquet of a spider
is enough to upset the entire equilibrium of the sky.
There is no cure for the moaning from a Japanese schooner,
nor for those shadowy people who stumble on the curbs.
The countryside bites its own tail in order to gather a bunch of roots
and a ball of yarn looks anxiously in the grass for unrealized longitude.
The Moon! The police. The foghorns of the ocean liners!
Facades of *****, of smoke, anemones, rubber gloves.
Everything is shattered in the night
that spread its legs on the terraces.
Everything is shatter in the tepid faucets
of a terrible silent fountain.
Oh, crowds! Loose women! Soldiers!
We will have to journey through the eyes of idiots,
open country where the docile cobras, coiled like wire, hiss,
landscapes full of graves that yield the freshest apples,
so that uncontrollable light will arrive
to frighten the rich behind their magnifying glasses-
the odor of a single corpse from the double source of lily and rat-
and so that fire will consume those crowds still able to **** around a moan
or on the crystals in which each inimitable wave is understood.
Christian Bixler Dec 2014
I sometimes walk down a crowded street, buffeted by a river of humanity, and fantasize in my walking, from here to there, what it would be like if people just moved slower, thought more, danced more, loved more. I'm dreaming I know, a world fit only for the realms of sleep, this what I have imagined. And yet....I can't help it, walking down a frosted side walk, cars speeding by, snowflakes falling to melt against my coat, and sending a delicious shiver of cold, a sensual chill, that travels up my spine to exit through my lopsided ears, and steal a ride on my steaming breath, out into the cold from whence it came. I'm walking and I'm dreaming, two lovers kissing in the snow, oblivious to those who pass them by. Why can't I have that, why can't I gaze into anothers eyes the way they're doing, and realize in that moment that we would be together forever? Can't I even fantasize about it, dream about it, in idle moments between the strains and hardships and petty coincidences of daily life? I sigh and walk on, brushing past the cluster of people, standing in the way, gazing with longing and envy at what those two had found, together, in a snowstorm, in between the bustling, ordinary, regular, and boring moments of daily life. I look in through a store window, at the blurred and fuzzy television screens, snow swirling up there in the wintry breeze, and wreaking havoc on the broadcasting towers, away over there. I know I don't have time for this, for staring idly at the wintry sky, and the blurred, nonsensical images on a set of fuzzy TVs that someone forgot to take inside. I sigh and turn away, glance at the time. 6:15. Work would start soon, a dreary start to a dreary day. Maybe I had time for an espresso, quietly in a corner, in a crowded Starbucks, full of other people like me, trying to get warm, to find a quiet corner to sit down in, amidst everyone else trying to do the same thing. I'm walking again, turning a corner, brushing by, people like eddies of water, swirling around me. I can smell the Starbucks now, can taste the coffee, stale now with the dry and unexcitable feel of countless repetition. I stop outside, and try to remember the first time I entered this Starbucks, how it felt, how it tasted. What was the atmosphere like, was it any different from what I feel now every time I go in?  And what about the people, were they always so quiet, so reserved, huddled in corners, alone or in small groups, never talking, never greeting, never standing, till they've finished their coffee, and have to then, and go out back to their work, whatever it may be? I stand there, for a while, only slightly aware of the passing of time, the tick tock of the countless clocks and watches spinning endlessly around me, all day every day. I stand there and then reluctantly conclude, with a sigh and a shake of my head, that the Starbucks in front of me, all it's scents and tastes and it's muffled sounds, all the atmosphere of the place, was the same as it had ever been, and it was only me that had changed, becoming as much a part of the atmosphere, of the feel of the place as anyone else in there. I found that I was walking again, my steps slow and heavy, and that before I knew it I was inside the place, with all it's smells and tastes, and slight, unconscious sounds exactly as I had recalled them to be, as if to reinforce the unfortunate conclusion that I had just come to. I sat down and ordered my usual, a ,mocha without the cream, and two bags of sweetener. I watched the waitress as she moved off, laden down with orders and trays. I watched how she walked with a smooth and hitch-less gait, a perfectly neutral stance, meant, I was sure, to support her ability to be nearly invisible, when she wasn't taking your orders, or walking by. I sighed and sipped my coffee that had sat there for a while now, as I had considered what the smooth and nearly unconscious movements of the waitress might mean. I regarded her for a moment more, and then turned back to my coffee, and became once more a part of the place, it's atmosphere reflected in me as it was in all the other customers, standing or sitting in the room with me. I finished my coffee. As I rose and tipped the waitress, my thoughts returned once more to my unrealized fantasies, my waking dreams, idle and counterproductive as they were. I was outside, walking again, the cool snow accustoming my face again to the chill crispness of that winters day. I looked up and saw the Chrysler building up ahead, lit up with its thousand lights. I looked back down again, down towards the ground at my feet, watchful for a patch of slippery ice, the practice so ingrained in my nature that it was without thought that I did so, scanning the side walk for any treacherous stretch of ice in front of me. And as I did so I failed to notice any change in direction, or ambiance, so immersed was I in my bleak thoughts. I looked up and found myself far from where I was supposed to be, and with five minutes left for me to show up at work! I cursed once, and then sighed and turned around, searching for any familiar landmarks that might show me the way back to show up late for work, and hope I wasn't going to be denied entrance because my boss had just about had enough! This had happened before. Finally, yes there was the Chrysler building, glowing, a giant among many. I was preparing to head off to my inevitable scolding, and probable discharge, when I was stopped by a hand on my shoulder, small and warm, a woman's hand. I turned, slowly, very aware in that moment, of the average percentage of muggings that occurred in this part of town. I would have been prepared, at least to an extent, to have found a gun aimed at my face, or a knife, low, so as to best gut me, if I should attempt to flee. I stared in shock however, at the small card, with a phone number, written in an elegant scrawl being presented to me by a perfectly lovely woman, dressed in a black overcoat and crimson scarfe, standing in front of me with a smile on her pale face, framed by red locks, shot through with streaks of bright orange and yellow. The girl with the flame colored hair, presented the card to me and said, "Hi! I'm Christy." I simply stared at her for a moment, then at the card. Then," Madam, I think you've mistaken me for someone else, my names Dave August." She smiled even wider, showing strong white teeth, and replied," No I haven't. My organization is doing a charity program, and I thought you looked like you could use some company. We're having a dinner at 10:30 pm on Sunday, December 15th, and we've been instructed to invite whoever we feel should come. Think about it, okay?" And then, before I could react, she had pressed the card into my hands, and was already, halfway across the street, walking quickly, and with a spring to her step. I looked after her, and then, slowly, I smiled. Perhaps I would go to this dinner at 10:30 pm on Sunday, December the 15th. Perhaps I would at that.
I feel very warm right now, curled up in my armchair(drinking coffee) and rereading this poem. I think that if it were only snowing outside at the moment, then this would be perfect.
Sam Temple May 2014
it’s been quite some time
absence creating a fondness
only the heart can understand
blank screen calling
screaming to be invited back
into the fold of daily life
so here I sit
placating the cyber paper –
it’s been too long since last time
and I strain to find reason
for this medium
substance within flowery language
and metaphor
pretending to grasp the vernacular –
it’s getting harder to care
why waste time expressing the same
memories and personal imagery
as everyone else
in a form older than English
eurocentric ethnocentrism –
it’s not even practical anymore as a stress relief
nonspecific pressure to create
seeking likes and hearts as opposed to seeking a release
and freedom
posting poems as a pothead –
it’s going to be alright
this is just another phase or passing fancy
the plight of an artist is to find himself isolated
in self-doubt and unrealized potential
all the while desperately attempting to create something
to make everyone love you
all the while knowing
there is no comfort –
TOD HOWARD HAWKS Mar 2021
Life is not measured by seconds or minutes, but by memories. An old, white lady in a white uniform trying to teach me how to tie my shoes, a red wagon, lying in that space above the back seat of the Hudson coming back from Grandma's watching the tree limbs go by above as we drove home, snow--lots of it--sliding down the big hill on our sleds, saying hello to Darrell, the bully, in 3rd grade as other classmates literally ran away from him because they were afraid of him, my friend, Bruce, who would not trade me Mickey Mantle for my Allie Reynolds, Ms. Perrin, my 4th-grade teacher, one of the best I ever had, who died of cancer two years later, Virginia Bright, my first girlfriend, who took me to her church Sunday nights to learn how to square dance, my dog, Cinder, my best friend growing up, my red bike that took me everywhere, embarrassed at the Y because my right ******* was not fully descended, Maggie, my Black mother, who fed me breakfast--two poached eggs, buttered wholewheat toast, and grits--every morning, washed my ***** clothes, spanked me when I needed a spanking, hugged me when I needed a hug, loved me when my mother couldn't because she was so depressed, always making straight-A's, my dad taking me to Kansas City to take a test (he never told me it was an IQ test), asking Patty to dance the first two dances--we danced alone at the center of the basketball court  as the music began to play at the SnowBall Dance when none of her other classmates would ever get near her--being elected co-captain of the football team and the city-championship basketball team, elected president of the Student Council at Roosevelt Junior High, elected president of the Sophomore Class at Topeka High by my over-800 classmates, pushed by my dad to Andover (arguably the best prep school in the world) my junior year, chose Columbia over Yale (the Core Curriculum and New York City), was a member of Blue Key, Nacoms, and, most meaningfully, elected by my over-700 classmates one of only 15 to lead the Commencement procession, couldn't sleep in law school, dropped out, couldn't sleep for four more months, spent a year-and-a-half at Menningers (saved my life), started writing poetry when, through therapy, I realized I had my own feelings that coalesced with my intellect in my unconscious, slowly emerging through my subconscious into my conscious mind, when I had to write what was coming out of me, otherwise I would lose it forever, seven months at Topeka State Hospital after dad disowned me, founded and edited TALL WINDOWS, The National Public Magazine, moved to Phoenix in 1977, had an involuntary Kundalini arising (took me six years to revover from it, and did, but only because of the exceptional use of unguided imagery practiced by the most loving person I ever got to know, Dr. Patricia Norris) when my girlfriend, who had wanted to marry me badly, lied to me and ****** her new next-door neighbor to make me jealous (I found this out because I saw her bruised ***** that I knew I had not bruised), still unconsciously traumatized during my childhood by mom and dad's miserably unhappy marriage, selected one of 25 alumni out of over 40,000 to serve three two-year terms on the Board of Directors of the Columbia College Alumni Association (1990-1996), traveled the country as a human-rights activist meeting, talking to, eating with, getting to know the hungry, the homeless, the hopeless that populate our yet unrealized democracy, Jorge Luis Borges writing that the most important task we all have in our lifetimes is to learn how to transmute our pain into compassion. That's what I hope my life has been about.

TOD HOWARD HAWKS
Nat Lipstadt Jun 2013
Father's Way: Tell me a story, Dad

What power we possess,
when the innocent demand,
at the time of cozy bed and sandman,
"Tell me a story,"

To gentle the monsters
in the closet of their heads,
grant them a peace naive that's lost after
they learn the D words, disappointment, death,
Till then, promises unfettered, the best yet to come.

The story, you, grantor, they, grantees,
Scent their dreams,
perfume their dreams,
sprinkle their safety net, blanky, rag doll:
- scent with mom's hairspray and dad's special smell,
musk, balsam, gasoline and body odor

- scent with cherrywood falsehoods to caress,
till morning's burnished glory ascends,
thru window, tenderize the cheeks of my babes,
prep them for the truths to be learned that day.

In tones most imploring,
glances fawning,
tis us, they do deceive,    
for adult arrogance demands
in God we Trust, that they,
will believe our words,
will indeed, make them rest
till new day's slow and subtle dawning

Tis the same tomfoolery that leads us
to drink repeatedly from the trough of
best laid plans and self-deception

You believed your own narrative
will be the one he scripted,
while standing day-dreaming,
sweating on subway platform,
admiring beaches and beauties
from station walls lifted,
waiting for the train
that only eventually comes,

that train, that station, whose smell reminds you
of mom's hairspray and dad's special smell,
musk, balsam and motor oil, and body odor,
a ******* reminder of dreams yet uncrystallized,
and stories your father told, unrealized,
tho train has come, they have not

Write me a narrative, Dad,
and please advise
if tinker or tailor will be my trade,
fix my details, dear pater, par example,
pick my institution of higher learning,
my future alma mater, on my day of birth,
promise me gentility, no harm no foul, mirth,
All the days of my life.

Please advise if I shall be a
wife abuser, communist, or a ****
****** poet/user,
word rich and pocket poor,
stealing ideas from everyone,
red blooded or blue~green,
a true believer, a born again,
an agnostic, my own truths, to disabuse

tell me father, will I die warmed,
surrounded by generations of my progeny
or in pauper's grave, a life long ward of
one true mate, in loco parentis all of my days,
a child, a dependent, of noster paternal state?

Please Pop, pick wise,
the life and lies, the faces and disguises,
I will need employ to achieve success
in the eyes of my reading beholders,
who own the liens on my soul
because of the promises I believed,
when you sang me
glowing lullabies of my future days,
how everyone would love my stories,
my poems, someday...


June 11, 2011
Updated on Father's Day 2013
Many notes but the only one my father told me was about the white and black horses and their misadventures, a half a century passed, and I can feel his mustache, his goatee, tickling my senses.
CJ Sutherland May 2018
Our nights are seldom
sound
More restless  and
unsettled
Our Mind begins to ask
The bigger questions
of life

As a child
carefree
A day lasted
forever

As a youth
so anxious
To grow up

As a young adult
Restless
To be free of
Our parents
Control
to taste life
Through our own
eyes

Middle age
a bit of
fear
Enters our mind
Of what lies
ahead

Reminiscent Of dreams
Unrealized

We ponder
How old age Will
unfold

As our sprit grows
Meek and mild

Restless and wild
Looking through the eyes
Of a child
Walking slower now
Life means more

We prepare for
The next chapter
Of life old age
Life lessons as our gage
How will that play out

Will we live in pain
Lose our mind
Dementia,
slightly off our rocker
insane

How will our life end
In the arms of a loved ,a friend
Will we be ready
Or will we fear

Did we learn  our lessons
To grown in spirit
I know they say
the journey is
As important
as the destination

However will we ever truly
know our purpose
There are no random accidents
Every action has a reaction
And life’s movements
Ever changing
Emotions rearranging

We are not messured
by our good deeds
But by those who remember us
Relationships cultivated with
God greatest gift of
Love
The older I get the deeper my questions of life evolve
Joseph John Jul 2013
This I pledge:
To my peers,
To my enemies,
To my unborn children,
To those who have left blood in the streets
(And their better years unrealized),
To my Mother,
To strangers,
To myself.

Yes, this I pledge:

I will be a warrior.
I will charge at full speed,
Without reservation,
Having removed my brakes,
Having cut holes in my safety net,
Having burnt all bridges leading back to safety,
I will rage and rally
against injustice
against oppression
against empty stomachs
against tear soaked pillows
against razors stained by blood
against those who hold open arms while exhaling poison
against silence
against apathy
against the chains holding humanity down.

This I swear,
This I promise,
This I guarantee,
This is my bond,

This I pledge:

That injustice and I
shall be in constant battle.
He will remain busy throughout the night
and I will wake in a sweat
and sprint from my bed
only to return once I have been properly bloodied
and removed a chunk of skin from the beast of oppression.
Wake, repeat.

I will not be win.
Defeat will not be defeated.

But, this I pledge:
So long as I breathe
there will be no peaceful coexistence
between pointless suffering and my soul.

This I pledge:
To give my life in this struggle,
For you and you and you.
Written 7/2/13
PrttyBrd Dec 2010
A life lived in black and white.  No time for middle of the road.  Lines drawn straight and narrow.  Passion, only with rules.  Love, only as stated.  A heart filled with admiration, adoration, and caring.  Nothing missing from the list of "supposed to".  All boxes checked off. I's dotted and T's crossed.  Perfect on paper, perfect to onlookers, perfect in bed.  Never a thought of something missing.  All boxes checked.  Not able to settle into a life.  Unable to blur the lines.  Must be good, always good.  Mistakes happen, but not on purpose.  Not by choice.  

Always the good one
Right is the only option
Mistakes...still happen

Before we fully become, life is full of confusion.  Who we are and what we do are enmeshed within our surroundings, our perspective, our emotion, and our lives.  Pulled together, yet fighting every step of the way.  Beyond our understanding of purpose or passion.  Afraid of everything we are as yet unable to understand.  Trying to get through to the next phase without falling too hard.

Peers skew vision
Rules confine the innocent
Love hides unnoticed

Grown into a life of checks and balances.  A nice life, a good life.  Loved by many, yet alone.  Always alone.  Able to love, willing to love, believing love is what is being lived.  Unseen circumstances. Friendships remembered.  Longing, pulling toward one another.  More than passion could ever be.  More than who we thought we were.  The need to be right, to do the right thing, is stomped unrecognizable by emotion.  The past melts into the future.  Is a life unfulfilled, yet loving, enough to maintain, or is love supposed to be so full of passion that it takes you outside the box?  

The thought of a life
A love left unrealized
A world in a cage

A chance to live in happiness. Fires burn in body and mind.  No sorrow, no regret.  Pushed by one into another.  Two hearts alone run to each other.  Holding fast to all that is real.  Yet casualties will line the road forever tainting all that could be good.  Checks and balances. Pros and cons.  Does one give up happiness to maintain the perfect facade, the perfect family, the "perfect" life?  There is no perfect.  There is only what is.  The possibility of happiness could be short lived.  Hearts broken and bridges burned.  Broken families, broken lives.  Happiness could be tangible.  Happiness could be real.  Pros and cons.  What price shall be paid.  When should love lose and happiness not be a goal?  Choices, pain, there is no fairness.  There is no black and white, there are no boxes in which to fit.  

Straight and narrow life
Checklists, I's dotted, T's crossed
Thwarted by passion
copyright©PrttyBrd 08/12/2010

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