Submit your work, meet writers and drop the ads. Become a member
Uniformed bodies
in uniform motion
taking care not to cause a commotion
"be careful and try to blend in,
acting different can be considered a sin"
Uniformed bodies
pedestrian in personality
fitting in is a formality
"listen not to the words of sinners
only the pure are really winners"
Uniformed bodies
marching in lines
"look straight forward, never behind
we'll lose some men along the way
but as long as you never stray
you should always be okay
Uniformed bodies disheartened in spirit
working hard,
"this isn't life is it?"
Uniformed bodies
would it be a sin
if one broke away
so their life could begin?
Elephant seals
gross and flabby
ignorant of protocol
ponderously scratch.

Uniformed unicorns
importune
tame peacocks
wearing pink petticoats.

Fluted columns fade
at twilight
into the secrecy
of a passing thought.

Toy soldiers
on parade
fragile, glittering
lost.
Leigh May 2015
The tide collects it all by morning;
The drama and the ***** napalmed across the path.
The scenes at second warning for most had been swept away
Before they wiped the sand from their shoes.

Empty cans of Dutch and Tuborg slouched on the dunes
Are tight-lipped about the Velvet Strand's secret ecosystem;
An underground microcosm;
A peripheral cluster of seething emotions drowned.

Memories of those years - although some expired,
The vestiges take pride of place - hold a cosmic clump of smells,
Tastes, firsts, goosebumps, hangovers, and ends.
I never before understood what I was holding on to.

Winters down in the shelters nearly killed us but we
Huddled through the cold, lit cheap firelogs and
Found our oblivion. It didn't take much for me to develop  
A stagger - tolerance for a lot of things was learned later.

I narrowly recall my first taste of poor judgement and
Hazy-headed stargazing. Six cans of Stonehouse
Dry cider - most of which ended up on the hillside -
Was a ridiculous endeavour that will always be sublime.

At the heart of it, I did it to impress a girl;
The one every boy has or has had that sticks;
Who holds your firsts and your hands and makes
Things simple if only for her complexity;

The one that never fails to bring upon digression when
Pens are involved. Revisiting reminiscence on a jarring note,
I think of my Junior Cert exams and a cross-dressed man
Exposing himself to two uniformed boys behind the public toilets.

This one doesn't stir the joy of the others.
This one I wish would dissolve;
An ugly, awkward blotch on a childhood.

Luckily fondness trumps disgust when recalling that place
Because of sunrises and sunsets absorbed from the roof.
The Summers spent jumping the gap and drowning in the
Heat of the sun were everything.

The fugitive sand between our toes and under finger nails
Became an accepted nuisance, a part of the territory;
A lingering grain or two to drag you back.
I miss waking up with the smell of last night's faded fire.
.


Some weird and wonderful memories of my teenage years.

100 points if you catch the Derek Mahon reference.


.
Tom Gunn Jun 2012
You'll find yourself here,
not sure how you arrived.
But you won't question it.

The mayor is home: his apartment in the fire house.
His lamp is lit, and he is here to welcome you
Though you cannot see him
But you do not question it.

And you'll hear bells and the clopping of hooves ahead
of an old-style streetcar in the age
of the internal combustion engine,
infernal, before the world could burn.

But you won't question it,
No, it's all perfectly natural
As though you grew up here

And here you do grow up as you walk the street,
The buildings pressing ever closer together, merging
And you somehow grow taller.

As a fairytale castle looms ahead of you
As though it were in the sky.
It's color is a pink that
smells of cotton candy
and popcorn
and perhaps, a hotdog

It passes out of your view
Like a mirage or a whiff of cloud
As you smell the food
The advertising of smells
Seducing you away

You stop, and you look
And you don't see the tourists in shorts
And tennis-shoes, dressed ******-chic for an expensive vacation
Or smell their sunscreen or see any sign
Any sign of change since that time, no
No, you don't see anything
Which you don't wish to see

You don't see a police station
Or cigarette butts on the pavement
Or a war memorial
Or a boarded-up building, closed.
All have been scooped up
Swept up, kept up by
white-uniformed sanitation officers
with little bow ties, discretely
cleaning up the world

But you will scarcely miss these things, nor
notice their absence and
You will not question it.

For this street is a wish,
A longing,
A child's prayers
Answered

For this is a place where no person,
No thing is old, but all is new
and useful and present:
As immediate as the trail of ice cream
making its osmotic way along
the edge of your sugar cone in the sun
And down to your sticky fingers.

The castle is there, you see now, but it's so
very far away.
There is no rush.

Step inside a shop—take your pick--and you will find
plush carpets, cooled rooms, parkay tile

Above the souvenirs and tchotchkes you will
Notice heart-stopping detail
In a light fixture
In a cherry wood crown molding
In Tiffany glass and marble counter-tops
Exquisite agony of
nostalgia for the half-remembered

And you're puzzled because you can't buy, here,
An old-fashioned ice-cream soda
With which your great-greats wooed each other
And fed each other, never considering, even
conceiving scandalous sensual jokes with whipped cream
And for this, today, you love them.

Your feet will amble you back and back again on themselves,
turned around (in spite of unmistakeable
castle-mountain-rocketship landmarks.)

There, Just behind these buildings, you're certain, there
should be a baseball diamond, alight with the noise
of boys playing with a stick and a ball

There, a neat row of stately, sabbatical victorians

There, a haphazard school yard with a tire swing
and a red schoolhouse, reliable as a sunrise
keeping protective watch behind it.

And you forget
racism
You forget
any war
You forget
your own
many sins
Like
vanished
cigarette
butts

And you smile, giving the uniformed man
peddling mouse-shaped balloons
a little more of your money
than he is asking for
This is part of a cycle of poems inspired by Disneyland.
Mateuš Conrad Dec 2016
if you can find c. g. jung writing an answer to the biblical Hiob, i can be found writing this... or as the Lad Bible states: be your superficial you... so when she's not her superficial self... you can just play the awkward monotone speaking caveman that you weren't before she played you that superficial card of hers to tone down your interests.

you know why i'm fascinated with schizophrenics?
primarily because they are concerned with
an inorganic medical condition,
there are, absolutely, no reasons to suggests they
are organically prone to premature degeneracy,
they are what the Alzheimer old man calls an angel,
and what the "angel" experiences from time to time...
to cite a non-typical schizoid experience -
a splinter in the mind?
when i wrote my previous poem, i was listening
to the song *the parting glass
throughout,
on and on and on... the rhythm took over...
and when the "poem" was finished i retracted myself
into my room and first played auld lang syne
(with lyrics and English translation)
...
                           and then... the pure instrumental
of knee-deep-bagpie... bagpipes, sure, horrid,
screeching drowning-lungs of magpie
cackling cut short into a carbonated highland water...
     oh don't worry, what this comes down to
is personal experience, such negations of ease
are not like the black plague, or a.i.d.s.,
they don't come into contact with purely-riddle
human incompetence... it takes more than that...
certain conditions are not viral...
you can't interpreted them as political malevolence
akin to a political movement... primarily because
the numbers don't add up...
                    the complexity of thought is
the complexity of regarding the mind as an abstract
of the brain, given the brain has no accuracies
concerning abstraction when stated against being automated
to a pair of kidneys... i too wish for a La La Land sometimes...
but that's not the reason people allow ***** donations...
     but you know, it really gripped me,
i wrote that poem, listening to the parting glass,
and felt nothing, nothing... because i was so
formulated to write what i wrote...
  i wrote the last bit, walked into my room,
and played the second version of auld lang syne...
the royal scots dragoon guards pure instrumental...
   and you get to weep these cold tears
after an insomniac cold shivers getting warmer with whiskey...
              and whimper and bite your bottom lips...
because you're hardly a woman fainting
and the drama isn't in you...
               and it's actual tears...
people laugh and cry saharan tears, meaning: it never
rains over it...   i see Sahara as the ancient version
of the Himalayan mountain range, suddenly reduced
because god is fickle and well, aren't we all?
           if any of us are alive to read or speak such
encodings... there will be a desert made from
the Himalayas that will be called the Himalaya -
but that's really being optimistic.
       there used to be mountains, mountains in
north Africa, Gandalf! but they crumbled in deserts!
where once a mountain range, subsequently a desert...
where now a desert, once a mountain range.
can i please get a taxi to leave this current
history and Darwinistic revisionism of it as telling
us ape Adam had more psychology about him than
Charles XIV? i want to hear the geological version
of Darwinism! but am i hearing any of it? n'ah ah.
       so yes, upon hearing the scotch dragoon guards
pipe a full whiskey sodden breath into the
         bagpi - i heard the word counter to my scrambled
narrative... king... king?!
                   which is what's bewildering about
a medical term deemed premature dementia...
   it's an organic impossibility...
but given society is an inorganic organism
and all our socio-political mechanisms aren't exactly
organic, there might be some sense in this piquant
dabble in an auditory hallucinogenic experience -
which, evidently, people find frightening,
since they occupy defining their thinking with
hearing so much, and when seeing a homeless man
think so little...
                     logic? a particular arrangement of words
that does not provide kind rubrics for the testimony of
the many...
                    i can hallucinate this auditory "addition"
and competently go on my daily business,
or my nightly business finishing a bottle of scottish amber...
some people cannot...
                 what i see it western society predicating
their poor knowledge of Alzheimer's as if searching
for some genius to explain what happens to the abstract
functions of what the brain represents
                 in terms of how the brain and abstraction
can't be cleanly separated, i.e. to treat the degeneracy
of the brain as succumbed to, but not succumbing to
the elaborated foundations of the "brain"
within the trans-physical functions of the "brain"
within a framework of memory, vocabulary, memory.
people first attribute the brain with too much
           concern for abstraction when in fast the driving
force for abstraction is the now-vogue zeitgeist
"psyche does not exist" -
                            and when the brain degenerates like
a heart or a kidney can... people start to freak
out propping out a Frankenstein revival that brain
cannot in-act upon...
                                 they told us the brain is fat...
          then they tell us only 0%, or fat-free yoghurts are
good... isn't the case for the epidemic of dementia
due to the fact that we're censoring fat?
what feeds the brain? fat! what are we censoring from
our diets? fat! fat free ******* yoghurt!
                             where does the modern epidemic
stem from? censoring fat! you anorexic ******* morons!
  you know why i put extra fat in the way i cook
meals, you know what orthodox cooks tend to
like a sizzle of a lump of lard? brain food...
     and yes, some call it eating a lot of nuts...
well then... fry me a ribs-eye steak on a handful of
cashew nuts you crazy *******!
            this is what drives me crazy concerning
auditory hallucinogenic experiences...
there are no drugs that you could ever sell that people
would buy to experience an auditory hallucination...
primarily because people made thought
   an auditory experience...
                  that's the norm, i'm not talking Walt Disney
here... and people enjoy music because it feeds the heart
in a way averse to images that feed the libido
or dreaming...
    the point being, my "hallucinatory" experience lasted
for less than a second... some ***** on l.s.d. trips
for half a day because he finds modern movies boring
and finally gets to appreciate cubist contortion
mechanisations... i can do more damage with a second's
worth of "auditory" hallucination than that little
hippy can do away with 12 hours, and only end up
writing a haiku thinking he can suddenly conjure up
spirits of Shinto like some Gilgamesh *** Bruce Springsteen;
then he shaves his hair and travels to Mongolia
to learn the index against the lips motorboating
harmonica... and i end up saying: thank you;
cos it wouldn't be twangy without that kind of a tranquiliser
to stabilise excitement beyond encoding sounds.
          i can tell you how ******-up my internal
narrative has become, so i'm defeatist,
here's how it looks like when i get agitated...
               writing on a white flag...
      oh look: wavy! wavy! i'm waving it...
going boats full of nuts and bananas!
             you ever hear the story of a psychiatrist
jumping on a table and barking when a conscription
  cadet tried to fake being mad?
      she did what i just wrote and asked H. Clinton
to reiterate on the campaign trail.
                    inauguration 2017:
   i solemnly swear, that H. Clinton barked like a ruffian
poodle on the campaign trail.
  beside the point though, schizophrenia is an inorganic
manifestation of an actual organic degeneracy -
it's a negation-of-ease for dangerous people...
     people who probably have a music taste outside
the top 40 best selling albums (let alone singles)...
                   and they're quick to pick up on this grey area
concerning premature depression...
                it's trendy these days... people who are melancholic
are people who are like Homer, wrote the Odyssey
went blind from making too much heroism from
      the cannibalism at the gates of Troy and couldn't
handle telling a single lie after having written such an epic...
   or as Virgil convened: Paris didn't escape,
Aeneid did... no one knows what happened to Paris,
       probably choked on a raisin or something:
it's ancient history, if you're not going to talk about it
in a callous manner, then be prepared for careless mannerisms:
pout, **** *** cheek, shelfie!
               what i am seeing is this quote:
a butterfly on the Galapagos Islands... a Tornado in
Colorado... the poetics of quantum physics,
or misplaced potentials of counter-quantifiable
simultaneous counter-interpretations...
    the butterfly effect? under the umbrella corporate
otherwise known, from ancient times: a metaphor.
hey, we started reading into hydrocarbons,
there's no way to talk easy for us...
                           for all my love for one inspiration,
i lost my love for him when he said that not tying your
shoelaces (i.e. spelling) was because he thought it was
indoctrination... you know who i mean: Mr. Chow Chewski...
   spelling? that's like tying your shoelaces!
         question is... who would ingest a hallucinogenic
drug that didn't utilise the multi-coloured world to
an excessive amount to be prescribed, say, an U.V.
phosphorescent spectrum of seeing... when, given all
that... sound occupies this realm of b & w?
               who could create an auditory hallucinogenic?
can you imagine it?
                             most people with a weakened cognitive
membrane would go nuts... as the case has been proven
many a times...
        but given the fact that no such hallucinogenic exists,
or that "auditory" / cognitive hallucinations are
disregarded even though Descartes stressed this
   notion of a substance / thought, and an extension /
       sensual disparities with regards to cohesive uniformity,
i.e. regarding over-stressing a particular sense
      and never reaching a former cohesion...
           can only mean a circumstance later described
by Kant within the framework of the noumenon -
    i.e. perhaps you've seen too much, but heard too little...
perhaps you've tasted too much, but had barely a sniff of
                  more...
        the original thought when exposed to a cohesion
of uniformed senses, experiencing a discohesion of
             a presupposed sensual "uniformity",
returns back into a form of thought, i.e. an extension...
                only because the thing in question is a
presupposition, not a supposition that can be countered
with a proposition, i.e. since we all made mistakes
presupposing, we have become prone to propositions to
suppose otherwise... in terse terms: invent politics.
so what i termed "auditory" and "hallucination"
and conflated them in a prefix of cognitive-, in consolidation
i meant to say that: once all presuppositions (thoughts)
disappear by the miraculous ape that man either is
or wishes himself to still be... and we deem to say:
   reality...                 we only have suppositions (extensions)
               that appear...
                         by the miraculous ape that man never
was and wishes himself to nonetheless be:
  in that consolidatory ref. to the last trinity of Cartesian
thought: substance - in the former the formation
of will... in the latter the complete lack of it -
                              to the simpler scenarios,
we already have knowledge of prisons and asylums...
            because internalising such possible scenarios
never leaves the many to be grafting such possibilities
with enough calm as to persevere for the sole purpose
of understanding, as what point can a noumenon-unit
enter the argument if not from a reflex
                       as this continued narration explains...
none of this was reflected upon...
reflection in such circumstances usually means weaving
a machete at your neighbour...
                                  the noumenon-unit
the ping-pong factor in all of this is a reflex action...
         not a reflective action...
               i am no king no more than i am a pauper...
   now imagine if i tripped for 12 hours on l.s.d.,
having extracted so much, from an "auditory" "hallucination",
that, in the realm of the mind, is neither a minute,
nor a second, nor a nanosecond...
               it's unitary equivalent is simply that of: a word.
Lawrence Hall Dec 2016
Millennials at Work and War

Scorn not the snowflake who stands watch for us

Now thrown into the existential struggle
Surrendering their youth and taking up life
They muster in the fields and factories
And in their elders’ undeclared, shadowy wars
Uniformed in an unappreciated sense
Of duty and dignity while scorned by those
Who take their ease upon the couches of sloth
And fling cheap mockery at millennials
Who take up tools and work and love of life
Sometimes to die in deserts still unmapped
While generals dismiss their casualties as light
Despised as snowflakes by keyboard commandos
Who never got closer to any war
Than a John Wayne ketchup-****** movie.
Some work long double shifts through university
In a sawmill, shop, or fast foodery
Only to be dismissed as slacker layabouts,
But expected to trust those who condemn them
For not being the greatest generation
As defined by those who never served at all
And while being criticized they will grab
A quick cup of coffee for the night shift
Staffing the hospitals and police patrols
That keep their sneering critics alive and safe
They drive the trucks, they man the ships, they work
They drill for oil, these useless millennials
While idlers lounge long in the coffee shops
And YooToob computered jokes about them
Millennials have no time for coloring books
Or comfort animals or revolution
For they are weary with study and work
The best of them make no demands, but, sure
A little respect, hard-earned, would be nice
If only the scripted singer-songwriters
Would pack up the tired old stereotypes
And see millennials as they truly are
But darkness falls – they must go back to work
On the eleven-seven, the graveyard shift
They do not burn draft cards or Medicare cards
Instead through work they illuminate this world
And build it up with continued sacrifice

Scorn not the snowflake who stands watch for us
Amy Irby Jul 2012
island summer heat
big backyards
shared by three families
with rambunctious kids
sundresses, sandals, swim trunks
a big mango tree and
a merry-go-round with red chipped paint
geckos and mud baths
"boy's got cooties!"
  
mid-west plains' dry, summer heat
Mr. Sun is our lamp well past 9:00pm
Dow St., a giant hill covered
in uniform houses, filled with the uniformed sacrificial
spinning wheels, acre-wide hide and seek
nintendo and donkey kong, fireflies in jars
front yard mulberry trees
pippy longstocking "lets' go into this 'cave' of vines"
poison-ivy
  
southern peninsula, humid, summer heat
above ground pools and trampolines
a red brick house; the first home
the first CD collection, Filipino food
THE PARK,
the sandbox lid drowning in the bayou
sleeping in guest rooms, sleepovers a sign of status
pelicans, ducks, fishing,
sleeping in the boat; camping on the beach
Being a Navy brat, my childhood was spread out over the world. The first stanza was during our time in Guam, the second Nebraska and the third Florida.
The Chicago Tribune called it,
“The Affair of the Decade!”
Everyone’s mothers called it,
“Another tragic heartbreak”.
When the coroner wiped his hands,
He predicted a sensation,
And so did every uniformed man
Sitting in the po-lice station.

In a cold Illinois motel,
A man in a suit smiles.
He was twenty years in,
A detective for the city.
Oh, that smile he’ll smile,
But gone is his laughter,
Along with his pity,
For tonight, tonight,
He would shoot up the city.

Regina combed her blonde hair,
And took the lift down to the lobby.
The pale-skinned princess,
That woman’s body…
How many fell for her
Remains quite a mystery.
We watch,
Ladies and gentlemen,
We watch,
As her dress moves in the breeze.
Like a dandelion in the dark,
She rides the carriage
Into the park.

The detective stood alone,
A cut-out cornerstone.
He was no longer nervous,
He looked like a statue,
And the ******-white snow
Fell quietly to his shoes.
In the moonlight, she came.
He spoke her name.
In the moonlight, she walked.
But when he spoke, she stopped.

“Regina, Regina,
Please reconsider.
Without you,
The nighttime is darker,
The cold air much thinner.
Without you,
The wind becomes sour,
The daylight so bitter.
Regina, Regina,
It’s just a few days…
Say yes,
And in the morning,
We’ll be far from this place!”

But that Regina, Regina,
She let him down easy:
“Your job is to spy,
To live in the quiet.
You’re a prowler,
You were born to sneak,
And I will proceed,
But do not follow me.”
And we watch,
Ladies and gentlemen,
We watch,
As she turns on a dime,
Leaving our detective behind.
A poor, tortured soul,
He smiles that smile,
And in an act of desperation,
Pulls out his frosted .45.
For Regina,
He aimed, and
For Regina,
He fired.

In the heart of Chicago,
Be it snowfall or in heat,
No one can be spared
When a man is in defeat.
T’will be the foggy air,
The hot metal, and
The echo of the gun
That will help us remember
The night that we watched,
Ladies and gentlemen,
We watched…
We watched...
The snow, and how
It lost its innocence that night.
And poor Regina, and how
Her yellow dress blended into the sight.
The detective, and how
He would step into the street,
Killing everyone he’d meet.
Twenty men dead,
Now the asphalt is sticky,
And the blood spilled is gritty-
For tonight, tonight,
The detective shot up the city.

The coroner wiped his hands,
And predicted a sensation,
And so did every uniformed man
Sitting in the po-lice station.
How do you swindle the light?
This would be the greatest grift.
An ongoing experimental conn
where we all remember,
who the mark(s) is,
pretending, just in case,
behind the curtain,
sleight of hand,
behind the back,
if there is no wizard in the back seat,
just in case...you'll tell the kids:
'it was all for them.' So they could sleep.

Childhoods are just safe houses for hope.
In play roles come easy,
in assortments, and unpackages, separate;
but everyone knows the rules,
their part, they remember
that fairness is sacred to play.
Some games get played
and some gamers’ play is accidental.
The game like the carnival is vacuous,
inhaling all into its eye,
exhaling into its calm, swindles like a carney,
jettisoning all into the extinction of gratification.

The mystery lies in the conspiracy.
System can beat game, house, odds,
conn the conn and you can go home a winner.
The Universe is a big casino, you see.
And all you have to do is get up from the table,
cash in your chips, and figure out where your car is.
The house always wins, you’ll say.
But therein lies the reason we play.
Which you're sure to figure out in the lot,
cramped delineations garner thought,
you'll realize that therein lies nowhere.



The conspiracy lies in the abyss,

A place where villagers lose their cattle,
Costumed & uniformed, singing gray prayers.
Crop circles are diasporic clusters of hope.
Where science fiction invented the cold war,
Between ghosts created by radio waves.
A mass hallucination produced by trauma?
Dellusion v. Illusion
Nurturist v. Naturist v. Projection,
As long as it’s a weapon!
Destination unknown-
But just in case, let’s create something that can destroy us all.
Paul Goring Feb 2011
Uniformed in creative black
Marlboro scented
Wonderstruck
Deliberately
Deliberate
Random
Pixie haired
Angel eyed
& brave

Daring herself to be
Enchantingly urbane
Zeitgeisty
Considerably
Considered
Aware
Pale skinned
Quaintly styled
& risky

A portfolio perfectionist
Absorbing influences
Ferociously
Delicate
Delicately
Persuasive
Scarlet lipped
Crystal tipped
& scared
Copyright Paul Goring 2011
By day the skyscraper looms in the smoke and sun and
     has a soul.
Prairie and valley, streets of the city, pour people into
     it and they mingle among its twenty floors and are
     poured out again back to the streets, prairies and
     valleys.
It is the men and women, boys and girls so poured in and
     out all day that give the building a soul of dreams
     and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
     for the building or speak its name or ask a policeman
     the way to it?)

Elevators slide on their cables and tubes catch letters and
     parcels and iron pipes carry gas and water in and
     sewage out.
Wires climb with secrets, carry light and carry words,
     and tell terrors and profits and loves--curses of men
     grappling plans of business and questions of women
     in plots of love.

Hour by hour the caissons reach down to the rock of the
     earth and hold the building to a turning planet.
Hour by hour the girders play as ribs and reach out and
     hold together the stone walls and floors.

Hour by hour the hand of the mason and the stuff of the
     mortar clinch the pieces and parts to the shape an
     architect voted.
Hour by hour the sun and the rain, the air and the rust,
     and the press of time running into centuries, play
     on the building inside and out and use it.

Men who sunk the pilings and mixed the mortar are laid
     in graves where the wind whistles a wild song
     without words
And so are men who strung the wires and fixed the pipes
     and tubes and those who saw it rise floor by floor.
Souls of them all are here, even the hod carrier begging
     at back doors hundreds of miles away and the brick-
     layer who went to state's prison for shooting another
     man while drunk.
(One man fell from a girder and broke his neck at the
     end of a straight plunge--he is here--his soul has
     gone into the stones of the building.)

On the office doors from tier to tier--hundreds of names
     and each name standing for a face written across
     with a dead child, a passionate lover, a driving
     ambition for a million dollar business or a lobster's
     ease of life.

Behind the signs on the doors they work and the walls
     tell nothing from room to room.
Ten-dollar-a-week stenographers take letters from
     corporation officers, lawyers, efficiency engineers,
     and tons of letters go bundled from the building to all
     ends of the earth.
Smiles and tears of each office girl go into the soul of
     the building just the same as the master-men who
     rule the building.

Hands of clocks turn to noon hours and each floor
     empties its men and women who go away and eat
     and come back to work.
Toward the end of the afternoon all work slackens and
     all jobs go slower as the people feel day closing on
     them.
One by one the floors are emptied... The uniformed
     elevator men are gone. Pails clang... Scrubbers
     work, talking in foreign tongues. Broom and water
     and mop clean from the floors human dust and spit,
     and machine grime of the day.
Spelled in electric fire on the roof are words telling
     miles of houses and people where to buy a thing for
     money. The sign speaks till midnight.

Darkness on the hallways. Voices echo. Silence
     holds... Watchmen walk slow from floor to floor
     and try the doors. Revolvers bulge from their hip
     pockets... Steel safes stand in corners. Money
     is stacked in them.
A young watchman leans at a window and sees the lights
     of barges butting their way across a harbor, nets of
     red and white lanterns in a railroad yard, and a span
     of glooms splashed with lines of white and blurs of
     crosses and clusters over the sleeping city.
By night the skyscraper looms in the smoke and the stars
     and has a soul.
Mateuš Conrad Nov 2016
i could be an alcoholic is i simply drank...
fair enough, completely docile and
   enslaved by an addiction,
but the mere fact that i utilise this potion
for ulterior purposes says something
other than merely the fact that i drink.

we live in a world where half of the world's
believers are enforcing a monotheism,
and where half the world doesn't understand
that it has, sort of lost touch with
the prefix *mono
...
                                  i can understand both
sides of the story, and both are rooted in
a globalisation agenda... a unification
that's a supposition with the already established
presupposition of: two worlds colliding
and an alien invasion akin to the meteor
and the dinosaurs, which we thankfully
reinvented with the atom bomb... ****!
i feel like that talking Gremlin in part deux
that gets to do the news anchor post...
it's a self-conscious moment within that
trans-whatever feat of realising something...
ok ok (Leo Getz), you cut your nibbly parts off
i get to wear a leather-gimp suit and talk
a load of *******, how's that?
Islam is not only practising the fledgling
model of monotheism, but given it borrowed
the omni model for a deity, it's stating that
even the Chinese need to speak Arabic:
monotheism within omni parameters translates
as omni-phonos (we all speak the same
language)... the English tug-warfare to implement
this has seen the Arabic retaliation...
my solution: poverty stricken Marx would also
had said this (not that i'm alluding to anything
economically restricted): i've got whiskey
and trance massaging my ear-drums, what the hell!
    i can only see one alternative to the current
zeitgeist distaste to Islamic monotheism / mono-phoneticism...
  the optic-phoneticism is too archaic for Europeans,
they need a lot of wheels, cartwheels and voids
to located like a feline behaviour within undisturbed
autistic kindrence: better left undisturbed
less it be found in a third ***** darting motion -
given that Islam is both a monotheistic model
            and a mono-linguistic model (linguistics:
where optics and sounds collide) you will
find the old monotheistic guardians bewildered
where they're going wrong... the fact being:
a Jew might tell you that some people haven't
integrated properly (the rebel news outlet):
it really doesn't matter what language you speak
at home, as long as you speak the correct language
at a supermarket... to actually force people to speak
the native language at home is ******* tiresome...
this is the next generation of migrants,
the generation prior had parents completely discarding
their native tongue, so that they might propel their
children to higher positions in society,
well applause to them, but that's like a polite way
of saying: ethnic cleansing...
    now, there's another generation of children who's
parents didn't dictate such rules for the simple
   dislike of feeling awkward... the children that dictated:
we're keeping this language, just in case.
       of course my cognitive realm has built a spider-web
of ease in the acquired tongue: that's my soul
on pixel paper... but my body? i'll speak English
when i encounter and English person...
you flay the ******* donkey, i'm not going to bother.
truly this technique will not provide you
a zoo of cultural diversity with rap and the next
thing coming... but within the work ethic of:
work ennobles... you also won't get
                     terrorist attacks... so that's all Le Chatelier's
principle right there, in front of you.
     it's the part that suggests that i can only be
fully integrated into a society once i do a Michael
Jackson on my tongue, and basically bleach my
roots and call all tree roots leech-chwasty /
weeds. you'd think that bilingualism would benefit
society... apparently it doesn't when society tries
to look pretty on the outside: and termite infested
in terms of possessing a soul: hence the sometimes
odd materialism that suggests you shouldn't buy
a book for $60.            
  which is what relates this piece to answer the current
militant monotheism with its stance on pursuing
a mono-phoneticism: mono-lingua.
             for the old monotheisms to wake up,
they have to embrace bilingualism... i'm not talking
the exceptions of polymaths,
i'm talking the Benelux & Scandinavian practices...
if you people from those proud nations of post-imperialistic
glory remain in their indolence to learn something,
they'll attract bothersome flies of Islam...
   these monotheistic elders of Christianity and Judaism
can't simply waved a star of david or the crucifix about
at primitive natives of north / south america:
i actually cringe at white New Zealanders dancing
the hakka with their tribal tattoos... i, cringe.
     these "monotheisms" can only retain a moral "superiority"
by establishing a bilingualism -
     because isn't that what the whole point of the trinity
is? that the third "person" of the trinity cannot be
personified, but is rather collectivised?
                     that the existence of the Paraclete
would dissolve any chance of a Christian community?
         i already said once: the notion of the Paraclete
is as diabolical as what has already passed,
    the anti             and diffused in the existence of antimatter.
that really was a Greek touch to the whole story,
starting with the atomists.
        these ancient monotheisms have already being
polytheistic within the groundwork of polyphony,
a Bulgarian says something, an Egyptian Coptic
copies him, an Anglican says something else,
                        a Spanish cardinal nods at something else...
so i could say that Christianity is a "polytheism"
due to the fact of the polyphonic nature of the message...
Islam on the other hand is mono on the side of theology
and mono on the side of phoneticism...
                   Christianity as a monotheism is
mono on the side of theology, but poly on the side of
phoneticism... hence the vacuum of power...
but as already stated: the Benelux and Scandinavian
model of a well established bilingualism
                       has made former colonial nations seem
like neanderthals... which they are... all the more funny
to still proceed to popularise a 19th century theory...
no wonder the turmoil and bewilderment;
they simply haven't evolved: and they talk of evolution
like it was uniformed around their belly-button
gravity of pulling the entire world to look at their ****.
Joseph Burley Sep 2012
The Lung.

The broken bone branches hang heavy off knuckled tree. As cold and uninviting as wrapped meat in cellophane prison cells and those sweating milk bottles left on doorsteps. Women cry with the blackbirds as day breaks, rousing their reluctant nests.
As the shadows trawl in from chicken farms and slaughterhouses, across the squalid estates and past a debt collectors party. A ***** drinks his soot like coffee and waits for another years tide to retreat. Holding pith less ambitions and unmentionable qualifications, stewardess pass, uniformed thoughts and averting faces..
The rusty playgrounds sink into the fermenting wood chips, and a plastic bag runs through the scene; only to commit suicide in the oil ribbon canal. The chemical clouds thicken into a duvet of sky whilst  arrows of a natural sun run home with tears of fear on their hot faces.
Down here the street lights flicker, and the patched uniforms drape off children sick with the flu that hit the school like a plague. Herding like cattle into the classrooms, to learn about the natural world
that is most unearthly to there reason.
Lunch bells ring from factories and the sky has drained to a sick -off white. The chip shop sells butties with no sauce nor bun, which machine like men guzzle and slurp.
The car parks lay stagnant in the distance and pigeons too fat to fly lay droppings on the bronze statue of a crying hero. As the roaring stops from the factories and high visibility coats are hung,  the sky bruises and the men fill the pubs, until wives with children hung on washing lines drag there sweat soaked frames to the table, only to indulge them in a row.
Night creeps in, bringing with it the hooded figures that flutter along the streets. Music plays from a vacant building and seems to brighten the night.
A silhouette is seen standing on the edge, watching the busses bellow run like migrating snails, filled with the elderly and too young.
Cigarettes infest the streets creating a carpet of ash and litter. The city survives, remaining grey, never blinking, never heard.
o darling oh wohw ohhh dar-ling oh wohw wohw wohw dahrrr-leeeing some gunman walked into the mall

who shot Gabby Giffords? why what’s the reason for I said Sarah Palin with my cross-hair target I shot Gabby Giffords who saw her fall? I said gun laws people with my little eye I saw her fall who caught her blood? I said Daniel Hernandez who placed pressure to her wound with my finger caught her blood who shot Gabby Giffords? why what’s the reason for who'll make the shroud? I said Cochise County ranchers pressuring for tougher Mexican border laws I'll make the shroud with my thread and needle who'll interpret what she stood for? I said Tea Party constituents with my pick and shovel I’ll dig her grave who shot Gabby Giffords? why what’s the reason for who'll be the minister? I said Washington lobbyists with my little book I’ll be the minister who'll be the clerk? I said the media if it's not in the dark I'll be the clerk who'll carry the link I said Twitter I'll fetch it in a minute I'll carry the link who shot Gabby Giffords? why what’s the reason for who'll be chief mourner? I said American people I mourn for my love I’ll be chief mourner who shot Gabby Giffords? why what’s the reason for who'll carry the consequence? I said destitute lost their homes to Wall Street banks if it's not through the night I'll carry the moment who'll bear the sadness? We said the world both man and woman We'll bear sadness who shot Gabby Giffords? why what’s the reason for who'll sing a psalm? I said the poet as she sat on a bush I'll sing a psalm who'll toll the bell? I said factory worker because I can pull I'll toll the bell for all people of the land fell a-sighing a-sobbing when they heard the bell toll for poor Gabby Giffords. who shot Gabby Giffords? why what’s the reason for some gunman walked into the mall 9 mm Glock in his hand shot a bullet through her head 13 wounded 6 dead including little 9 year old girl Christina-Taylor Green who shot Gabby Giffords? why what’s the reason for

marching bands make me cry i don’t know why they’re so dazzling beautiful fun playing their instruments marching in uniformed unison they melt my heart eyes wet with sadness joy who shot Gabby Giffords? some gunman walked into the mall
Michael W Noland Jul 2012
some say im cynical
satanical
that my minds mechanical
diabolical
spoken essence erotical
detestable
jaded imagery hypnotical
unstoppable
liable to solve the unsolvable
while prodigal poets drown in their nautical modules

im a criminal
a cannibal
storming the street like an animal
shooting cannonballs
through prison walls
splattering the generals
in bathroom stalls
hostil
leave you poppin pain pills in the hospital
uncontrollable
my temper is flammable
mumbles illegible
choking you with your pentacle
leaving onlookers speckled
the abominable
mental protocols unstoppable
the unfeasible constable
shooting up the card table
willing and able
to call your fables
and smash apart a label
i raise babies in unstable cradles
let you bleed out
like cracked ladles

engorged in unholy wars
exploring
the corruption of the core
deplored
uniformed for
the clash of the double edge swords
taking control of vocal chords
a meet of the hordes
of the horned
misinformed
adorned
in sunlight

trying to shine
just 1 line
at a time
until my life signs decline
almost time
light and shadow combined

Horus and set

by hindsight blessed
yet to contest
to the rest of this mess
by melancholy caressed
as i arise unrest
from the cess
of the un confessed
blessed
Terry Collett Apr 2015
You see a blue tractor pushing through deep snow in a far away field and trees laced with the whiteness of the recent fall and ignoring the babble of voices behind you you peer up at the dull grey sky and the chill makes its way through your body’s flesh and bones as you stand in your nightdress and bare feet because they don’t trust you here in the asylum with laces or belts or anything you could hang yourself with what with the last thing you did in the female john with the dressing gown cord around your neck tied one end to the high up flush system and the other around your pretty neck and if it hadn’t been for some nosy patient giving the game away and screaming at the top of her voice like some demented cow bringing the white uniformed nurses racing to your unwelcome rescue you’d be swinging your way to some paradise by this time or not so but now you stand by the window peering out with a cigarette in your mouth and your hands behind your back and your head leaning to one side as if some string had broken in the neck of a puppet and you trying to forget the memory of Bates and his leading you on and down into the dark depths and all that pumping of ***** and needles and that moon that you recall shining down on you as you lay on the grass your head about to explode into a thousand shapes and colours and sounds and the heat there uniformed and not so over you looking down their words lost in haze of Hendrix and guitars and all you wanted then was to slit your wrists and lay in a bath of warm water and go meet Jesus if He allowed but the heat boys had other ideas and the stars were all over the place and you talked of each note of music being still out there somewhere racing through space each tone and half tone each blues note easing itself through the space of time and you and your mind and the heat boys just looked on and smiled and thought no doubt she’s on a trip to nowhere let’s get her to the A& E of salvation and they did you recall and their words and touches were of kindness and not of lust or *** or that fecking ***** that some deliver to you remember out in the real world if real it is and who the heck knows anymore and as you stand by the window looking out at the snow and field and tractor and trees Sassy comes upon you with her arms around your waist and her lips on your neck where the scars of a failed hanging show mild red and none of the nurses are looking in your direction too busy in their work to see you and the dame with her lips ******* your neck and her hand feeling your ******* and even if your ******* is on hold what with the stress and such you don’t feel much for the loving touch she wants to give remembering Bates and his strong fingers and his tongue like some viper licking and you turn away from the window seeing her eyes and smile and her hands held out to her side like some Crucified waiting for the nails and hammering and the goodbye words and far off you hear the morning birds and feel the emptiness open wide to swallow all and each and whatever it is you want hidden or lost or seek just yourself within the walls of your mother’s womb and there to hide.
A WOMAN AND HER MENTAL ISSUES.
Francie Lynch May 2014
Uniformed and re-upped,
We are the mind sweepers,
The navel gazers moving lint,
Waiting for the image to strike.

We are the missals
And the launchers,
Looking through cross-hairs
From think tanks.

We captain verse vessels to shore,
Unload and return for more.

We are the Romantic
Ancient sub-conscious mariners
Stitched in hammocks.

We are rocketeers.
A force
To reckon.
Sharpeville, 21 March 1960
"The native mentality does not allow them
to gather for a peaceful demonstration.
For them to gather means violence."
- Lieutenant Colonel Pienaar

1.
We went with wrists ready
For metal shackles
To clench
Their cold grip
Onto fire hot skin
Boiling with white rage;
The appropriate rage.

This situation has justification
In the predications they hold true
Where to some
Human is synonymous with
******* nature,
Dangerous and hungry for
Light white blood we
Must be caged
To prevent the massacre
We could create.


2.
A child’s body is not a hurdle.
But when fleeing,
Feet pounding on dirt paths,
Black with dark blood, leaking
From shafts of taunting revolvers
And throats of the permanently
Silenced,
What do you do but run?

5,000 bodies bound together,
Melding flesh with flesh,
Fusing unhinged bones to bones
Still cradled in their skin,
Line the street where
Puddles are forming next to
Concaved skulls emptied
By misinformed bullets.

Last thoughts and worries
Are forever splattered on faces,
Tracing red lines
On skin
Sooty black,
As dark as nights will be.

3.
Sixty-nine lay dead.

A rock they said.
When interrogations
Took place
A rock they said.
Empty hands laid
Palm in palm
But a rock they said,

This, they said, sparked
The worry
That made it right for them
To make bullets fall
Onto us like metal raindrops
From an angry heaven
Hungry for black skin
And black blood.

Hands digging into earth
For retaliation,
For blood they said,
But everyone else said,
The rock that flew
Was in hands white as light
As bright as the day was
They say.

If the rocks they said that,
Spurned uniformed egos,
Flew from ground,
To air,
To gunned men like they said,
Does it justify the dead?
Mateuš Conrad Sep 2018
. bye bye, ms. american pie...

ever find a hallucination
of a strawberry in a cigarette?
or a vanilla ice-cream cone
in a bottle of rye?

dear ms. amber, dear ms. amber,
dear mr, john smithy...
could i possibly take ylur daughter
to the dance?

may you be the beauty i sometimes
expected as a wife...
who heeds ****...
just listen to teenage girls prior
to the "ultimate" loss
of virginity...

to name but one...
she clearly lost her sort of bit,
Madonna music immunity....
to boot...
       abooktopia...

does that word mean anything
without a children's book
contracts by publishers?
or therefore, with?

                 i forgot to ensure
curating an interest in...
    to overcome the summary
of the crude encompassing of...
klaus doldinger....

              erinnerung...

    tod spricht vorausgehend
       zu leben...


it's almost funny...
people with the sole capacity to
recite...
merely ******,
  Himmler,
        Göring,
                   Goebbels...
      
               but i thought Nazis were
in season?
i thought society required Nazis?!
   such a pithy...
such puny recitals!
               almost all of the WWI soldiers
under Wilhelm were
deemed heroes...
      thank **** that i'm not even
a quarter German...
given... what the united powers
did converging over
Berlin... with the ***** epidemic...

    even though i'm Polish...
and i remember my great-grandmother
hiding from both the Nazis and
the Red Army...
you want a ******* villain...
i'll be a **** for you...
no problem...

                      i sort of have a fetish
for the Dritte ***** uniforms...
       lodged in a Indiana Jones movie...
**** it...
suit up and boot me in into
the act...
            i don't mind...
what you can't take away
from the Nazis that you can take
away from all other antagonists...
pristine tailoring!
     you can't match up
to whatever axis / empire of evil...
and "think"
you can out-compete
the tailoring of **** uniforms...
no chance in hell...
however many
pineapples harvey keitel
shoves up Adolf ******'s ***...
  
it's still Armani grey when it comes
to the uniformed officers
of the the Wehrmacht...
as it is the: sly "little" number...
for the Coco Chanel... SS
splinter, base, bias, *****.

if people are so desperate for
a ****?  
  can you really starve the people?
and not give them one?!
that would be most cruel...
i think people deserve a bull's eye!

you're most welcome...
   there i was, suffocating on the fact...
that you were disorientated...
and pointing at false actors of...
what you expected to be
the motivational enzyme -
sole curator,
               of forwarding history;

why didn't these people come to
me sooner?
  i would have played the **** sooner!
Mya Nov 2016
He strolled in with the badge he earned
Never for the man he was
But for the man he threw on the uniform to be
Pushing through failure until the bricks fall
Making way for the long life choice of training after heartbreak
and leaving to seek self-gratification
Not looking for the pieces of those broken when the bricks fell
March on without the fears of life or man
Forget not those who hurt him but remember to distance those he loved
Yes, perhaps 'tis true.
Everywhere I go-with all t'ese dwindling thoughts on my mind-
'tis always the same shadows that roam, and moan-
before my eyes: and t'eir never-ending business.
Crawling on t'eir lips,
poisoning t'eir bosoms, chins, and hips-
but unrelenting in their unfolded shades;
with a swamp of bruises like mazes-tangled mazes;
likening them to spoiled, yet uncherished, little pearls.
How despairing-such views I obtaineth, on my every journey!
But shalt there still be space for us, to be outstanding;
to understand this world from a pair of eyes
glistening like unquestioning gentleness; but learning simultaneously
its unvivid perspectives
with such comprehension t'at is crystal clear;
such wit t'at is far from recklessness and greed-
salutations that are pure, and distant from any blighting threats
of equivocation? For t'is world is, in spite of its minuteness,
was framed and brought into life from
awesome darkness, abysmal cells of lifelessness
and hateful ambiguity.
How terrifying!
And often have I enforced myself to wandereth into those shades,
with unmolested poems boiling up in my brains-
and t'ose windy thoughts toppling out into th' paper
on my hand,
jostling through my veins like some ghastly, furious power
t'at's unseen, invisible as it is to th' human eye-
frail and susceptible to th' weather's surly temptations-
and entrapping me in the shrieks of its wondrous grot-
so I could never wane it any further, in my guileless brambles.
How I have dreaded t'ose sights-and t'eir dormant treachery! Lessons of
guilt, teaching of such guilty flakes of harm
and abomination! And how in my following quietude have I pondered-
t'at t'is would be just a balmy prelude to some far bigger strains of
mockery, obstinacy, and destitution. Hark to how those powers
shall arise! And that will indeed be th' abjuration of our splendidness-
everything shalt stop at a halt-everything will become flawed,
and no more poems shalt be liberated-from living souls, and t'eir undamaged
blood, as t'ey still are now! How I shiver at t'ose possibilities, as soon as our
latent enemies be on th' loose-free in t'eir ruthlessness, traces of dark,
unperturbed miseries, and brutal savagery.
And shalt we shine no more-like those summer flowers that are waiting for us-
to be fed daily like th' hungry morning doves;
with their thorns as sharp as love, and innocent gladness
in the arms of their lips-'tis but a scent so dear to the heartbeat
of oureth salubrious mornings.
But t'at danger, danger indeed! And its eyes of glaring monstrosity!
And 'tis just of substantial profoundness t'at we should be
cautious-yes, cautious, my dear fellows, towards t'ose signs
of th' upcoming storm-th malevolent storm of human rage, t'at shalt attack us
one day-at one perilous night, unpredicted and unexpected is its fate-
especially when all th' battling footsteps areth
peaceful in their slumbers-and no more palms dancing around
piles of paper-in th' holy procurement of continual wealth.
How t'at moment shalt be our early Armageddon-awakened shalt be
all rivers of terrors, and waves of hatred. How t'is beautiful solitude shalt end-
in th' fierce burning, brimming death of t'at flame-credulous shalt we be,
disempowered from th' heat-which shalt bring us but our dead feet.
Thus I but sincerely hope t'at gloom shalt not conquer our race-
the noblest of all creatures on earth-on t'is dull earth, fatigued as it is
from all th' uniformed battles, hatred, and anger-t'at untiringly sneer
at th' faces of those dying soldiers.
Peace, peace, my dear mates!
Ought to realize thou now-t'at swords shalt shed blood only if instructed.
So tranquility is but in oureth hands-yes, we are but th' key to our own salvation,
and since it is so, shalt we move forward and be the charms of t'is world's
new foundation: for it is our own life that we shalt save.
Peace, my friends, shalt but break all t'ese unseen boundaries amongst us,
and enrich our fathom of t'eir unspoken presence; so t'at th' small world is but
th' most dwelling of comfort, and aught but ease to our hearts-
our very dear, dear hearts in t'is life.
Lawrence Hall Sep 2018
(A class for correctional officers
at the local community college)

Thirty-six-thousand a year to begin
No education or experience required
The recruiting posters are pretty, though:
Handsome young people uniformed in grey

But the poor sergeant can’t control his class
His students have their cell ‘phones and their ‘tudes -
“Tell Momma to pick me up like I said!” –
Slouched in their seats or wandering the halls

While dozing over her own telescreen
A fat corporal yawns by the soda machine
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.
Sin Mar 2014
it is exactly one month before my seventeenth birthday and I am standing in the road under dim streetlights that remind me of the candles that glow from the windows in the winter.

your silhouette beckons me from across the way and I drift towards it, executing each step slowly like a surgeon, although there's no need for silence anymore. it is 2:05 in the morning and I have left my house in the dead of night. I slip into the car and the welcoming aroma of menthol cigarettes and dr pepper engulfs me and I smile for the first time in a while. I am not afraid. I am not sad. I am home.

this right here is the part many will never understand. home is not made of four brick walls and a sturdy tin roof. it is not a fireplace or picture frames or a warm bed. home is where you feel like you belong. it is where you are loved. cared for. needed. this is my calling and I've reached out to answer it. this is the family I never had.

three hours in a messy car does not grind down my spirits of this little vacation I've begun. I have smoked half a pack and kissed you much less than id like to, but your presence brings the greatest peace of mind.

upon arrival, I take escape to the porch to see the waves lapping beautifully upon the shore and I think that I will miss this when I have to leave. it is 5 a.m. and the sun has not yet risen. we take shots of cheap tequila in celebration and pretend that they are water. only looking back on this do I realize what a hilarious irony it holds. in childhood, many of us would pretend that pretzels were cigarettes and take ***** shots with the caps of our water bottles. maybe this small act is a form of regression. maybe were all still children.

everyone begins to make music as inspiration spills onto them and I watch in awe. at 6 a.m. we are down on the beach. I do not remember how I got there. I can only remember seeing you sit high on the lifeguard stand, a king, looking down at the world as if it were yours, and I wish I could give it to you. my wind beaten cheeks meet the horizon as I topple into the sand in fits of laughter and happiness; I wish I could bottle this feeling so I would never lose it. Joy is a foreign language to me. others seem to comprehend it and spill it from their mouths so simply, while I do not understand a single syllable.

I don't remember how we arrived back inside. everyone seperated. we climbed into the bed that an old friend had broken and made love as the sun rose. it cut sharp through the glass door behind us and sprayed waves of light on my skin like liquid gold. I am thinking this could be the last time, I am hoping it is not. we fall asleep not long after, and this piece of communion that was placed so gently on my tongue dissolves and the bitter taste in my mouth begins as soon as I wake, a few hours later.

day two is a chapter I would most likely title: The Panic. it does not begin right away. our day mostly consists of laying on the beach and kicking sand at one another like ratty, wild dogs, forcing each other into the pit of frozen waters, and making bets we will never go through with. around this time news has reached me that my mother and father have the police looking for me. I try to push it towards the back of my head.

but you see, the inner depths of my mind are already flooded with sinister ideas and broken secrets I may never share, and this panic tip-toes throughout my body and sets into my bones, weighing me down as if I had boulders in my pockets.

I am told to "calm down, everything will be Okay." when tears frequently line my eyes in silence. they continue to tell me this when we find ourselves in the kitchen scrambling to pack our things because we've heard the cops are coming for me. they also tell me this when I'm screaming apologies and holding your hand in the backseat of the car. they tell me it when I say goodbye at a nearby park and give hugs I think may be my last for a while. but the thing about this statement is, I am always calm. I am in a numb state of inner silence hungering for bliss and just four little days of freedom. but nothing will ever be Okay, no matter how long I've gone away.

the walk home, only a mile, was beyond limits of the word beautiful. the stars were practically beaming and the air was cold but in the good way like a puppies nose when it's kissing your face. or like mist falling from the sky on a summer night. I don't believe in God or any higher power, but I take this walk home as a sign that maybe everything will be okay when I walk back into that house.

if I could describe how the weather should have been that night to match the actions that played out when I arrived, they would be along the lines of destruction. trees ripped from the ground with their roots showing. winds sweeping the roofs off this suburbian wasteland. lighting strikes bringing on raging fires. it must've looked like that to match the look in my fathers eyes. thunder should've accompanied the sound of him shoving my sore body against the wall. pulling my long brown hair and tossing me to the floor like the garbage I was.

the full wave of panic washes onto me in that moment. for some reason I thought of the father I once had that didn't drink every night with his girlfriend, the only one that ever seemed to matter anymore. I thought of the father before he left my mother. I thought of him banging scratched pots in the sink and slamming doors with the strength of one thousand men and shouting with the voice of a man with a million sources of pain. I thought of how he tried to leave us once. and then how he really left us. I wish he could understand. to me, this is the ultimate level of hypocrisy. I am persecuted for leaving the man that left me in my time of need.

I am almost relieved when he says I must talk to the police. I have never been a fan of the flashing red and blue lights and the uniformed men who are paid to protect you but only arrest you. I believe they do mostly harm to many innocent people. you may not understand this. you may not know how it feels to walk up to this figure with the badge and want to tell him everything, to see if some shred of understanding lies beneath the deep cold stare in his eyes. but he only accuses me and attacks me with loose words that do not phase me. he does not let me speak. he is not here to help.

and so starts the beginning of the end. finally reaching the point where I am as trapped as I have always felt on the inside. the only question I keep getting asked is "why did you do it?" and I have yet to answer this. maybe I was homesick for a place that did not really exist. maybe I thought I would find salvation in a bed id never slept in but already loved more than my own. maybe I thought it was too repulsing for the two people who brought me onto this earth to be one of many reasons I desperately wanted to leave it.

I would love to tell them, my parents. everything. the abuse, the drugs, the cutting, the suicide attempt, the hell that eats me away everyday...they should know. but when your mother laughs when your doctor tells her that you show signs of major depression, you tend to believe this is just a game to her. talking to false friends on the phone and playing rich sports will always be more important. my fathers favorite tv shows and nightly few bottles of wine will overpower my tears and pleads for help. I am always stuck in an all knowing silence that everyone takes for stupidity. I've always said "darkness is my only friend now" but I think that night time is too beautiful to be an aquaintance of mine, and my friends are the Family by my side when my fists are full of blades and my feet are on the edge. I think this is the type of darkness that welcomes me as I wake every morning and sleep every night. it is the only place I know on this gigantic prison called earth. it settles inside of me and runs through my veins. it is carved in the walls of my skull and keeps my heart beating in a steady, empty rhythm. home, sweet home.
this is the story of how I ran away.  I figured id write it all down now so I don't forget. I hope I never forget.
In my voice,
a conviction stability,
a dedication,
a sacrifice unrequited,
an eternal reach for decency.

In my heart,
a pressure uniformed,
a blood flow,
a purity,
a mortal love storm.

In my eyes,
a mirror pristine,
a secret,
a truth,
a promise of my loyalty.

In my soul,
emotion,
a romantic amour,
a lover,
a flame,
my sensual paramour.
© Christopher Rossi. 2010
Nigel Morgan Feb 2013
After the painting by Fritz Von Uhde (1848 – 1911)*
 
Sophie is twelve
Hanna thirteen
dear pinafored girls both
home from school
this summer afternoon
they sit knee to knee
but far enough away
from mothers’ chatter
at tea on the terrace.
 
The girls have gossip of their own
to share and talk is ten
to the dozen (and more)
whilst Hanna turns the pages
of a story book (with pictures):
a woodcutter’s daughter
a handsome young squire
ensnared with love
by a magiced white owl
there’s a castle by a lake
an endless forest  dark
a mountainous domain
so far away so long ago.
 
Poised in the doorway
of their teenaged years
our girls imagine
the courteous attentions
of uniformed cadets
who one day soon
may very well sit
at the garden table
in the dappled shade
and silently gaze with longing
on their oh so delicate charms.
Michael DeVoe Nov 2015
I've ran my hands across the bones of teachers
Buried between the bricks of The Great Wall
I heard them whisper grumbles of their true worth
Beneath the crack of the overseer's whip
I've felt the shivers of their shame
As they ground the bones of their colleagues into a paste
And lathered the human mortar among the sections of rock
I spit on the ground before me
When I tasted the words of imperial edicts blasted from uniformed men

I stood upon a guard tower at The Great Wall of China
And saw in all directions the nothing for miles
Felt the hollow loneliness of the soldiers, teachers, slaves
Men thousands of miles from their homes
Bitterly building defenses for a collection of villages
One man called his nation

I ran my hand along the edge of The Wall and got a splinter
Studied the protrusion
Wondered if it was stone, dirt, stick, or bone
A tourist took a picture
A jogger ran by
Father told me they could see this monument from space
I saw a drop of blood on my little finger
Wondered if it was mine or the walls
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
Steve D'Beard Mar 2013
Tread the bourgeois carpet
of 5000 feet
caked in airmiles

Enter the ornately crafted
nondescript facade
passed the chap in the tall hat

Rank and file -
standard issue pleasantries

Sign the guestbook
of illegible memories

Acclimatise to the room
of temporary devotion

devoid of belonging
or emotion;

the ruthless economics
of designed practicality

The impending ideology:
that what you pay for
you dont get to keep

That nameless hotel
dressed in uniformed vulgarity
is the fourth to be welcomed
as Home this week
manicsurvival Aug 2013
because all I see is IGNORANCE
minds that are satisfied
with being uniformed
where has the world gone
where is the CURIOSITY
where are the children
pledging to make the world a better place
because all I see
are PRETENTIOUS photographs
and empty thoughts
where are the questions
why is it acceptable to know nothing
society
i hate the thought of
a culture
a culture that is OBSCENE
a society that should be
ASHAMED of its wrongdoings
a society that should present
WORLD HUNGER as an actual problem
a society that should take ACTION
rather than sit by
as if people aren't dying as the minutes pass
and every grain in the hourglass
represents a STORY
stories that aren't told
all because society
is too IGNORANT
to care
Robert C Howard Nov 2015
Standing in the tunnel
at Eighth and Pine station,
I survey westbound commuters
waiting across the tracks  -
standing arms akimbo
or leaning on marble walls.
A well-suited young man paces the platform -
cell phone pressed to his cheek.

    [Passengers stand clear of the
    edge of the platform at all times]

Rushing in from the east,
a gleaming white chariot
arrives - pauses - resumes
leaving the far platform vacated
as if by alien abduction

From the left a blazing light
pierces the  tunnel
and the Shiloh – Scott eastbound
halts and snaps open its doors.
crossing the threshold.,
I claim a seat by the aisle.

    [Please stand clear! Doors are closing]

With eyes half shut I scan the crowd:
uniformed workers wearing ID's,  
a toddler’s arms and legs
dangling off his mother's lap,
An elderly couple talking softly.

The soft clatter of wheels
and the gentle side-to-side sway
rocks us like a cradle -
memories of the long day
melting into thoughts of home.

    [Fairview Heights Station.
    Doors open to my right]

The lady with the toddler steps off.
A trio of teenage girls
fresh from the mall
seek and find empty seats -
filling the rear of the car
with the music of their chatter.

Streetlamps scatter shadows
over parking lots.
The unseen country side
slips by under cover of darkness.
Headlights gleam like jewels
waiting for crossing gates to lift

    [Next stop Belleville Station
    Doors open to my left]

I clutch my lap top,
work my way to the door
and wait for the train’s full stop

Stepping out into the frost filled air
I pause to watch the sleak white chariot
vanish on the eastern horizon.

September,  2006
Please consider checking out my book,  Unity Tree - available from Amazon.com in both book and Kindle formats.
Chris Oct 2016
Playlists of broken thoughts
Cobwebs and keys
Slanted in uniformed dissatisfaction
Notes smeared on fingertips
Melancholy mu-sick
Vibrato virtuoso

Bending strings and pushing pedals
Smashing baby grands
Into bite sized pieces

Feedback flashbacks
And the band played on
While the pianist was shot
Between the eyes
In an off key massacre
To a standing ovation
Passing is paranoia
Like oiled up blonde blue eyed women
On the slave for sale stage
Next to dark skinned slaves in the same chains
From the clamor in the audience
White women
Yelling
Proclaiming
Protesting
“Are we selling ourselves now?!”
Passing is paranoia
I don’t know who knows I’m not white
I do not like white people behind my back
Where I cannot see them
I keep my back against the wall
Passing is dangerous
Confidently passing
Will get you beaten and killed in a dark place
White uniformed militia will say you did something you didn’t
White women will force themselves on you and say you did
Passing is ****
Until her white parents find out
Then passing is loneliness
Passing is plotting
Them against you
Anticipation
Edginess
Tension
Passing is in limbo
An interval of genocide
A frantic meditation on what it is to be human
Passing is revolution
Passing is waiting for the perfect moment of revenge
Passing is vengeance
Passing is the blackest you will ever meet
Lawrence Hall Jan 2019
Imagine this centered: And lunch with Kirk and Uncle Bubby

Even the birds are staying home today
Those flocks and flights whose accustomed spirals
Make animate the skies are grounded by frost
And leave the waters of the marsh in peace

Young men uniformed in Nomex 1 and beards
Spiral into Hollier’s Cajun Kitchen
From the barges and the maintenance shops,
Cracking units, pipelines and hotshot rigs

They are smart, tough, and strong; they fuel the world
And pose for pictures with the concrete pig 2


1 Nomex is a flame-resistant material developed by DuPont and is worn by workers in many industries, especially petro-chemicals.  The man or woman in Nomex keeps our cars, our lights, and our lives functioning.

2 There are in fact two concrete pigs outside Hollier’s (pronounced “O-Yays,” says Uncle Bubby).
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.


Lawrence Hall’s vanity publications are available on amazon.com as Kindle and on bits of dead tree:  The Road to Magdalena, Paleo-Hippies at Work and Play, Lady with a Dead Turtle, Don’t Forget Your Shoes and Grapes, Coffee and a Dead Alligator to Go, and Dispatches from the Colonial Office.
Sylvene Taylor Jan 2014
remember when we were best friends? and every time you created a rainshower i was always there as the sun to clear up the puddles. remember when we would run our mouths like motor boats but there was always something to talk about. remember when we would laugh until we developed six packs and our lungs gave up remember when we were eachothers diaries remember when we were best friends?

remember on the first day of high school we were eachothers solid rocks and behind eachother every step of the way; and remember the second year when we didnt call. remember when i was there when you stole that snickers but i sealed my mouth as shut as an antique chest and the secret was lost in my secret garden never to be spoken of again. remember when those girls we saw as caddy and were the meaning of mean girls? we always said we would never transform into them. remember when you changed your hair masked your face and caged your feelings to become one of those plastic barbies? remember when you stabbed her in the back and kicked dirt in her face for initiation and left her in the middle of hallway and you flipped your hair up in the uniformed step away..with the mean girls. Honey you were the lindsay lohan of that clique-not the leader but the caboose of that train. you were to blinded by the shiny fame that dangled in your face.

remember when karma came back and bit you in the ***? remember the rainshower you created in result of being dropped and kicked to the side, in result of being that doll left on the shelf as result of being that tissue that was blown and thrown away as if you meant nothing remember that?

you finally remembered how i used to be you sun to clear up those puddles and make you warm again but now, you will ALWAYS remember, the way you used up my sun rays and threw me out when finished, the way you ran over my feet in order to get in that line the way you made me my spine just a little bit stronger with the tears that watered my esteem.

but what goes around comes around. im no longer your sunshine, but im now the darkness that lurks, that nothingness, i have no more rays of sunshine to warm you up and pick you up,
for what goes around comes around
i bet you will always remember that.
Deity Aug 2014
No Justice. No Peace.
We're killed for jaywalking,
But are expected to remain at ease.

We're seen as looters.
When terrorists are heroes.
And never unjust shooters.

They "protect and serve."
They protect each other.
Whether its inhumane doesn't matter.
Then they serve morgues...
with young black bodies on shiny silver platters.

They don't want to hear us.
So we're told to remain peaceful because it's easier to ignore a sound that isn't being made.

And if we remain quiet the passion for wrong doings will begin to fade.

Black people are ashamed of each other for rioting in their own community. But it doesn't belong to us.  So feel free to burn down gas stations and break the windows out of a Toys"R"Us.

We'll be executed in suits. We'll be executed in sweats. We'll be executed when we're armed and We'll be executed when we pose no threat.

So scream if you have to.
Let it all out.
Fight fire with fire.
It will grow, and eventually someone will put it out.

Because remaining peaceful has gotten us nowhere.

When we're peaceful they don't care. They torment us. And we're mocked. And are attacked with tear gas while rubber and wooden bullets are being shot.

So don't shoot. But when you need to. Shoot back.
I want us to be able to raise children who won't be murdered for being big while black.

And it isn't in the U.S.A.
Where Unjust Shootings are Admissible.
And Uniformed Shooters are Admired.

So fight back. Even though we're already so tired.
Hal Loyd Denton Aug 2012
Sequestered

Lost in love the two playfully were immersed both in water and love an idyllic pool far from public view
Opened a portal hidden serene private was the reality their attention was exclusive for one another the
Quiet solitude it reached shore the trees took on the appearance of soft green uniformed sentinels of
Nature on the other side the rock cliffs was the amplifier their laughter had a rich explosion it feel back
On their two hearts wistfulness tinged in bliss opened deeper grandeur in their eyes for one another a
Glow pervaded this hideaway the secure the richest ground where all love flourishes be ye old or young
Seek these timbers the run off of mountain streams in them you will find life invigorated timelessness
Releases a sea of joy compressed into this hidden place a drum is beating it is both of your hearts
Beating In unison even nature has this ripple they say fire and water doesn’t mix then why is gentle
Sparks rising and a smoldering in the eyes passion’s fire is about to ignite it’s instantaneous
Explosion will rock the surrounding elements the epic center will come from no other place than
The body beautiful it crests and falls in deep valleys and reach mountain peaks love alone can only
Know these pleasures and at certain seasons this is a must you prolong not just love but great love
Romance will come like the island girl's dance deep rhythmic mesmerizing you’re their when you forget
Your name your brain has been thrown in to over drive enjoy the ride nothing will be common in
Embrace the thundering waterfall will drive you to your knees here your pleas will be answered where
Is the magic you both have whispered it always lays at the end of comparable searching by both you
Touch with body and soul a mysterious fount laid in spiritual bedrock never fails to provide if you call
And search you will walk into this living promise love is a surety but you must dress for it in proper attire
You divest yourself of self and your desire is to only to give to this significant other they speak of morning dew
When struck by the morning sun appears as landscape filled with diamonds love is a Curtin bejeweled
With many precious stones how it shimmers hidden within its vale wonders exists it has and never will
Be plundered by thieves and robbers only innocent lovers will it admit many are the places it can be
Found what is described here is one of them life will and can be hard but in these recesses you will find
Armor that cannot be penetrated you both will emerge as visual and powerful casted hardened steel
Forged and molded in the sweetest modulations I went a poverty weighted man and returned with royal
Riches if you ask what are they called with the highest praise a tongue can tell they are called the love of
my life my beloved wife

— The End —